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1. Tic-Tac
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2. Petit Taureau
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3. Le Coq Et La Pendule
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4. Le Chat
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5. Comme L'hirondelle
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6. Une Riviere Des Corbieres
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7. Beaucoup De Vent
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8. Don Quichotte Et Sancho
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9. C'est Une Garonne
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10. Armstrong
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11. Un Ete
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12. Une Petite Fille
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13. L' Enfant Phare
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14. Planete Bleue
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15. Bras Dessus Bras Dessous
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Hombre Et Lumiere,Claude Nougaro,Universal/Polygram,World Music
Average customer rating:
- RIP, BEVERLY SILLS 1929-2007
- Brava Sills!
- Sills fits my bill
- The Great American Soprano
- My Favorite Woman
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The Great Recordings
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- The Very Best of Beverly Sills
- Art of Beverly
- Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato
- Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
- Beverly Sills: Made in America
ASIN: B0001Y4JG6
Release Date: 2004-05-11 |
Tracks:
- Son Vergin Vezzosa - Paul Plishka
- Eccomi... Oh! Quante Volte
- Mira, O Norma
- Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
- Contro Un Cor Che Accende Amore - Nicolai Gedda
- Che M'apporti? - Ambrosian Opera Chorus
- Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
- Vorrei Spiegarvi, Oh Dio, K.418
- Amor, Op.68 No.5
Tracks:
- Martern Aller Arten
- E Strano! E Strano!
- Ah, Fors'e Lui
- Follie! Follie!
- Sempre Libera
- Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
- Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
- N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
- Robert, Toi Que J'aime
- Tu Ne Chanteras Plus?
- Chere Enfant Que J'appele
- Meine, Lippen, Die Kusen So Heiss
- Wien, Wien, Nur Du Allein
- Always Through The Changing
Customer Reviews:
RIP, BEVERLY SILLS 1929-2007.......2007-07-03
The great American diva's passing was announced today.
This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.
Brava Sills!.......2007-02-02
A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:
Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.
Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.
Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.
Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.
Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.
Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.
In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.
Sills fits my bill.......2006-03-13
This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.
The Great American Soprano.......2005-10-01
This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!
My Favorite Woman.......2005-08-05
I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.
Average customer rating:
- Great for kids!
- Mediocre Sound Quality
- I was pleased
- The Most Famous Opera Arias
- Okay But.... - a review of "The Most Famous Opera Arias"
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The Most Famous Opera Arias
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
ASIN: B000002SCE
Release Date: 1994-07-19 |
Tracks:
- Rigoletto: Act I - Caro nome
- Rigoletto: Act III - La donna e mobile
- Gianni Schicchi: O mio babbino caro
- Carmen: Act I - Habanera: La voila...L'amour est oiseau rebelle
- Orfeo ed Euridice: Act III - Che faro senz Euridice
- Madama Butterfly: Act III - Un bel di, vedremo
- Romeo et Juliette: Act I - Ah! je veux vivre
- Le nozze di Figaro: Act II - Voi che sapete che cosa e amor
- Samson et Dalila: Act II - Mon coeur s'ouvre a ta voix
- Tosca:: Act II - Vissi d'arte, vissi d'amore
- Aida: Act I-Celeste Aida
- Il Barbiere Di Siviglia: Act I-Una voce poco fa
- Lakme: Act II - Ou va la jeune indoue?
- La Wally: Act I - Ebben? Ne andro lontano
- La Boheme: Act I - Che gelida manina
- Die Zauberflote: Act II-Die Holle Rache kocht in meinem Herzen
Customer Reviews:
Great for kids!.......2007-06-27
I'm generally not a fan of music "samplers," but opera can be tough to introduce to children. And hey--even adults played cards, ate, and talked through the recitative sections of the early operas while they waited for the next aria! So I feel that getting kids hooked on opera through great arias probably can't hurt (the next 10 years or so will determine whether I'm right or not). My 4-year-old loves this CD; it's a delight to watch her imitate Anna Moffo (the sincerest form of flattery, for sure). Highly recommended resource for introducing young kids to opera. More top picks: Siberell's Bravo! Brava! A Night at the Opera, and the Black Dog Opera Library CDs.
Mediocre Sound Quality.......2007-03-31
If you note the album was released in 1994, and includes selections from many years prior, you will understand that the quality of the sound engineering is not going to dazzle your ear.
It's a very nice collection to hum along to, but don't expect shivers down your spine as the sound quality is not sufficient to reproduce the dynamic range of these voices.
I was pleased.......2007-02-18
I am by no means an opera expert, but found this to be a wonderful CD. Along with the songs I already knew I liked (such as a song from Carmen,) I found many others I enjoyed. In fact, Samson et Dahlila turned out to be my favorite. If you are just getting started or at any point in your adventure of opera, I would recommend this one.
The Most Famous Opera Arias.......2007-01-05
I was completely surprised in the product as well as the time in which it was delivered.
I would not only refer this seller but I will come back myself.
Okay But.... - a review of "The Most Famous Opera Arias".......2006-08-18
My daughter (6 y.o.) and I like opera; but sitting for two hours to watch Turandot is just not within the realm of possibilities for my 4 year old son right now... so I was looking for an opera CD for the car. He will sit and listen to short arias.
This was the first we purchased and it is okay but not great.
Problem #1 - where is Wagner. No Wagner?
Problem#2 - Elena Obraztsova - she sounds like Carmen's grandmother. Rather matronly for a vixen (imho--lol)
Three Stars. [C+] Great Price and good sound quality for the car. The operatic styles of some of the performers are antiquated and frilly sounding, but I would probably buy this CD again.
Note: We purchased and really preferred "The # 1 Opera Album". It has more selections and better artists in our opinion. Also it's a two CD set. Just something to consider.
Average customer rating:
- terrific
- Get what you pay for.
- Wonderful!
- If only the Amazon discography was as good...
- One of the best Vivaldi CDs on the market
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25 Vivaldi Favorites
Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD
All Works by Vivaldi
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ASIN: B00000IPS5
Release Date: 1999-12-13 |
Tracks:
- I. Allegro - Antonio Vivaldi
- I. Allegro - Paul Grund
- I. Allergro - I Musici di Zagreb
- II. Largo - Edward Carroll
- III. Alegro - Gli Accadmici di Milano
- Et In Terra Pax - Atlanta Symphony Orchestra And Chorus
- II. Adagio Molto - Susanne Lautenbacher
- I. Allegro - Musici Di San Marco
- II. Largo - Musici Di San Marco
- III. Allegro - Melvin Berman
- II. Largo - Anton Stingl
- I. Allegro - Alois Sprach
- II. Adagio - Susanne Lautenbacher
- Stabat Mater Dolorosa (Opening Movement) - Margarethe Bence
- III. Allegro - I Musici di Zagreb
- II. Largo - Gunter Lemmen
- III. Allegro - Hans-Martin Linde
- III. Allegro - Susanne Lautenbacher
- I. Allegro - Musici Di San Marco
- III. Allegro - Susanne Lautenbacher
- I. Allegro - Musici Di San Marco
- II. Larghetto - I Musici di Zagreb
- Chamber Concerto In G Minor For Recorder And Oboe - Baroque Trio Of Montreal
- Opening Movement From 'Gloria' - Atlanta Symphony Orchestra And Chorus
- Concerto In C For 2 Trumpets, PV 75: III Allegro - Edward Carroll
Customer Reviews:
terrific.......2006-04-23
Vivaldi 25 favourites is marvelous ,it has been digitally enhanced and is certainly a keeper.Really am pleased with anything i have purchased from Amazon
Get what you pay for........2005-10-15
This CD is decent but does NOT sweep you off your feet into a soaring concert hall with your heart beating loudly and your breaths coming in faster. Why? I think its the quality of the recording and the caliber of the musicians maybe? But hey, $4.98 does not buy much more than a fast food meal- so no harm done! Happy Listening!
-Rupa
Wonderful!.......2004-11-26
I couldn't believe the wonderful, pure sounds that came from this low-priced CD. I absolutely love it and highly recommend it!!
If only the Amazon discography was as good..........2004-02-14
The majority of the musical selections is undeniably fine. If only the track listing (s) were accurate or agreed with each other and the actual selections as they are ordered on the CD!
One of the best Vivaldi CDs on the market.......2003-01-24
I don't know how SPJ Music Inc., based in the world-famous town of Hauppaage, NY, manages to do it, but they have released at least 24 of these "25 XXXX Favorites" CDs, and all those that I have heard are superb collections. OK, many of the performances on this album are by ensembles that few will have heard of in North America, such as the Wurttemburg Chamber Orchestra, Musica di San Marco, and I Musici di Zagreb, and maybe they are a bit old (no recording dates are given), so SPJ probably doesn't have to pay much in the way of royalties. But this collection of works by Vivaldi is truly second to none.
Wait till you hear track 6, "Et in terra Pax from 'Gloria', by the Atlanta Symphony Orchestra and Chorus, for instance, or track 14, from Stabat Mater Dolorosa, sung by Margarethe Bence with the Alto Pro Music Orchestra of Stuttgart. We are transported into the heights of the etherial world of sacred music, right up into the ceiling of the Sistine Chapel, yet with that unmistakable touch of Vivaldi, who could be both consumately sacred and masterfully secular as he wished -- or even both at the same time. As has been proven again and again in the 20th century, Vivaldi was one of the greatest composers in history, and every classical music lover should have this CD in his or her collection.
I have a lot of Vivaldi recordings by period music ensembles like the virtuosic Il Giardino Armonico (who recorded the two best DVDs of Vivaldi works in existence, one with Cecilia Bartoli) and the somewhat more conservative Europa Gallante, led by Fabio Biondi. Then there are CDs by individual masters like Andrea Marcon (with the Venice Baroque Orchestra) and the immortal Nigel Kennedy (with the English Chamber Orchestra). Older classics re-released on CD include recordings by the Academy of St Martin-in-the-Fields, the Orchestra of the 18th Century, and the Romero family (Los Romeros). And the list goes on and on. All are superb recordings that have given me hours of pleasure.
But this "bargain" CD rates right up there with the best of them, and I highly recommend it both for those who are just beginning to discover the wonders of Vivaldi's music and for "hardened" veterans. If it had been issued as a full price CD it might have had trouble getting known in such a crowded and competitive field, but it would have deserved every bit as much praise as I have given it here. As a collection of superb performances of many of Vivaldi's greatest masterpieces by a wide variety of different ensembles, it even has something to commend it over recordings by a single artist or a single ensemble. Buy it and enjoy!
Average customer rating:
- Audio beauty and magnificence, Maria Callas
- sublime
- Good "Best Of"
- The Very Best of Maria Callas
- Classic Callas
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The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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All Works by Gluck
| Gluck, Christoph W.
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All Works by Wolfgang Amadeus Mozart
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ASIN: B00005Y1YQ
Release Date: 2002-02-12 |
Tracks:
- Carmen: L'Amour Est Un Oiseau Rebelle
- Gianni Schicchi: O Mio Babbino Caro
- La Wally: Ebben? Ne Andro Lontana
- Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
- Tosca: Vissi D'arte, Vissi D'amore
- Andrea Chenier: La Mamma Morta
- Le Nozze Di Figaro: Porgi Amor
- Orphee Et Eurydice: J'ai Perdu Mon Eurydice
- Aida: Ritorna Vincitor!
- Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
- Madama Butterfly: Un Bel Di Vedremo
- Norma: Casta Diva
- Turandot: Signore, Ascolta!
- Louise: Depuis Le Jour
- La Boheme: Si. Mi Chiamano Mimi
- La Gioconda: Suicidio
- La Forza Del Destino: Pace, Pace Mio Dio!
Customer Reviews:
Audio beauty and magnificence, Maria Callas.......2007-03-31
There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.
sublime.......2007-02-14
she is an angel , a voice without parallel , a collection very interesting of arias from different masters.
Good "Best Of".......2007-02-09
Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.
The Very Best of Maria Callas.......2006-08-20
Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.
Classic Callas.......2006-07-11
Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!
Average customer rating:
- Album matches content hype
- Fun
- invigorating!
- Totally awesome!
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Stars & Stripes Forever and the Greatest Marches
Manufacturer: RCA
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ASIN: B000003F5U
Release Date: 1991-09-06 |
Tracks:
- Aida: Grand March
- Babes In Toyland: March Of The Toys
- Semper Fidelis
- Suite No. 1, Op. 43: Marche miniature
- Yankee Doodle
- Up The Street
- The Damnation of Faust: Rakoczy March
- Caucasian Sketches: Procession Of The Sardar
- Sambre et Meuse
- The Ruins Of Athens: Turkish March
- Colonel Bogey
- Dixie
- American Salute: When Johnny Comes Marching Home
- Strike Up The Band
- Radetzsky March
- Pomp And Circumstance March No. 1
- Algerian Suite: French Military March
- Mlada: Procession Of The Nobles
- Valdres March
- National Emblem March
- The Stars And Stripes Forever
Customer Reviews:
Album matches content hype.......2007-05-31
I intially bought this album for a few selections I had heard from Classical 102.1 (KDFC-FM). I was pleasantly surprised that the entire album has a very satisfying collection of the greatest marches. I am very pleased with this album, and would recommend it for anyone who likes a broad range of famous marches.
Fun.......2007-01-21
This CD would make a great gift for anyone who enjoys marches. Some of the marches are popular, others are not. All are well-performed and can be enjoyed - LOUDLY!
invigorating!.......2006-12-05
Great recordings of stirring music. I like to play it loud while my kids and I clean house. It makes it go by fast.
Totally awesome!.......2005-03-27
My father was a Marine in the ETC, he told me stories about how they went floor to floor checking for bad guys humming this music. I think it is great music to listen to, I really like track 3, it says so much in the title alone. I hope everybody like this music as much as I do!
Average customer rating:
- Probably the best compilation of a single composer's works. Ever!
- This is a brilliant assembly of Debussy.
- THIS IS THE STUFF RIGHT HERE!
- Debussy is the best. Ever.
- i am dumb
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Debussy's Greatest Hits
Manufacturer: Sony
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ASIN: B000002A23
Release Date: 1994-08-09 |
Tracks:
- Prelude to the Afternoon of a Faun
- Preludes, Book One: The Girl with the Flaxen Hair
- Two Nocturnes: Fetes
- Preludes, Book One: The Sunken Cathedral
- Suite Bergamasque: Claire de lune
- Children's Corner Suite: Golliwogg's Cake-Walk
- Reverie
- Iberia: Le Matin D'un Jour De Fete
- Deux Arabesques: Arabesque No. 1: Andante Con Motto
- Martyrdom Of Saint Sebastian: Prelude To The Council Of The False gods
- String Quartet In G Minor, Op. 10: Scherzo. Assex Vif Et Bien Rythme
- La Mer: I. De L'aube A Midi Sur La Mer
- La Mer: II. Jeux De Vagues
- La Mer: III. Dialogue Du Vent Et De La Mer
Customer Reviews:
Probably the best compilation of a single composer's works. Ever!.......2007-05-06
Claude Debussy is perhaps the most understated composer in the history of man. His ability to compose both on the piano and for orchestra is unmatched, in my humble opinion. The fact that Debussy was able to also arrange many contemporary and previous composers' works just adds to his resume. He had a gift, pure and simple.
