| 1. Approche-Toi |
| 2. Les Tcheques |
| 3. Il Pleut |
| 4. Crepuscule |
| 5. Orbre |
| 6. Attila Joszet |
| 7. Send My Body Home |
| 8. Tu Menes Ta Vie |
| 9. Buvant Seul |
| 10. C'est Dans Les Reves |
| 11. Travail Trop Cher |
| 12. Rabbi Jesus |
Approche Toi,Dick Annegarn,Wea,World Music
Average customer rating:
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Vol. 3, The II/V7/I Progression: A New Approach To Jazz Improvisation (Book & CD Set)
Jamey Aebersold Play-A-Long Series Manufacturer: Jamey Aebersold ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001O58 Release Date: 2000-06-28 |
Tracks:
- II-V7-I (All Major Keys)
- II-V7-I Random Progression
- V7+9-I All Keys
- 0-V7+9-Io All Minor Keys
- G Minor Blues
- Bebop Tune
- II-V7-I Three Keys (Giant Steps Prog.)
- F Blues With 8-Bar Bridge - Jamey Aebersold, Charlie Craig, Dan Haerle, Rufus Reid
- II-V7-I in Major Key
- V7+9 to 1 Exercises #1 - #72
- II-V7-I in Minor Key Exercises #1 to #31
- II-V7-I (In One Key)
- Tuning Notes
Customer Reviews:
Good? Certainly. "New Approach"? Hardly.......2006-12-09
This set is a versatile tool - the CD tracks have a great band accomaniment that you can use to practice improvising on your own, learn some comping skills, practice your own comping, practice scales and chords, . . . Exercises are in Bass, Treble, Bb and Eb, so just about anyone that doesn't play F french horn can use them easily. The charts in the book are extensive. The set is as good as you care to make it.
I had a small customer service that the publisher remedied instantly and courteously. Bravo!
If I could change one thing, the exercises in D might be a little more musical and a little less "classroom". I wouldn't recommend playing many of them "as is" in a real setting. However, you aren't tied to those examples when using the CD, so it's not really a big issue. A CD with 12 tracks of ii-v-i, one in each key (major and minor) instead of just D, might be a nice addition for the beginner level, but it is also beneficial to jump around different keys as some of the exercises do.
Why four stars instead of five? I have a personal bias. Music books that "change your life" with minimal user effort get five stars from me. Music books that "change your life", but only with considerable effort on your part, get four. Call me lazy.
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Total Recall
Negative Approach Manufacturer: Touch & Go Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000019IC Release Date: 1994-08-31 |
Tracks:
- Lost Cause
- Can't Tell No One
- Sick Of Talk
- Pressure
- Why Be Something That You're Not
- Nothing
- Fair Warning
- Ready To Fight
- Lead Song
- Whatever I Do
- Negative Approach
- Tied Down
- Hypocrite
- Evacuate
- Said And Done
- Nothing
- Your MIstake
- Live Your Life
- Friend Or Foe
- Dead Stop
- I'll Survive
- Can't Tell No One
- What Ever I Do
- Ready To Fight
- Chaos
- Pressure/Fair Warning
- Lost Cause
- Genocide/Nothing
- Never Surrender
- D.A.B.F.
- Said And Done
- Sick Of Talk/N.A.
- Your Mistake
- Tied Down
- I'll Survive
- Kiss Me Kill Me
- I Got A Right
- Tunnel Vision
Customer Reviews:
hardcore.......2007-01-18
Pure Force.......2006-04-11
Im angry, angry, angry , angry.......2004-02-10
pure rage.......2003-01-24
I have to take issue with a previous reviewer's comments on this album. He wrote that NA didn't "get it," that they were too one-dimensional and were just acting out on one aspect of punk/hardcore; the anger and disaffection.
Well, maybe that's how NA ACTUALLY felt. If they did write these songs out of affectation, I certainly don't hear it. The first 11 tracks (their song off of the "Process of Elimination" comp and their self titled 7") in particular are so full of venom and bile, with Brannon's perfectly growled vocals, that I can't believe Negative Approach didn't mean every word they sung at the time they were singing them.
Besides, I think bands like SSD are what made people laugh at hardcore (I love SSD too, by the way). The militantly straight edge bands that emerged in the early 80s probably did far more to alienate people than bands like NA. Yeah, maybe NA's fans were meatheads and skinheads... but, then again, so were a lot of Black Flag's (and Fear's!) fans.
At any rate, all that aside, this album rocks. The "Tied Down" LP isn't that great, but the rest of the tracks more than make up for it. Happy, well-adjusted people may not dig it, but as for angry f**k-ups, well, Negative Approach is IT.
Excellent 1980s hardcore you can't get enough of.......2002-12-14
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The Romantic Approach/Sophisticated Approach
Stan Kenton Manufacturer: EMI Gold Imports ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007W22K2 Release Date: 2005-04-18 |
Tracks:
- When Your Lover Has Gone
- All The Things You Are
- I'm Glad There Is You
- Say It Isn't So
- Imagination
- Sweet And Lovely
- Fools Rush In
- You're Mine, You
- Once In A While
- Moonlight In Vermont
- I Understand
- Oh! You Crazy Moon
- But Beautiful
- Darn That Dream
- It Might As Well Be Spring
- Moonlight Becomes You
- How Do I Look In Blue
- You Stepped Out Of A Dream
- How Long Has This Been Going On
- Memoirs Of A Lady
- Time After Time
- Easy To Love
- My One And Only Love
- Like Someone In Love
Album Details
Both Albums Feature the Unique Kenton Mellophonium, a Cross Between a Trumpet and a Trombone. On "The Romantic Approach" the Music is Slow Paced and as the Title Suggests Has a Romantic Mood. Considered by Many as One of Kenton's Best Albums. Features Kenton's Unique Arrangements of Classic Songs Including "All the Things You Are", "oh You Crazy Moon", "Moonlight in Vermont" and "Say it Isn't So". "The Sophisticated Approach" was Arranged by Lennie Niehaus but Still Has a Very Similar Sound to "Romantic Approch". Outstanding Tracks Here Include "Time after Time", "Might as Well Be Spring", "Moonlight Becomes You" and "You Stepped Out of a Dream".Customer Reviews:
Pure Kenton.......2007-01-03
The Romantic Approach/Sophisticated Approach.......2006-07-27
Ron Brenz
Stan Kenton playing ballad standards.......2006-02-28
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Another Intervention
Down to Earth Approach Manufacturer: Vagrant Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002IQCKC Release Date: 2004-08-03 |
Tracks:
- Exhibit Of The Year
- Triple Black
- Another Intervention
- We're Sleeping
- Honey And Vinegar
- Books On Tape
- Permanently
- Face First
- All We Have
- Lights
- Living Rooms
Customer Reviews:
love it.......2006-07-31
Awesome Band, Awesmoe Album!.......2005-07-03
goody another sucky punk band.......2005-05-07
Can't Stop Listening.......2005-02-20
Hi........2004-10-09
By the way, this is a 5/5 album. Saves the day with an edgier sound.
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Love Approach
Tom Browne Manufacturer: Japanese Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005MI89 Release Date: 2001-08-22 |
Tracks:
- Funkin' for Jamaica (N.Y.)
- Her Silent Smile
- Forever More
- Dreams of Lovin' You
- Nocturne
- Martha
- Moon Rise
- Weak in the Knees
Album Description
Japanese exclusive K2 24-bit remastered reissue of the crossover jazz artist's 1980 album for GRP. Eight tracks including, 'Funkin' For Jamaica (N.Y.)', 'Her Silent Smile' & 'Forever More'. 2001.Album Details
24 bit K2 digitally remastered.Customer Reviews:
Classic jazz-funk trumpet I.......2007-07-07
I said 'almost' though. Lucky then that there's even better on offer here, especially if soulful, funky jazz trumpet is what you're looking for. Produced by Dave Grusin & Larry Rosen and featuring people like Grusin himself, Marcus Miller, Bernard Wright, Buddy Wiilams, Boby Broom, Jorge Dalto, Carol Steele, Lesette Wilson and Bob Franceshini, this is as good as it got back in 1980.
There's not a dud track to be found but my other favourites include The cool breezy, "Her Secret Smile", with guitar licks and solo by Bobby Broom. The funky "Forever More", and "Dreams Of Lovin' You" with a great tenor sax solo from Bob Franceshini. "Nocturne" starts off with a crescendo, with piano solo by Jorge Dalto, and then becomes by a back and forth between Browne and Franceshini. And then it just slows right down into this spacey, moody tune with 'nocturnal' sounds with bass and/or synth by either Marcus Miller, Grusin, Wilson or by all three.
The dreamy "Moon Rise" has a great bass line by Marcus Miller and the beautiful "Weak In The Knees" with vocals by Victoria Sylva brings an end to the proceedings.
This album and it's 1981 follow-up, Magic are in my opinion Tom Browne's best and complement one another very well. Both are highly recommended.
A classic finally available!!.......2001-11-03
By the way, two of the other tracks are mislabeled here on the web. Track number 4 is actually called "Dreams of lovin' you" and track number 8 is "Weak in the Knees." The disc and packaging are reproduced exactly how this recording was originally released on vinyl. It is a must have!
Okay Tom, now let us know when you're going to make the rest of your Arista catalog available on disc. Thanks!!
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Step Into the Future
Scott Fisher & 1 Am Approach Manufacturer: 1 AM Approach ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PE3EU4 Release Date: 2007-05-08 |
Tracks:
- Step Into The Future
- See The Day
- Atmosphere
- Shades Of Blue
- 3,000 Years
- Forgot About The Stars
- State Of Mind
- Ce Jours La
- Chains Of Time
- No Remedy
- Android Love
- This Song
Product Description
1 Step into the Future 2 See the Day 3 Atmosphere 4 Shades of Blue 5 3,000 Years 6 Forgot about the Stars 7 State of Mind 8 Ces Jours La 9 Chains of Time 10 No Remedy 11 Android Love 12 This Song
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The Kitchen Tapes
The Raincoats Manufacturer: Roir ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001Q48 Release Date: 1998-02-24 |
Tracks:
- No One's Little Girl
- Balloonacy
- Oh Oh la la La
- Only Loved at Night
- I Saw a Hill
- Mouth of a Story
- The Body
- Shouting Out Loud
- Rainstorm
- Dance of Hopping Mad
- Animal Rhapsody
- Puberty Song
- No Side to Fall In
- Honey Mad Woman
Album Description
Recorded live at The Kitchen in New York City on Sunday, December 12th, 1982. Liner notes by Greil Marcus, who also wrote liner notes for The Band, Creedence Clearwater Revival and The Buzzcocks, among others.Customer Reviews:
Unbelievable! Just Unbelievable!.......2006-04-09
I must be old-fashioned because in my day most vocalists could carry a tune and if they had instruments could play them at the very least with some degree of mediocrity. The Raincoats are a total mess from the first note and beyond. Anyone who could give this music 5 stars must be brain dead. I suspect that it's probably fashionable to jump on the bandwagon for a band (and I use the word very loosely) with absolutely no talent. Getting a root canal with a pneumatic drill would be more entertaining. Anyone buying this CD should be subject to intense psychotherapy.
Too much hype?.......2004-07-19
ummm... maybe I am in left feild picking daisy's but............2004-02-23
From bedknocks to broomsticks.......2002-04-05
jump, jive.......2001-11-13
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Dittersdorf: Arcifanfano, King of Fools
Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003LIK Release Date: 1994-12-12 |
Tracks:
- Arcifanfano, King Of Fools: Act I: Overture
- Arcifanfano, King Of Fools: Act I: Chorus - We've Traveled Far (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
- Arcifanfano, King Of Fools: Act I: Recitative - Approach! What Is Your Name, Sir? (Furibondo)
- Arcifanfano, King Of Fools: Act I: Aria - With A Sword That Is Sterner Than Moses (Furibondo)
- Arcifanfano, King Of Fools: Act I: Recitative - Unhappy Oddling (Gloriosa)
- Arcifanfano, King Of Fools: Act I: Aria - My Fair Skin, My Bare Chin (Gloriosa)
- Arcifanfano, King Of Fools: Act I: Recitative - Was Ever There Insanity (Sordidone)
- Arcifanfano, King Of Fools: Act I: Aria - Snugly Hidden Safe From Prying (Sordidone)
- Arcifanfano, King Of Fools: Act I: Recitative - Madness Beyond All Measure (Malgoverno)
- Arcifanfano, King Of Fools: Act I: Aria - When The Purse Is Clinking (Malgoverno)
- Arcifanfano, King Of Fools: Act I: Recitative - There, Like A Vapor (Semplicina)
- Arcifanfano, King Of Fools: Act I: Aria - O Look So Woeful (Semplicina)
- Arcifanfano, King Of Fools: Act I: Recitative - Such As She Seems To Be Frigid (Garbata)
- Arcifanfano, King Of Fools: Act I: Aria - Let's Sing, Let's All Be Jolly (Garbata)
- Arcifanfano, King Of Fools: Act I: Recitative - For All Types Of Confusion
- Arcifanfano, King Of Fools: Act I: Aria - The Fierce One Lives Only For The Slaughter
- Arcifanfano, King Of Fools: Act II: Recitative - I Beg You To Stop (Malgoverna, Gloriosa, Garbata)
- Arcifanfano, King Of Fools: Act II: Aria - We Praise The Sun For Beauty (Malgoverna)
- Arcifanfano, King Of Fools: Act II: Recitative - Bumpkin, Coarse-grained (Gloriosa, Garbata)
- Arcifanfano, King Of Fools: Act II: Aria - If You Will Love Me, I Will Love You (Garbata)
- Arcifanfano, King Of Fools: Act II: Recitative - No, They Cannot Persuade Me! (Gloriosa)
- Arcifanfano, King Of Fools: Act II: Aria - Lovely Ladies, You Enjoying (Gloriosa)
- Arcifanfano, King Of Fools: Act II: Recitative - Where's My Lover, Sweetheart (Sordidone)
Tracks:
- Arcifanfano, King Of Fools: Act II: Aria - Sordidone, Be A Bunny
- Arcifanfano, King Of Fools: Act II: Recitative - Are You Hiding? (Sordidone, Garbata)
- Arcifanfano, King Of Fools: Act II: Duet - See Comely Phyllis Wander (Garbata, Sordidone)
- Arcifanfano, King Of Fools: Act II: Recitative - Don't Come Near Me (Semplicina, Furibondo)
- Arcifanfano, King Of Fools: Act II: Aria - The High And Mighty Lion (Furibondo)
- Arcifanfano, King Of Fools: Act II: Recitative - Quiet At Last (Semplicina)
- Arcifanfano, King Of Fools: Act II: Duet - Semplicina, Do You Hear Me? (Semplicina)
- Arcifanfano, King Of Fools: Act II: Quartet - Ever More Bitter Shall Be My Raging (Gloriosa, Garbata, Malgoverno, Furibondo)
- Arcifanfano, King Of Fools: Act II: Recitative - What Now? What New Forms Of Madness? (Gloriosa, Sordidone, Malgoverno, Furibondo)
- Arcifanfano, King Of Fools: Act II: Chorus - Long Live King Arcifanfano (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
- Arcifanfano, King Of Fools: Act III: Aria - Earth, Our Dearest, Good And Nearest (Sordidone)
- Arcifanfano, King Of Fools: Act III: Aria - That His Sowing Yield A Growing (Malgoverno)
- Arcifanfano, King Of Fools: Act III: Recitative - What Has The Fool Committed (Malgoverna, Gloriosa)
- Arcifanfano, King Of Fools: Act III: Aria - Ask Of Beauty, She Will Answer (Gloriosa)
- Arcifanfano, King Of Fools: Act III: Recitative - Hop And Stop It! (Furibondo, Gloriosa)
- Arcifanfano, King Of Fools: Act III: Aria - All Of This Planet, I Cry To Each Man (Furibondo)
- Arcifanfano, King Of Fools: Act III: Recitative - What's Unleashed These Dreadful Roars? (Garbata, Furibondo)
- Arcifanfano, King Of Fools: Act III: Aria - I'm Simple And I'm Candid (Garbata)
- Arcifanfano, King Of Fools: Act III: Recitative - What Mischief And Load This Purse Is!
- Arcifanfano, King Of Fools: Act III: Aria - Goddess Bright As Morning
- Arcifanfano, King Of Fools: Act III: Recitative - Mother Always Used To Tell Me (Sordidone, Semplicina)
- Arcifanfano, King Of Fools: Act III: Aria - What A Lot I Need What I Need Lot's Of! (Sordidone)
- Arcifanfano, King Of Fools: Act III: Recitative - May He Not Come To Harm (Semplicina)
- Arcifanfano, King Of Fools: Act III: Aria - There's A Devil In A Ducat (Semplicina)
- Arcifanfano, King Of Fools: Act III: Recitative - Gather, O Subjects, About Us (Gloriosa, Garbata, Semplicina)
- Arcifanfano, King Of Fools: Act III: Duet - If You Marry Me (Semplicina)
- Arcifanfano, King Of Fools: Act III: Chorus - With Curiosity All Aflame (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
- Arcifanfano, King Of Fools: Act III: Recitative - Quiet, Please, We Implore You!
- Arcifanfano, King Of Fools: Act III: Chorus - The Wise And The Mad Have Got One Word For Their Dwelling
Customer Reviews:
A Comic-Opera Treasure!.......2007-01-28
an obscure delight!.......2002-07-31
Average customer rating: |
Come Back to You
Down to Earth Approach Manufacturer: Vagrant Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I2W4 Release Date: 2007-07-10 |
Tracks:
- Waiting
- Frustrated
- Anyone Else
- Just Say So
- Night Moves
- You Don't Need Love
- The Wizard
- See You
- I Talk To Me
- Reunion
- When You're Around
Album Description
Come Back To You, the band's sophomore release, is filled with the band's soaring vocals, anthemic choruses and buoyant melodies. The bittersweet pop songs on their latest effort chronicle the young band grappling with significant changes in their lives; what happens when your dreams do come true, losing and finding love, and readjusting to life in your hometown once you explored beyond its borders.Special guests on a few tracks include Drew Glackin of The Silos on lap steel and Max Bemis of Say Anything on vocals.
International Music: