Die Schone Und Das Biest [Import]

1. Die Schone Und Das Biest

2. Medley: Hansel Und Gretel

3. Die Drei Bruder

4. Medley: Onkel Jorg

5. Das Wasser Des Lebens

Tracks:

Ill Mio Tesoro
Un'aura Amorosa
Dies Bildnis Ist Bezaubernd Schon
La Ci Darem La Mano
Vani Sono I Lamenti...Svegliatevi Nel Core
Pays Merveilleux...O Paradis
Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
None But The Lonley Heart
Lensky's Aria
Donna, Non Vidi Mai (Manon Lescauy Act, II)
Ah, Manon, Mi Tradisce
Dammi I Colori...Recondita Armonia
E Lucevan Le Stelle (Tosca, Act III)
Ch'ella Mi Creda (La Fanciulla Del West, Act III)
Dai Campi, Dai Prati (Mefistofele, Act I)
Virgini Muse...Quando Al Soave Anelito
O Sink Hernieder, Nacht Der Liebe
Was Am Besten Er Kann...Hoho! Hohei!

Tracks:

Se Quel Guerrier Io Fossi!...Celeste Aida
Su, Profetessa...Di Tu Se Fedele
Forse La Soglia Attinse...Ma Se M'e Forza Perderti
O Tu Che In Seno Agli Angeli
Su, Cacciator...Fontainebleau!...
Niun Mi Tema
Ach, Wie So Herrlich Zu Schau'n
Sckenkt Man Sich Rosen In Tirol
Gern Hab'ich Die Frau'n Gekusst
O Vaterland...Da Geh'ich Zu Maxim
Dein Ist Mein Ganzes Herz
Mi Aldea
Cancion Del Sembrador
No Puede Ser
Serenata
Copillas De Belen
Coplas Del Pastor Enamorado
En Aranjues Con Tu Amor
Jealousy Tango
La Golondina

Amazon.com

Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler

Customer Reviews:

A great introduction to the art of Placido Domingo.......2007-07-04

Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!

This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:

"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.

From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.

From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.

And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.

Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.

Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.

Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.

Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.

So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.

This is really the best........2007-05-16

I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.

If you like Placido at all, you must have this CD........2005-04-06

Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.

Rare And Great Domingo Classics.......2005-03-08

EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.

Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......

A real Bobby Dazzler.......2004-02-19

Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.

Average customer rating:

Fine anthology but still prefer her "Four Last Songs" recording
RIP DAME ELIZABETH (1915-2006)
SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY
¡PERFECT!
PERFECTA INTERPRETACIÓN

The Very Best of Elisabeth Schwarzkopf

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Czech | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

$9.99 and Under | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Opera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:

Great Recordings Of The Century - Elisabeth Schwarzkopf Sings Operetta / Ackermann
Strauss: Four Last Songs/12 Orchestral Songs
Schubert: 24 Lieder
Mozart: Opera Arias
Mozart: Lieder & Concert Arias

ASIN: B0000AF1SC
Release Date: 2003-09-02

Tracks:

Ach War Ich Schon (Fidelio)
Non So Piu (Le Nozze Di Figaro)
Porgi, Amor (Le Nozze Di Figaro)
E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
Mi Tradi Quell'Alma Ingrata (Don Giovanni)
Come Scoglio (Cosi Fan Tutti)
Leise, Leise, Fromme Weise (Der Freischutz)
Dich, Teure Halle (Tannhauser)
Einsam In Truben Tagen (Lohengrin)
Wie Fremd Und Tot (Die Verkaufte Braut)
Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
Da Geht Er Hin (Der Rosenkavalier)
Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
Das War Sehr Gut (Arabella)

Tracks:

Jauchzet Gott In Allen Landen
Bist Du Bei Mir
Ridente La Calma
An Die Musik
Der Musensohn
Nachtviolen
Der Musensohn
Auch Kleine Dinge
Mein Liebster Ist So Klein
Verschling' Der Abgrund
Ich Hab' In Penna
Wiegenlied Im Sommer
Mausfallenspruchlein
In Dem Schatten Meiner Locken
Mignon (Kennst Du Das Land?)
Gsatzli (Swiss Folksong)
Fruhling
Im Abendrot
Muttertandelei
Zueignung
Klange Der Heimat (Die Fledermaus)
Es Lebt'Eine Vilja (Die Lustige Witwe)
Im Chambre Separee (Der Opemball)
Wien, Du Stadt Meiner Traume

Amazon.com

Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler

Customer Reviews:

Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06

The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.

RIP DAME ELIZABETH (1915-2006).......2006-08-04

This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.

SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29

Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.

¡PERFECT!.......2005-02-10

I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.

PERFECTA INTERPRETACIÓN.......2005-02-09

La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.

Average customer rating:

no texts -- shame on you EMI
Very Best of Fritz Wunderlich
Wunderlich.. ah what might have been,but glory in what was..
Elegant collection though everything...auf Deutsch!

Very Best of
Fritz Wunderlich
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
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The Very Best of Franco Corelli

ASIN: B000083GOM
Release Date: 2003-04-22

Tracks:

Nur Ihrem Frieden - Berliner Symphoniker
Folget Der Heissgeliebten (Il Mio tesoro) - Berliner Symphoniker
Konstanze, Dich Wiederzusehen - Berliner Symphoniker
Der Odem Der Liebe (Un' Aura Amorosa) - Berliner Symphoniker
Dies Bildnis Ist Bezaubernd Schon - Berliner Symphoniker
Ombra Mai Fu - Bayerisches Staatsorchester
Ach, So Fromm - Berliner Symphoniker
Mit Gewitter Und Sturm - Orchester Der Staatsoper Berlin
So Leb' Ich Noch...Vor Deinem Fenster - Bayerisches Staatsorchester
Lebe Wohl, Mein Flandrisch' Madchen - Berliner Symphoniker
Selig Sind, Die Verfolgung Leiden - Bayerisches Staatsorchester
Horch, Die Lerche Singt Im Hain - Bayerisches Staatsorchester
Fenton! Mein Madchen - Edith Mathis
Armer Narr...Es Muss Gelingen - N/A
So Find' Ich Dich...Mein Lieber Schatz, Nun Aufgepasst - Bamberger Symphoniker
Wohin Bist Du Entschwunden (Lensky's Aria) - Berliner Symphoniker

Tracks:

Leb' Wohl, Mignon (Adieu, Mignon) - Berliner Symphoniker
Ich Schloss Die Augen (En Ferment Les Yeux) - Bayerisches Staatsorchester
Komm, O Holde Dame (Viens, Gentille Dame) - Bayerisches Staatsorchester
Welche Huld Und Welche Reize (Quanto E Bella) - Bayerisches Staatsorchester
Wohl Drang Aus Ihrem Herzen (Una Furtiva Lagrima) - Bayerisches Staatsorchester
Komm In Die Gondel - N/A
Ach, Wie So Herrlich Zu Schau'n - Berliner Symphoniker
Durch Diesen Kuss Sei Unser Bund Geweiht - Berliner Symphoniker
Freunde, Das Leben Ist Lebenswert - Bayerisches Staatsorchester
Von Apfelbluten Einen Kranz - N/A
Dein Ist Mein Ganzes Herz - Symphonie - Orchester
Allein! Wieder Allein! (Wolgalied) - Bayerisches Staatsorchester
Zwei Marchenaugen - Bayerisches Staatsorchester
Wenn Es Abend Wird... Grub Mir Mein Wien - N/A
Auch Ich Was Ein Feiner Csardaskavalier...Komm, Zigany - Bayerisches Staatsorchester
Kleinen Kindern...O Frag Mich Nicht - Symphonie - Orchester Graunke
Man Sagt Uns Nach...O Rose Von Stambul - N/A
Zwei Augen - Bayerisches Staatsorchester
Der Rattenfanger - FFB Orchester

Amazon.com

Fritz Wunderlich is one of those singers whose voice, while you are listening to it, seems to eclipse all others. Ravishingly beautiful, perfectly produced, radiant, even, mellow, it flows out with effortless ease like a golden stream. His breath is endless, and there is nothing that he cannot do. On these two very generous discs he sings arias ranging from Handel to Viennese operettas and sounds equally at home in all of them, vocally and stylistically. Mozart was one of his specialties, and the five arias opening the program have a beguiling, caressing lyricism that melts the heart. The selection includes familiar arias by Wagner, Tchaikovsky, Massenet, Donizetti, Smetana (including a duet with Pilar Lorengar), as well as several by composers whose operas were popular in the 1960s, when the records were made, but have now fallen into oblivion, such as Lortzing, Flotow, Cornelius, Kienzl, Nicolai, Thomas, Boieledieu. Wunderlich sings them all with the same seriousness and commitment, making the lesser ones sound better than they are, and creating real characters with color, nuance and expression. In keeping with the European tradition of performing opera in the local language, he sings everything in German, except the famous "Ombra mai fu" from Handel's Serse, which must have escaped the translators. Choosing from the best operettas by Lehár, Johann Strauss, Millöcker, Kálmán and Fall, he captures their smiling, tongue-in-cheek lightness and never lets the catchy tunes become corny or sentimental. (Listen also to his two very different, but equally wonderful recordings of Mahler's Song of the Earth under Schmidt-Isserstedt on BellaVoce and Klemperer.) In 1966, aged 36, at the peak of his artistry and his career, Wunderlich died after a fall, a month before he was to make his debut at the Metropolitan Opera. --Edith Eisler

Customer Reviews:

no texts -- shame on you EMI.......2007-02-11

This is not a gripe about Wunderlich, one of the greatest IMHO. It is about the EMI folks, who obviously think that song texts are irrelevant. Well, how do you know if the singing does justice to the text? And if you think that these texts are easily available elsewhere, I would be most thankful if you would share with me Lehar's "Das Land des L"achelns" Kalman's "die Zirkusprinzessin" or Neuendorff's "Der Rattenf"anger".

Very Best of Fritz Wunderlich.......2007-01-09

Fritz Wunderlich is still one of the Best. This CD is very good value for money, such a variety of songs, excellent tone quality.

Wunderlich.. ah what might have been,but glory in what was.........2004-12-29

Fritz Wunderlich died at the tragically young age of 36, just weeks before his scheduled Metropolitan Opera debut. I have no doubt that he would have been THE tenor of the 1960s and 70s. This collection is a compendium of some of Wunderlich's finest stuff (although his lieder are not represented here). Among the highlights, Granada.
I know, it's a Spanish song, and as the previous reviewer said, everything here is in German, which can get a little annoying with the Italian opera.. but for sheer vocal glory, Granada will make you want to stand up and shout, what a voice!!
If you don't know Wunderlich, get this disc.

Elegant collection though everything...auf Deutsch!.......2004-05-03

Among the lyric tenors, Wunderlich had one of the most handsome voices and a strength not usually related to this type of tenors. One melancholically wonders how much his repertoire could have expanded, had he lived longer.

This new VERY BEST collection has arias of some of his trademark Mozart roles, songs and arias of less popular composers as well as some famous arias of the Italian repertoire. He sings them all with memorable style, unparalleled beauty of tone and - where needed - the right vigour. I only wish he'd escaped the tradition of those decades and recorded the Italian and French arias in their original language and not in German. Only "Ombra mai fu" is sung in Italian and it doesn't reveal any bad Italian accent. Listening for example to his lovely "Una furtiva lagrima" in German is unique for sure but I prefer the Italian version.

Tracks:

Symphony No. 39 In E Flat, K. 543: 1. Adagio - Allegro - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 2. Andante con moto - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 39 In E Flat, K. 543: 4. Finale. Allegro - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 1. Allegro assai - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 3. Allegro - Academy Of St. Martin In The Fields
Symphony No. 31 In D, K. 297-300A 'Paris': 2. Andante (Alternative) - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 1. Adagio - Allegro spiritoso - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 2. Poco adagio - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 36 In C, K. 425 'Linz': 4. Finale. Presto - Academy Of St. Martin In The Fields

Tracks:

Symphony No. 40 In G Minor, K. 550: 1. Molto allegro - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 40 In G Minor, K. 550: 4. Finale. Allegro assai - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 1. Allegro con brio - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 25 In G Minor, K. 183 - 173dB: 4. Allegro - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 1. Adagio - Allegro - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 38 In D, K. 504 'Prague': 3. Finale. Presto. - Academy Of St. Martin In The Fields
German Dance In C, K. 602 No. 3: 'Die Leyerer' - Wiener Mozart-Ensemble

Tracks:

Symphony No. 41 In C, K. 551 'Jupiter': 1. Allegro vivace - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 2. Andante cantabile - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
Symphony No. 41 In C, K. 551 'Jupiter': 4. Molto allegro - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 1. Allegro moderato - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 2. Andante - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 29 In A, K. 201-186a: 4. Allegro con spirito - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 1. Allegro con spirito - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 2. (Andante) - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 3. Menuetto - Academy Of St. Martin In The Fields
Symphony No. 35 I D, K. 385 'Haffner': 4. Finale. Presto - Academy Of St. Martin In The Fields
German Dance In C, K. 605 No. 3: Trio: 'The Sleigh Ride' - Wiener Mozart Emsemble

Tracks:

'Eine kleine Nachtmusik', K. 525: Serenade In G - 1. Allegro - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 2. Romance. Andante - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 3. Menuetto. Allegretto - Academy Of St. Martin In The Fields
'Eine kleine Nachtmusik', K. 525: Serenade In G - 4. Rondo. Allegro - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 1. Marcia. Maestoso. - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 2. . Menuetto - Academy Of St. Martin In The Fields
Serenade In D, K. 239 'Serenata notturna': 3. Rondeau. Allegretto - Adagio - Allegretto - Stephen Shingles
Divertimento In F, K. 247: 4. Adagio - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 1. Andante - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 2. Allegretto grazioso - Academy Of St. Martin In The Fields
Notturno In D, K. 286 For Four Orchestras: 3. Menuetto - Academy Of St. Martin In The Fields
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 1. Allegro - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 2. Andante - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 3. Menuetto in canone - Holliger Wind Ensemble
Serenade In C Minor, K. 288-384a 'Nacht-Musique': 4. Allegro - Holliger Wind Ensemble

Tracks:

Serenade In B Flat, K. 361-370a 'Gran Partita': 1. Largo - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': Allegro molto - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 2. Menuetto - Trio I-II - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 3. Adagio - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 4. Menuetto. Allegretto - Trio I-II - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 5. Romanze. Adagio - Allegretto - Adagio - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 6. Thema mit Variationen. Andante - Academy Of St. Martin In The Fields
Serenade In B Flat, K. 361-370a 'Gran Partita': 7. FInale. Molto allegro - Academy Of St. Martin In The Fields
Adagio In F, K. 410-484d - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 1. Allegro maestoso - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 2. Menuetto - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 3. Adagio - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 4. Menuetto - Holliger Wind Ensemble
Serenade In E Flat, K. 375: 5. Finale. Allegro - Holliger Wind Ensemble

Tracks:

Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 1. Allegro - Alfred Brendel
Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 2. Andante - Alfred Brendel
Piano Concerto No. 10 In E Flat, K. 365-316a (For Two Pianos And Orchestra): 3. Rondeaux. Allegro - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 1. Allegro aperto - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 2. (Andante un poco adagio) - Alfred Brendel
Piano Concerto No. 6 In B Flat, K. 238: 3. Rondeau. Allegro - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 1. Allegro - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 2. Andantino - Alfred Brendel
Piano Concerto No. 9 In E Flat, K. 271: 3. Rondeau. Presto - Alfred Brendel

Tracks:

Piano Concerto No. 20 In D Minor, K. 466: 1. Allegro - Alfred Brendel
Piano Concerto No. 20 In D Minor, K. 466: 2. Romance - Alfred Brendel
Piano Concerto No. 20 In D Minor, K. 466: 3. Rondo. Allegro assai - Alfred Brendel
Sonata In C Minor, K. 457: 1. Molto allegro - Alfred Brendel
Sonata In C Minor, K. 457: 2. Adagio - Alfred Brendel
Sonata In C Minor, K. 457: 3. Allegro assai - Alfred Brendel
Piano Concerto No. 21 In C, K. 467: 1. (Allegro) - Alfred Brendel
Sonata In C Minor, K. 457: 2. Andante - Alfred Brendel
Sonata In C Minor, K. 457: 3. Allegro vivace assai - Alfred Brendel

Tracks:

Piano Concerto No. 23 In A, K. 488: 1. Allegro - Alfred Brendel
Piano Concerto No. 23 In A, K. 488: 2. Adagio - Alfred Brendel
Piano Concerto No. 23 In A, K. 488: 3. Allegro assai - Alfred Brendel
Sonata In B Flat, K. 333-315c: 1. Allegro - Alfred Brendel
Sonata In B Flat, K. 333-315c: 2. Andante cantabile - Alfred Brendel
Sonata In B Flat, K. 333-315c: 3. Allegretto grazioso - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 1. Allegro - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 2. (Larghetto) - Alfred Brendel
Piano Concerto No. 26 In D, K. 537 'Coronation': 3. (Allegretto) - Alfred Brendel

Tracks:

Violin Concerto No. 3 In G, K. 216: 1. Allegro - Henryk Szeryng
Violin Concerto No. 3 In G, K. 216: 2. Adagio - Henryk Szeryng
Violin Concerto No. 3 In G, K. 216: 3. Rondeau. Allegro - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 1. Allegro - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 2. Andante cantabile - Henryk Szeryng
Violin Concerto No. 4 In D, K. 218: 3. Rondeau. Andante grazioso - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 1. Allegro aperto - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 2. Adagio - Henryk Szeryng
Violin Concerto No. 5 In A, K. 219: 3. Rondeau. Tempo di menuetto - Henryk Szeryng

Tracks:

Clarinet Concerto In A, K. 622: 1. Allegro - Karl Leister
Clarinet Concerto In A, K. 622: 2. Adagio - Karl Leister
Clarinet Concerto In A, K. 622: 3. Rondo. Allegro - Karl Leister
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 1. Allegro - Irena Grafenauer
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 2. Andantino - Irena Grafenauer
Concerto In C, K. 299-297c For Flute, Harp And Orchestra: 3. Rondeau. Allegro - Irena Grafenauer
Horn Concerto In E Flat, K. 495: 1. Allegro moderato - Peter Damm
Horn Concerto In E Flat, K. 495: 2. Romanza. Andante - Peter Damm
Horn Concerto In E Flat, K. 495: 3. Rondo. Allegro vivace - Peter Damm
Rondo In E Flat, K. 371 For Horn And Orchestra - Timothy Brown

Tracks:

Clarinet Quintet In A, K. 581: 1. Allegro - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 2. Larghetto - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 3. Menuetto - Academy Of St. Martin In The Fields
Clarinet Quintet In A, K. 581: 4. Allegretto con variazioni - Academy Of St. Martin In The Fields
Movement In B Flat, K. App. 91-516c (For Clarinet, Basset Horn, Violin, Viola And Cello) - Academy Of St. Martin In The Fields
Movement In F, K. App. 90/580b - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 1. Allegro - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 2. Adagio - - Academy Of St. Martin In The Fields
Flute Quartet In D, K. 285: 3. Rondeau - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 1. Allegro - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 2. Adagio - Academy Of St. Martin In The Fields
Oboe Quartet In F, K. 370-368b: 3. Rondeau. Allegro - Academy Of St. Martin In The Fields
From 'A Musical Joke', K. 522: 4. Presto - Academy Of St. Martin In The Fields

Tracks:

String Quintet [No. 3] In G Minor, K. 516: 1. Allegro - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 2. Menuetto. Allegretto - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 3. Adagio ma non troppo - Arthur Grumiaux
String Quintet [No. 3] In G Minor, K. 516: 4. Adagio - Allegro - Arthur Grumiaux
Divertimento (Trio For Strings) In E Flat, K. 563: 1. Allegro - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 2. Adagio - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 3. Menuetto. Allegretto - Trio - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 4. Andante - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 5. Menuetto. Allegretto - Trio I-II - Grumiaux Trio
Divertimento (Trio For Strings) In E Flat, K. 563: 6. Allegro - Grumiaux Trio
Movement In G, K. App. 66-562e For Violin And Cello: Allegro - Academy Of St. Martin In The Fields

Tracks:

String Quartet No. 15 In D Minor, K. 421-417b: 1. Allegro moderato - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 2. Andante - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 3. Menuetto. Allegretto - Quartetto Italiano
String Quartet No. 15 In D Minor, K. 421-417b: 4. Allegretto ma non troppo - Piu allegro - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 1. Allegro vivace assai - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 2. Menuetto. Moderato - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 3. Adagio - Quartetto Italiano
String Quartet No. 17 In B Flat, K. 458 'The Hunt': 4. Allegro assai - Quartetto Italiano
Allegretto In B Flat, K. App. 68-589a (For String Quarter) - Academy Of St. Martin In The Fields
Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 1. Adagio - Jean Decroos
Adagio And Rondo In C, K. 617 (For Glass Harmonica, Flute, Oboe, Viola And Cello): 2. Rondo - Jean Decroos

Tracks:

Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 1. Largo - Allegro moderato - Alfred Brendel
Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 2. Larghetto - Alfred Brendel
Piano Quintet In E Flat, K. 452 (For Piano, Oboe, Clarinet, Horn And Bassoon): 3. Allegretto - Alfred Brendel
Larghetto In B Flat, 452a-App. 54 (For Piano, Oboe, Clarinet, Bassett Horn And Bassoon): Larghetto - Mitsuko Uchida
Piano Quartet In G Minor, K. 478: 1. Allegro - Bruno Giuranna
Piano Quartet In G Minor, K. 478: 2. Andante - Bruno Giuranna
Piano Quartet In G Minor, K. 478: 3. Rondo. Allegro moderato - Bruno Giuranna
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 1. Andante - Jack Brymer
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 2. Menuetto - Jack Brymer
Trio In E Flat, K. 498 (For Piano, Clarinet And Viola 'Kegelstatt'): 3. Rondeaux. Allegretto - Jack Brymer

Tracks:

Sonata In E Minor, K. 304-300c (For Piano And Violin): 1. Allegro - Arthur Grumiaux
Sonata In E Minor, K. 304-300c (For Piano And Violin): 2. Tempo di menuetto - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 1. Allegro - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 2. Tema [con variazioni] - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Tema - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione I - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione II - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazione III - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazone IV - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): Variazone V - Arthur Grumiaux
Sonata In F, K. 377-374e (For Piano And Violin): 3. Tempo di menuetto - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 1. Allegro moderato - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 2. Andantino sostenuto e cantibile - Arthur Grumiaux
Sonata In B Flat, K. 378-317d (For Piano And Violin): 3. Rondo. Allegro - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Tema - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione I - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione II - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione III - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione IV - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione V - Arthur Grumiaux
Six Variations In G Minor, K. 360-374b (On 'Helas, j'ai erdu mon amant' For Piano And Violin): Variazione VI - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 1. Allegro molto - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 2. Andante - Arthur Grumiaux
Sonata In A, K. 526 (For Piano And Violin): 3. Presto - Arthur Grumiaux

Tracks:

Sonata In A Minor, K. 310-300d: 1. Allegro maestoso - Mitsuko Uchida
Sonata In A Minor, K. 310-300d: 2. Andante cantabile con espressione - Mitsuko Uchida
Sonata In A Minor, K. 310-300d: 3. Presto - Mitsuko Uchida
Sonata In A, K. 331-300i: 1. Tema (Andante grazioso) - Mitsuko Uchida
Sonata In A, K. 331-300i: 2. Menuetto - Mitsuko Uchida
Sonata In A, K. 331-300i: 3. Alla turca. Allegretto - Mitsuko Uchida
Sonata In C, K. 545: 1. Allegro - Mitsuko Uchida
Sonata In C, K. 545: 2. Andante - Mitsuko Uchida
Sonata In C, K. 545: 3. Rondo - Mitsuko Uchida
Sonata In D, K. 576: 1. Allegro - Mitsuko Uchida
Sonata In D, K. 576: 2. Adagio - Mitsuko Uchida
Sonata In D, K. 576: 3. Allegretto - Mitsuko Uchida
Minuet In D, K. 355 - Mitsuko Uchida

Tracks:

Exsultate, jubilate, K. 165-158a: Exsultate, jubilate - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Fulget amica dies - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Tu virginum corona - Kiri Te Kanawa
Exsultate, jubilate, K. 165-158a: Alleluja - Kiri Te Kanawa
Mass In C, K. 317 'Coronation': Kyrie - Michael G. Gormley
Mass In C, K. 317 'Coronation': Gloria - Michael G. Gormley
Mass In C, K. 317 'Coronation': Credo - Michael G. Gormley
Mass In C, K. 317 'Coronation': Santcus - Michael G. Gormley
Mass In C, K. 317 'Coronation': Benedictus - Michael G. Gormley
Mass In C, K. 317 'Coronation': Agnus Dei - Michael G. Gormley
Church Sonata No. 16 In C, K. 329 - Helmut Winschermann
Vesperae solennes de Dominica, K. 321: Laudate Dominum - Herbert Kegel
Missa [solemnis] In C, K. 337: Kyrie - Aldo Baldin
Missa [solemnis] In C, K. 337: Gloria - Aldo Baldin
Missa [solemnis] In C, K. 337: Credo - Aldo Baldin
Missa [solemnis] In C, K. 337: Sanctus - Aldo Baldin
Missa [solemnis] In C, K. 337: Benedictus - Aldo Baldin
Missa [solemnis] In C, K. 337: Agnus Dei - Aldo Baldin
Vesperae solennes de Confessore, K. 339: Laudate Dominum - Kiri Te Kanawa

Tracks:

Ave verum corpus, K. 618 - John Constable
Maurerisch Trauermusik K. 477-479a - Statatskapelle Dresden
Kyrie In D Minor, K. 341-368a - John Constable
Adagio und Fugue In C Minor, K. 546: Adagio - Staatskapelle Dresden
Adagio und Fugue In C Minor, K. 546: Fugue - Staatskapelle Dresden
Requiem In D Minor, K. 626: Introitus: Requiem - Francisco Araiza
Requiem In D Minor, K. 626: Kyrie - Francisco Araiza
Requiem In D Minor, K. 626: Sequentia: Dies irae - Francisco Araiza
Requiem In D Minor, K. 626: Tuba mirum - Francisco Araiza
Requiem In D Minor, K. 626: Rex tremendae - Francisco Araiza
Requiem In D Minor, K. 626: Recordare - Francisco Araiza
Requiem In D Minor, K. 626: Confutatis - Francisco Araiza
Requiem In D Minor, K. 626: Lacrimosa - Francisco Araiza
Requiem In D Minor, K. 626: Ofertorium: Domine Jesu - Francisco Araiza
Requiem In D Minor, K. 626: Hostias - Francisco Araiza
Requiem In D Minor, K. 626: Sanctus - Francisco Araiza
Requiem In D Minor, K. 626: Benedictus - Francisco Araiza
Requiem In D Minor, K. 626: Agnus Dei - Francisco Araiza
Requiem In D Minor, K. 626: Communio: Lux aeterna - Francisco Araiza

Tracks:

Concert Arias: 'Voi avete un cor fedele', K. 217 - Edith Mathis
Concert Arias: 'Misera, dove son!' ...- 'Ah! non son io che parlo, K. 369 - Edith Mathis
Concert Arias: 'Ch'io mi scordi di te?'...- 'Non temer, amato bene', K. 505 - Leopold Hager
Concert Arias: 'Un moto di gioia mi sento', K. 579 - Eva Lind
Concert Arias: 'Chi sa, chi sa, qual sia', K. 582 - Lucia Popp
Concert Arias: 'Vado, ma dove?' oh Dei!', K. 583 - Edith Mathis
Concert Arias: 'Un bacio di mano', K. 541 - Walter Berry
Concert Arias: 'Dan Bandel', K. 441 - Anton Scharinger
Concert Arias: 'Caro mio Druck und Schluck', K. App. 5 - Anton Scharinger
Concert Arias: 'Leck mich im Arsch', K. 231 - Klaus von Wildemann
Concert Arias: 'Bona nox! bist a rechta Ox', K. 561 - Klaus von Wildemann
Concert Arias: 'V'amo di core', K. 348 - Klaus von Wildemann
Concert Arias: 'Mi lagnero tacendo', K. 437 - Klaus von Wildemann
Lieder: 'Das Veilchen', K. 476 - Dalton Baldwin
Lieder: 'Der Zauberer', K. 472 - Dalton Baldwin
Lieder: 'Die Alte', K. 517 - Dalton Baldwin
Lieder: 'Die Vershweigung', K. 518 - Dalton Baldwin
Lieder: 'Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte', K. 520 - Dalton Baldwin
Lieder: 'Abendempfindung', K. 523 - Dalton Baldwin
Lieder: 'Das Traumbild', K. 530 - Dalton Baldwin
Lieder: 'Die kleine Spinnerin', K. 531 - Dalton Baldwin
Lieder: 'Un moto di gioia', K. 579 - Dalton Baldwin
Lieder: 'Sehnsucht nach dem Fruhling', K. 596 - Dalton Baldwin

Tracks:

Idomeneo, K. 366 (Highlights): Overture - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Quando avran fine omai' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Padre, germani, addio!' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Estinto e Idomeneo?' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Tutte nel cor vi sento' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Pieta! Numi,pieta!' - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Eccoci salvi alfin' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Vedrommi intorno' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act One: 'Il padre adorato' (Idamente) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Fuor del mar' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Placido e il mar' - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Vattene prence' (Idomeneo, Idamante) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Pria di partir, o Dio!' (Idamante, Elettra, Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Qual nuovo terrore!' - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Eccoti in me, barbaro Nume!' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Two: 'Corriamo, fuggiamo' - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Zeffiretti Iusinghieri' (Ilia) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Andro ramingo e solo' (Idamente, Ilia, Idomeneo, Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Accogli, oh re del mar' (Idomeneo) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Ha vinto amore' (The Voice) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'O ciel pietoso!' (Idomeneo, Idamante, Ilia, Arbace, Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'D'Oreste e d'Aiace' (Elettra) - John Constable
Idomeneo, K. 366 (Highlights): Act Three: 'Scenda Amor, scenda Imeneo' - John Constable

Tracks:

The Abduction From The Serail, K. 384 (Highlights): Overture - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Hier soll ich dich denn sehen' (Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Solche hergelaufne Laffen' (Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Konstanze, dich wiederzusehen' - 'O wie angstlich, o wie feurig' (Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Singt dem grossen Bassa Lieder' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Ach ich liebte, war so glucklich' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act One: 'Marsch! Trollt euch fort!' (Osmin, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Durch Zartlichkiet und Schmeicheln' (Blonde) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welcher Dummer herrscht in meiner Seele' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Traurigkeit ward mir zum Lose' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Matern aller Arten' (Konstanze) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Welche Wonne, welche Lust' (Blonde) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Frisch zum Kampfe' (Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Vivat Baccus! Bacchus lebe!' (Pedrillo, Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Ach Belmonte! Ach, mein Leben' - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Two: 'Wenn unsrer Ehre wegen' (Konstanze, Blonde, Belmonte, Pedrillo) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'In Mohrenland gefangen war' (Pedrillo, Belmonte) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Ha, wie will ich triumphieren' (Osmin) - Christiane Eda-Pierre (Konstanze)
The Abduction From The Serail, K. 384 (Highlights): Act Three: 'Nie werd' ich deine Huld verkennen' (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) - Christiane Eda-Pierre (Konstanze)

Tracks:

Le Nozze Di Figaro, K. 492 (Highlights): Overture - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cinque... dieci...centi...' - 'Cosa stai misurando' (Figaro, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Se vuol ballare' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'La vendetta, oh, la vendetta' (Bartolo) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non so piu cosa son, cosa faccio' (Cherubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Cosa sento! tosto andante' (Count, Basilio, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act One: 'Non piu andrai' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Porgi amor' (Countess) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi che sapete' (Cherubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Susanna, or via, sortite' (Count, Countess, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Aprite, presto, aprite' (Susanna, Cheubino) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Two: 'Voi signor, che giusto siete' (Marcellina, Basilio, Bartolo, Count, Susanna, Countess, Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Crudel! Perche finora' (Count, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Hai gia vinta la causa' - 'Vedro mentr'io sospiro' (Count) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'E Susann non vien!' - 'Dove sono i bei momenti' (Countess) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Riconosci in questo amplesso' (Marcellina, Figaro, Bartolo, Don Curzio, Count, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Canzonetta sull'aria': 'Che soave zeffiretto' (Countess, Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Three: 'Ricevete, o padroncina' - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'L'ho perduta' (Barbarina) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Aprite un po' quegli occhi' (Figaro) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Giunse alfin il momento' - 'Deh vieni, non tardar' (Susanna) - John Constable
Le Nozze Di Figaro, K. 492 (Highlights): Act Four: 'Gente, gente all'armi' (Count, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) - John Constable

Tracks:

Don Giovanni, K. 527: Overture - John Constable
Don Giovanni, K. 527: Act One: 'Notte e giorno faticar' (Leporello) - 'Leporello, ove sei?' (Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act One: 'Madamina, il catalogo e questo' (Leporello) - John Constable
Don Giovanni, K. 527: Act One: 'La ci darem la mano' (Don Giovanni, Zerlina) - John Constable
Don Giovanni, K. 527: Act One: 'Non ti fidar, o misera' (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) - John Constable
Don Giovanni, K. 527: Act One: 'Don Ottavio, son orta' (Donna Anna, Don Ottavio) - John Constable
Don Giovanni, K. 527: Act One: 'Or sai chi l'onore' (Donna Anna) - John Constable
Don Giovanni, K. 527: Act One: 'Dalla sua pace', K. 540a (Don Ottavio) - John Constable
Don Giovanni, K. 527: Act One: 'Fin ch'han dal vino' (Don Giovanni) - John Constable
Don Giovanni, K. 527: Act One: 'Batti, batti, o bel Masetto' (Zerlina) - John Constable
Don Giovanni, K. 527: Act Two: 'Eh via, buffone' (Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act Two: 'Ah! taci, ingiusto core' - John Constable
Don Giovanni, K. 527: Act Two: 'Deh! vieni alla finestra' (Don Giovanni) - John Constable
Don Giovanni, K. 527: Act Two: 'Vedrai, carino' (Zerlina) - John Constable
Don Giovanni, K. 527: Act Two: 'Sola, sola in buio loco' (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) - John Constable
Don Giovanni, K. 527: Act Two: 'Il mio tesoro intanto' (Don Ottavio) - John Constable
Don Giovanni, K. 527: Act Two: 'In quali eccessi, o Numi!' - John Constable
Don Giovanni, K. 527: Act Two: 'Mi tradi quell'alma ingrata' (Donna Elvira) - John Constable
Don Giovanni, K. 527: Act Two: 'Don Gionanni, a cenar teco' (Il Commendatore, Don Giovanni, Leporello) - John Constable
Don Giovanni, K. 527: Act Two: 'Questo e il fin di chi fa mal!' (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Leporello, Masetto) - John Constable

Tracks:

Cost Fan Tutte, K. 588: Overture - John Constable
Cost Fan Tutte, K. 588: Act One: 'La mia Dorabella' (Ferrando, Guglielmo, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Ah, guarda sorella' (Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Vorrei dir, e cor non ho' (Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Sento, o Dio, che questo piede' (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Di scrivermi ogni giorno' - Bella vita militar' (Fiordiligi, Dorabella, Guglielmo, Ferrando, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Soave sia il vento' (Fiordiligi, Dorabella, Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Ah, scostati!' - Smanie implacabili' (Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'In uomini, in soldati' (Despina) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Alla bella Despinetta' (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Come scoglio' (Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act One: ''Non siate ritrosi' (Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act One: 'E voi ridete' (Don Alfonso, Ferrando, Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act One: 'Un 'aura amorosa' (Ferrando) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Una donna a quindici anni' (Despina) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Predero quel brunettino' (Dorabella, Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'La mano a me date' (Don Alfonso, Ferrando, Guglielmo, Despina) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Il core vi dono' (Guglielmo, Dorabella) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Per pieta, ben mio, perdona' (Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Donne mie, la fate a tanti' (Guglielmo) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Volgi a me pietoso il ciglio' (Ferrando, Fiordiligi) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Tutti accusan le donne' (Don Alfonso) - John Constable
Cost Fan Tutte, K. 588: Act Two: 'Fortunato l'uom che prende' (All) - John Constable

Tracks:

The Magic Flute, K. 620 (Highlights): Overture - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Der Vogelfanger bin ich ja' (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Dies Bildnis ist bezaubernd schon' (Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'O zittre nicht' (Queen Of The Night) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Hm! Hm! Hm! (Papageno, Tamino, 3 Ladies) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Du feines Taubchen, nur herein' (Monostatos, Pamina, Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Bei Mannern, welch Liebe fuhlen' (Pamina, Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Wie stark ist nicht dein Zauberton' (Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act One: 'Schnelle Fusse, rascher Mut' (Pamina, Papageno, Monostatos) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osiris' (Sarastro) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Wie? Wie? Wie?' (3 Ladies, Papageno, Tamino) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Alles fuhlt der Liebe Freuden' (Monostatos) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): ActTwo: 'Der Holle Rache' (Queen Of The Night) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'In diesen heil'gen Hallen' (Sarastro) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Ach, ich fuhl's' (Pamina) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'O Isis und Osires, welche Wonne!' - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Ein Madchen oder Weibchen' (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Papagena! Weibchen! (Papageno) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Pa-Pa-Pa-Pa-Pa-Pa' (Papageno, Papagena, 3 Boys) - Mikael Melbye (Papageno)
The Magic Flute, K. 620 (Highlights): Act Two: 'Nur stille, stille' (Monostatos, Queen Of The Night, 3 Ladies, Sarastro) - Mikael Melbye (Papageno)

Customer Reviews:

This is it -- the best condensed collection!.......2006-12-14

If you don't want to go through the painstaking process of collecting all 45 volumes of the older Philips Complete Mozart Edition, which could end up costing close to $2,000 by the time you have the entire collection, you should eye this condensed set. Granted, it doesn't have ALL the works of Mozart (hence, its title!) so, for the Mozart completist or fanatic, this boxed set will only leave one salivating for more. I am fortunate enough to own both the whole collection and the 'Best of' set and sometimes this 'Best of' set satifies me for a quick fix. The performers of the Philips Complete Mozart Edition are first class and, many would consider, THE world's most acclaimed Mozartian conductors and performers. To me, there is no one who can capture the spirit of Mozart's pieces as well as Sir Neville Marriner and the ASMF. Perhaps with today's technology, some pieces could be better digitally remastered but, quite frankly, I do not hear any hissing sound from these recordings (some from the 1980's), even after being downloaded into my iPod. Don't waste your time and money chasing other Mozart collections because, to date, I have not come across any others that quite compare to the Philips Complete Mozart Edition. Even the 'Best of' set merits more than 5 stars!

The definitive collection--worth the effort........2002-10-13

I'm fascinated with this collection; the selection of performances is superb and you always an authoritative interpretation for each piece. The selection of material is very well balanced. This collection is all the Mozart I'll need for the next decade. It is a good buy if you have only two or three Mozart albums in your CD collection and are intending to deepen your knowledge of this greatest of composers.

A couple of drawbacks in the collection are its lack of decent accompaining literature (you only get the CD's succint liner notes in four languages) and an occasional selection with poor sound quality or hiss from an old recording. The average quality of the remasterizations, though, is very good. You should probably get a nice book on Mozart to read while listening.

Importers beware! this product could produce massive import duties. Check before ordering.

Superb!.......2000-04-14

This is a high quality set, well worth the money. It is an investment in beautiful music for a lifetime.

Go no further than this loving compilation.......2000-02-24

I have many editions in the Philips Complete Mozart Edition ("one-stop shopping" is my middle name) and I recommend them thoroughly and emphatically. Life is too short not to listen to Mozart each and every day of your life. Thanks to those at Philips who put this monster together; we really appreciate it. So does Wolfie. Essential.

Mozart Goo.......1999-12-20

This is the most extensive collection of Mozart that you can buy all in one set. Over 48 hours of nothing but Mozart! Need I say more? Its a little pricey, but well worth the cash.

Average customer rating:

Classical Christmas

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

Solo Instrumental | New Age | Styles | Music

General Christmas | Holiday Music | Special Features | Music
ASIN: B00008MH9T
Release Date: 2003-02-13

Tracks:

O Come All Ye Faithful - Mormon Tabernacle Choir
O Little Town of Bethlehem - Janos Balint, Deborah Sipkai
Joy to the World - Andrea Vigh
Carol of the Birds - Benedictine Monks of St. Michael's
Angels We Have Heard on High - Benedictine Monks of St. Michael's
O Holy Night - David Hicken
O Tannenbaum - Berlin Symphony Orchestra
First Nowell - Dresden Kreuzchor, Michael Christfried Winkler
Lippai/Upon the Mountain
Jingle Bells - Mormon Tabernacle Choir
Silent Night - Ludwig Guttler, Friedrich Kircheis
Hark! The Herald Angels Sing - Leipzig Capella Fidicinia, Rostock Motet Choir

Tracks:

Symphony (Grave - Allegro Moderato) - Thomanerchor Leipzig, New Leipzig Bach Collegium Musicum
Accompagnato: Comfort Ye My People
Aria: Ev'ry Valley Shall Be Exalted - Mormon Tabernacle Choir
Chorus: And the Glory of the Lord Shall Be Revealed
Accompagnato: Thus Saith the Lord of Hosts - Mormon Tabernacle Choir
Aria: But Who May Abide the Day of His Coming
Chorus: And He Shall Purify - Andrea Vigh
Recitative: Behold, A Virgin Shall Conceive - Andrea Vigh
Aria: O Thou That Tellest Good Tidings - Janos Balint, Deborah Sipkai
Chorus: O Thou That Tellest Good Tidings - Andrea Vigh
Accompagnato: For Behold, Darkness Shall Cover - Andrea Vigh
Aria: The People That Walked in Darkness - Mormon Tabernacle Choir
Chorus: For Unto Us a Child Is Born - Janos Balint, Deborah Sipkai
Pifa (Pastoral Symphony) - Marion Hofmann
Recitative: There Were Shepherds Abiding in the Fields - Marion Hofmann
Chorus: Glory to God in the Highest - Andrea Vigh
Aria: Rejoice Greatly, O Daughter of Zion - Janos Balint, Deborah Sipkai
Recitative: Then Shall the Eyes of the Blind - Janos Balint, Deborah Sipkai
Aria: He Shall Fed His Flock - Andrea Vigh
Chorus: His Yoke Is Easy, His Burden Is Light - Janos Balint, Deborah Sipkai
Chorus: Hallelujah! - Benedictine Monks of St. Michael's

Tracks:

Prelude in C - Mormon Tabernacle Choir
Largo - Benedictine Monks of St. Michael's
Pastorale (Andantino Dolce E Scorrevole) - Benedictine Monks of St. Michael's
Largo (From Concerto BWV 1056) - Benedictine Monks of St. Michael's
Andantino Espressivo (From Sonata in C Minor) - Benedictine Monks of St. Michael's
Prelude in C Minor - Benedictine Monks of St. Michael's
Adagio in B Major - Benedictine Monks of St. Michael's
Passacaglia in G Minor - Benedictine Monks of St. Michael's
Tic-Toc Choc in F Major - Benedictine Monks of St. Michael's
Nocturne in E Flat Major - Benedictine Monks of St. Michael's
Dream - Mormon Tabernacle Choir
Variations in E Flat Major - Benedictine Monks of St. Michael's
Apres un R - Benedictine Monks of St. Michael's
Impromptu in D Flat Major - Benedictine Monks of St. Michael's
Clair de Lune - Benedictine Monks of St. Michael's

Tracks:

Dominus Dixet Dominus - Benedictine Monks of St. Michael's
Christus Natus - Benedictine Monks of St. Michael's
Christie Redemptor - Benedictine Monks of St. Michael's
Angelus Ad Pastores - David Hicken
Organ Voluntary: So That We'll Remember - David Hicken
Allelilia Dies Sanctificatus - Mormon Tabernacle Choir
Ave Regina - David Hicken
Ave Maria Stella - David Hicken
Dominus Jesu Christie - David Hicken
Organ Voluntary & Chorale: Variations on a Theme, IV - David Hicken
In Paradisum Angeli - David Hicken
Alleluia - David Hicken
Kyrie - David Hicken
Office de Noel - David Hicken
Organ Voluntary: So That We'll Remember Reprise - David Hicken
Salve/Gloria - Mormon Tabernacle Choir
Alleluia Domino Benedicamos - Berlin Symphony Orchestra
Ave Maria - Berlin Symphony Orchestra
Church Windows - Berlin Symphony Orchestra

Tracks:

Chorale Prelude "In Dulci Jubilo" - Berlin Symphony Orchestra
Fantasy on Two Well-Known Christmas Carols: The First Nowell/Good King - Berlin Symphony Orchestra
Christmas Pastorale: Hodie Christus Natus Est/Corde Natus/Adeste ... - Berlin Symphony Orchestra
Angels We Have Heard on High - Berlin Symphony Orchestra
Quem Vidistis, Pastores - Berlin Symphony Orchestra
Away in a Manger - Berlin Symphony Orchestra
Fantasia on Old Christmas Carols: What Child Is This?/The Man ... - Mormon Tabernacle Choir
Silent Night - Dresden Kreuzchor, Dresden Philharmonic
Chorus of Shepherds - Radio Symphony Orchestra of Stuttgart
Hark! The Herald Angels Sing - RIAS Knabenchor, Rias Sinfonietta
Venite in Bethlehem - Gisela Fetting, Astrid Pilzecher, Rundfunk-Sinfonie-Orchester, East Berlin Rundfunk Choir And Orchestra, Karl Heinz Schmieder, Ekkehard Wagner
Adeste Fideles - Budapest Strings

Tracks:

No. 2 March - New Leipzig Bach Collegium Musicum, Neues Bachisches Collegium, Thomanerchor Leipzig
No. 4 Dance Scene - Budapest Philharmonic Orchestra, Chor "Jeunesses Musicales", Maria Zadori
No. 5 Scene and the Grandfather Dance - Frank Berger, Hans Dieter Weber
No. 6 Scene - Dresden Kreuzchor
No. 7 Scene
No. 8 Scene
No. 12 Divertissement: Chocolate (Spanish Dance)/Coffee (Arabian Dance)
No. 13 Waltz of the Flowers
No. 14 Pas de Deux
No. 15 Closing Waltz and Grand Finale

Tracks:

Vom Himmel Hoch (Christmas Cantata) Coro: Vom Himmel Hoch da Komm ...
Ave Verum (From Mozartiana-Suite)
Messiah Coro: And the Glory of the Lord
Tantum Ergo in E Flat Major D. 962
Ave Maria
Laudate Pueri Op. 39, 2
Bringet Dem Herrn Ehre Seines Namens
Laudate Dominum KV 339
Ave Maria
Virga Jesse
Salve Regina Op. 47 D. 223 - Magdalena Hajosyova, Rundfunk-Sinfonieorchester Berlin
Wachet Auf Ruft Uns Die Stimme BWV 645 - Frank Berger, Hans Dieter Weber
Largo (From Xerxes) - Werner Hollweg, Wiener Symphoniker
Gloria (From Magnificat) - Berliner Singakademie, Stattskapelle Berlin

Tracks:

Sleepers, Wake, The Voice Is Calling - Felix Friedrich
Wie Scheucht' Der Morgenstern - Ludwig Guttler, Friedrich Kircheis
Jesus Christus, Gottes Sohn - Hans-Jurgen Scholze
Sleppers, Wake, The Voice Is Calling - Mormon Tabernacle Choir
Kommst du Nun, Jesu, Vom Himmel Herunter - Felix Friedrich
In Dulci Jubilo - Friedrich Kircheis
Wie Scheuchtet Der Morgenstern - Friedrich Kircheis
Voluntary - Felix Friedrich
Allein Gott in Der HSei Ehr - Friedrich Kircheis
Herzlich Lieb Hab Ich Dich - Holm Vogel
Vom Himmel Hoch, Da Komm' Ich Her - Friedrich Kircheis, Kurt Sandau
Concerto NoAllemand - Leipzig University Chorus, New Leipzig Bach Collegium Musicum

Tracks:

T, Ihr Pauken (From Cantata No. 214) - Virtuosi Saxoniae
Sinfonia (From Christmas Oratorio) - Mormon Tabernacle Choir
In Dulci Jubilo - Siegfried Lorenz, New Leipzig Bach Collegium Musicum
Gror Herr, O Starker K (From Christmas Oratorio) - Leipzig Capella Fidicinia, Rostock Motet Choir
Vom Himmel Hoch, Da Komm Ich Her - Thomanerchor Leipzig, New Leipzig Bach Collegium Musicum
Hallelujah (From Cantata No. 143) - Leipzig Capella Fidicinia, Rostock Motet Choir
Jesu Mein Herzens Freud - Matthias Eisenberg
Herr Jesu Christ, Dich Zu Uns Wend - Leipzig Capella Fidicinia, Rostock Motet Choir
Gloria in Excelsis Deo - Walter Heinz Bernstein, Gisela Burkhardt, Siegfried Pank
Wie Wohl Ist Mir, O Freund Der Seelen - Leipzig Capella Fidicinia, Rostock Motet Choir
Lobet Den Herrn Alle Heiden - Matthias Eisenberg
Prelude and Fugue in G, BWV 541
FriedefHerr Jesu Christ (From Cantata No. 143) - German Bach Soloists
Air (From Orchestral Suite No. 3) - German Bach Soloists, Edita Gruberova
Sei Lob und Preis Mit Ehren (From Cantata No. 51) - Leipzig Capella Fidicinia, Rostock Motet Choir
Freut Euch und Jubilieret

Tracks:

In Dulci Jubilo - Virtuosi Saxoniae
Pastorale Per la Notte Di Natale - The Berlin Chamber Orchestra,
Sonata Per Chiesa et Camera
Jubilate Domino - Franz Liszt Chamber Orchestra
Concerto Fatto Per la Notte Di Natale - Virtuosi Saxoniae
Sonata Natalis
Vom Himmel Hoch - Budapest Strings
Air (From Water Music) - Virtuosi Saxoniae
Concerto Per il Natale, RV 270
Tochter Zion - Virtuosi Saxoniae
Concerto in G Minor, Op. 8 No. 6
Trumpet Tune and Air

International Music:

International Music

International Music