| 1. Bewegung In Harmonie |
| 2. Heilende Energien |
| 3. Klangwelten |
| 4. In Balance |
| 5. Die Kraftquelle In Mir |
Qi Gong,Jean-Paul Genre,Disky,World Music
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Welcome to Jamrock
Damian "Jr. Gong" Marley Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000ASATWQ Release Date: 2005-09-13 |
Tracks:
- Confrontation
- There For You
- Welcome To Jamrock
- The Master Has Come Back
- All Night
- Beautiful
- Pimpa's Paradise
- Move!
- For The Babies
- Hey Girl
- Road To Zion
- We're Gonna Make It
- In 2 Deep
- Khaki Suit
Amazon.com
Grammy winner (for 2001's Halfway Tree) Damian "Junior Gong" Marley, the youngest singing son of the immortal Bob and brother of Ziggy, Julian, Stephen and Ky-mani, has made a major splash in the family business. The confrontational title track of his third album (which entered the Billboard Top 200 Albums Chart at Number 7, the biggest opening week ever for a reggae artist), deals with vacationing "haves" partying on the backs of increasingly desperate "have-nots." It has fomented a storm of protest from corporate entities who claim that Marley has presented his homeland (or more accurately, their interests) in a negative light. Another high point is "Pimpa's Paradise," a heartbreaker about drugs leading to prostitution, backed by a vulnerable-sounding acoustic guitar. Produced by Damian and Stephen Marley, it's an eclectic, sophisticated mix, constructed over treacherous rhythmic undercurrents, illuminated by empathy, courage and soul. A shifting kaleidoscope of classic and cutting-edge Jamaican grooves spars with R&B and hip-hop, references to Marcus Garvey, Eek-A-Mouse, and Exodus, plus guest stints from Buju Banton, Bounty Killer, Bobby Brown, Black Thought and Nas. --Christina RodenCustomer Reviews:
Great album.......2007-07-03
Quite Good .......2007-06-27
Really good reggae cd.......2007-06-12
Love It!.......2007-05-02
One of a kind........2007-04-24
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Halfway Tree
Damian "Junior Gong" Marley Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NWKI Release Date: 2001-09-11 |
Tracks:
- Educated Fools
- More Justice
- It Was Written
- Catch A Fire
- Still Searchin'
- She Needs My Love
- Mi Blenda
- Where Is The Love
- Harder (Interlude)
- Born To Be Wild
- Give Dem Some Way
- Half Way Tree (Interlude)
- Paradise Child
- Stuck In Between
- Half Way Tree
- Stand A Chance
Amazon.com
Covering everything from roots reggae to dancehall, culture to (mild) slackness, and hip-hop to R&B, Damian "Jr. Gong" Marley's sophomore offering, Halfway Tree, bridges the gap between several disparate Jamaican sounds. "Where Is The Love?"--set to a slinky American R&B rhythm--juxtaposes the youngest Marley's roughneck toasting against Ruff Ryder Eve's assertive feminist rap. His posh uptown pedigree can be observed in the smooth grooves and salsa-infected vibes of the Sly & Robbie-produced "She Needs My Love," which also showcases graceful vocalization by Yami Bolo. "Catch a Fire," featuring brother Stephen's raw silk harmonies, drops some straightforward African diaspora history in a classic roots reggae style, deconstructing and updating their father Bob's classic "Slave Driver." Overall, Halfway Tree is above average, and "Give Dem Some Way" is the album's most outstanding selection. After opening with a truly funny spoken-word intro, a funky bass-drum-and-flute "wild apache" beat kicks in, and then Jr. Gong and talented newcomer Izzy set it off for the educated rude-bwoy youth. --Rebecca LevineCustomer Reviews:
Not Bad.......2007-06-05
A Must Have..........2007-04-24
The Legend continues . . ........2006-09-02
Halfway Tree-Reinvention of Rebel Music.......2006-08-24
You can lead a revolution with this stuff...
I LOVE HIS VOICE!.......2006-08-05
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Charles Ives: Symphony No. 2 / The Gong on the Hook & Ladder, or Firemen's Parade on Main Street / Tone Roads No. 1 / Hymn: Largo Cantabile, for String Orchestra / Hallowe'en / Central Park in the Dark / The Unanswered Question - Leonard Bernstein / New York Philharmonic
Charles Ives , Leonard Bernstein , and New York Philharmonic Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GC4 Release Date: 1990-07-24 |
Tracks:
- Symphony No. 2: 1. Andante moderato
- Symphony No. 2: 2. Allegro
- Symphony No. 2: 3. Adagio cantabile
- Symphony No. 2: 4. Lento maestoso
- Symphony No. 2: 5. Allegro molto vivace
- The Gong On The Hook And Ladder Or Firemen's Parade On Main Street: Allegro moderato
- Tone Roads No. 1: Allegro
- 'A Set Of Three Short Pieces': Hymn: Largo Cantabile
- 'Three Outdoor Scenes': Hallowe'en
- Central Park In The Dark: Molto adagio
- The Unanswered Question: Largo molto sempre
Customer Reviews:
The perfect introduction to Ives........2006-08-04
An Answer to the Unanswered Question.......2006-03-14
Leonard Bernstein was a champion for Ives performances both in this country and abroad. This recording shows why. His approach to Ives' work is not only diligent in his preparation of the orchestra, but it also programs a spectrum that allows each of the works to enhance the others. Here the Symphony No. 2 begins the survey, finding within the work the humor and nostalgia that abounds. And as if to recapitulate Ives' thoughts, Bernstein follows with the quirky 'The Gong on the Hook & Ladder or Firemen's Parade on Main Street', the 'Tone Roads No. 1, for chamber orchestra', a perfectly infectious 'A Set of 3 Short Pieces, for string quartet, double bass & piano',
Hallowe'en, for string quartet, piano & optional drum, the luminous 'Central Park in the Dark', and of course ends with the now American iconic 'The Unanswered Question (I & II).'
This recording may be dated in sound, but the performances remain definitive. And as for a fine introduction to both the well-known side of Ives as well as the slightly esoteric aspect of the genius' music, this well curated selection fits the bill. Highly Recommended. Grady Harp, March 06
brilliant idiosyncrasies.......2004-05-20
Bernstein, conversely, grasps Ives in totality and advances the cause of this frighteningly bold new music, both in practice and in writing at length about these scores and the Protean imagination that engendered them. Bravo, Lenny.
Great Performances Of Ives From Bernstein And the NYPO.......2003-09-02
Uniquely American Ives Recordings.......2002-08-09
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You
Gong Manufacturer: Caroline ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002WS3S2 Release Date: 2004-12-28 |
Tracks:
- Thoughts for Naught
- AP HP's Advice
- Magick Mother Invocation
- Master Builder
- Sprinkling of Clouds
- Perfect Mystery
- Isle of Everywhere
- You Never Blow Yr Trip Forever
- AP HP's Advice [Alternate Version][*]
Album Description
Remastered Virgin reissue of third album in the trilogy originally released by Charly in 1974, with additional previously unreleased bonus track 'A PHP's Advice' (Alternate Version). Details TBA. 2004.Album Details
Digitally Remastered Edition with Complete Original Artwork. "You" Completes the "Radio Gnome" Trilogy.Customer Reviews:
The Incognito Return of the Octave Doctors..........2007-06-28
Steer clear if you're attached to traditional song dynamics, 2:45 bits of pop structure, or made nervous by music that carries you away.
Not a perfect album, but well worth the time and attention of the adventurous listener.
It's YOU only YOU!.......2007-04-10
Gong's masterpiece.......2006-12-25
The most amazing album I can think of..........2005-10-18
Steve Hillage rocketing into space on guitar; Pierre Moerlen's frantic jazz pummeling on drums, and magical tuned percussion; Mike Howlett's funky-smooth pursuit of the cosmic groove; and Didier Malherbe's tasty soprano sax and flute musings--a crack band as good as any that EVER played rock music--accompanied by Tim Blake's divinely inspired ambient synthesizer landscapes, Daevid Allen's equally ambient glissando guitar, and the space whispers and instrumental contributions of various women named Yoni.
It's a once-in-a-millenium musical mix that would be noteworthy in and of itself, but shoots into the stratosphere because of the spiritual depth of Daevid Allen's psychedelic whimsy. Allen has written many provocative and beautiful songs, but this album is in my opinion his magnum opus, or the whole tamale if you prefer--the climactic story of everyman Zero the Hero "going round the circle of births and deaths" struggling, and failing, and struggling again to attain/maintain spiritual awakening--it's the story of everybody who ever tried. Accompanied by the musical equivalent of nirvana. (Most succinctly demonstrated by "A Sprinkling of Clouds", which is my favorite instrumental rock piece of all time--a piece of terrifying beauty, like looking into the face of God him/herself...really.)
This release of the album is lovingly, perfectly remastered, and packaged with intriguing drawings and photos of the band that give us a window into the time and place. It is the definitive CD release, and the best this incredible album has ever sounded. It is, as space-rock should be, not of this world.
Many albums of the psychedelic and prog eras came from the stance of presumed enlightenment, with variable musical and lyrical success. However, "You" manages to make the leap from merely inspired to INSPIRING--an actual album-length primer for the pursuit of enlightenment. It's no wonder the band as it was broke up after this album, when Daevid Allen walked away. There was really nowhere else to go but down, after achieving this dizzying height.
If I had to pick one obscure album that I wish that others could hear for their own sake, this would be it. It is, as I said, amazing--and if you have ever wanted to hear how great space-rock could be, you should take a chance on this marvelous disc.
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The Flying Teapot (Radio Gnome Invisible, Pt. 1)
Gong Manufacturer: Snapper ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005REQR Release Date: 2005-08-29 |
Tracks:
- Radio Gnome Invisible
- Flying Teapot
- Pot Head Pixies
- Octave Doctors and the Crystal Machine
- Zero the Hero and the Witch's Spell
- Witch's Song: I Am Your Pussy
Album Description
1973's Flying Teapot is a Gong milestone. It's the first installment in their legendary "Radio Gnome Trilogy" and a transitional point between the underground psychedelia of Camembert Electrique and the artier, more ethereal sound they later developed. Teapot is more visceral, less cerebral than its successors, and the catchy ensemble riffs of Camembert are still present. The arrival of virtuoso guitarist Steve Hillage and synth wizard Tim Blake represented a great leap forward, though. Blake concentrated exclusively on ambient electronic effects and soundscapes a la early Hawkind, leaving harmonic development to the other band members. Hillage's fleet-fingered jazz-rock solos and arsenal of effects upped the musicianship a notch and reinforced the spacy jazz elements already in place. Whether you're able to follow the willfully confusing storyline or not, the elaborate mythological world created by Daevid Allen is loads of fun when wrapped around music as inspired as this psychedelic art-jazz-space rock amalgam. The key players are a group of gnomes from another planet who arrive in a flying teapot (stoner imagery plays heavily in hippie Allen's vision) to save the world (or something). Actually, some surprisingly intellectual/philosophical messages were contained in the trilogy, leavened heartily by the irrepressible Allen's healthy sense of humor. Charly. 2004.Album Details
Digitally Remastered Edition of the 1973 Release from Group Led by Daevid Allen, the First Part of What was to Become Known as their "Radio Gnome Invisible Trilogy". The Album is an Avant Garde Collection of Sound Effects, Jazzy Improvisation and Comic Vocals, all Displaying the Group's Sense of Humour and Wacky Approach to their Music. "The Pot Head Pixies" and "The Witch's Spell" Are Perfect Examples of their Unique Musical Style.Customer Reviews:
Just a collection novelty tunes (and poor ones at that).......2006-06-16
I admit I did laugh out loud a few times at just how pathetic this album could get, but even such lowbrow humour moments aren't enough to make me give this anything other than 1 star.
Spinal Tap was a spoof of heavy metal bands. Sounds like most hippy bands of the early 70s didn't actualy require anyone to parody them.
An excellent album that was apparently remastered in a back alley .......2006-05-13
The six tracks on this great album range in length from 1'51" to 11'52" and feature an excellent blend of synth heavy space rock, space whispers, really silly (and fun) absurdist humor, prog rock rave-ups, jazz rock, and all around excellent individual and ensemble playing. Speaking of which, although this lineup is not the classic Gong lineup featured on Angels Egg and You, all of the band members are excellent and a few of the elements that made those later albums incredible are in place. Specifically, newly acquired guitarist extraordinaire Steve Hillage and synthesizer player Tim Blake had signed on. In fact, Tim Blake's spacey VCS3 and mini moog synthesizer work really makes this album work for me and he is highlighted on the short synth piece The Octave Doctors and the Crystal Machine. In addition to bandleader Daevid Allen (guitars, vocals) and space whisperer/Welsh poet Gilli Smyth, former Magma bassist Fancis Moze, Didier Maherlbe (saxophone, flute), and excellent drummer Laurie Allen played on this album.
OK, now for the bad stuff. Although the music on this album is incredible, the 2005 remastering effort by Charly is simply atrocious and it appears that Flying Teapot may have in fact been remastered in a back alley. The cover art is "pixelly" and grainy and it appears that the cover art may have been simply scanned from "Joe's copy" and then edited by someone who did not have a clue as to what they were doing. Even the inner photos appear to have been scanned and are also grainy and "pixelly". In fact, one of the images appears to have been borrowed from the remastered version of Angel's Egg issued by EMI. The sound quality is also terrible, and has all of the texture and dynamic range you might expect from a beat up cassette tape (made in 1973) being played on a cheap, portable tape recorder at a distance of 300 meters. Specifically, the overall sound is low and muffled, and there are points where there is severe distortion.
I will not however, let the clowns over at Charly ruin this fantastic album for me and I will still give this album a five star rating in spite of it all. For those of you that are not as forgiving and cannot overlook these problems, I would strongly urge you to look around and track down another version.
All in all, this album is highly recommended along with Camembert Electrique (1971), Angel's Egg (1973), and You (1974). Just avoid any of the lousy versions issued by Charly.
ideas not fully formed.......2005-09-24
The Formal Start of the Tea Ceremony - Hymns Disguised as Whimsy.......2005-08-14
Daevid Allen is the George Clinton of Jazz Rock part 1.......2004-11-26
Flying Teapot is part one of the Radio Gnome trilogy of albums (Angel's Egg and You are the others).This is the album that introduces us to Zero the Hero and the Pothead Pixies and includes stories of inner/outer space travel in flying teapots and encounters with wicked witches. With only a handful of very long tracks you need to sit down and get involved for the first couple of runs through, but after a while Steve Hillage's guitar and Blomdido Bad de Grasse's sax will hook you into the hypnotic mantras of "Zero the Hero", "The Pothead Pixies" and "Flying Teapot". After that all resistance will be futile and you'll find yourself chanting "I am, you are, we are crazy" along with everyone else. There are only a couple of weaknesses with the whole thing, but of the trilogy, this is the most straight ahead and rock based. Start here and work through Angel's Egg in to You. It could change the way you look at, well, everything really.
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Zhan-Zhuang Gong Music
Various Artists Manufacturer: Wind Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SR3K Release Date: 2000-05-16 |
Tracks:
- Gathering Qi
- Flowing Into The Sea
- The Towering Mountains
- Inside The Valley
Customer Reviews:
Very Good Music.......2007-05-15
Really nice.......2005-06-15
Amazing for Meditation.......2001-10-05
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Pentanine
Pierre Moerlen's Gong Manufacturer: Musea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BTJVOQ Release Date: 2005-10-20 |
Tracks:
- Flyin' High
- Airway To Seven
- Pentanine (I. Part One)
- Au Chalet
- Trip A La Mode
- Rniscence
- Interlude
- Classique
- Leur
- Bleu Nuit
- Pentanine (II. Part Two)
- Montagnes Russes
- Troyka
Product Description
A famous drummer-percussionist from Strasbourg, France, Pierre MOERLEN had a prolific career filled with prestigious collaborations. He imposed his very particular percussive style, and created a reference in the style of Progressive jazz-rock. And this is in this musical style that Pierre MOERLEN'S GONG take us: proudly assuming his part of the great inheritance left by Daevid ALLEN and company, his interpretation is less focused on the psychedelic or space-rock. "Full Circle - Live 1988" is nevertheless and excellent witness of a German tour: a truly indispensable album ! As the Progressive rock world has been grieved to hear the disappearance of Pierre MOERLEN (GONG, Mike OLDFIELD, BRAND X ), the legendary French drummer comes back today with a new album ! "Pentanine" was recorded in Moscow in 2002 and is eventually released three years later by the Musea label. On that occasion, the new embodiment of the mythical band Pierre MOERLENS GONG was composed of local skilful musicians on electric guitar, bass and keyboards. Thirteen instrumental pieces full of groove, power and sophistication are to be heard, some more hypnotic or peaceful moments being also present in a very melodic jazz-rock fusion style. The splendour of Pierre MOERLEN's playing whatever instrument between drums, percussions, xylophone and vibraphone is very sensible. A posthumous account of a definitely exceptional musician !Customer Reviews:
A fitting finale.......2007-01-10
Great expectations..........2006-12-26
His work took you to the uppermost reaches of the musical stratosphere and often beyond.
Inspirational drumming throughout his journey with Daevid Allen's Gong and its other mutations, and then his forray into differing fusions with various almost mythical (Now) musicians, ala Holdworth etc, was just that, inspiring.
I was fortunate enough to see him in concert with Mike Oldfield, which was an absolute musical feast, and never to be forgotten.
This last effort however, left me cold.
The instrumentation was lacklustre and very predictable.
Whilst I am sure they,(the ensemble) are accomplished musicians, it all sounded very tired.
Pierre's drumming was not enhanced by very average recording dynamics.
Do we expect too much of our idols?
A legacy has been given though, for all to enjoy.
Good Swansong.......2006-01-18
RIP Mr Moerlen.
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Time Is the Key
Pierre Moerlen's Gong Manufacturer: Bmg Japan ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2K7O4 Release Date: 2006-11-06 |
Tracks:
- Ard Na Greine
- Earthrise
- Supermarket
- Faerie Steps
- American in England
- Organ Grinder
- Sugar Street
- Bender
- Arabesque Intro & Arabesque
- Esnuria Two
- Time Is the Key
Album Details
Japanese Limited Edition Special Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
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Kung Fu Hustle
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007XT7T0 Release Date: 2005-03-29 |
Tracks:
- Kung Fu 1 - Kung Fu 1
- Nothing Ventured, Nothing Gained - Nothing Ventured, Nothing Gained
- Fisherman's Song Of The East China Sea - The Hong Kong Chinese Orchestra
- Ambush From All Sides - The Hong Kong Chinese Orchestra
- Allegro Molto Vivace From Zigeunerweisen, Op.20 - Ivan Fischer
- Moderato From Zigeunerweisen, Op.20 - Ivan Fischer
- Decree Of The Sichuan General - The Hong Kong Chinese Orchestra
- Midnight Assassin - Midnight Assassin
- The Blade Of Gu Qin - The Hong Kong Chinese Orchestra
- Night Club Band - Night Club Band
- Sabre Dance - Sabre Dance
- Daring General - The Hong Kong Chinese Orchestra
- Casino Fight - Casino Fight
- Realization - Realization
- Ying Xiong Men Zhan Sheng Le Da Du He - The Hong Kong Chinese Orchestra
- Dagger Society Suite - The Hong Kong Chinese Orchestra
- Fisherman's Song Of The East China Sea - The Hong Kong Chinese Orchestra
- Buddhist Palm - Buddhist Palm
- Nothing Ventured, Nothing Gained (Huang Sheng Yi) - Nothing Ventured, Nothing Gained (Huang Sheng Yi)
Album Description
Set amid the chaos of pre-revolutionary China, small time thief, Sing, aspires to be one of the sophisticated and ruthless Axe Gang whose underworld activities overshadow the city. Stumbling across a crowded apartment complex aptly known as "Pig Sty Alley," Sing attempts to extort money from one of the ordinary locals, but the neighbors are not what they appear. Sing's comical attempts at intimidation inadvertently attract the Axe Gang into the fray, setting off a chain of events that brings the two disparate worlds face-to-face.The exotic original score by Raymond Wong is complemented by the film's classical pieces, notably Sarasate's acclaimed "Zigeunerweisen" and Khachaturian's famous "Sabre Dance."
Customer Reviews:
What about the dialogue?.......2006-04-08
Loved it!!!.......2005-10-21
great CD, but incomplete..........2005-09-20
Fantastic Soundtrack.......2005-08-20
There comes a time when you find a soundtrack that's..........2005-06-14
As a collector of various movie soundtracks, there are many times when I am utterly dismayed by how unrelated they are to the movies they are supposed to complement.
The Kung Fu Hustle CD, however, is far from any of that! I watched this movie four times in the theater, and every time, the music just mesmerized me from start to finish! The movie was great, and the music was even better!
I quickly ordered the soundtrack from Amazon.com, and when it arrived, I was far from disappointed. This CD is fantastic! It does not leave anything out. What you hear in the movie is what you hear in the CD from beginning to end. The tracks are even in order of which they appear in the movie!
If you enjoyed Kung Fu Hustle, then the soundtrack is definitely for you. Go forth! Purchase the soundtrack, and prepare to be pleasantly entertained by the delightful music!
International Music: