| 1. Come Piovena |
| 2. Cara Piccina |
| 3. Signorinella |
| 4. Tornerai |
| 5. Simmo E Napule Paisa |
| 6. Come Prima |
| 7. Tu Non Mi Lascerai |
| 8. Io T'ho Incontrato A Napo |
| 9. Il Nostro Concerto |
| 10. Come E Bello Far L'amore |
| 11. Funiculi Funicula |
Editorial Reviews
Product Description
C.G.D.
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.
"Questa O quella" is a nice romp. His smooth voice moves through this aria nicely. His voice is not a big one. On the other hand, his musicianship seems fine (thank goodness none of the sobbing and catches that some tenors adopt).
In Puccini's "Che gelida manina" (from "La Boheme"), he again sings smoothly. He has a nice sound to his voice. The high note is a bit thin, but certainly not as bad as some critics would have it. A serviceable version, in short.
Then, the twin arias from "Tosca"--"Recondita armonia" and "E lucevan le stelle." Both are well sung. His version of "Recondita armonia" compares well with other versions. He certainly has no reason to hang his head. When he amps up the volume, his voice is not quite as rich as many other tenors, bit it is still fine. Top notes, as observed before, are a bit thin, but--again--hardly reason for lamentation. This is nicely sung. My notes for "E lucevan le stelle" simply say "Ibid." That is, one could write a very similar set of comments.
The last piece is from a different tradition--a selection from Donizetti's "Lucia di Lammermoor," "Tome degli avi miei." Smoothly sung. A bit thin on higher notes. Overall, though, a nice job.
As I listen to his work, I think that Bocelli does a good job in the standard tenor repertoire. Is he a great tenor? No. Is he a good tenor? Yes.
quite beautiful. As usual, Bocelli does not fail.
a favor, and get this record. Music hidden in some obscure
library for centuries, brought to pulsating life by a minor
voice, here used with passion and artistry reminding one of
vocal artists of the past. An enriching experience for anyone
enjoying the art of singing.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Some sampling of the songs. . . . The CD begins with a song by Rossini, "Aragones." This is lushly sung; Bartoli has a wondrously rich and textured voice. The pace is contemplative, altogether consistent with the words of the song, the reflection of a disappointed lover. Well done.
Donizetti's "Il barcaiolo" is also well done. Bartoli shows her vocal agility in this tune. This is a spirited song, and her coloratura technique animates her rendition. There are segments sung forte, showing the power of her voice. There is a nice soft closing to the song, so she ranges from forte to piano.
Bellini is represented, too. His "Vaga luna che inargenti" is a pleasant love song. Bartoli sings this tenderly, creating a melancholy spirit, fitting the song's words.
To close, there is Rossini's wonderful tarantella, "La danza." Levine plays at a quick pace, as he must for this spirited song. Bartoli shows great vocal agility and strong breath control (this is a tough song to get right!). A wonderfully spirited version. She even takes a pass at a trill toward the close. All in all, most satisfying.
Thus, this represents a nice CD, showing Bartoli's skills with the songs of some of the great Bel Canto composers. An album that is a lot of fun to listen to!
This would be my first choice for Italian material with only piano accompaniment. For a very first Bartoli album, see her 'flagship' recording, 'Cecilia Bartoli' where she is backed by full orchestra and chorus.
This in no way robs the songs of immense charm. It would be easy to perform these songs without a great deal of thought, simply making them sound "pretty". But Cecilia Bartoli never does that - she always gives everything, voice, intelligence, musicality, to her performance.
That is what makes this recording so superb. I can see there are some less-than-satisfied reviewers - I am surprised by the comments. For rest assured, there is no vocal difficulty here at all. Cecilia Bartoli's voice is in superb condition throughout, and her interpretation is of course second to none. Having recorded "Vaga luna" myself, I would be the first to say if I thought anything was lacking in Ms Bartoli's performance - but there's nothing adverse I can say at all. It's simply gorgeous singing, with immaculate phrasing, an intensely personal approach, and some of the most beautiful sounds you're likely to hear.
It is hard to imagine anyone being disappointed by this recording. The comments made about squally sound are not just unfair, they're totally inaccurate. I remember purchasing this CD on the very day it was released in Australia, and it's a firm favourite of mine.
In all... delightful.
Both Sunday Brunch CDs are worth purchasing.
They contain high quality recordings of familiar classical music.
The only thing I'd add to this recording is some muted sounds of silverware on plates, coffee being poured, and catty remarks. Just kidding.
But...the real attraction for this CD is the liner notes...written by the now-notorious Martha Stewart! ("Brunch is fast becoming America's favorite informal way to entertain family and friends.") Along with a suggested menu, including three recipes! These are:
Pecan Waffles With Maple Butter
Red Caviar and Sour Cream Omelettes
Sticky Buns
Well! This is certainly something that other classical recordings can't claim! Furtwangler or von Karajan never thought of *this*! Zubin Mehta, eat your heart out, if you will pardon the expression!
The music is fine. In fact, Tommasini's music from The Good Humored Ladies can be enjoyed guilt-free, secure in the knowledge that "The batter will keep for about 2 days if stored in an air-tight container in the refrigerator."
Further comment seems superfluous. For the entertainer, it absolutely lives up to its billing. For the classical music aficionado, it's fine...if I could just stop thinking about kneading the dough for the sticky buns until it's smooth and satiny. Four stars.
Puccini once told a soprano to "walk in clouds of melody", and on this disc we have a celestial feast, making one realize how starved we are in today's world of great melodies, with so much of popular music very uninspired in this area, and classical music ignoring it.
Perhaps my favorite track is the gentle and passionate interpretation of one of opera's best loved arias, "E Lucevan le Stelle" from Tosca.
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
For another example of Newman's work, see:
Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
C.G.D.
Album Di Famiglia,Massimo Ranieri,Wea,Italian,World Music
Average customer rating: 
|
The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD  General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Allen, Thomas
| ( A )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Czech
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Delibes, Léo
| ( D )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Donizetti, Gaetano
| ( D )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Dvorák, Antonín
| ( D )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Gounod, Charles
| ( G )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Leoncavallo, Ruggiero
| ( L )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Mascagni, Pietro
| ( M )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Mozart, Wolfgang Amadeus
| ( M )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Offenbach, Jacques
| ( O )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Puccini, Giacomo
| ( P )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Rossini, Gioacchino
| ( R )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Verdi, Giuseppe
| ( V )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Wagner, Richard
| ( W )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Allen, Thomas
| ( A )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Berlin Philharmonic Orchestra
| ( B )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
London Philharmonic Orchestra
| ( L )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
National Philharmonic Orchestra London
| ( N )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Vienna Philharmonic Orchestra
| ( V )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Similar Items:
ASIN: B000059RXO Release Date: 2001-02-27 |
Tracks:
- Carmen: Act 1: Prld - LPO/Sir Georg Solti
- La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- La Boheme: Che Gelida Manina - Luciano Pavarotti
- Lakme: Flower Duet: Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Fedora: Amor Ti Vieta - Jussi Bjorling
- Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
- Nabucco: Chor Of The Hebrew Slaves: Va Pensiero - Chicago Sym Chor/Margaret Hills
- Le Nozze Di Figaro: Dove Sono - Kiri Te Kanawa
- Rigoletto: La Donna E Mobile - Luciano Pavarotti
- Lohengrin: Bridal Chor: Treulich Gefuhrt Ziehet Dahin - Konzertvereinigung Wiener Staatsopernchor/Walter Hagen-Groll
- Gianni Schicchi: O Mio Babbino Caro - Renata Tebaldi
- Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
- La Wally: Ebben?... Ne Andro Lontana - Angela Gheorghiu
- Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
- Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
- Les Contes D'Hoffmann: Barcarolle: Belle Nuit, O Nuit D'Amour - Joan Sutherland/Huguette Tourangeau/Chor De La Radio Suisse Romande, Pro Arte De Lausanne Et Du...
- Tosca: E Lucevan Le Stelle - Placido Domingo
- Madama Butterfly: Un Bel Di - Mirella Freni
- Les Pecheurs De Perles: C'est Toi... Au Fond Du Temple Saint - Gregory Cross/Gino Quilico
Tracks:
- Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
- Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
- Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
- La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
- Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
- Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
- Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
- Mattinata - Andrea Bocelli
- Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
- L'elisir D'amore: Una Furtiva Lagrima - Roberto Alagna
- Turandot: Signore, Ascolta! - Montserrat Caballe
- Don Giovanni: Champagne Aria: Finch'han Dal Vino - Bryn Terfel
- Cosi Fan Tutte: Trio: Soave Sia Il Vento - Renee Fleming/Anne Sofie Von Otter/Michele Pertusi
- Il Trovatore: Di Quella Pira - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
- Tosca: Vissi D'arte - Kiri Te Kanawa
- Carmen: Toreador Song - Jose Van Dam/Tatiana Troyanos/Norma Burrowes/Jane Berbie/Thomas Allen/Pierre Thau/John Alldis...
- Madama Butterfly: Love Duet: Vogliatemi Bene - Mirella Freni/Luciano Pavarotti
- Cavalleria Rusticana: Intermezzo - Nat PO/Gianandrea Gavazzeni
- Rusalka: O Silver Moon - Renee Fleming
- La Boheme: Si. Mi Chiamano Mimi - Angela Gheorghiu
- Turandot: Nessun Dorma - Luciano Pavarotti/John Alldis Chor/John Alldis
Amazon.com
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah ChinCustomer Reviews:
Pretty darn good.......2007-07-04
The Opera #1 Opera Album.......2007-06-07
Excellent assortment.......2007-05-12
Great Selections.......2007-03-31
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...
Terrific !.......2007-01-10
Average customer rating: 
|
The Best Opera Album in the World...Ever!
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Flotow
| Flotow, Friedrich von
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Allen, Thomas
| ( A )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Paris Symphony Orchestra
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Czech
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Operettas
| Opera & Vocal
| Styles
| Music
Similar Items:
ASIN: B0000084JD Release Date: 1999-07-27 |
Tracks:
- La Traviata: Libiamo Ne'lieti Calici (Brindisi) (Atto I) - Alfredo Kraus
- Il Barbiere Di Siviglia: Largo Al Factotum (Atto I) - Thomas Hampton
- La Boheme: Che Gelida Manina (Atto I) - Roberto Alagna
- La Boheme: Si. Mi Chiamano Mimi (Atto I) - Mirella Freni
- L'amico Fritz: Suzel, Bon Di (Cherry Duet) (First Part) (Atto II) - Bernard Haitink
- Nabucco: Va, Pensiero (Chorus Of Hebrew Slaves) (Atto III) - Bernard Haitink
- Rigoletto: La Donna E Mobile (Atto III) - Roberto Alagna
- Lakme: Viens, Mallika (Flower Duet) (Acte I) - Mady Mesple
- Gianni Schicchi: O Mio Babbino Caro - Victoria De Los Angeles
- Tosca: Recondita Armonia (Atto I) - Placido Domingo
- Tosca: Vissi D'arte (Atto II) - Maria Callas
- Tosca: E Lucevan Le Stelle (Atto III) - Placido Domingo
- Adriana Lecouvreur: Ecco: Respiro Appena ... Lo Son L'umile Ancella (Atto I) - Dame Kiri Te Kanawa
- Les Pecheurs De Perles: Au Fond Du Temple Saint (Acte I) - Nicolai Gedda
- Le Nozze Di Figaro: Non Piu Andrai (Atto I) - Thomas Allen
- Le Nozze Di Figaro: Voi Che Sapete (Atto II) - Ann Murray
- Le Nozze Di Figaro: E Susanna Non Vien!...Dove Sono (Atto III) - Elisabeth Schwarzkopf
- Martha: M'appari (Ach So Fromm) (Akt III) - Roberto Alagna
- Tristan Und Isolde: Mild Und Leise (Liebestod) (Akt III) - Helga Dernesch
Tracks:
- Aida: Se Quel Guerrier Io Fossi!...Celeste Aida (Atto I) - Placido Domingo
- Il Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) (Atto II) - Bernard Haitink
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix (Acte II) - Maria Callas
- Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Victoria De Los Angeles
- Carmen: Votre Toast (Toreador's Song) (Acte II) - Maria Callas
- Carmen: La Fleur Que Tu M'avais Jetee (Acte III) - Roberto Alagna
- Les Contes D'Hoffman: Belle Nuit, O Nuit D'amour (Barcarolle) (Acte II) - Elisabeth Schwarzkopf
- Andrea Chenier: La Mamma Morta (Atto III) - Maria Callas
- Pagliacci: Recitar!...Vesti La Giubba (Atto I) - Jose Carreras
- Madama Butterfly: Un Bel Di Vedremo (Atto II) - Renata Scotto
- Cosi Fan Tutte: Soave Sia Il Vento (Atto I) - Margaret Marshall
- La Rondine: Chi Il Bel Sogno Di Doretta (Atto I) - Montserrat Caballe
- Die Zauberflote: Der Vogelfanger Bin Ich Ja (Akt I) - Walter Berry
- Die Zauberflote: Der Holle Rache (Akt II) - Edita Gruberova
- Rusalka: Song To The Moon (Act I) - Lucia Popp
- La Wally: Ebben? Ne Andro Iontana (Atto I) - Maria Callas
- Werther: Toute Mon Ame Est La!...Pourquoi Me Reveiller? (Acte III) - Roberto Alagna
- Turandot: Signore, Ascolta! (Atto I) - Montserrat Caballe
- Turandot: Nessun Dorma (Atto III) - Jose Carreras
Customer Reviews:
Latter-day also-rans.......2007-05-28
A well-sung compilation.......2003-09-15
This cant be the best.......2003-04-20
TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!.......2002-11-27
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.
Even if you Hate Complilations, Get This One.......2002-06-21
Average customer rating:
|
Andrea Bocelli - The Opera Album ~ Aria
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Ponchielli
| Ponchielli, Amilcare
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Bocelli, Andrea
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Donizetti, Gaetano
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Giordano, Umberto
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Cilea, Francesco
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Massenet, Jules
| M to P
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Ponchielli, Amilcare
| M to P
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Puccini, Giacomo
| M to P
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Strauss, Richard
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Verdi
| Verdi, Giuseppe
| U to Z
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Tenors
| Voices
| Opera & Vocal
| Styles
| Music
Bocelli, Andrea
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Adult Contemporary
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Similar Items:
ASIN: B0000069CO Release Date: 1998-04-07 |
Tracks:
- Rigoletto: Questa o quella
- La Boheme: Che gelida manina
- TOSCA: Recondita armonia
- TOSCA: E lucevan le stelle
- Madama Butterfly: Addio, fiorito asil
- Andrea Chenier: Come un bel di di maggio
- I Puritani: A te, o cara
- Der Rosenkavalier: Di rigori armato il seno
- Fedora: Amor ti vieta
- La Fanciulla del West: Ch'ella mi creda
- La Gioconda: Cielo e mar!
- Adriana Lecouvreur: La dolcissima effigie
- La Boheme: Musetta! - Testa adorata
- Lucia di Lammermoor: Tombe degli avi miei - Fra poco a me ricovero
- Werther: Pourquoi me reveiller
- Carmen: La fleur que tu m'avais jetee
- La Fille Du Regiment: Pour mon ame
Amazon.com
Andre Bocelli is no opera singer, but he shows far more potential in this album than does another pop-vocalist tenor-wannabe, Michael Bolton. For one thing, he can shake off the crooner mannerisms and really sing when performing music that calls for it. At his best, he has a rich, dark timbre and an easy, unforced top. At other times, however, the tone turns dry and thin and the high notes are constricted, the inconsistency suggesting a lack of technique. Never does one get the impression that he could be heard over a medium-sized orchestra without amplification. This isn't bad singing per se, but there is much better out there, readily available on disc. --Sarah Bryan MillerAlbum Description
Exclusive Australian Gold pressing released to coincide with his first public appearance in Australia. He'll be performing at the opening ceremonies and then onto to tour the land down under. His back catalogue will be released & re-packaged in slipcases with his signature on them as well as all of them pressed on gold plated CD's. This pressing includes 17 tracks, all sung in his native Italian Tongue. 1998 release. Standard jewel case.Customer Reviews:
Andrea Bocelli - Sogno.......2007-06-27
Not bad!.......2007-04-09
"Questa O quella" is a nice romp. His smooth voice moves through this aria nicely. His voice is not a big one. On the other hand, his musicianship seems fine (thank goodness none of the sobbing and catches that some tenors adopt).
In Puccini's "Che gelida manina" (from "La Boheme"), he again sings smoothly. He has a nice sound to his voice. The high note is a bit thin, but certainly not as bad as some critics would have it. A serviceable version, in short.
Then, the twin arias from "Tosca"--"Recondita armonia" and "E lucevan le stelle." Both are well sung. His version of "Recondita armonia" compares well with other versions. He certainly has no reason to hang his head. When he amps up the volume, his voice is not quite as rich as many other tenors, bit it is still fine. Top notes, as observed before, are a bit thin, but--again--hardly reason for lamentation. This is nicely sung. My notes for "E lucevan le stelle" simply say "Ibid." That is, one could write a very similar set of comments.
The last piece is from a different tradition--a selection from Donizetti's "Lucia di Lammermoor," "Tome degli avi miei." Smoothly sung. A bit thin on higher notes. Overall, though, a nice job.
As I listen to his work, I think that Bocelli does a good job in the standard tenor repertoire. Is he a great tenor? No. Is he a good tenor? Yes.
pleasure to lilsten.......2007-01-19
Bocelli - Aria.......2006-11-05
quite beautiful. As usual, Bocelli does not fail.
Why...?.......2006-03-13
Average customer rating:
|
Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
Antonio Vivaldi , Giovanni Antonini , Cecilia Bartoli , and Il Giardino Armonico Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works Featuring Bartoli
| Bartoli, Cecilia
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Bartoli, Cecilia
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
ASIN: B00002CF52 Release Date: 1999-10-26 |
Tracks:
- Dell'aura al sussurrar
- Dopo un'orrida procella
- Di due rai languire costante
- L'Orlando finto pazzo: Qual favellar? ... Andero, volero, gridero
- Zeffiretti, che sussurrate
- La fida ninfa: Alma oppressa
- La fida ninfa: Dite, oime
- Giustino: Sventurata navicella
- Giustino: Sorte, che m'invitasti ... Ho nel petto un cor si forte
- L'Olimpiade: Tra le follie ... Siam navi all'onde algenti
- Farnace: Gelido in ogni vena
- Anch'il mar par che sommerga
- Teuzzone: Di trombe guerriere
Amazon.com
Mezzo Cecilia Bartoli could easily rest on her laurels as one of today's most charismatic, characterful singers for her lively portrayals of Mozart and Rossini heroines. But it's been particularly exciting to observe her growth as an artist in exploring the exuberant world of baroque opera, with its range of pyrotechnic demands--both vocal and emotional. Bartoli's show-stopping virtuosity in a Vivaldi aria from her Live in Italy recital gave a tantalizing sample of her finesse in that style. For The Vivaldi Album, Bartoli conducted extensive research into the composer's manuscripts, (a documentary tracing her quest is planned for subsequent international screening). Although he's best known for his concertos--in typically baroque fashion, two of the arias in fact recycle material from The Four Seasons--Vivaldi was a ferociously prolific composer of operas for the cutting-edge theaters of his time, and the arias gathered here demonstrate the word-painting magic of his music, from the sylvan setting of dueting flageolets in "Di due rai languire costante" to the storm-tossed passions of "Anch'il mar par che sommerga," where Bartoli spins out ripples of rapid-fire coloratura with a gravity-defying accuracy that will leave your head spinning. In addition to many such examples of vocal acrobatics, Bartoli brings exquisite nuance and limpid tone to the delicate echo effects of "Zeffiretti, che sussurrate," and there's no better test for the remarkable flexibility of her range--full and dusky at the bottom and thrilling at the top--than the huge intervallic leaps of "Dopo un'orrida procella." With her naturally large voice, Bartoli can at times tend to histrionic excess (in the recitative to the short aria from "L'Orlando finto pazzo"), but the expressive color of her phrasing is wonderfully matched throughout by the Giardino Armonico's lively panache. All power to Bartoli in her goal of reviving this neglected aspect of Vivaldi's output. --Thomas MayCustomer Reviews:
Cecilia Bartoli brings Baroque music to life.......2005-08-24
A Revelation.......2003-11-05
Now getting to the performance by Bartoli. She really loves this music, as you can tell. Yes, she is mannered in some of the things she does, but that is her way of seeing the music. Her technical skills are amazing, and her interpretations (the "drama" behind the music) is just as intense. Some think Bartoli has a strong voice. Actually, her voice is very small, if you have heard her in performance (they weren't even sure she would be heard when she sang at the Met), and it has a very delicate quality, even when being "brash." Recordings give you the impression she has a much larger sound than she does, but that is because small voices record truer and better than large ones (the industry still can't capture large voices at all). However, even with a small voice, in performance she is breathtaking. She makes the music live. She has weird mannerisms one sees that to American trained singers are completely unacceptable (weird facial expressions, strange things done with he mouth and teeth, head bobbing, etc), but that has never distracted from her overall intensity. Yes, she is intense. You are literally taken away with her interpretation, and her skills. Interestingly, she is more famous in music circles for her cancelations (she cancels more performances in a year than she actually sings). I love this recording, not only because of the music, but because I have seen her sing some of this music live. She really LIVES what she sings, and that comes across in this recording.
A special note: in the little booklet that comes with the recording, Bartoli herself writes her impressions of this music. It is extremely insightful. Whether you like her or not, you have to admire the work she has done to make this music live and be as authentic in interpretation as she can. It is her love of this music that has caused her to record this album. I am thankful she did, for now, I can take those old scores I have and get a better understanding of what the composer was doing. Would that more singers would explore new/old works, and I think it would be far more interesting to have them write their impressions of the music they are singing than the standard academic essays we must read. Reading about how she came to this music, in her own words, gave a different dimension to listening. Now I was listening to see if she was successful in communicating what she felt this music had to offer. SHE WAS.
The best work of Cecilia Bartoli.......2003-08-15
The art of singing, still with us.......2003-02-09
a favor, and get this record. Music hidden in some obscure
library for centuries, brought to pulsating life by a minor
voice, here used with passion and artistry reminding one of
vocal artists of the past. An enriching experience for anyone
enjoying the art of singing.
Great music, but disappointment.......2002-10-01
![Classical Masterpieces of the Millennium [20 CD Set]](http://ec1.images-amazon.com/images/I/21BSGK5J15L.jpg)
Average customer rating:
|
Classical Masterpieces of the Millennium [20 CD Set]
Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances
| Ballets & Dances
| Classical
| Styles
| Music
Mazurkas
| Ballets & Dances
| Classical
| Styles
| Music
Minuets
| Ballets & Dances
| Classical
| Styles
| Music
Polkas
| Ballets & Dances
| Classical
| Styles
| Music
Waltzes
| Ballets & Dances
| Classical
| Styles
| Music
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Liszt
| Liszt, Franz
| ( L )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Ravel, Maurice
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Strauss Jr., Johann
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Etudes
| Forms & Genres
| Classical
| Styles
| Music
Fantasies
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Rondos
| Forms & Genres
| Classical
| Styles
| Music
Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
| Divertimentos
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Impromptus
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Sinfonia Concertante
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Intermezzos
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Tone Poems
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
French Horn
| Brass
| Instruments
| Classical
| Styles
| Music
Trumpet
| Brass
| Instruments
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
Clarinet
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Flute
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Oboe
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Strings
| Instruments
| Classical
| Styles
| Music
Berlin Philharmonic Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
Modern & 20th Century
| Symphonies
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Airs
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Choruses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Box Sets
| Stores
| Music
Similar Items:
ASIN: B00000K1C9 Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.Customer Reviews:
Mill. Classical review.......2007-05-13
classical music for the unitiated.......2007-04-01
Some little gems there that I had forgotten!.......2007-03-30
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
Average customer rating:
|
Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Bartoli, Cecilia
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
All Works Featuring Bartoli
| Bartoli, Cecilia
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Donizetti, Gaetano
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Rossini, Gioacchino
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Bartoli, Cecilia
| Divas
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Bellini, Vincenzo
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Donizetti, Gaetano
| ( D )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Rossini, Gioacchino
| ( R )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Bartoli, Cecilia
| ( B )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Similar Items:
ASIN: B0000042H2 Release Date: 1997-09-16 |
Tracks:
- Bel Canto Songs: Aragonese
- Bel Canto Songs: Vaga luna che inargenti
- Bel Canto Songs: II barcaiolo
- Bel Canto Songs: Ah! rammenta, o bella Irene
- Bel Canto Songs: L'abbandono
- Bel Canto Songs: Or che di fiori adorno
- Bel Canto Songs: Malinconia, ninfa gentile
- Bel Canto Songs: Amore e morte
- Bel Canto Songs: Bolero
- Bel Canto Songs: La conocchia
- Bel Canto Songs: II fervido desiderio
- Bel Canto Songs: Torna, vezzosa Fillide
- Bel Canto Songs: Vanne, o rosa fortunata
- Bel Canto Songs: Dolente immagine di Fille mia
- Bel Canto Songs: La farfalletta
- Bel Canto Songs: A ma belle mere
- Bel Canto Songs: Per pieta, bell'idol mio
- Bel Canto Songs: Me voglio fa 'na casa
- Bel Canto Songs: L'esule
- Bel Canto Songs: La danza (tarantella napoletana)
Amazon.com
The Italian mezzo-soprano Cecilia Bartoli is one of the most charming and talented singers to appear on the scene in recent years, and this collection of Italian songs by three great opera composers--Bellini, Donizetti, and Rossini--is a most deserving bestseller. There are many small pleasures in the selections, which reflect the bel canto predilections of their authors, and Bartoli renders them artfully. Some will be familiar even to casual listeners (Rossini's La Danza, the famous tarantella); others will be new to most, but equally deserving of a hearing. The sensitive and skillful accompaniment is by conductor-pianist James Levine. --Sarah Bryan MillerCustomer Reviews:
Lovely rendition of Italian songs.......2007-03-11
Some sampling of the songs. . . . The CD begins with a song by Rossini, "Aragones." This is lushly sung; Bartoli has a wondrously rich and textured voice. The pace is contemplative, altogether consistent with the words of the song, the reflection of a disappointed lover. Well done.
Donizetti's "Il barcaiolo" is also well done. Bartoli shows her vocal agility in this tune. This is a spirited song, and her coloratura technique animates her rendition. There are segments sung forte, showing the power of her voice. There is a nice soft closing to the song, so she ranges from forte to piano.
Bellini is represented, too. His "Vaga luna che inargenti" is a pleasant love song. Bartoli sings this tenderly, creating a melancholy spirit, fitting the song's words.
To close, there is Rossini's wonderful tarantella, "La danza." Levine plays at a quick pace, as he must for this spirited song. Bartoli shows great vocal agility and strong breath control (this is a tough song to get right!). A wonderfully spirited version. She even takes a pass at a trill toward the close. All in all, most satisfying.
Thus, this represents a nice CD, showing Bartoli's skills with the songs of some of the great Bel Canto composers. An album that is a lot of fun to listen to!
Best 'Italian' Selection yet........2006-06-16
This would be my first choice for Italian material with only piano accompaniment. For a very first Bartoli album, see her 'flagship' recording, 'Cecilia Bartoli' where she is backed by full orchestra and chorus.
Salon pieces to delight the listener.......2006-03-13
This in no way robs the songs of immense charm. It would be easy to perform these songs without a great deal of thought, simply making them sound "pretty". But Cecilia Bartoli never does that - she always gives everything, voice, intelligence, musicality, to her performance.
That is what makes this recording so superb. I can see there are some less-than-satisfied reviewers - I am surprised by the comments. For rest assured, there is no vocal difficulty here at all. Cecilia Bartoli's voice is in superb condition throughout, and her interpretation is of course second to none. Having recorded "Vaga luna" myself, I would be the first to say if I thought anything was lacking in Ms Bartoli's performance - but there's nothing adverse I can say at all. It's simply gorgeous singing, with immaculate phrasing, an intensely personal approach, and some of the most beautiful sounds you're likely to hear.
It is hard to imagine anyone being disappointed by this recording. The comments made about squally sound are not just unfair, they're totally inaccurate. I remember purchasing this CD on the very day it was released in Australia, and it's a firm favourite of mine.
In all... delightful.
The Italian Songbook.............2005-12-09
che bella.........2004-12-23
Average customer rating:
|
Dinner Classics: The Sunday Brunch Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Corelli
| Corelli, Arcangelo
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Domenico Scarlatti
| Scarlatti, Domenico
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concerto Grossi
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Ballets & Dances
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
Cleveland Orchestra
| ( C )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Marlboro Festival Orchestra
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
Cantatas
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Easy Listening
| Pop
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Easy Listening
| Pop
| Today's Deals in Music
| Formats
| Music
$6.99 and Under
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Albinoni, Tomaso
| ( A )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Bach, Johann Sebastian
| ( B )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Corelli, Arcangelo
| ( C )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Handel, George Frideric
| ( H )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Pachelbel, Johann
| ( P )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Purcell, Henry
| ( P )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Scarlatti, Domenico
| ( S )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Vivaldi, Antonio
| ( V )
| Composers, A-Z
| Classical Music Blowout
| Stores
| Music
Cleveland Orchestra
| ( C )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Marlboro Festival Orchestra
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Opera & Vocal
| Classical Music Blowout
| Stores
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Classical Instrumental Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
ASIN: B0000026XV Release Date: 1990-05-17 |
Tracks:
- Brandenburg Con No.4: I. Allegro - Marlboro Festival Orch/Pablo Casals
- Orchestral Ste No.1: III. Gavotte I & II - Marlboro Festival Orch/Pablo Casals
- Messiah: Pastoral Sym - La Grande Ecurie/Jean-Claude Mlgoire
- Mandolin Con in C: Largo - Leonid Bolotine
- Son, Op.5 No.9: Gigue - Oscar Ravina
- The Anna Magdalena Notebook: Little Ste - Philadelphia Orch/Eugene Ormandy
- The Moor's Revenge: I. Ov - ECO/Raymond Leppard
- Adagio - Matitiahu Braun
- The Good-Humoured Ladies: Non Presto, In Tempo di Ballo - Cleveland Orch/Louis Lane
- Guitar Con in D: I. Allegro Giusto - John Williams/Colin Tilney
- Canon In D - Philharmonia Virtuosi Of New York/Richard Kapp
- 'Summer' Of The Four Seasons: I. Allegro Non Molto - Pinchas Zukerman/Philip Ledger
- Sheep May Safely Graze - Philadephia Orch/Eugene Ormandy
- Cantata No.51: Alleluja - Edward Carroll/Lee Soper
- III. Allegro Assai - Philharmonia Virtuosi Of New York/Richard Kapp
Customer Reviews:
Great Recordings!!!!!!!!!!!!!!!!!!!!!!!.......2006-08-03
Both Sunday Brunch CDs are worth purchasing.
They contain high quality recordings of familiar classical music.
Buy This For The Liner Notes, Not Just The Music!.......2005-11-27
The only thing I'd add to this recording is some muted sounds of silverware on plates, coffee being poured, and catty remarks. Just kidding.
But...the real attraction for this CD is the liner notes...written by the now-notorious Martha Stewart! ("Brunch is fast becoming America's favorite informal way to entertain family and friends.") Along with a suggested menu, including three recipes! These are:
Pecan Waffles With Maple Butter
Red Caviar and Sour Cream Omelettes
Sticky Buns
Well! This is certainly something that other classical recordings can't claim! Furtwangler or von Karajan never thought of *this*! Zubin Mehta, eat your heart out, if you will pardon the expression!
The music is fine. In fact, Tommasini's music from The Good Humored Ladies can be enjoyed guilt-free, secure in the knowledge that "The batter will keep for about 2 days if stored in an air-tight container in the refrigerator."
Further comment seems superfluous. For the entertainer, it absolutely lives up to its billing. For the classical music aficionado, it's fine...if I could just stop thinking about kneading the dough for the sticky buns until it's smooth and satiny. Four stars.
Excellent.......2003-02-13
Don't let the album's title fool you! It is versitile. Don't use it just for brunch! Try it any time of day. The collection is exquisite and the compilation maintains the listener's interest.
This CD should be a part of everyone's collection!
A must-have for all classical enthusiasts........1999-07-07
For casual listeners of classical music, this CD is perfect........1999-01-13
Average customer rating:
|
The Puccini Album: Arias for Piano
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Arias
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Similar Items:
ASIN: B000002SKC Release Date: 1993-08-17 |
Tracks:
- Prelude
- La Boheme: Che gelida manina (How Cold Your Little Hand Is!)
- La Boheme: Si, Mi chiamano Mimi (Yes. The Call Me Mimi)
- La Boheme: O soave fanciulla! (Oh, Sweet Maiden!)
- La Boheme: Quando me'n vo... (Musetta's Waltz)
- La Boheme: Son andati? (Have they gone?)
- Turandot: Non piangere Liu! (Don't cry Liu!)
- Gianni Schicchi: O mio babbino caro (Oh, My Dear Daddy), Chi il bel sogno di Doretta (Doretta's Song)
- Madama Butterfly: Un bel di (One Fine Day)
- Madama Butterfly: Scuoti quella fronda di ciliegio (Blossom Duet)
- Madama Butterfly: Coro a bocca chiusa (Humming Chorus)
- Madama Butterfly: Tu, tu piccolo Iddio! (You, You Little God!)
- Turandot: Signore, ascolta! (Lord, Listen!)
- TOSCA: E lucevan le stelle... (And The Stars Were Shining...)
- Turandot: Nessun dorma! (No Man Shall Sleep!)
- Turandot: In questa Reggia (In This Palace)
- Postlude
Customer Reviews:
Beautiful Piano Arias.......2006-03-19
cocktails at La Scala.......2004-01-23
Puccini once told a soprano to "walk in clouds of melody", and on this disc we have a celestial feast, making one realize how starved we are in today's world of great melodies, with so much of popular music very uninspired in this area, and classical music ignoring it.
Perhaps my favorite track is the gentle and passionate interpretation of one of opera's best loved arias, "E Lucevan le Stelle" from Tosca.
The way Bayless has transcribed this music and improvised on it is a stroke of genius, and very clever marketing as well, giving us a new, unique take on "opera lite", and one of the most enjoyable I've heard; his virtuoso technique is up to the task, and he manages to get a myriad of sounds and colorations out of the instrument.
This enthralling presentation of operatic themes is lighthearted and would make great background music, but is also much more; it's inventive and beautifully performed, is true to the emotional content of the original, and oh ! those glorious melodies.
The sound is crisp and clear, and total playing time 78'28.
Liberace lives!.......2002-11-15
Outstanding.......2000-12-18
Gorgeous music magnificently played with technique to spare.......2000-01-30
Average customer rating:
|
Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet Manufacturer: Decca ProductGroup: Music Binding: Audio CD Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Bartoli, Cecilia
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
All Works Featuring Bartoli
| Bartoli, Cecilia
| A to B
| Featured Performers, A-Z
| Opera & Vocal
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Bartoli, Cecilia
| Divas
| Opera & Vocal
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
ASIN: B00000DBTM Release Date: 1998-10-20 |
Tracks:
- Tu ch'hai le penne, Amore
- Amarilli
- Al fonte, al prato
- Lascia la spina
- Agitata da due venti
- Oiseaux, si tous les ans, K. 307
- La Pastorella, D 528
- Havanaise
- Hai luli!
- Zaide
- Malinconia, ninfa gentile
- Ma rendi pur contento
- La conocchia
- Me voglio fa 'na casa
- Mi lagnero tacendo
- Mi lagnero tacendo (Il Risentimento)
- Mi lagnero tacendo (Sorzico)
- L' Orpheline du Tyrol
- Riedi al soglio (Zelmira)
- Le nozze di Figaro: Voi che sapete
- Canzonetta Spagnuola
- Caro mio ben
- Cinco Canciones negras, No. 5: Canto negro
- Carmen: Seguedille (Carmen)
Amazon.com essential recording
In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick StearnsCustomer Reviews:
Buy two and give one to someone you love!.......2007-03-08
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
A joyful sample of the human voice........2006-06-12
A sheer delight from start to finish.......2005-07-14
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Exquisite.......2003-01-31
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
Cecilia Live.......2002-07-12
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
Average customer rating:
|
The Wedding Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Franck, César
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Stanley
| Stanley, John
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
| Cantatas
| Romances
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Trumpet
| Brass
| Instruments
| Classical
| Styles
| Music
Organ
| Keyboard
| Instruments
| Classical
| Styles
| Music
Violin
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Symphonies
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Wedding Music
| Miscellaneous
| Styles
| Music
General
| Miscellaneous
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
| Cantatas
| Romances
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Sonatas
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Sonatas
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Symphonies
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Choruses
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Operas
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Operas
| Opera & Vocal
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Easy Listening
| Pop
| Today's Deals in Music
| Formats
| Music
4-for-3 Classical
| 4-for-3 Music
| Stores
| Music
4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Classical Instrumental Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
ASIN: B0000027JL Release Date: 1991-05-24 |
Tracks:
- Midsummer Night's Dream: Wedding March
- Trumpet Voluntary: The Prince Of Denmark's March
- Lohengrin: Bridal Chorus
- Jesu, Joy of Man's Desire
- Abdelazer, Or The Moor's Revenge: Rondeau
- Air On The G String
- Idomenee: Rigaudon
- Coro
- Water Music: Air
- Water Music: Hornpipe
- Water Music: Panis Angelicus
- Sleepers, Awake!
- Organ Sonata III: Con Moto Maestoso
- Trumpet Tune In C: Processional
- Messiah: Pastoral Symphony
- Canon
- Arioso
- St. Anthony Chorale
- Trumpet Voluntary
- Ave Maria
- Semele: Where'er You Walk
- Ode To Joy
- Sheep May Safely Graze
- Trumpet Tune
- Xerxes: Largo
- Rejoice, Beloved Christians - Bach
- Ave Mazria - Schubert
- Samson: Let The Bright Seraphim - Handel
Customer Reviews:
Terrific organ CD by a true virtuoso.......2007-04-20
For another example of Newman's work, see:
Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
Worthy of Purchase.......2003-10-15
This compilation is better than some others in that it is all played on organ, has so many selections, and the overall feel is regal and celebratory.
Serious Classical Wedding Music.......2002-03-04
My daughter and I have been serious music lovers and amateur pianists, violinist (she only), organist (I only), and singers. Since our church has a very good new electronic organ that can simulate very well the rich tones of a real pipe organ, we are looking for some heavy duty music for organ.
Listen to the sample from item 5, the Rondeau from Abdelazer by Henry Purcell. Play it loud and imagine it as a recessional - with the bride and groom waiting to turn around until the first repetition of the magnificent theme.
This is the only wedding album I found with this Rondeau arranged for organ. Many other albums have this selection played by a small chamber orchestra. That's the way it was written, but we won't be paying for an orchestra in church. And it's magnificent on organ.
We will be using item 21, Where'er You Walk from Handel's Semele as well. It is a beautiful tenor aria with words that are just right. Look around for the words on the Internet - great poetry, and a great love song with stong religious meaning as well.
International Music: