| 1. Linie 8 |
| 2. Hochzeitsreise Nach Venedig |
| 3. Der Oberammergauer Fremdenführer |
| 4. Nord und Süd Im Hofbräuhaus |
| 5. Raschlebige Zeit |
| 6. Der Alte Postillon |
Weiß Ferdl's Linie 8,Weiß Ferdl,Ariola,World Music
Average customer rating:
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Hairspray (Soundtrack to the Motion Picture)
Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PUAID4 Release Date: 2007-07-10 |
Tracks:
- "GOOD MORNING BALTIMORE" - Nikki Blonsky
- "THE NICEST KIDS IN TOWN" - James Marsden
- "IT TAKES TWO" - Zac Efron
- "(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
- "I CAN HEAR THE BELLS" - Nikki Blonsky
- "LADIES' CHOICE" - Zac Efron
- "THE NEW GIRL IN TOWN" - Brittany Snow
- "WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
- "RUN AND TELL THAT" - Elijah Kelley
- "BIG, BLONDE & BEAUTIFUL" - Queen Latifah
- "BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
- "(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
- "I KNOW WHERE I'VE BEEN" - Queen Latifah
- "WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
- "(IT'S) HAIRSPRAY" - James Marsden
- "YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
- "COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
- "COOTIES" - Aimee Allen
- "MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake
Amazon.com
What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth VincentelliAlbum Description
The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).
Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).
Customer Reviews:
Love the Broadway Cast recording? Give this a second chance..........2007-07-14
If, like me, you're a fan of the stage production and the Broadway Cast recording, then you have to remember -- like I came to -- that this is the soundtrack to a movie (re-)adaptation.
You might, initially, be annoyed by the changes in the lyrics of certain songs, the addition of certain songs, the removal of "The Big Dollhouse", and the change in the order of songs. I still trying to get the putting of "Mama, I'm A Big Girl Now" at the end (since it was early on in the stage production)!
I think the movie is going to be great. But you can't compare the stage production and the movie directly -- it's really not fair, because they're entirely different mediums, and perhaps, more or less, aimed at different audiences (i.e., the movie is more for the masses).
You might need to listen to the CD a couple of times before you get into it. I'm on my third go-round now, and it's growing on me with every go (except for the song "Cooties"!).
Two Tons of Fun!.......2007-07-14
They POP! Tons of energy!
The chorus of "Beat" positively explodes at the end.
The new and augmented arrangements are dazzling also! Overall the soundtrack has much fuller sound over the original cast recording."Good Morning Baltimore" opens the cd, sounding much like "Be My Baby" with a big Phil Spector Wall of Sound...it just jumps out at'cha
Nicki Blonsky is a little less vocally demonstrative than the Broadway's Tracy, Marisa Winokur, but has a bright, appealing voice minus Winokur's more nasal quality.Michelle Pfeiffer's vocals doesn't match original cast member Linda Hart's growly belt but she has an interesting vibrato filled punch on her more sustained notes. Queen Latifah is not as dynamic or as powerful as Mary Bond Davis on the original but she sounds sassy on "Big, Blonde and Beautiful" and gives a understated performance on "I know Where I've Been". Travolta's renditions are lacking personality but he redeems himself on "Timeless to Me"
I don't know that this recording replaces the OBC (it doesn't feel quite as coherent or like a total experience) but it is very upbeat. The new songs are okay and totally fit in the style of the show. The score is reminiscent of 60s pop with lots of musical and vocal references to 60s hits (everything from "Wipe Out" to "Shout"),including an instrumental nod to "La Vie En Rose" during the charming Travolta/Walken "Timeless" duet.
My first listen gave me the same exultation and high I felt walking out of the theater after first seeing the show on Broadway!
DISAPPOINTED.......2007-07-13
WEAK!.......2007-07-13
Feel Good Soundtrack to Feel Good Film.......2007-07-13
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Walk the Line
Joaquin Phoenix , Reese Witherspoon , and Original Soundtrack Manufacturer: Wind-Up ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BM7YYW Release Date: 2005-11-15 |
Tracks:
- Get Rhythm -- Joaquin Phoenix
- I Walk The Line -- Joaquin Phoenix
- Wildwood Flower -- Reese Witherspoon
- Lewis Boogie Blues -- Waylon Payne
- Ring Of Fire -- Joaquin Phoenix
- You're My Baby -- Johnathan Rice
- Cry Cry Cry -- Joaquin Phoenix
- Folsom Prison Blues-- Joaquin Phoenix
- That's Allright Mama -- Tyler Hilton
- Jukebox Blues -- Reese Witherspoon
- It Aint Me Babe -- Joaquin Phoenix & Reese Witherspoon
- Home of the Blues -- Joaquin Phoenix
- Milkcow Blues Boogie -- Tyler Hilton
- I'm A Long Way From Home -- Shooter Jennings
- Cocaine Blues -- Joaquin Phoenix
- Jackson -- Joaquin Phoenix & Reese Witherspoon
Amazon.com
This is not a review about Joaquin Phoenix and Reese Witherspoon's hair. However--as any self-respecting fan knows--in country music, after proving you can pluck a guitar and carry a tune, the power of the right hairstyle is not to be underestimated. Johnny Cash, in fact, was famously vain about his locks--perhaps one of the few things he was vain about--and many a guitar store employee can attest to the fact that when the Man in Black came in to buy his special brand of guitar pick, his hair was dyed a jet black more often seen on a boy of 20 than a man of 60. In any case, Phoenix and Witherspoon's performances as Johnny and June Carter Cash succeed more in the style and hair department than in their musicality. Phoenix fares better than his co-star in reinventing the Cash mystique, and his sweet, almost earnest interpretation of "Get Rhythm" is as charming as it is honest. Unfortunately, the powerful song "Ring of Fire" is flat and wholly without the narrative pull it had when Cash sang it. And Witherspoon is simply not up to the warbling task she's faced with in singing as June Carter Cash. (To be fair, it's hard to know who would be, but the estimable Loretta Lynn or Tift Merritt would have had better luck). Carter Cash's honeyed gift with melody, and the largeness of her voice, honed over decades in live performance, is hard to replicate for even a seasoned singer, and predictably, Witherspoon falls short of the mark. It's certainly seductive to imagine that playing a figure as compelling as Johnny or June would allow an actor to channel the soul and some of the talent of the artist, but the closest this record comes is in "Cry, Cry, Cry," where Phoenix's gravelly voice offers the same sustained thrill that made Johnny Cash irresistible--to June and his fans. --Megan HalversonCustomer Reviews:
Not a carbon copy.......2007-07-08
I personally really like Joaquin Phoenix' smooth, sexy voice. My favorites are "Get Rhythm" and "Walk the Line."
I strongly reccommend this CD.
Walk the line CD.......2007-06-13
walk the line.......2007-06-09
Walk the Line.......2007-06-01
Great.......2007-05-17
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A Prairie Home Companion Original Motion Picture Soundtrack [Deluxe Limited Edition CD + DVD]
Original Soundtrack Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F3AAXY Release Date: 2006-05-23 |
Tracks:
- Tishomingo Blues Garrison Keillor
- Gold Watch & Chain Garrison Keillor & Meryl Streep
- Mudslide The Guys All-Star Shoe Band
- Let Your Light Shine On Me Garrison Keillor, Robin & Linda Williams, Prudence Johnson
- Coffee Jingle Garrison Keillor & Jearlyn Steele
- Summit Avenue Rag - The Guys All-Star Shoe Band
- Guys Shoes - The Guys All-Star Shoe Band
- Whoop-I-Ti-Yi-Yo Woody Harrelson & John C. Reilly
- Coming Down From Red Lodge - The Guys All-Star Shoe Band
- You Have Been A Friend To Me L.Q. Jones
- Old Plank Road Robin & Linda Williams
- My Minnesota Home Meryl Streep & Lily Tomlin
- A Bunch of Guys - The Guys All-Star Shoe Band
- Slow Days Of Summer Garrison Keillor
- Frankie & Johnny Lindsay Lohan
- Waitin For You - The Guys All-Star Shoe Band
- Jens Jensens Herring - The Guys All-Star Shoe Band
- Red River Valley Garrison Keillor & Jearlyn Steele
- Strappin the Strings - The Guys All-Star Shoe Band
- Goodbye To My Mama Meryl Streep & Lily Tomlin
- Bad Jokes Woody Harrelson & John C. Reilly
- The Day Is Short Jearlyn Steele
- Atlanta Twilight - The Guys All-Star Shoe Band
- Red River Valley / In The Sweet By And By Cast Ensemble
- Guy Noir - The Guys All-Star Shoe Band
Tracks:
- My Minnesota Home Meryl Streep & Lily Tomlin
- WHOOP-I-TI-YI-YO Woody Harrelson & John C. Reilly
- Slow Days Of Summer Garrison Keillor
- Coming Down From Red Lodge - The Guys All-Star Shoe Band
- I Used To Work In Chicago (Take 1) Woody Harrelson & John C. Reilly
- I Used To Work In Chicago (Take 2) Woody Harrelson & John C. Reilly
- Softly And Tenderly Meryl Streep & Lily Tomlin
- Waitin For You - The Guys All-Star Shoe Band
- Atlanta Twilight - The Guys All-Star Shoe Band
- Catchup (And Then Some) Garrison Keillor
Amazon.com
At long last, Lindsay Lohan and Meryl Streep sing on the same CD. Okay, so they don't actually duet, but both do perform on the soundtrack to Robert Altman's take on Garrison Keillor's popular radio show. (Keillor fans will know exactly what to expect, as the film is scrupulously faithful to his universe, and Keillor and his Shoe Band wrote a good deal of the songs.) As anybody who's seen Postcards from the Edge knows, Streep can really sing, and she sounds great in the rootsy, old-style country vein that makes up most of this soundtrack. Her rollicking duets with her screen sister Lily Tomlin, "My Minnesota Home" and "Goodbye to My Mama," are priceless. Woody Harrelson and John C. Reilly are beyond crusty on "Whoop-I-Ti-Yi-Yo," which sounds like both an outtake from and a parody of O Brother, Where Art Thou?, while "Bad Jokes" is, well, just that. As for Lohan, who plays Streep's daughter, her version of "Frankie & Johnny" is a little shaky but heartfelt and kinda adorable. Purists, you can start hollering now. --Elisabeth Vincentelli
More Prairie Home Companion
A Prairie Home Companion with Garrison Keillor: 30th Broadcast Season Celebration (DVD) |
A Prairie Home Companion (screenplay book) |
A Prairie Home Companion with Garrison Keillor: 30th Broadcast Season Celebration (CD) |
A Prairie Home Companion: 20th Anniversary Collection (CD) |
A Prairie Home Companion: It's Only a Show |
A Prairie Home Companion: 25th Anniversary Collection (CD) |
Album Description
Garrison Keillor's long running public radio show, "A Prairie Home Companion" is now the center of a Robert Altman film of the same name starring Keillor, Meryl Streep, Lily Tomlin, Woody Harrelson, John C. Reilly, Kevin Kline, Lindsay Lohan, Virginia Madsen, Maya Rudolph, and Tommy Lee Jones. The story is a fictional one of what happens on and off stage during the last broadcast of the beloved radio show. The soundtrack showcases the spectacular onstage performances by the cast. Offered here is a regular audio-only version and a CD + DVD deluxe version packed with performance footage and film outtakes.Customer Reviews:
Awesome Country Music.......2007-05-22
Excellent music!.......2007-05-12
Delightful.......2007-03-22
A PRAIRE HOME COMPANION REVIEW.......2007-03-12
The Marvelous Meryl Streep.......2007-03-09
The highlight has to be, though, the beautiful voice of Meryl Streep. Not only is she the world's greatest living actress, but she is a profoundly talented and gifted vocalist. Her grace, warmth, depth, and beauty give a gorgeous elegance - and eloquence - to the songs she performs. I challenge anyone to listen to "Goodbye to My Mama" without becoming teary-eyed. Streep is, in every way, quite simply...extraordinary.
A highly recommended collection of entertaining and touching songs.
Great album!
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A Chorus Line (1975 Original Broadway Cast)
Marvin Hamlisch , and Edward Kleban Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OHY Release Date: 1998-06-02 |
Tracks:
- Opening: I Hope I Get It
- I Can Do That
- At The Ballet
- Sing!
- Montage, Part 1: Hello Twelve, Hello Thirteen, Hello Love
- Montage, Part 2: Mother
- Montage, Part 3: Gimme The Ball
- Nothing
- Dance: Ten; Looks: Three
- The Music And The Mirror
- One
- What I Did For Love
- One (Reprise)/Finale
Amazon.com
Michael Bennett's 1975 tale of Broadway's gypsies--the chorus dancers--resonated with audiences as few shows ever have, examining with both hilarity and heartbreak the grueling life of ordinary performers always auditioning for an opportunity to be members of a faceless chorus line. And along the way, it picked up the Pulitzer, the New York Drama Critics Award, and nine Tonys, and became the longest-running show in Broadway history. The original cast (eight of whom contributed their real-life memories to the show) included no major stars, but are unmatched on this cast recording of Marvin Hamlisch and Edward Kleban's score, including Priscilla Lopez's poignant "Nothing," Donna McKechnie's yearning dance number "The Music and the Mirror," one of Broadway's most famous torch ballads in "What I Did for Love," and the ultimate high-kicking chorus number, "One." Fans of the show will welcome the 1998 remastered CD, which adds two and a half minutes to "Hello Twelve, Hello Thirteen, Hello Love." While still incomplete, the montage now includes "Four-foot ten," "Little brat," and "The worst thing in school...." --David HoriuchiCustomer Reviews:
great soundtrack for a great show............2007-06-09
A Chorus Line.......2007-05-31
What They Did For Love.......2007-02-12
The CD begins with the track entitled "Opening: I Hope I Get It." Too many actors and actresses have arrived to compete for jobs in a chorus line in a Broadway production. Zach, the man who must chose the people who make the final cut, stuns the actors by requesting them to talk about themselves. This provides the premise for the rest of the music of the show. One by one the actors open up and share their life stories in song; and the music by Marvin Hamlisch enhances their songs greatly.
Several memorable stories told in song by the actors include "I Can Do That" in which Mike, performed by Wayne Cilento, tells about how he swiped his sister's dance shoes to race to a dance rehearsal; the beautiful ballad about escaping the heartache of real life at the theater entitled "At The Ballet" performed by Carole Bishop, Nancy Lane and Kay Cole; "Montage, Part 3: Gimme The Ball" performed by Michel Stuart and Ronald Dennis as Greg and Richie respectively; and "Dance: Ten; Looks Three" performed by Pamela Blair in the role of Val. Excellent!
Other numbers on this original cast recording deserve very special mention. "What I Did For Love" is delivered flawlessly by Priscilla Lopez and Company; in this song Priscilla's character Diana Morales sings beautifully of how she would have no regrets if she could never dance again. Priscilla Lopez also performs the memorable balled "Nothing" about how she simply did not profit from a course she took with an acting professor several years earlier.
The finale, a reprise of the smash number "One," features the cast singing together as polished professionals instead of the somewhat clumsy chorus line hopefuls they were before. I still remember feeling chills up and down my spine when I saw this number in the show at New York's Schubert Theater in 1979.
The liner notes have an excellent essay by Marc Kirkeby and the photos of the cast are a real treat. The notes indicate which actors performed each song and the artwork will impress you.
The sound is excellent even on my portable CD player. There is very little, if any, surface noise.
A Chorus Line represents a sophisticated look at the real lives of struggling actors and actresses. These people scramble for jobs in their chosen profession so that they can be happy and well fed at the same time. The catchy melodies by Marvin Hamlisch will delight you; and the lyrics by Edward Kleban display forethought and sheer brilliance.
I highly recommend this CD for fans of the theater and for people who love the outstanding music of Marvin Hamlisch. People who enjoy convincing exposés of the real lives of struggling actors will also enjoy this CD.
God, I hope you get it..........2006-11-28
A Chorus Line begins with the famous, pulse-pounding "GOD I HOPE I GET IT", where we hear the dancers inner thoughts while learning the choreography. This is a mostly danced number, but it is energetic, effecting and a brilliant opening.
More great numbers are "AT THE BALLET", which has three dancers taking down their "audition facades" and describing the therapy dance provided during troubled childhoods. The "MONTAGE" numbers are a funny mixture of painful, embarrassing, and entirely too real memories of teenage years. "DANCE 10, LOOKS 3" Is a hillarious yet sadly true song about the power of appearance. "WHAT I DID FOR LOVE" is one of the most original love songs of all time, about the sacrafices made not for the people we love, but for ourselves. It sumarizes the whole musical: Why we do what we do for the things we love.
The idea of A Chorus Line has become a little cliche after years and years of exposure and performance, but it is deffinately worth the praise it receives and fame it has accumilated. A must have for every lover of musical theatre.
a great musical.......2006-11-06
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A Chorus Line - The New Broadway Cast Recording (2006 Broadway Revival Cast)
Marvin Hamlisch , Edward Kleban , Charlotte d'Amboise , and Michael Berresse Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HEZF8Q Release Date: 2006-10-10 |
Tracks:
- Opening: I Hope I Get It
- I Can Do That
- At The Ballet
- Sing!
- Montage, Part 1: Hello Twelve, Hello Thirteen, Hello Love
- Montage, Part 2: Nothing
- Montage, Part 3: Mother
- Montage, Part 4: Gimme The Ball
- Dance: Ten; Looks: Three
- The Music And The Mirror
- One
- What I Did For Love
- One (reprise) / Finale
Amazon.com
In the fall of 2006, A Chorus Line came back on Broadway 16 years after its original run closed, and it felt as if it had never left. The new production, put together by alums from the first one, is a carbon copy of Michael Bennett's groundbreaking staging, and the cast recording follows suit. The good news is that Marvin Hamlisch's energetic, pop-inflected score sounds as great as ever; the bad news: well, you might quibble with the staging but when it comes to the CD, there isn't really any bad news. This time around, the songs are performed in the order in which they are performed live, and the recording includes more of the incidental music and the dialogue. Among the highlights are Natalie Cortez's fabulous "Nothing" (check out the Bacharachian trumpet-and-piano arrangements, which aren't all that surprising since co-orchestrator Jonathan Tunick had worked on Bacharach's sole musical, Promises, Promises) and Jessica Lee Goldyn's uproarious "Dance: Ten; Looks: Three." And then there's "One," which remains one of the most memorable songs in the musical-theater catalogue-lucky for us, we get it twice since it's reprised at the end. --Elisabeth VincentelliCustomer Reviews:
This Show is AMAZING.......2007-07-11
If you appreciate fine vocals, love A Chorus Line or love the sounds of the 1970's, this cd is perfect for you. I highly recommend that you buy this cd!!!
Spot the difference.......2007-06-24
And yet... this is A Chorus Line, and we love it. Having just seen the show for the first time live (on Broadway, with this cast) I now undertand that the show really is as wildly inconsistent and totally odd as the movie suggests. But the cast give it their all and act like they at least pretend they know what's happening.
I've marked this down one star for Charlotte d'Amboise's rendition of The Music and the Mirror. Boy this lady can dance. In heels! But I can't admire her for the way she sings "Gimme a chaaaaance to come thruuuuuuu". It was even worse on stage, so we are spared at least some of the horror.
Other than that there are very few differences compared with the slightly better 75 OBC recording, just the muffled sound is removed.
Interesting both for novices and for those buying it just to compare to the original.
It's "A Chorus Line".......2007-06-05
"Dance 10, Voice 2".......2007-03-05
While there are a few cast members with exceptional voices, a few of them (including one in particular - you'll know who when you listen to the recording) fall a bit short of today's standards in the vocal department.
They should have added a song in this version called "Dance 10, Voice 2"...and not for Val!
I was disappointed when I saw the revival on Broadway (again, a few standouts like the actors who play Bebe, Don, Al, Val), but figured that they'd "correct" the vocal mistakes I heard while seeing it live on the recording (where they could do multiple takes). Alas, it's not any better on the recording.
The new orchestrations are nice and it's great that more of the amazing score was included, but this recording falls short. I'm sticking to the original.
Ineffective Revival.......2007-03-03
While there is a little more music on this cast album, stick to the OBC to get what it was all about.
I thought to the novice who'd never seen ACL, that this production would seem wonderful, but I have a sister and her husband who recently saw this (and had never seen any production before) and they found it rather dull and ineffective. The original simply overwhelmed with it's brilliance...not here. BTW avoid the dismal mess of a movie at all costs.
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Dying to Say This to You
The Sounds Manufacturer: Scratchie / New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E6GC6Q Release Date: 2006-03-21 |
Tracks:
- Song With A Mission
- Queen of Apology
- Tony The Beat
- 24 Hours
- Painted By Numbers
- Night After Night
- Ego
- Hurt You
- Much Too Long
- Running Out Of Turbo
Amazon.com
It all starts with a cowbell, so at least you know it's not going to suck. This is important because, at times, the Sounds' 2003 debut, Living in America felt like a third-generation copy of Blondie's Eat to the Beat and a third-generation of anything usually sucks. But this follow-up shows improvement all around. Singer Maja Ivarsson is starting to find her own voice and the group's melodies now owe less to playground chants than actual verses and choruses. Meanwhile producer Jeff Saltzman, the man behind the Killers' blockbuster Hot Fuss, has given the band's, er, sound some much needed low end. You could accuse them of still sounding a bit contrived (just one word describes the track "Ego"--yikes!) but with thrilling New Wave throwbacks such as "Tony the Beat" and "Running Out of Turbo" pumping on the stereo you might be having too much fun to bother. --Aidin VaziriAlbum Description
The Sounds' 2003 debut, "Living In America" firmly established the band as one to watch. Their second release is an even stronger fusion of their punk attitude and pop savvy. Honed by a sonic brain trust that includes producer Jeff Saltzman (who helmed The Killers' "Hot Fuss"), with additional production from Scratchie Records co-owners James Iha (Smashing Pumpkins, A Perfect Circle) and Adam Schlesinger (Fountains Of Wayne, Ivy), and mixer Paul Q. Kolderie (Radiohead, Pixies, Hole), the album presents a diversified and deeper version of the sound they established on their debut. It also showcases their growth and captures the attitude that has won over crowd after crowd. Limited first pressing with bonus remixes and video content.Customer Reviews:
Pretty good.......2007-03-26
Thank god for I-Pods - the cd would be worn out by now.......2007-03-11
Awesome band .......2007-01-19
The Sounds.......2006-12-14
Don't believe in what they say and what you've always been told.......2006-08-13
Song With A Mission starts off the CD wonderfully with a catchy guitar intro and some interesting lyrics acompanying. Tony The Beat has a danceable beat and a great chorus. Painted By Numbers offers a refreshing look back at 80s pop thanks to the intro, and as always, Maja drives the song. Night After Night is *gasp* a ballad. If you hate Maja's voice you'll hate this song. Even I, a fan of her, get a bit agitated with this song from time to time, but it does sound sincere and the backing piano is a nice touch. Hurt You gets back into the 80s pop kind of feel, and is prodiminently sung by a male. Much Too Long is yet another standout which follows in the vein of Song With A Mission and Painted By Numbers respectively.
My favorite songs are Song With A Mission, Tony The Beat, Painted By Numbers, Much Too Long, and Running Out Of Time. The Sounds are by far the most invigorating band I've heard recently and revitalized my hunger for new bands. Compared to Living In America, I'd say the two even each other out. Living In America has it's moments that shock and awe and so does Dying To Say This To You, so the curse of the sophomore slump doesn't effect The Sounds on this outing.
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The Line Between the Two
Mark Harris Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009I7O9I Release Date: 2005-06-07 |
Tracks:
- For The First Time
- Carry The Light
- Hello To Goodbye
- Wish You Were Here
- The Line Between The Two
- Ordinary Life
- Find Myself In You
- Find Your Wings
- Speak To Me
- Until
Customer Reviews:
Find your wings: An excellent inspiration for graduates.......2007-06-08
The Line Between the Two.......2007-05-14
Voice Not Meant For Solo.......2007-04-21
When my wife and I first heard FIND YOUR WINGS, we were touched by the great lyrics and thought of our daughter. However, after hearing a few more songs, we became annoyed with his voice after a while. He doesn't seem to have much range and without the others from 4HIM blending in as they often did so well, you can easily get tired of his voice.
That isn't to put a damper on the quality of the lyrics and music, but I feel that the 4HIM guys will always sound better together than as soloists.
Tune In To Christian Music.......2007-03-20
Beautiful CD - totally God inspired.......2007-02-12
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Yours to Keep
Jr. Albert Hammond Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MTDRHW Release Date: 2007-03-06 |
Tracks:
- Cartoon Music For Superheroes
- In Transit
- Everyone Gets A Star
- Bright Young Thing
- Blue Skies
- 101
- Call An Ambulance
- Scared
- Holiday
- Hard To Live In The City
- Postal Blowfish
- Well...All Right
Amazon.com
If it took a solo album for Strokes guitarist Albert Hammond Jr. to make sure his songs were finally heard, file this one under "their loss" for those egocentric East Siders. The first in the group to make his own record, Hammond (son of the triumphant '70s singer and composer) comes up big, hammering out 10 songs brimming with beatific melodies ("Call an Ambulance"), sugary harmonies ("Scared"), and the same rampant guitar ("In Transit") that he wields with the big band. Though he recruits prominent pals Sean Lennon and Ben Kweller for the ride, it's unnecessary, as Hammond's voice--both capable and charmingly unkempt--is a step above the monotonous murmur of Strokes singer Julian Casablancas (who also appears). Hammond's far-reaching influences drift from AM pop to punk rock, but the mop-topped musician mostly keeps it close to the vest, blending shades of the Beach Boys ("Cartoon Music for Superheroes," complete with toy piano), John Lennon ("Blue Skies"), and the Pixies ("Back to the 101"). Now he just has to make sure his band gets a copy of the record. --Scott HolterCustomer Reviews:
One of the unexpected surprises of the year.......2007-06-09
On "Yours to Keep" (12 tracks; 40 min.), the opener "Cartoon Music for Super Heroes" is like a blast from the 1960s Beach Boys. Upbeat "In Transit" is probably as close a Strokes song as anything on this album, and I love it. "Everyone Gets A Star" and "Bright Young Thing" are just about as good. "101" (1st single) is another one of those Strokes-sounding songs, and caps of an incredible first half of the album, which I rate 5 stars. The second half slows down considerably, although there as still some great moments like "Scared" (which features Julian Casablancas and Sean Lennon) and "Hard to Live in the City". The last 2 tracks of the album ("Postal Blowfish", which is just excellent, and "Well... All Right") are listed as "bonus tracks", but why is unclear to me, they simply sound like part of the album proper.
I have to admit that I really did not know what to expect from Hammond's solo debut, and I was very pleasantly surprised by this album. It flows by smoothly and at 40 min., it's over before you know it. One of the better surprises of the yeat so far for me.
excellent!.......2007-05-14
3 1/2 stars - I hear The Strokes.......2007-04-17
With that said, this is still a solid album. There is not a bad song on this thing, and 101 blew me away when I heard it. There is nothing not to like about this album, but it's just "a not quite as good version" of The Strokes - which still isn't all that bad.
Standout Track: 101
Albert Hammond Jr.: Your to Keep.......2007-04-08
Now I just hope that there's one thing this album *doesn't* have in common with Tom Verlaine's work--that it goes under the radar like his stuff did!
Free from the world.......2007-03-31
It starts on a note that's very Beach Boys -- sunny, psychedelic-edged, and slightly sleepy. "Goodnight, I said to you goodnight/Dream of all the impossible/And you wake you see/That all these dreams aren't fake/They're real/Not impossible," Hammond croons in a slightly sleepy voice.
All that changes with "In Transit," the most Strokesian of all the songs -- a peppy, uptempo guitar number with slightly rebellious lyrics. But with "Bright Young Things," the style switches back to a circling guitar melody and a sunny musical edge, some folksy ballads, catchy rockers that bloom into peppy pop, toe-tapping acoustic plucks, and ringing songs about vacations in Jamaica.
Despite the variety of styles, Hammond actually does a pretty good job keeping a signature "sound" in these songs -- something a bit happier and slightly wistful than the Strokes. It does have a bit of a split personality, between rock and sunny pop, but I suspect it's something that Hammond will iron out in future albums.
The music has plenty of guitar -- both acoustic and bass -- both in lean sinewy riffs and in circling melodies. But Hammond and a variety of musicians (including Sean Lennon, Julian Casablancas, Ben Kweller, and Sammy James Jr) wrap the songs in a thin layer of other instruments -- tinkly melodica, ukelele, rippling keyboard, and some brass. There's even whistling at one point.
Hammond's voice is kind of scratchy, but it's still pretty pleasant to the ear. And he throws a lot of passion into his singing, whether it's a murmury croon or a belt-out wail. "And you will only hold me/If I will never tell you it would end/And you will never have me/Cause you were only wanting to be friends/And you will always hold out till he gave out."
"Yours To Keep" is a triumph for Hammond -- a solid, shimmering album that straddles between pop and rock. Definitely a good listen, but not for people seeking another Strokes album.
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The Village
Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQJSC Release Date: 2004-07-27 |
Tracks:
- Noah Visits
- What Are You Asking Me?
- The Bad Color
- Those We Don't Speak Of
- Will You Help Me?
- I Cannot See His Color
- Rituals
- The Gravel Road
- Race To Resting Rock
- The Forbidden Line
- The Vote
- It Is Not Real
- The Shed Not To Be Used
Amazon.com
In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulleyCustomer Reviews:
Excellent Score -- Very Unique.......2007-02-22
It was with this score that he really caught my attention. The central theme of the film is a love story, and the characters just happen to be caught up in a nightmarish scenario. The score reflects this perfectly; some of the pieces are classically romantic, quiet pieces, while others are thunderous and frightening to reflect the danger and terror portrayed in the film.
James Newton Howard's later works, like "King Kong" (2005) and his co-score with Hans Zimmer on "Batman Begins" (2005) continued to show that he is rightly considered one of Hollywood's A-list composers for big films.
One of the few good things about this wretched film.......2006-11-05
The score elevates the film.......2006-08-09
While there are a couple pieces in the score that are a little more high-octane in terms of suspense, most of the music is very low-key. Still suspenseful, even spooky at times, but in a very understated and thoughtful way. In some ways similar to Howard's score for 'Signs', which also used repeated rhythms and themes throughout in different ways, the music for 'The Village' differs from the standard "scary movie" score by having pieces which establish a real emotional depth and presence. 'The Village' is a film about love and loss, and much of the music expresses those themes perfectly.
A big part of how the music gets to the depths of emotion is the solo violin performances of Hilary Hahn, present to some extent in almost every piece. From the opening strains of "Noah Visits," the first piece on the CD, her violin speaks the language of the heart and draws the listener into a beautiful world of haunting music, inescapable and compelling. I am amazed by her versatility here. From the fast rhythmic notes of "The Gravel Road" to the high strains of "I Cannot See His Color" to the final, bittersweet tones of "The Vote," Hahn's violin creates a steady thread through the whole score, unifying it and making it unique at the same time. I've listened to several of Hahn's classical performances as well, but I have to say that of what I've heard, her performance for 'The Village' may be her most unique and most compelling yet.
The combination of James Newton Howard's compositions and Hilary Hahn's lush performance have created some beautiful music for 'The Village'. Whether you love the movie or hate it, or even if you're just looking for some rich orchestral music with a beautiful violin performance, this score is well worth owning and listening to many times over.
Good Soundtrack!.......2006-08-03
Nice...but a little overrated,.......2006-06-08
I have mixed feelings--the music is definitely very pretty, very soothing (or agressive when needed), but I never really felt like I was listening to anything but just 'another' score here. There really isn't anything especially beautiful or stand-out, and I have heard orchestral scores from independent films (see 2002's "Stranded", a low-budget sci-fi film made for only about four million clams that boasts one of the most gorgeous scores you will ever hear)that are more memorable and evocative.
This, I hate to say it, just kinda felt "blah" to me.
Not bad.
Just...kinda..."Blah".
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A Prairie Home Companion Original Motion Picture Soundtrack
Original Soundtrack Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000F3AAXO Release Date: 2006-05-23 |
Tracks:
- Tishomingo Blues Garrison Keillor
- Gold Watch & Chain Garrison Keillor & Meryl Streep
- Mudslide The Guys All-Star Shoe Band
- Let Your Light Shine On Me Garrison Keillor, Robin & Linda Williams, Prudence Johnson
- Coffee Jingle Garrison Keillor & Jearlyn Steele
- Summit Avenue Rag - The Guys All-Star Shoe Band
- Guys Shoes - The Guys All-Star Shoe Band
- Whoop-I-Ti-Yi-Yo Woody Harrelson & John C. Reilly
- Coming Down From Red Lodge - The Guys All-Star Shoe Band
- You Have Been A Friend To Me L.Q. Jones
- Old Plank Road Robin & Linda Williams
- My Minnesota Home Meryl Streep & Lily Tomlin
- A Bunch of Guys - The Guys All-Star Shoe Band
- Slow Days Of Summer Garrison Keillor
- Frankie & Johnny Lindsay Lohan
- Waitin For You - The Guys All-Star Shoe Band
- Jens Jensens Herring - The Guys All-Star Shoe Band
- Red River Valley Garrison Keillor & Jearlyn Steele
- Strappin the Strings - The Guys All-Star Shoe Band
- Goodbye To My Mama Meryl Streep & Lily Tomlin
- Bad Jokes Woody Harrelson & John C. Reilly
- The Day Is Short Jearlyn Steele
- Atlanta Twilight - The Guys All-Star Shoe Band
- Red River Valley / In The Sweet By And By Cast Ensemble
- Guy Noir - The Guys All-Star Shoe Band
Amazon.com
At long last, Lindsay Lohan and Meryl Streep sing on the same CD. Okay, so they don't actually duet, but both do perform on the soundtrack to Robert Altman's take on Garrison Keillor's popular radio show. (Keillor fans will know exactly what to expect, as the film is scrupulously faithful to his universe, and Keillor and his Shoe Band wrote a good deal of the songs.) As anybody who's seen Postcards from the Edge knows, Streep can really sing, and she sounds great in the rootsy, old-style country vein that makes up most of this soundtrack. Her rollicking duets with her screen sister Lily Tomlin, "My Minnesota Home" and "Goodbye to My Mama," are priceless. Woody Harrelson and John C. Reilly are beyond crusty on "Whoop-I-Ti-Yi-Yo," which sounds like both an outtake from and a parody of O Brother, Where Art Thou?, while "Bad Jokes" is, well, just that. As for Lohan, who plays Streep's daughter, her version of "Frankie & Johnny" is a little shaky but hea! rtfelt and kinda adorable. Purists, you can start hollering now. --Elisabeth Vincentelli
More Prairie Home Companion
A Prairie Home Companion with Garrison Keillor: 30th Broadcast Season Celebration (DVD) |
A Prairie Home Companion (screenplay book) |
A Prairie Home Companion with Garrison Keillor: 30th Broadcast Season Celebration (CD) |
A Prairie Home Companion: 20th Anniversary Collection (CD) |
A Prairie Home Companion: It's Only a Show |
A Prairie Home Companion: 25th Anniversary Collection < (CD) |
Album Description
Garrison Keillor's long running public radio show, "A Prairie Home Companion" is now the center of a Robert Altman film of the same name starring Keillor, Meryl Streep, Lily Tomlin, Woody Harrelson, John C. Reilly, Kevin Kline, Lindsay Lohan, Virginia Madsen, Maya Rudolph, and Tommy Lee Jones. The story is a fictional one of what happens on and off stage during the last broadcast of the beloved radio show. The soundtrack showcases the spectacular onstage performances by the cast. Offered here is a regular audio-only version and a CD + DVD deluxe version packed with performance footage and film outtakes.Customer Reviews:
A Prairie Home Companion Original Motion Picture Soundtrack .......2007-03-22
Next best thing to the movie.......2007-01-21
Not hard to settle for!
Wonderful music.......2007-01-11
Endearing Artifact.......2006-10-09
It was certainly nice to have the music in full ... During the movie itself much of it is only heard in the background, in snippets, or in passage.
Not every performance is treasurable -- "Red River Valley" is pretty pedestrian, and Jearlyn Steele's solo ("The Day is Short") didn't grab me either. Keillor's solo, "Slow Days of Summer," is a little homespun for even my tolerant tastes.
"Goodbye to My Mama" is one of the highlights of the disc and the movie -- a paean to motherhood touchingly sung by Meryl Streep, with Lily Tomlin offering scratchy harmonies. It starts as a lullaby, ends as a hymn. But their other duet, "My Minnesota Home," while performed with style (Tomlin's voice works better here), is an odd conceit -- Keillor has reworked the lyrics of Foster's "Old Folks at Home" a/k/a "Way Down Upon the Suwannee River," hijacking them north. Given his occasional sly jab at the South, this struck me as a little graceless.
It's wonderful fun to have the novelty numbers: 3 nifty commercials, and the zesty cowboy duos featuring the talents of Woody Harrelson and John C. Reilly. Lohan's number is a novelty, too, but it only makes sense in the context of the entire film; here it's a throwaway.
Apart from Streep's songs, the other standout vocal performance is the rousing "Old Plank Road" from Robin and Linda Williams! The eight instrumentals, all heard in the film, bridge the hodgepodge of vocal numbers with consistent excellence. These are études in jazz, blues, dixie, bluegrass, and ragtime. The band, through its crack musicianship and spirit of fun, comes across as a vivid character in the film. They are spot-on in capturing, or adjusting, the mood of the moment.
All in all, this is a CD worth enjoying apart from the film. I actually bought it first, and it was good enough to whet my appetite for seeing the movie itself.
Music and Humor - A Winning Combo!.......2006-08-26
International Music: