| 1. Souvenirs Souvenirs |
| 2. Kiliwatch |
| 3. Taimer Follement |
| 4. Qui Mon Cher |
| 5. Le P' Tit Clown De Ton |
| 6. Depusis Quima Mome' |
| 7. Itsy Bitsy Petit Bikini |
| 8. Une Boum Chez Johns |
| 9. Sentimental |
| 10. Nous Les Gars Nous Les Fi |
| 11. Mon Septiembre Cieu |
| 12. J'suis Mordu |
| 13. Tu Parles Trop |
| 14. Oui Jai |
| 15. A New Orleans |
| 16. Tu M' Plais |
| 17. Je Veux Me Promener |
| 18. Hey Pony |
| 19. 24000 Baisers |
| 20. Ce N'est Pas Mechant |
Souvenirs Souvenirs,Johnny Hallyday,BMG/Vogue,France,French Pop,French Rock,Rock/Pop,World Music
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Souvenirs
Dan Fogelberg Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002537 Release Date: 1990-10-25 |
Tracks:
- Part Of The Plan
- Illinois
- Changing Horses
- Better Change
- Souvenirs
- The Long Way
- As The Raven Flies
- Song From The Half Mountain
- Morning Sky
- (Someone's Been) Telling You Stories
- There's A Place In The World For A Gambler
Customer Reviews:
awesome.......2007-03-09
Fogelberg is timeless.......2006-11-10
BUY THE REMASTERED VERSION INSTEAD.......2006-11-03
Dan's Best.......2006-04-23
Wysteria question.......2005-12-02
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Souvenirs
Vince Gill Manufacturer: Mca Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OZD Release Date: 1995-11-20 |
Tracks:
- Never Alone
- Never Knew Lonely
- When I Call Your Name
- Liza Jane
- Look At Us
- Take Your Memory With You
- Pocket Full Of Gold
- The Heart Won't Lie
- Don't Let Our Love Start Slippin' Away
- I Still Believe In You
- No Future In The Past
- Tryin' To Get Over You
- One More Last Chance
- I Can't Tell You Why
- I Will Always Love You
Customer Reviews:
The King of Countrypolitan.......2007-05-01
The same goes for "I Still Believe in You" and "Look At Us," two of so many heartbreak ballad classics that Gill released on his first three MCA Nashville albums. Like "When I Call Your Name," they were CMA Song of The Year winners, and epitomize the silky smooth delivery that Gill has perfected. It's also why his duets here, with Dolly Parton on "I Will Always Love You" and Reba McEntire on "The Heart Won't Lie" (originally on a McEntire album), find his voice nestling perfectly with his singing partners. He makes feeling sad feel so good.
Gill is also adept at the country shuffle, like on "Liza Jane." Gill himself called this song his attempt at writing an Eric Clapton song ala "Lay Down Sally," and it showcases Gill's superb guitar chops. (Often overlooked next to his singing and songwriting.) Same goes for "Take Your Memory With You."
But the Oklahoma born Gill is still a California Country boy at heart (after all, he started his career with Pure Prairie League), and the moment that highlights that is his cover of "I Can't Tell You Why." His contribution to the tribute album "Common Thread: The Songs of the Eagles" brings the Eagles' country sensibilities to the center and surrounds it with Gill's ever-so-sensitive singing, connecting the 90's country boom to its core audience of yuppies for whom the urbanized country called to them like "Hotel California."
Vince Gill's "Souvenirs" remains his best anthology, covering his most fertile period up to 1995. While there are a few more since then, this remains my favorite.
Souvenirs.......2006-12-06
Vince Gill.......2006-11-10
wonderful.......2006-11-02
High lonesome . . ........2006-06-24
Vince had a hand in writing most of the songs here, but the one that's the best recording for my money is the smooth-jazz crossover sound of the Eagles' "I Can't Tell You Why." Next is the wonderful rendering (and redemption after Whitney Houston murdered it) of Dolly Parton's heart-rending "I Will Always Love You." Her voice in a duet with Vince on this song is a perfect match of pure vocalizing.
Vince's high, clear voice seems best suited to songs of loss and yearning, and they comprise the majority of these songs, ranging from the starkly sad "When I Call Your Name" and the aching-sweet "I Still Believe in You." The up-tempo, rollicking "One More Last Chance" seems almost out of place in the company of such heart-felt musical ruminations.
The emotional quality of these songs is reflected in the awesome range of instrumentation, arrangements, and musicianship. There is a bit of honky-tonk, some country rock, and lots of pure country with soul-piercing roots touches. This is just a fine, essential album by a country great.
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Louis Moreau Gottschalk: Piano Music
Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008OP1W Release Date: 2003-05-20 |
Tracks:
- Le Banjo, Fantaisie Grotesque, Op. 15
- Bamboula, Danse De Negres, Op. 2
- Le Bananier, Chanson Negre, Op. 5
- La Savane, Ballade Creole, Op. 3
- Tremolo, Grande Etude De Concert, Op. 58
- La Jota Aragonesa, Caprice Espagnol, Op. 14
- Manchega, Etude De Concert, Op. 38
- Souvenirs D'Andalousie, Caprice De Concert Sur La Cana, Op. 22
- Souvenir De Porto Rico, Marche Des Gibaros, Op. 31
- L'etincelle, La Scintilla, Op. 20
- La Gallina, Op. 53
- Suis-moi!, Caprice, Op. 45
- Pasquinade, Caprice, Op. 59
- Tournament Galop
- The Dying Poet, Meditation
- The Union, Paraphrase De Concert On The National Airs Star Spangled Banner, Yankee Doodle, And Hail Columbia, Op. 48
Customer Reviews:
Beautiful, beautiful music!.......2007-07-07
A very powerful performance.......2006-12-15
This is a very powerful performance by Licad, the first in a long
while. I had a chance to compare her recording with an earlier
recording of Gottschalk's piano works by another (relatively unknown)
pianist, and I must say that the latter recording pales miserably
in comparison to Licad's. Listening to Licad play in this recording,
I can't help but be reminded of Vladimir Horowitz's piano performances
during his heyday. Licad and Horowitz have very similar touch, intensity,
technical prowess and dynamic range. There are 16 piano works works in
this recording, and I must say that all are top caliber performances,
with the possible exception of track #9, Souvenirs de Porto Rico,
Marche de Gibaros, Op.31, where Licad seems to have missed a few
notes and desynchronized the rhythm in a few places. My favorites
are tracks #5 (Tremolo, Grande Etude de Concert), #7 (Manchega,
Etude de Concert), and track #14 (Tournament Galop); in the last
one, you can almost see and hear the horses galloping around the
race track. With the price ... this recording is a genuine steal.
However, I am still waiting to hear Licad play a Liszt, Brahms,
Prokofoiev or Bartok, where I believe we can really hear Horowitz
come alive.
Shock treatment.......2005-04-11
This disc has a very good selection of Gottschalk's music. Still, I do not always like Licad's interpretations of his works. Nor is her playing especially clean.
Le banjo, an excellent piece, is played too fast. Give this lady a speeding ticket! Bamboula is played unusually slowly, and there are even a couple of presumably intentional minor errors in rhythm in it. I think it is okay to play parts of it slowly, as Licad did, for dramatic effect, but I am not overly impressed by her performance of it.
When we reach another fine piece, La Savane, the intentional errors in rhythm get worse. I have never heard La Savane played like this before, and I don't like it.
Next is Tremolo. I think Licad does a fine job on this one, both technically and interpretively. And I also like her interpretations of Manchega and The Dying Poet.
Souvenir de Porto Rico is perhaps Gottschalk's best work, and it is technically very difficult. This would have been a great opportunity for Licad to show that she can handle the task. But she chose to do otherwise. It is disappointing.
Most of this disc is simply not Gottschalk as it ought to be played. If someone unfamiliar with Gottschalk wanted to listen to a CD with some of Gottschalk's best works on it, I'd normally recommend one with this set of pieces. But I certainly wouldn't recommend this. I'll give it two stars just for Tremolo, and one more for shock value.
Doesn't quite make it.......2003-11-11
An exuberant blazing Gottchalk interpretation.......2003-09-19
Noel
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Souvenirs: Best of Janis Ian 1972-1981
Janis Ian Manufacturer: Festival Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002QPRSM Release Date: 2004-08-23 |
Tracks:
- Stars
- Jesse
- From Me to You
- At Seventeen
- In the Winter
- Belle of the Blues
- Love Is Blind
- Will You Dance?
- Miracle Row
- Maria
- Party Lights
- Do You Wanna Dance?
- Silly Habits
- Other Side of the Sun
- Fly Too High [From Foxes]
- Jenny (Iowa Surprise)
- Mechanical Telephone
- Passion Play
Album Description
A singer/songwriter both celebrated & decried for her pointed handling of taboo topics, Janis Ian enjoyed one of the more remarkable second acts in music history; after first finding success as a teenager (in the mid-60s), her career slumped, only to enteCustomer Reviews:
Best of Janis Ian.......2007-05-12
Souvenirs.......2007-01-03
great but we need more.......2006-10-12
Brilliant but sometimes controversial folk-rock singer.......2005-08-25
Between 1974 and 1979, Janis recorded four classic albums (Stars, Between the lines, Aftertones, Night rains) from which most of the tracks here are taken. Those albums featured many of the great songs we remember her for including Jesse (a top ten American hit via a Roberta Flack cover), At seventeen (a top five American hit for Janis), Love is blind (a Japanese number one hit), Will you dance (another big Japanese hit), Fly too high (featured on the soundtrack of Foxes and a minor UK hit) and The other side of the sun (another minor UK hit).
Following those albums, Janis diversified into acting and writing but continued to record great music. When Canada legalized single-sex marriages, Janis seized on the opportunity to marry her lesbian partner there in 2003.
Forget all the controversy and just listen to a brilliant folk-rock singer who never achieved the same level of success as Joan Baez, Judy Collins or Joni Mitchell but who certainly deserves to be considered alongside those outstanding singers. If you enjoy their music, give Janis a listen. This compilation provides a great introduction to her music.
Souvenirs - Best of the "Best ofs".......2005-02-11
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Souvenirs
John Prine Manufacturer: Oh Boy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YR4C Release Date: 2000-10-31 |
Tracks:
- Souvenirs
- Fish And Whistle
- Far From Me
- Angel From Montgomery
- Donald & Lydia
- Christmas In Prison
- Storm Windows
- Grandpa Was A Carpenter
- The Late John Garfield Blues
- Blue Umbrella
- Six O' Clock News
- People Puttin' People Down
- Sam Stone
- Please Don't Bury Me
- Hello In There
Amazon.com
When John Prine wrote and recorded the likes of "Hello in There," "Angel from Montgomery," and "Souvenirs" in the early '70s, he came across like a Social Security recipient in a young man's body. As he revisits those tunes and more favorites from his salad days, the wisdom Prine possessed as a twentysomething troubadour seems all the more remarkable. The raison d'être for Souvenirs may be rather prosaic. Prine rerecorded 15 early classics so that he could own master recordings of a bunch of songs from his first three albums, as well as a few stragglers from the late '70s and early '80s. But the flatteringly spare arrangements and Prine's wizened delivery only add weight to these heavy-hearted folk tunes. "It took me years to get those souvenirs / And I don't know how they slipped away from me," Prine sings on the title track, a remnant from 1972's Diamonds in the Rough. Well, John, they didn't slip away at all; they're still shining like gems under a layer of dust. --Steven StolderCustomer Reviews:
What an awful album.......2007-02-04
Outstanding .......2005-04-18
Prine Lite.......2004-12-26
This CD would be a great introduction to John's music for those who are not that familiar with his work. It features many of his best songs, with simple arrangements, performed in a laid back style. I think all Prine fans should buy Souvenirs for their friends, then they might understand why we love this man's music so much.
Audio paradise.......2004-11-02
Mellow Prine.......2003-04-22
It's all of John's best songs recorded in a bit slower beat, with better production and instrumentation than the original recordings. Usually, I don't care for re-recorded former songs, but this is a definite exception. If you've heard the originals, you will love these. They reveal John's growth
as a performer. These songs deserved this touch up.
Thanks John.
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American Classics: Barber: COMPLETE PUBLISHED SOLO PIANO MUSIC
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000GV5P Release Date: 1998-12-15 |
Tracks:
- Sonata for Piano, Op 26: Allegro energico
- Sonata for Piano, Op 26: Allegro vivace e leggiero
- Sonata for Piano, Op 26: Adagio mesto
- Sonata for Piano, Op 26: Fuga: Allegro con spirito
- Excursions, Op 20: Un poco allegro
- Excursions, Op 20: In Slow Blues Tempo
- Excursions, Op 20: Allegretto
- Excursions, Op 20: Allegro molto
- Nocturne, Op 33: Moderato
- Three Sketches: Lovesong: Tempo di valse: Allegretto
- Three Sketches: To My Steinway (To No.220601): Adagio
- Three Sketches: Minuet: Tempo di minuetto
- Interlude I ('For Jeanne'): Adagio, ma non troppo
- Ballade, Op 46: Restless
- Souvenirs, Op 28: Waltz: tempo di valse, Allegro con brio
- Souvenirs, Op 28: Schottische: tempo si Schottische, Allegro ma non troppo
- Souvenirs, Op 28: Pas de deux: Adagio
- Souvenirs, Op 28: Two-Step: Allegro molto
- Souvenirs, Op 28: Hesitation Tango: Con moto
- Souvenirs, Op 28: Galop: Allegro molto
Customer Reviews:
Barber: genius; Pollack: great, but not as great as John Browning.......2007-05-29
A variety of emotions.......2006-11-16
Some of the other pieces, though less demanding, are most enjoyable. The four EXCURSIONS explore "regional idioms," including boogie-woogie, the blues, and country roots (this last is delightful). The four SOUVENIRS show Barber at his most humorous: the Waltz is laugh-out-loud charming, and the Hesitation Tango is just that - and very compelling. This is an excellent CD all around, from the varied and intelligent music of Barber to the assured, lyrical interpretations by Pollack. Highly recommended.
Samuel Barber's Piano Music.......2003-11-26
Although he did not compose a great deal of music for solo piano, much of what Barber did write is outstanding. This disc on the budget-priced Naxos label includes all of Barber's published solo piano music performed by Daniel Pollack. Pollack knows and plays this music well indeed. He performed Barber's piano sonata at the First International Tchaikovsky Piano Competition in 1958. The CD includes detailed, insightful liner notes by Victor and Marina Ledin.
Barber's piano sonata op 26 (1946) is the highlight of this disc and is a work that has become an important part of the piano repertory. The work is in four movements, and in it Barber uses an expansive musical vocabulary which includes serial composition. The work is romantic and virtuosic and immediately appealing. Vladimir Horowitz championed this music and it has been recorded many times.
The sonata opens with a two-note falling figure with the second note heavily accented that becomes the basis for the opening allegro movement. Throughout the first movement, loud, virtuosic passages alternate with quieter sections, with feathery piano writing in the instrument's high register. The two-note figure is prominent at the end of the movement with a shift in accent to the first note of the pair. The second movement is a short, light scherzo which picks up on the quieter portions of the first movement. The third movement, an adagio, is spare and minimalist. It rises to a large climax before the music falls away pensively over a walking bass. The last movement is a fugue which begins rapidly and quickly develops to a frenzied, cataclysmic conclusion.
The other extended works on this CD are two piano suites. The first suite, "Excursions" Op. 20 (1942-1944) was also championed by Horowitz. It consists of four movements based upon American jazz and popular song. The first movement features a syncopated theme with repeated notes over a boogie-woogie theme in the bass. The second movemement develops as a blues, with a slow-drag theme that becomes more prominent as the movement progresses. It reminded me of a Gershwin piano prelude. The third movement consists of a lyrical, rippling theme in a moderate tempo which undergoes brief variations. The final movement is a foot-stomping barn dance. The movement reminded me of a conservative Charles Ives.
The other suite in this collection is titled "Souvenirs", op 28 (1951-1952) It consists of six short dance movements. (Barber used it for a ballet.) I loved this piece. It is deliberately anachronistic in character and is a throw-back to a hotel-style elegance just before WW I. In listening to this suite, I tried to think of the tone it intended to convey. Some people find this music light and frivolus while others find it ironic. I heard it as loving, but detached and a bit distant. Barber is trying deliberately to recreate a musical experience in an idiom that is no longer his. I think the tone is affectionate, with the music played straight (rather than satirically), but with a distinct feeling of looking back. Thus the title, "Souvenirs".
There are a number of short pieces on this CD including three sketches dating from Barber's 13th year. I enjoyed the Nocturne which is highly chromatic (op. 33) and the late Ballade, Op. 46 among these short works.
This disc is part of the Naxos "American Classics" series. It will allow the listener to get to know some great works of 20th century American piano music.
What's the rush?.......2003-10-22
The rest of the works on the CD fare better - in areas where a change in tempo might be tasteful, Mr. Pollack seems invariably to push ahead but it doesn't sabotage anything as badly as the Sonata.
Despite the tempting price, a newcomer to Barber's piano output would do better to buy John Browning's recording and come back to this one later for a different viewpoint.
Barber at a bargain.......2001-09-10
I am very familiar with the Sonata. I performed it at my senior piano recital in college. I also had the pleasure of playing most of the Sonata for Daniel Pollack when I competed in a college-based piano competition. It was a special pleasure for me to learn how intimately he knows this piece. Pollack plays the Sonata with tremendous energy, brilliance and passion. The recorded sound of this Naxos CD is bright and a little too resonant for my taste. Still, the performance is thoroughly exciting, sometimes to the point of being overwhelmingly powerful (for example, at the end of the fugue).
I own eleven recordings of the Barber Piano Sonata on CD or LP. Although Pollack's is not my first choice, his playing is so exciting and powerful that I regard his performance as special and worth having. My favorites are Cliburn and Horowitz. My other recordings include Garrick Ohlsson, Willis Deloney, two by John Browning, Leo McCawley, Earl Wild, Peter Lawson and Ruth Laredo. It would be difficult to rank these performances, as they all have something special to commend them. Pollack's passion and abandon stand out in this group.
The other Barber works are less familiar to me, and so I am less able to comment on them. They seem beautifully played and, again, only hampered a little by the overly resonant sound.
If one is looking for a single disc of Barber's piano music, this one would be hard to beat, especially at its budget price.
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Samuel Barber: Symphony No. 1/Piano Concerto/Souvenirs
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F3J Release Date: 1991-05-10 |
Tracks:
- Symphony No. 1, Op. 9: Allegro ma non troppo
- Symphony No. 1, Op. 9: Allegro molto
- Symphony No. 1, Op. 9: Andante tranquillo
- Symphony No. 1, Op. 9: Con moto Passacaglia
- Piano Concerto, Op. 38: Allegro appassionato
- Piano Concerto, Op. 38: Canzone: Moderato
- Piano Concerto, Op. 38: Allegro molto
- Souvenirs, Op. 28: Waltz
- Souvenirs, Op. 28: Schottische
- Souvenirs, Op. 28: Pas de deux
- Souvenirs, Op. 28: Two-Step
- Souvenirs, Op. 28: Hesitation-Tango
- Souvenirs, Op. 28: Galop
Amazon.com
Both major works on this release are rarely performed and rarely recorded--but they shouldn't be. The First Symphony can stand right beside Aaron Copland's Third Symphony and Roy Harris's Third Symphony. In fact, Barber's has more complications than either of the other works, but is structurally and tonally their equal. The Piano Concerto was itself premiered by John Browning, who had considerable input on the work, along with a last-minute suggestion in the final movement from the great Vladimir Horowitz that allowed a human being to actually play it. It's no cakewalk and should have more currency than it does. --Paul CookCustomer Reviews:
Two very worthwhile Barber revivals.......2006-06-13
If its idiom now seems dated, I don't think it matters much. The work's original strengths are still present, particularly Barber's haunting aria for oboe in the slow movement. This composer was never one for structure, but at 21 min. the symphony has no time to wander and makes a great first impression. Slatkin's reading is engaging and has the benefit of gorgeous sonics from BMG.
The Piano Concerto, at half an hour, does wander too much, and at times when no ideas occur to him, Barber thorws in fingering frills and pointless ornamentation. John Browning, the dedicatee, was at his height when he premiered the work in 1962. Since then his career has waned. I can't tell why given how beautifully he plays here, with both power and lyricism. Barber ventures a shade more into modernism, with clashing dissonances between piano and orchestra, and the effect is more bracing than the symphny. the high point of the concerto is the slow movement, where the melody and its devlopment are quite mysteriously woven. It's a shame that the piano concerto couldn't be ten minutes shorter, because it is otherwise a piece that draws you in.
John Browning's Barber Concerto is First Rate!.......2001-03-28
Valuable for Barber devotees.......2000-06-14
The Piano Concerto strikes me as being less inspired, more of a work to admire than to love. Certainly Barber doesn't lavish the same lyrical affection on the piano that he did on the violin or the cello in his respective concerti for those instruments; by design, the piano concerto does not exploit the piano as a vehicle for showy display. For me, the angular motif introduced by the piano at the beginning of the first movement wears out its welcome, so often it is repeated. The second movement is more lyrical, more like the Barber of "Adagio for Strings" vintage. The third movement is high-energy and percussive with a skillful interplay between soloist and orchestra.
The encore is Souvenirs, an incidental work of "pure nostalgia" for piano duet. Slatkin joins Browning at the piano here and they make the music sound completely improvisatory, like they're making it up as they go along. It's a delightfully lightweight but inventively melodic suite.
All in all, this is a disc that Barber enthusiasts will want. With good sound and performances, it can certainly be recommended to a broader range of collectors as well.
Breathtakingly beautiful symphony, performance matches!.......2000-01-27
Souvenirs isn't my favorite Barber, but it is well played by Browning and Slatkin at the keyboard.
However, the disc offers quite a find to me, and that is the performance of the symphony. Barber's composition is thrilling and gripping in both I and II, while III and IV (note that it is a one mov't work divided into four parts)have Barber's trademarks of lyricism and power. I and II are appropriately executed by the performers, while III is especially beautiful, with a wonderful solo oboe and a hushed string accompaniment reminiscient of Dvorak's Sym. 9, mov't II (also the same vein as the similarly-scored slow mov't of Barber's Violin Concerto? Same idea!), with an overwhelming transition to IV, a Passacaglia that makes you believe in the form. Slatkin and St. Louis leave simple professionalism behind to reach a transcendence in playing and interpretation of this work that is stunning. The contribution of the solo oboe in III is remarkable, as is the responsiveness of each player/section to the music, playing like chamber musicians. The transition to III is not only emotionally overwhelming, but packed with goosebumps and a tear. Their performance of IV convinces you that the tear was not shed in vain, and the more should be coming! (Okay, maybe that's over the top, but this music and performance really move me!). While charges of pedestrian interpretation and matter-of-fact, too brisk tempi can be sometimes levelled against Slatkin, here is hardly the case. Slatkin has the music unfold oganically, with perfectly-timed climaxes. I don't know how else to say it, but such advocacy for Barber is immensely gratifying. The performances are perserved in excellent sound, with the quality work done again by J. D. Sachs and W. Hoekstra.
Barber enthusiasts, here you go........1999-12-04
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Souvenirs
The Gathering Manufacturer: The End Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008ZZ8P Release Date: 2003-05-06 |
Tracks:
- These Good People
- Even The Spirits Are Afraid
- Broken Glass
- You Learn About It
- Souvenirs
- We Just Stopped Breathing
- Monsters
- Golden Grounds
- Jelena
- A Life All Mine
Album Description
2003 album for the Dutch symphonic metal act. Produced by Zlaya Hadzich (Sonic Youth, Motorpsycho, Low), it features a guest appearance from Trickster G (Ulver). Ten tracks. The End Records.Customer Reviews:
I dont see it........2007-03-03
You wont regret it........2006-04-08
A journey to be savored every step of the way.......2006-01-12
I found this group from a recommendation on my Amazon friends list. I've never heard any of The Gatherings previous works other than a few songs that are featured on their page on MySpace (which are great songs). I went to a music store near me and was surprised to find that they were listed in the heavy metal section. The songs on MySpace and the clips of Souvenirs on Amazon gave me the impression this group was anything but a heavy metal band, but I was wrong. The music store didn't have Souvenirs, which is the album I was really interested in listening to. Instead, they had Manylion and Nighttime Birds. I liked what I heard from those albums, but they were indeed a lot more `heavy metal' than what I'd heard of Souvenirs so I opted in not buying them. I really wanted my first album by them to be Souvenirs because the sound was a little more in my general taste than their more metal stuff...then once I got a good feel for the Souvenirs album I would start exploring their other stuff.
So I just got Souvenirs and I must say I am blown away. The first song on the album, These Good People, packs a wallop and just immerses and captivates you. The song builds up with this sexy base beat, combined with eerie piano in the background, then the song sort of explodes with the guitars and backup vocals. Anneke Van Giersbergen, the main vocalist, is just truly amazing. There are good singers in this world that are very pleasurable to listen to due to their talent, but they lack that raw emotion that digs its way into your heart. Anneke is an extremely talented singer with amazing range, and then on top of that you hear her emotion in her voice. She sings from her heart and that makes all the difference.
Some of the tracks are a bit grim, starting with These Good People, but some of the songs are lighthearted with a ting of optimism, like You Learn About It. The whole album just takes you on an incredible journey that is to be savored every step of the way. I highly recommend this album and am extremely excited to explore their other works.
the gothic triangle.......2005-06-14
well i can say it is all about atmosphere.
Gathering doesnt have that heavy metal sounds anymore.that's fine cos this album is probably their biggest masterpiece,as you start listening you find yourself lost between all those long,brooding,dark tracks,sometimes soathing but mostly deeply disturbing,(in a good way:))melodies.Many times you'll feel yourself like you have lost your way in some neo-gothic city with sorrow and misery all around.
As the first words of "these good people" starts,you'll find yourself totally isolated from real world.everything will be the same but as you walk through streets with your discman on your ear;everything will look so different,more meaningfull,and dark..
the album has one track that is slightly different then others; "you learn about it" a great track reminding me other gathering songs;amity and saturnine.
The only bad thing i can say about this album is that some tracks have so long insturmental parts as their closure and it sometimes kinda bores you down.
in the end this is a masterpiece;and it should stand in a slelf proudly among evanescence/origin and lacuna coil/comailes.And, you should bless that slelf cos it will be holding the best pieces of female gothic music.
Highly atmospheric and highly enjoyable........2004-12-19
I find it hard to pick just a couple particular tracks that stand out since they all flow together so perfectly. Nonetheless, one of the most beautiful songs I have ever heard is on here. That song is You Learn About It. This song consists of a piano and Anneke. Her voice is proudly put on display in this track, and it never sounded better. Monsters is another track that I really love on here. The drums are what caught my ear at first, and then with further listens I found that the lyrics are simply astounding as well. The only track that aggrivates me is the last track, A Life All Mine. If it wasn't for the male vocals, this would be one of my favorite songs. To me, it sounds like the guy should be screaming, not singing. He's got a gruff voice that just doesn't sound right in a calm setting. Don't let that drive you away from purchasing this though, the female vocals in the song more than make up for it.
A couple of the best songs on this CD are You Learn About It, Monsters, and Golden Grounds. As I stated before though, this release seems to be intended to be heard all the way through, so try to make a point to actually sit down and listen to it all. I would reccommend this CD to people who like to be engulfed by music, also to people who are getting into female vocalists.
Average customer rating:
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Home Free/Souvenirs
Dan Fogelberg Manufacturer: Beat Goes On ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FIH4QU Release Date: 2006-06-05 |
Tracks:
- To the Morning
- Stars
- More Than Ever
- Be on Your Way
- Hickory Grove
- Long Way Home (Live in the Country)
- Looking for a Lady
- Anyway I Love You
- Wysteria
- River
Tracks:
- Part on the Plan
- Illinois
- Changing Horses
- Better Change
- Souvenirs
- Long Way
- As the Raven Flies
- Song from Half Mountain
- Morning Sky
- (Someone's Been) Telling You Stories
- There's a Place in the World for a Gambler
Album Description
Digitally remastered 2-on1 featuring the first two albums, from '72 and '74 respectively, by this popular American singer/songwriter. Packaged in a slipcase featuring extensive new liner notes. BGO. 2006.Album Details
UK Remastered Two-fer of the Acclaimed Singer / Songwriter's First Two Albums.Customer Reviews:
Sound is excellent, except for the dropouts.......2007-06-22
THANK YOU, BGO RECORDS!.......2006-08-23
Dan' Remasters.......2006-08-07
an essential remaster.......2006-07-18
An Absolute Masterpiece.......2006-06-13
1. Both albums are masterpieces. In my late teens, these were on my record & cassette players constantly. In my world, Dan's first 4 (& really his first 6) albums are amongst the best singer-songwriter records ever made.
2. To the best of my knowledge, this is the first cd remaster of Souvenirs anywhere in the world. The US cd is from the beginning of the cd age, & has mediocre sound.
3. Now the most exciting news: they used the original mix for Home Free & did a great remastering! The USA Home Free cd was significantly remixed & quite different then the original album. I suspect the reason for this is that the original mix tended to sound muddy on both vinyl & early cd; the drum sound is especially muffled. The USA CD Remix was actually very well done, but it wasn't the same album many of us came to know & love. Some examples - The organ riff at the end of Livin' In the Country was mostly missing, the bass in the River was no longer the lead instrument, & the harpsichord in To The Morning was changed from background to being the main instrument in the mix.
While the original mix for Home Free was a bit muddy, this is one of a very select few cd's I've heard that sounds better then the vinyl version, & I even had a Japanese audiophile pressing. With this remaster I can still hear the sonic shortcomings, but they're minimized, & the album I dearly love has been restored with best sound ever.
The liner notes state that if this sells well, BGO will likely remaster more of Dan's catalog. If you're a Fogelberg fan, buy this so we get more! I'd love to see a follow up of Captured Angel & Netherlands.
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Sonic Souvenirs
Dean & Britta Manufacturer: Jet Set Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000D1FL9 Release Date: 2003-10-07 |
Tracks:
- Your Baby (Can't Stand the Rain)
- Hear the Wind Blow (Down Moonlight Mile)
- Knives from Bavaria (Spoonful of Fun)
- Moonshot (Myths of Heaven)
- Ginger Snaps (And Sugar Winks)
- Your Baby (Lets You Down Gently)
Customer Reviews:
Easy does it.......2005-08-18
really nice atmospheric dreamy pop.......2004-01-13
Highly recommended for fans of Mazzy Star, 1960's French pop (Serge Gainsbourg, Francoise Hardy), and things of that nature. Melodic songwriting, sultry vocals, and inventive production add up to a soothing, dreamy, romantic experience.
International Music: