| 1. Grawitowac |
| 2. Spac Nie Moge Ani Jesc |
| 3. Co Mnie Wsyzystko To Obch |
| 4. Niepokonani |
| 5. Wyznanie Lwa |
| 6. Ja Plyne Pod Prad |
| 7. Ty Wiesz I Ja To Wiem |
| 8. Derwisz I Bokser |
| 9. Ksiezycowe Dzieci |
| 10. O-A-A |
| 11. More Obleou |
| 12. Znak Dla Ciebie |
| 13. Idzcie Do Domu |
| 14. Geny |
Geny,Perfect,Universal/Polygram,World Music
Average customer rating:
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Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A7XB Release Date: 2001-03-13 |
Tracks:
- Overture - Rodgers & Hammerstein
- Main Title - Rodgers & Hammerstein
- Oh, What A Beautiful Mornin' - Gordon MacRae
- The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
- Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
- Kansas City Ballet - Rodgers & Hammerstein
- I Cain't Say No - Gloria Grahame
- Many A New Day - Shirley Jones/Girls' Chorus
- Many A New Day Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon McaRae/Shirley Jones
- Pore Jud Is Daid - Gordon MacRae/Rod Steiger
- Out Of My Dreams - Shirley Jones/Girls' Chorus
- Out Of My Dreams Ballet - Rodgers & Hammerstein
- Entr' Acte - Rodgers & Hammerstein
- The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
- The Farmer And The Cowman Ballet - Rodgers & Hammerstein
- All Er Nuthin' - Gloria Grahame/Gene Nelson
- All Er Nuthin' Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon MacRae/Shirley Jones
- Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Overture (LP Version) - Rodgers & Hammerstein
Customer Reviews:
MacRae and Jones head a superb and O.K. adaptation.......2007-03-16
Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.
This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.
In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.
Broadway in a movie setting at it's very best!.......2007-03-06
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!
Wonderful.......2007-01-30
Beauiful.......2006-06-05
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
Oh, what a beautiful sound!.......2006-03-26
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Xanadu
Manufacturer: MCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AG8R Release Date: 1998-09-08 |
Tracks:
- Magic - Olivia Newton-John
- Suddenly - Olivia Newton-John
- Dancin' - Olivia Newton-John
- Suspended In Time - Olivia Newton-John
- Whenever You're Away From Me - Olivia Newton-John
- I'm Alive - Electric Light Orchestra
- The Fall - Electric Light Orchestra
- Don't Walk Away - Electric Light Orchestra
- All Over The World - Electric Light Orchestra
- Xanadu - Olivia Newton-John/Electric Light Orchestra
Album Description
Unavailable on CD in the U.S., this is CBS's 1989 reissue ofMCA's top five & double platinum 1980 soundtrack to directorRobert Greenwald's 1980 musical starring Olivia Newton-John at a high point in her career and Gene Kelly at the bottom of his. The album features 10 tracks, five each from E.L.O. & Olivia Newton-John, including the #1 smash 'Magic' by Newton-John, the top 10 title cut by both her & E.L.O. and the top 20 duet 'Suddenly' by Newton-John and Cliff Richard!Album Description
Unavailable on CD in the U.S., this is CBS's 1989 reissue ofMCA's top five & double platinum 1980 soundtrack to directorRobert Greenwald's 1980 musical starring Olivia Newton-John at a high point in her career and Gene Kelly at the bottom of his. The album features 10 tracks, five each from E.L.O. & Olivia Newton-John, including the #1 smash 'Magic' by Newton-John, the top 10 title cut by both her & E.L.O. and the top 20 duet 'Suddenly' by Newton-John and Cliff Richard!Customer Reviews:
Saw the Broadway show!!!!.......2007-07-13
Just saw the Broadway show!.......2007-07-09
XANADU still rocks!.......2007-06-04
great for nostalgia.......2007-05-22
I love Xanadu.......2007-03-23
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Gene Pitney - 25 All-Time Greatest Hits
Gene Pitney Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I8AJ Release Date: 1999-03-23 |
Tracks:
- (I Wanna) Love My Life Away
- Every Breath I Take
- Town Without Pity
- Hello Mary Lou
- (The Man Who Shot) Liberty Valance
- Only Love Can Break A Heart
- If I Didn't Have A Dime (To Play The Jukebox)
- Half Heaven - Half Heartache
- Mecca
- True Love Never Runs Smooth
- Twenty Four Hours From Tulsa
- That Girl Belongs To Yesterday
- It Hurts To Be In Love
- Lips Were Redder On You
- I'm Gonna Be Strong
- I Must Be Seeing Things
- Last Chance To Turn Around
- Looking Through The Eyes Of Love
- Princess In Rags
- Backstage (I'm Lonely)
- Nobody Needs Your Love
- Just One Smile
- Something's Gotten Hold Of My Heart
- She's A Heartbreaker
- Yours Until Tomorrow
Customer Reviews:
Gene Pitney - 25 All-Time Greatest Hits.......2007-06-13
perfect album.......2007-05-24
great collection.......2007-05-07
Gene pitney-25 all greatest hits.......2007-02-08
S Maddern,New Germany,Minnesota
Gene Pitneys- 25 All- Time Greatest Hits.......2007-01-15
Average customer rating:
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Little Shop Of Horrors (1986 Film)
Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000OQ7 Release Date: 1990-10-25 |
Tracks:
- Prologue (Little Shop Of Horrors) - Michelle Weeks, Tichina Arnold, Tisha Campbell, Bill Mitchell
- Skid Row (Downtown) - Michelle Weeks, Tichina Arnold, Tisha Campbell, Ellen Green, Rick Morranis Donny Gerrard
- Da-Doo - Rick Moranis, Michelle Weeks, Tichina Arnold, Tisha Campbell, The Do Wops
- Grow For Me - Rick Moranis, Michelle Weeks, Tichina Arnold, Tisha Campbell,
- Somewhere That's Green - Ellen Green
- Some Fun Now - Michelle Weeks, Tichina Arnold, Tisha Campbell,
- Dentist! - Steve Martin, Michelle Weeks, Tichina Arnold, Tisha Campbell, Robby Perkins, Robert Billig,
- Feed Me (Git It) - Levi Stubbs,Rick Moranis, Michelle Weeks, Tichina Arnold, Tisha Campbell
- Suddenly, Seymour - Rick Moranis, Ellen Green, Michelle Weeks, Tichina Arnold, Tisha Campbell
- Suppertime - Levi Stubbs, Michelle Weeks, Tichina Arnold, Tisha Campbell
- The meek Shall Inherit - Rick Moranis, Michelle Weeks, Tichina Arnold, Tisha Campbell, Robby Merkin, Frank Oz...
- Mean Green Mother From Outerspace - Levi Stubbs, Chorus
- Finale (Don't Feed The Plants) - Chorus
Customer Reviews:
Offbeat enough to be worth your time........2007-06-02
A great album.......2007-02-04
Little Shop At Its Musical Best.......2006-09-21
Great Soundtrack.......2006-07-25
Little Shop of Horrors -The Moview CD.......2006-02-18
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White Light
Gene Clark Manufacturer: Ume Imports ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068PQ7 Release Date: 2002-09-24 |
Tracks:
- The Virgin
- With Tomorrow
- White Light
- Because Of You
- One In A Hundred
- For A Spanish Guitar
- Where My Love Lies Asleep
- Tears Of Rage
- 1975
- Because Of You
- Stand By Me
- Ship Of The Lord
- Opening Day
- Winter In
Album Description
The classic ex-Byrd's solo album known as White Light. This is a 2002 remastered reissue of the 1972 album that's deleted domestically with 5 added bonus tracks 'Because Of You', 'Stand By Me', 'Ship Of The Lord', 'Opening Day' & 'Winter In'.Album Details
Digitally Remastered 1971 Solo Album from the Late Singer/Songwriter, Best Known for Hsi Tenure with the Sixties Pop Band the Byrds. The Album Now Includes Five Bonus Tracks ('because of You (Different Mix)', Stand by Me, Ship of the Lord', 'opening Night', 'winter In').Customer Reviews:
Better Than Expected.......2007-05-01
Solo Byrdman!.......2007-01-19
"More like a dream than reality" is dead-on.......2006-12-29
White Light, in spite of its comparisons to Neil Young, Dylan, etc. surprised me--it's a quite laid-back affair. At its heart it's an acoustic record--the lead electric guitar is clean and the songs are always driven by the acoustic rhythm guitar and the percussion is generally not the standard in-your-face rock kit drumming that usually accompanies folk rock. Admittedly, the album's overall mood failed to grab my on first listen. However, this isn't dime store pop--the merits of Gene Clark and White Light aren't in throwaway hooks that get old after one listen.
Here's what makes the album classic for me: Clark's got a great voice. It's not derivatively Dylan-esque like a lot of similar artists of the day. Clark sings simply and evocatively, channeling the emotions of his songs in a really compelling way. The songwriting is great--excellent, somewhat melancholy lyrics that are accessible but ambiguous enough to retain a bit of mystery. Last, the arrangements are great. The lead guitar may not be hardcore, but most every song has a great lead line (often slide guitar) that really accompanies the mood of the songs and is actually pretty gnarly from time to time (i.e. the opening line on "The Virgin" and the melodic counterpoint on "One in a Hundred"). Despite the album's overall mellow vibe, there's actually some pretty rocking numbers, like "White Light" and "1975," in which the drums really kick in and the country bass starts to accent the beat in a harder way. The only weakness here, in my opinions are the keyboards. They're pretty much buried in the mix on most of the songs, making them less of a part of the band and more of a support for the mood. I guess they do add to the record, but I wonder what they could have contributed if used in a more melody-oriented position.
Some highlights for me are the desolate solo guitar and voice on "With Tomorrow," the immediately accessible and haunting "Because of You," and the cover of "Tears of Rage." Although it doesn't obviate Richard Manuel's soulful, definitive take from Music From Big Pink, it's definitely well-chosen and a rocking reinterpretation that really works. Really, though, all the songs on here are great and essential. I can't pick out a track (bonus tracks excepted) that doesn't contain meaningful lyrics, memorable musical moments, and characteristics that don't set it apart from the others. I highly recommend White Light to fans of Dylan, Young, the Byrds, folk, folk rock etc., and also to fans of similar newer music. Congratulations on finding one of the 70's best-kept musical secrets--I hope you take the opportunity to capitalize on your discovery!
Another Gene Clark "Hit Album".......2006-08-27
A Gene Gem.......2006-04-12
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Singin' in the Rain (1952 Film Soundtrack)
Nacio Herb Brown , Arthur Freed , Gene Kelly , and Debbie Reynolds Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000033JG Release Date: 1996-04-23 |
Tracks:
- Main Title - Gene Kelly/Debbie Reynolds/Donald O'Connor/M-G-M Studio Orchestra
- Dignity - M-G-M Studio Orchestra
- Fit As A Fiddle - Gene Kelly/Donald O'Connor/M-G-M Studio Orchestra
- Stunt Montage - M-G-M Studio Orchestra
- First Silent Picture - M-G-M Studio Orchestra
- Tango (Temptation) - M-G-M Studio Orchestra
- All I Do Is Dream Of You - Debbie Reynolds/M-G-M Studio Chorus
- Gene Dreams of Kathy - M-G-M Studio Orchestra
- All I Do Is Dream Of You (Outtake) - Gene Kelly
- Make 'Em Laugh - Donald O'Connor
- Beautiful Girl Montage - Jimmie Thompson/The Girl Friends/M-G-M Studio Orchestra And Chorus
- Beautiful Girl - Jimmie Thompson
- Have Lunch With Me - M-G-M Studio Orchestra
- The Stage Is Set - M-G-M Studio Orchestra
- You Were Meant For Me - Gene Kelly
- You Are My Lucky Star (Outtake) - Debbie Reynolds/M-G-M Studio Chorus
- Moses - Gene Kelly/Donald O'Connor
- Good Morning - Gene Kelly/Debbie Reynolds/Donald O'Connor
- Good Night, Kathy - M-G-M Studio Orchestra
- Singin' In the Rain - Gene Kelly
- From Dueling to Dancing - M-G-M Studio Orchestra
- Would You? - Betty Noyes
- Broadway Melody Ballet (Extended Version) - Gene kelly/M-G-M Studio Orchestra And Chorus
- Would You? End Title - Gene Kelly/Betty Noyes
- Singin' In the Rain (In A-Flat) (Extended Version) - Debbie Reynolds
- Finale - Gene Kelly/Debby Reynolds/M-G-M Studio Chorus
- Main Title (Alternate Version) - M-G-M Studio Orchestra
- Beautiful Girl (Alternate Version/Tempo Track) - Jimmie Thompson/Gene Kelly/Lennie Hayton
- Would You? (Unused Version) - Debbie Reynolds
- Singin' In the Rain (Radio Broadcast) - Arthur Freed/M-G-M Studio Orchestra
Amazon.com
This MGM musical helps to epitomize the genre. The 1952 film starred Gene Kelly, Donald O'Connor, and Debbie Reynolds. Reynolds's tracks, particularly "All I Do Is Dream of You" tend to make her sound like one of the munchkins from The Wizard of Oz, which is unfortunate. It's Gene Kelly's songs that are the most enjoyable. The title track is still wonderful, and so engaging you'll want to swing on lightpoles all over town. An outtake of Kelly's version of "All I Do Is Dream of You" is another gem, and the M-G-M Studio Orchestra is at its flawless best throughout--even if some of the incidental music sounds like a Tex Avery cartoon score. --Scott WilsonCustomer Reviews:
Singin' with the film.......2007-02-25
I am a big fan of this film (it's hard not to be) and when I want the whole experience, I sit and watch it.
Naturally, if you have no experience with this cinematic Donen/Kelly masterpiece, the cd would seem a bit bland regardless of some really fine tunes. In that case, go get your self the film itself! And then you might want to purchase this soundtrack as well.
An Accurate Sountrack.......2007-01-10
Great Soundtrack.......2006-03-13
Ridiculous........2005-12-31
Singin' in the Rain (1952 Film Soundtrack).......2005-09-05
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Gene Watson - 18 Greatest Hits
Gene Watson Manufacturer: Tee Vee Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000365Q2 Release Date: 1999-11-16 |
Tracks:
- Love in the Hot Afternoon
- Should I Come Home (Or Should I Go Crazy)
- Paper Rosie
- Nothing Sure Looked Good On You
- Where Love Begins
- Farewell Party
- Pick The Wildwood Flower
- Her Body Couldn't Keep You (Off My Mind)
- I Don't Need A Thing At All
- One Sided Conversations
- Because You Believed In Me
- The Old Man and His Horn
- Cowboys Don't Get Lucky All the Time
- No One Will Ever Know
- Raisin' Cane in Texas
- Bedroom Ballad
- You Could Know As Much About a Stranger
- Bad Water
Customer Reviews:
love old music.......2007-01-03
Gene Watson 18 Greatest Hits.......2006-11-05
The very best.......2006-08-31
This guy is COUNTRY with capitol letters!.......2006-05-03
in Europe we don't have country radio stations to listen to, the
only way to hear country is buying CD's from the States something
I'm doing since the past 18 months. These mostly are from the
70's and 80's and I am so happy to re-discover all those artists
I used to listen to during my many business trips through the USA
and whose LP's I always brought back after each trip. Now I am
recuperating them on CD and buying many I didn't have then or
didn't even know the existence of. This is the case with Gene
Watson. Last month I received "Ultimate Collection" and gave it
5 stars. Gee, how I love his music. I would have liked to give
these "18 greatest hits" 5 stars as well but again I received a
CD with zero information. Who wrote these songs? When were they
recorded? Does the record company release them this way to cut
down prices? What a shame.
Excellent Album.......2005-10-10
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Howard Hanson: Merry Mount
Manufacturer: Naxos American ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OQDRZA Release Date: 2007-05-29 |
Amazon.com
This is the first modern recording of Howard Hanson's opera. A broadcast from the Metropolitan Opera in terrible sound, where it was premiered in 1934, is available in Europe, but this recording makes it redundant. The opera, based on a story by Nathaniel Hawthorne, concerns the clash between New England Puritans, with their rigid religiosity, and a group of Cavaliers who come to their town and scandalize everyone with their Maypole dancing and merry-making. There is an interrupted Indian massacre, a scene in Hell for the town's fanatical preacher, Wrestling Bradford, and a self-immolation at the opera's close. While it's good to have such a fine recording of this work available - and this performance, with Richard Zeller as a passionate Bradford, the remarkable Lauren Flanigan as Lady Marigold (the object of Bradford's desire), and a fine cast of American singers, is nothing if not superb - it is impossible to avoid the fact that the work is bloated, lacks true melodies, relies too heavily on repeated drumbeats for effect, and does not offer any appealing vocal writing for the principals. The music adds up to something vaguely cinematic and, more vaguely, true background. It's clearly a work that was probably better seen than just heard. This recording was taken from two concert performances in 1996. It will be of interest to fans of American opera who should not expect a forgotten masterpiece. --Robert LevineCustomer Reviews:
A Great Addition to the World Premiere Recording.......2007-06-12
The premiere of Merry Mount brought such an enthusiastic response from the audience, that applause broke out on several instances in the middle of acts, often after a rousing chorus. And the shocking progression of events in the second act floored the audience then as well as listeners today.
As noted in other reviews, another recording of the opera exists, also produced by Naxos, but is unavailable in the US due to legal issues with the release of any live recordings of MET operas from the time. By today's standard, the recording quality is poor, but the engineering on the recording is phenomenal enough when taken into context: it was on mid-1930s 78 rpm acetate and metal discs. Yet about all scratches and surface noise is absent, though there are still dents in the recordings that make an unfortunate explosion at times.
Levine, in his editorial review, says that this recording makes the earlier one redundant; I would differ. The premiere performance is scads better in orchestral and vocal quality than the Schwartz/Seattle Symphony recording. The premiere features Lawrence Tibbett, who executed the main role with both focal force and dramatic passion. His expression creates the character of Bradford. Gota Ljunberg also has a stellar performance of Marigold, and the Metropolitan Orchestra produces a reading of the opera score that tops about every recording I've heard of the Merry Mount Suite.
Thus, I find this new recording as a compliment to the other. For those not interested in acquiring both CDs, I would of course recommend the Schwartz CD because of its sound quality.
Schwartz's recording is also performed live, and that being about ten years ago. It was not performed as a full-blown stage opera, and the vocal performance quality is set back a bit because of this. The roles don't hold the passion and character development that the earlier one does, and the recording is free from the "additional" expressions of gasps, shouts, etc... from a staged performance that add to the drama. Yet, the vocal quality is by no means poor, and Scwartz's interpretation is equivalant to the quality of his other Hanson recordings. And with Scwartz's performance being live, there are moments of applause.
The music itself may appear relatively simple to some, and yet it is captivating. Many of the orchestral techniques Hanson uses for effect were innovative for the time, and if we are worn out by them, it is only because of their abuse by many lesser composers since. While the highlights of the opera are the choruses (especially the Hellish Rendezvous), Hanson does write several good arias, such as in the last scene for Marigold.
So what happened to the opera? While enjoyed by the audience, the critics were less merciful, and as has happened to so many enriching pieces of music throughout history, the opera fell victim to the saber of criticism, and has only been rediscovered recently. In addition, Hanson's music was influenced by Scandinavian style, so was to some not a true American opera. Still, in most written discussions of great American operas, even brief discussions, mention is made of Merry Mount alongside Susannah, Porgy and Bess, Baby Doe, Amahl, Candide, and Vanessa.
My primary disappoint with this recording is the absense of a libretto. While the scene synopsis is good, I've longed for a libretto; it is available in neither this recording nor the earlier one. And even the synopsis is nothing new, as it is the same synopsis given in the earlier recording. This is my main reason for giving four stars instead of five, but I still offer my deep thanks and gratitude for the present recording. It has helped me hear parts of the orchestra I couldn't hear in the other recording, and has broadened my comprehension of the earlier recording. While I wish the strengths of each recording could be brought together for a stellar performance, I am glad for the strengths of each; not much is left lacking between the two.
In addition, for those familiar with the earlier recording, you'll be pleased to know this new recording has more music; the prelude to Act III is now 7:30 instead of 1:29. There is a 'forest' chorus in addition to a more dramatic and longer development of the Indian war theme.
Now that Merry Mount has a clear-sounding recording available, I have but one more request for the record industry regarding forgotten American operas: will we have the chance to hear Douglas Moore's Pulitzer Prize-winning Giants in the Earth?
This recording is highly recommended for lovers of romanticism, tonality, passionately engaging music, and sweeping Scandinavian styles of Sibelius and Atterberg.
At Long Last!.......2007-06-08
Is it a great opera!? I wouldn't know. I am not particularly a fan of opera and opera makes up a very small portion of my collection. But I really like Hanson, and I love this opera. And my collection does include 4 versions of this opera.
This is first commercial recording of Merry Mount. Naxos has also issued a recording, available in Europe, but apparently not in the USA, of the premier performance of the opera, the Metropolitan Opera broadcast of February 10, 1934, with Lawrence Tibbet, but the sound on that is bad for its time. If you want to hear how the leads sing their rolls and listen to their performances, you can do it, because if you want to listen to those singers, you have undoubtedly listened to others of their recordings of the period and can make the mental adjustments necessary to enjoy their performances. In that case the 1934 recording is recommended to you. But if you want to hear what the orchestra is doing, it is a real stretch, even if you are used to listening to orchestral recordings from the early 1930's or even acoustic orchestral recordings, as I am. In 1955, Hanson conducted several concert performances of Merry Mount at the Eastman School of Music with students and faculty performing the singing and orchestral parts. An experimental stereo recording of (at least) one of the performances was made at the time. I suspect it was done by the Mercury recording team since Hanson recorded exclusively for Mercury at the time--and it sounds Mercury-like. This recording was never released commercially--and hopefully the masters are in the Mercury vaults--but some copies were made, perhaps for Hanson and the performers, and copies do exist. It is worthy of commercial release, especially as a composer's recording. It is a wonderful performance, but Hanson made some significant cuts, and also added a scene--what this Naxos release of the Seattle performance calls Act III, Scene I. This scene does not appear in the original libretto or in the Premier recording. When the Seattle Symphony did its two dress rehearsals and two evening performances back in 1996, the opera was broadcast either live or tape-delayed. At least one someone recorded that off the radio, unfortunately in mono, and that recording has also been circulated somewhat, but its sound pales in comparison to this long delayed official issue of the Seattle performances. If you have that, you still want this. And this performance is probably somewhat different, being taken, apparently, from the two evening performances, whereas the broadcast is probably just one evening or the other. There were also performances by the San Antonio Opera with Beverly Sills as Lady Marigold in 1964, directed by the composer, I believe, and by Rochester's Opera Under the Stars in 1976 with the composer present, but apparently not conducting. I know of no recordings of those two performances. Hanson also recorded about 35 minutes of excerpts from the opera about 1964, released on Mercury LP and long out of print, and the Suite from Merry Mount, currently available on a 4 disc Mercury box set which is most highly recommended and which also contains his first 3 symphonies and a variety of other shorter works. That Mercury recording of the Suite also includes on a separate disc Hanson doing a lecture/demonstration/deconstruction/reconstruction of the themes, orchestral colors, and construction of the music in the Suite which is quite fascinating as well as beautifully and naturally recorded.
This Seattle Symphony version has slightly more very minor cuts than the Tibbet version, but includes the extra scene that Hanson apparently added years later, so it is the most complete version, as well as being the best recorded and only one readily available in the United States. The orchestral writing is very important and always clear. The singers and chorus are quite clear and their voices are always well balanced with the orchestra. The opera contains much beautiful orchestral and choral writing. I wouldn't presume to speak about the quality of the operatic writing, but there is much beautiful music there, too. And Hanson's music is so powerful that one really grows to care about the characters and their plight, even the aptly named Wrestling (with his personal demons) Bradford. Despite the clarity of the voice recording, it is still really helpful to have a libretto (though no performance I am aware of follows the original exactly), but unfortunately, that is long out of print, probably for decades. Mine dates from 1933 and cost 50¢ when new (I paid considerably more and counted myself lucky). When the performances were done in Seattle, rather than passing out a libretto, supertitles were used which presumably followed the performance exactly. Naxos should get rights to make a transcription of the supertitles available online or by mail order since they don't include a libretto with the discs. However, the summary of Merry Mount that they do include in the booklet is the best I've seen and really enhances one's enjoyment of the opera.
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Gene Clark with the Gosdin Brothers
Gene Clark Manufacturer: Sundazed Music Inc. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MEYJ6U Release Date: 2007-03-13 |
Tracks:
- Echoes
- Think I'm Gonna Feel Better
- Tried So Hard
- Is Yours Is Mine
- Keep On Pushin'
- I Found You
- So You Say You Lost Your Baby
- Elevator Operator
- The Same One
- Couldn't Believe Her
- Needing Someone
- Tried So Hard
- Elevator Operator
- Only Colombe
- The French Girl
- So You Say You Lost Your Baby
- Is Yours Is Mine
Album Description
On the first solo album by an ex-Byrd, Gene Clark doesn't stray too far from the nest. Cut in 1966 upon Clark's departure from the iconic L.A. combo, with current Byrds Chris Hillman and Michael Clarke forming the rhythm section, and spotlighting brothers Vern and Rex Gosdin, a pair of former bluegrass pals of Hillman's who chime in with sweet harmony vocals, Gene Clark with the Gosdin Brothers stands as one of Clark's supreme achievements. Add session guitarists Glen Campbell and Jerry Cole and future Byrd Clarence White and beautiful orchestration by Leon Russell to Clark's melancholy melodies and weatherbeaten voice and the result is a classic country-rock primer that sounded like nothing else in '67 and continues to astound and inspire today. Five unheard bonus tracks from the sessions only sweeten the deal of this eye-opening work.Customer Reviews:
Through a different prism.......2007-04-24
Great to have this available again.......2007-03-30
Average customer rating:
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Ultimate Collection
Gene Watson Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RIN7 Release Date: 2001-11-20 |
Tracks:
- Love In The Hot Afternoon
- Where Love Begins
- Paper Rosie
- Pick The Wildwood Flower
- Nothing Sure Looked Good On You
- Between This Time And The Next Time
- Maybe I Should Have Been Listening
- Fourteen Carat Mind
- Speak Softly (You're Talking To My Heart)
- This Dream's On Me
- What She Don't Know Won't Hurt Her
- You're Out Doing What I'm Here Doing Without
- Sometimes I Get Lucky And Forget
- Drinkin' My Way Back Home
- Forever Again
- Got No Reason For Goin' Home
- Cold Summer Day In Georgia
- Memories To Burn
- Everything I Used To Do
- Everybody Needs A Hero
- Don't Waste It On The Blues
- Back In The Fire
- The Jukebox Played Along
Album Description
Gary Gene Watson never intended on a career in music. When you take a look at the tracks on this Ultimate Collection, it becomes evident his absence would have left a gaping hole in country music, for as one of Nashville's premiere country journalists, Robert K. Oermann, has said, "The world stops spinning when he sings." So, while, as Watson says, "I never did go looking for music, music found me," music was obviously destined for this unassuming man born in Palestine, Texas and raised in Paris, Texas. But because he took his singing in church, and with his 6 siblings, for granted, never considering that it could be a profession, to this day it is difficult for him to trace the origin of his realization that indeed it would end up being the crux of his life. "As far back as I can remember talking, I can remember singing. My brother just younger than me played lead guitar and I was the singer, and we would entertain at a lot of the school functions and local get-togethers. But music was never one of my goals. All I ever dreamed of was working on cars," says Watson, who still enjoys dabbling on cars in his little Houston shop. By 17, he was married (still is, to the same woman he married in 1961), and had to lie about his age to get a job building missile silos in Abilene. Six years later, in 1966, Watson moved to Dallas where an uncle helped him get his first professional job as a singer at a club called The Palms. Still, he didn't take the possibility of making a living at music seriously, until moving to Houston where he formed a band called Gene Watson and the Other Four, dropping the Gary from his name.Customer Reviews:
Maybe the Most Underrated Singer In Nashville........2007-02-07
NOT DEFINITIVE WITHOUT FAREWELL PARTY!!! .......2006-10-07
Brilliant CD.......2006-04-11
compilations which you probably liked - Paper Rosie - and
you would like to know more about him GET THIS CD!
I was as astonished about the number of brilliant songs on
this single CD - as when I bought "It couldn't have been any
better" by Johnnie Duncan. This "Ultimate Collection" won't be
the only Gene Watson CD and I already applied for more CD's
by this real C&W singer. Ballads and honky tonk songs
will really cheer you up. The sound quality of the recordings is
brilliant as well. Quite a surprise when at least 21 out of
23 songs on a CD are all great and make you repeat them over
and over. Nowadays with those "pop rock C&W" stars more than
half of their songs can only be heard once. Their just fillers-up. It's impossible to beat those C&W voices from the 70's &
80's. Long Live the real C&W music.
ultimate singer .......2006-03-19
Lots of Great Memories.......2006-03-13
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