Qi Gong [Import]

Track Listings

 
1. Bewegung In Harmonie
2. Heilende Energien
3. Klangwelten
4. In Balance
5. Die Kraftquelle In Mir

Qi Gong,Jean-Paul Genre,Disky,World Music
Welcome to Jamrock
Average customer rating: 4.5 out of 5 stars
  • Great album
  • Quite Good
  • Really good reggae cd
  • Love It!
  • One of a kind.
Welcome to Jamrock
Damian "Jr. Gong" Marley
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Halfway Tree
  2. Mind Control
  3. Youth
  4. Late Registration
  5. The Trinity

ASIN: B000ASATWQ
Release Date: 2005-09-13

Tracks:

  1. Confrontation
  2. There For You
  3. Welcome To Jamrock
  4. The Master Has Come Back
  5. All Night
  6. Beautiful
  7. Pimpa's Paradise
  8. Move!
  9. For The Babies
  10. Hey Girl
  11. Road To Zion
  12. We're Gonna Make It
  13. In 2 Deep
  14. Khaki Suit

Amazon.com

Grammy winner (for 2001's Halfway Tree) Damian "Junior Gong" Marley, the youngest singing son of the immortal Bob and brother of Ziggy, Julian, Stephen and Ky-mani, has made a major splash in the family business. The confrontational title track of his third album (which entered the Billboard Top 200 Albums Chart at Number 7, the biggest opening week ever for a reggae artist), deals with vacationing "haves" partying on the backs of increasingly desperate "have-nots." It has fomented a storm of protest from corporate entities who claim that Marley has presented his homeland (or more accurately, their interests) in a negative light. Another high point is "Pimpa's Paradise," a heartbreaker about drugs leading to prostitution, backed by a vulnerable-sounding acoustic guitar. Produced by Damian and Stephen Marley, it's an eclectic, sophisticated mix, constructed over treacherous rhythmic undercurrents, illuminated by empathy, courage and soul. A shifting kaleidoscope of classic and cutting-edge Jamaican grooves spars with R&B and hip-hop, references to Marcus Garvey, Eek-A-Mouse, and Exodus, plus guest stints from Buju Banton, Bounty Killer, Bobby Brown, Black Thought and Nas. --Christina Roden

Customer Reviews:

5 out of 5 stars Great album.......2007-07-03

I really like this album, because Damian throws in a lot of different styles and techniques, which can uncommon with some reggae artists. I believe that these different styles are an advantage, because it keeps the songs varied and diverse.

4 out of 5 stars Quite Good .......2007-06-27

Lost of singles on this album that have been released and their are one or two other songs that are good enough to be....making this cd, worth checking out.

4 out of 5 stars Really good reggae cd.......2007-06-12

I love the title track, Welcome to Jamrock. It's an awesome song. The rest of the cd was pretty good.

5 out of 5 stars Love It!.......2007-05-02

I listen to this album A LOT! Enough said. I think Jr. Gong gets better and better with each album. It's really neat to see how he has matured as an artist. I think Stephen's production and vocal skills are also proven excellent. Much respect to Damian and Stephen, they continue make their own legacy of music.

5 out of 5 stars One of a kind........2007-04-24

Damian Marley's not his daddy. He's got his own new flavor. He covers a lot of stylistic ground and lyrical topics from love to politics. If you want a break from radio hit hacks like Justin Timberlake, pick up Damian's newest and roll with the Jamaican edge. I can't wait till he puts out another CD.
Halfway Tree
Average customer rating: 4 out of 5 stars
  • Not Bad
  • A Must Have...
  • The Legend continues . . .
  • Halfway Tree-Reinvention of Rebel Music
  • I LOVE HIS VOICE!
Halfway Tree
Damian "Junior Gong" Marley
Manufacturer: Motown
ProductGroup: Music
Binding: Audio CD

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  1. Welcome to Jamrock
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ASIN: B00005NWKI
Release Date: 2001-09-11

Tracks:

  1. Educated Fools
  2. More Justice
  3. It Was Written
  4. Catch A Fire
  5. Still Searchin'
  6. She Needs My Love
  7. Mi Blenda
  8. Where Is The Love
  9. Harder (Interlude)
  10. Born To Be Wild
  11. Give Dem Some Way
  12. Half Way Tree (Interlude)
  13. Paradise Child
  14. Stuck In Between
  15. Half Way Tree
  16. Stand A Chance

Amazon.com

Covering everything from roots reggae to dancehall, culture to (mild) slackness, and hip-hop to R&B, Damian "Jr. Gong" Marley's sophomore offering, Halfway Tree, bridges the gap between several disparate Jamaican sounds. "Where Is The Love?"--set to a slinky American R&B rhythm--juxtaposes the youngest Marley's roughneck toasting against Ruff Ryder Eve's assertive feminist rap. His posh uptown pedigree can be observed in the smooth grooves and salsa-infected vibes of the Sly & Robbie-produced "She Needs My Love," which also showcases graceful vocalization by Yami Bolo. "Catch a Fire," featuring brother Stephen's raw silk harmonies, drops some straightforward African diaspora history in a classic roots reggae style, deconstructing and updating their father Bob's classic "Slave Driver." Overall, Halfway Tree is above average, and "Give Dem Some Way" is the album's most outstanding selection. After opening with a truly funny spoken-word intro, a funky bass-drum-and-flute "wild apache" beat kicks in, and then Jr. Gong and talented newcomer Izzy set it off for the educated rude-bwoy youth. --Rebecca Levine

Customer Reviews:

3 out of 5 stars Not Bad.......2007-06-05

I was expecting a lot more from this album and was so excited when it was released. I found it to be a disappointment, probably because my expectations were so high. I'd recommend his second album much more highly.

5 out of 5 stars A Must Have..........2007-04-24

When I first heard this album, I was blown away. This is not a reggae album, as most ppl describe it. But a classic nonetheless. Jamrock is a little more matured in lyrical content but this album is very deep lyrically as well. If I had to choose between Jamrock and Halfway Tree, I honestly couldn't have one without the other. That's how important this album is. If you have Jamrock, and you don't have Halfway Tree, then you are missing out tremendously. Or you aren't really a Jr. fan.

5 out of 5 stars The Legend continues . . ........2006-09-02

One of the best reggae albums I've heard in some time with its raw, driving, hard and relevant lyrics. I like this one even better than Jamrock. This brother has a style that is his own, and his interpretation of the Marley message will ensure that the word of the Last Known Living Prophet survives . . . If you like hard unfiltered reggae, you'll love this one.

5 out of 5 stars Halfway Tree-Reinvention of Rebel Music.......2006-08-24

Halfway Tree, Damian Marley's major label debut is a ground-breaking blend of reggae riddims and dancehall bass lines. beginning with the electrifying reality rhyming of Educated Fools, and pushing into more solemn and inspirational songs such as It Was Written (my favorite), he then pays a beautiful homage to his father in Catch a Fire, doing a very worthy job putting a modern twist to Bob's Slave Driver. From there Damian moves into some R&B and more dance-able tunes, but brings the revolutionary spirit back with the Halfway Tree Selah, and with the humbling social critiques of Stand a Chance. Overall, this album is a well-rounded and fantastic reinvention of Rebel Music and Damian shows his roots and inspirations, mixing everything together, and creating an album that you can dance too and draw inspiration from. His BEST album!
You can lead a revolution with this stuff...

5 out of 5 stars I LOVE HIS VOICE!.......2006-08-05

I am totally in love with Damian Marley's voice. It is edgy, but smooth and incredibly easy to hear. I have all of his albums and there is absolutely NO WAY you can get tired of listening to him sing. On this album, one of my favorite songs is "Still Searchin'". You can't get enough! Seriously. If you are not convinced, listen to the sample. A girl could fall in love, literally! I highly recommend this album to anyone. Very well put together!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Charles Ives: Symphony No. 2 / The Gong on the Hook & Ladder, or Firemen's Parade on Main Street / Tone Roads No. 1 / Hymn: Largo Cantabile, for String Orchestra / Hallowe'en / Central Park in the Dark / The Unanswered Question - Leonard Bernstein / New York Philharmonic
Average customer rating: 5 out of 5 stars
  • The perfect introduction to Ives.
  • An Answer to the Unanswered Question
  • brilliant idiosyncrasies
  • Great Performances Of Ives From Bernstein And the NYPO
  • Uniquely American Ives Recordings
Charles Ives: Symphony No. 2 / The Gong on the Hook & Ladder, or Firemen's Parade on Main Street / Tone Roads No. 1 / Hymn: Largo Cantabile, for String Orchestra / Hallowe'en / Central Park in the Dark / The Unanswered Question - Leonard Bernstein / New York Philharmonic
Charles Ives , Leonard Bernstein , and New York Philharmonic
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ives: Symphony No. 2 & Symphony No. 3/Bernstein Discusses Charles Ives
  2. Ives: Symphonies Nos. 1 & 4/Hymns
  3. Ives: An American Journey
  4. Ives: The Symphonies / Orchestral Sets 1 & 2
  5. Ives: Violin Sonatas Nos. 1-4

ASIN: B000001GC4
Release Date: 1990-07-24

Tracks:

  1. Symphony No. 2: 1. Andante moderato
  2. Symphony No. 2: 2. Allegro
  3. Symphony No. 2: 3. Adagio cantabile
  4. Symphony No. 2: 4. Lento maestoso
  5. Symphony No. 2: 5. Allegro molto vivace
  6. The Gong On The Hook And Ladder Or Firemen's Parade On Main Street: Allegro moderato
  7. Tone Roads No. 1: Allegro
  8. 'A Set Of Three Short Pieces': Hymn: Largo Cantabile
  9. 'Three Outdoor Scenes': Hallowe'en
  10. Central Park In The Dark: Molto adagio
  11. The Unanswered Question: Largo molto sempre

Customer Reviews:

5 out of 5 stars The perfect introduction to Ives........2006-08-04

In brief, this may be the best single album to jump start the novice on Ives -- and a great ride for the already converted among us. The comprehensive reviews in this thread say it all; I won't repeat. Let me add this, though: the earlier, excellent recording on Columbia (SONY) coupled with the 3rd Symphony, has a cut in the 4th movement, which Lenny opens up in this more recent recording. So, if you have the earlier recording this one is still something of a 'must have.' Buy it for that 'alternate' library of special recordings, like the Tatrai set of Bartok Quartets, Furtwangler's Beethoven Symphonies from the war years, Toscanini's recordings of OTELLO and FALSTAFF -- and Benny Goodman live at Carnegie Hall, 1938.

5 out of 5 stars An Answer to the Unanswered Question.......2006-03-14

Often faced with the question from friends who are just beginning a classical music collection and want to try the 'American school' - the question being which of the many Ives recordings is a solid groundwork for understanding and appreciating Ives' importance - this is the recording I recommend. Despite the now gratefully multiple recordings of all of the works on this CD (especially the Symphony No. 2), this collection surveys Charles Ives well.

Leonard Bernstein was a champion for Ives performances both in this country and abroad. This recording shows why. His approach to Ives' work is not only diligent in his preparation of the orchestra, but it also programs a spectrum that allows each of the works to enhance the others. Here the Symphony No. 2 begins the survey, finding within the work the humor and nostalgia that abounds. And as if to recapitulate Ives' thoughts, Bernstein follows with the quirky 'The Gong on the Hook & Ladder or Firemen's Parade on Main Street', the 'Tone Roads No. 1, for chamber orchestra', a perfectly infectious 'A Set of 3 Short Pieces, for string quartet, double bass & piano',
Hallowe'en, for string quartet, piano & optional drum, the luminous 'Central Park in the Dark', and of course ends with the now American iconic 'The Unanswered Question (I & II).'

This recording may be dated in sound, but the performances remain definitive. And as for a fine introduction to both the well-known side of Ives as well as the slightly esoteric aspect of the genius' music, this well curated selection fits the bill. Highly Recommended. Grady Harp, March 06

5 out of 5 stars brilliant idiosyncrasies.......2004-05-20

Ives was an uncommon, refined distillate. Much like Wallace Stevens, another Connecticut Yankee insurance specialist thoroughly out of step with his environment, Ives's structural and thematic advances foretold radical new worlds. Many liner notes to recent Ives releases talk about his work as if it were like most other orchestral offerings--in reality, few touch upon how cataclysmic and inventive his realizations were.

Bernstein, conversely, grasps Ives in totality and advances the cause of this frighteningly bold new music, both in practice and in writing at length about these scores and the Protean imagination that engendered them. Bravo, Lenny.

5 out of 5 stars Great Performances Of Ives From Bernstein And the NYPO.......2003-09-02

Towards the end of Leonard Bernstein's career he made several distinguished recordings of 20th Century American classical music for Deutsche Grammophon featuring the New York Philharmonic Orchestra. This splendid recording of Ives's 2nd Symphony, several other orchestra works and chamber pieces is yet another remarkable testament to Leonard Bernstein's empathy and understanding of 20th Century American classical music composed by such distinguished composers as Charles Ives, and, of course, Aaron Copland. No other conducter truly understood 20th Century American music as well as Bernstein. Here he leads the New York Philharmonic in one thrilling performance after another, starting with Ives's 2nd Symphony in a swaggering, convincing interpretation. He follows with a hauntingly beautiful "Central Park in the Dark" and ends with an appropriately brooding "The Unanswered Question"; between the symphony and these orchestral works are sandwiched some fine chamber pieces too. Although these were recorded at live performances, the sound quality is that from a studio. Absolutely a necessary CD for admirers of Charles Ives, Leonard Bernstein, the New York Philharmonic and anyone interested in 20th Century American classical music.

5 out of 5 stars Uniquely American Ives Recordings.......2002-08-09

This is great American music in the truest sense. I was nurtured on movie soundtracks and scores from the likes of Bernard Herrmann, Dimitri Tiomkin, Alex North and others. As we have lost many of these composers and music that they may have left us through the years, I have been methodically looking at American "Twentieth Century" composers from the "classical" arena to fill that void from that great era. I discovered Charles Ives after reading up on Aaron Copland and his foray into many diverse areas of musical composition. One thing leads to another. Ives' Symphony No. 2 seems to have come up very frequently. It certainly doesn't have the melodic quality of Copland yet it does seem to have roots resulting in American musical motifs very strangely orchestrated resulting in some twisted profoundness. What attracts me is how the music almost seems as if it were composed for film. The technical qualities of this recording are marvelous. Leonard Bernstein's intuitive and vibrant interpretation of this music is effectively felt.
You
Average customer rating: 4.5 out of 5 stars
  • The Incognito Return of the Octave Doctors...
  • It's YOU only YOU!
  • Gong's masterpiece
  • The most amazing album I can think of...
You
Gong
Manufacturer: Caroline
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Angel's Egg (Radio Gnome Invisible, Pt. 2)
  2. The Flying Teapot (Radio Gnome Invisible, Pt. 1)
  3. Camembert Electrique
  4. Fish Rising
  5. Gazeuse!

ASIN: B0002WS3S2
Release Date: 2004-12-28

Tracks:

  1. Thoughts for Naught
  2. AP HP's Advice
  3. Magick Mother Invocation
  4. Master Builder
  5. Sprinkling of Clouds
  6. Perfect Mystery
  7. Isle of Everywhere
  8. You Never Blow Yr Trip Forever
  9. AP HP's Advice [Alternate Version][*]

Album Description

Remastered Virgin reissue of third album in the trilogy originally released by Charly in 1974, with additional previously unreleased bonus track 'A PHP's Advice' (Alternate Version). Details TBA. 2004.

Album Details

Digitally Remastered Edition with Complete Original Artwork. "You" Completes the "Radio Gnome" Trilogy.

Customer Reviews:

4 out of 5 stars The Incognito Return of the Octave Doctors..........2007-06-28

When I first heard YOU, I thought it was the most odd and brilliant record I'd ever heard. It is the final act of a hippie-esque "smoke opera" that takes the now-venerable jam-band flights of trippy fantasy to new and dizzy heights. More akin to Ozric Tentacles than to the Grateful Dead, the tunes on this disc are challenging, mesemerising, and ultimately quite satisfying.

Steer clear if you're attached to traditional song dynamics, 2:45 bits of pop structure, or made nervous by music that carries you away.

Not a perfect album, but well worth the time and attention of the adventurous listener.

4 out of 5 stars It's YOU only YOU!.......2007-04-10

There are no words for this unique sound. Simply amazing!

5 out of 5 stars Gong's masterpiece.......2006-12-25

Psychedelic space-rock brilliance by an amazing band. The musicianship is unequalled.... as is the 'feel' of this record. Each and every band member gives a tour de force performance. Didier Malherbe's sax playing is breathtaking. Steve Hillage's guitar work, inspired.. especially on Master Builder. If any musical piece pulses with spacey wonderment better than the Tim Blake inspired 'A sprinkling of clouds' then I most definitely need to hear it. From start to finish, a fascinating experience and an amazing 50 minute journey into the mind of Daevid Allen. Listen to it alone with the lights off and candles on.... it will take you to a better place.

5 out of 5 stars The most amazing album I can think of..........2005-10-18

I say so because I can't think of any other album in which this quality of musicianship is submitted to the task of such inspired lunacy.

Steve Hillage rocketing into space on guitar; Pierre Moerlen's frantic jazz pummeling on drums, and magical tuned percussion; Mike Howlett's funky-smooth pursuit of the cosmic groove; and Didier Malherbe's tasty soprano sax and flute musings--a crack band as good as any that EVER played rock music--accompanied by Tim Blake's divinely inspired ambient synthesizer landscapes, Daevid Allen's equally ambient glissando guitar, and the space whispers and instrumental contributions of various women named Yoni.

It's a once-in-a-millenium musical mix that would be noteworthy in and of itself, but shoots into the stratosphere because of the spiritual depth of Daevid Allen's psychedelic whimsy. Allen has written many provocative and beautiful songs, but this album is in my opinion his magnum opus, or the whole tamale if you prefer--the climactic story of everyman Zero the Hero "going round the circle of births and deaths" struggling, and failing, and struggling again to attain/maintain spiritual awakening--it's the story of everybody who ever tried. Accompanied by the musical equivalent of nirvana. (Most succinctly demonstrated by "A Sprinkling of Clouds", which is my favorite instrumental rock piece of all time--a piece of terrifying beauty, like looking into the face of God him/herself...really.)

This release of the album is lovingly, perfectly remastered, and packaged with intriguing drawings and photos of the band that give us a window into the time and place. It is the definitive CD release, and the best this incredible album has ever sounded. It is, as space-rock should be, not of this world.

Many albums of the psychedelic and prog eras came from the stance of presumed enlightenment, with variable musical and lyrical success. However, "You" manages to make the leap from merely inspired to INSPIRING--an actual album-length primer for the pursuit of enlightenment. It's no wonder the band as it was broke up after this album, when Daevid Allen walked away. There was really nowhere else to go but down, after achieving this dizzying height.

If I had to pick one obscure album that I wish that others could hear for their own sake, this would be it. It is, as I said, amazing--and if you have ever wanted to hear how great space-rock could be, you should take a chance on this marvelous disc.
The Flying Teapot (Radio Gnome Invisible, Pt. 1)
Average customer rating: 3.5 out of 5 stars
  • Just a collection novelty tunes (and poor ones at that)
  • An excellent album that was apparently remastered in a back alley
  • ideas not fully formed
  • The Formal Start of the Tea Ceremony - Hymns Disguised as Whimsy
  • Daevid Allen is the George Clinton of Jazz Rock part 1
The Flying Teapot (Radio Gnome Invisible, Pt. 1)
Gong
Manufacturer: Snapper
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Space RockSpace Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music
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  1. Angel's Egg (Radio Gnome Invisible, Pt. 2)
  2. You
  3. Camembert Electrique
  4. Fish Rising
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ASIN: B00005REQR
Release Date: 2005-08-29

Tracks:

  1. Radio Gnome Invisible
  2. Flying Teapot
  3. Pot Head Pixies
  4. Octave Doctors and the Crystal Machine
  5. Zero the Hero and the Witch's Spell
  6. Witch's Song: I Am Your Pussy

Album Description

1973's Flying Teapot is a Gong milestone. It's the first installment in their legendary "Radio Gnome Trilogy" and a transitional point between the underground psychedelia of Camembert Electrique and the artier, more ethereal sound they later developed. Teapot is more visceral, less cerebral than its successors, and the catchy ensemble riffs of Camembert are still present. The arrival of virtuoso guitarist Steve Hillage and synth wizard Tim Blake represented a great leap forward, though. Blake concentrated exclusively on ambient electronic effects and soundscapes a la early Hawkind, leaving harmonic development to the other band members. Hillage's fleet-fingered jazz-rock solos and arsenal of effects upped the musicianship a notch and reinforced the spacy jazz elements already in place. Whether you're able to follow the willfully confusing storyline or not, the elaborate mythological world created by Daevid Allen is loads of fun when wrapped around music as inspired as this psychedelic art-jazz-space rock amalgam. The key players are a group of gnomes from another planet who arrive in a flying teapot (stoner imagery plays heavily in hippie Allen's vision) to save the world (or something). Actually, some surprisingly intellectual/philosophical messages were contained in the trilogy, leavened heartily by the irrepressible Allen's healthy sense of humor. Charly. 2004.

Album Details

Digitally Remastered Edition of the 1973 Release from Group Led by Daevid Allen, the First Part of What was to Become Known as their "Radio Gnome Invisible Trilogy". The Album is an Avant Garde Collection of Sound Effects, Jazzy Improvisation and Comic Vocals, all Displaying the Group's Sense of Humour and Wacky Approach to their Music. "The Pot Head Pixies" and "The Witch's Spell" Are Perfect Examples of their Unique Musical Style.

Customer Reviews:

1 out of 5 stars Just a collection novelty tunes (and poor ones at that).......2006-06-16

I've read the praise- space jazz, counter culture masterpiece, quirky absurdist humour. Sounds interesting on paper but this album is in reality nothing more than a collection of novelty tunes interspersed with pointless sound effects and lame instrumental "noodling". "Neil" from the British comedy series The Young Ones released an album of 60s and 70s hippy tunes called "Neils Heavy Concept Album" which was a spoof. You may have heard the song Hole In My Shoe from that album. Imagine an album containing much worse versions of that and that prety much sums up Flying Teapot by Gong. I'm pretty open minded about music and enjoy most forms, but this remains one of the worst albums I've ever had the misfortune to purchase.

I admit I did laugh out loud a few times at just how pathetic this album could get, but even such lowbrow humour moments aren't enough to make me give this anything other than 1 star.

Spinal Tap was a spoof of heavy metal bands. Sounds like most hippy bands of the early 70s didn't actualy require anyone to parody them.

5 out of 5 stars An excellent album that was apparently remastered in a back alley .......2006-05-13

Gong's first release for Virgin Records was released in 1973 and marks Pt. I of Daevid Allen's masterwork, the Radio Gnome Invisible trilogy. The other albums in the trilogy include Pt. II Angels Egg (1973), and my personal favorite, Pt. III You (1974). Sadly, Daevid Allen left Gong after the You album, taking his hilarious and seemingly magical world of protagonist Zero the Hero, Pot head pixies, octave doctors, crystal machines, and the like with him.

The six tracks on this great album range in length from 1'51" to 11'52" and feature an excellent blend of synth heavy space rock, space whispers, really silly (and fun) absurdist humor, prog rock rave-ups, jazz rock, and all around excellent individual and ensemble playing. Speaking of which, although this lineup is not the classic Gong lineup featured on Angels Egg and You, all of the band members are excellent and a few of the elements that made those later albums incredible are in place. Specifically, newly acquired guitarist extraordinaire Steve Hillage and synthesizer player Tim Blake had signed on. In fact, Tim Blake's spacey VCS3 and mini moog synthesizer work really makes this album work for me and he is highlighted on the short synth piece The Octave Doctors and the Crystal Machine. In addition to bandleader Daevid Allen (guitars, vocals) and space whisperer/Welsh poet Gilli Smyth, former Magma bassist Fancis Moze, Didier Maherlbe (saxophone, flute), and excellent drummer Laurie Allen played on this album.

OK, now for the bad stuff. Although the music on this album is incredible, the 2005 remastering effort by Charly is simply atrocious and it appears that Flying Teapot may have in fact been remastered in a back alley. The cover art is "pixelly" and grainy and it appears that the cover art may have been simply scanned from "Joe's copy" and then edited by someone who did not have a clue as to what they were doing. Even the inner photos appear to have been scanned and are also grainy and "pixelly". In fact, one of the images appears to have been borrowed from the remastered version of Angel's Egg issued by EMI. The sound quality is also terrible, and has all of the texture and dynamic range you might expect from a beat up cassette tape (made in 1973) being played on a cheap, portable tape recorder at a distance of 300 meters. Specifically, the overall sound is low and muffled, and there are points where there is severe distortion.

I will not however, let the clowns over at Charly ruin this fantastic album for me and I will still give this album a five star rating in spite of it all. For those of you that are not as forgiving and cannot overlook these problems, I would strongly urge you to look around and track down another version.

All in all, this album is highly recommended along with Camembert Electrique (1971), Angel's Egg (1973), and You (1974). Just avoid any of the lousy versions issued by Charly.

2 out of 5 stars ideas not fully formed.......2005-09-24

to my dissapointment, not everything by the original daevid allen era gong is indispensable. this is radio gnome invisible pt. 1 with the finest space rock lineup anyone could hope for but the final result of this album comes of sounding like a tentative rehearsal where in many places allen scats some of the songs' improvisations and their arrangement lacks coherence and development. instrumentation is limited to supporting the vocals and chants and rarely gets the opportunity to expound any ideas or feel each other out. in the end, daevid allen displays some infectious song writing ability but it appears that the new members just weren't ready to record yet. this is steve hillage's first appearance for gong but you wouldn't know it as his guitar is barely noticeable. things change remarkably for the next albums 'angels egg' and 'you' which are two of the greatest psychedelic albums ever recorded.

5 out of 5 stars The Formal Start of the Tea Ceremony - Hymns Disguised as Whimsy.......2005-08-14

This is the start of the "Radio Gnome Trilogy" in which Daevid Allen and Gong lay out the full mythology of the Planet Gong and the Pothead Pixies. Calling this "jazz-rock" is completely misleading though it certainly has elements of both. It is the first fully formed expression of the unique sound developed by Gong and used by Daevid and the band to convey profound thoughts in a very silly and beautiful manner. Profoundly psychedelic, this is music intended to be listened to in an altered state, and it is designed to fit together with the following two parts of the trilogy ("Angel's Egg" and "You"...both equally essential). Buy all three albums - program them into a CD changer - prepare your head and don headphones - then get ready for a journey you will never regret. This IS "Lafta Yoga" - Electric Dharma. Hare hare London Bus!!!"

5 out of 5 stars Daevid Allen is the George Clinton of Jazz Rock part 1.......2004-11-26

Strong statement to start a review I know, but here are the reasons. Both Daevid and George held large groups of disparate and talented musicians together for several years, gave them alternative names, and got them to buy into their own unique vision of the world. Both visions included fictitous characters acting out complex plots using a unique language and imagery. Both created music that broke down barriers between established musical forms and molded the pieces into something new and undefinable. Both are very funny men (in more ways than one you could say).

Flying Teapot is part one of the Radio Gnome trilogy of albums (Angel's Egg and You are the others).This is the album that introduces us to Zero the Hero and the Pothead Pixies and includes stories of inner/outer space travel in flying teapots and encounters with wicked witches. With only a handful of very long tracks you need to sit down and get involved for the first couple of runs through, but after a while Steve Hillage's guitar and Blomdido Bad de Grasse's sax will hook you into the hypnotic mantras of "Zero the Hero", "The Pothead Pixies" and "Flying Teapot". After that all resistance will be futile and you'll find yourself chanting "I am, you are, we are crazy" along with everyone else. There are only a couple of weaknesses with the whole thing, but of the trilogy, this is the most straight ahead and rock based. Start here and work through Angel's Egg in to You. It could change the way you look at, well, everything really.

Zhan-Zhuang Gong Music
Average customer rating: 5 out of 5 stars
  • Very Good Music
  • Really nice
  • Amazing for Meditation
Zhan-Zhuang Gong Music
Various Artists
Manufacturer: Wind Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SR3K
Release Date: 2000-05-16

Tracks:

  1. Gathering Qi
  2. Flowing Into The Sea
  3. The Towering Mountains
  4. Inside The Valley

Customer Reviews:

5 out of 5 stars Very Good Music.......2007-05-15

One of the best chinese music CD ever, Perfect for meditation or relaxation, help to be focus. It has a very well balance between traditional instruments and sounds of nature. This CD is one you may want to add to your collection.It worths to buy it!!!.

5 out of 5 stars Really nice.......2005-06-15

wonderful music.I use it for Qi Gong,Tai Chi and my when I do massage

5 out of 5 stars Amazing for Meditation.......2001-10-05

The music in this album is absolutely gorgeous. Usually, I'm not happy with attempts to mix nature and music, but this album breaks my stereotypes! Natural sounds are blended with human instruments to create an auditory setting that quickly and gently pulls you into a meditative state. My taiji/qigong instructor uses this music in her classes and I fell in love with it the minute I heard it -- and I wasn't alone. If you're looking for music to perform taiji, qigong, yoga, or just for meditation, this album is a must!
Pentanine
Average customer rating: 3.5 out of 5 stars
  • A fitting finale
  • Great expectations...
  • Good Swansong
Pentanine
Pierre Moerlen's Gong
Manufacturer: Musea
ProductGroup: Music
Binding: Audio CD

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  1. Full Circle - Live 1988
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  3. Live in Sherwood Forest '75
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ASIN: B000BTJVOQ
Release Date: 2005-10-20

Tracks:

  1. Flyin' High
  2. Airway To Seven
  3. Pentanine (I. Part One)
  4. Au Chalet
  5. Trip A La Mode
  6. Rniscence
  7. Interlude
  8. Classique
  9. Leur
  10. Bleu Nuit
  11. Pentanine (II. Part Two)
  12. Montagnes Russes
  13. Troyka

Product Description

A famous drummer-percussionist from Strasbourg, France, Pierre MOERLEN had a prolific career filled with prestigious collaborations. He imposed his very particular percussive style, and created a reference in the style of Progressive jazz-rock. And this is in this musical style that Pierre MOERLEN'S GONG take us: proudly assuming his part of the great inheritance left by Daevid ALLEN and company, his interpretation is less focused on the psychedelic or space-rock. "Full Circle - Live 1988" is nevertheless and excellent witness of a German tour: a truly indispensable album ! As the Progressive rock world has been grieved to hear the disappearance of Pierre MOERLEN (GONG, Mike OLDFIELD, BRAND X…), the legendary French drummer comes back today with a new album ! "Pentanine" was recorded in Moscow in 2002 and is eventually released three years later by the Musea label. On that occasion, the new embodiment of the mythical band Pierre MOERLEN’S GONG was composed of local skilful musicians on electric guitar, bass and keyboards. Thirteen instrumental pieces full of groove, power and sophistication are to be heard, some more hypnotic or peaceful moments being also present in a very melodic jazz-rock fusion style. The splendour of Pierre MOERLEN's playing whatever instrument between drums, percussions, xylophone and vibraphone is very sensible. A posthumous account of a definitely exceptional musician !

Customer Reviews:

5 out of 5 stars A fitting finale.......2007-01-10

This was the last recording for Gong with the late, great Pierre Morelen. What an incredible drummer, classical technique with jazz/rock sensibilities, not to mention his drum sound was ALWAYS superb (check out "Percolations" on "Gazuese!" you will never hear a better SOUNDING drum kit all the way around. This material is quite reminiscent of the late 70's instrumental Gong with an all new band. Enjoy and give thanks we had this great talent in our midst. RIP, Pierre!

2 out of 5 stars Great expectations..........2006-12-26

I loved Pierre Moelen's work up until my collection ended with Pierre Moelen's Gong Live (Arista 1980)
His work took you to the uppermost reaches of the musical stratosphere and often beyond.
Inspirational drumming throughout his journey with Daevid Allen's Gong and its other mutations, and then his forray into differing fusions with various almost mythical (Now) musicians, ala Holdworth etc, was just that, inspiring.
I was fortunate enough to see him in concert with Mike Oldfield, which was an absolute musical feast, and never to be forgotten.
This last effort however, left me cold.
The instrumentation was lacklustre and very predictable.
Whilst I am sure they,(the ensemble) are accomplished musicians, it all sounded very tired.
Pierre's drumming was not enhanced by very average recording dynamics.
Do we expect too much of our idols?
A legacy has been given though, for all to enjoy.

4 out of 5 stars Good Swansong.......2006-01-18

Sadly, Moerlen passed in 2004. However, this final album - recorded in Russia - is a strong swansong, especially after the lacklustre Gong albums of the 1980s. This one is clearly in the mould of "Time is the Key", with full vibes and some great grooves. The backing musicians never get in the way of Moerlen's playing, and the excellent soundscapes between some of the songs help break things up. Recommended.

RIP Mr Moerlen.
Time Is the Key
Average customer rating: Not rated
    Time Is the Key
    Pierre Moerlen's Gong
    Manufacturer: Bmg Japan
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000I2K7O4
    Release Date: 2006-11-06

    Tracks:

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    2. Earthrise
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    4. Faerie Steps
    5. American in England
    6. Organ Grinder
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    Album Details

    Japanese Limited Edition Special Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
    Kung Fu Hustle
    Average customer rating: 5 out of 5 stars
    • What about the dialogue?
    • Loved it!!!
    • great CD, but incomplete...
    • Fantastic Soundtrack
    • There comes a time when you find a soundtrack that's...
    Kung Fu Hustle

    Manufacturer: Varese Sarabande
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007XT7T0
    Release Date: 2005-03-29

    Tracks:

    1. Kung Fu 1 - Kung Fu 1
    2. Nothing Ventured, Nothing Gained - Nothing Ventured, Nothing Gained
    3. Fisherman's Song Of The East China Sea - The Hong Kong Chinese Orchestra
    4. Ambush From All Sides - The Hong Kong Chinese Orchestra
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    19. Nothing Ventured, Nothing Gained (Huang Sheng Yi) - Nothing Ventured, Nothing Gained (Huang Sheng Yi)

    Album Description

    Set amid the chaos of pre-revolutionary China, small time thief, Sing, aspires to be one of the sophisticated and ruthless Axe Gang whose underworld activities overshadow the city. Stumbling across a crowded apartment complex aptly known as "Pig Sty Alley," Sing attempts to extort money from one of the ordinary locals, but the neighbors are not what they appear. Sing's comical attempts at intimidation inadvertently attract the Axe Gang into the fray, setting off a chain of events that brings the two disparate worlds face-to-face.

    The exotic original score by Raymond Wong is complemented by the film's classical pieces, notably Sarasate's acclaimed "Zigeunerweisen" and Khachaturian's famous "Sabre Dance."

    Customer Reviews:

    5 out of 5 stars What about the dialogue?.......2006-04-08

    I have a question about the dialogue on this CD... is it interspersed on separate tracks between songs, or do they talk during the songs?

    5 out of 5 stars Loved it!!!.......2005-10-21

    As a Chinese, I love this soundtrack and the movie very much! There is no more I can say. However, it's a good soundtrack and I love it very much.

    4 out of 5 stars great CD, but incomplete..........2005-09-20

    This is the soundtrack released to the U.S. Just so you know, the soundtrack sold in Asia features a few more songs. Most notably missing is a song preformed by Huang Sheng Yi, called "Zhi Yao Wei Ni Huo Yi Tian" which comes toward the end of the movie. It might be my favorite song in the movie, and it's too bad it's missing from the U.S. soundtrack.

    5 out of 5 stars Fantastic Soundtrack.......2005-08-20

    If you have seen this unbelievable movie, then you know how incredible the music is. It matches the mood of the movie and everything the previous reviewer said I agree with. It has great sweeping scores with an extremely cool "oriental/chinese" sound and presence to it. I mostly bought it for a few cool songs I fell in love with when I saw the movie and the whole album is great. You will recognize a few of the songs used in a lot of other chop socky/martial arts movies and you'll really enjoy having them along with all the other great music on this soundtrack and it goes without saying, but if you haven't seen or bought this movie yet, get it. We need to encourage Stephen Chow and support him in his endeavors to make more great movies instead of the same old rehashed formulaic, cookie cutter, boring(need I go on?)"Hollywood Entertainment" fare.

    5 out of 5 stars There comes a time when you find a soundtrack that's..........2005-06-14

    ...Absolutely perfect!

    As a collector of various movie soundtracks, there are many times when I am utterly dismayed by how unrelated they are to the movies they are supposed to complement.

    The Kung Fu Hustle CD, however, is far from any of that! I watched this movie four times in the theater, and every time, the music just mesmerized me from start to finish! The movie was great, and the music was even better!

    I quickly ordered the soundtrack from Amazon.com, and when it arrived, I was far from disappointed. This CD is fantastic! It does not leave anything out. What you hear in the movie is what you hear in the CD from beginning to end. The tracks are even in order of which they appear in the movie!

    If you enjoyed Kung Fu Hustle, then the soundtrack is definitely for you. Go forth! Purchase the soundtrack, and prepare to be pleasantly entertained by the delightful music!

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