Opening Night

Track Listings

 
1. Granada
2. Brazil
3. Happy Together
4. Layla
5. Over the Rainbow
6. Puttin' on the Ritz
7. Classical Gas
8. Jesu, Joy of Man's Desire
9. Dueling Banjos
10. Live and Let Die
11. Moonlight Sonata
12. La Bamba
13. Tequila
14. Malaguena
15. MacArthur Park
16. William Tell Overture Finale

Editorial Reviews

Jim Stafford - Entertainer, Branson, MO
I liked it so much I ordered everything else he had!

Product Description
Oklahoma City's annual New Year's Eve Celebration. Recorded live at Carpenter Square Theatre December 31, 1994

Opening Night

Opening Night,Edgar Cruz,E.C.I. Recordings
Chess
Average customer rating: 4.5 out of 5 stars
  • This should never have worked at all
  • A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS
  • Chess
  • One of my favorites!
  • Concepts get better with practice
Chess
Bjorn Ulvaeus , and Tim Rice
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Chess (1988 Original Broadway Cast)
  2. Miss Saigon (Original 1989 London Cast)
  3. Evita (1978 Original Broadway Cast)
  4. A Little Night Music (1973 Original Broadway Cast)
  5. Sweeney Todd (2005 Broadway Revival Cast)

ASIN: B000002GLR
Release Date: 1996-07-23

Tracks:

  1. Merano - The Ambrosia Singers/Anders Eljas/Murray Head
  2. The Russian And Molokov/ Where I Want To Be - The Ambrosia Singers/Anders Eljas/Tommy Korberg/Denis Quilley
  3. Opening Ceremony - The Ambrosia Singers/Anders Eljas/Bjorn Skifs
  4. Quartet (A Model Of Decorum And Tranquility) - Elaine Paige/Tommy Korberg/Denis Quilley/Bjorn Skifs
  5. The American And Florence/Nobody's Side - Elaine Paige/Murray Head
  6. Chess - LSO/Anders Eljas
  7. Mountian Duet - Elaine Paige/Tommy Korberg
  8. Florence Quits - Elaine Paige/Murray Head
  9. Embassy Lament - Tommy Korberg/The Ambrosia Singers/Anders Eljas
  10. Anthem - Tommy Korberg

Tracks:

  1. Bangkok
  2. One Night In Bangkok
  3. Heaven Help My Heart
  4. Argument
  5. I Know Him So Well
  6. The Deal (No Deal)
  7. Pity The Child
  8. Endgame
  9. Epilogue: You And I / The Story Of Chess

Amazon.com

Chess is a musical that sounds like it shouldn't work but instead succeeds surprisingly well. This is the original concept album that was recorded before the musical was staged in London. Chess is the story of a love triangle told against the backdrop of an international chess tournament during the height of the cold war. The composers are Benny Andersson and Bjorn Ulvaeus (the Bs in ABBA) and the lyrics are by Tim Rice, who supplied the words for Andrew Lloyd Webber's Jesus Christ Superstar and Evita, as well as Disney's Aladdin (with Howard Ashman), The Lion King, and Beauty and the Beast. The six-member cast does a beautiful job with the songs, which are a combination of ballads, rock, and operatic choruses. Murray Head's version of "One Night in Bangkok" became a surprise hit in the mid-'80s and it still turns up on the turntables in dance clubs around the world. --Michael Simmons

Customer Reviews:

4 out of 5 stars This should never have worked at all.......2007-06-18

And on that basis alone, you've got to cut it some slack. Fortunately, not all that much slack turns out to be necessary.

While "Chess" may be a document of an era that no longer exists, there's a lot more going on than the surface metaphor. It holds up very well indeed. When it aims for humor, it generally succeeds, and likewise when it aims to devastate. What more can you ask for?

5 out of 5 stars A GREAT AND OFTEN OVERLOOKED MUSICAL FROM THE 80-IS.......2007-03-04

`Chess' is a musical that should be counted among the best of what the 1980-is had produced: side by side with `Cats', `The Phantom of the Opera', `Les Miserables' or `Miss Saigon'. The score as heard on this concept album, written by Björn Ulvaeus and Benny Andersson (formerly of ABBA) and with the exceptional lyrics written by Tim Rice, stand proof to this. And yet, due to various reasons, like the changing of the director half way through London staging; a heavy rewrite for Broadway and a pan review from Frank Ritch (a.k.a. `The Butcher of Broadway'), `Chess' seems to be unjustly neglected.

This concept album is the main reason why the show has so many ardent fans until this day. Tim Rice wanted to write the show with the main plot revolving around chess for years and after his long time partner Andrew Lloyd Webber remained uninterested, he found the new collaborators in Ulvaeus and Andersson. The subject matter follows two international chess players in a championship, a Russian (Tommy Körberg) and an American (Murray Head) and a woman called Florence (Elaine Paige) who is a manager to the American but falls in love with the Russian. The story also draws a parallel between the game of chess and the cold war/real life situations.

This concept album was recorded in 1984, two years before the original London production took place. As the authors noted in the accompanying booklet, it was a work in progress and thusly the story is not quite readable here from the musical numbers alone. Despite that fact (which is amended by the synopsis included in the booklet), this album remains a winner. The score (played here by the London Symphonic Orchestra) itself makes an intriguing bland of the famous ABBA sound, the classical; the rock and the pop enhanced by the orchestral solo passages and the strong choral parts. The lush orchestrations add an epic touch to it and on the whole it is melodic and hummable, packed with great tunes. Some of the songs achieved huge success outside the musical: `I know him so well', a duet between Elaine Paige and Barbara Dickson, held the number one spot on the UK singles charts for 4 weeks in February 1985 and won Ivor Novello Award as the Best Selling Single; Murray Head's `One night in Bangkok' became one of the biggest dance hits of its time, often heard today. Some other notable tunes include `The Anthem' (Russian's deliberation on his homeland); the soaring rock songs `Where I want to be' and `Pity the child' (in the former, the Russian reflects upon his life under the spotlight; in the latter, the American ponders about his own unhappy childhood) or the gentle `Heaven help my heart' (in which Florence weighs up her relationship with the Russian).

A special reference must be made to Tim Rice's excellent lyrics. With `Chess' he managed to keep up to the high standards he set himself in `Jesus Christ Superstar' and Evita'. Again in this case he shows he is a lyrical wizard, with his familiar cynical touch. `The story of chess', in which he gives a history of the game in a couple of crafty verses, is a pure masterpiece. The same can be said of the song `I know him so well', where the two women reexamine their relationship with the same man. As a whole, `Chess' owes a lot of its appeal to Tim Rice's written word.

The cast on this album ranks the high standard of the material. The principal parts (sung by Elaine Paige, Tommy Körberg and Murray Head) are delivered in a strong and impeccable fashion.

This 2-disc edition comes with a booklet containing a note from the authors, a text about chess, a full synopsis and a libretto, together with the photos of the principal singers.

Anyone interested in the modern musical theatre should find `Chess' to be a great score with great lyrics, which should be enough to satisfy any aficionado.

4 out of 5 stars Chess.......2007-01-15

A magnificent musical, i have enjoyed the music since i first heard it and read the storyline. Had been unable to find it in our local music stores.Very pleased to find it on your site.

5 out of 5 stars One of my favorites!.......2007-01-12

I love "Chess"! I still remember the first time I heard the single "One Night in Bangkok" on my car radio. I thought it was so unusual and so very cool, so I tracked down the album and bought it. Then I taped it onto a cassette, which is what I've been listening to for years, so I finally broke down and got it on CD. Of course, it's on my iPod now. I've seen the musical, and I loved that, too.

2 out of 5 stars Concepts get better with practice.......2006-11-27

I love this show! That said, I do not care for this version of it. The inclusion of the word "concept" in the title means it is just that. This was, thankfully, not the final version of the show that would later spawn the hit song, "One Night In Bangkok".

With most Broadway musicals, the musical numbers tell the basic story of the show. If you listen to the recordings of Phantom, Mama Mia, Beauty and the Beast, you can discern the basic storyline of the show. Listening to this particular recording of Chess, though, will leave you wondering "What was that?" The Broadway arrival of Chess saw a much needed reworking of the storyline and arrangement of the musical numbers. This recording seems too much like a mish-mash of songs that don't really relate to each other.

For musical fanatics (like myself), I say "yes, you should have this recording in your collection", if only to understand how much work went into the show before it opened on Broadway.

If you are only buying the album because of "One Night In Bangkok", purchase the Broadway recording instead; you'll be much happier with the performance by Phillip Casnoff rather than Murray Head.
The Producers (2001 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Just what I wanted
  • I Want to be a producer
  • Spring Time for "The Producers"
  • Mel Brooks = Brilliant
  • it won 11 (if im correct) TONY awards for a reason!
The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Monty Python's Spamalot (2005 Original Broadway Cast)
  2. Hairspray (2002 Original Broadway Cast)
  3. Wicked (2003 Original Broadway Cast)
  4. The Producers (2005 Movie Soundtrack)
  5. Dirty Rotten Scoundrels (2005 Original Broadway Cast)

ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

  1. Overture
  2. Opening Night
  3. The King of Broadway
  4. We Can Do It
  5. Unhappy
  6. I Wanna Be a Producer
  7. In Old Bavaria
  8. Der Guten Tag Hop-Clop
  9. Keep It Gay
  10. When You Got It, Flaunt It
  11. Along Came Bialy
  12. That Face
  13. Have You Ever Heard the German Band?
  14. It's Bad Luck to Say Good Luck on Op'ning Night
  15. Springtime for hitler
  16. Where Did We Go Right?
  17. Betrayed
  18. 'Til Him
  19. Prisoners Of Love (Leo & Max)
  20. Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

5 out of 5 stars Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

5 out of 5 stars I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

5 out of 5 stars Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

5 out of 5 stars Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

5 out of 5 stars it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dreamgirls in Concert (2001 Concert Cast)
Average customer rating: 4 out of 5 stars
  • Dreamgirls 2001
  • Not the real "DREAM" experience
  • Absolutely brilliant!
  • Amazing!!!!!!
  • One Night Only
Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
McDonald, AudraMcDonald, Audra | Divas | Opera & Vocal | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | R&B | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Similar Items:
  1. Dreamgirls (1982 Original Broadway Cast)
  2. Dreamgirls: Music From The Motion Picture [2-CD Deluxe Edition]
  3. Dreamgirls
  4. Company (2006 Broadway Revival Cast)
  5. Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00005Y4P4
Release Date: 2002-02-26

Tracks:

  1. I'm Looking for Something, Baby
  2. Goin' Downtown
  3. Takin' the Long Way Home
  4. Move (You're Steppin on My Heart)
  5. Scene: Fifty bucks says the Dreamettes don't win
  6. Fake Your Way to the Top
  7. Scene: It ain't working, Marty
  8. Cadillac Car
  9. Cadillac Car (On the Road)
  10. Cadillac Car (Recording Studio)
  11. Scene: I don't believe they can do that
  12. Steppin' to the Bad Side
  13. Scene: I'm working on a long shot
  14. Party, Party
  15. I Want You, Baby
  16. Scene: I'm a woman now
  17. Family
  18. Scene: What are you doing to that girl?
  19. Dreamgirls
  20. Press Conference
  21. Heavy
  22. Walkin' Down the Strip/Scene: Las Vegas
  23. It's All Over
  24. And I Am Telling You I'm Not Going

Tracks:

  1. Opening Act II: Dreams Medley
  2. Scene: Effie White is the best singer you're gonna find
  3. I Am Changing
  4. Vogue Sequence
  5. When I First Saw You
  6. Ain't No Party
  7. I Meant You No Harm
  8. The Rap
  9. I Miss You, Old Friend
  10. One Night Only
  11. One Night Only (Disco Version)
  12. I'm Somebody
  13. Hard to Say Good-bye
  14. Dreamgirls (Reprise)

Amazon.com

A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Dreamgirls 2001.......2007-06-27

This was the worst reproduction of Dreamgirls that I ever heard. I was so disappointed the CD went into the garbage. This is one CD that I would not sell to the public because I expect so much and get so little.

4 out of 5 stars Not the real "DREAM" experience.......2007-04-04


Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.

Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.

5 out of 5 stars Absolutely brilliant!.......2007-01-28

There is atleast 5 new songs on this album that were not in the movie! These girls kill it I mean they are just amazing singers, and this all live! This is needed for any Dreamgirls fanatic like me! You are gonna love it! Enjoy! love live laugh :)

5 out of 5 stars Amazing!!!!!!.......2006-12-04

As a theatre lover, this recording is amazing. I actually prefer this recording to the OBC. Sheryl Lee Ralph is okay, but can't touch Audra's Deena. The first time I heard Ms. White's "And I Am Telling You..", goosbumps all over my body. The only weak cast member in my opinon is Heather Headly. Vocally, she just isn't there. Too much Aida, not enough Dreamgirls. But all in all, a great live recording of a great show.

5 out of 5 stars One Night Only .......2006-07-19

I was lucky enough to attend this One Night Only concert performance of Dreamgirls and it was a night I will never forget!! The cast was brilliant and the cd is as good if not better than the Broadway cast recording because it is the entire show not just the songs. Bravo to everyone involved !!!
A to Z of Classical Music
Average customer rating: 4.5 out of 5 stars
  • LETTER PERFECT CLASS(ICAL) ACT!
  • Great Tracks -- Great Value -- Great Book, Who Can Complain?
  • At this price, how can one complain?
A to Z of Classical Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
DancesDances | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DittersdorfAll Works by Dittersdorf | Dittersdorf, Karl Ditters | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Hildegard of BingenHildegard of Bingen | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RespighiAll Works by Respighi | Respighi, Ottorino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WeberAll Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GlassAll Works by Glass | Glass, Philip | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances
GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Instructional | Miscellaneous | Styles | Music
$9.99 and Under$9.99 and Under | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Bach, Johann SebastianBach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Beethoven, Ludwig vanBeethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Berlioz, HectorBerlioz, Hector | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Brahms, JohannesBrahms, Johannes | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Britten, Sir BenjaminBritten, Sir Benjamin | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Byrd, WilliamByrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Chopin, FrédéricChopin, Frédéric | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Corelli, ArcangeloCorelli, Arcangelo | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Couperin, FrançoisCouperin, François | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Debussy, ClaudeDebussy, Claude | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Dittersdorf, Karl DittersDittersdorf, Karl Ditters | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Dvorák, AntonínDvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Elgar, Sir EdwardElgar, Sir Edward | ( E ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Glass, PhilipGlass, Philip | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Handel, George FridericHandel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Haydn, Franz JosephHaydn, Franz Joseph | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Hildegard of BingenHildegard of Bingen | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Mendelssohn, FelixMendelssohn, Felix | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Orff, CarlOrff, Carl | ( O ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Pachelbel, JohannPachelbel, Johann | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Rachmaninov, SergeiRachmaninov, Sergei | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Respighi, OttorinoRespighi, Ottorino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Rossini, GioacchinoRossini, Gioacchino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Schubert, FranzSchubert, Franz | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Schumann, RobertSchumann, Robert | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Strauss, RichardStrauss, Richard | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Stravinsky, IgorStravinsky, Igor | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Tchaikovsky, Peter IlyichTchaikovsky, Peter Ilyich | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Verdi, GiuseppeVerdi, Giuseppe | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Vivaldi, AntonioVivaldi, Antonio | ( V ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Wagner, RichardWagner, Richard | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Weber, Carl Maria vonWeber, Carl Maria von | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Opera & VocalOpera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:
  1. The Arts: World Themes
  2. A - Z of Opera (includes 762 page booklet)
  3. Rise to Globalism
  4. Walden and Other Writings (Modern Library Classics)
  5. Twentieth-Century World History

ASIN: B00004YYRT
Release Date: 2000-10-17

Tracks:

  1. De Profundis - Nova Schola Gregoriana
  2. Alleluia - O Virga Mediatrix - Oxford Camerata
  3. Gloria - Oxford Camerata
  4. Pavane - Red Byrd
  5. Canon - Capella Istropolitana
  6. Vivace - Grave - Capella Istropolitana
  7. Prelude - Laurence Cummings
  8. Allegro - Takako Nishizaki
  9. Adagio - Miroslav Kejmar
  10. Air On The G String - Capella Istropolitana
  11. Hallelujah Chorus - Scholars Baroque Ensemble
  12. Menuetto: Allegretto - Capella Istropolitana
  13. Andante - Failoni Orchestra
  14. Allegro - Capella Istropolitana
  15. Adagio - Jeno Jando
  16. Andante - Ernst Ottensamer
  17. Quis Est Homo - Hungarian State Opera Chorus

Tracks:

  1. Ave Maria - Ingrid Kertesi
  2. Un Bal - Pinchas Steinberg
  3. Wedding March - Slovak Philharmonic Orchestra
  4. Minute Waltz - Idil Biret
  5. Larghetto - Alexander Rahbari
  6. Ride Of The Valkyries - Uwe Mund
  7. Prelude - Alexander Rahbari
  8. Hungarian Dance No.3 - Budapest Symphony
  9. Scene - Ondrej Lenard
  10. Slavonic Dance No.1 - Balazs Szokolay
  11. Nimrod - Bournemouth Symphony Orchestra
  12. Clair De Lune - Keith Clark
  13. Also Sprach Zarathustra (Opening) - Slovak Philharmonic Orchestra
  14. Prelude In C Sharp Minor - Idil Biret
  15. Fountain Of The Villa Medici At Sunset - Royal Philharmonic Orchestra
  16. Overture - Bournemouth Sinfonietta
  17. O Fortuna - Slovak Philharmonic Chorus
  18. Playful Pizzicato - Bournemouth Sinfonietta
  19. Violin Concerto - Adele Anthony

Amazon.com

Is it a two-CD set with a particularly thick booklet, or a 562-page book with a compilation album attached? Either way, the unpretentious text by Keith Anderson offers an introduction to the lives and works of dozens of composers, together with recommended recordings from the Naxos and Marco Polo catalogs. Anderson includes a useful 59-page glossary of musical terms and an extensive listing of classical pieces used in films. The odd thing about the 36 extracts and complete pieces on the CDs is that they do not form an A-to-Z at all. Rather, they are arranged chronologically, from 1,000-year-old Gregorian chant to the opening movement of contemporary composer Philip Glass's Violin Concerto. Between these two points is the early music of Palestrina and Byrd; the Baroque glories of Vivaldi and Bach; the 19th-century Romantic masters, from Beethoven to Tchaikovsky; and such 20th-century greats as Rachmaninov and Stravinsky. Opera, song, and chamber music are barely represented, but only so much can fit into 151 minutes. Essentially a deluxe sampler of the vast Naxos catalogue, the discs offer a good introduction to some of the most famous and melodic music ever composed, while the book will be very useful to newcomers to the potentially confusing world of classical music. --Gary S. Dalkin

Album Description

A-Z of Classical Music is a remarkable 562-page, illustrated bok, detailing the lives of all the great composers as well as many less known, but equally fascinating, musical masters. Like the Naxos range of recording itself, A-Z of Classical Music is a rich source of inspiration for anyone either just embarking on a lifetime of musical enjoyment or for whom classical music has long been a way of life. Included within is an extensive glossary of musical terms plus a unique guide to classical music used in acclaimed films. Two-and-a-half hours of the finest music from across the centuries are contained in the accompanying CDs.

Customer Reviews:

4 out of 5 stars LETTER PERFECT CLASS(ICAL) ACT!.......2003-01-19

It's only natural we sometimes hit the high seas....make that Cs. This is one box set about which we sing praises. This set features more than two hours of the finest music from across the centuries by such composers as Schubert, Chopin, Mozart, Handel, Stravinsky and Glass. The set also comes with a 562-page illustrated book, detailing the lives of hundreds of composers, a
glossary of musical terms and a unique guide to the classical music used in 360 top films.

5 out of 5 stars Great Tracks -- Great Value -- Great Book, Who Can Complain?.......2002-08-30

Naxos is a fabulous label -- you will not get samples of the best classical music through the ages at no better price. These tracks are as good as any of the over-priced major orchestras and in some cases better. This is a great starter set for a beginner or anyone who just wants to "taste" the classics. If you prefer Opera I would suggest the A to Z of Opera -- most of the tracks on A to Z Classical are orchestral. I was so impressed with this collection that I purchased the Discover the Classics Vol's 1-3 which will give you a more detailed look at the great classics. Take a look at the Naxos web site at NAXOSUSA.COM -- what you will see will blow your mind -- there are literally thousands of pieces that you could listen too!

4 out of 5 stars At this price, how can one complain?.......2001-09-30

This is pretty much a CD version of a mini-Naxos and Marco Polo catalog. All the pieces and extracts are ordered chronologically on the 2 CDs and are of very acceptable quality, but don't expect excellence in every track. Personally, I was particularly disappointed with one of my favourite Pachelbel pieces. The Naxos Canon & Gigue lacks all the emotion of my favourite versions.

Still, any possible weaker performances are of little importance after you get your hands on the fat booklet with over 500 pages. The booklet offers a short intro about the great composers, a glossary of musical terms, a list of works used in films and dozens of illustrations of several composers.

Overall, at this price, this is a must-have pack for any beginner, and might be useful for the occasion "quick check" of the work of many composers. Do not expect many detail, nor references to all the works of some composers; I often got frustrated with the lack of detail in some cases, but in general, the booklet is very effective for a quick reference.
You will need more titles that offer more complete information, and you won't truly learn to love classical music just by reading it, but it is small and compact.

It really puzzles me why Naxos did not include a full index of composers, a serious omission. To find a particular composer you will have to look for it yourself in over 500 pages. Also, the separation of the text is not so good, making the search even a bit slower. The lack of the index is truly annoying and I am sure it will be corrected in future editions.

Even with a few weaker pieces and the lack of the index, at this price, there isn't much to argue about. This is truly a bargain that you should not miss. I would also recommend the A-Z of Opera, which offers a bigger booklet with over 700 pages, focusing on opera works and mentioning several composers that are absent from the A-Z of Classical. That other booklet has a very complete index, and much clearer text layout and separation, that's the way both booklets should have been designed.

The two sets complement each other very well. Highly recommended.
Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Average customer rating: 4.5 out of 5 stars
  • An American Treasure
  • DON'T DESPAIR. IT'S BEEN REISSUED!!!!!
  • An American tragedy....
  • Gorgeous!
  • Defective disc.
Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn
Frederica von Stade , Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Leslie Fyson , John McGlinn , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Hadley, JerryHadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
Von Stade, FredericaVon Stade, Frederica | Divas | Opera & Vocal | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
Classic MusicalsClassic Musicals | Musicals | Broadway & Vocalists | Styles | Music
RevivalsRevivals | Musicals | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Broadway & MusicalsBroadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music
Similar Items:
  1. Carousel (1987 Studio Cast)
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  5. Oh, Kay! (1994 Studio Recording)

ASIN: B000002SJL
Release Date: 1990-10-25

Tracks:

  1. Overture
  2. Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
  3. Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
  4. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
  5. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
  6. Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
  7. Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
  8. Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
  9. Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
  10. Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
  11. Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
  12. Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
  13. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
  14. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
  15. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
  16. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
  17. Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

  1. Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
  2. Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
  3. Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
  4. Show Boat: Act One, Scene Six - Villain Dance
  5. Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
  6. Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
  7. Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
  8. Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
  9. Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
  10. Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
  11. Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
  12. Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
  13. Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
  14. Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
  15. Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
  16. Show Boat: Act Two, Scene Six - Apache Dance
  17. Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
  18. Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
  19. Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
  20. Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
  21. Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

  1. Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
  2. Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
  3. Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
  4. Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
  5. Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
  6. Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
  7. Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
  8. Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
  9. Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
  10. Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
  11. Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
  12. Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
  13. Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
  14. Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
  15. Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
  16. Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

5 out of 5 stars An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

5 out of 5 stars DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

5 out of 5 stars An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

5 out of 5 stars Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

2 out of 5 stars Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.
The Best Choral Album in the World...Ever!
Average customer rating: 4 out of 5 stars
  • I love it and I give it as a gift
  • MarMSED
  • Diverse range but the songs are butchered...
The Best Choral Album in the World...Ever!

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The #1 Choral Album
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ASIN: B00002ZZH6
Release Date: 2005-06-07

Tracks:

  1. Gloria In Excelsis Deo - Academy And Chorus Of St Martin In The Fields
  2. Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
  3. Zadok The Priest - Ambrosian Singers
  4. Miserere Mei, Deus - Gerald Finley
  5. Veni Creator Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
  6. Lacrimosa - London Philharmonic Choir
  7. For Unto Us A Child Is Born - Ambrosian Singers
  8. The Heavens Are Telling - John Shirley-Quirk
  9. Panis Angelicus - Halle Choir
  10. Ave Maria - Groupe Vocal De France
  11. Ode To Joy - The Westminster Choir
  12. Va, Pensiero - Chorus Of the Royal Opera House
  13. Chorus Of Slave Girls - Chorus Of The National Theatre Of Sophia
  14. Coro De Romanticos - Coro Cantores De Madrid
  15. In Paradisum - Choir Of Kings College, Cambridge
  16. Totus Tuus - Choir Of King's College, Cambridge
  17. Song For Athene - Winchester Cathedral Choir
  18. Celebration - London Symphony Chorus
  19. Jerusalem - Royal Choral Society

Tracks:

  1. Zion Hort Die Wachter - South German Madrigal Choir
  2. Pleni Sunt Coeli Et Terra - Charles Brett
  3. Hallelujah Chorus - Ambrosian Singers
  4. Thou Knowest, Lord - Choir Of King's College, Cambridge
  5. Veni Sancte Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
  6. Awake The Harp - City Of Birmingham Symphony Chorus
  7. And Then Shall Your Light Break Forth - New Philharmonia Chorus
  8. L'Adieu Des Bergers - Choeurs Rene Duclos
  9. Agnus Dei - Peter Barley
  10. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
  11. Ave Verum Corpus - Schutz Consort
  12. Begluckt Darf Nun Dich, O Heimat - Bavarian State Opera Chorus, Munich
  13. Vedi! Le Fosche Notturne Spoglie - Chorus Of the Royal Opera House
  14. Laudamus Te - Radio France Chorus
  15. Chichester Psalms - Rachel Masters
  16. The Lamb - Vasari Singers
  17. Agnus Dei - Winchester Cathedral Choir
  18. Requiem Aeternam - Choir Of Kings College, Cambridge
  19. Dies Irae - Philharmonia Chorus
  20. O Fortuna - London Philharmonic Choir
  21. Pomp And Circumstance March No. 1 (Land Of Hope Glory) - Royal Choral Society

Customer Reviews:

5 out of 5 stars I love it and I give it as a gift.......2006-12-11

This is the first collection of choral music that I've purchased and I love it. I own copies of operas and requiems and masses, but if you attend choral concerts, as I have been recently, you learn there is a huge colletion of choral music appart from the forms I've been listening to. I appreciate the producers selecting "Song for Athene" by Tavener and "Celebration (Standing Stone)" by McCartney. They are new to me and I love them. Disk 1 ends with "Jerusalem" and Disk 2 ends with "Land of Hope and Glory." As an American I rarely hear these and I am so glad they were included. I believe this album was intended to help popularize choral music and I believe the selections do fine job towards that end.

I know snobs rage against popularizing classical music, but everyone deserves exposure to the beauty of song. I will also mention here "The East Village Opera Company" because they work to popularize opera by setting it to a rock beat. They do a fine job but also get criticized for attempting to popularize classical music.

"The Best Choral Album in the World...Ever" was so popular with my teen-age daughter that it was hard to get it back from her. I give the album as a gift to nephews and nieces.

4 out of 5 stars MarMSED.......2005-08-27

The music selections are extraordinary. The only problem has to do with the balance of sound. There are some parts that are very loud, and some that are so very soft. You have to continually adjust the volume.

3 out of 5 stars Diverse range but the songs are butchered..........2005-07-24

Well, this CD isn't horrible by any stretch, but it is irritating to someone who's more than a casual listener of choral music. I'm by no means as musically "literate" as many reviewers out there, but I have a collection of probably twenty-five or thirty choral CD's and this is one that will probably be gathering dust in the back of the CD book.

The peices are well-performed for the most part, but they are hopelessly edited. Beethoven's Ode to Joy is somewhere around twenty four minutes, but this CD only includes an arrangement of about five minutes. The beautiful Miserere is, uncut, almost eleven minutes but is cut down to five and a half minutes here.

Looking back, I should have realized the major editing that would be involved, just by the sheer number of peices on it. I'm familiar with a great many of them and I know they're too long to fit onto a seventy minute disc without some major cutting going on. I just didn't reason that out before I shelled out the money for it.

Bottom line. This CD has decent singing, but is nothing special. If you're a newcomer to this genre, you might get this as a quick overview of the different types of choral music out there, but if you're any kind of an avid listener, this CD will drive you insane with the severity of the cuts. Beginners, if you're looking for a great collection CD, you'd do better to look at "Choral Moods". It doesn't have the diversity in styles of this one, but it will introduce you to incredibly talented composers. To the old hats out there, steer clear of this one and look to CD's by your preferred individual composers themselves. It's more money, but much less frustration in the long run. The old sayings are sometimes the best: You get what you pay for.
Best of Rodgers & Hammerstein
Average customer rating: Not rated
    Best of Rodgers & Hammerstein

    Manufacturer: Alshire
    ProductGroup: Music
    Binding: Audio CD

    Rodgers, RichardRodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000000KPJ
    Release Date: 1996-05-21

    Tracks:

    1. Some Enchanted Evening
    2. Climb Every Mountain
    3. June is Bustin' Out All Over
    4. Aisle Talk
    5. Bali Hai
    6. Opening Night
    7. Getting To Know You
    8. If I Loved You
    9. Oklahoma
    10. Curtain Time
    11. I Enjoy Being A Girl
    12. People Will Say We're In Love
    Henry Mancini -The Ultimate Collection
    Average customer rating: 4 out of 5 stars
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    • Too Good to Last
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    James Galway
    Manufacturer: Bmg Int'l
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000071UZ
    Release Date: 1995-12-06

    Tracks:

    1. Pink Panther Theme - Plas Johnson, Henry Mancini & His Orchestra
    2. Moon River
    3. Days of Wine and Roses
    4. Baby Elephant Walk
    5. Theme from Hatari
    6. Charade - Henry Mancini, Henry Mancini
    7. Thorn Birds Theme - National Philharmonic Orchestra
    8. Blue Satin
    9. Two for the Road
    10. Mr Lucky
    11. Theme from the Molly Maguires - National Philharmonic Orchestra
    12. Moment to Moment
    13. As Time Goes By - Henry Mancini, Henry Mancini
    14. Shot in the Dark
    15. Misty
    16. Theme from Love Story
    17. Pennywhistle Jig - National Philharmonic Orchestra
    18. Everything I Do (I Do It for You) - Henry Mancini, Henry Mancini
    19. Moonlight Sonata
    20. Tender Is the Night - Henry Mancini, Henry Mancini
    21. Theme from "Mommie Dearest" - Henry Mancini, Henry Mancini
    22. Raindrops Keep Falling on My Head
    23. Crazy World
    24. Mona Lisa

    Tracks:

    1. Peter Gunn
    2. Unchained Melody - Henry Mancini, Henry Mancini
    3. Summer Knows
    4. Experiment in Terror
    5. Windmills of Your Mind
    6. Till There Was You
    7. Speedy Gonzales - Henry Mancini,
    8. Sweetheart Tree
    9. Love Theme from Romeo and Juliet
    10. Dream a Little Dream of Me
    11. Lonesome
    12. Pie in the Face Polka - National Philharmonic Orchestra
    13. Love Is a Many Splendored Thing
    14. By the Time I Get to Phoenix
    15. Dear Heart
    16. Charade [Opening Titles]
    17. Shadow of Your Smile
    18. One for My Baby (And One More for the Road) - Henry Mancini, Henry Mancini
    19. Breakfast at Tiffany's
    20. That Old Black Magic
    21. Evergreen
    22. Midnight Cowboy

    Album Description

    1995 compilation on RCA Victor featuring 46 of the composer's finest & most memorable recordings from 1956-1991on two digitally remastered, full color picture CDs. Contains 'The Pink Panther Theme', 'Moon River', 'A Shot In The Dark', Wine And Roses', 'Baby Elephant Walk', 'Peter Gunn', 'Everything I Do (I Do It For You)', 'Mona Lisa', 'Unchained Melody', 'Midnight Cowboy' and much more. Well over two hours of easy listening ecstasy! Double slimline jewel case. The full title is 'In The Pink: The Ultimate Collection'.

    Album Details

    Digitally Remastered Double Anthology of the Pop and Soundtrack Composer from the 50's and 60's. Perhaps his Best Counterpart of Today Would Be John Williams. A Film Maker Could Always Rely on Mancini to Deliver a Composition that Hit the Mark for a Film and Conveyed Exactly What was Required and More. He also Filled the Role of an American Mantovani, Recording 'muzak' Versions of Popular Hits. He was Handsome, Personable, but Most of All, Well Respected for his Craft.

    Customer Reviews:

    3 out of 5 stars not enough Galway.......2003-10-02

    There are only four songs with James Galway. The way this recording is presented is misleading and buyers should be aware that this is NOT a joint effort between these two great artists.. I was totally disappointed. I think Henry Mancini is wonderful but was expecting to hear a collaboration. So if you're looking for flute music this isn't it. However it's a great collecton of Henry Mancini's work.

    5 out of 5 stars Too Good to Last.......2000-03-03

    I heard this on PBS. Galway and Mancini may be two of the most talented musicians of our century. Galway for his complete mastery of the flute and Mancini for his ability to arrange , produce and in this instance direct the orchestra while Galway performs. They do several duets of a comical nature as well. This is important because it is one of Mancini's last efforts prior to his unfortunate passing.
    Idiot's Guide to Classical Music
    Average customer rating: 4.5 out of 5 stars
    • I can name that tune in three notes
    • A Fabulous CD
    • Mega-Sampler! This really does have 99 tracks!
    • Fun Sampler
    • Useful.
    Idiot's Guide to Classical Music

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

    WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    QuintetsQuintets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BoccheriniAll Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by DukasAll Works by Dukas | Dukas, Paul | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by FallaAll Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    All Works by LeoncavalloAll Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Morales, Cristóbal de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SibeliusAll Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SousaAll Works by Sousa | Sousa, John Philip | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by StravinskyAll Works by Stravinsky | Stravinsky, Igor | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    BagatellesBagatelles | Short Forms | Forms & Genres | Classical | Styles | Music
    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
    NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
    SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
    RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
    Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    ScherzoScherzo | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
    Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    GuitarGuitar | Strings | Instruments | Classical | Styles | Music
    ViolinViolin | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
    National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
    New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
    St. Louis Symphony OrchestraSt. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
    Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
    RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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    FrenchFrench | Languages | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    RussianRussian | Languages | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
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    CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    ASIN: B000003FPT
    Release Date: 1995-02-14

    Tracks:

    1. Adagio
    2. Air on the G String: Air on the G String, Excerpt
    3. Brandenburg Concerto: Third Movement, Excerpt
    4. Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
    5. Tocatta & Fugue: Excerpt
    6. Adagio for Strings: Excerpt
    7. Synphony No. 5: First Movement, Excerpt
    8. Symphony No. 9: Fourth Movement, Excerpt
    9. Fse: Excerpt
    10. Turkish March: Turkish March, Excerpt
    11. Moonlight Sonata: Excerpt
    12. Symphonie Fantastique: March Ot the Scaffold, Excerpt
    13. Damnation of Faust: Excerpt
    14. Carmen - Habanera: Habanera, Excerpt
    15. Toreador Song [From Carmen]
    16. Minuet: Minuet, Excerpt
    17. Prince Igor: Polovtsian Dance No 17, Excerpt
    18. Hungarian Dance No. 5: No 5, Excerpt
    19. Lullaby: No 4, Lullaby, Excerpt
    20. "Minute" Waltz: Excerpt
    21. Grande Valse Brillante: Excerpt
    22. Marche Fune: Marche Fune
    23. Appalachian Spring: Excerpt
    24. Fanfare for the Common Man: Excerpt
    25. Clair de Lune: Excerpt
    26. Prelude to the Afternoon: Excerpt
    27. Lakm Flower Duet: Flower Duet, Excerpt
    28. Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
    29. The Sorcerer's Apprentice: Excerpt
    30. Pomp & Circumstance: Excerpt
    31. El Amor Brujo
    32. Pavane: Excerpt
    33. Rhapsody in Blue: Excerpt
    34. American in Paris: Excerpt
    35. Funeral March of Marionette: Excerpt
    36. Piano Concerto in a Minor: Excerpt
    37. Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
    38. Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
    39. Water Music - Hornpipe: Hornpipe, Excerpt
    40. Symphony No. 94 "Surprise": Second Movement, Excerpt
    41. The Planets - Mars: Mars, Excerpt
    42. Sabre Dance: Sabre Dance, Excerpt
    43. Pagliacci: Vesti la Giubba, Excerpt
    44. Hungarian Rhapsody
    45. Liebestraum No. 3: No 3, Excerpt
    46. Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
    47. Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
    48. Symphony No. 4 "Italian": Fourth Movement, Excerpt
    49. Rondeau: No 1, Rondeau
    50. Piano Concerto No. 21: Andante, Excerpt
    51. Eine Kleine Nachtmusik: First Movement, Excerpt
    52. The Marriage of Figaro - Overture: Overture, Excerpt
    53. Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
    54. Symphony No. 40: First Movement, Excerpt
    55. Night on Bald Mountain: Excerpt
    56. Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
    57. Barcarolle: Barcarolle, Excerpt
    58. Orpheus in Hades - Theme II: Excerpt (Theme)
    59. Carmina Burana - O Fortuna: O Fortuna, Excerpt
    60. Canon: Canon, Excerpt
    61. Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
    62. Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
    63. Turandot - Nessun Dorma: Nessun Dorma, Excerpt
    64. Piano Concerto No. 2: Second Movement, Excerpt
    65. Symphony No. 2: Third Movement, Opening, Excerpt
    66. Rhapsody on a Theme: Variation 18, Excerpt
    67. Bolero
    68. Flight of the Bumblebee
    69. Concierto de Aranjuez - Adagio: Adagio, Excerpt
    70. The Barber of Seville - Overture: Excerpt
    71. The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
    72. William Tell Overture - Theme II: Excerpt
    73. Danse Macabre: Excerpt
    74. Gymnope No. 1
    75. Symphony N0. 8 "Unfinished": Excerpt
    76. Ave Maria: Excerpt
    77. Finlandia [Finale: Finale, Excerpt]
    78. Valse Triste: No 1, Valse Triste, Excerpt
    79. Stars & Stripes Forever: Excerpt
    80. Semper Fidelis: Excerpt
    81. Blue Danube Waltz: Excerpt
    82. Tales from the Vienna Woods: Excerpt
    83. Also Sprach Zarathustra: Fanfare, Excerpt
    84. Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
    85. The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
    86. Swan Lake - Waltz: Waltz, Excerpt
    87. Sleeping Beauty -: Waltz, Excerpt
    88. Romeo & Juliet - Theme II: Theme LL, Excerpt
    89. Piano Concerto No. 1 - Opening: Opening, Excerpt
    90. 1812 Overture - Finale: Finale, Excerpt
    91. Fantasia on "Greensleeves": Excerpt
    92. Alda - Grand March: Grand March, Excerpt
    93. Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
    94. Requiem - Dies Irae: Dies Irae, Excerpt
    95. Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
    96. The Four Seasons "Spring" - Allegro: Allegro, Excerpt
    97. The Four Season "Winter" - Largo: Largo, Excerpt
    98. Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
    99. Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt

    Customer Reviews:

    5 out of 5 stars I can name that tune in three notes.......2005-02-19

    My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.

    5 out of 5 stars A Fabulous CD.......2004-10-14

    The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.

    5 out of 5 stars Mega-Sampler! This really does have 99 tracks!.......2002-03-20

    Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.

    If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.

    The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.

    I can honestly say that this CD is a great gift for the friend who has everything.

    5 out of 5 stars Fun Sampler.......2001-11-09

    For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.

    5 out of 5 stars Useful........1999-03-22

    Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.

    International Music:

    1. Ostra E O Vento [Import]
    2. Panorama [Import]
    3. Parc De Princes: 1993 [Box set] [Import]
    4. Perspective 66 [Import]
    5. Proud To Be
    6. Right Time
    7. Rocking in Nashville [Import]
    8. Save the Rainforest
    9. Sensible [Import]
    10. Seul [Import]

    International Music

    International Music