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1. Crescente Cavaleiros Do C
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2. Amor Amigo
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3. De Magia De Danca & Pes
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4. Noticias Do Brasil (Os Pa
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5. Vida
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6. Cacador De Mim
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7. Sonho De Moco
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8. Nos Bailes Da Vida
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10. Bela Bela
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Cacador De Mim,Milton Nascimento,Universal/Polygram,World Music
Average customer rating:
- Pretty darn good
- The Opera #1 Opera Album
- Excellent assortment
- Great Selections
- Terrific !
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The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Famous Opera Duets
- The Most Famous Opera Arias
- The Best of Italian Opera
- The Best Opera Album in the World...Ever!
- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
ASIN: B000059RXO
Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin
Customer Reviews:
Pretty darn good.......2007-07-04
This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.
The Opera #1 Opera Album.......2007-06-07
The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.
Excellent assortment.......2007-05-12
I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.
Great Selections.......2007-03-31
This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Terrific !.......2007-01-10
A diverse album to give you a sprinkle of the various types of 'opera'. Every note is pure and lovely, I listen to it all the time ! Highly recommended for anyone just getting into opera. :}
Average customer rating:
- Can't go wrong
- Most Famous???
- Only one song knew well
- The Most Famous Opera Duets
- Good selection of opera highlights
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The Most Famous Opera Duets
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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All Works by Strauss
| Strauss, Richard
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| Verdi, Giuseppe
| ( V )
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Similar Items:
- The Most Famous Opera Arias
- The Best of Italian Opera
- The #1 Opera Album
- Rapture: Opera's Most Heavenly Moments
- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
ASIN: B000002SCA
Release Date: 1994-04-12 |
Tracks:
- Les Peurs des perles Act 1 - Au fond du temple saint
- Madama Butterfly Act 1- Vogliatemi bene, un bene piccolino
- Le Nozze di Figaro Act III - Sull'aria - Le Nozze di Figaro
- La Traviata Act I - Un di, felice, eterea
- Lucia Di Lammermoor Act I - Ah! Verranna a te sull'aure
- Tristan und Isolde Act II - O sink hernieder, Nacht der Liebe
- Carmen Act I - Parle-moi de m
- Die ZauberflAct I - Bei Mern, welche Liebe F
- Lakmct I - Viens, Mallika
- Rigoletto Act I - il sol dell'anima
- Der Rosenkavalier Act II - Mir ist die Ehre wilderfahren
- Don Giovanni Act I - Li darem la mano
- La Boh Act IV - O Mimi, tu pi torni
- Il Trovatore Act IV - Miserere...Quel suon, quelle preci
Amazon.com
This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore "Miserere" (with Leontyne Price and Franco Bonisolli singing up a storm). There are many others, too--a veritable cornucopia of couplings--and a treat for the opera lover. --Robert Levine
Customer Reviews:
Can't go wrong.......2007-07-14
This is a really great CD for the price. It has many of the famous Arias on it and although the singers may not be the best out there they are certainly very good. This is cheaper than the price of a take away lunch; you can't go wrong with this CD.
Most Famous???.......2007-05-14
The title of this cd is misleading and I found myself wondering whose list did they use. That is not to say that there aren't some real treasures included here. The duet from Lakme is lovely in every way, Mady Mesple in particular, very beautful and very french, and far superior to Sutherlands hooty approach. Scotto and Bergonzi are superb, the Tristan and Isolde of Vickers and Dernesch truly other worldly, and the presentation of the rose duet with the young Ludwig and the astonishing Teresa Stich- Randell had me playing it over and over and I still can't believe it, but the most famous??? This cd is definitly worth buying, and I hated giving it only 3 stars but if you're talking most famous you could fill a couple of cd's with Puccini, not to mention Verdi, Mozart, etc. before Bizet's Les Pecheurs des perles, beautiful as it is, made the most famous list.
Only one song knew well.......2007-05-14
I should have done more research. The last song is the only one I could easily recognize. Live and learn.
The Most Famous Opera Duets.......2007-01-05
This seller truly makes a purchaser confident in the product as well the time in which is promised.
Thanks again!!!!!
Good selection of opera highlights.......2006-11-04
Super performances by famous opera artists of the 20th century, most of them no longer performing and some of them deceased. I enjoy having their voices available at home.
Average customer rating:
- Audio beauty and magnificence, Maria Callas
- sublime
- Good "Best Of"
- The Very Best of Maria Callas
- Classic Callas
|
The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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| Puccini, Giacomo
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Similar Items:
- Maria Callas, the Voice of the Century
- The Most Famous Opera Arias
- The Best of Italian Opera
- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
- The Most Famous Opera Duets
ASIN: B00005Y1YQ
Release Date: 2002-02-12 |
Tracks:
- Carmen: L'Amour Est Un Oiseau Rebelle
- Gianni Schicchi: O Mio Babbino Caro
- La Wally: Ebben? Ne Andro Lontana
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
- Tosca: Vissi D'arte, Vissi D'amore
- Andrea Chenier: La Mamma Morta
- Le Nozze Di Figaro: Porgi Amor
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Aida: Ritorna Vincitor!
- Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
- Madama Butterfly: Un Bel Di Vedremo
- Norma: Casta Diva
- Turandot: Signore, Ascolta!
- Louise: Depuis Le Jour
- La Boheme: Si. Mi Chiamano Mimi
- La Gioconda: Suicidio
- La Forza Del Destino: Pace, Pace Mio Dio!
Customer Reviews:
Audio beauty and magnificence, Maria Callas.......2007-03-31
There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.
sublime.......2007-02-14
she is an angel , a voice without parallel , a collection very interesting of arias from different masters.
Good "Best Of".......2007-02-09
Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.
The Very Best of Maria Callas.......2006-08-20
Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.
Classic Callas.......2006-07-11
Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!
Average customer rating:
- Latter-day also-rans
- A well-sung compilation
- This cant be the best
- TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!