Although this album doesn't (well, honestly it couldn't) contain all of Debussy's catalog, it does certainly contain some of his best work. There is actually only one track on this CD that I don't care for; that would be Golligwogg's Cake-Walk; it is just a bit annoying to me.
Beyond my dislike for that one track, the entire CD is a beautifully aranged, beautifully played, well recorded compilation with good sound mixing and it is a respectful tribute to a truly great composer.
"Claire de Lune" (Moonlighting) is perhaps one of the most gorgeous pieces of music ever composed; this is the orchestrated version, which I prefer, but the piano version is nice. "Arabesque No. 1" is superb. "Fetes" is both haunting and airy. "Reverie" is the best piano piece I have ever heard. "The Girl with the Flaxen Hair" is also a wonderful piano piece. "The Sunken Cathedral" is dark and mysterious, a true wonder.
The rest of the album is fantastic. Listed above are just my personal favorites from the disc. I listen to this CD at least once a week, but often more. It is perfect for relaxation, for listening while reading, or for my personal favorite use, to block out noise while I am writing.
I would recommend this to any classical lover.
If you have not heard Debussy's music, you must get this CD; it will have you ordering more of his compositions almost immediately.
The man was a genius.
This is a brilliant assembly of Debussy. .......2006-07-08
After listening to his "Greatest Hits," I know why he is considered one of the best.
THIS IS THE STUFF RIGHT HERE!.......2005-09-12
I BOUGHT THIS BECAUSE I WAS TRYING EXPAND MY HORIZONS, YOU KNOW? CULTURALLY AND MENTALLY, YOU KNOW? SERIOUSLY THOUGH I WAS IN THE SHOP AND I WAS HAVING A GAZE AROUND THE PLACE AND THEN THIS PICTURE JUST JUMPS OUT AT ME, AND I PICKED IT UP AND IT WAS THIS DEBUSSY CHAP AND ID HEARD ABOUT HIM ON THE BBC LEARNING ZONE SO I THOUGHT ;why not?; SERIOUSLY THOUGH I DRAGGED IT HOME AND I POPPED IT IN THE OLD CD PLAYER AND IT FLOORED ME.......I MEAN SERIOUSLY THIS THING...AMAAZING STUFF..I MEAN TODAYS MUSIC HAS NOTHING, NOTHING NOTHING ON THIS STUFF RIGHT HERE.
SOME GOOD TRACKS ARE:
TRACK 1 IS THE BEST. THE OPENING FLUTE ON THE TRACK IS TOTALLY CHILLED AND COOL, REMINDS ME A BIT OF TRACK 13 ON ILL COMMUNICATION BY THE BEASTIE BOYS...A COINCIDENCE???
THE ONLY WEAK TRACK ON THE ALBUM IS TRACK 6, THE UNFORTUNATELY TITLED "CHILDRENS CORNER SUITE: GOLLIWOGGS CAKE WALK" THE MUSIC IS JUST DATED MAN, JUST AS DATED AS THE TITLE.
OVERALL THOUGH THIS IS A QUALITY ALBUM, WITH CHILLS, SPILLS AND THRILLS. SERIOUSLY THOUGH A FINE EFFORT.
Debussy is the best. Ever........2004-07-23
I love Debussy and all of his brilliant work. I barely listen to any other classical music, so I am not an authority, just an honest lover of music. I play piano and love piano music, so I was not disappointed at a piano Flaxen-Haired Girl. I've never heard an orchestrated version and don't need to. This is a good introductory CD to Debussy's work, I love it! The only thing I don't care for is the Arabesque #1 (Track 9). The horn is kind of grating and clunky to hear in such an otherwise beautiful piece. Still, its interesting and different. Everything Debussy made is purest gold.
i am dumb.......2004-07-01
And I'm a doomass because I didn't proof-read my other review and I wrote that Clair de Lune was performed by piano on this disc, which it isn't. Anyway, the piano version is better.
Average customer rating:
- SILLS and a Perfect MANON.....
- For Sills fans, mainly.
- A Great Recording of an Opera That Should Be Performed More Often
- Beverly Sills Signature Role
- SILLS MANON RULES! AND DG CD REISSUE SUPERB!
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Massenet: Manon
Manufacturer: Deutsche Grammophon
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ASIN: B0001Y4JGG
Release Date: 2004-05-11 |
Amazon.com
This recording has been unavailable for too long. Recorded in 1970, a solid year-or-so before Beverly Sills' voice began to show the damage caused by singing Elisabetta I in Donizetti's Roberto Devereux, this is the finest all-around recording of Manon on the market. Sills, in addition to being fresh-voiced, is so thoroughly in the part that we can chart Manon's downfall step by step; her girlish singing is as right on as her sassy, showy coloratura in the thirds act, and her St Sulpice scene is truly seductive. She's the perfect Manon. And Nicolai Gedda's Des Grieux, sung, as is Sills' Manon and the rest of the cast, in impeccable French, is passionate, madly in love, and ultimately tragic. Gabriel Bacquier's Count is imperious and authoritative and Gerard Souzay's Lescaut is smooth. Julius Rudel's leadership sparkles when it should and his sense of French suavity is unfailing. The score is given more than complete - as an appendix, there's an aria for Manon that Massenet added later. This is a desert island disc. --Robert Levine
Customer Reviews:
SILLS and a Perfect MANON............2007-07-07
Enough has been written about Beverly Sills and the role of Manon that you already know that she OWNED the role for a long time.
This recording was originally issued on EMI, and I find it unusual that it should have disappeared from that label and it now appears on DG. Although it is strange, we need not worry about that; the main thing here is that the recording is again available to us.
You only really need two copies of Manon...the Victoria De Los Angeles one under Pierre Monteaux, and this one with Sills, Gedda, Bacquier, and Souzay under Julius Rudel. All participants here are simply wonderful, and all in very good voice as it happens! Usually we get a weak link, but somehow, the god's smiled on this effort, and everything came together wonderfully.
This is one of Gedda's efforts that I heartily commend! Simply a great des Griux! Souzay's Lescaut is really a wonderfully smooth, and mellow, performance that you need to hear. Gabriel Bacquier, AS ALWAYS turns in a magnificently commanding performance as Count des Griux. This of course brings us to the role of Manon. Simply stunning would be a great way to say it! Sills is just so real-life-bubbly girlish, and so lovely, that we are swept up in the swirl of mad love, right up to tragedy that comes to her, and the heart-wrenchingly sad finale.
This recording belongs in everyone's collection, right beside the Victoria De Los Angeles one! Enjoy! ~operabruin
For Sills fans, mainly........2006-01-16
As good an ensemble as could be assembled in the more recent past, well conducted by the seasoned Rudel, this 1970 performance stands or falls by one's perception of the two principals.
Nicolaï Gedda (né Ustinov,) b. 1925, half-Swedish, half-Russian, was a fine musician with a highly developped vocal technique. His manner was rather cold, however, and at 45 his lyric voice had lost some of its original bloom. I find his des Grieux rather grim and emphatic, lacking in romantic élan. I much prefer the poetic Henri Legay in the definitive Monteux recording (TESTAMENT.)
Beverly Sills (née Silvermann,) b. 1929, American, studied with Estelle Liebling, a pupil of the legendary Mathilde Marchesi, teacher of Melba, Eames, Kurtz, Alda and many an other French stylist.
Sills new exactly how to sing this music and had the perfect voice and technique for it. Many years of repertory singing in the provinces, often in inappropriately heavy parts (Tosca!) however, had made Sills' voice thin and unsteady by the time she made this recording at age 41. Her interpretation is intense, heartfelt and full of telling dramatic detail, but often heavy-handed and unpleasant on the ear. She is also rather short on the elegance and chimeric charm that characterises the best interpreters of this part (Vallin, Heldy, Féraldy, de los Ángeles.)
The airplane hangar ambience of the recording studio (talk about overresonant!) does not help, either.
Incidentally, the rôle of Lescaut is sung (well) by Gerard SOUZAY.
Gabriel Bacquier sings comte des Grieux--very well indeed.
A Great Recording of an Opera That Should Be Performed More Often.......2005-10-08
Massanet's MANON is a work that is no stranger to the stage in New York City where it has had a glorious history at both the Met and the New York City Opera though this is not the case around the world. Its frequent New York performances may make it Massanet's most staged opera. For those familiar with the work, it is a favorite. It has all the elements that make French opera great, but it is not a work that has familiar excerpts. As a matter of fact, Massanet's bets known melodies are from lesser known works, such as the "Meditation" from THAIS and Porquoi me Revelier" from WERTHER. Yet when MANON is broadcast from the Met or if one takes out a recording, it's easy to understand why this work has been a favorite of so many for over a century and begs the question `Why isn't this work performed more often?'
Like great French opera, MANON is a work that is a bit larger than life, requires exquisite orchestral playing, and of course great singing. This set, originally released by Westminster in the 1970's and re-released by Duetsche Grammophon has it all. The vocal abilities of the three leading performers: Beverly Sills, Nicolai Gedda and Gabriel Bacquier as Manon, des Grieux, and Lescaut respectively are each in top vocal form. Sills herself states that Manon was a role she loved and one that she believed her voice was well suited for, and there can be no disputation when listening to this set. As a conductor, Julius Rudel is at his best. He has great control over the New Philharmonia Orchestra, creating lush sounds that make the recording spectacular and an added, but essential plus would be the outstanding choral performances by the Ambrosian Opera Chorus and the great performances of the smaller roles.
Just about every reviewer, from Amazon reviewers to the critics who write for OPERA NEWS have heralded the new availability of this recording. Listen to it, and you will understand why and echo the many praises of this set.
Enjoy!
Beverly Sills Signature Role.......2004-12-17
Beverly Sills once said that if she was to be remembered for anything, it should be for "Manon". This is the role that catapulted her to opera superstardom. And she made this recording in 1970, when her voice still had all its youthful freshness and vigor, and shows just why Beverly Sills had such a great reputation. It has been said that Massenet wrote for his soprano, and nowhere is that more true than in the title role of this opera. And Sills does the role complete justice, vocally demonstrating in her singing the downfall of Manon from young innocent girl to demimondaine to despair and death. Her rendition of the great aria "Adieu, notre petite table", is incredibly moving. And the rest of the cast is excellent as well. Nicolai Gedda is supremely stylish as Des Grieux, Gabriel Bacquier strong and forthright as his father, and one gets to hear the late Gerard Souzay, famous primarily as a concert artist, singing a rare opera role as Lescaut, Manon's cousin. Julius Rudel conducts cleanly, making the most of Massenet's lush orchestrations. This recording belongs on the shelf of every opera lover.
SILLS MANON RULES! AND DG CD REISSUE SUPERB!.......2004-05-31
(I wrote these words in a review of the Angel/EMI CD reissue that is now out of print) On my select list of favorite complete opera recordings sits Beverly Sills' Manon. I wore out three copies of the vinyl version and the EMI CD reissue was more than welcome in my collection! Bubbles once said this recording came closest to what she did in the theatre, and there simply hasn't been a more vivid and complete a performance, musically, dramatically or otherwise. Vocally everything is top-notch, the supporting cast is superior to anything else on recording and Rudel's pacing is without peer. Brava Manon, Brava Beverly Sills!
I am also happy to report that the DGG reissue surpasses the EMI/Angel of a few years back in terms of overall sound quality. Collectors, your search has ended!
Average customer rating:
- Gould's Most Errant Interpretation
- THE VERY SOUL OF MUSIC
- Worth getting for Contrapunctus XIV, but for full performance look elsewhere
- The Best Bach Interpreter of the Century
- Excellent Rendition of the Art of the Fugue
|
Art of the Fugue - 70th Anniversary Edition
Glenn Gould , and Bach
Manufacturer: Sony
ProductGroup: Music
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ASIN: B00006FI8C
Release Date: 2002-09-03 |
Customer Reviews:
Gould's Most Errant Interpretation.......2007-02-13
Mr. Khekoyan, who reviews this disk below, is quite correct that it is errant in tempi and in percussive interpretation. I'm not in agreement with him about Glenn Gould's stature as the foremost interpreter of Bach of the century. I'd suggest listening to the performance of Menno van Delft, which is included in the Bach Edition complete works produced by Brilliant Classics. There are any number of people who might nominate Gustav Leonhardt, Trevor Pinnock, or Bob van Asperen as more insightful interpreters of Bach than Glenn Gould. Don't let Gould's curious cult status mislead you; his performances are more quirky than competent.
Or, if you are attracted to the Art of Fugue rather than the Artist, you might listen to the performance of the Amsterdam Loeki Stardust Quartet, also available on CD. Though there is no historical justification for playing Bach's harpsichord music on recorders, the LSQ makes fine and insightful music on their wooden flutes, large and small. At times they sound more organistic than Mr. Gould on his modern behemoth.
THE VERY SOUL OF MUSIC.......2006-09-08
What you will find on this disc is A) contrapunctus I-IX played on two different organs in 1962; B) contrapunctus I II & IV from a1981 TV broadcast; C) contrapunctus IX XI & XIII in mono from a radio broadcast in 1967; D) the unfinished contrapunctus XIV from what may or may not be the same TV broadcast as B); and as a final filler E) a prelude and fugue on the name BACH from a studio recording in 1980. Items B)-E) are given on the piano.
Gould's organ renderings ran into critical flak at the time, and whether for that reason or because organ-playing aggravated a shoulder condition that the maestro suffered from he never completed the project. The sound of the piano is a little below standard in C), with some background hiss and a slightly emaciated tone, but even it is not really bad, B) and D) are better, and E) better still sound-wise. The sound of the organs has been criticised, but I do not criticise it and indeed it suits me very well. Nothing in the sound-quality from start to finish interferes in any way with my appreciation of Gould's wonderful, visionary and unique Bach-playing.
This disc does not offer you the complete Art of Fugue, so anyone who wants what's here is going to want it for something special in the performance. Gould is always special I guess, but not special in ways that suit everyone. My feeling is that if you are of the school that wants the Art of Fugue played `expressively' you can probably leave this offering alone. Once Gould sets a tempo he sticks to it unflinchingly without rubato, and except for some build-up in the tone as D) progresses there is a very restricted range of dynamics within each piece, although the individual pieces are strongly contrasted in respect of both volume-level and pace. Interestingly, in those numbers which he gives in two different performances, he takes a markedly different approach each time. Conrapunctus II IV and IX are very much faster in the piano version than on the organ, but contrapunctus I on the piano is taken very slowly indeed, lasting nearly twice as long as in the organ account. It is a matter of one's own concept of the work basically. For me, the Art of Fugue is the ultimate in abstract `absolute' music. It is a monument of remote sublimity like pure mathematics or like the stars in the sky, and it is just there for us to wonder at and does not reach out to us or `express' anything. The player's task is to convey its grandeur, and for me Gould does that as no other version, (on any instruments whatsoever - Bach specifies none) has ever done for me, and I feel this most acutely in his much-criticised organ renderings. The organs he uses are not giants, and there is only limited use of the pedals. He uses mainly a detached fingering, although embracing a more legato style in contrapunctus VI. However it stands to reason that the parts in long sustained notes do not admit of the detached treatment, and I love Gould's selection of strongly contrasted stops to assist clarity further. These are the means he adopts. What these means are in furtherance of is an impression of utter grandeur in the sublime march of Bach's polyphony. It is even a privilege to be shown how this grandeur can be viewed from startlingly different angles in his alternative interpretations of 4 of the fugues.
The last fugue from the Art, the unfinished contrapunctus XIV, is taken at a very slow pace and ends abruptly where the dying composer left it. In the normal way of things I detest this procedure - whatever Bach intended it wasn't that, and in a composition that is the ne plus ultra of method many competent musicians have supplied conclusions that must, in the very nature of the case, approximate to what Bach himself would have done. However this was a television performance, and I gather that the camera was made to freeze at this point with Gould's right hand poised dramatically in mid-air. Gould, who kicked Ravel's piano transcription of La Valse into touch and wrote his own, is having none of that when it comes to Bach, and under the circumstances I stifle my own normal reaction to this abrupt hiatus.
One of the most extraordinary things about Bach is how popular he manages to be for all his seeming severity. The Art of Fugue is innocent of the lyricism that was also part of Bach's infinite musical gift, it makes no compromises with us, but I would say to newcomers to the work that Gould's accounts, partial as they are, would be the best place to start to know this unique and towering masterpiece. It is not any indivisible entity in any case. Better, to start with, to hear some of it presented like this than the entire set in many another, perhaps indeed in any other, version.
Worth getting for Contrapunctus XIV, but for full performance look elsewhere.......2005-08-07
This is a partial performance on organ paired with a partial performance on piano. I didn't care too much for the organ (although Gould's very "un-organistic" articulation does work with these pieces, I miss the unique expression of his piano playing). Some of the piano recordings sound like somebody surreptitiously taped them on a concealed tape recorder.
If you want a complete Art of Fugue on piano that's as close to Gould as it gets, go with Tatiana Nikolayeva's stellar 2 CD-recording on Hyperion (CDA66631/2). I have 9 AoF performances in my collection (piano, organ, string quartet, Hermann Scherchen's orchestral arrangement), and Nikolayeva's set is my favorite by far. (It also includes the two Ricercars from The Musical Offering BWV1079 and the four Duets BWV 802-805, originally for organ.)
However, if you're as much of a Bach nut as I am, the Gould CD is worth getting just for Gould's incredible performance of Contrapunctus XIV (the final unfinished fugue).
The Best Bach Interpreter of the Century.......2003-11-29
I absolutely love all the works played by Glenn Gould. Why 3 stars then? For a long time I have loved every work that Gould brought to life and I still absolutely love them. However, "The Art of the Fugue" really made me see some of Glenn's dark side. The flaw is that his high speeds have absolutely no excuse on this marvelous piece of creation. It is true that Gould is the best pianist when it comes to playing Bach, but to understand what I mean, go and listen to Contrapunctus IV by some other performer who plays it much slower than Glenn. I personally recommend especially the trumpet version. It will blow your mind and convince you that Gould's performance of this piece was really hiding its magnificent beauty and drama. It is simply not possible to express something so breathtakingly dramatic by playing it staccato and also too fast. Have you ever seen someone who had a great loss crying by short stops and very fast? I don't suppose so. And the comparison is very fair because all the instruments, especially the piano, were created to resemble the human voice. `Art of the Fugue' is nothing like the Goldberg Variations where Gould's touch made the music beautiful, especially the first slow movement (which he actually plays very slowly and hence compensates for the staccato). It is much more dramatic and the performer's first goal must be to convey the drama to the listener.
Who am I to judge Glenn? I just have had the privilege to listen closely to titans like S. Richter, E. Gilels, A. Rubinstein, A.Schnabel, S. Rachmaninoff, V. Horowitz, and many others. Not to mention that so far I have listened to the complete works of over 40 composers. Again, Glenn Gould plays beautifully, especially Bach's faster pieces, where even Emil Gilels and Sviatoslav Richter can't do such a precise and concise interpretation. But we must remember that Glenn is a great pianist, but a pianist that can't even match with the Genius of Johann Sebastian Bach (I have heard Glenn's compositions). It is ironic that listeners give so much credit to Gould that they absolutely forget that the only reason that he is able to play such beautiful pieces is because Bach has created them in the first place! With this in mind, we still can accept new ways of interpretation of Bach, BUT NOT TO THE POINT THAT IT DECREASES THE INTRINSIC VALUE OF BACH'S COMPOSITIONS. Glenn does not do this often, but it is shocking that he chose to show his over-interpretation on a work that is considered to be the most important one in the entire classical repertoire. If Glenn was made to play these pieces by his contractors then the flaws can be partially forgiven.
It all comes down to this: this work should by no means put Gould's abilities in question, since he is indeed the best Bach interpreter of this century. However, one must not be blinded and be focused on any singular performer for the interpretation of all the pieces in the classical repertoire - Gould might outdo Horowitz in performing the `Emperor Concerto' (Beethoven) and Gilels in playing Bach's `French Suites', but when it comes to pieces like Beethoven's "The Tempest," his staccato is not in its right medium and becomes a cat's play compared to the powerful fingers of Richter.
(I have heard over one hundred pieces by Gould and could barely notice his humming. Why? Because I hum with him! So please do not complain since a real classical listener should not even notice the humming. Imagine listening to someone talking and at the same time listening to Bach. As far as I am concerned, you shouldn't even be able to notice that that person even exists)
Excellent Rendition of the Art of the Fugue.......2003-03-08
This is my first Glenn Gould CD. At first, I was surprised by his staccato organ playing, but I soon began to really enjoy the CD. Some may find Mr. Gould's humming annoying, but I found it amusing (it doesn't bother me much). I only heard the humming on the tracks with piano and found that Gould was really into Bach. I have heard Glenn Gould's playing on the radio and must say that he is truly a master of Bach's keyboard music. The sound quality is good and the jewel case is very nice. I highly recommend this item if you like Bach, Gould, or both.
Average customer rating:
- Opera for Aficianados as well as Newbies
- superb!
- beatiful music
- Best Opera CD ever
- Rapture
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Rapture: Opera's Most Heavenly Moments
Manufacturer: Deutsche Grammophon
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ASIN: B00006L3K2
Release Date: 2002-10-08 |
Tracks:
- Casta Diva - Renee Fleming
- Barcarolle - Edita Gruberova
- Ebben? Ne Andro Lontana - Maria Chiara
- Intermezzo - Herbert Von Karajan
- Letter Duet - Edith Mathis
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- Humming Chorus - Ambrosian Opera Chorus
- Soave Sia Il Vento - Kiri Te Kanawa
- Overture (Excerpt) - Philharmonia Orchestra
- Un'aura Amorosa - Hans-Peter Blochwitz
- Un Bel Di - Mirella Freni
- Depuis Le Jour - Montserrat Caballe
- La Ci Darem La Mano - Dietrich Fischer-Dieskau
- Quando Le Sere Al Placido - Placido Domingo
- Mir Ist So Wunderbar - Lucia Popp
Tracks:
- Flower Duet - Joan Sutherland
- The Pearl Fishers Duet - Bryn Terfel
- Lascia Ch'io Pianga - Kiri Te Kanawa
- Prelude - Bayerisches Staatsorchestra
- O Silver Moon - Renee Fleming
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- Miserere - Placido Domingo
- Vissi D'arte - Mirella Freni
- Intermezzo - Berlin Philharmonic Orchestra
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- Hochsten Heiles Wunder - Chorus Of The German Opera Berlin
Customer Reviews:
Opera for Aficianados as well as Newbies.......2007-06-11
If you are looking for peaceful, beautiful music this is for you. It is a delightful mix of some of opera's most memorable moments. Long time opera fans will be familiar with most of the arias and newcomers to opera will recognize music that has become identified with movies and commercials.
superb! .......2007-05-12
If you love wonderful operatic moments then this cd is a great buy for all of the wonderful and spectacular music on it. You get two cds for the price of one great opera cd, and all of the talented singers that were taken and put on these tracks do definate justice to all of the composers listed. A great cd to add to your collection especially if you are an aspiring singer or a student in music. Absolutely Fantastic!
beatiful music.......2007-02-23
former reviews are no exaggeration, this is the most beautiful music I have come across. I have many opera CDs but this is one I never tire of.
I listen to the CD everyday and it is always soothing, uplifting and inspiring. I wish I could find another as wonderful.
Best Opera CD ever.......2007-02-16
I have orderd plenty of classical CD's and DVD's on this webside.
Most were phantastish but this one is the best.
I listen so often to this CD that it should have grooves.
I never get tired of it.
I recommend this CD highly.
Roswitha
Rapture.......2007-01-24
Wonderous---Melodious----
This compilation of Opera's finest moments is positively wonderful!!!!Unquestionably the best buy I have made in Opera Music..No kidding,I have trays full of CDs covering every facet of Opera,but none as beautiful...A full 2 1/2 hours of the best of the best....Heavenly Moments says it ALL...I vote 6 stars!!!!!
Average customer rating:
- A Man and His Art - Magnificently Captured
- What can you say - it's Segovia!
- EVERYBODY KNOWS
- Immortal guitar
- WOW
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Art of Segovia
Andres Segovia
Manufacturer: Deutsche Grammophon
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ASIN: B00006B66L
Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis
Customer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.
EVERYBODY KNOWS.......2007-01-13
EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).
Immortal guitar.......2006-08-02
Two CD's with Segovia's immortal music - an incredible treat at a great price!
WOW.......2006-02-23
Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.
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