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1. Santa Maria
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2. Die Gefühle Sind Frei
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3. Dich Zu Lieben
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4. Joana
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5. Wer Sich Selbst Nur Liebt
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6. War das Eine Nacht
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7. Amore Mio
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8. Sieben Fässer Wein
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9. Frei, das Heißt Allein (Verde)
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10. Es Kann Der Frömmste Nicht in Frieden Leben
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11. Manchmal Möchte Ich Schon Mit Dir
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12. Wohin Gehst Du
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13. Schach Matt
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14. Zieh Mit Dem Wind
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15. Ich Will Dich
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16. Lieb' Mich Ein Letztes Mal
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Für Dich,Roland Kaiser,Hansa,World Music
Average customer rating:
- One of my favorite recordings ever
- wonderful
- Truthful & Sincere Singing
- Beautiful
- More than just a pretty voice ...
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Elly Ameling ~ Schubert · Schumann - Songs
Franz Schubert , Robert Schumann , Elly Ameling , Jörg Demus , and Hans Deinzer
Manufacturer: RCA
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Similar Items:
- Artistry of Elly Ameling (Coll)
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- Franz Schubert: Lieder
ASIN: B000001TWU
Release Date: 1991-11-05 |
Tracks:
- Der Hirt Auf Dem Felsen
- Seligkeit
- Gretchen Am Spinnrad
- Du Liebst Mich Nicht
- Heimliches Lieben
- Im Fruehling
- Die Vogel
- De Jungling An Der Quelle
- Der Musensohn
- Widmung
- Auftrage
- Sehnsucht
- Frage
- Mein Schonster Stern
- Schneeglockchen
- Erstes Grun
- Er Ist's
- Die Sennin
- Sehnsucht Nach Der Waldgegend
- Jasminenstrauch
- Schmetterling
- Der Nussbaum
- Marienwurmchen
- Kauzlein
- Waldesesprach
- Loreley
- Die Meerfee
- Der Sandmann
Customer Reviews:
One of my favorite recordings ever.......2007-06-08
Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.
wonderful.......2007-03-21
I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!
Truthful & Sincere Singing.......2006-11-25
Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.
The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.
Beautiful.......2006-11-11
What a gorgeous voice! It's a true delight to listen to this set.
More than just a pretty voice ..........2006-09-17
It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.
Average customer rating:
- Fine anthology but still prefer her "Four Last Songs" recording
- RIP DAME ELIZABETH (1915-2006)
- SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY
- ¡PERFECT!
- PERFECTA INTERPRETACIÓN
|
The Very Best of Elisabeth Schwarzkopf
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Great Recordings Of The Century - Elisabeth Schwarzkopf Sings Operetta / Ackermann
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- Mozart: Lieder & Concert Arias
ASIN: B0000AF1SC
Release Date: 2003-09-02 |
Tracks:
- Ach War Ich Schon (Fidelio)
- Non So Piu (Le Nozze Di Figaro)
- Porgi, Amor (Le Nozze Di Figaro)
- E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
- Mi Tradi Quell'Alma Ingrata (Don Giovanni)
- Come Scoglio (Cosi Fan Tutti)
- Leise, Leise, Fromme Weise (Der Freischutz)
- Dich, Teure Halle (Tannhauser)
- Einsam In Truben Tagen (Lohengrin)
- Wie Fremd Und Tot (Die Verkaufte Braut)
- Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
- Da Geht Er Hin (Der Rosenkavalier)
- Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
- Das War Sehr Gut (Arabella)
Tracks:
- Jauchzet Gott In Allen Landen
- Bist Du Bei Mir
- Ridente La Calma
- An Die Musik
- Der Musensohn
- Nachtviolen
- Der Musensohn
- Auch Kleine Dinge
- Mein Liebster Ist So Klein
- Verschling' Der Abgrund
- Ich Hab' In Penna
- Wiegenlied Im Sommer
- Mausfallenspruchlein
- In Dem Schatten Meiner Locken
- Mignon (Kennst Du Das Land?)
- Gsatzli (Swiss Folksong)
- Fruhling
- Im Abendrot
- Muttertandelei
- Zueignung
- Klange Der Heimat (Die Fledermaus)
- Es Lebt'Eine Vilja (Die Lustige Witwe)
- Im Chambre Separee (Der Opemball)
- Wien, Du Stadt Meiner Traume
Amazon.com
Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler
Customer Reviews:
Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06
The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.
RIP DAME ELIZABETH (1915-2006).......2006-08-04
This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.
SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29
Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.
¡PERFECT!.......2005-02-10
I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.
PERFECTA INTERPRETACIÓN.......2005-02-09
La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.
Average customer rating:
- Uneven quality but great value
- A superb collection of Mendelssohn
|
Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
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Binding: Audio CD
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Similar Items:
- Dvorák: The Masterworks [Box Set]
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ASIN: B00062FLJ2
Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
Average customer rating:
- A sublime sewing Machine
- Bach By Two Of The Best
|
Bach: The Keyboard Album
Johann Sebastian Bach , Rosalyn Tureck , and Charles Rosen
Manufacturer: Sony
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Similar Items:
- Bach: Goldberg Variations BWV 988 / Charles Rosen
- Rosalyn Tureck plays Bach: The Great Solo Works
- Bach: Piano Works
- Bach: The Great Solo Works, Vol. 2
- Bach: Inventions and Sinfonias (Complete)
ASIN: B0000029YM
Release Date: 1997-11-18 |
Tracks:
- Applicato In C Major, BWV 994 - Rosalyn Tureck
- Chorale: Joy & Peace, BWV 512 - Rosalyn Tureck
- Musette In D Major, BWV Anh. 126 - Rosalyn Tureck
- Minuet In G Major, BWV Anh. 116 - Rosalyn Tureck
- Minuet In G Major, BWV Anh. 115 - Rosalyn Tureck
- March In DM Major, BWV Anh. 122 - Rosalyn Tureck
- March In E-Flat Major, BWV Anh. 127 - Rosalyn Tureck
- Polonaise In F Major, BWV Anh. 117a - Rosalyn Tureck
- Invention In C Major, BWV 772a (1723 Version) - Rosalyn Tureck
- Invention In C Major, BWV 772 (1720 Version) - Rosalyn Tureck
- Fantasia In G Minor, BWV 917 - Rosalyn Tureck
- Prelude And Fugue In A Minor, BWV 895: Prelude - Rosalyn Tureck
- Prelude And Fugue In A Minor, BWV 895: Fugue - Rosalyn Tureck
- Suite In F Minor, BWV 823 (Incomplete): I. Prelude - Rosalyn Tureck
- Suite In F Minor, BWV 823 (Incomplete): II. Sarabande - Rosalyn Tureck
- Suite In F Minor, BWV 823 (Incomplete): III. Gigue - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Aria - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation I - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation II - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation III - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation IV - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation V - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation VI - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation VII - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation VIII - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation IX - Rosalyn Tureck
- Aria And Ten Variations In The Italian Style: Variation X - Rosalyn Tureck
- Suite In A Major, BWV 824: I. Allemande - Rosalyn Tureck
- Suite In A Major, BWV 824: II. Courante - Rosalyn Tureck
- Suite In A Major, BWV 824: III. Gigue - Rosalyn Tureck
- Italian Concerto In F Major, BWV 971: I: ( ) - Rosalyn Tureck
- Italian Concerto In F Major, BWV 971: II. Andante - Rosalyn Tureck
- Italian Concerto In F Major, BWV 971: III. Presto - Rosalyn Tureck
Tracks:
- The Art Of The Fugue, BWV 1080: Contrapunctus I - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus III - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus II - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus IV - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus V - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus VI in Stile francese - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus VII per Augmentationem et Diminutionem - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus X alla Decima - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus IX alla Duodecima - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus VIII a 3 - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XI - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XIII a 3 inversus - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XIII a 3 rectus - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XII a 4 rectus - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XII a 4 inversus - Charles Rosen
- The Art Of The Fugue, BWV 1080: Canon in Hypodiapason (Canon alla Ottava) - Charles Rosen
- The Art Of The Fugue, BWV 1080: Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu - Charles Rosen
- The Art Of The Fugue, BWV 1080: Canon alla Decima in Contrapunto alla Terza - Charles Rosen
- The Art Of The Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta - Charles Rosen
- The Art Of The Fugue, BWV 1080: Contrapunctus XIV (fragment) - Charles Rosen
Customer Reviews:
A sublime sewing Machine.......2000-06-27
In 1960 Rosalyn Tureck published a tutorial KIT for Bach beginners comprising of a book Named "An introduction to the performance of Bach" (Oxford University Press) and a set of corresponding LP's (EMI ALP 1747).
Later in the 80's she recorded those peices again and here they are whitout any reference (cover, inlay notes etc..) to the original project.
The selections originate from the Wilhelem Freideman book (WF) , the Anna Magdelena and other sources. The WF book was Bach own perception on tutorial kit, assigned to his son. The First track, the Applicato, is Bach only survivng peice with full fingering. The performances are very didactic, note the 2 performances of the first invention with\without the triplets.
Also, The Rosen recording is worth to be published as a separate recording.
Bach By Two Of The Best.......2000-01-23
If is quite fashionable to fall all over Tureck's Bach these days, and to an extent such falling is justified (not always, though). Here the praise is very much justified. Her program consists of The Italian Concerto and various minuets, inventions and suites. They are well suited to her measured, contemplative style of playing. For me, this is some of her best work on disc.
The second disc is Charles Rosen's Art of the Fugue. Rosen is somewhat forgotten today, but in the late 60's and early 70's he produced an outstanding set of Beethoven's late sonatas and a wonderful Goldberg Variations. This effort in The Art of the Fugue confirms my opinion of him as being first rate in Bach. Much like Jeno Jando, Rosen is very direct and straightforward, with brisk tempos throughout...and in great contrast on Tureck's measured, contemplative style.
Ultimately what makes this offering so compelling is the contrasting approaches of Rosen and Tureck. It is fascinating to listen to...and at about $ for over 2 hours of Bach, it is a bargain.
Average customer rating:
|
Definitive Collection
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ASIN: B0000648OR
Release Date: 2001-11-02 |
Tracks:
- Wenn Ich Vergnn
- Uch Wollt' Ich W Ein Huhn
- Veronika, Der Lenz Ist Da
- Bin Kein Hauptmann, Bin Kein Gros Tier
- Ein Freund, Ein Guter Freund
- Creol Love Call
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- Der Sch Blauen Donau
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- Ich Hab' Fh 'Nen Blumentopf Bestellt
- Jetzt Trinken Wir Noch Eins
- Ist Die Liebe Der Matrosen
- Liebling, Mein Herz L Dich Gr
- Irgendwo Auf Der Welt
- Ali Baba
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- Auf Dem Heuboden
- Liebesleid
- Tout le Jour
- Wir Sind Von Kopf Bis FuAuf Liebe Eingestellt
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Tracks:
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- Kannst du Pfeifen, Johanna
- Tea for Two
- In Der Bar Zum Krokodil
- Eine Kleine Frsweise
- Eins, Zwei, Drei, Vier Glh Bin Ich Nur Mit Dir
- Die Liebe Kommt, Die Liebe Geht
- Heute Nacht Oder Nie
- Hallo, Was Machst du Heut' Daisy
- Ich Khre Hand Madame
- Auf Wiedersehen Mein Frein, Auf Wiedersehen Mein Herr
- Kleiner Mann, Was Nun
- Hein Spielt Abends So Schuf Dem Schifferklavier
- Mein Lieber Schatz Bist du Aus Spanien
- Onkel Bumba Aus Kalumba
- Perpetuum Mobile
- Leb' Wohl Gute Reise [Farewell, Have a Good Journey]
- Wenn Die Sonja Russisch Tanzt
- Morgen MuIch Fort Von Hier
- Wenn Der Wind Weht er das Meer
- Puppenhochzeit
- Was Dein Roter Mund Im Fr Sagt
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- SchLisa, Ssa
- Wochenend und Sonnenschein
- Auf Wiedersch'n My Dear
Customer Reviews:
Comedian Harmonists.......2003-05-23
A wonderful Selection of great Harmonies and Novelty Tunes by this Relatively Unknown Group in America , This terrific German Group is a must for anyone that enjoys Good Harmony and just Plain Vocal Fun with Sounds and Lyrics. Highly Recommended and Enjoyable.
Average customer rating:
- Correction
- Fritz Wunderlich can do no wrong....
- The Wonder of Wunderlich
- I wish I could give this release more than 5 stars: it's terrific!!!
|
The Art of Fritz Wunderlich
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Similar Items:
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- Very Best of
ASIN: B0009PLMQW
Release Date: 2005-09-13 |
Tracks:
- Duetto And Chorus: Kommt, Eilet Und Laufet
- Aria: Sanfte Soll Mein Todeskummer
- Recitative And Chorale: O Schmerz! Hier Zittert Das Gequalte Herz
- Aria With Chorus: Ich Will Bei Meinem Jesu Wachen
- Recitative: Mein Jesus Schweigt Zu Falschen Lugen Stille
- Aria: Geduld!
- Duet: Et Misericordia
- Aria: Deposuit Potentes
- Recitative: So Stehe Denn, Du Gottergeb'ne Seele
- Aria: Adam Muss In Uns Verwesen
- Chorus: Jauchzet, Frohlocket, Auf, Preiset Die Tage
- Recitative: Es Begab Sich Aber Zu Der Zeit
- Aria: Frohe Hirten, Eilt, Ach Eilet
- Aria: Ich Will Nur Dir Zu Ehren Leben
- Recitative: Und Liess Versammeln Alle Hohenpriester
- Terzetto: Ach! Wann Wird Die Zeit Erscheinen
- Recitative: Und Gott Befahl Ihnen Im Traum-Genug, Mein Schatz Geht Nicht Von Hier
- Aria: Nun Mogt Ihr Stolzen Feinde Schrecken
Tracks:
- Overture
- Aria: Hier Soll Ich Dich Denn Sehen
- Recitative And Aria: Konstanze, Dich Wiederzusehen, Dich!/O Wie Angstlich, O Wie Feurig
- Aria: Wenn Der Freude Tranen Fliessen
- Quartet: Ach! Belmonte! Ach, Mein Leben!
- Aria: Ich Baue Ganz Auf Deine Starke
- Recitative And Aria: Welch Ein Geschick!/Wie, Du Solltest Fur Mich Sterben!
- Aria: Dies Bildnis Ist Bezaubernd Schon
- Zum Ziele Fuhrt Dich Diese Bahn
- Wie Stark Ist Nicht Dein Zauberton
- Der Welcher Wandert Diese Strasse Vol Beschwerden
- Tamino Mein! O Welch Ein Gluck!
Tracks:
- Duet: Strahlt Auf Mich Der Blitz Des Goldes - Hermann Prey
- Duet: Hier Nimm Den Ring Der Treue
- Scene And Duet: Ich Denk Ihn Lieber Mir Von Meinem Stande/Liebe Ist Seligkeit, Ist Licht Und Leben
- Toast: O Freunde, So Leeret In Vollen Zugen - Chor Des Bayerischen Rundfunks
- Duet: Ich Sah Euch Lieblich Und Engelsschon - Chor Des Bayerischen Rundfunks
- Duet: O, Lass Uns Fliehen Aus Diesen Mauern - Chor Des Bayerischen Rundfunks
- Scene And Duet: er Ist's! Carlos! Mein PRinz!/Gott, Der Entflammte Der Liebe Heisse Glut - Hermann Prey
- Duet: Infame Feder! Welch Scheusslicher Pinsel/Ach, Geliebte! Nie Kehrst Du mir Wieder! - Hermann Prey
- Aria: Und Es Blitzten Die Sterne
- Scene: Nicht An Mich, Geliebter, Denke
- Duet: Du Sussester Engel, Wie Herrlich Hast Du Geteufelt!
- Leukippos, Du?
- Arioso: Ja, Ich Lieb Sie, Olga
- Aria: Wohin Seid Ihr Entschwunden
Tracks:
- Recitative And Arioso: Holdes Laubgezewig, Du Schones/Schattige Ruh, Nie Gab Natur Sie Mir
- Aria: Der Gedanke An Die Flammen Der Liebe
- Aria: Bleibt Ihr Treu Dem, Der Euch So Verachtet?
- Aria: Finstre Furie, Ihr Geister Der Holle
- Aria: Nur Einen wunsch, Nur Ein Verlangen - Hermann Prey
- Recitative And Duet: O Unverhofftes Gluck/Das Hore Ich Von Dir, Von Meinem Freunde? - Hermann Prey
- Ma Se Il Nostro Gioir/Alcun Non Sia
- Perche A Lo Sdegno/Padre Cortese/Si Non Vedro
- Aria: Erwacht In Meinem Herzen
- Duet: Nur Weinen Lernte Ich/Nur Klagen lernte Ich
- Aria: Keine Schlange Lasst Sich Toten
- Romance: O Schweige Still, O Lasse Dich Erbitten
- Trio: Doch Nun Zu Dir/Trenne Nicht Das Band Der Liebe - Hermann Prey
- Aria: Man Wird Ja Einmal Nur Geboren
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- Recitative And Duet: Du Stehst Wirklich Vor Mir/Der tempel Brahmas Strahlt - Hermann Prey
Tracks:
- I. Im Wunderschonen Monat Mai
- II. Aus Meinen Tranen Spriessen
- III. Die Rose, Die Lilie, Die Taube, Die Sonne
- IV. Wenn Ich In Deine Augen Seh
- V. Ich Will Meine Seele Tauchen
- VI. Im Rhein, Im Heiligen Strome
- VII. Ich Grolle Nicht
- VIII. Und Wussten's Die Blumen, Die Kleinen
- IX. Das Ist Ein Floten Und Geigen
- X. Hor Ich Das Liedchen Klingen
- XI. Ein Jungling Liebt Ein Madchen
- XII. Am Leuchtenden Sommermorgen
- XIII. Ich Hab Im Traum Geweinet
- XIV. Allnachtlich Im Traume Seh Ich Dich
- XV. Aus Alten Marchen Winkt Es
- XVI. Die Alten Bosen Lieder
- Zartliche Liebe: 'Ich Liebe Dich' WoO 123
- Adelaide Op.46
- Resignation WoO 149
- Der Kuss Op.128
- Was Ist Silvia, Saget An
- Lied Eines Schiffers An Die Dioskuren D 360
- Liebhaber In Allen Gestalten D 558
- Der Einsame D 800
- Im Abendrot Op. Post. D 799
- Leise Flehen Meine Lieder
- An Die Laute D 905
- Der Musensohn D 764
- An Die Musik D 547
Tracks:
- Granada
- Mattinata
- Funiculi-Funicula
- O Sole Mio
- Vergiss Mein Nicht
- Ein Lied Geht Um Die Welt
- Du Bist Die Welt Fur Mich
- Ich Kusse Ihre Hand, Madame
- Caro Mio Ben
- Ave Maria
- Plaisir D'Amour
- La Danza
- Serenade: Fern Im Weiten Land, Dort Unten Im Suden
- Be My Love
- Santa Lucia
- Tiritomba
- Heute Nacht Oder Nie
Tracks:
- Wien, Wien, Nur Du Allein
- Denk Dir, Die Welt War Ein Blumenstrauss
- Ich Kenn Ein Kleines Wegerl Im Helenental
- In Wien Gibt's Manch Winziges Gasserl
- Draussen In Sievering
- Ich Weiss Auf Der Wieden Ein Kleines Hotel
- Ich Muss Wieder Einmal In Grinzing Sein
- Im Prater Bluhn Wieder Die Baume
- Herr Hofrat, Erinnern Sie Sich Noch?
- I Hab Die Schonen Maderln Net Erfunden
- Es Steht Ein Alter Nussbaum Drausst In Heiligenstadt
- Wien Wird Bei Nacht Erst Schon
- Wenn Es Abend Wird/Gruss Mir Mein Wien
- Ob Blond, Ob Braun, Ich Liebe Alle Frau'n
- Weine Nicht, Bricht Eine Schone Frau Dir Das Herz
- Mein Herz Ruft Immer Nur Nach Dir, O Marita
- Eine Kleine Fruhlingsweise
- Schlaf Ein, Mein Blond-Engelein
- Annchen Von Tarau
- Still Wie Die Nacht
Customer Reviews:
Correction.......2006-12-13
Now folks, both of what the two other reviewers wrote about the tragical death of Fritz Wunderlich is wrong. Wunderlich died in hospital at September 17 1966. He had broken his skull, when he fell down the stairs in the hunting-house of a friend. Late in the evening of September 16, Wunderlich, as usual when not at home, had phoned his wife in Munich. He was very tired from strolling through the forest the whole day, making out the ideal locations for the hunt, which should start early in the next morning (Wunderlich was a passionate hunter). After he had wished his wife a good night, he went to the staircase in order to go down to his bedroom at the first floor. He still wore his heavy hunting boots - with open shoestrings! As walking downstairs, Wunderlich struggled over the open shoestrings and grabbed for the banisters, which was not more than a rope, fixed to the wall. The banisters teared out, and Wunderlich fell down the whole stairs. Fritz Wunderlich died in hospital the next day. It was only short before his 36'th birthday. An exceptional singing career had come to an untimely end. Some people believe that Wunderlich was drunken at the time of accident. If this is true can't be proven any more. But still this is not what his close friends said, regarding his accident and his death. In my opinion Wunderlich was the last of the really great tenors of the last century. All the tenors which came to fame after him (sorry folks, even such maestros as Pavarotti and Domingo) lack a certain quality in singing. It's the ease of breath flow, or singing on the breath without pushing the voice, it's the overtones, the legato, the mezza voce, the messa di voce and many more things - in short: the overall beauty of the voice through both registers. Wunderlich was the last tenor who had all this. Other examples are Caruso, McCormack, Gigli (despite the sobbing in his later recordings) and of course the wonderful Jussi Björling. But these are only some few names. If you listen for example to the cd's in the box "Famous tenors of the past" you will find that there were many very good and outstanding tenors in the first half of the 20'th century and - as we can only assume - in the time before the invention of the grammophone. Take a close look at todays famous tenors (I know, there are some quite good and promising ones) but what are they in comparison to those tenors (or better to say, to their voices and singing) I just mentioned before?
Please make your own decision.
Fritz Wunderlich can do no wrong...........2006-05-05
... okay, maybe. It's just that I've never heard a recording I didn't love. And I prefer that he sing everything in German even when that means not using original language.
This is a bit strange because I'm most often bugged by Don Carlos and Vepres in Italian (just a personal quirk). Of course, I'm also bugged by dropping the "s" in Don Carlos, which is always incorrect. The man's name IS Carlos whether in Italian or French.
I tried to write Mr. Avila a personal note, but could not, so let me say that Fritz Wunderlich did not die of cancer, but a dreadful accident in Scotland (I'll not go into the whys and wherefores, I just wanted to set PART of the record straight.)
The Wonder of Wunderlich.......2005-11-22
Deutsche Grammophone does it again! This is an extensive 3-cd compilation album featuring the artistry of the great German tenor Fritz Wunderlich in a variety of vocal repertoire - Baroque cantata/oratorio, opera and Lieder. Like the other critic pointed out, I first heard Fritz sinigng a superb Tamino in the Karl Bohm Magic Flute, although I have also heard him sing Lieder opposite the mezzo soprano Christa Ludwig and baritone Dietrich Fischer Dieskau, who were his contemporaries and colleagues. Wunderlich died tragically in 1966 of cancer. He inspired a generation of purely lyric tenors or "tenors di grazie" whose charming voice would never roughen and lack grace. His Germanic style earned him popularity in World War II Europe and he was the leading exponent of Lieder in the 50's. His tenor voice is glorious, as close to a male angel as possible. On this recording, we are treated to sumptuous arias from Bach's Christmas/Easter Oratorios, and movements from 2 cantatas. Also noteworthy are the unsurpassed performances of Mozart tenor heroes- such as Belmonte from "Die Entfuhrung Aus Dem Serail" (Abduction from the Seraglio) and his unbeatable Tamino from Die Zauberflote The Magic Flute. He sings bel canto opera arias fo tenor, from master composers Rossinni, Bellini and Verdi. While I don't much like that he is singing Italian arias in German, one must remember that at this time, in the LP Era of World War II Germany and Austria, German-born opera singers sang Italian opera in German translation/revisions. While many German singers could indeed sing in Italian, they were mostly trained to sing it in German because of excessive national pride and because Germans viewed Italian opera as course and un-melodic. Still, there have been superb German singers who sang in Italian like Wagner diva Birgit Nilsson,baritone Dietrich Fischer Dieskau, tenor Peter Schreier, soprano Edda Moser, baritone Walter Berry, tenor Herman Pretty, all post-Wunderlich sensations. Wunderlich sings Lieder in one CD with great and unrivaled musicianship. Especially impressive are the Viennese pieces. Further to the cd's this album is equipped with photos of Wunderlich and his family and a detailed profile biography.
I wish I could give this release more than 5 stars: it's terrific!!!.......2005-10-28
I knew little about the German tenor Fritz Wunderlich (1930-1966), except reading the accolades given to his recordings and performances by reviewers in "American Record Guide" over the past 13 years. I knew Wunderlich recorded the role of Tamino in the famous DG recording of Mozart's "Die Zauberflote", with Karl Bohm/Berlin Philharmonic (Now on DG Originals CDs), but was not aware of what a wide range of repertoire he had until hearing this release.
This release has a wide variety of Wunderlich's discography, including Bach arias from his Christmas and Easter Oratorios, and movements from 2 cantatas; his Mozart roles in "Die Entfuhrung aus dem Serail" (Eugen Jochum/Bavarian Radio Orchestra) and "Die Zauberflote" (Karl Bohm/Berlin Philharmonic); a variety of arias and duets by Rossini, Bellini, Verdi, Richard Strauss, mostly sung in German, and with Hermann Prey, baritone and Erika Koth, soprano in many of the duets; Baroque arias by Handel, from "Xerxes" (including the famous "Ombre mai fu" sung in German) and "Julius Caesar", selections from Monteverdi's "Orfeo" (an early track from 1955 sung in Italian); Schumann's "Dichterliebe", 4 Beethoven Lieder, including "Adelaide" and "Der Kuss"; and 9 Schubert lieder, including "An der Musik," and "Der Musensohn", all with Hubert Giesen, piano; Popular songs such as "Granada" and Viennese songs, with chamber orchestra accompaniment. There are no texts for the songs, but you may have text booklets with other CD releases, so don't really need them when you hear Wunderlich's beautiful voice.
There is a booklet with articles about Wunderlich's career, including a preface by his widow, Eva Wunderlich, photos of Wunderlich as a boy and young man, with his wife Eva in 1965, and children Constanze, Wolfgang, and Barbara. I enjoy reading and looking at the booklet, even apart from listening to the beautiful recordings.
Wunderlich was a genius, and his voice sounds great in every track, mono (some, but not a majority) and stereo (most of the tracks in the 7 discs are stereo) alike. If you love great music, and opera, but like me aren't often of a mind to sit still for 3 hours to listen to one, get this. It's a great release, and reasonably priced to boot. I'm thankful to God for great music, for the ability to hear and feel, and for Fritz Wunderlich and his service to music lovers everywhere.
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
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Finest Selection of: Comedian Harmonists
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ASIN: B0002ONA8I
Release Date: 2004-12-20 |
Tracks:
- Mein Kleiner Graktus
- Ich Hab' Fh 'Nen Blumentopf Bestelt
- Wochenend und Sonnenschein
- Ungarischer Tanz Nr. 5
- So Ein Kub Kommt Selten Allein
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- Whispering
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- An excellent overview of Dietrich Fischer Dieskau with Deutsche Grammophon
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An die Musik [2 CD & DVD Limited Edition]
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ASIN: B0008064XY
Release Date: 2005-07-12 |
Customer Reviews:
An excellent overview of Dietrich Fischer Dieskau with Deutsche Grammophon.......2005-11-08
"An die Musik", aptly named after the famous Schubert lied of the same title, is an excellent overview of Dietrich Fischer-Dieskau's recorded output for Deutsche Grammophon over the past 56 years. On the CDs, there are six Schubert lieder from Fischer-Dieskau's 21 disc set with pianist Gerald Moore, (dating from ca. 1970) and other lieder by Wolf, Richard Strauss, Brahms, and Schoeck. Also included are two chansons of Claude Debussy, and arias from Mozart's "Die Zauberflote" and "Don Giovanni", both conducted by Ferenc Fricsay; small part of Fricsay's Orff "Carmina Burana" (rec. 1949), Schubert's "Dichterliebe" cycle with pianist Jorg Demus; and the 4 Ruckert lieder with Karl Bohm/Berlin Philharmonic. Fischer-Dieskau is amazing, with such a wide repertory, and such enthusiasm for singing such varied and different styles of music.
The bonus DVD, lasting about 28 minutes, is very interesting to watch and listen to. Dietrich Fischer-Dieskau and pianist Sviatoslav Richter peform 8 famous Schubert lieder in the great room of a hotel in a remote Bavarian village, in utterly charming and rather informal surroundings. The camera work is minimal, the sound, very fine but a little low level mono: filmed in 1978. Fischer-Dieskau looks alot younger here than more recent photos of him, but a little older and more classy than the photos I'm used to seeing of him, which date from the late 1960s. Fischer-Dieskau and Richter work as one, and their partnership and great working relationship is evident from measure 1. There is no doubt watching this that they had alot of fun performing for the cameras.
I am grateful DG released this set: 2 very full discs at over 70 minutes of music each, + the DVD of a telecast not seen since 1978. The sound is very good, even in the mono tracks, and if you like lieder and opera excerpts, you will be delighted. I mention this as one who's experienced Fischer-Dieskau's recordings for 25 years, and been usually delighted by them.
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- The soprano with the "scimitar glint" in her voice
- Glorious tribute to sadly neglected singer
- One of the great sopranos
- One of the great sopranos
- A Passionate and Elegant Soprano
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The Art of Pilar Lorengar
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ASIN: B00007EBGI
Release Date: 2003-03-11 |
Customer Reviews:
The soprano with the "scimitar glint" in her voice.......2003-11-22
Pilar Lorengar may not be as famous as her Spanish Counterparts, Victoria De Los Angeles and Montserrat Caballe. But, opera afficionados still treasure her. The reasons why are elaborately laid out on this two-disc recital. The first disc is dominated in the first half by Puccini arias. Since these are famous arias, it would be easy to sing them in a conventially pretty manner. Instead, Lorengar offers wonderful interpretations of such arias as Un Bel Di and a personal favorite, Senza Mamma. She may not be able to belt it out like some of her peers, but she invokes a true sense of artistry. The same can be said for her Mozart- just listen to the aching way she sings the first line of Dove Sono- "E Susanna non vien..." Another standout is Come Scoglio, which she sings with great flair and drama. My only gripe, which is why I gave this recital 4 stars instead of 5 is that, alas, there is nothing from one of her greatest roles, Donna Elvira. It is very baffling why the linear essay makes mention of how successful her Met debut as Donna Elvira was, but nary an aria made the cut for the first disc. However, if you want to hear her interpretation of this great role, buy the highlight disc of Don Giovanni, which is readily available, for budget-price. The disc also features Sutherland and Horne.
Two other favorites from this disc are the moon aria from Rusalka, as well as the duet from Arabella, which is heartbreakingly beautiful. Thankfully, she is paired up with Arleen Auger, an accomplished artist in her own right.
The second disc of Zarzuela is wonderful as well. Especially wonderful are the Tonadillas. Just Lorengar's lovely voice, and Alicia Dellarocha's piano. Very relaxing to listen to...
Sadly, Lorengar is no longer with us, but her artistry is her, for us to treasure.
Glorious tribute to sadly neglected singer.......2003-07-08
Although known among opera aficianados, Pilar Lorengar never reached the heights of fame and name recognition as her contemporaries Callas and Sutherland. This has lead to an unfortunate dirth of Lorengar on CD, and which makes this compilation most welcome. Although never an operatic superstar, Lorengar had a magnificent instrument: soft, creamy, dramatic when necessary, and always charming. Fortunately she had a long career with Decca and made some magnificent recordings, many of which appear on this delicious two-CD set. I think few can fail be to moved by her near-perfect Mimi, her touching Cio-Cio San (infused with just the right amounts of pathos and fortitude, her ravishing Mozart interpretations, and her silvery reading of Korngold's "Gluck, das mir verlieb". The second CD is entirely made up of her specialty repertoire of songs from her native Spain, and these, while maybe not quite as familiar, are also a delight. Hopefully this compilation will make her better known to casual opera fans who only listen to Callas or Fleming simply because they're better-known names; this has been a much-needed release!
P.S. - For those who would like an inexpensive introduction to Lorengar in a complete operatic role, it has come to my attention that Decca is re-issuing her fantastic "Cosi Fan Tutte" (conducted by Solti) in its "Compact Opera" series very soon. The cast, which also includes Berganza, is perfect and Solti's conducting right on the mark. Keep your eyes open for it!
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
A Passionate and Elegant Soprano.......2003-04-29
At last, Decca has made amends for ignoring this magnificent artist by releasing a 2-disc set of some of her best recordings of the 60s and 70s. Actually I dont think Lorengar ever made a bad or even an uninteresting recording. She was a superb lyric who was the equal of Freni, and far more versatile. A star at the San Francisco and Berlin Staatsoper, Lorengar enjoyed a long and successful career. Her appearances at the Metropolitan Opera were events. I saw her as Desdemona, Elsa, and Fiordiligi, and she was wonderful (how sad that I missed hearing her there in the 60s).
There was some controversy about her singing. Terry McEwen, her great supporter at London records in the United States, loved what her called her "shimmering" top, that reminded him of the great German lyrics, Schwartzkopf, Reining, Lemnitz, Muller, Janowitz,etc. Some found that gorgeously blooming top to contain a beat, or a slight wobble. Nothing could be further from the truth. That top, coupled with her superb diction, and excellent vocal technique and outstanding breathing, made her one of the most distinctive voices of her generation. The top was pure sunshine with a throb. Nobody sounded remotely like her. I loved her singing.
I wish Decca had released all her fine recordings for that company in a multi-disc set. Perhaps they were worried that it wouldn't sell. Her first recital of Italian and French arias, the Prima Donna in Vienna album, as well as her Spanish song recital with the incomparable Alica de Larrocha, and her final Decca recital were all superb, and might have fit on three generous CDs. Here we get bits and pieces from all the LPs, plus arias from some her her complete recordings on Decca. So we're missing such treasures as her arias from THE PEARL FISHERS, DON CARLO, and other important items.
I don't care. Lorengar's superb singing of arias from MADAMA BUTTERFLY, LA BOHEME, LA RONDINE, LOUISE, RUSALKA, LOHENGRIN, DIE ZAUBERFLOTE, COSI FAN TUTTE, ARABELLA (with Arlene Auger!) and others (plus a generous selection of that famous Spanish song recital), make the point abundantly clear. No mat