| 1. Nosso Apartamento |
| 2. Ai Nois Bebe |
| 3. Olha Eu Aqui De Novo |
| 4. Pode Baixar |
| 5. Vai Pegar Fogo No Barraco |
| 6. De Parar O Transito |
| 7. Tira |
| 8. Timidez |
| 9. Minha Despedida |
| 10. Uma Geral |
| 11. Turo Errado |
| 12. Melhor Admitir |
| 13. Uma Noite E Tao Pouco |
Editorial Reviews
Product Description
Celebration of the Band's 15th Anniversary.
In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.
In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.
Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.
Julian Bream makes a colossal tribute to both composers in this egregious and golden album.
No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.
He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.
In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.
The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.
Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.
You might wonder, however, how these live 50's recordings compare to recordings made in the digital era? Well... in a word, very good, very good indeed considering. Occasionally there is audience coughing (primarily just during the breaks between sections) - after all this was recorded live and you can also sometimes hear music pages turning on the stage if you listen closely. However, the sound is about as full range as you could ask for and the hiss and noise levels are very acceptable and not ever intrusive - I did note that the string instruments generally sound very good while the piano does not always fair quite as well, sometimes sounding slightly boxy - the piano is just far more difficult to record in any live setting because it is more dependent upon the room acoustics. Still, overall, the restoration is very good and trust me, you will become engaged in the MUSIC very quickly and forget all about any limitations of the recordings.
To summarize, as other reviewers have also noted, the sound quality, while not perfect by digital standards, is indeed very good - the important thing is to be assured that sound quality considerations never get in the way of the fantastic, wonderful performances. They really don't make music like this anymore.... well maybe they do sometimes, but not on thirteen discs in a row! Of course, I'm now going to purchase the second box set.
A new favorite has appeared on my shelves.
DuFay Collective are, in a word, brilliant, basically the Pink Martini of the music of the period. Their music never fails to transport you back in time. In this collaboration with the 13th century Castilian King, they have produced a phenomenal, almost mystical album, whose compositions are highly reminiscent of those of Hildegard von Bingen, and the evocative and mystical harmony of the album Diadema, by Vox.
Of all of the works by DuFay to date, this is, by far, my favorite. It takes the mind and soul to other places. It is truly a masterpiece, and a collaborative effort across 700 years between an enlightened King at the end of the Dark Ages, and master performers of medieval music in modern times.
Rubinstein recorded the preludes (op.28) in their entirety only once, in 1946, which means that they aren't available in RCA's collection with preferable sound quality, but on this set Martha Argerich delivers a great performance of the 26 preludes (no.1-24, op.28, plus 25, op.45, and 26, op. 35,) recorded in 1975. One prelude that in my opinion should always be played as slow and gentle as possible is no.15 (a.k.a. "The Raindrop Prelude.") What I'd like to describe as a prefect version of the piece is performed by--despite my having done a lot of research--a, to me unknown performer, but runs at 6:08 minutes. Argerich rushes the whole piece a bit (the drops fall too closely -) the fact that her version runs at 4:51 should say a lot. Of the approximately 20 different performances I've heard of this particular prelude (obviously one of my favorites,) Argerich's is the shortest, and lays somewhere in the swamp among other "medium integral" versions. She delivers exciting performances of the other preludes, though - the first time I heard them, I hit repeat on my CD player, and listened to nothing else for three days.
The Mazurkas, here performed by Jean-Marc Luisada and Lilya Zilberstein, are performed--while beautifully--quite carefully and loosely. For those who'd like a more restrained performance of the pieces, RCA's Rubinstein Collection, vol. 50, is recommended.
Besides all the music for only piano(s,) Chopin also composed 80 minutes worth of chamber music, which here is performed by Beaux Arts Trio, et al. He also wrote 45+ minutes worth of songs, which here is performed by soprano Elzbieta Szmytka and pianist Malcolm Martineau on a 1999 performance. I don't feel qualified to comment on solo singing in Polish, but while I don't care for the occasional close-to-full effect vibrato, I like Martineau's piano playing and the almost folksy melodies and arrangements. This music distinguishes itself by far from the rest of the music in the set. Translations to several languages of the lyrics to the 19 songs are included.
The stereophony on all recordings is great, the overall sound quality on all discs (when considering the years of the recordings) I'd give a 4/5, but still rate the whole package 9/10 - I'd think that some (both older and newer) recordings could have been transferred better, while some sound superior to what you'd dare dream of. This is definitely the best complete edition of Chopin's music available, and perhaps the best collection of works available on disc by any classical composer. A lot of work has been put into the set's design, the sound, and certainly the amount and accuracy of interesting info given in the enclosed illustrated 140 page hard-cover book (of which a fifth is written in English) and in the 40-60 page booklets (also illustrated) included in each volume; practically everything you'll ever need to know about the composer (and these recordings) is included here along with all the music he wrote. Well worthy of your time and money.
The greatest virtue of this collection is the opportunity to hear more obscure elements of Chopin's collected ouevre. He wrote some lovely chamber music and wrote highly effective variations with and without orchestra. Among his 17 songs are a few gems.
As for the strength of the performances, some of them are rightly considered definitive. I love Zimerman in the piano concerti, Argerich owns the Op. 28 preludes, and I find in Pollini's scherzos the unbridled energy and interpretive depth required by these challenging pieces. Even if Daniel Barenboim's nocturnes do not set any records, they are well-done and completely satisfying.
I was less enthusiastic about Pollini's readings of the latter 2 piano sonatas, which I find prosaic on the whole. I was equally underwhelmed by Bunin's impromptus, which again betray interpretive rather than technical deficiencies. My greatest disappointment is Jean-Marc Luisada's controversial readings of the mazurkas. An unwieldy rubato rules the day here, and distorts the harmonic language to the point that it sounds like Debussy or Ravel's frequent (and unshakeably French-sounding) evocations of Spain. I much prefer any of the Rubinstein mazurka sets, which are colorful but rhythmically mindful of their namesakes.
Properly supplemented in the more familiar repertory (mazurkas, impromptus, sonatas, in particular), I believe this set is indispensable to anyone who appreciates or seeks a broader understanding of Chopin the composer. I recommend it highly.
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
The sound quality is excellent.
A special delight are some rarely heard pieces like a Soler Sonata, an Sonatina by Montsalvatge and a Prelude by Mompou.
Very inspiring to pianists. I strongly recommend it!
If you love great piano playing and you love Alicia de Larrocha, do not hesitate for a minute. Buy this box set while it is still available.
Celebration of the Band's 15th Anniversary.
15 Anos De Estrada,Champion,Acit,World Music
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Music of Spain
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ASIN: B0009U55QA Release Date: 2005-09-06 |
Customer Reviews:
The classical heritage .......2006-04-16
In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.
In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.
Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.
Julian Bream makes a colossal tribute to both composers in this egregious and golden album.
Average customer rating:
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Guitarra española
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ASIN: B0000B09Z5 Release Date: 2004-03-09 |
Customer Reviews:
Outstanding music and great value!!.......2006-04-02
Excellent.......2005-08-22
Very Highly Recommended.......2004-05-08
No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.
He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.
In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.
The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.
Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.
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Songs Of Spain / De Los Angeles, et al
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ASIN: B00000I4KQ Release Date: 1999-02-23 |
Tracks:
- El rossinyol
- El testament d'Amelia
- Adios meu homino
- Mina nay por me casare
- Tengo que subir
- Ahi tienes mi corazon
- La vi llorando
- Ya se van los pastores
- Campanas de Belen
- Jaeneras que yo canto
- A dormir ahora mesmo
- Granadinas
- Hincarse de rodillas
- Cancion de trilla
- Parado de Valldemosa
- Nik baditut
- Andregaya
- Din, dan, boleran
- Mariam matrem
- Ay, triste vida corporal!
- Que es mi vida, preguntais?
- Porque es, dama, tanto quereros?
- No me llames segalaherba
- Ay, luna que reluces
- En esta larga ausencia
- Molinillo que mueles amores
- Confiado jilguerillo
- Seguidillas religiosas
- Cancion de cuna
- El jilguerillo con pico de oro
- El canape
Tracks:
- Ah, el novio no quiere dinero
- Coma la rosa en la guerta
- Estavase la mora
- Aquel rey de Francia
- Damos gracias a ti, Dios
- Sobre Baca estaba el rey
- Ay que non hay!
- Rosa das rosas
- Maravillosos e piadosos
- Tres moricas m'enamoran
- Paseabase el rey moro
- Dime a do tienes las mientes
- Si no's huviera mirado
- Dexo la venda
- Puse mis amores
- Aqui me declaro su pensamiento
- Pues que me tienes
- Gentil dama, non se gana
- Mi querer tanto vos quiere
- Una hija tiene el rey
- Una matica de ruda
- Si la noche se hace oscura
- Pastorcico, non te aduermas
- Ay triste que vengo
- No soy you quien la descrube
- Pase el agua, Julieta
- Aquel caballero, madre
- Duelete de mi, Senora
- De Antequera salio el Moro
- De los alamos vengo, madre
- Enfermo estaba Antioco
- Dame acogida en tu hato
- Morenica, dame un beso
- Senora, si te olvidare
- De donde venis, amore?
Tracks:
- La rosa enflorece
- Ven querida
- Adio, querida
- Durme, durme, hermozo hijico
- Paxaro d'hermosura
- Avrix, mi galanica
- Irme quiero, la mi madre
- Ya viene el cativo
- Yo m'enamori d'un aire
- Una matica de ruda
- Anda, jaleo
- Los cuatro muleros
- Las tres hojas
- Los mozos de Monleon
- Las morillas de Jaen
- Sevillanas del siglo 18
- El cafe de Chinitas
- Nana de Sevilla
- Los pelegrinitos
- Zorongo
- Romance de Don Boiso
- Los reyes de la baraja
- La tarara
- El combat del somni: Damunt de tu, nomes les flors
- A l'ombra del Lledoner: Canco de grumet
- Canciones negras: Cancion de cuna para dormir a un negrito
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El tra la la y el punteado
- Seis canciones castellanas: No quiero tus avellanas
- Seis canciones castellanas: Jota
- Panxolina
- Tu pupila es azul
- Cantos populares espanolas: Malaguena
- Cantos populares espanolas: Granadina
- Cantos populares espanolas: El Vito
- Cantos populares espanolas: Pano murciano
- Clavelitos
- Adios, Granada
- Madrigal
Tracks:
- Coleccion de tonadillas: Amor y odio
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El majo discreto
- Coleccion de tonadillas: El majo olvidado
- Coleccion de tonadillas: El majo timido
- Coleccion de tonadillas: El mirar de la maja
- Coleccion de tonadillas: El tra la la y el punteado
- Coleccion de tonadillas: La maja de Goya
- Coleccion de tonadillas: Las currutacas modestas
- Tres majas dolorosas: Oh muerte cruel!
- Tres majas dolorosas: Ay majo de mi vida
- Tres majas dolorosas: De aquel majo amante
- Goyescas: La maja y el ruisenor (Rosario)
- 'La vida breve': Vivan los que rien! (Salud - Act 1)
- 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
- 'Acis y Galatea': Confiado jilguerillo
- El tripili
- Llorad, corazon
- Iban al pinar
- No lloreis, ojuelos
- Mananica era
- Mira que soy nina
- Gracia mia
- El pano moruno
- Seguidilla murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)
Customer Reviews:
The most noble voice.......2004-05-28
PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08
luminous artistry from a genius.......2000-12-26
A special Dignity and an Unfailing Beauty of Voice........2000-09-17
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Pablo Casals: Festivals at Prades Vol. 1
Menuhin Manufacturer: Music & Arts Program ProductGroup: Music Binding: Audio CD General
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ASIN: B000086EMD Release Date: 2003-02-25 |
Tracks:
- I. Allegro
- II. Larghetto
- III. Allegretto
- I. Bewegt, Doch Nicht Zu Rasch
- II. Ziemlich Langsam
- III. Rasch
- IV. Kraftig, Mit Humor
Tracks:
- I. Allegro Con Brio
- II. Andante Con Variazioni
- III. Menuetto. Quasi Allegro
- IV. Finale. Prestissimo
- I. Allegro Vivace Con Brio
- II. Largo Assai, Ed Espressivo
- III. Presto
Tracks:
- I. Allegro Energico
- II. Presto Non Assai
- III. Andante Grazioso
- IV. Allegro Molto
- I. Poco Sostenuto/Allegro, Ma Non Troppo
- II. Allegretto
- III. Allegretto, Ma Non Troppo
- IV. Finale. Allegro
Tracks:
- I. Prelude. Allegro
- II. Allemande. Quasi Maestoso
- III. Courante. Allegro Non Troppo
- IV. Sarabande. Lento
- V. Bourree I. Allegro Moderato
- VI. Gigue. Vivace
- I. Allegro Con Brio
- II. Adagio Con Molto Sentimento D'Affeto/III.Allegro-Allegro Fugato
- I. Op.121a (Not Divided Into Movements)
Tracks:
- I. Adagio
- II. Allegro Ma Non Tanto
- III. Andante
- IV. Allegro Moderato
- I. Allegro Con Brio
- II. Scherzo. Allegro Molto
- III. Adagio
- IV. Allegro
- I. Allegro
- II. Adagio
- III. Andante Grazioso
- IV. Allegro
Tracks:
- I. Sehr Lebhaft
- II. Mitinnigem Ausdruck
- III. In Massiger Bewegung
- IV. Nicht Zu Rasch
- I. Allegro - Arthur Grumiaux
- II. Larghetto - Arthur Grumiaux
- III. Allegretto - Arthur Grumiaux
Tracks:
- Prelude & Fugue In D Major - Mieczyslaw Horszowski
- Prelude & Fugue In F-sharp Minor - Mieczyslaw Horszowski
- Prelude & Fugue In G Major - Mieczyslaw Horszowski
- Prelude & Fugue In B Minor - Mieczyslaw Horszowski
- I. Allegro Con Brio - Arthur Grumiaux
- II. Tema Con Variazioni - Arthur Grumiaux
- III. Rondo (Allegro) - Arthur Grumiaux
- I. Allegro - Paul Tortelier
- II. Adagio - Paul Tortelier
- III. Allegro Ma Non Troppo - Paul Tortelier
- Aria - Victoria De Los Angeles
Tracks:
- I. Allegro
- II. Andante Con Moto
- III. Scherzo. Presto
- IV. Finale. Allegro Giocoso
- I. Mit Energie Und Leidenschaft - Mieczyslaw Horszowski
- II. Lebhaft, Doch Nicht Ru Rasch - Mieczyslaw Horszowski
- III. Langsam, Mit Inniger Empfindung - Mieczyslaw Horszowski
- IV. Mit Feuer - Mieczyslaw Horszowski
Tracks:
- I. Adagio Sostenuto/Allegro/Presto
- II. Allegro Vivace/Adagio
- I. Adagio Sostenuto Ed Espressivo/Allegro Molto Piu Tosto Presto
- II. Rondo. Allegro
- I. Allegro Moderato
- II. Poco Adagio
- III. Rondo. Allegro Moderato/Allegro Molto
Tracks:
- I. Allegro, Ma Non Tanto
- II. Scherzo. Allegro Molto
- III. Adagio Cantabile/Allegro Vivace
- I. Andante/Allegro Vivace
- II. Adagio/Tempo D'Andante/Allegro Vivace
- I. Allegro Con Brio
- II. Adagio Con Molto Sentimento D'Affetto
- III. Allegro
Tracks:
- Seven Variations On The Duet 'Bei Mannern, Welche Liebe...' From Die Zauberflote By Mozart, For Cello And Piano
- I. Allegro - Mieczyslaw Horszowski
- II. Adagio Molto Espressivo - Mieczyslaw Horszowski
- III. Allegro Con Variazioni - Mieczyslaw Horszowski
- I. Allegro - Jose Gonzales
- II. Larghetto - Jose Gonzales
- III. Menuetto/Trio I/Trio II - Jose Gonzales
- IV. Allegro Con Variazioni - Jose Gonzales
Tracks:
- I. Allegro Ma Non Troppo - Karen Tuttle
- II. Adagio (Segue) - Karen Tuttle
- III. Scherzo. Persto (Segue) - Karen Tuttle
- IV. Allegretto/Piu Allegro - Karen Tuttle
- I. Molto Allegro Ed Agitato
- II. Andante Con Moto Tranquillo
- III. Scherzo. Leggiero E Vivace
- IV. Finale. Allegro Assai Appassionato
Tracks:
- Adagio And Allegro For Piano And Horn In A Flat Major, Op.70
- I. Introduzione. Andante Espressivo/Allegro - Vegh Quartet
- II. Scherzo. Presto/Intermezzo - Vegh Quartet
- III. Adagio - Vegh Quartet
- IV. Presto - Vegh Quartet
- I. Allegro Brillante - Rudolph Serkin
- II. In Modo D'Una Marcia. Un Poco Largamente/Agitato - Rudolph Serkin
- III. Scherzo. Molto Vivace/Trio I/Trio II. L'Istesso Tempo - Rudolph Serkin
- IV. Allegro Ma Non Troppo - Rudolph Serkin
Customer Reviews:
Bravo Maestro.......2007-01-03
They don't make 'em like this any more..........2006-11-28
You might wonder, however, how these live 50's recordings compare to recordings made in the digital era? Well... in a word, very good, very good indeed considering. Occasionally there is audience coughing (primarily just during the breaks between sections) - after all this was recorded live and you can also sometimes hear music pages turning on the stage if you listen closely. However, the sound is about as full range as you could ask for and the hiss and noise levels are very acceptable and not ever intrusive - I did note that the string instruments generally sound very good while the piano does not always fair quite as well, sometimes sounding slightly boxy - the piano is just far more difficult to record in any live setting because it is more dependent upon the room acoustics. Still, overall, the restoration is very good and trust me, you will become engaged in the MUSIC very quickly and forget all about any limitations of the recordings.
To summarize, as other reviewers have also noted, the sound quality, while not perfect by digital standards, is indeed very good - the important thing is to be assured that sound quality considerations never get in the way of the fantastic, wonderful performances. They really don't make music like this anymore.... well maybe they do sometimes, but not on thirteen discs in a row! Of course, I'm now going to purchase the second box set.
Treasure!.......2003-06-19
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Los 15 Grandes Exitos de Juan Gabriel
Juan Gabriel Manufacturer: Sony International ProductGroup: Music Binding: Audio CD General
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ASIN: B0002IQHSY Release Date: 2004-07-27 |
Tracks:
- Noa Noa
- Aunque Te Anamores
- Cuando Quieras, Dejame
- Yo No Naci Para Amar
- Ya Para Que
- Me Gusta Bailar Contigo
- Inocente Pobre Amigo
- He Venido a Pedirte Perdon
- Diferencia
- Frontera
- Mis Ojos Tristes
- Buenos Dias SeSol
- Mi Fracaso
- Adios Amor, Te Vas
- Con Tu Amor
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Music for Alfonso the Wise
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD General
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ASIN: B0006Z2LLU Release Date: 2005-01-11 |
Tracks:
- Muit, Amar
- Ontre Todalas
- Tant Aos Peccadores
- Todo Los Santos
- Que Muyto Meu Pago
- Quen A Virgen
- Bailemos Nos Ja Todas Tres
- Dansa: Bailemos Nos Ja Todas Tres
- Martin Jograr
- Macar E Door
- Non Soffre Santa Maria
- Ondas Do Mare De Vigo
- Mandad' Ei Comigo
- Mia Irmana Fremosa
- Interlude
- Ay Deus Se Sab' Ora Meu Amigo
- Quantas Sabedes Amar
- Interlude/Eno Sagrado En Vigo
- Ai Ondas Que Eu Vin Veer
Customer Reviews:
SEMI-SEPHARDIC HEAVEN.......2007-02-15
A new favorite has appeared on my shelves.
Brilliant.......2006-08-02
DuFay Collective are, in a word, brilliant, basically the Pink Martini of the music of the period. Their music never fails to transport you back in time. In this collaboration with the 13th century Castilian King, they have produced a phenomenal, almost mystical album, whose compositions are highly reminiscent of those of Hildegard von Bingen, and the evocative and mystical harmony of the album Diadema, by Vox.
Of all of the works by DuFay to date, this is, by far, my favorite. It takes the mind and soul to other places. It is truly a masterpiece, and a collaborative effort across 700 years between an enlightened King at the end of the Dark Ages, and master performers of medieval music in modern times.
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Chopin: Complete Edition
Krystian Zimerman , Claudio Arrau , Stefan Askenase , Anatol Ugorski , Maurizio Pollini , Jean-Marc Luisada , and Zilberstein, Lilya Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Bourees
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ASIN: B00001X58Z Release Date: 1999-10-12 |
Amazon.com
On the 150th anniversary of his death, Deutsche Grammophon released this impressive box set featuring the complete works of Frédéric Chopin. Spread out over 17 CDs, it contains some truly big-name artists--Argerich, Pollini, Barenboim, and Ashkenazy--and a few you've probably never heard of. The majority of the set's nine volumes contain some music newly produced for this undertaking, and a few items (Chopin's songs, for instance) were recorded specifically for this collection. A well-illustrated book is included--it contains an essay, dateline, and illustrations--and each volume in the set gets its own liner notes. The music? It varies from great to less than great, but most of it is worth hearing. Those accustomed to Rubinstein's readings of the Mazurkas will find those played by Jean-Marc Luisada less fluid and lacking Rubinstein's power. Chopin's songs, seldom heard and filled with elements of Polish folk dances and the less-than-stellar lyrics of the composer's friend Stefan Witwicki, get a college try here by soprano Elzbieta Szmytka. They sound as good as you'll hear anywhere (if you can find them). It probably goes without saying that Martha Argerich's rousing 26 Préludes are some of the set's more exciting moments. But, really, the entire collection is solid. It should be noted that budget label Naxos has released its own Chopin edition at less than half the price of this set. With Idil Biret as the only performer on that set, you miss out on some of the diverse performances and personalities found here. Also, to please those of us who already own favorite performances of these works, each two-CD volume in the Complete Chopin Edition can be purchased individually. Bravo. --Jason VerlindeCustomer Reviews:
At least 16 / 19 well spent hours.......2004-10-11
Rubinstein recorded the preludes (op.28) in their entirety only once, in 1946, which means that they aren't available in RCA's collection with preferable sound quality, but on this set Martha Argerich delivers a great performance of the 26 preludes (no.1-24, op.28, plus 25, op.45, and 26, op. 35,) recorded in 1975. One prelude that in my opinion should always be played as slow and gentle as possible is no.15 (a.k.a. "The Raindrop Prelude.") What I'd like to describe as a prefect version of the piece is performed by--despite my having done a lot of research--a, to me unknown performer, but runs at 6:08 minutes. Argerich rushes the whole piece a bit (the drops fall too closely -) the fact that her version runs at 4:51 should say a lot. Of the approximately 20 different performances I've heard of this particular prelude (obviously one of my favorites,) Argerich's is the shortest, and lays somewhere in the swamp among other "medium integral" versions. She delivers exciting performances of the other preludes, though - the first time I heard them, I hit repeat on my CD player, and listened to nothing else for three days.
The Mazurkas, here performed by Jean-Marc Luisada and Lilya Zilberstein, are performed--while beautifully--quite carefully and loosely. For those who'd like a more restrained performance of the pieces, RCA's Rubinstein Collection, vol. 50, is recommended.
Besides all the music for only piano(s,) Chopin also composed 80 minutes worth of chamber music, which here is performed by Beaux Arts Trio, et al. He also wrote 45+ minutes worth of songs, which here is performed by soprano Elzbieta Szmytka and pianist Malcolm Martineau on a 1999 performance. I don't feel qualified to comment on solo singing in Polish, but while I don't care for the occasional close-to-full effect vibrato, I like Martineau's piano playing and the almost folksy melodies and arrangements. This music distinguishes itself by far from the rest of the music in the set. Translations to several languages of the lyrics to the 19 songs are included.
The stereophony on all recordings is great, the overall sound quality on all discs (when considering the years of the recordings) I'd give a 4/5, but still rate the whole package 9/10 - I'd think that some (both older and newer) recordings could have been transferred better, while some sound superior to what you'd dare dream of. This is definitely the best complete edition of Chopin's music available, and perhaps the best collection of works available on disc by any classical composer. A lot of work has been put into the set's design, the sound, and certainly the amount and accuracy of interesting info given in the enclosed illustrated 140 page hard-cover book (of which a fifth is written in English) and in the 40-60 page booklets (also illustrated) included in each volume; practically everything you'll ever need to know about the composer (and these recordings) is included here along with all the music he wrote. Well worthy of your time and money.
Enlightening but slighly blemished.......2004-07-05
The greatest virtue of this collection is the opportunity to hear more obscure elements of Chopin's collected ouevre. He wrote some lovely chamber music and wrote highly effective variations with and without orchestra. Among his 17 songs are a few gems.
As for the strength of the performances, some of them are rightly considered definitive. I love Zimerman in the piano concerti, Argerich owns the Op. 28 preludes, and I find in Pollini's scherzos the unbridled energy and interpretive depth required by these challenging pieces. Even if Daniel Barenboim's nocturnes do not set any records, they are well-done and completely satisfying.
I was less enthusiastic about Pollini's readings of the latter 2 piano sonatas, which I find prosaic on the whole. I was equally underwhelmed by Bunin's impromptus, which again betray interpretive rather than technical deficiencies. My greatest disappointment is Jean-Marc Luisada's controversial readings of the mazurkas. An unwieldy rubato rules the day here, and distorts the harmonic language to the point that it sounds like Debussy or Ravel's frequent (and unshakeably French-sounding) evocations of Spain. I much prefer any of the Rubinstein mazurka sets, which are colorful but rhythmically mindful of their namesakes.
Properly supplemented in the more familiar repertory (mazurkas, impromptus, sonatas, in particular), I believe this set is indispensable to anyone who appreciates or seeks a broader understanding of Chopin the composer. I recommend it highly.
Chopin - Luisada, Jean-Marc.......2002-04-14
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
Chopin - Luisada, Jean-Marc.......2002-04-14
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.
Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.
Learn, learn, learn!.......2000-10-16
DG deserves praise for coming with an excellent set of records as well as presentation of the booklets. It is breathtaking to have the opportunity to really know Chopin so well.
Performers are first rate and speak for themselves, and for the price of 8 CD's you get the whole collection. Yes, you can get in some cases better performances, but overall you can find a better compilation. Naxos has its own, and I am going to exchange it with a friend, problem will be to get mine back!
Buy it without hesitation.
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15 Exitos de Oro
Los Chicanos Manufacturer: I.M. Records ProductGroup: Music Binding: Audio CD General
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ASIN: B00005YDY8 Release Date: 2000-03-27 |
Tracks:
- Vecina
- Pastora
- Mi Ultimo Fracaso
- Ella
- Historia de Mi Vida
- Para Siempre
- Tu Eres Mi Destino
- No Pidas Mas Perdon
- Puente de Piedra
- Nuestro Juramento
- Carierdad
- Morenita Mia
- Amor Perdido
- Frio de Ausencia
- Amarga Navidad
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The Art of Alicia de Larrocha
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ASIN: B00008Y4IN Release Date: 2003-06-10 |
Customer Reviews:
The Art of Alicia de Larrocha.......2007-01-04
The sound quality is excellent.
A special delight are some rarely heard pieces like a Soler Sonata, an Sonatina by Montsalvatge and a Prelude by Mompou.
Very inspiring to pianists. I strongly recommend it!
A feast for piano lovers!.......2003-12-29
If you love great piano playing and you love Alicia de Larrocha, do not hesitate for a minute. Buy this box set while it is still available.
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15 de Coleccion: Los Socios del Ritmo
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| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Mexico
| International
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Latin General
| Latin Music
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Latin General
| Latin Music
| Today's Deals in Music
| Formats
| Music
ASIN: B0002B168W Release Date: 2004-07-13 |
Tracks:
- Chilito Piquin
- Vamos A Platicar
- La Carreta
- El Piojo Y La Pulga
- La Escoba
- A Yucatan
- Vida
- Arriba Pichataro
- El Pregonero Campechano
- Champoton
- Panucho Caliente
- La Gallina
- Toca El Sax
- El Chivirico
- Y Yo Que Necesito Tu Amor
International Music: