| 1. Au Printemps De Quoi Reva |
| 2. La Matinee |
| 3. L'idole A Papa |
| 4. Les Poetes |
| 5. Ariane |
| 6. La Petite Fleur Que Tombe |
| 7. Ma France |
| 8. Rien A Voir |
| 9. Les Filles Longues |
| 10. Hop La Nous Vivons |
| 11. Le Bureau |
| 12. Un Jour Futur |
| 13. Camarade |
| 14. Tout Ce Que J'aime |
| 15. Les Demoiselles De Magasi |
| 16. Mom Bel Amour |
| 17. 17 Ans |
| 18. Sacre Felicien |
| 19. La Cavale |
| 20. Y Aurait Il |
Vol. 4: Ma France Camarade,Jean Ferrat,Universal/Polygram,France,French Folk,French Pop,World Music
Average customer rating:
|
Saint-Saëns: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C61 Release Date: 1995-11-14 |
Tracks:
- Samson et Dalila: Bacchanale
- Carnival Of The Animals (Chamber Version): No. 13. The Swan
- Carnival Of The Animals (Chamber Version): No. 14: Finale
- Dance Macabre, Op.40
- Suite algerienne, Op. 60: Marche militaire francaise
- Introduction and Rondo capriccioso, Op.28
- Samson et Dalila: 'Mon coeur s'ouvre a ta voix'
- Concert Piece For Horn & Orchestra, Op.94
- Romance, Op.37
- Piano Concerto No.2 In G Minor, Op.22: III. Presto
- Symphony No.3 In C Minor, Op.78 'Organ': II. Allegro moderato - Presto - Maestoso - Allegro
Customer Reviews:
the most sensetive music ever.......2005-10-26
Cool Camille.......2003-03-06
RIGHT AWAY!!!
-Nick
Astounding!!!.......2000-10-06
Great Selections, So-So Collection.......2000-06-23
This Sony recording supposedly collects his best. It does and it doesn't. The "Danse Macabre"--a perennial Saint Saëns fave--is definitely better than any others on the market--crisper, livelier, and ... er... creepier. And the Bacchanale is also superbly done. (Don't take my word for it though--you can compare these yourself from the various samples.) But as great as these individual pieces are, Sony failed to bring to the "Swan" the rest of the zoo from "Carnivale des Animaux," and, worse, they forgot the "Aquarium," too! Plus, the "Organ Symphony" *must* be heard in its entirety to sound like the serious piece of music that it is.
I haven't found the noumenal Saint-Saëns collection yet. But this one surely isn't phenomenal.
Classical is the best.......2000-06-22
Average customer rating:
|
Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Ellis Island
The Irish Tenors , Brendan Graham , Chauncey Olcott , Irish Traditional , Johnny Cash , John Francis Patterson , Dermot MacMurrough , C. Kirkham , Eric Bogle , Burton Lane , Thomas Osbourne Davis , Irving Berlin , and Frank McNamara Manufacturer: Music Matters ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059TBG Release Date: 2001-03-06 |
Tracks:
- Isle of Hope, Isle of Tears
- My Wild Irish Rose
- Love Thee Dearest
- Forty Shades of Green
- Courtin' in the Kitchen
- The Stone Outside Dan Murphy's Door
- I'll Tell My Ma
- Macushla
- Slievenamon
- The Green Fields of France
- Trasna Na Dtonnta (Over The Waves)
- Oro Se Do Bheatha Bhaile (Long Life to You on Your Homecoming)
- An Poc Ar Buile (The Mad Goat)
- The Rose of Tralee
- The Old Bog Road
- How Are Things In Glocca Morra
- The Croppy Boy
- A Nation Once Again
- Let There Be Peace
- Danny Boy
- God Bless America
Product Description
1. Isle Of Hope, Isle Of Tears
2. My Wild Irish Rose
3. Love Thee Dearest
4. Forty Shades Of Green
5. The Courtin Medley
A. Courtin, In The Kitchen
B. The Stone Outside Dan Murphy s Door
C. I ll Tell My Ma
6. Macushla
7. Slievenamon
8. The Green Fields Of France
9. The Irish Medley
A. Transna Na Dtonnta (Over The Waves)
B. Oro Se Do Bheatha Bhaile (Long Life To You On Your Homecoming)
C. An Poc Ar Buile (The Mad Goat)
10. The Rose Of Tralee
11. The Old Bog Road
12. How Are Things In Glocca Morra
13. The Croppy Boy
14. A Nation Once Again
15. Let There Be Peace
16. Danny Boy
17. God Bless America
Format: CD
Amazon.com
The Irish Tenors' fourth album sees the trio of Anthony Kearns, Ronan Tynan, and Finbar Wright paying a sentimental musical tribute to Ellis Island, the hallowed landmark that met the majority of immigrants entering the United States at the beginning of the 20th century. Needless to say, the Tenors' repertoire this time around is full of reflective ballads of love, loss, and homesickness, including the original "Isle of Hope, Isle of Tears" that opens this disc. Throughout this studio recording, the Irish Tenors are in fine form and backed by a soft-hued orchestra that never interferes with their soaring vocals. Traditional tunes include "My Wild Irish Rose," "How Are Things in Glocca Mora," and, of course, "Danny Boy" (the last sung by all three tenors, with refreshingly simple solo piano accompaniment). Thankfully, the threesome didn't forget that the immigrants had fun, too, as evidenced by some lighthearted fare; "The Courtin' Medley" features the Tenors at their most upbeat and comical. Ellis Island is a moving aural portrait of the struggles and triumphs of the Irish émigrés and a must-have for fans of the threesome. Newcomers may enjoy the Tenors' debut disc even more, as the earlier live album is a slightly more upbeat and spirited affair. --Jason VerlindeCustomer Reviews:
Three Cheers for the Irish!!!.......2007-05-30
Mora to end all, and Anthony Kearns sings murderously difficult versions
of Macushla and The Croppy Boy like an angel. And their Courtin' and Irish
Medleys, and their "Nation Once Again" trios are simply glorious glees.
With the benefit of a grand theme, this is perhaps the best, and best balanced, of all their programs.
Ellis Island song brings tears to my eyes.......2006-03-17
How Are Things In Glocca Morra?.......2004-04-16
This CD has a bit more of an Irish American theme as "Isle Of Hope, Isle Of Tears" and "God Bless America" illustrate. Interspersed among these tunes are traditional Irish tunes such as "Macushla" and "Croppy Boy", along with newer songs, such as "The Green Fields Of France" and "How are Things In Glocca Morra?"
The singing is excellent, the words understandable. I appreciate the inclusion the lyrics of the songs contained on the insert of the cover. These are songs you will want to learn, whose stories you will want to research. I have. Listen again and again!
How Are Things In Glocca Morra?.......2004-04-16
This CD has a bit more of an Irish American theme as "Isle Of Hope, Isle Of Tears" and "God Bless America" illustrate. Interspersed among these tunes are traditional Irish tunes such as "Macushla" and "Croppy Boy", along with newer songs, such as "The Green Fields Of France" and "How are Things In Glocca Morra?"
The singing is excellent, the words understandable. I appreciate the inclusion the lyrics of the songs contained on the insert of the cover. These are songs you will want to learn, whose stories you will want to research. I have. Listen again and again!
The Best Historical CD Ever!.......2003-11-21
Average customer rating:
|
Saint-Saëns: Concertos
Lorin Maazel , Andre Previn , Michael Tilson Thomas , Yo-Yo Ma , Orchestre National de France , Cecile Licade , London Philharmonic Orchestra , Jeunesses Musicales de France Choir , London Philharmonia Orchestra , and Cho-Liang Lin Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027A5 Release Date: 1991-01-18 |
Tracks:
- Concerto No. 1 For Cello & Orchestra In A Minor, Op.33: I. Allegro non troppo
- Concerto No. 1 For Cello & Orchestra In A Minor, Op.33: II. Allegretto con moto
- Concerto No. 1 For Cello & Orchestra In A Minor, Op.33: III. Tempo I: Allegro non troppo
- Concerto No.2 For Piano & Orchestra In G Minor, Op.22: I. Andante sostenuto
- Concerto No.2 For Piano & Orchestra In G Minor, Op.22: II. Allegro scherzando
- Concerto No.2 For Piano & Orchestra In G Minor, Op.22: III. Presto
- Concerto No.3 For Violin & Orchestra In B Minor, Op.61: I. Allegro non troppo
- Concerto No.3 For Violin & Orchestra In B Minor, Op.61: II. Andantino quasi allegretto
- Concerto No.3 For Violin & Orchestra In B Minor, Op.61: III. Molto moderato e maestoso
Customer Reviews:
Violin Concerto #3, Opus 61.......2006-08-04
Lyrical concerto masterpieces.......2005-11-27
Yo-Yo Ma gives an excellent rendition of the Cello Concerto No. 1, exhibiting great technical virtuosity as well as musicality. Comparatively few composers write for the cello than, say, the piano or violin; so if you like the sound of the cello this concerto is a must!
The Piano Concerto No. 2 as performed by Cecile Licad with the London Philharmonic and André Previn can be best described as "sparkling." Even the dark, dramatic first movement has a certain lightness to it. This concerto has no slow movement; the second movement is a playful scherzando, whimsical and humorous. It almost has an effervescent quality, like champagne bubbles. If the second movement is like a babbling brook, then the third is like a waterfall. It opens with a sudden rush in the strings, and the piano takes off at a rollicking presto. Licad's pianism is excellent.
Finally, there's the beautiful Violin Concerto No. 3, performed by Cho-Liang Lin. The opening movement is dark and turbulent, but with snatches of lyricism, a foretaste of more to come. The gorgeous slow movement evokes images of spring, with its flowering, passionate melodies; Lin is truly disarming here. The third movement is actually based on a motive from the first movement. There are plenty of virtuoso violin fireworks here, but beyond that the movement shows Saint-Saëns' great orchestral craftsmanship. The Philharmonia Orchestra under Michael Tilson Thomas gets a chance to shine at the end, with a triumphal theme in the brass underscored in the low strings. Brilliant orchestral writing.
One of the best.......2005-11-26
to know Saint-Saens' stuff, this is the disc for you.
If you're already a classical musician, this one should be in your library. It features the three most popular concertos of Saint-Saens, with three internationally-renowned artists - Cecile Licad, Yo Yo Ma, and Jimmy (Cho-Liang) Lin. Licad offers what is arguably the finest recording of
the Piano Concerto #2 (the most-performed and best-known of the five Saint Saens piano concerti). Full of vigor and boisterosity
in the allegro passages and tenderness in the largo passages,
I'd be crazy to try to find a better interpretation of it.
Lin, at his usual bravura best, suavely executes the popular Violin Concerto #3. Incidentally, if you're looking for consistently great recordings of a classical fiddler, look no further. Listen to Lin's recordings. He's never made a bad one and they shine like polished ebony. Yo-Yo Ma always gives a great reading, and the warhorse Cello Concerto #1 is no exception. I first heard this disc in 1990 when I was about 14 years old, and I've never stopped listening to it. I'm glad it hasn't gone out of print - and I hope it never does.
Bargain-priced magic.......2004-06-21
Beautiful! Highly recommended
Saint-Saens creates amazing music.......2001-01-28
Average customer rating:
|
Lalo, Saint-Saëns: Cello Concertos
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025FV Release Date: 1990-10-25 |
Tracks:
- Violoncello Concerto No. 1 Op. 33 In A Minor: Allegro non troppo; Allegro con moto; Allegro non troppo
- Violoncello Concerto In D Minor: Prelude: Lento; Allegro maestoso
- Violoncello Concerto In D Minor: Intermezzo
- Violoncello Concerto In D Minor: Introduction: Andante; Allegro vivace
Customer Reviews:
Lalo, Saint-Saens: Cello Concertos Yo-Yo MA.......2007-01-19
this specific through Amazon saves me a lot of time and energy.
Great performance.......2002-06-13
Average customer rating:
|
La Rocque 'n' Roll - Popular Music of Renaissance France / The Baltimore Consort
Ronn McFarlane , and Chris Norman Manufacturer: Dorian Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001Q9P Release Date: 1993-09-28 |
Tracks:
- J'ai vu le loup
- Has tu point veu
- Branle double
- Branle double: Branle de Montirande
- Branle double: Branle de la torche
- Mignonne, allons voir si la rose
- Frais et gaillard
- Un m'avoit promis
- Volte
- Mes pas semez
- Gaillarde d'escosse
- Gaillarde d'escosse: Laroque Gaillarde
- Gaillarde d'escosse: Alemand de Liege
- Ma bergere, ma lumiere
- Estans assis aux rives aquatiques (Ps. 137) - Estans assis - Estans assis - Estans assis
- Prelude
- Prelude: Tant qe vivray
- Un gay bergere
- O Madame, pers-je mon tems
- J'ay le rebours
- Branles de village
- Un jeune fillette
- Un jeune fillette
- Un jeune fillette
- Un jeune fillette
- Jean de Nivelle
Amazon.com
This title isn't just a joke. It makes the valid point that these Renaissance pieces occupied the same place in their culture as our pop music does in ours. People whistled these tunes in the street and danced to them at night, and you can easily accept the disc's title when hearing the Baltimore Consort's extremely lively performances, which have all the rhythmic drive and gusto of a good rock band. The ensemble's arrangements and the variety of its programming also contribute to the success of this disc, which would make an excellent introduction to music of the period. The booklet contains translations of all the vocal texts, and Dorian's sound leaps out of the loudspeakers with great clarity and presence. --Leslie GerberCustomer Reviews:
My favorite + audiophile recording.......2005-05-26
They specialize in popular secular tunes of the age. Their playing is impeccable, and most of the group are accomplished soloists. La Rocque 'n' Roll is probably my favorite recording of theirs, the songs are fun, interesting, and involving. The best of the best...
The fact that the recording is technically very good is a nice bonus. As a matter of fact, "Jean de Nivelle" (track 26) is the first thing I play when evaluating speakers. It helps that I've heard the performance live (and unamplified), so I have a real life comparison. The recoding clearly captures the nuances of the individual instruments. Although obviously not as loud as modern rock, the recording still gives challenges speaker dynamics. Unlike some gee whiz audiophile recordings, I can listen to these songs again and again.
absolute favorite .......2004-10-16
Fun stuff!.......2002-11-29
A perfect album.......2000-02-22
This is a CD that sounds perfect in the early morning, late at night, or any other time of day.
I've become a huge fan of the Baltimore Consort (one of the highlights of my life was seeing the group perform the songs on this album live at Synod Hall in Pittsburgh, PA) and "La Rocque 'n' Roll" is their "Sgt. Pepper."
If Led Zeppelin had been born 400 years earlier..........1999-10-02
Average customer rating:
|
Colore Ma Vie
Charles Aznavour Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MR9DZY Release Date: 2007-02-19 |
Tracks:
- Terre Meurt
- Colore Ma Vie
- y a des Femmes
- J'Abdiquerai
- Tendre Arme
- Avant, Pendant, Apr
- T'En Souvient-Il?
- Sans Importance
- Moi, Je Vis en Banlieue
- Oui
- Fado
- F Est Finie
- [CD-Rom Track]
Album Details
2007 Studio Release from the Legendary French Singer. This Album was Recorded in Cuba with the Legendary Chucho Valdes. 12 Tracks featuring the Hit Single "la Terre Meurt".Customer Reviews:
Great Album.......2007-06-24
Average customer rating: |
The Voice of France
Manufacturer: Decca ProductGroup: Music Binding: Audio CD ASIN: B000075A80 Release Date: 2002-11-12 |
Tracks:
- La Marseillaise (French National Anthem) - Placido Domingo
- Dome Epais Le Jasmin (Flower Duet) - Joan Sutherland
- L'amour Est Un Oiseau Rebelle - Regina Resnik
- C'est Toi...Au Fond Du Temple Saint - Gregory Cross
- Belle Noit, O Nuit D'amour - Joan Sutherland
- Apres Un Reve - Renee Fleming
- L'invitation Au Voyage - Gerard Souzay
- Cantique De Jean Racine, Op.11 - Choir Of St. John's College, Cambridge
- Rachel, Quand De Seigneur - Leopold Simoneau
- O Vin, Dissipe La Tristesse - Sherrill Milnes
- Je Suis Titania - Beverly Sills
- Ah, Ou Va La Jeune Indoue - Joan Sutherland
- Les Filles De Cadix - Angela Gheorghiu
- Mon Coeur S'ouvre A Ta Voix - Marilyn Home
- Alerte! Alerte!...Anges Pur - Nuccia Focile
Tracks:
- Frere Jacques - Rita Streich
- Air De Letter: Mon Chet Amant - Regine Crespin
- Marthe Dieu Soit Loue...Deposons Les Armes (Soldiers' Chorus) - Robert Massard
- In Paradisum - L Union Chorale de La Tour De Peliz
- Villanelle - Regine Crespin
- Je Veux Vivre - Joan Sutherland
- Chanson A Boire - Gerard Souzay
- L'Enigme Eternelle - Suzanne Danco
- Sur Le Pont D'Avignon - Hilde Guden
- Phidyle - Gerard Souzay
- Les Gars Qui Vont A La Fete - Gerard Souzay
- Notre Amour - Sylvia McNair
- Beau Soir - Elly Ameling
- C'est L'extase Langoureuse - Sylvia McNair
- Puisqu'on Ne Peut Flechir Ces jalouses Gardiennes-Vainement Ma Bien-Aimee - Alfredo Kraus
- Il Est Doux, Il Est Bon - Angela Gheorghiu
- Hotel - Gilles Cachemaille
- Petite Dinde, Ah! Quel Outrage - Maggie Teyte
- Bailero - Kiri Te Kanawa
- Brezairola - Kiri Te Kanawa
- Malurous Qu'o Uno Fenno - Kiri Te Kanawa
Average customer rating: |
Nouvelle France
Manufacturer: Filmtrax ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006L7JUW Release Date: 2004-11-23 |
Tracks:
- Ouverture
- Bonjour Marie
- Hommes de Bigot
- Bal-Gavotte & Menuet
- Des oiles Dans Ma Tete
- Intervention d'Angque
- Lettre
- Bataille de Quc
- Nouvelle-France N'Est Plus
- Maillard et Marue-Loup - Celine Dion
- Retrouvailles
- Bagarre Dans la Foret
- Berceuse de Marie-Loup
- Drt de France
- Destin de Marie-Loup
- Fin de l'Historie
- Ma Nouvelle France
Average customer rating: |
Ravel: Intérale de la Musique de Chambre
Manufacturer: Calliope France ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007OQBVQ Release Date: 2005-07-12 |
International Music: