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1. La Torre Dell'alchimista
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2. Danza Ad Anello
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3. A.S.A.
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4. Lectric Rag
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5. La Luna Nel Pozzo
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6. Tic & Tac
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7. Quartet
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8. Sibarotega
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9. Chantee D'amore
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10. Antes De Hablar Abra La B
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Tic & Tac,Area,Wea,World Music
Average customer rating:
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Tic, Toc, Choc
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Haydn: Piano Sonatas
- Volodos Plays Liszt
- Alexandre Tharaud plays Rameau
- Concertos italiens
- A Basket of Wild Strawberries: A Selection of Keyboard Works by Jean-Philippe Rameau
ASIN: B000MG1YCK
Release Date: 2007-05-08 |
Tracks:
- Les Baricades Misterieuses. Vivement
- Le Tic-Toc-Choc ou Les Maillotins. Legerement et marque
- La Couperin. D'une vivacite moderee
- Les Calotines
- Les Ombres Errantes. Languissamment
- Les Tricoteuses. Tres legerement
- Le Carillon de Cithere. Agreablement, sans lenteur
- Musete de Taverni (a 5 mains). Legerement
- Les Rozeaux. Tendrement, sans lentuer
- L'Atalante. Tres legerement
- Passacaille
- La Muse Plantine. Rondeau. Languisssamment
- Les Tours de passe-passe
- Bruit de guerre (extrait de La Triomphante). Vivement
- Le Dodo ou L'Amour au berceau. Sur le Mouvement des Berceuses
- La Visionnaire. Gramement et marque
- La Logiviere. Majestueusement, sans lenteur
- Les Jumeles. Affectuesement
- Les Cherubins ou l'aimable Lasure. Legerement
- JAQUES DUPHLY: La Pothouiun - 4th livre de Pieces pour clavecin
Amazon.com
The title refers to a piece Alexandre Tharaud plays often as an encore, and it's an apt (and catchy) introduction to this wide-ranging selection of Francois Couperin's works originally written for the harpsichord. Couperin arranged such short pieces into Ordres, or suites and Tharaud has fashioned his own suite made up of those most amenable to the modern piano. As such, it's a wonderful followup to his earlier disc of Rameau and an example of the adaptability of French Baroque keyboard music to the modern instrument that should please all but the most die-hard devotees of "authentic" instruments. If anything, the richer timbres, varied colors, and dynamic capabilities of Tharaud's concert grand yield greater accessibility to Couperin's delightful miniatures, none lasting much more than five minutes. These gems are played with fleet-fingered accuracy and imagination. The popular Musette de Taverni gains from overdubbing, and the addition of the tambour to Bruit de Guerre is a delightful touch. As an encore to Couperin's 19 pieces, Tharaud closes with Duphly's La Pothouin, a lovely work that induces thoughts of Romantic era keyboard poets. A wholly successful recital, yielding over an hour of pure enchantment. -- Dan Davis
Average customer rating:
- You gots to chill...
- All that and then some.
- Yeah Yeah Yeah !!!
- Awesome
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Fan-Tas-Tic, Vol. 1
Slum Village
Manufacturer: Barak Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Fantastic, Vol. 2
- The Shining
- Donuts
- Welcome 2 Detroit
- Slum Village
ASIN: B000ESSTQU
Release Date: 2006-02-28 |
Tracks:
- U 4 U
- ELa Remix
Customer Reviews:
You gots to chill..........2006-11-20
One of the D's finest. A lot of cats hate on Slum Village mostly because they compare them to other artists instead of just accepting it for the music. Look, if you put on a record (of any genre for that matter) and it makes you feel good inside why knock it? They may not be as lyrical as Kweli or as true as De La, but damn they made a dope LP with the beats to back it up and the power to make you reminisce of the good ol days. Peace!
All that and then some. .......2006-09-12
I love the original Fantastic Vol. 1. It captures a time in hip hop when good music was timeless and not just current. However, for the record, I own the first, out of print, version of this release and it only has 10 tracks. This is the version I know. However, the re-release advertised here has all the original tracks plus 14 additional tracks. In case you didn't know, Slum Village makes really vibey music, not very conscious, intelligent, or lyrically potent. But Jay Dee really makes it all sound sooo perfect on production, that it sounds like it was meant to be just as it is. Too much fancy lyricism would have taken away from the chill vibe of this music. If you like jay dee production, or hip hop in that lovely late 90's period, get this CD. P.S. take my advice, Fantastic Vol. 2 is the only other Slum Village release worth anything at all. After that, it was all B.S.,brain dead, bling bling, sellout rap.
Yeah Yeah Yeah !!!.......2006-07-08
This was a cd never put out to the public due to bad premo.. It is ashamed because the cd is a classic.. During the area when two powerful forces were still alive (Pac and B.I.G.) Slum Village were deeply in the back scenes making hip hop from the essence... R.I.P. forever Jay Dilla... You are a Classic Forever...!!!!!!
Awesome.......2006-06-13
This has the best beats ever layed down by Jay Dee. The rapping was not to bad. This is a must buy rap album that finnally got back into production
Average customer rating:
- "Best Harpsichord Recording"
- Great
- a must-have for harpsichord lovers
- keeno
- The Most Superb Harpsichord Sampler
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Greatest Hits: Harpsichord
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002C0U
Release Date: 1995-08-22 |
Tracks:
- Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
- Keyboard Suite No. 11 In D Minor: Sarabande
- Greensleeves (16th Century)
- Lavolta
- The Earl Of Salisbury: Pavan, The Earl Of Salisbury
- Ut re mi fa sol la, In F
- The King's Hunt
- The Nightingale (17th Century)
- For Two Virginals
- The Prince Of Denmark's March
- The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
- The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
- Le Tambourin
- La poule
- Le Coucou
- Sonata In D Minor, 'Pastorale'
- Sonata In E Major, 'Capriccio'
- Sonata in D Major
- Goldberg Variations, BWV 988: Aria
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- The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
- Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
- Wo0 10, No. 2: Minuet in G Major
- Trumpet Tune 'Martial Air'
- Round O (Rondo)
- The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
- The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
- Cuckoo Toccata
Customer Reviews:
"Best Harpsichord Recording".......2005-11-05
I have always loved the sound of the Harpsichord and for many years hearing poorly recorded or played Harpsichord this treasure is a must have. From the fine compositions to the good sound quality this CD is definately a keeper.
Plenty of music for a moderate price as well.
Great.......2005-08-09
This CD is very very good just what I was looking for. I highly recommend this CD if you are planning on purchasing a Harpsicord CD, this one is the best.
a must-have for harpsichord lovers.......2004-04-30
I love the sound of this most unusual instrument, the harpsichord. Especially the fast intricately melodic songs. Very enjoyable. This "Greatest Hits" includes many compositions perfectly suited to this wonderful old predecessor to the piano. There's even a little funny trivia thrown in: on the song sheet is written: Q:"what did the famous conductor Sir Thomas say that the harpsichord sounds like? A: "Like two skeletons screwing on a hot tin roof" :)
David Rehak
author of "Love and Madness"
keeno.......2001-01-08
This is a fun cd. BYRD, BULL, BACH ETC come through great Scarlatti bits sound like a flock of unhappy cows running of a field of burnt popcorn but those bits generally do unless played on the African Kalimba [or thumb piano] in Africa where I need not hear them.
This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.
The Most Superb Harpsichord Sampler.......2000-07-27
I can't imagine a better sampler of harpsichord 'hits' played by one of the great stereo-era masters. A full complement of emotions is displayed here, from the most delicate and sparing texture to the most rip-roaring martial roar. If you're wondering what the harpsichord is about, or if you're already a fan and want a great sampler to play for your own delight and amusement, you cannot go wrong with this recording.
Average customer rating:
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Ric-Tic Relics, Volume 1 - 28 Detroit Soul Classics
Freddie Gorman, J.J. Barnes, etc. Edwin Starr
Manufacturer: Soul World
ProductGroup: Music
Binding: Audio CD
ASIN: B000QRFDHC |
Product Description
Soul World Records presents "Ric-Tic Relics, Vol. 1," a 28-cut compilation of Detroit soul classics from the 1960s.
TRACKS:
1. IN A BAD WAY - Freddie Gorman
2. TAKE ME BACK - Freddie Gorman
3. AGENT 00-SOUL - Edwin Starr
4. HUNGRY FOR LOVE - The San Remo Golden Strings
5. HOLDING HAND - Rose Batiste
6. PLEASE LET ME IN - J.J. Barnes
7. BACK STREET - Edwin Starr
8. I'M SATISFIED - The San Remo Golden Strings
9. STOP HER ON SIGHT (S.O.S.) - Edwin Starr
10. REAL HUMDINGER - J.J. Barnes
11. TO WIN YOUR HEART - Laura Lee
12. FEASTIVAL TIME - The San Remo Golden Strings
13. HEADLINE NEWS - Edwin Starr
14. DAY TRIPPER - Edwin Starr
15. INTERNATIONAL LOVE THEME - The San Remo Golden Strings
16. SAY IT - J.J. Barnes
17. GIRLS ARE GETTING PRETTIER - Edwin Starr
18. (I'm Gonna) LIVE UP TO WHAT SHE THINKS - The Fantastic Gour
19. YOU'RE MY MELLOW - Edwin Starr
20. CAN'T STOP LOOKING FOR MY BABY - The Fantastic Four
21. THE WHOLE WORLD IS A STAGE - The Fantastic Four
22. THE WAY YOU BEEN ACTING LATELY - Al Kent
23. YOU GOT IT AND I WANT IT - Andre Williams
24. MEET ME HALFWAY - Willie "G"
25. YOU'VE GOT TO PAY THE PRICE (instr.) - Al Kent
26. YOU GAVE ME SOMETHING (And Everything's Alright) - The Fantastic Four
27. LET'S HAVE A LOVE-IN (Cause Everybody Needs Love) - The Flaming Embers
28. AS LONG AS I LIVE - The Fantastic Four
Average customer rating:
- no clones
- pioneered the sound we hear and love now
- great stuff!
- That's how we do it in th CHi
- The Final Conflict
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The Final Tic
Crucial Conflict
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Good Side, Bad Side
- Picture This
- Headz or Tailz
- Adrenaline Rush
- E 1999 Eternal
ASIN: B000005AXT
Release Date: 1996-07-02 |
Tracks:
- Intro-Don't Let It
- Final Tic
- Showdown
- Desperado
- Life Ain't The Same
- Hay
- Trigger Happy
- 1-900-OFF-Your Square
- Lil Advice
- Tell It To The Judge
- Ride The Rodeo
- To The Left
- Just Getting My Money
- Get Up
- Hay (Remix)
Customer Reviews:
no clones.......2006-04-11
that is true, twista and the underground chi bangin' have been around much longer than Bone, im a fan of both, but still, twista was on guiness in 92', while bone release faces of death in 93',,,,,, crucial is definitely the chi style, people in cleveland don't kno about the chi, Snypaz, do or die, crucial conflict, twista, other underground artists share a distinct personality, one that bone does not have
pioneered the sound we hear and love now.......2006-01-24
They repped the wild wild Westside Chi to the fullest. I lived in Chicago for many years and when this song came out it made me homesick for Texas. It reminded me of some Ghetto Boys and other southern rappers that wasn't big yet. For those who said they copied Bone knew nothing of Twista or the rest of the underground. Being that a lot of Chicago folks have Southern roots there was bound to be a sound develop from that. Why did they fall off? Nappy Roots and other groups that came later have to thank CC for putting the sound out there. Their sound established the sound we know as Midwest/ Southern rap. Keep your eye out for Chi to explode. There's way more bubblin' than Kanye and Common. They're Chicago but they are not fully reppin' Chicago sound.
great stuff!.......2005-08-28
These guys deserve respect! I saw them on TV on "The Box" channel in St Louis in 1996 - their music video for "Hay". It was original and tight, I loved everything I saw and heard right away. These guys definitely have their own signature, so don't go comparing them to The Bone. I think they got some old-school type classics on this disc, but listen to them with an open mind and listen to their lyrics. These guys are smart and funny and definitely got the flow and deserve some airtime!
That's how we do it in th CHi.......2005-08-23
These Folks are straight from the hood. One of the vatos in this group is from Maywood. CHi love to the fullest. If you've ever heard "Thats how we do it in the chi, on the west side" thats these cd. This cd is old and now a classic. Cop dis cd and bump it. Chi Love to Fullest.
The Final Conflict.......2005-08-10
Chicago's Crucial Conflict drops a classic debut, The Final Tic, with fast wild West, country shoot 'em up lyrics that originated by these four individuals. As most that have an identity all their own, critics usually take hits at the awkwardness rather than the music. All production was held down by member Wildstyle that captured the group's style to a science. This album of 15 tracks of which six directly deals with their signature flows of boot kicking out the saloon music. Even on the mainstream, "Just Getting My Money", the rugged tones still have a street feel and credibility. "Get Up" is a good example of the group's chemistry as the Flict flow over a galloping track with a whip as the snare and bounce. The patterns of "Life Ain't The Same" and "To The Left" strays from the direction, yet it fills the album where left incomplete. Cold Hard, Wildstyle, Kilo & Never may be conflicting to that repetitious sound that's recycled, but this is a breath of fresh air from the Windy City.
Average customer rating:
- Stunning. . . .
- PORTRAIT OF AN ARTIST
- A world-changing musician
- CZIFFRA - A Keyboard Phenomenon
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Les introuvables de Cziffra
Manufacturer: EMI Int'l
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- Liszt: Works For Piano
- Rendez-vous de Senlis
- Georges Cziffra Plays Chopin, Liszt & Franck (EMI Classic Archive)
- Chopin: uvres pour piano
- Liszt: Transcendental Studies; Mephisto Waltz No. 1
ASIN: B000002SBW
Release Date: 2002-08-12 |
Tracks:
- La Campanella, Grande Etude De Paganini No. 3
- Nocturne No. 3 In A Flat Major, Reve D'Amour
- Mephisto Valse (D'Apres Le Faust De Lenau)
- Les Jeux D'Eau A La Villa D'Este
- Valse Oubliee No. 1
- Rhapsodie Espagnole
- Valse Impromptu
- La Ronde Des Lutins, Etude De Concert No. 2
- Grand Galop Chromatique
- Apres Une Lecture Du Dante, Fantasie Quasi Sonata (Extrait From 'Les Annees De Pelerinage')
Tracks:
- Polonaise D'Eugene Oneguine (Tchaikovsky)
- Rigoletto, Paraphrase De Concert (Verdi)
- Tarentelle De Bravoure Sur Des Theme De 'La Muette De Portici' (Auber)
- Valse De Faust (Gounod)
- Improvisation Sur Les Themes De Guillaume Tell (Rossini)
- Valse Triste (Vecsey)
- Tritsch Tratsch Polka (Johann Strauss)
- Le Beau Danube Bleu, Paraphrase (Johann Strauss)
- Danse Hongroise No. 5 (Brahms)
- Fantaisie Roumaine (Improvisation Dans Le Style Tzigane)
- Le Vol Du Bourdon (Rimsky-Korsakov)
Tracks:
- Islamey, Fantaisie Orientale
- Toccata In C Major, Op. 7
- Andante Et Rondo Capriccioso In E Major, Op. 14
- Rondo In E Flat Major, Op. 11
- Polonaise In C Major, Op. 89
- Rondo A Capriccio In G Major, Op. 129
- Andantino In B Minor
- Bourree In E Flat Major
- Sonata In C Major, K159
- Le Tic Toc Choc ,Ou Les Maillotins
- Les Barricades Mysterieuses
- L'Anguille
- La Bandoline
- Les Petits Moulins A Vent
- Les Folies Francaises Ou Les Dominos
- La Poule
- Le Rappel Des Oiseaux
- Gavotte En Rondeau
Tracks:
- Variations In C Major, Sur 'God Save The King', WoO 78
- 12 Variations In A Major, Sur Un Theme Russe (Wranitzky), WoO 71
- 32 Variations In C Minor, WoO 80
- Fantaisie In F Minor, Op. 49
- Book 1 - Variations Sur Un Theme De Paganini, Op. 35
- Book 2 - Variations Sur Un Theme De Paganini, Op. 35
Tracks:
- I. Grave - Allegro Molto E Con Brio, Sonata No. 8 In C Minor, Op. 13
- II. Adagio Cantabile, Sonata No. 8 In C Minor, Op. 13
- III. Rondo, Sonata No. 8 In C Minor, Op. 13
- I. Allegro - Sonata No. 10 In G Major, Op. 14
- II. Andante - Sonata No. 10 In G Major, Op. 14
- III. Scherzo -Allegro Assai - Sonata No. 10 In G Major, Op. 14
- I. Andante Con Variazioni - Sonata No. 12 In A Flat Major, Op. 26
- II. Scherzo (Allegro Molto) - Sonata No. 12 In A Flat Major, Op. 26
- III. Marcia Funebre (Andante Maestoso) - Sonata No. 12 In A Flat Major, Op. 26
- IV. Allegro - Sonata No. 12 In A Flat Major, Op. 26
- I. Andante - Allegro -Allegro Molto Vivace - Sonata No. 13 In E Flat Major, Op. 27
- II. Adagio Con Espressione - Sonata No. 13 In E Flat Major, Op. 27
- III. Allegro Vivace - Sonata No. 13 In E Flat Major, Op. 27
Tracks:
- Preambule Carnaval Op9
- Pierrot Carnaval Op9
- Arlequin Carnaval Op9
- Valse Noble Carnaval Op9
- Eusebius Carnaval Op9
- Florestan Carnaval Op9
- Coquette Carnaval Op9
- Replique Carnaval Op9
- Papillons Carnaval Op9
- A.S.C.H., S.C.H.A., Lettres Dansantes Carnaval Op9
- Chiarina Carnaval Op9
- Chopin Carnaval Op9
- Estrella Carnaval Op9
- Reconnaissance Carnaval Op9
- Pantalon Et Colombine Carnaval Op9
- Valse Allemande - Intermezzo: Paganinni Carnaval Op9
- Aveu Carnaval Op9
- Promenade Carnaval Op9
- Pause Carnaval Op9
- Danse Des Davidsbundler Contre Les Philistins Carnaval Op9
- I. Des Abends Fantasiestucke Op12
- II. Aufschwung Fantasiestucke Op12
- III. Warum? Fantasiestucke Op12
- IV. Grillen Fantasiestucke Op12
- V. In Der Nacht Fantasiestucke Op12
- VI. Fabel Fantasiestucke Op12
- VII. Traumeswirren Fantasiestucke Op12
- VIII. Ende Vom Lied Fantasiestucke Op12
- I. Allegro - Carnaval De Vienne, Op. 26
- II. Romanze - Carnaval De Vienne, Op. 26
- III. Scherzino - Carnaval De Vienne, Op. 26
- IV. Intermezzo - Carnaval De Vienne, Op. 26
- V. Final - Carnaval De Vienne, Op. 26
Tracks:
- Fantaisie Hongroise In F Major For Piano And Orchestra
- Totentanz, Paraphrase Sur Le 'Dies Irae' Pour Piano Et Orchestre
- Variations Symphoniques Pour Piano Et Orchestre
- I. Allegro Molto Moderato - Concerto For Piano And Orchestra In A Minor, Op. 16
- II. Adagio - Concerto For Piano And Orchestra In A Minor, Op. 16
- III. Allegro Moderato Molto E Marcato - Andante Maestoso - Concerto For Piano And Orchestra In A Minor, Op. 16
Tracks:
- I. Adagio Sostenuto Assai - Concerto No. 2 For Piano And Orchestra In A Major
- II. Allegro Agitato Assai - Concerto No. 2 For Piano And Orchestra In A Major
- III. Allegro Moderato - Concerto No. 2 For Piano And Orchestra In A Major
- IV. Allegro Deciso - Concerto No. 2 For Piano And Orchestra In A Major
- V. Marziale, Un Poco Meno Allegro - Concerto No. 2 For Piano And Orchestra In A Major
- VI. Allegro Animato - Concerto No. 2 For Piano And Orchestra In A Major
- I. Allegro Maestoso - Concerto No. 1 For Piano And Orchestra In E Flat Major
- II. Quasi Adagio - Concerto No. 1 For Piano And Orchestra In E Flat Major
- III. Allegretto Vivace - Allegro Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
- IV. Allegro Marziale Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
- I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
- II. Andante Semplice - Prestissimo - Tempo 1 - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
- III. Allegro Con Fuoco - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
Customer Reviews:
Stunning. . . . .......2007-01-10
I bought this set with some trepidation, since I didn't know what to expect from Cziffra's playing of composers other than Liszt. I had only heard him in his mercurially brilliant Lisztian incarnation, and didn't know how he would do with a less flamboyant style.
I have been very pleasantly surprised, especially at his Beethoven and his Schumann. I found that he kept the spontaneity of his Lisztian interpretations, but channelled it chronologically into insightful and spontaneous Beethoven interpretations, while respecting most of the rules and performance practices of the Classic era.
His Schumann was mercurial and spontaneous in a Romantic fashion, also, and - of course - brilliantly digitally played. As to the Liszt, it's par excellence; I've never heard that music played with such spontaneity and
digital fluency.
The sound quality is surprisingly good, altho somewhat uneven. I highly recommend this set to anyone who loves great piano-playing. My favorite pianist is still Richter, but Cziffra takes first prize in his Liszt, and runs a close second with other composers' music.
PORTRAIT OF AN ARTIST.......2006-10-15
The eight discs making up this set are invaluable to anyone interested in this extraordinary musician and pianist. His career was cut tragically short, and while it lasted he was most in demand to display his astounding technique in Liszt. He did it because he could. Not being enormously attracted to Liszt I was slow in coming to know Cziffra, but when I did what struck me forcibly was that the picture I had been given of him was seriously misleading. Any suggestion that he was a wilful virtuoso who turned the standard classics into something of his own is 180 degrees wide of the mark, and this selection enables us to hear what his playing was really like in music ranging from Lully and Couperin to the late 19th century, taking in on the way Rameau, Scarlatti, C P E Bach, Beethoven, Hummel, Chopin, Mendelssohn and Schumann. Liszt is here in the shape of the two concertos, the Totentanz and the Hungarian Fantasy plus some solos, my collection of least favourite romantic concertos is enhanced with his renderings of the Grieg and Tchaikovsky, but relief from these is provided with Franck's symphonic variations. Among the non-Liszt solo pieces we are given a number usually thought to call for exceptional virtuosity, namely Schumann's toccata, Mendelssohn's rondo capriccioso and Brahms's Paganini variations. Balakirev's Islamey is here too, but in a version of Cziffra's own, and so are some of his own virtuoso arrangements including one of the Flight of the Bumblebee as well as four similar efforts from Liszt.
Cziffra himself didn't aid popular comprehension by saying that he couldn't play Beethoven. I already owned his Waldstein, but here we have four more sonatas plus some smaller pieces, all early works. If I have a fault to find with his Waldstein it's that it is rather understated. What I don't fault at all is his sense of Beethoven's idiom, and the only flash of Cziffra's phenomenal technique comes where there can be no objection in the up-and-down octaves near the end. These are normally played glissando, because to finger them in strict time is impossible, allegedly. Even Horowitz can't do that - but Cziffra can. This really sums up his way of doing things - the technique is exercised strictly when needed, and then not in a showy way unless the sense of the music demands that. Try the Mendelssohn rondo here - light-fingered in the main rondo theme, relaxed in the episodes - then hear Serkin on Aura in his 1957 recital in Lugano, high-tension and full-speed-ahead. Serkin brought the audience to its feet, Cziffra is simply enjoying the piece, and very Mendelssohnian he sounds. Or again the Schumann toccata. Richter won raptures from the critics for his handling of the rat-tat fortissimo chords near the end while making no concessions to the tempo. He does that no better than Cziffra, if as well. The difference is that Richter `makes more' of the supposedly virtuoso sequences earlier. Now how about Cziffra's Beethoven here? It is natural, idiomatic and kept within a certain volume-level. There is no showing off let alone messing around. If Cziffra recalls anyone it is Kempff, and these performances would be safe models for teachers. In Schumann it's the same story. Not everyone could play Traumeswirren like this, and here and there the finger-work had me rubbing my eyes, but I keep sensing that Cziffra is not even aware that he's doing anything exceptional. The idiom is dead right, the rubato is natural, the lyricism is spontaneous if less `warm' than some, the sense of the overall structure is effortless - and I could say all that about Chopin's F minor fantasy too.
I can't avoid Liszt, but some comparisons are interesting. This high-powered Totentanz has been rightly praised, but both in this work and in the first concerto I feel that Michelangeli beats Cziffra at what is supposedly Cziffra's own game. I hear Michelangeli as Cziffra's solitary equal as a technician, but in second-rate music like this spontaneity and dexterity are trumped by an above-it-all Olympian aloofness, and Cziffra undoubtedly does not take the ultra-care that Michelangeli takes over perfect evenness of touch, sublime poise in the rhythm and super-perfection in the trills. (In the matter of trills, you can hear what Cziffra can do when he puts his mind to it in the fiendish 4th variation in book 1 of Brahms's Paganinis). In the 2nd concerto Cziffra is the best I have yet heard. In sheer technical address neither he nor anyone surpasses Richter, but where I like Cziffra better is in an aspect of his playing that gets too little attention, namely his natural and unaffected lyricism. In the Hungarian Fantasy, the Liszt solos and the various arrangements I imagine Cziffra is unsurpassed and unsurpassable, not that I propose to research that matter much.
The Grieg and Tchaikovsky concertos are here too. Cziffra adopts moderate tempi in the outer movements of the Grieg as the composer directs. The first movement of the Tchaikovsky is done as I like it, insofar as I like it at all. The introduction is taken fast, rather as Horowitz and Toscanini take it although I miss Toscanini's direction. The last movement however is taken at a very moderate pace, with the excitement saved for the end. Later performances are of some French music. In these pieces, as in the Scarlatti sonata, I wouldn't say that Cziffra stands out particularly - with one telling exception, Couperin's Barricades Mysterieuses, atmospheric and bewitching. Was this what they told you to expect from Cziffra?
He was a natural, a child of the gods. The near-unbelievable technique was an important part of his gift, but what I prize most is his lyric manner - simple, innocent and clear-eyed. His actual touch is not one that you could identify within seconds, as you could identify that of Horowitz, Serkin, Richter or Michelangeli, but it is utterly free from affectation. The better you know him, the more you will love him.
A world-changing musician.......2006-01-30
I've not a lot to add to Alan Thorpe's review except to say that to be young when Cziffra burst upon the world in 1956 after he left Hungary & started playing in western Europe was sheer intoxication--and it wasn't all Liszt either! Like Richter, who appeared at the same time, he played Schumann in a way that opened up entire new fields of tonal & interpretive possibility. I must say, too, that from the start, I admired his Beethoven--I like lyrically played Beethoven! Why shouldn't Beethoven sing as well as growl? He did write some lovely songs, after all. Cziffra's versions of Op.13, Op.14/2 & Op.26 on this set are very satisfying--I just wish they had managed to include a recording of his version of the Waldstein, too.
CZIFFRA - A Keyboard Phenomenon.......2001-05-26
Issued in 1991 by EMI France to celebrate Cziffra's 70th birthday this 8 CD boxed set is a bargain. The first CD is all Liszt and contains some of the most spellbinding playing you are ever likely to hear. Fire and brimstone reign as Cziffra tears up the keyboard in the Dante Sonata's demonic moments; surely a whiff of sulphur as he spontaneously combusts during the Mephisto-Valse; the Rhapsodie espagnole and Grand Galop chromatique {see him sweat playing this on Philip's `Great Pianists of the 20th Century video.}. As a contrast, be seduced by his heart-melting rendering of the third Liebestraume; the caprice of the Valse-Impromptu; and have the waters of `Les Jeux d'eau a la Villa d'Este' ever cascaded so onomatopoeically and with such a transcendental variety of touch and nuance. More diablerie follows on disc 2 with transcriptions by Liszt and those {in} famous ones by Cziffra himself. I have never heard a more demonic Gounod/Liszt ` Valse de Faust'; Auber/Liszt `Tarantelle de bravura'; or Tchaikovsky/Liszt Polonaise from `Eugene Onegin'; as for Cziffra's playing of his own transcriptions and paraphrases, especially the Strauss `Tritsch-tratsch polka' and Rimsky-Korsakov `Flight of the Bumble-bee; well, they are in a class of their own. Both Katsaris and Volodos recorded the latter pieces but I'm afraid they cannot compare with Cziffra's sheer electricity and panache. You will now need an ice pack as disc 3 opens with Balakirev's Islamey which starts steadily enough compared to say Simon Barere's famous account {now on APR} but increases in excitement as Cziffra adds all kind of gypsy embellishments as he builds to a fiery conclusion. Excitement is also the key to the next piece; Schumann's Toccata, which Cziffra plays with effortless abandonment and joie de vivre as he also does Mendelssohn's Rondo Capriccioso. Cziffra loved to play Baroque music and the rest of this disc is taken up by mainly short but characterful pieces by Couperin, Lully, Rameau and Krebs. Many were recorded in the 1980s and sound better if played back at a reduced volume level as they were obviously too closely miked. Cziffra once said that he couldn't play Beethoven so preferred to leave it to others who could. He did record a number of sonatas and this selection includes very fine accounts of the `Pathetique'; No. 13 in E flat Op27/1 {companion to the `Moonlight'};and Op. 26 in A flat. He brings a full cantabile to the latter works opening movt. and to the Adagio of the `Pathetique'. Elsewhere he plays with refinement and elegance; everything is in the best possible taste and there is nothing to offend, but those who like their Beethoven a bit more rough and gruff could be a bit disappointed as they might also be with Cziffra's Brahm's Paganini Variations which are technically stunning but find Cziffra musically out of sorts. The Schumann disc finds him on top form. Like many great artists Cziffra loved to play Schumann and he was equally at home with Eusebius { the dreamer} as he was with Florestan { the impetuous side of his character} and this is self evident in his brilliantly characterful accounts of Carnaval, Fantasiestücke, and Carnaval de Vienne - the latter piece highly praised by Cortot after he heard Cziffra during a Paris radio broadcast in the late 1950s. Discs 7 and 8 are all concertante works and show Cziffra at the very height of his stupendous powers. Again Cziffra has his demon up in the most astounding Liszt Totentanz ever recorded; a Hungarian Fantasy with all the improvisational colours of a band of gypsy fiddlers and an ideally recreative performance of the second concerto to make all others sound four-square . To cap this there is a fabulous Grieg concerto in which Cziffra dares to improvise the end of the Lisztian style cadenza; a meltingly beautiful slow movt with an excitingly brilliant finale. Last but certainly not the least, a very poetic reading of Franck's Symphonic Variations and a Tchaikovsky first concerto which combines thrilling virtuosity with all those individual touches that only a genuinely recreative artist can bring to such a familiar masterpiece. This collection is a splendid tribute to one of histories greatest pianists - an artist who knew the authentic meaning of ` bravura'.
Average customer rating:
- Talent, is not always rewarded!
- TRACK LIST
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Tic Tac Toe
Kyper
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
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| Music
General
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Pop Rap
| Rap & Hip-Hop
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ASIN: B000008HGY
Release Date: 1990-06-28 |
Customer Reviews:
Talent, is not always rewarded!.......2007-06-09
I was in LA in the Army from 1987 to 1989. Kyper was on the radio and in the clubs, with What Gets Your Body Hyped (XTC). Great song! then there was What Is This World Comin' To. great song with a even greater message!
TRACK LIST.......2006-01-02
[1] Dangerous - Prelude [2] Dangerous [3] What Gets Your Body Hyped (XTC) [4] Do It [5] Satisfaction [6] Conceited [7] What Is This World Comin' To [8] Let's Rock This Party [9] Work It [10] Tic Tac Toe [11] Throw Down [12] I Wanna Freak
Average customer rating:
- Worth the Wait
- Three Cheers for the Star Spangles!
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Dirty Bomb
The Star Spangles
Manufacturer: Tic Records
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
ASIN: B000QX05QU |
Product Description
Dirty Bomb is the second album by NYC's The Star Spangles. If you like rock & roll, sex, booze and the Ramones, this is for YOU!
Customer Reviews:
Worth the Wait.......2007-07-01
I was afraid I would never get to hear this record. "Bazooka" has become one of my favorite records, and I couldnt wait to hear "Dirty Bomb". But things looked bleak for awhile. Well here it is. Did it disappoint? Nope. Its very good. As good as Bazooka? I dont know yet. The 1st record sounded amazing. Ferocious vocals and guitar, great songs and production.
This one sounds a little different. Ians vocals arent so manic. But he sounds great anyway. Theres alot of backround chorusy vocals from the band. That gives the songs a different feel. Tommys guitar isnt so up front on this one (i consider him one of the best)and there are additional musicians (Ian Mclagan!!!) playing along on the songs. Maybe this is more Faces then the Dolls. Maybe more California then New York.
To finally get to the point- Its not quite what I was looking for, which was more of the same. And thats not negative. Its very poppy. And I havent heard a good modern pop record in a very long time. These guys are fantastic.
Three Cheers for the Star Spangles!.......2007-06-11
I thought the Star Spangles' "Bazooka" was one of the best punk/alternative debut albums I had ever heard. Their long-awaited follow-up album, "Dirty Bomb," is better than "Bazooka." I can offer no higher praise.
Average customer rating:
- An memorable mix of surf/no-wave/doo-wop
- Quite interesting and very original
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Mortal Mirror
Quix*o*tic
Manufacturer: Kill Rock Stars
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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Punk
| Hardcore & Punk
| Alternative Rock
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ASIN: B000069CLD
Release Date: 2002-07-09 |
Tracks:
- Ice Cream Sundae
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- Open Up The Walls
- The Breeze
- Mortal Mirror
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- To This World I Must Give In
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Customer Reviews:
An memorable mix of surf/no-wave/doo-wop.......2004-03-12
I purchased this cd upon hearing the first track "ice cream sundae". It immeidiately grabbed me with it's taut sonic youthish guitar line. The rest of the album reminded me of black sabbath (there is a cover...hint hint) mixed with jefferson airplane (some of the vocals sound like they were inspired by Grace Slick) done in a minimal but effective way. Most of the album has a foreboding feeling of doom to it that is temporary aleviated with the two sunny girl group covers which are excellently performed. The two distinct female vocalists that take turns at the microphone are largely responsible for this chilly ambience that envelopes your ears. Definitely an overlooked gem of an album. If you're into uncompromising punk bands with original sounds such as sonic youth, fugazi and unwound definitely check this album out, you won't be disappointed.
Quite interesting and very original.......2002-12-15
I believe this is Quix*o*tic's 2nd cd, it's unlike anything i've ever heard before. It has a very mellow vibe and a very original sound, it's hard to describe unless you hear it. They've got 3 covers on it: tell it like it is, lord of this world (really cool version too!) and sitting in the park. Overall, quix*o*tic is definitely something worth hearing if you can get into it. On another note, it was mixed by Guy Piccioto of Fugazi, they've done some shows together I think. I hope you like it!
Average customer rating:
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Merry Thizzmas
Various Thizz Artists
Manufacturer: Thizz Entertainment
ProductGroup: Music
Binding: Audio CD
ASIN: B000RRQUNM |
Product Description
Merry Thizzmas - Limited Edition CD EP
2006 Thizz Entertainment
5 Tracks (Last Track Is 20 Minutes Long) Featuring:
Johnny Cash, Dubee, Mistah F.A.B., Rydah J. Klyde, Keak Da Sneak, PSD, Mac Mall, J-Diggs, Lil Coner, Tito B, Pretty Black of The Regime, Ray Luv, Magnolia Chop, Bavgate, Pooh Sauce, Tuffy, Frank Ward, Nef, 5 Wayz, Trill Real, Fendi Boyz, Little Bruce, Meez, Peanut of The Fendi Boyz, Kata of The Fendi Boyz, Shigidy of Crest Creepaz, Geezy of The Fendi Boyz, Remy Red of The Dragons, XSF of The Dragons, Thugga, Boss Hogg of Crest Creepaz, BayGeen of Crest Creepaz, Mr. Kee, Jimmy Roses, Lil Cavey, Lil Tre, Y.S. aka Thizz Kid, Eddie P of Hittaz On Tha Payroll, Bleu Davinci of BMF, Kuzzo Fly, Bad Azz, Uno of The Pack, Young Boog, Lil CB, Sleep Dank, Treacherous Tic of 535 & Quani
1. Time Of Year (Magnolia Chop, Johnny Cash & Mistah F.A.B.)
2. I Wish You Was Here For Christmas (Magnolia Chop, Bavgate, Pooh Sauce & Tuffy)
3. Christmas Rhyme (Frank Ward, Nef & 5 Wayz)
4. You Already Know (Magnolia Chop, Trill Real, Johnny Cash & The Fendi Boyz)
5. Thizz Iz A Nation: 20 Minute Long Song (Magnolia Chop, Little Bruce, Meez, Peanut, Kata, PSD, Shigidy, Geezy, Mistah F.A.B., Dubee, Remy Red, XSF, Thugga, J-Diggs, Boss Hogg, Bavgate, Pooh Sauce, BayGeen, Mr. Kee, Jimmy Roses, Mac Mall, Lil Cavey, Pretty Black, Ray Luv, Tito B, Lil Coner, Lil Tre, Y.S., Keak Da Sneak, Eddie P, Bleu Davinci, Kuzzo Fly, Bad Azz, Tuffy, Uno, Young Boog, Lil CB, Sleep Dank, Treacherous Tic, Quani, Rydah J. Klyde & Trill Real)
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