Loco de Amor

1. Pero Te Quiero

2. Tu Volveras a Mi

3. Loco de Amor

4. Y Es Que Tu

5. Medley de Boleros: Lagrimas/Del Alma/Mienteme

6. Siempre Te Vas

7. Otra

8. Vuelve a Mi

9. Como Somoms

10. Medley de Camilo Sesto: Melancolia/Mia/Mi Buen Amor/Jams/Perdoname/Qu

Tracks:

Nacqui All' Affanno
Cruda Sorte! Amor Tiranno!
Amici, In Ogni Evento...Pensa Alla Patria
Nella Fatal Di Rimini
Il Segreto Per Esser Felici
Popolo, Amici, Sanguinosi Allori... Ah! Si, Da Tanti Affani
E Sgombro Il Loco... Un Bacio, Un Bacio Ancora
Mura Felici
Eccomi Alfine In Babilonia... Ah! Quel Giorno Ognor Rammento
Una Voce Poco Fa

Customer Reviews:

Viveca sparkles.......2007-01-04

If you love Bel Canto and Mezzo Sopranos, you will love Vivica Genaux!

Pure pleasure...........2006-05-19

I have her Farinelli CD, as well. I also saw her on A&E some time ago. My only criticism was her excessive chin movements but, then, I don't get all bent out of shape over Bartoli's grimaces -- and the voice is the thing, after all.

As for Fach, a singer doesn't need to enjoy merely one, although many are restricted to such. What I like about Genaux, aside from the absolutely beautiful tone, is that she is NOT mannered. She has just the right take on every one of these arias. Spare me from the singers who just MUST emote all over the place when simplicity and class are sufficient.

I've had this CD since for some time and decided to see what others thought of it -- I'm always interested in other opinions.

Nancy Eckert

More Bravura.......2006-03-23

When I read a review stating that Vivica sang with two little volume on this recording, I found that very hard to believe. Everything I had previously heard of her showed a voice with unlimited power. However, when I purchased this set I agreed that Vivica sings with to little volume and possibly emotion. This is puzzling; I think it must have been an artistic decision that doesn't really work.

However, I can't agree with the other reviewer about this being the wrong repertoire. Most of Genaux's early roles were Rossini and her Bel Canto technique is superb. I love the selection of music, and despite the shortcomings, I really enjoy listening to this CD. I just wish she used a little more emotion and power in the parts that call for it.

Bel Canto Arias; Vivica Genaux.......2005-09-26

Vivica Genaux seems to have a lovely personality not to mention an absolutely fabulous voice both live and on disc, but some of these arias just don't work for her voice, some are just too.....well.... Bel Canto but the arias by Rossini I liked, especially
"Una Voce Poco Fa".
I also feel I should mention that Vivica is NOT a soprano
as "Sergey Tsoy "Dallas Opera"" states in his review, but rather a Mezzo-soprano.

BRAVA! BRAVA! BRAVA!.......2004-12-20

In my opinion, Vivica is a fantastic singer and an outstanding artist. I have heard her singing live in Rossini's La Cenerentola, and it was literally breathtaking. Many sopranos sing well and have beautiful voices, but it is perhaps their choice of vibrato which makes them sound extremely out of tune, weak, irritating, and just ugh! Also, many of them sing just loudly. I am not a singer, but to my ears, Vivica is absolutely the best soprano (or at least, one of a few) whom I have heard live - beautiful, pure, in tune (yes, fortunately and unfortunately it matters, too), great vibrato, wild tempi, rock-solid consistency of musical ideas, convincing stage presence, logical, elegant, and so forth. It is all these things add together, which make a true impression. I still wonder, how is it possible to sing with such clarity, presicion, and beauty? Because it is often either, or. But she somehow combines everything, and that's just marvelous. And also, her tonal quality is so fresh and sounds really out of the ordinary. Although I have never heard her CDs, I have no second thoughts about this particular one, which I have just bought and wait with great impatience until it arrives. Brava to Vivica, for, to my mind, her type of artistry comes in a truly short suply nowadays! It is my personal opinion.

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman

Average customer rating:

Refreshing and Surprising!
Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard.
Best ever!!

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman
Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Beethoven: Symphonies Nos. 1-9 (Fra)
Wagner: Der Ring des Nibelungen
Weber: Der Freischütz
Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin
Complete Mozart Symphonies / Pinnock, English Concert

ASIN: B00006IU7V
Release Date: 2003-03-11

Album Details

These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

Customer Reviews:

Refreshing and Surprising!.......2006-11-24

I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

Should not be missed by any terms by anybody who cares for music.

Ran

Best ever!!.......2004-01-12

Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

Tracks:

All'erta! All'erta! - Giorgio Tozzi
Di Due Figli Vivea Padre Beato - Giorgio Tozzi
Che Piu T'arresti?
Tacea La Notte Placida E Bella In Ciel Sereno
Di Tale Amor, Che Dirsi Mal Puo Dalla Parola
Tace La Notte! ... Il Trovator! - Ugo Savarese
Deserto Sulla Terra ... Anima Mia!
Infida!...- Qual Voce! ... Di Geloso Amor Sprezzato ... Un Istante Almen Dia Loco il Tuo Sdegno Alla Ragione
Vedi! Le Fosche Notturne Spoglie ... Chi Del Gitano I Giorni Abbella? (Anvil Chorus) - Coro Del Maggio Musicale Fiorentino
Stride La Vampa! ... Mesta E La Tua Canzon - Mario Del Monaco
Soli Or Siamo; Deh, Narra Quella Storia Funesta ... Condotta Ell'era In Ceppi - Mario Del Monaco
Non Son Tuo Figlio? - Mario Del Monaco
Mal Reggendo All'aspro Assalto ... L'usato Messo Ruiz Invia! - Mario Del Monaco
Perigliarti Ancor Languente Per Cammin Selvaggio Ed Ermo! - Mario Del Monaco
Tutto E Deserto - Giorgio Tozzi
Il Balen Del Suo Sorriso ... Quel Suono! ... Ardir!... Andiam ... Per Me, Ora Fatale, I Tuoi Momenti Affretta - Giorgio Tozzi
Ah!... Se L'erro T'ingombra, O Figlia D'Eva, I Rai ... Perche Piangete?
E Deggio... E Posso Crederlo? ... Urgel Viva!

Tracks:

Or Co' Dadi, Ma Fra Poco Giocherem Ben Altro Gioco - Giorgio Tozzi
Squilli, Echeggi La Tromba Guerriera - Giorgio Tozzi
In Braccio Al Mio Rival! ... Che Fu? ... Innanzi, O Strega - Giulietta Simionato
Giorni Poveri Vivea ... Tu Vedi Chi L'infame, Orribil Opra Commettea ... Deh, Rallentate, O Barbari, Le Acerbe Mie Ritorte - Giulietta Simionato
Quale D'armi Fragor Poc'anzi Intesi?
Ah! Si, Ben Mio; Coll'essere Io Tuo, Tu Mia Consorte - Mario Del Monaco
L'onda De' Suoni Mistici ... La Zingara, Vieni, Tra Ceppi Mira
Di Quella Pira L'orrendo Foco ... All'armi! All'armi!
Siam Giunti: Ecco La Torre
D'amor Sull'ali Rosee Vanne, Sospir Dolente
Miserere ... Quel Suon, Quelle Preci Solenni ... Ah, Che La Morte Ognora E Tarda Nel Venir
Tu Vedrai Che Amore In Terra Mai Del Mio Non Fu Piu Forte
Udiste? Come Albeggi, La Scure Al Figlio, Ed Alla Madre Il Rogo - Ugo Savarese
A Te Davanti. - Qual Voce!
Mira, Di Acerbe Lagrime Spargo Al Tuo Piede Un Rio
(Vivra!... Contende Il Giubilo I Detti A Me, Signore...)
Madre?... Non Dormi? ... Vedi?... Le Sue Fosche Impronte - Mario Del Monaco
Si; La Stanchezza M'opprime, O Figlio - Mario Del Monaco
Che!... Non M'inganna Quel Fioco Lume?
Parlar Non Vuoi?
Ti Scosta... - Non Respingermi
Prima Che D'altri Vivere... Io Volli Tua Morir! ... Sia Tratto Al Ceppo!

Customer Reviews:

A Worthy Trovatore.......2006-05-13

I decided to buy a used copy of this half century old Trovatore on the strength of the earlier review posting. I'm certainly glad I did.

First, there is the pleasure of hearing Tebaldi in a role that wasn't central to her repertory. Having heard her Violetta on an early '50s Decca recording of Traviata I was not expecting much in the way of florid singing. I was pleasantly surprised. True, some of the runs are sketchy and the tone isn't always ideally equalized when she goes for the high notes, but Tebaldi isn't far behind the fabled Milanov, a favorite in this role. Tebaldi's italianate timbre is a decided plus. A few days ago I played the first act aria and cabaletta for some friends without any identification. After some puzzled looks, someone commented that whoever it was, she was great and though she sounded like Tebaldi, the florid singing was too good for it to be her. Needless to say, they were all pleasantly surprised.

I think Simionato is simply the finest Azucena on disc - whether here or in the legendary Salzburg broadcast of a few years later.

Del Monaco isn't an intellectual tenor by any stretch of the imagination, but this is elemental, viscerally exciting singing. I'll give up the subtle nuances for a vital, heroic Manrico like this.

Savarese is a competant Di Luna. He's certainly not offensive, but there's not much here to convince the listener he belongs in the company of the great exponents of the role. I have to admit that I think the role's showpiece, "Il balen" is a problem for any interpreter. I think organ grinder every time I hear it.

It's always a pleasure to hear the young Tozzi's richly overtoned voice as Ferrando.

Erede is no Karajan (or Mehta) but he gives us a well routined reading of the score. Finally, the sonics of this 1956 recording are very impressive early vintage stereo. Despite its occasional flaws, I quickly have become very attached to this venerable Trovatore.

Strangely fascinating!.......2004-01-01

This old Trovatore recording has aspects that would normally make one avoid it. However, I find myself listening to it more and more and actually enjoying it more than other, more popular recordings of this opera.

Mario Del Monaco is, as expected, a heroic Manrico. He rarely sings piano and knows little about elegant phrasing but the sheer vigour and ring of his voice strikes in magnificiently! Only F. Corelli equals Mario in force and exciting high notes. Musically, Corelli is certainly more creative but I've always found Del Monaco's voice more handsome. Tastes differ, though. Del Monaco is particularly thrilling in "mal reggendo, all'aspro assalto", "ah! Si, ben mio" and "Di quella pira" even if he could hold the last note longer in the cabaletta.

The casting of Renata Tebaldi as Leonora is for most opera fans controversial. She is a spinto with little agilty; it's interesting to see what such a voice can offer. Indeed, she barely manages the florid parts and the highest notes sound effortfull. In this part she's nowhere near Caballe, Milanov, Callas or even Price. However, there are other moments that no other soprano in my experience has ever sung so idiomatically. In "mira, di acerbe lagrime" for example, the way she sings those long phrases using her glorious spinto instrument is unique. She firmly grasps each note and the result is intoxicating! Same with Miserere and the proceeding Manrico - Leonora encounter. Dramatically her outbreaks are few. However, Tebaldi was THE FIRST who made me realise that Leonora is a woman in love!

If one can argue about the performances of Tebaldi and Del Monaco, little can be said about Simionato's Acuzena. Along with Barbieri and Cossotto she's one of the best interpreters of this wonderful role, probably Verdi's greatest mezzo part. The weakest link of the cast is Ugo Savarese's routine Conte di Luna. If only Bastianini had joined this recording instead. Tozzi does an OK job as Ferrando. Erede conducts well but nothing really memorable. Decca's early stereo sound certainly impresses; pity that EMI and RCA didn't adopt stereo so early as well.

On the whole, this set won't beat famous Trovatores like Karajan's live performance but it will always attract my attention!

Itinerary of a Genius
Average customer rating:

a must have for all the Piazzollists

Itinerary of a Genius
Astor Piazzolla
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

Argentina | South & Central America | International | Styles | Music
General | International | Styles | Music
Tango | Latin Music | Styles | Music
General | Soundtracks | Styles | Music
Similar Items:

Tango: Zero Hour

The Rough Dancer and the Cyclical Night (Tango Apasionado)

Astor Piazzolla - The Soul Of Tango: Greatest Hits

ASIN: B000068Q1X
Release Date: 2002-07-23

Tracks:

Adios Nonino
Libertango
Buenos Aires hora cero
Tres minutos con la realidad
Verano Porteno
Doble concierto para Bandoneon, Guitarra y Orquesta de Cuerdos - "Hommage a Liege" Tango
Vuelvo al Sur
Tanguedia III
Milonga del Angel
Concierto de Nacar 3rd mvt allegro marcato
Decarissimo
Duo de Amor
Ballada para un loco
November 1987 - Opus
July 1987 - Les Trottoirs de Buenos Aires - Euphonia Argentina
March 21, 1981 - Interactualites

Customer Reviews:

a must have for all the Piazzollists.......2004-06-23

This is one of my favorite Piazzolla recordings. Be ready to embarke on a beautiful journey through Europe and Argentina. For the pluralists Piazzolla's language is the Lingua-Franca !

Average customer rating:

Early Verdi at its best
Verdi's Ernani

Verdi: Ernani

Manufacturer: Opera D'oro
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Caballe, Montserrat | Divas | Opera & Vocal | Styles | Music

Donizetti: Roberto Devereux
Verdi: La Forza del Destino
Verdi - Giovanna d'Arco (Joan of Arc)/ Caballé · Domingo · Milnes · LSO · Levine
Rossini - Guillaume Tell / Bacquier, Caballé, Gedda, Mesplé, Kovacs, Howell, RPO, Gardelli
Eugene Onegin

ASIN: B000000UO3
Release Date: 1997-09-16

Tracks:

Ernani: Preludio
Ernani - Act One - Scene One: 'Evviva!...Beviamo!'
Ernani - Act One - Scene One: 'Merce, diletti amici...Come rugiada al cespite'
Ernani - Act One - Scene One: 'Dell' esilio nel dolore'
Ernani - Act One - Scene Two: 'Surta e la notte'
Ernani - Act One - Scene Two: 'Ernani!...Ernani, involami'
Ernani - Act One - Scene Two: 'Tutto sprezzo che d'Ernani'
Ernani - Act One - Scene Two: 'Qui mi trasse amor possente'
Ernani - Act One - Scene Two: 'Da quel di' che t'ho vedurta'
Ernani - Act One - Scene Two: 'Tu se' Ernani!...'
Ernani - Act One - Scene Two: 'Che mak vegg'io!...Infelice!...e tuo credevi'
Ernani - Act One - Scene Two: 'Vedi come il buon vegliardo' - Bruno Prevedi - Ernani
Ernani - Act Two: 'Esultiamo!...Letizia ne innorndi' - Bruno Prevedi - Ernani
Ernani - Act Two: 'Oro, quant'oro ogni avido' - Bruno Prevedi - Ernani
Ernani - Act Two: 'Tu perfida...' - Bruno Prevedi - Ernani
Ernani - Act Two: 'No, vendetta piu tremenda' - Boris Christoff - Silva

Tracks:

Ernani - Act Two: 'Cugino, a che munito'
Ernani - Act Two: 'Lo vedremo, veglio audace'
Ernani - Act Two: 'Vieni meco, sol di rose'
Ernani - Act Two: 'A te...scegli...seguimi'
Ernani - Act Three: 'E questo il loco?...'
Ernani - Act Three: 'Gran Dio!'
Ernani - Act Three: 'Oh de' verd'anni miei'
Ernani - Act Three: Un patto, un giuramento...Si ridesti il Leon di Castiglia'
Ernani - Act Three: 'Oh sommo Carlo'
Ernani - Act Four: 'Oh come felici...gioiscon gli sposi'
Ernani - Act Four: 'Tutto ora race intorno'

Customer Reviews:

Early Verdi at its best.......2001-03-13

This recording finds Caballe in the very best voice, and Christoff at the top of his game. The tenor, Bruno Prevdi, was one of those three or four year sensations, and, listening to this recording, I am not at all sure what all the fuss was about. He does very little with the music except sing it, and the tone isn't all that great either. Peter Glossop is the Don Carlo. While not in the league of the Italians who have recorded this role, he is more than adaquate in it. You will take this recording from your shelf many times because Caballe and Christoff are in it--they make this recording more than worth the little bit of money it costs.

Verdi's Ernani.......2001-02-07

Verdi has given us a virtual songfest!!!This two disc CD has a wonderful ensemble. I really enjoyed hearing Monserat Caballe in this recording. Her lower register or "chest tones" make you really appreciate her great range. It is a good CD to have in your car when you take that long commute.......... it is a real bargain!!!!!

Average customer rating:

Loco De Amor
Carlos Catalan
Manufacturer: Dii
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

Mexico | International | Styles | Music

General | Latin Music | Styles | Music
ASIN: B00008EZEH
Release Date: 1995-10-27

The Best of the Complete Mozart Edition (Box Set)

Average customer rating:

This is it -- the best condensed collection!
The definitive collection--worth the effort.
Superb!
Go no further than this loving compilation
Mozart Goo

The Best of the Complete Mozart Edition (Box Set)

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0000041C7
Release Date: 1995-11-14

Tracks:

Symphony No. 39 In E Flat, K. 543: 1. Adagio - Allegro - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 2. Andante con moto - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 4. Finale. Allegro - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 1. Allegro assai - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 3. Allegro - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante (Alternative) - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 1. Adagio - Allegro spiritoso - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 2. Poco adagio - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 4. Finale. Presto - Academy Of St. Martin In The Fields

Tracks:

Symphony No. 40 In G Minor, K. 550: 1. Molto allegro - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 4. Finale. Allegro assai - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 1. Allegro con brio - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 4. Allegro - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 1. Adagio - Allegro - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 3. Finale. Presto. - Academy Of St. Martin In The Fields
German Dance In C, K. 602 No. 3: 'Die Leyerer' - Wiener Mozart-Ensemble

Tracks:

Symphony No. 41 In C, K. 551 'Jupiter': 1. Allegro vivace - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 2. Andante cantabile - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 4. Molto allegro - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 1. Allegro moderato - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 4. Allegro con spirito - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 1. Allegro con spirito - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 2. (Andante) - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 4. Finale. Presto - Academy Of St. Martin In The Fields
German Dance In C, K. 605 No. 3: Trio: 'The Sleigh Ride' - Wiener Mozart Emsemble

Tracks:

'Eine kleine Nachtmusik', K. 525: Serenade In G - 1. Allegro - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 2. Romance. Andante - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 4. Rondo. Allegro - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 1. Marcia. Maestoso. - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 2. . Menuetto - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 3. Rondeau. Allegretto - Adagio - Allegretto - Stephen Shingles
Divertimento In F, K. 247: 4. Adagio - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 1. Andante - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 2. Allegretto grazioso - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 3. Menuetto - Academy Of St. Martin In The Fields
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 1. Allegro - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 2. Andante - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 3. Menuetto in canone - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 4. Allegro - Holliger Wind Ensemble

Tracks:

Serenade In B Flat, K. 361-370a 'Gran Partita': 1. Largo - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': Allegro molto - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 2. Menuetto - Trio I-II - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 3. Adagio - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 4. Menuetto. Allegretto - Trio I-II - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 5. Romanze. Adagio - Allegretto - Adagio - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 6. Thema mit Variationen. Andante - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 7. FInale. Molto allegro - Academy Of St. Martin In The Fields
Adagio In F, K. 410-484d - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 1. Allegro maestoso - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 2. Menuetto - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 3. Adagio - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 4. Menuetto - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 5. Finale. Allegro - Holliger Wind Ensemble

Tracks:

Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 1. Allegro - Alfred Brendel
Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 2. Andante - Alfred Brendel
Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 3. Rondeaux. Allegro - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 1. Allegro aperto - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 2. (Andante un poco adagio) - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 3. Rondeau. Allegro - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 1. Allegro - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 2. Andantino - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 3. Rondeau. Presto - Alfred Brendel

Tracks:

Piano Concerto No. 20 In D Minor, K. 466: 1. Allegro - Alfred Brendel
Piano Concerto No. 20 In D Minor, K. 466: 2. Romance - Alfred Brendel
Piano Concerto No. 20 In D Minor, K. 466: 3. Rondo. Allegro assai - Alfred Brendel
Sonata In C Minor, K. 457: 1. Molto allegro - Alfred Brendel
Sonata In C Minor, K. 457: 2. Adagio - Alfred Brendel
Sonata In C Minor, K. 457: 3. Allegro assai - Alfred Brendel
Piano Concerto No. 21 In C, K. 467: 1. (Allegro) - Alfred Brendel
Sonata In C Minor, K. 457: 2. Andante - Alfred Brendel
Sonata In C Minor, K. 457: 3. Allegro vivace assai - Alfred Brendel

Tracks:

Piano Concerto No. 23 In A, K. 488: 1. Allegro - Alfred Brendel
Piano Concerto No. 23 In A, K. 488: 2. Adagio - Alfred Brendel
Piano Concerto No. 23 In A, K. 488: 3. Allegro assai - Alfred Brendel
Sonata In B Flat, K. 333-315c: 1. Allegro - Alfred Brendel
Sonata In B Flat, K. 333-315c: 2. Andante cantabile - Alfred Brendel
Sonata In B Flat, K. 333-315c: 3. Allegretto grazioso - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 1. Allegro - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 2. (Larghetto) - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 3. (Allegretto) - Alfred Brendel

Tracks:

Violin Concerto No. 3 In G, K. 216: 1. Allegro - Henryk Szeryng
Violin Concerto No. 3 In G, K. 216: 2. Adagio - Henryk Szeryng
Violin Concerto No. 3 In G, K. 216: 3. Rondeau. Allegro - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 1. Allegro - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 2. Andante cantabile - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 3. Rondeau. Andante grazioso - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 1. Allegro aperto - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 2. Adagio - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 3. Rondeau. Tempo di menuetto - Henryk Szeryng