- Even if you Hate Complilations, Get This One
|
The Best Opera Album in the World...Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
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- The Most Famous Opera Arias
- The #1 Opera Album
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- Rapture: Opera's Most Heavenly Moments
ASIN: B0000084JD
Release Date: 1999-07-27 |
Tracks:
- La Traviata: Libiamo Ne'lieti Calici (Brindisi) (Atto I) - Alfredo Kraus
- Il Barbiere Di Siviglia: Largo Al Factotum (Atto I) - Thomas Hampton
- La Boheme: Che Gelida Manina (Atto I) - Roberto Alagna
- La Boheme: Si. Mi Chiamano Mimi (Atto I) - Mirella Freni
- L'amico Fritz: Suzel, Bon Di (Cherry Duet) (First Part) (Atto II) - Bernard Haitink
- Nabucco: Va, Pensiero (Chorus Of Hebrew Slaves) (Atto III) - Bernard Haitink
- Rigoletto: La Donna E Mobile (Atto III) - Roberto Alagna
- Lakme: Viens, Mallika (Flower Duet) (Acte I) - Mady Mesple
- Gianni Schicchi: O Mio Babbino Caro - Victoria De Los Angeles
- Tosca: Recondita Armonia (Atto I) - Placido Domingo
- Tosca: Vissi D'arte (Atto II) - Maria Callas
- Tosca: E Lucevan Le Stelle (Atto III) - Placido Domingo
- Adriana Lecouvreur: Ecco: Respiro Appena ... Lo Son L'umile Ancella (Atto I) - Dame Kiri Te Kanawa
- Les Pecheurs De Perles: Au Fond Du Temple Saint (Acte I) - Nicolai Gedda
- Le Nozze Di Figaro: Non Piu Andrai (Atto I) - Thomas Allen
- Le Nozze Di Figaro: Voi Che Sapete (Atto II) - Ann Murray
- Le Nozze Di Figaro: E Susanna Non Vien!...Dove Sono (Atto III) - Elisabeth Schwarzkopf
- Martha: M'appari (Ach So Fromm) (Akt III) - Roberto Alagna
- Tristan Und Isolde: Mild Und Leise (Liebestod) (Akt III) - Helga Dernesch
Tracks:
- Aida: Se Quel Guerrier Io Fossi!...Celeste Aida (Atto I) - Placido Domingo
- Il Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) (Atto II) - Bernard Haitink
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix (Acte II) - Maria Callas
- Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Victoria De Los Angeles
- Carmen: Votre Toast (Toreador's Song) (Acte II) - Maria Callas
- Carmen: La Fleur Que Tu M'avais Jetee (Acte III) - Roberto Alagna
- Les Contes D'Hoffman: Belle Nuit, O Nuit D'amour (Barcarolle) (Acte II) - Elisabeth Schwarzkopf
- Andrea Chenier: La Mamma Morta (Atto III) - Maria Callas
- Pagliacci: Recitar!...Vesti La Giubba (Atto I) - Jose Carreras
- Madama Butterfly: Un Bel Di Vedremo (Atto II) - Renata Scotto
- Cosi Fan Tutte: Soave Sia Il Vento (Atto I) - Margaret Marshall
- La Rondine: Chi Il Bel Sogno Di Doretta (Atto I) - Montserrat Caballe
- Die Zauberflote: Der Vogelfanger Bin Ich Ja (Akt I) - Walter Berry
- Die Zauberflote: Der Holle Rache (Akt II) - Edita Gruberova
- Rusalka: Song To The Moon (Act I) - Lucia Popp
- La Wally: Ebben? Ne Andro Iontana (Atto I) - Maria Callas
- Werther: Toute Mon Ame Est La!...Pourquoi Me Reveiller? (Acte III) - Roberto Alagna
- Turandot: Signore, Ascolta! (Atto I) - Montserrat Caballe
- Turandot: Nessun Dorma (Atto III) - Jose Carreras
Customer Reviews:
Latter-day also-rans.......2007-05-28
There will always be arguments for this or that singer, but this title is absurd. I didn't see a single Jussi Bjoerling, George London, Leonard Warren, or Zinka Milanov, and only one mention of Del Monaco. These were singers. Bjoerling and London were in a class by themselves. I saw all of these folks live on stage. London and Del Monaco had stage presence you don't get now. Di Stefano, Kirsten, de los Angeles should be on any best list. Play any tenor aria by any tenor; then play Bjoerling's. Play any bass/baritone aria by any singer; then play London's. Jussi and George will knock your socks off. They sang everything in every language. Tebaldi and Pavarotti sang only Italian, much easier.
A well-sung compilation.......2003-09-15
Compilations usually receive negative feedback from experienced opera listeners. However, this compilation by no means should be only welcomed by opera listeners, it should be welcomed by all music listeners. This CD is a great one to own for a first time opera listener. Also, for the person who wants to listen to opera once in a while and who does not want to buy a myriad of CD's in order to have the same amount of arias as this CD has. Eighty-percent of the singers are high-quality singers in this CD and the orchestras along with their respective conductors, do justice to the songs. All of the arias in this CD are what we in the field call, standard repertoire, and therefore are a good source for a beginning musician to help him or her listen to phrasing, colour, dynamics, language etc. I certainly recommend it, without a doubt.
This cant be the best.......2003-04-20
Elisa from Italy is absolutely right--well, the present generation may not be able to listen the golden oldies and the grand masters in person but it is still true that the past masters far surpassed the new. De Stefano had a magnetic voice, but listen to Gigli singing Puccini's La boheme and you will melt away, though it is v v v difficult to get hold of his mono recordings, even in CD. I disagree with Elisa only on one point: Tebaldi is good, but Victoria de Los angeles' Mimi is better. And the indulgent Thomas Beecham is my favourite conductor of this opera, way ahead of Toscannini, but De Stefano's Boheme is worth keeping and listening to again and again....
TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!.......2002-11-27
True opera lovers (I won't say "experts" 'cos I dislike the word) cannot possibly like this ... ! Apart from Callas, here there is none of the greatest artists! Callas may be great in Carmen but nobody can beat RENATA TEBALDI and her angel-like voice in all of Puccini's operas or in GIORDANO's Andrea Chénier. No Carreras can beat MARIO DEL MONACO in Leoncavallo's Pagliacci, or Verdi's Otello. And finally, NO ALAGNA, or PAVAROTTI, or LICITRA, or whatever CHEAP TENOR or CROOK can ever beat the greatest tenor of all times: GIUSEPPE DI STEFANO!
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.
Even if you Hate Complilations, Get This One.......2002-06-21
This is a marvelous collection of better known arias and duets in Opera. The singers are those famous for setting, and raising, the bar in their field and for their times: Renata Scotto, Maria Callas, Dame Kiri Te Kanawa, Elisabeth Schwarzkopf, Jose Carreras, Placido Domingo, Luciano Pavarotti. If you are only somewhat familiar with opera, these recordings give you the highest feeling of what an aria or duet can sound like when sung and interpreted at its best. If you are already familiar with these songs, then you will appreciate this collection all the more for having gathered them in one place. I play both discs all the time. I've especially appreciated being able to compare vocal qualities side by side, so to speak, as Maria Callas can be heard next to Mirella Freni and Victoria de los Angeles. Even if you are not familiar with these singers, this is the way to meet them. Maria Callas has a much darker, back of the throat tone. Mirella Freni is pure, clear and light floating up in the higher notes. You can almost visualize the singers as they place the notes in their throats and set them out in the air to vibrate.
Average customer rating:
- Excellent older music
- A Golden Voice!
- Heaven
- The Ultimate Tenor Anthology
- The biggest hype I've ever seen or heard
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Artists Of The Century - Jussi Bjorling, The Ultimate Collection
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- Jussi Björling Rediscovered
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- Jussi Bjorling: Opera Arias
ASIN: B00000J911
Release Date: 1999-05-25 |
Tracks:
- Aida: Se quel guerriero io fossi; Celete Aida
- Manon Lescaut - Donna non vida mai
- Rigoletto - La Donna ? mobile
- Rigoletto - Ella mi fu rapita; Parmi veder le lagrime
- Cavalleria Rusticana - Siciliana: O Lola - Frederick Schauwecker
- Faust - Salut, demeure chaste et pure - Robert Merrill
- Pagliacci - Vesti la guibba
- La Boh?me - Che gelida manini - Licia Albanese
- Prince Igor - Vladimir's Recitative and Cavatina
- Andrea Cher - Come un bel di di maggio
- Martha - M'apparutt'amor
- L'elisir d'amore - Una furtiva lagrima
- Eugene Onegin - F, f (Lensky's aria)
- Turandot - Nessun Dorma
- Tosca - Recondita armonia
- Tosca - E lucevan le stelle
- Tosca - O dolci mani
- The Trout (Die Forelle)
- An Silvia: Was ist Silvia?
- Stchen D. 957/4
Tracks:
- The Pearl Fishers - Au fond du temple saint
- Tosca - Mario, Mario, Mario!
- Don Carlo - lo l'ho perduta!; Dio, che nell'alma infondere
- Manon Lescaut - Oh, sar pila!; Tu, tu, amore? Tu?
- La Boh - In un coup Mimtu pitorni
- La Forza Del Destina - Solenne in quest'ora
- Aida - La fatal pietra; O terra addio
- Turandot - Signore, escaolta!; Non piangere, Li
- Otello - Oh! monstruosa colpa!; Si, pel ciel marmorea giuro!
- A Dream
- Turandot - Nessun Dorma
- Zeignung, Op 10, No. 1/Dedica
Amazon.com
Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing is that Björling, whether singing an entire role or a single aria, can instantly create a character and bring him to vibrant life. He sings everything in the original keys--his high B-flats, B's, and C's are thrilling--and almost everything in the original language, including a few songs by Schubert, Strauss, and Grieg. Recorded live in recital, they are delightful--only one is too operatic. Among his partners, soprano Zinka Milanov and baritone Robert Merrill stand out. This recording presents an incomparable artist at his incomparable best. --Edith Eisler
Customer Reviews:
Excellent older music.......2007-04-05
He is obviously one of the best of his time and puts to shame some of the newer singers. You get alot for your money on this CD too. I highly recommend it for a Sunday morning to enjoy your coffee, newspaper, and scones :}
A Golden Voice!.......2006-07-31
In opera circles everyone knows about Jussi Bjorling. But, I am writing this for the many people who never heard of him. He died in 1960 at the age of 49 so he hasn't been around for 46 years. Thus, the younger generation have only heard of Pavarotti, Domingo, Correras and some newer fellows. Believe me, the sweet, honeyed, golden voice of Bjorling will impress you. His voice..his "instrument".....is...is....what can I say, it's "beautiful". If you haven't heard him before you have an enormous treat ahead of you! If you love the beautiful sound of a "trained" voice, you'll love this guy! Enjoy!
(Some guy below is comparing Bjorling to DeStefano and Corelli and some others and was critical of Bjorling. The guy who wrote that must be suffering from hearing loss! ALL the tenors he mentioned are/were great artists. DON'T BELIEVE HIM...BELIEVE ME! :o) Email:boland7214@aol.
Heaven.......2004-12-13
I used to buy two separate CDs for people I was introducing to Bjoerling - the Pearl Fishers one, and the one with the Nessun dorma on it... So I was delighted when this 2 CD set came out.
To me, NO other tenor I've ever heard matches Bjoerling. His voice is one of the few that reduce me to tears just trying to EXPLAIN it to people. I've loved classical music since childhood but was never able to get into opera until I heard Jussi ... all the tenors alive today - feh, sorry, but to me they just sound like guys taking deep breaths and singing loud, not like "the voice of God" ...
The Ultimate Tenor Anthology.......2003-10-26
For anyone who has for some reason fallen in love with some other tenor voice, the discovery of Jussi Bjoerlings voice may be heartbreaking. This is not a tenor who can only sing superbly in lyric opera or only in dramatic opera, or only in song and lieder. This singer can sing whatever he wants and more; he does it equally brilliant whatever to the vocal demands may be. That, more than anything makes him absolutely unique in the record history.
In the opening selection of this compilation; "Celeste Aida", this essentially lyric voice demonstrates for every heroic and dramatic tenor how to sing dramatic opera. It is a sheer singing lesson. In the strenuous recitative, he does not shout or use other non-musical effects, but shows that true dramatic expression is characterized by tonal intensiy and not by volume, although he had plenty enough of that. The beautiful and incredibly free flow of lyric tones in the Pearlfishers duet, the Faust cavatina and in the gorgeous "Che gelida manina" is absolutely exemplary. Yet, who could replicate the beauty of those effortless high C`s? I cannot think of anyone.
The only thing that could better this and give the set 5 stars in the book, is a compilation of the same selections, transferred from the original tapes and not excessively remastered as on this occasion. The sound is at times overly bright and the voice sounds thin and even sharp. But the singing is so far unmatched.
The biggest hype I've ever seen or heard.......2003-07-27
This tenor is a tiny patch if compare to Corelli or Del Monaco, not to even mention Pavarotti. His high notes are strain to the max and he sounds like he's singing in half falsetto.
A total disappointment. I recommend Gigli and Del Monaco instead.
Average customer rating:
- Superb singing by my favorite tenor
- exceptional recording of Bizet, Verdi and Puccini
- The Kiss of Jussi
- Notes on a classic
- Pearl Fishers Duet
|
The "Pearl Fishers" Duet
Manufacturer: RCA
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Similar Items:
- The Most Famous Opera Duets
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- Jussi Bjorling: Opera Arias
ASIN: B000003ERE
Release Date: 1990-10-25 |
Tracks:
- The Pearl Fishers: Au Fond Du Temple Saint
- Tosca: Mario, Mario, Mario! - Zinka Milanov
- Don Carlo: Io L' Ho Perduta!, Dio, Che Nell' Alma Infondere
- Manon Lescaut: Tu, Tu, Amore? Tu? - Licia Albanese
- La Boheme: O Mimi, Tu Piu Non Torni
- La Forza Del Destino: Solenne In Quest' Ora
- Aida: La Fatal Pietra; Oterra Addio - Zinka Milanov
- Turandot: Signore, Ascolta!; Non Piangere, Liu - Renata Tebaldi
- Otello: Si, Pel Ciel Marmoreo Giuro!
Amazon.com
This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic "Au fond du temple saint" from The Pearl Fishers--and the scene with Renata Tebaldi, "Signore, ascolta; non piangere, Liu," from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than make up for it. --David Vernier
Customer Reviews:
Superb singing by my favorite tenor.......2006-12-29
I can hardly tell you how much I loved this CD when musicologist David St. George gave
gave me a copy of it. Each time I hear the CD, Bjoerling's singing astounds me, because
depsite his age, he was in excellent voice when he recorded the "Pearl Fishers Duet."
My only complaint about Bjoerling is that a year before my birth, he died. :)
exceptional recording of Bizet, Verdi and Puccini.......2006-10-23
The beautiful main duet from Bizet's "The Pearlfishers" ("Au fond du temple saint") is the centerpiece of this disc, that also features pieces from "Aida", "Tosca", "Turandot" and "Otello", amongst others by Puccini and Verdi.
Legendary opera stars Robert Merrill, Zinka Milanov, Licia Albanese and Renata Tebaldi have the kind of voices that one rarely hears these days in opera. It's such a pleasure to know that these singers have received immortality thanks to CD reissues like this one. As other reviewers have noted, these recordings have great historical value but don't expect miracles with the overall sound quality.
[RCA/BMG Classics GD87799]
The Kiss of Jussi.......2006-08-23
Bjoerling never misses his pitch, never struggles with any note in his repertoire, never runs out of breath, and most importantly, never fails to makes any note perfectly beautiful. Bjoerling's supporting cast are immortalized by their association with this incomparable singer. Every track in this album is historically as well as artistically precious.
Notes on a classic.......2006-06-04
I'm prompted to comment only because a reviewer below offers no criticism of this famous duets recording exceept for the Manon Lescaut excerpt with Licia Albanese. As it happens, the only weakness in the cuts with Bjorling and Merrill is the workaday conducting by Renato Cellini (and the boxy sound that deserves the same miraculous remastering BMG has recently given to Toscanini). The Met was a singers' house and often fell short on conducting, saddling Golden Age voices with less than stellar maestros like Cillini, Fausto Cleva, and Leinsdorf (who actually does a very good job, for him, in Turandot, Bjorling's last opera recording before he died).
But the RCA Manon Lescaut from Rome was a wonderful exception. It is arguably the most satisfying collaboration in Bjorling's career, thanks to Jonel Perlea and the inspired Licia Albanese. Others might argue for the Aida with Milanov or the famous La Boheme with de los Angeles under Beecham. But for me the dramatic intensity of this Manon Lescaut is unparalleled. It's true that Albanese doesn't sound like a lush, full-voiced Puccini soprano, but she inhabits the role of Manon with astonishing realism and passion.
Pearl Fishers Duet.......2006-03-18
The Pearl Fishers Duet by Georges Bizet is well presented and delightfully sung. There are several additional duets on this CD which, whilst sung correctly and well, do not come over with the same lightness and flow. They would not be the best of their genre.
Average customer rating:
- Landmark Soprano. An essential work for opera listeners.
- Terrific introduction to the art of Callas
- Callas was the greatest
- Great starter CD
- The epitome of divinity
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Maria Callas - La Divina
Giacomo Puccini , Vincenzo Bellini , Georges Bizet , Gioachino Rossini , Alfredo Catalani , Camille Saint-Saëns , Giuseppe Verdi , Charles Gounod , Wolfgang Amadeus Mozart , Pietro Mascagni , Amilcare Ponchielli , Tullio Serafin , Georges Prêtre , Nicola Rescigno , Franco Ghione , Antonino Votto , Maria Callas , Alfredo Kraus , Ebe Ticozzi , Giuseppe di Stefano , London Philharmonia Orchestra , Orchestra e Coro del Teatro alla Scala , Orchestre National de la R.D.F. , Conservatory Concert Society Orchestra , and Lisbon Orquesta Sinfonica del Teatro Nacional de San Carlos
Manufacturer: EMI Classics
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Similar Items:
- La Divina 2
- Maria Callas: La Divina 3
- The Very Best Of Maria Callas
- Maria Callas, the Voice of the Century
- Maria Callas: The Legend
ASIN: B000002RT6
Release Date: 1993-09-14 |
Tracks:
- Madama Butterfly: Un bel di, vedremo (Atto ll)
- Carmen: L'amour est un oiseau rebelle (Habanera) (Acte l)
- La Wally: Ebben? ne andro lontana (Atto l)
- Il Barbiere di Siviglia: Una voce poco fa (Atto l)
- Norma: Casta Diva (Atto l)
- Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte ll)
- Rigoletto: Caro nome (Atto l)
- La Traviata: Sempre libera (Atto l)
- Romeo et Juliette: Je veux vivre dans ce reve (Acte l)
- La Boheme: Si, mi chiamano Mimi (Atto l)
- Don Giovanni: Mi tradi quell'alma ingrata (Atto ll)
- Cavalleria Rusticana: Voi lo sapete, o mamma
- La Gioconda: Suicidio! (Atto lV)
- Gianni Schicchi1: O mio babbino caro
- Turandot: In questa reggia (Atto ll)
- TOSCA: Vissi d'arte, vissi d'amore (Atto ll)
Amazon.com
If you want to know the reason behind all the fuss about Maria Callas, buy this CD. Callas's great gift was not purity of tone or emission, reliability, or sheer loveliness; it was, rather, her ability to change her vocal color and style to suit not only particular periods of opera but to get under the skin of the individual characters she portrayed. Here you will hear the 18-year-old Butterfly imagining the return of her beloved; the sultry, adult Carmen seducing all around her; the youthful Wally telling her cruel father that she will go off into the cold wilderness rather than give up her boyfriend; the sly Rosina planning to outfox her guardian; the priestess Norma performing a sacred rite; Dalila wrapping Samson around her little finger and more; Gioconda contemplating suicide when all hope is gone; Gilda recalling the name of the boy she's just fallen for; and the icy princess Turandot reliving the rape of her ancestor and swearing that no man will possess her. And you'll believe them all. At times Callas's vocalism is a bit wiry (Juliette sounds stressed, for instance); but, in all, this is like a visit with 16 women, all of them interesting, and all of them great singers! --Robert Levine
Customer Reviews:
Landmark Soprano. An essential work for opera listeners........2007-05-26
Maria Callas may be the only female 'superstar' working in my lifetime. In the 1950s and early 1960's, she had all the star power and paparrazi draw of Jackie and Marilyn, far outstripping the fame to the world at large of her primary rival, Renita Tibaldi. I am not an expert, or even an experienced amateur at evaluating operatic sopranos; however I've listened to several of the modern crop, and while the newbies probably do a better job of keeping on key, none of them can match the drama emoted by Ms. Callas on any given aria. All three releases are especially good buys, as they all run to over 72 minutes; however the recording quality does show its early (pre-multitrack, pre-digital) recording technology. Each is as good as the next regarding content, but 2 and 3 are a bit better in sound quality.
Terrific introduction to the art of Callas.......2007-04-24
This album is entitled "Divina," not to be confused with "Divina 2," itself a very nice example of Callas at her best. This CD samples a variety of her roles, indicating the range of her art. A few examples. . . .
"Un bel di" from Puccini's "Madama Butterfly" is very well done. She displays a rich voice and a passionate rendering of this aria. At greater volume, her voice remains under control and attractive sounding (something that does not always occur as her career developed further).
The "Habanera" from Bizet's "Carmen" is normally a mezzo soprano work. However, Callas features a good lower tone, and it works pretty well here. She shows nice breath control, too. The orchestral backing is exceptional.
"Sempre libera," from Verdi's "La Traviata," is a soprano's dream. Here, though, Callas' voice is not as attractive as in other cuts. There is some harshness with higher notes. Alfredo Kraus' singing, by the way, is most attractive. There is some unpleasantness with Callas technique in this work, although there is a nice characterization as well (this is the price you pay for Callas). She shows off some nice runs, but zero in the way of trills (some other sopranos display nice trills in this piece).
Finally, a very well done version of "Si, mi chiamano Mimi" from Puccini's "La Boheme." Sweet sounds at the outset. She seems to capture the character well. Smooth singing, done well.
Thus, a good introduction to the art of Maria Callas. There are cuts here that feature some of the wondrous nature of her work. There are other cuts where one hears some unattractive aspects of her singing and one wonders about her technique. But, in the end, this is a good representation of the work of Callas.
Callas was the greatest.......2007-02-06
It's amazing how the anti-Callas claquers continue to thrive. I'll side with Leonard Bernstein, who labeled Callas "The Bible of Opera," and who described her 1952 performance of La Sonnambula under his baton as "pure electricity." Unfortunately, recordings don't do justice to any artist, given the lack of spontaneity and a full audience, as well as a host of other reasons. Even Callas withheld many recordings from release because she was her own worst critic and they did not meet her high standards. I've been listening to opera for over 30 years and although I can appreciate the artistry of Tebaldi, Sutherland, Sills, Freni, Carteri, Moffo, Price, etc., some of whom had better pure voices, there was none that could match Maria's intensity, passion, range, personality, acting ability and pure emotion. Callas could sing bel canto colaratura but drop down to a near-mezzo voice that included many dramatic roles.
The Callas bashers will always be with us, but thankfully they will always be in the tiny minority. True connossiers of opera know there never has been and never will be as great a singer as La Divina.
Great starter CD.......2005-11-24
As simplistic as this sounds, this is a perfect CD if you know you like opera, but don't know exactly what you want to hear. You'll definitely recognize some of the more popular arias, and will grow to love the others.
The epitome of divinity.......2005-03-31
Divine and then some.
A unique mezzo voice delivering a 'one-two-three punch': one in the gut, one in the heart and one in the head.
The listener instinctually senses all she imparts-regardless of French,Italian,German literacy or opera knowledge.
Her gifts were many-the 'voice'(simultaneously:sharp,buttery,bright and dark),inimitable phrasing,timing,dramatic intensity and versatility.
A fine jumping off point for Callas neophytes and Opera 'sissies' who say they don't like Opera, but never really listened to any.
For all of us already converted, I say turn it up!
Average customer rating:
- Very Good Opera Mix CD
- A real treat
- Wonderful orchestral rendering of opera classics!
- nice music incorrect tempi
- Song list incorrect, though !
|
Opera without Words
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Similar Items:
- Puccini Without Words
- Verdi without Words: Grand Opera for Orchestra
- Opera Without Words
- Carmen Without Words
- Opera Without Words
ASIN: B0000026QP
Release Date: 1989-11-20 |
Tracks:
- Intermezzo
- Che Gelida Manina
- Mi Chiamano Mimi
- O Soave Fanciulla
- Quando M'En Vo' Soletta
- Sono Andati?
- O Mio Babbino Caro
- Recondita Armonia
- Vissi D'Arte
- E Lucevan Le Stelle
- Entrance Of Butterfly
- Un Bel Di Vedremo
- Je Crois Entendre Encore
- Celeste Aida
- Mon Coeur Souvre A Ta Voix
- Flower Song
- Habanera
- March of the Toreadors
- La Donna E Mobile
- Ah Fors' E Lui & Sempre Libera
- Vesti La Biubba
- Children's Prayer
- Barcarolle
Customer Reviews:
Very Good Opera Mix CD.......2007-04-24
For someone that isn't too keen on Opera, I really enjoyed this CD. As a choreographer, having famous operatic themes without lyrics is such a blessing. The only criticism I have about the CD is that the volume level isn't consistent throughout, and for some of the songs it is extremely low. I had to constantly adjust the volume from one song to the next, even within one track.
A real treat.......2006-09-25
This wonderful CD, is a collection of some 23 arias, drawn from the works of such maestros as Pietro Mascagni, Guiseppe Verdi, and Engelbert Humperdinck (no, the German composer...sorry, I couldn't resist!). All of the tunes sound excellent, performed to perfection by Russian-American conductor and arranger Andre Kostelanetz and his orchestra. Overall, I found this to be a real treat to listen to, with lively arias that will not send any passionate music fan to sleep. I especially loved Mascagni's Cavalleria Rusticana, Verdi's Celeste Aida, and of course Bizet's March of the Toreadors.
So, if you like could orchestral music, then I must say that you will like this CD. I love it and give it my highest recommendations!
Wonderful orchestral rendering of opera classics!.......2004-08-10
Opera fans will enjoy this collection of celebrated arias without vocals for rest and relaxation. From the thrilling "March of the Toreadors" to the plaintive "Madame Butterfly" this CD is a great background for easy listening, romantic dinners, or just the drive to and from work. Even people who don't like opera can enjoy this one.
nice music incorrect tempi.......2003-01-03
This CD is great for listening and, perhaps, for singing along a few passages (e.g. "..la speranza!") but NOT for actual singing practice. The tempi, while sweeping and engaging, can easilty throw you off, particularly the omissions of certain phrases or simply jumping to ba-boom conclusion. For those who like the music minus singing, it offers instruments taking up the voice parts. The order of the tracks is listed incorrectly, so you'll have to make your own list to paste on the back of this CD. Don't even think of turning on your metronome, just enjoy the music. Barcarolle from Tales of Hoffmann is the best piece.
Song list incorrect, though !.......2002-05-24
In the back cover of song list, "Celeste Aida" is printed BEFORE "La donna e mobile", while in the song list inside, there is no such song. In reality, the disk does have a "Celeste Aida", but it's number 14, as the list in Amazon.com. This "Celeste Aida" has the complete tune compared to that of "Verdi Without Words".
The music is marvellous.
Average customer rating:
- Beautiful Collection of Songs
- A Legend in all.....La Callas.
- Excellent compilation of La Divina's arias
- Some people have no business reviewing this
- BELLA BELLA BELLA!
|
Maria Callas, the Voice of the Century
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Similar Items:
- The Very Best Of Maria Callas
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- Puccini: Arias
- The Most Famous Opera Duets
ASIN: B00000631B
Release Date: 1998-03-17 |
Tracks:
- Norma: Casta Diva (Atto I): Norma
- La Sonnambula: Compagne, teneri amici...Come per me sereno (Atto I): La Sonnambula
- Il Barbieri Di Siviglia: Una Voce poco fa (Atto I): Il barbiere di Siviglia
- Lucia di Lammermoor: Regnava nel silenzio...Quando, rapito in estasi (Atto I): Lucia di Siviglia
- Rigoletto: Gualtier Mald...Caro Nome (Atto I): Rigoletto
- La Traviata: E Strano!...Ah, Fors'e lui...Sempre libera (Atto I): La traviata
- La Boheme: Si, Mi chiamo Mimi (Atto I): La boheme
- La Boheme: Donde Lieta Usci (Atto III) (Mimi's Farewell): La boheme
- Madama Butterfly: Un Bel di Vedremo (Atto II): Madama Butterfly
- TOSCA: Vissi D'arte (Atto II): tosca
- Turandot: In questa reggia (Atto II): Turandot
- La Wally: Ebben? ne andro lontana (Atto I): La Wally
- Andrea Chenier: La mamma morta (Atto III): Andrea Chenier
Tracks:
- Orphee et Eurydice: J'ai perdu mon Eurydice (Acte V)
- Alceste: Divinites du Styx (Acte I)
- Dinorah: Ombra leggiera (Atto II) (Shadow Song)
- Romeo et Juliette: Ah! Je veux vivre (Acte I) (Waltz Song)
- Faust: Les grand seigneurs...Ah! je ris (Acte III)
- Lakme: Dov'e l'indiana bruna? (Atto II) (Bell Song)
- Samson et Dalila: Printemps qui commence (Acte I)
- Samson et Dalila: Mon coeur s'ouvre a ta voix (Acte II)
- Les Pecheurs De Perles: Me voila seule...Comme autrefois (Acte II)
- Carmen: L'amour est un oiseau rebelle (Habanera)(Acte I)
- Carmen: Les tringles des sistre tintaient (Acte II)
- Le Cid: De cet affreux combat...Pleurez mes yeux! (Acte III)
- Manon: Je ne suis que faiblesse...Adieu, notre petite table (Acte II)
- Louise: Depuis le jour (Acte III)
Customer Reviews:
Beautiful Collection of Songs.......2006-07-15
I have listened samples of 5 Callas CDs before buying this one. This one has a very beautiful collection of songs on just 2 CDs. he sings with so much expression. Most the recordings are from the fifties and early sixties when her voice was very young and lovely. I'll try to get her on DVD so I can see her sing.
A Legend in all.....La Callas........2005-04-24
I would just like to refer to an article that was published by a German Newspaper in 1959, mentioned on the Callas Edition (CED:100342)
'...her voice is of unparalleled beauty, having an inimitable, completely own timbre of sopranos and altos...a performance of superior musical quality..a phenomenon amongst contemporary singers'
' ...One of the most spectacular Verdi arias, of Elizabeth from Don Carlo, and one, In Germany tottaly unknown, terrific scene from Bellini's opera Il Pirata were enough to enchant huge numers of television viewers, who can say at her next performance: 'we have seen La Callas''(Hamburg concert 1959)
'- from the contra-alt-f to the f - thats Callas' voice range, spanning over 37 half-tones. Callas herself has drawn the range of her voice. In her concert repertoire the contra-alt-f can be found in e.g. the aria from I Vespri Siciliani. In an aria from Rossini's opera Armida she reaches the 'F'. five half-tones above the high C. Normal voices couldnt possibly even whistle this high F. Though there are other singers, whose voices contain these three octaves - Erna Sack with her coloratura soprano, the lyrical singer Ema Berger and the dramatical singer Zinka Milanov from the New York Metropolitan Opera - simple fact is that the phenomenon Meneghini-Callas lies in her fabulous vocal versatility. She is a coloratura singer, drama-player and lyrist in one person - and an exceptionally talented ac-tress at that.'
Excuse from a journalist of the German Newspaper for the Diva :
Article Title : 'I am sorry!'
'I owe Maria Callas an apology. She is a unique vocal talent, a great artist. She is a primadonna. And she has her moods. Moods for which i ask her to forgive me. Because i misunderstood them - and many others too. That much i gathered from her latest television concert. Even in the flickering of the screen this woman's nervousness and enormous effort were visible.
La Callas is a fragile, rather shy person. Her moods are fear of failure. The moloch audience expects her to always go to any lenght, show the brilliance others just dont have. She is not allowed to get weak. Decent country singers are not decapitated for a false note. La Callas, on the other hand, is the identifying mark of the extraordinary. Even the slightest hint of a mistake would cost her her uniqueness, her stardom....a perverse triumph for all bathtube singers.
That explains her inhibitation to perform when she isnt well, her cancellations when she is not in the right mood. I understand them now. If she werent moody, she wouldnt be a primadonna, would not be La Callas.
Stars like her do not fit in our world of standards and programmed data. They pay dearly for their moods, have to put up fights and, undoubtedly, shed many a tear. So one more, my apologies, Maria Callas'
(Hans im Bild)
That's all folks!:D
Excellent compilation of La Divina's arias.......2005-03-21
This is one of the best compilations EMI has ever made for Maria Callas' arias. Each and every aria lets us listen to the best of her voice from each period of her career. An excellent collection!
Holly Mathews doesn't know how to appreciate art. Kathleen Battle and Renee Fleming themselves have admitted to the supremacy of Callas' singing over theirs, even if their voices seem more beautiful than La Divina. Why else would Callas be a legend and they wouldn't? They are equally good in their own right, but none of them would surpass the accuracy of La Divina's singing and phrasing. Holly Mathews' left side of the brain must be made of clay or foam, dead material that couldn't absorb any beauty.
Some people have no business reviewing this.......2005-01-25
My goodness, what is a non-musical person like Holly Mathews doing in this board? Do you know what other album she has reviewed? Hayley Westenra! And she's not even an opera singer! She obviously doesn't know her business! Disgraceful review! Ignore it! It obviously was not based on good judgement. I'm sure she is a pop fan who just likes tender music. Oh, her insulting language! What an ignorant Maria basher!
Anyway, this is an excellent compilation of SOME of Maria Callas' greatest arias. Although I do wish some arias like Pace Pace Mio Dio were included here, I do think it is a very good compilation all in all. Although she has many detractors, they still have to admit that Callas is the sheer embodiment of singing and drama. She was an actress...a panther on the stage. Listen to her La Mamma Morta and her Suicidio...those brought chills to my spine when I listened to them. Maria is the only singer in the history of opera besides the great Caruso-tenor Franco Corelli who touched me, moved me even. This is probably the reason why I love Maria Callas' music so much. If you want to hear Medea's anger and Norma's anguish and Butterfly's hopeful blindness, listen to Maria Callas. If you just want a golden voice, then go to Renata Tebaldi or Joan Sutherland. And don't even compare her with Charlotte Church or Hayley Westenra! The distaste of some people!
BELLA BELLA BELLA!.......2004-11-23
THIS WAS THE FIRST ALBUM I EVER BOUGHT FEATURING ANY OPERATIC SOPRANO. I WAS 15 AND WAS GIVEN MY VERY FIRST CLASSICAL PIECE "CARO MIO BEN" WHICH WAS NOT AN OPERA ARIA BUT DUE TOTHIS SONG I WAS SUDDENLY IN LOVE WITH OPERA. I HAD HEAR OF HER A FEW TIMES IN THE PAST BUT MY IDEA OF A GOOD SOPRANO AT THE TIME WAS SARAH BIRGHTMAN (YES I KNOW I KNOW!!!BUT I WAS YOUNG!)BUT IT DIDN'T TAKE LONG TO REALIZE HOW WRONG I WAS!! THIS CALLAS RECORDING HAD THE MOST PROFOUND EFFECT ON ME WHICH LED TO MY OBSESSION WITH MY OWN OPERATIC ASPIRATIONS. IT WAS STRANGE AS SHE DID NOT SOUND LIKE A FAT WOMAN SCREAMING HER HEAD OFF IN FULL BODY ARMOR. YES YES...I AND MANY MANY SAD AMERICANS HAVE THOUGH OF THIS WHEN GIVEN THE WORD OPERA. (NOW NOW, WE ALL FELT LIKE THAT AT SOME POINT) I NEVER REALIZED THAT THERE COULD BE SUCH PASSION. HER NORMA WAS IS SO BEAUTIFUL IN IT'S SIMPLICITY AND UNDERLINING STRENGTH. HER TAKE ON "COME OER ME SERENO" AND "UNA VOCE POCO FA" WERE SWEET AND APPROPRIATELY INNOCENT. HER BEL CANTO ROLES WHICH INCLUDED HER FANTASTIC LUCIA (ALTHOUGH LATER I WOULD PREFER SUTHERLAND) AND GILDA JUST THRILLED ME. I HAD NO IDEA SOMEONE COULD ACTUALLY SING THOSE PIECES! OF COURSE UP UNTIL THIS POINT I DIDN'T EVEN KNOW OPERA COULD SOUND LIKE THAT!! (SILLY ME!) I WAS SURPRISED TO REALIZED I KNEW THE ARIAS SHE SUNG FROM LA BOHEME, LA TRAVIATA, AND MADAME BUTTERFLY. THEY DIDN'T MAKE A HUGE IMPRESSION BECAUSE THEY DID NOT HAVE THE FIREWORKS I WAS LOOKING FOR BUT I STILL FOUND THEM TO BE BEAUTIFUL. AFTER ALL OF THIS I LANDED ON CALLAS' TAKE OF TOSCA'S "VISSI D'ARTE". IT WAS AND HAS BEEN THE ONLY TIME I'VE BEEN SO MOVED BY A PERFORMER THAT I CRIED. IT WAS SO PURE BUT THE PAIN WAS SO EVIDENT THAT IT JUST CHILLED ME. I MUST HAVE LISTENED TO IT THOUSANDS OF TIMES OVER THE YEARS AND STILL HAVE YET TO HEAR A MORE STIRRING RENDITION. DUE TO THE OVERWHELMING FIRST CD I MUST ADMIT I KIND OF IGNORED THE SECOND HALF. EVENTUALLY I DID GET TO IT AND FOUND WHAT I FELT WAS THE GREATEST SONG EVER WRITTEN. MY WHOLE BEING LIVED FOR LAKME'S BELL SONG. AFTER LISTENING TO HER I WAS CONVINCED THIS WOMAN WAS MAGICAL BECAUSE I COULDN'T FIGURE OUT HOW SHE OR ANY HUMAN COULD SING LIKE THAT! HER SECOND DISC WAS INTERESTING BECAUSE IT WENT FROM WHITE HOT COLORATURA TO MEZZO? AAHHH BUT YES SHE WENT THERE. INTO THE INTENSITY OF SAMSON ET DELILA. I THOUGHT THEY WERE BEAUTIFUL!!! OF COURSE I KNOW PREFER MARILYN HORNE TO CALLAS ON THOSE SONGS....BUT IT SHOWED ME THAT NOT EVERY SONG HAS TO BE HIGH TO BE BEAUTIFUL. I LOVED AND STILL DUE LOVE THIS COLLECTION....IN FACT I HAVE BOUGHT IT THREE TIMES AS MINE DETERIORATED QUICKLY 'CAS I PLAYED THEM SO MUCH! AND I'VE GIVEN THIS COLLECTION TO COUNTLESS FRIENDS AND FAMILY. THIS IS THE BEST COLLECTION OF CALLAS' WORK AND I WOULD RECOMMEND IT TO EVERYONE AND ANYONE! VIVA LA DIVA!
Average customer rating:
- Unbelievable , this is Opera
- For those who like the stirring operatic bits
- EDUCATIONAL
- Some of Opera's Best Gems
- Some of Opera's Best Gems
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The Movies Go To The Opera: Great Operatic Melodies featured in
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Opera Goes to the Movies
- Panorama: Music from the Movies
- The Most Famous Opera Duets
- The Most Famous Opera Arias
- The #1 Opera Album
ASIN: B000002SQ3
Release Date: 1990-10-25 |
Tracks:
- Fatal Attraction- Madama Butterfly- Un bel di
- Death Of Butterfly
- Giacomo Puccini / Turandot-Nessun Dorma (Witches Of Eastwick)
- Lakme-Viens, Mallika (Someone To Watch Over Me)
- La Boheme: Musetta's Waltz (Moonstruck)
- La Boheme-Mimi's Farewell (Moonstruck)
- Dark Eyes / Una voce poco fa
- Apocalypse Now / Ride of the Valkyries
- Jean De Florette, Manon Of The Spring / Overture
- La Wally-Ebben? Ne Andr Lontano (Diva)
- Les Pecheurs De Perles-Au Fond Du Temple Saint (Gallipoli)
- Manon Lescaut-Sola, Perduta E Abbandonata (Hannah And Her Sisters)
- Gianni Schicchi-Firenze-Come...(Room With A View)
- Gianni Schicchi-O Mio Babbino Caro (Room With A View)
- Chi Il Bel Sogno Di Doretta
- Cavalleria Rusticana-Intermezzo (Raging Bull)
Customer Reviews:
Unbelievable , this is Opera.......2007-06-26
These are opera melodies that have been adapted to some outstanding feature films. Looking at some of the scenes and hearing the music has enforced sight and sound. Even if you are not an opera buff or a movie buff you will be entralled by what you hear. You may even want to buy the film or the music album/
For those who like the stirring operatic bits.......2004-04-29
I'm not a diehard opera fan. That means I can't sit through the no or low musical sections. After all, opera is a visual art as well as an aural one, and there's alot of low energy periods where one would have to be watching it live to avoid slipping into a coma. If that. I tend to like the arias and the duets. These are the bill of fare on this album, with a healthy portion of brain glue added by each piece's tie-in with a major motion picture. For instance, a favorite picture of mine is the Australian production of "Gallipoli", which depicts the carnage inflicted on Aussie and Kiwi troopers doing the Queen's dirty work with wave after wave of direct frontal infantry assaults against Turkish heavily fortified breastworks and murdurous interlocking fields of fire of many heavy machine gun positions and pre-sited mortar batteries. There is a certain eerie and sad scene depicting a couple of young Aussie junior officers, boys really, in the tent of a superior on the night before the early morning attack. The viewer has the superior vision of recorded history, while these apple cheeks have no inkling of the mailed fist that will hammer them down in a few hours. The older officer puts a platter on the crank up Victrola, and for most of us, we get our first introduction to the haunting strains of "Au Fond du Temple Saint" from the French opera "Pêcheurs de Perles". I'm sure a portion of the haunting and eerie qualities stem from my total lack of french language skills. That piece will forever be associated with the bloodbath at Gallipoli Peninsula, at least as far as my brain goes. And so it goes with many of the other pieces of music in this collection. From "Apocolypse Now" is included the best piece of music to attack an enemy by, "Ride of the Valkyries" from the famous AirMobile copter assault, an attack scene that redefined cinematic battle sequencing forever. Everyone should recognise at least one musical movie slice here.
Tie ins include Raging Bull, Fatal Attraction, and Someone to Watch Over Me.
EDUCATIONAL.......2002-04-20
I BOUGHT THIS CD SOMETIME AGO WHEN I WANTED TO LEARN MORE ABOUT OPERA. THIS IS ONE OF THE BEST CD'S OUT WHEN CONSIDERING TRYING TO TURN YOUNG PEOPLE ON TO THE ARTS, ANYONE WHO LISTENS TO THIS WILL DEFINETLY HAVE AT LEAST ONE FAVORITE.
Some of Opera's Best Gems.......2002-04-01
I've long been an opera fan, so you might expect me to sneer at a compilation. Not so! For opera fans, this is a "stroll down memory lane," offering some lovely jewels from well-loved operas. For those new to opera, this is a wonderful introduction. Even if you don't know the language or the story, you will be utterly transported by several of these arias.
Just to whet your appetite, here are a few tidbits about some of my favorites on this CD:
- The angelic duet from Lakmé is about a sacred river in India whose banks are overflowing with fragrant spring flowers.
- In the duet from Les Pecheurs de Perles (Pearl Fishers), two men who are best friends sing rapturously about falling in love at first sight with a beautiful woman; for each it was an almost mystical experience. When they realize they are in love with the SAME woman, they are alarmed, and vow to not let anything destroy their friendship.
- "Quando m'en vo" from La Bohème is really funny because a woman is bragging loudly about how popular she is, to make an ex-boyfriend jealous. (It works, and she wins him back.)
- The second aria from La Bohème--Mimi's dying words to her lover Rodolfo and her dear friends--is beautiful and touching. However, you should also hear the glorious songs that Mimi and Rudolfo sing when they first fall in love! (Those are not in this collection.)
- The dreamy and mysterious "Nessun Dorma" is sung by a man who eagerly anticipates being married to a beautiful princess the next day, but who may very well be put to death instead. His fate hangs in the balance as all the residents of ancient Peking stay awake all night, trying to discover his secret.
Of course, the only way to really know what opera is about is to go to a live performance, where you not only hear the glorious music but also enjoy the entertaining story, costumes, sets, and action. Good bets at first are operas by Puccini, Bizet, Mozart, Verdi, and Rossini--hold off on Wagner for a while! ....
For what it's meant to do, I would give this CD full marks (5 stars).
Some of Opera's Best Gems.......2002-04-01
I've long been an opera fan, so you might expect me to sneer at a compilation. Not so! For opera fans, this is a "stroll down memory lane," offering some lovely jewels from well-loved operas. For those new to opera, this is a wonderful introduction. Even if you don't know the language or the story, you will be utterly transported by several of these arias.
Just to whet your appetite, here are a few tidbits about some of my favorites on this CD:
- The angelic duet from Lakmé is about a sacred river in India whose banks are overflowing with fragrant spring flowers.
- In the duet from Les Pecheurs de Perles (Pearl Fishers), two men who are best friends sing rapturously about falling in love at first sight with a beautiful woman; for each it was an almost mystical experience. When they realize they are in love with the SAME woman, they are alarmed, and vow to not let anything destroy their friendship.
- "Quando m'en vo" from La Bohème is really funny because a woman is bragging loudly about how popular she is, to make an ex-boyfriend jealous. (It works, and she wins him back.)
- The second aria from La Bohème--Mimi's dying words to her lover Rodolfo and her dear friends--is beautiful and touching. However, you should also hear the glorious songs that Mimi and Rudolfo sing when they first fall in love! (Those are not in this collection.)
- The dreamy and mysterious "Nessun Dorma" is sung by a man who eagerly anticipates being married to a beautiful princess the next day, but who may very well be put to death instead. His fate hangs in the balance as all the residents of ancient Peking stay awake all night, trying to discover his secret.
Of course, the only way to really know what opera is about is to go to a live performance, where you not only hear the glorious music but also enjoy the entertaining story, costumes, sets, and action. Good bets at first are operas by Puccini, Bizet, Mozart, Verdi, and Rossini--hold off on Wagner for a while! Before going, be sure to get an overview of the story, e.g. on the Metropolitan Opera's Web site: ...
For what it's meant to do, I would give this CD full marks (5 stars).
International Music:
- Canēšes Que a Fé Escreveu [Import]
- Canta Lupicinio [Import]
- Canta Milton [Import]
- Casanova [Import]
- Cent Metres au Paradis [Import]
- Classics [Import]
- Com Acucar E Com Afeto [Import]
- Deixa Clarear [EP]
- Desiderata [Import]
- Dias De Paz [Import]
International Music
International Music