Tracks:

Clarinet Concerto In A, K. 622: 1. Allegro - Karl Leister
Clarinet Concerto In A, K. 622: 2. Adagio - Karl Leister
Clarinet Concerto In A, K. 622: 3. Rondo. Allegro - Karl Leister
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 1. Allegro - Irena Grafenauer
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 2. Andantino - Irena Grafenauer
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 3. Rondeau. Allegro - Irena Grafenauer
Horn Concerto In E Flat, K. 495: 1. Allegro moderato - Peter Damm
Horn Concerto In E Flat, K. 495: 2. Romanza. Andante - Peter Damm
Horn Concerto In E Flat, K. 495: 3. Rondo. Allegro vivace - Peter Damm
Rondo In E Flat, K. 371 For Horn And Orchestra - Timothy Brown

Tracks:

Clarinet Quintet In A, K. 581: 1. Allegro - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 2. Larghetto - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 3. Menuetto - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 4. Allegretto con variazioni - Academy Of St. Martin In The Fields
Movement In B Flat, K. App. 91-516c (For Clarinet, Basset Horn, Violin, Viola And Cello) - Academy Of St. Martin In The Fields
Movement In F, K. App. 90/580b - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 1. Allegro - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 2. Adagio - - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 3. Rondeau - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 1. Allegro - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 2. Adagio - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 3. Rondeau. Allegro - Academy Of St. Martin In The Fields
From 'A Musical Joke', K. 522: 4. Presto - Academy Of St. Martin In The Fields

Tracks:

String Quintet [No. 3] In G Minor, K. 516: 1. Allegro - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 2. Menuetto. Allegretto - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 3. Adagio ma non troppo - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 4. Adagio - Allegro - Arthur Grumiaux
Divertimento (Trio For Strings) In E Flat, K. 563: 1. Allegro - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 2. Adagio - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 3. Menuetto. Allegretto - Trio - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 4. Andante - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 5. Menuetto. Allegretto - Trio I-II - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 6. Allegro - Grumiaux Trio
Movement In G, K. App. 66-562e For Violin And Cello: Allegro - Academy Of St. Martin In The Fields

Tracks:

String Quartet No. 15 In D Minor, K. 421-417b: 1. Allegro moderato - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 2. Andante - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 3. Menuetto. Allegretto - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 4. Allegretto ma non troppo - Piu allegro - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 1. Allegro vivace assai - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 2. Menuetto. Moderato - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 3. Adagio - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 4. Allegro assai - Quartetto Italiano
Allegretto In B Flat, K. App. 68-589a (For String Quarter) - Academy Of St. Martin In The Fields
Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 1. Adagio - Jean Decroos
Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 2. Rondo - Jean Decroos

Tracks:

Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 1. Largo - Allegro moderato - Alfred Brendel
Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 2. Larghetto - Alfred Brendel
Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 3. Allegretto - Alfred Brendel
Larghetto In B Flat, 452a-App. 54 (For Piano, Oboe, Clarinet, Bassett Horn And Bassoon): Larghetto - Mitsuko Uchida
Piano Quartet In G Minor, K. 478: 1. Allegro - Bruno Giuranna
Piano Quartet In G Minor, K. 478: 2. Andante - Bruno Giuranna
Piano Quartet In G Minor, K. 478: 3. Rondo. Allegro moderato - Bruno Giuranna
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 1. Andante - Jack Brymer
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 2. Menuetto - Jack Brymer
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 3. Rondeaux. Allegretto - Jack Brymer

Tracks:

Sonata In E Minor, K. 304-300c (For Piano And Violin): 1. Allegro - Arthur Grumiaux
Sonata In E Minor, K. 304-300c (For Piano And Violin): 2. Tempo di menuetto - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 1. Allegro - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 2. Tema [con variazioni] - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Tema - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione I - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione II - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione III - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazone IV - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazone V - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 3. Tempo di menuetto - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 1. Allegro moderato - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 2. Andantino sostenuto e cantibile - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 3. Rondo. Allegro - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Tema - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione I - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione II - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione III - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione IV - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione V - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione VI - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 1. Allegro molto - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 2. Andante - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 3. Presto - Arthur Grumiaux

Tracks:

Sonata In A Minor, K. 310-300d: 1. Allegro maestoso - Mitsuko Uchida
Sonata In A Minor, K. 310-300d: 2. Andante cantabile con espressione - Mitsuko Uchida
Sonata In A Minor, K. 310-300d: 3. Presto - Mitsuko Uchida
Sonata In A, K. 331-300i: 1. Tema (Andante grazioso) - Mitsuko Uchida
Sonata In A, K. 331-300i: 2. Menuetto - Mitsuko Uchida
Sonata In A, K. 331-300i: 3. Alla turca. Allegretto - Mitsuko Uchida
Sonata In C, K. 545: 1. Allegro - Mitsuko Uchida
Sonata In C, K. 545: 2. Andante - Mitsuko Uchida
Sonata In C, K. 545: 3. Rondo - Mitsuko Uchida
Sonata In D, K. 576: 1. Allegro - Mitsuko Uchida
Sonata In D, K. 576: 2. Adagio - Mitsuko Uchida
Sonata In D, K. 576: 3. Allegretto - Mitsuko Uchida
Minuet In D, K. 355 - Mitsuko Uchida

Tracks:

Exsultate, jubilate, K. 165-158a: Exsultate, jubilate - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Fulget amica dies - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Tu virginum corona - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Alleluja - Kiri Te Kanawa
Mass In C, K. 317 'Coronation': Kyrie - Michael G. Gormley
Mass In C, K. 317 'Coronation': Gloria - Michael G. Gormley
Mass In C, K. 317 'Coronation': Credo - Michael G. Gormley
Mass In C, K. 317 'Coronation': Santcus - Michael G. Gormley
Mass In C, K. 317 'Coronation': Benedictus - Michael G. Gormley
Mass In C, K. 317 'Coronation': Agnus Dei - Michael G. Gormley
Church Sonata No. 16 In C, K. 329 - Helmut Winschermann
Vesperae solennes de Dominica, K. 321: Laudate Dominum - Herbert Kegel
Missa [solemnis] In C, K. 337: Kyrie - Aldo Baldin
Missa [solemnis] In C, K. 337: Gloria - Aldo Baldin
Missa [solemnis] In C, K. 337: Credo - Aldo Baldin
Missa [solemnis] In C, K. 337: Sanctus - Aldo Baldin
Missa [solemnis] In C, K. 337: Benedictus - Aldo Baldin
Missa [solemnis] In C, K. 337: Agnus Dei - Aldo Baldin
Vesperae solennes de Confessore, K. 339: Laudate Dominum - Kiri Te Kanawa

Tracks:

Ave verum corpus, K. 618 - John Constable
Maurerisch Trauermusik K. 477-479a - Statatskapelle Dresden
Kyrie In D Minor, K. 341-368a - John Constable
Adagio und Fugue In C Minor, K. 546: Adagio - Staatskapelle Dresden
Adagio und Fugue In C Minor, K. 546: Fugue - Staatskapelle Dresden
Requiem In D Minor, K. 626: Introitus: Requiem - Francisco Araiza
Requiem In D Minor, K. 626: Kyrie - Francisco Araiza
Requiem In D Minor, K. 626: Sequentia: Dies irae - Francisco Araiza
Requiem In D Minor, K. 626: Tuba mirum - Francisco Araiza
Requiem In D Minor, K. 626: Rex tremendae - Francisco Araiza
Requiem In D Minor, K. 626: Recordare - Francisco Araiza
Requiem In D Minor, K. 626: Confutatis - Francisco Araiza
Requiem In D Minor, K. 626: Lacrimosa - Francisco Araiza
Requiem In D Minor, K. 626: Ofertorium: Domine Jesu - Francisco Araiza
Requiem In D Minor, K. 626: Hostias - Francisco Araiza
Requiem In D Minor, K. 626: Sanctus - Francisco Araiza
Requiem In D Minor, K. 626: Benedictus - Francisco Araiza
Requiem In D Minor, K. 626: Agnus Dei - Francisco Araiza
Requiem In D Minor, K. 626: Communio: Lux aeterna - Francisco Araiza

Tracks:

Concert Arias: 'Voi avete un cor fedele', K. 217 - Edith Mathis
Concert Arias: 'Misera, dove son!' ...- 'Ah! non son io che parlo, K. 369 - Edith Mathis
Concert Arias: 'Ch'io mi scordi di te?'...- 'Non temer, amato bene', K. 505 - Leopold Hager
Concert Arias: 'Un moto di gioia mi sento', K. 579 - Eva Lind
Concert Arias: 'Chi sa, chi sa, qual sia', K. 582 - Lucia Popp
Concert Arias: 'Vado, ma dove?' oh Dei!', K. 583 - Edith Mathis
Concert Arias: 'Un bacio di mano', K. 541 - Walter Berry
Concert Arias: 'Dan Bandel', K. 441 - Anton Scharinger
Concert Arias: 'Caro mio Druck und Schluck', K. App. 5 - Anton Scharinger
Concert Arias: 'Leck mich im Arsch', K. 231 - Klaus von Wildemann
Concert Arias: 'Bona nox! bist a rechta Ox', K. 561 - Klaus von Wildemann
Concert Arias: 'V'amo di core', K. 348 - Klaus von Wildemann
Concert Arias: 'Mi lagnero tacendo', K. 437 - Klaus von Wildemann
Lieder: 'Das Veilchen', K. 476 - Dalton Baldwin
Lieder: 'Der Zauberer', K. 472 - Dalton Baldwin
Lieder: 'Die Alte', K. 517 - Dalton Baldwin
Lieder: 'Die Vershweigung', K. 518 - Dalton Baldwin
Lieder: 'Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte', K. 520 - Dalton Baldwin
Lieder: 'Abendempfindung', K. 523 - Dalton Baldwin
Lieder: 'Das Traumbild', K. 530 - Dalton Baldwin
Lieder: 'Die kleine Spinnerin', K. 531 - Dalton Baldwin
Lieder: 'Un moto di gioia', K. 579 - Dalton Baldwin
Lieder: 'Sehnsucht nach dem Fruhling', K. 596 - Dalton Baldwin

Tracks:

Idomeneo, K. 366 (Highlights): Overture - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Quando avran fine omai' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Padre, germani, addio!' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Estinto e Idomeneo?' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Tutte nel cor vi sento' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Pieta! Numi,pieta!' - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Eccoci salvi alfin' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Vedrommi intorno' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Il padre adorato' (Idamente) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Fuor del mar' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Placido e il mar' - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Vattene prence' (Idomeneo, Idamante) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Pria di partir, o Dio!' (Idamante, Elettra, Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Qual nuovo terrore!' - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Eccoti in me, barbaro Nume!' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Corriamo, fuggiamo' - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Zeffiretti Iusinghieri' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Andro ramingo e solo' (Idamente, Ilia, Idomeneo, Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Accogli, oh re del mar' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Ha vinto amore' (The Voice) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'O ciel pietoso!' (Idomeneo, Idamante, Ilia, Arbace, Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'D'Oreste e d'Aiace' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Scenda Amor, scenda Imeneo' - John Constable

Tracks:

The Abduction From The Serail, K. 384 (Highlights): Overture - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Hier soll ich dich denn sehen' (Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Solche hergelaufne Laffen' (Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Konstanze, dich wiederzusehen' - 'O wie angstlich, o wie feurig' (Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Singt dem grossen Bassa Lieder' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Ach ich liebte, war so glucklich' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Marsch! Trollt euch fort!' (Osmin, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Durch Zartlichkiet und Schmeicheln' (Blonde) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welcher Dummer herrscht in meiner Seele' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Traurigkeit ward mir zum Lose' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Matern aller Arten' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welche Wonne, welche Lust' (Blonde) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Frisch zum Kampfe' (Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Vivat Baccus! Bacchus lebe!' (Pedrillo, Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Ach Belmonte! Ach, mein Leben' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Wenn unsrer Ehre wegen' (Konstanze, Blonde, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'In Mohrenland gefangen war' (Pedrillo, Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Ha, wie will ich triumphieren' (Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Nie werd' ich deine Huld verkennen' (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) - Christiane Eda-Pierre (Konstanze)

Tracks:

Le Nozze Di Figaro, K. 492 (Highlights): Overture - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cinque... dieci...centi...' - 'Cosa stai misurando' (Figaro, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Se vuol ballare' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'La vendetta, oh, la vendetta' (Bartolo) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non so piu cosa son, cosa faccio' (Cherubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cosa sento! tosto andante' (Count, Basilio, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non piu andrai' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Porgi amor' (Countess) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi che sapete' (Cherubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Susanna, or via, sortite' (Count, Countess, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Aprite, presto, aprite' (Susanna, Cheubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi signor, che giusto siete' (Marcellina, Basilio, Bartolo, Count, Susanna, Countess, Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Crudel! Perche finora' (Count, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Hai gia vinta la causa' - 'Vedro mentr'io sospiro' (Count) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'E Susann non vien!' - 'Dove sono i bei momenti' (Countess) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Riconosci in questo amplesso' (Marcellina, Figaro, Bartolo, Don Curzio, Count, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Canzonetta sull'aria': 'Che soave zeffiretto' (Countess, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Ricevete, o padroncina' - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'L'ho perduta' (Barbarina) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Aprite un po' quegli occhi' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Giunse alfin il momento' - 'Deh vieni, non tardar' (Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Gente, gente all'armi' (Count, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) - John Constable

Tracks:

Don Giovanni, K. 527: Overture - John Constable
Don Giovanni, K. 527: Act One: 'Notte e giorno faticar' (Leporello) - 'Leporello, ove sei?' (Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act One: 'Madamina, il catalogo e questo' (Leporello) - John Constable
Don Giovanni, K. 527: Act One: 'La ci darem la mano' (Don Giovanni, Zerlina) - John Constable
Don Giovanni, K. 527: Act One: 'Non ti fidar, o misera' (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) - John Constable
Don Giovanni, K. 527: Act One: 'Don Ottavio, son orta' (Donna Anna, Don Ottavio) - John Constable
Don Giovanni, K. 527: Act One: 'Or sai chi l'onore' (Donna Anna) - John Constable
Don Giovanni, K. 527: Act One: 'Dalla sua pace', K. 540a (Don Ottavio) - John Constable
Don Giovanni, K. 527: Act One: 'Fin ch'han dal vino' (Don Giovanni) - John Constable
Don Giovanni, K. 527: Act One: 'Batti, batti, o bel Masetto' (Zerlina) - John Constable
Don Giovanni, K. 527: Act Two: 'Eh via, buffone' (Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act Two: 'Ah! taci, ingiusto core' - John Constable
Don Giovanni, K. 527: Act Two: 'Deh! vieni alla finestra' (Don Giovanni) - John Constable
Don Giovanni, K. 527: Act Two: 'Vedrai, carino' (Zerlina) - John Constable
Don Giovanni, K. 527: Act Two: 'Sola, sola in buio loco' (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) - John Constable
Don Giovanni, K. 527: Act Two: 'Il mio tesoro intanto' (Don Ottavio) - John Constable
Don Giovanni, K. 527: Act Two: 'In quali eccessi, o Numi!' - John Constable
Don Giovanni, K. 527: Act Two: 'Mi tradi quell'alma ingrata' (Donna Elvira) - John Constable
Don Giovanni, K. 527: Act Two: 'Don Gionanni, a cenar teco' (Il Commendatore, Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act Two: 'Questo e il fin di chi fa mal!' (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Leporello, Masetto) - John Constable

Tracks:

Cost Fan Tutte, K. 588: Overture - John Constable
Cost Fan Tutte, K. 588: Act One: 'La mia Dorabella' (Ferrando, Guglielmo, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Ah, guarda sorella' (Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Vorrei dir, e cor non ho' (Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Sento, o Dio, che questo piede' (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Di scrivermi ogni giorno' - Bella vita militar' (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Soave sia il vento' (Fiordiligi, Dorabella, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Ah, scostati!' - Smanie implacabili' (Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'In uomini, in soldati' (Despina) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Alla bella Despinetta' (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Come scoglio' (Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act One: ''Non siate ritrosi' (Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act One: 'E voi ridete' (Don Alfonso, Ferrando, Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Un 'aura amorosa' (Ferrando) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Una donna a quindici anni' (Despina) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Predero quel brunettino' (Dorabella, Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'La mano a me date' (Don Alfonso, Ferrando, Guglielmo, Despina) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Il core vi dono' (Guglielmo, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Per pieta, ben mio, perdona' (Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Donne mie, la fate a tanti' (Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Volgi a me pietoso il ciglio' (Ferrando, Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Tutti accusan le donne' (Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Fortunato l'uom che prende' (All) - John Constable

Tracks:

The Magic Flute, K. 620 (Highlights): Overture - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Der Vogelfanger bin ich ja' (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Dies Bildnis ist bezaubernd schon' (Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'O zittre nicht' (Queen Of The Night) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Hm! Hm! Hm! (Papageno, Tamino, 3 Ladies) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Du feines Taubchen, nur herein' (Monostatos, Pamina, Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Bei Mannern, welch Liebe fuhlen' (Pamina, Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Wie stark ist nicht dein Zauberton' (Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Schnelle Fusse, rascher Mut' (Pamina, Papageno, Monostatos) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osiris' (Sarastro) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Wie? Wie? Wie?' (3 Ladies, Papageno, Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Alles fuhlt der Liebe Freuden' (Monostatos) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): ActTwo: 'Der Holle Rache' (Queen Of The Night) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'In diesen heil'gen Hallen' (Sarastro) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Ach, ich fuhl's' (Pamina) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osires, welche Wonne!' - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Ein Madchen oder Weibchen' (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Papagena! Weibchen! (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Pa-Pa-Pa-Pa-Pa-Pa' (Papageno, Papagena, 3 Boys) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Nur stille, stille' (Monostatos, Queen Of The Night, 3 Ladies, Sarastro) - Mikael Melbye (Papageno)

Customer Reviews:

This is it -- the best condensed collection!.......2006-12-14

If you don't want to go through the painstaking process of collecting all 45 volumes of the older Philips Complete Mozart Edition, which could end up costing close to $2,000 by the time you have the entire collection, you should eye this condensed set. Granted, it doesn't have ALL the works of Mozart (hence, its title!) so, for the Mozart completist or fanatic, this boxed set will only leave one salivating for more. I am fortunate enough to own both the whole collection and the 'Best of' set and sometimes this 'Best of' set satifies me for a quick fix. The performers of the Philips Complete Mozart Edition are first class and, many would consider, THE world's most acclaimed Mozartian conductors and performers. To me, there is no one who can capture the spirit of Mozart's pieces as well as Sir Neville Marriner and the ASMF. Perhaps with today's technology, some pieces could be better digitally remastered but, quite frankly, I do not hear any hissing sound from these recordings (some from the 1980's), even after being downloaded into my iPod. Don't waste your time and money chasing other Mozart collections because, to date, I have not come across any others that quite compare to the Philips Complete Mozart Edition. Even the 'Best of' set merits more than 5 stars!

The definitive collection--worth the effort........2002-10-13

I'm fascinated with this collection; the selection of performances is superb and you always an authoritative interpretation for each piece. The selection of material is very well balanced. This collection is all the Mozart I'll need for the next decade. It is a good buy if you have only two or three Mozart albums in your CD collection and are intending to deepen your knowledge of this greatest of composers.

A couple of drawbacks in the collection are its lack of decent accompaining literature (you only get the CD's succint liner notes in four languages) and an occasional selection with poor sound quality or hiss from an old recording. The average quality of the remasterizations, though, is very good. You should probably get a nice book on Mozart to read while listening.

Importers beware! this product could produce massive import duties. Check before ordering.

Superb!.......2000-04-14

This is a high quality set, well worth the money. It is an investment in beautiful music for a lifetime.

Go no further than this loving compilation.......2000-02-24

I have many editions in the Philips Complete Mozart Edition ("one-stop shopping" is my middle name) and I recommend them thoroughly and emphatically. Life is too short not to listen to Mozart each and every day of your life. Thanks to those at Philips who put this monster together; we really appreciate it. So does Wolfie. Essential.

Mozart Goo.......1999-12-20

This is the most extensive collection of Mozart that you can buy all in one set. Over 48 hours of nothing but Mozart! Need I say more? Its a little pricey, but well worth the cash.

Average customer rating:

Verdi: Ernani

Manufacturer: Pantheon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
ASIN: B0000040SF
Release Date: 1995-05-23

Average customer rating:

Loco De Amor Por Ti

Manufacturer: universal
ProductGroup: Music
Binding: Audio CD
ASIN: B000BOCMCY

Product Description

13 canciones fantasticos

Average customer rating:

If only he decided to do an all-bolero CD...

Loco de Amor
Nino Segarra
Manufacturer: Musical Productions
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Latin Music | Styles | Music

Salsa | Latin Music | Styles | Music

Merengue | Latin Music | Styles | Music

Salsa & Merengue | Compilations | Latin Music | Styles | Music

General | International | Indie Music | Stores | Music

General | Latin Music | Indie Music | Stores | Music
ASIN: B000008NT6
Release Date: 1992-12-15

Tracks:

Pero Te Quiero
Tu Volveras a Mi
Loco de Amor
Y Es Que Tu
Medley de Boleros: Lagrimas/Del Alma/Mienteme
Siempre Te Vas
Otra
Vuelve a Mi
Como Somoms
Medley de Camilo Sesto: Melancolia/Mia/Mi Buen Amor/Jams/Perdoname/Qu

Customer Reviews:

If only he decided to do an all-bolero CD..........2004-11-19

Although well-known as a "Salsa Romantica" singer, Nino Segarra is an even better bolero singer. Check out the "Medley De Boleros"--his velvet-smooth voice just takes you on a near-heavenly experience with all the soul and feeling he gives it. If Nino would someday record an all-bolero CD that would probably be his greatest work.

International Music:

International Music

International Music