| 1. Morgenstund Pa Garden |
| 2. Gardmand Sum Taeller |
| 3. Gardmand Sum Fortaeller Om Dyrene |
| 4. Gardmand Sum Fortaeller Hvad Der Skal Gores |
| 5. Gardmand Sum Taeller Honsene |
| 6. Gardmand Sum Taeller Aeggene |
| 7. Gardmand Sum Gar Hen For At Taelle Koerne |
| 8. Gardmand Sum Taeller Koerne |
| 9. Gardmand Sum Gar Hen For At Taelle Sine Far |
| 10. Gardmand Sum Taeller Farene |
| 11. Gardmand Sum Gar Hen For At Taelle Grisene |
| 12. Gardmand Sum Taeller Grisene |
| 13. Gardmand Sum Jager Grisene Ind I Laden |
| 14. Gardmand Sum Finder Alle Dyrene |
| 15. Gardmand Sum Taeller Alle Dyrene |
Bondegards Dyr,Jeanette & Ulrik Breick Pedersen,Disky,World Music
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Little Language Songs for Little Ones
Laura Dyer Manufacturer: Laura Dyer ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RHSD Release Date: 2001-07-15 |
Tracks:
- Do You Hear The Way Sounds Ring?
- Limericks
- An Undersea Adventure
- What a Colorful World
- Do You Know What It Means to Be a Shape?
- Imagination
- Garden Dance
- Can You Count to Ten?
- Busy Days
- Changing Seasons
- The Spider Shines Her Shoes
- All Aboard
- Celebrate the Holidays
- Good Manners Are The Key
- What Do We Eat?
- A Trip to the Fair
- Everybody on Your Feet
- Everybody Feels This Way
- Pets
- Things I Love
Album Description
Winner of the Education Clearinghouse 2002 Award of Excellence, this fun and fabulous album features 40 minutes of educational songs for your child ages birth to eight. Each song was written with a specific speech and language goal in mind. It has received 7 National Reviews/Endorsements and several local including the Music City's Nashville Parent Magazine. This soundtrack exposes your child to a wide variety of musical styles including jazz, folk, dance, pop, internation, and features fun sound effects and interactive songs too. The most educational songs are paced so that your child will be able to comprehend the lyrics and be able to sing along as well. Developed by a speech-language pathologist, this album reinforces all of the speech techniques taught in the Little Language for Little Ones Book.Customer Reviews:
Great Music!.......2007-04-25
Jennifer Smith.......2007-02-23
Little Language.......2002-04-12
Little Language.......2002-04-12
Parent's Guide Review.......2002-04-12
Reviewed by Katie Hoffmaster...
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Heifetz: It Ain't Necessarily So
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HIVQ3A Release Date: 2006-10-10 |
Tracks:
- From The Canebrake, Op.5 No.1
- Jamaican Rumba
- Beau Soir
- Piece En Forme De Habanera
- Levee Dance Op.27 No.2 (Based On Go Down, Moses)
- Figaro (Paraphrase On 'Largo Al Factotum')
- Jeanie With The Light Brown Hair
- A La Valse
- Humoresque In G Flat Major, Op.101 No.7
- Gweedore Brae
- Old Folks At Home
- Deep River
- Vinnese-Wienerisch
- White Christmas
- Summertime
- A Woman Is A Sometime Thing
- My Man's Gone Now
- It Ain't Necessarily So
- Tempo Di Blues (There's A Boat That's Leavin' Soon For New York)
- Bess, You Is My Woman Now
- 1. Allegro Ben Ritmato E Deciso
- 2. Andante Con Moto E Poco Rubato
- 3. Allegro Ben Ritmato E Deciso
Tracks:
- Florida Night Song
- Golliwog's Cakewalk
- Clair De Lune
- Ao Pe Da Fogueira
- Huella Op.49 (Cancion Argentina)
- Prelude In C Sharp Minor, Op.34 No.10
- Prelude In D Flat Major, Op.34 No.15
- Waves At Play-Wellenspiel
- March
- Masks
- Gut-Bucket Gus
- Jane Shakes Her Hair
- Betty And Harold Close Their Eyes
- Jim Jives
- ...Till Dawn Sunday
- The Ballad Of Mack The Knife
- Melodie In E Flat Major
- Nocturne In E Flat Major, Op.55 No.2
- Melodie (Andante)
- Bird As Prophet Vogel Als Prophet
- Hymn To The Sun
- Dance No.4
- Hungarian Dance No.7 In A Major
- The Swan
- Hills
- Moto Perpetuo
- Berceuse
- Where My Caravan Has Rested - Bing Crosby
- When You Make Love To Me (Don't Make Believe)
Customer Reviews:
The Greatest Violinist- But JOE VENUTI for JAZZ.......2007-07-02
Classical violin players were oftened were amazed at Uncle Joe's ability to play off the beat and not what was exactly written. I confess- Joe Venuti was my great uncle but it is not just I who regard him as preeminent in jazz and he had a great technique and beautiful tone into his seventies.
Heifetz is my favorite classical violinist. Venuti is my favorite jazz violinist.
Heifetz Sounding Great........2007-02-13
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Britten: The Turn Of The Screw / Britten, Pears, Vyvyan, Cross, et al
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041WD Release Date: 2002-09-10 |
Tracks:
- Act I: Prologue - Peter Pears
- Act I: Theme/Scene 1 - Jennifer Vyvyan
- Act I: Var I/Scene 2 - David Hemmings/Olive Dyer/Joan Cross/Jennifer Vyvyan
- Act I: Var II/Scene 3 - Joan Cross/Jennifer Vyvyan/David Hemmings/Olive Dyer
- Act I: Var III/Scene 4 - Jennifer Vyvyan
- Act I: Var IV/Scene 5 - Olive Dyer/David Hemmings/Jennifer Vyvyan/Joan Cross
- Act I: Var V/Scene 6 - David Hemmings/Olive Dyer/Jennifer Vyvyan
- Act I: Var VI/Scene 7 - Olive Dyer/Jennifer Vyvyan/Daivd Hemmings
- Act I: Var VII/Scene 8 - Peter Pears/David Hemmings/Arda Mandikian/Jennifer Vyvyan/Joan Cross
Tracks:
- Act II: Var VIII/Scene 1 - Arda Mandikian/Peter Pears/Jennifer Vyvyan
- Act II: Var IX/Scene 2 - David Hemmings/Olive Dyer/Joan Cross/Jennifer Vyvyan
- Act II: Var X/Scene 3 - Jennifer Vyvyan/Arda Mandikian
- Act II: Var XI/Scene 4 - David Hemmings/Jennifer Vyvyan/Peter Pears
- Act II: Var XII/Scene 5 - Peter Pears
- Act II: Var XIII/Scene 6 - Jennifer Vyvyan/Joan Cross/Olive Dyer
- Act II: Var XIV/Scene 7 - Joan Cross/Jennifer Vyvyan/Olive Dyer/Arda Mandikian
- Act II: Var XV/Scene 8 - Jennifer Vyvyan/Joan Cross/David Hemmings/Peter Pears
Customer Reviews:
A great opera gains by taking on a taboo subject.......2006-06-04
But a recent recording on Virgin is superior to Britten's classic account in three ways. First, we get state-of-the-art digital sound that allows us to hear much more of Britten's exquisitely orchestrated score. Second, Daniel Harding's conducting is edgier and more gripping than Britten's, excellent as he was. Third, the singers are tenser, more psychologically attuned to the plot's homosexual overtones, than the composer ever allowed his singers to be--Britten kept the drama well inside the bounds of a Victorian ghost story.
So, is the new version justified in making us think of sexual repression and abuse rather than simple scary ghosts?
James's novella was a boring staple of high school English class when I was a junior, and yet I imagine it would have been snatched from the classroom if anyone had intimated that it secretly concerned pedophilia. All we talked about was whether the ghosts were real or a figment of somebody's imagination. The reviewer below takes it for granted that "of course" Quint was a pedophile who sexually corrupted (to use the Victorian term--we would say sexually abused) the boy Miles. Thus the story--and Britten's opera--unfolds through the governess's eyes as she gradually uncovers the sexual crimes of the household, and her mounting horror is justified, not by ghosts haunting the two children, but by knowledge of what Quint did while alive.
In James's case, I think there is room for more ambiguity, the sexual implications being directed strongly to the governess more than the children; the effectiveness of the tale lies in its sexual ambiguity. Is a frigid spinster being frightened by her own libido? But Britten was without a doubt a repressed pedophile (someone more politely termed him an "intellectual pedophile," which doesn't even make sense). Since Quint appears on stage as a singer who is just as real as any ohter character, his cry of "you belong to me" at the end, just as Miles dies, gains by not being ambiguous. A real male is seducing a boy in front of our eyes, and by bringing that out, a staged production can be much more frightening than James's tale.
Memorable Melancholy.......2003-04-01
Even from beyond the grave, he continues his seduction with the honeyed words of librettist Piper and some haunting mellifluous melody by Britten. Miles' sister Flora is suffering a parallel seduction by salacious nanny Miss Jessel, which is less compelling, perhaps because it's less dear to James' or Britten's "haunted hearts."
The children's governess, a prudish Pollyanna, is horrified as Miles and Flora begin to seem autistic, listening to other voices only they can hear. Miles utters blasphemies as church bells ring, a sign of his influence under a pagan and pederastic seducer. The showdown comes at the end when Miles dies inexplicably. Morgan of James' short story "The Pupil" dies in this way too; for Henry James, then, the tension of oncoming pedophiliac consummation is mysteriously fatal.
Tension and mystery pervade Britten's score, but so does the detached melancholy of the inevitable. Britten whisks us through a kaleidoscope of emotions in this atmospheric chamber opera--The governess' nervous anticipation before meeting the children, her excitement upon meeting them, her numbing fear that all is not right at the manor house Bly. The boisterous group recitation of Miles' Latin lessons transforms into the boy's solo lament "Malo."
Britten's melodies all over this opera are as catchy as pop song hooks. It is the best contribution England has made to a largely Italian art form. Its tension, horror, and otherworldliness are strangely addictive. The way Britten uses strings to mimic a horse-drawn carriage or piano to darken Mozart under Miles' fingers is brilliant. This is a brooding masterpiece that rewards muliple listening.
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The Best of Andreas Scholl
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HKDCJ4 Release Date: 2006-11-20 |
Tracks:
- Ombra Mai Fu
- Che Faro Senza Euridce?
- Ad Te Clamamus
- Dove Sei, Amato Bene?
- Stabat Mater
- Cum Dederit Dilectis Suis Somnum
- Lidia, Il Sonno Sai Cos'e?
- Cara Sposa
- Blow The Wind Southerly
- The Salley Gardens
- Ar Ri Rang
- How Sweet The Moonlight
- In Darkness Let Me Dwell
- Amarilli Mia Bella
- La Pieta Che Ancor Non Trova
- Va Per Le Vene Il Sangue
- Aure, Deh, Per Pieta
- Al Lampo Dell'armi
Customer Reviews:
marvelous countertenor voice.......2006-12-10
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Richard Dyer-Bennet 1
Richard Dyer-Bennet Manufacturer: Smithsonian Folkways ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001DJO Release Date: 1997-10-21 |
Tracks:
- Oft In The Silly Night
- Molly Brannigan
- Down By The Sally Gardens
- The Bold Fenian Men
- Three Fishers
- The Bonnie Earl Of Morey
- Fine Flowers In The Valley
- The Vicar Of Bray
- So We'll Go No More A Roving
- Phyllis And Her Mother
- The Joys Of Love
- I'm A Poor Boy
- Pull Off Your Old Coat
- Down In The Valley
- Pedro
- The Lonesome Valley
Album Description
Richard Dyer-Bennet was a major figure in the folk music revival of the 1950's and 1960's. He founded his own record company in 1955 in order to produce recordings without making compromises in sound quality, repertory, and style. This is a reissue of the first album of Dyer-Bennet Records, all of which are now available through Smithsonian Folkways Recordings. Booklet includes new notes by Bonnie Dyer-Bennet, Conrad L. Osbourne, and Anthony Seeger, and a complete catalogue listing of Dyer-Bennet Records. This is a masterpiece. -The Record ChangerCustomer Reviews:
A Remembrance of a Gentle Genius.......2001-02-11
My all-time favorite album.......1999-07-01
Wonderful performances by a compelling artist.......1999-04-23
Bennet was always a great interpreter of a text, and displays a meticulous yet un-contrived diction that allows the listener to unreservedly appreciate it- rare for an essential "classical' singer in this genre.
My oldest recollections of hearing him are from the Midnight Special program in Chicago when I was a child and my father was a young Opera singer. My dad, who had relatively catholic musical tastes, was a great admirer of both Richard Dyer-Bennet's musicality and vocal refinement. I regret that I never had the opportunity to hear him in live performance. I am thrilled that these beautifully recorded performances are finally available on CD and eagerly await the other discs in the series. Anyone who appreciates fine singing owes it to themselves to buy this CD.
Absolutely exquisite........1998-10-26
A superb folksinger's best work finally available again.......1998-07-03
Dyer-Bennet's voice is unsuual - he was a counter-tenor through most of his career, only deepening his voice to a tenor during the mid-70's. This might take a bit of getting used to. But his collection of songs is fascinating, and his presentation exciting and enlightening. I believe Dyer-Bennet #1 is largely English and Irish songs.
Smithsonian recently acquired the rights to all 13 Dyer-Bennet albums, and they form an awesome library of folk music pre-dating the "folk craze" of the 1960's. I am eagerly awaiting the release of the other 12 albums.
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Rolling Fork Revisited
Johnny Dyer Manufacturer: Mountain Top Prod ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0004Z32VK Release Date: 2004-10-26 |
Tracks:
- Oh Yeah
- Young Fashioned Ways
- Can't Get No Grinding (What's the Matter Mill)
- Country Boy
- Gone to Main Street
- Don't Go No Further
- Sugar Sweet
- Don't Know Why
- Forty Days and Forty Nights
- My Dog Can't Bark
- Layaway Plan
- Stuff You Got to Watch
- Got to Find My Baby
- Clouds in My Heart
- Trouble No More
- Evan's Shuffle
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Kern & Hammerstein II: Show Boat - Frederica von Stade, Teresa Stratas, Jerry Hadley, Bruce Hubbard, John McGlinn, London Sinfonietta & Ambrosian Chorus
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I2ISLS Release Date: 2006-10-03 |
Tracks:
- Show Boat/Overture
- Show Boat/Act 1. Scene 1. Cotton Blossom
- Show Boat/Act 1. Scene 1. Andy!!! Drat That Man, He's Never Around!
- Show Boat/Act 1. Scene 1. Cap'n Andy's Ballyhoo
- Show Boat/Act 1. Scene 1. Hey Julie! That's a Hell of a Thing to Do
- Show Boat/Act 1. Scene 1. It's a Man...
- Show Boat/Act 1. Scene 1. Where's the Mate for Me?
- Show Boat/Act 1. Scene 1. Make Believe
- Show Boat/Act 1. Scene 1. Ol' Man River/Oh, Joe! Did You See That ...
- Show Boat/Act 1. Scene 2. Can't Help Lovin' Dat Man/What Cher ...
- Show Boat/Act 1. Scene 3. Life on the Wicked Stage
- Show Boat/Act 1. Scene 3. Till Good Luck Comes My Way
- Show Boat/Act 1. Scene 4. Mis'ry's Comin' Aroun'
- Show Boat/Act 1. Scene 4. Take Her Up, Rubberface!
- Show Boat/Act 1. Scene 4. Hello, Windy
- Show Boat/Act 1. Scene 4. You Needn't All Look at Us Like We Were ...
- Show Boat/Act 1. Scene 4. Looks Like a Swell
Tracks:
- Show Boat/Act 1. Scene 5. I Would Like to Play a Lover's Part
- Show Boat/Act 1. Scene 5. I Might Fall Back on You
- Show Boat/Act 1. Scene 5. Queenie's Ballyhoo/Is de Theatre Fillin' Up,
- Show Boat/Act 1. Scene 6. Villain Dance
- Show Boat/Act 1. Scene 7. You Are Love/That You, Nola?
- Show Boat/Act 1. Finale. Oh Tell Me, Did You Ever!
- Show Boat/Act 2. Scene 1. At the Fair
- Show Boat/Act 2. Scene 1. Why Do I Love You?
- Show Boat/Act 2. Scene 1. In Dahomey
- Show Boat/Act 2. Scene 3. Convent Scene/Alma Redemptoris Mater
- Show Boat/Act 2. Scene 4. All Right, Jake - Call 'em at Twelve
- Show Boat/Act 2. Scene 4. Bill
- Show Boat/Act 2. Scene 4. Magnolia's Audition/Can't Help Lovin' ...
- Show Boat/Act 2. Scene 4. Whaddaya Say, Boss?
- Show Boat/Act 2. Scene 6. Trocadero Opening Chorus
- Show Boat/Act 2. Scene 6. Apache Dance
- Show Boat/Act 2. Scene 6. Goodbye, My Lady Love
- Show Boat/Act 2. Scene 6. After the Ball/Ladies and Gentlemen - I ...
- Show Boat/Act 2. Scene 7. Ol' Man River (Reprise)
- Show Boat/Act 2. Scene 7. Hey, Feller!
- Show Boat/Act 2. Scene 8. You Are Love (Reprise)/That You, Nola?
Tracks:
- Show Boat/Act 2. Scene 9. Cotton Blossom (Reprise)
- Show Boat/Act 2. Scene 9. It's Getting Hotter in the North
- Show Boat/Act 2. Scene 9. Say, Cap'n Andy, Sorry We Couldn't Stay
- Show Boat/Act 2. Scene 9. Finale/Hello, Gay. She'll Probably Come ...
- Show Boat/Appendix. Pantry Scene (Act 1. Scene 2; Deleted - 1927) What
- Show Boat/Appendix. Waterfront Saloon Scene (Act 1. Scene 3; Deleted -
- Show Boat/Appendix. Yes Ma'am (Act 1. Scene 3; Unused - 1927) Bet Your
- Show Boat/Appendix. Kim's Imitations (Why Do I Love You?) (Act 2. ...)
- Show Boat/Appendix. Dance Away the Night (Act 2. Scene 9; London - ...)
- Show Boat/Appendix. A Pack of Cards (Act 1. Scene 6; Unused - 1927)
- Show Boat/Appendix. The Creole Love Song (Act 1. Scene 7; Unused - ...)
- Show Boat/Appendix. Out There in an Orchard (Act 2. Scene 4; ...)
- Show Boat/Appendix. Gallavantin' Aroun' (Universal Film - 1936)
- Show Boat/Appendix. I Have the Room Above Her (Universal Film - ...)
- Show Boat/Appendix. Ah Still Suits Me (Universal Film - 1936)/Joe! ...
- Show Boat/Appendix. Nobody Else But Me (Act 2. Scene 9 - 1946 Revival)
Customer Reviews:
Yup, it's great.......2007-05-06
One other thing that struck me was the original spoken dialogue that contains quite a few references that are NOT AT ALL "politically correct" in today's social environment. I wonder how controversial it was when EMI was putting this production together; did they consider making changes to the original dialogue? Maybe it's like Mark Twain's Huck Finn and Tom Sawyer: a classic's a classic. Still, I doubt many school music programs are using this recording as a reference demonstration of American musical theater!
The historic set reissued at a "popular" price.......2006-10-30
Surprisingly, the original 1927 version had never been recorded complete. Those in search of the entire score were forced to assemble it themselves from a number of available recordings.
The record labels were not making full original cast albums in 1927, although a few of the original stars made singles of their hit songs. Brunswick issued an album of highlights from the 1932 revival but only 3 of the six selections were by members of the Broadway cast.
Columbia's album of the 1946 revival was closer, but limited to five 12-inch 78 it covered only nine songs and the new Overture created for the revival.
Columbia re-recorded essentially the same program for a studio cast disc headed by Barbara Cook and John Raitt.
Cook starred in the 1966 Lincoln revival, recorded by RCA Victor but again it is a fairly truncated album covering little more than the key hit songs.
It seemed strange no one tried a 2- LP set, but when the show was revived in London in 1972 the cast album for that production was issued as a single LP in England and a special 2 LP set in the U.S. Still, it did not contain the entire score.
Dozens of other SHOW BOAT discs had been issued over the years, but none of them included the complete score with the original orchestrations.
That is what made EMI's set so historic. John McGlinn conducts the most authentic reading of the score ever laid down. Two very full Cd's cover the opening night score (and quite a bit of dialogue.) A third CD includes cut songs, alternate versions and new songs added to later productions. All of this was accompanied by a very thick booklet (134 pages!) that contained essays on the reconstruction, a detailed synopsis, all the lyrics and text as included on the recording and dozens of photographs.
The album was a huge, expensive gamble that paid off handsomely: The recording went to #1 on the Billboard Classical charts, was a steady best-seller for years and then just as interest was starting to wane, a new stage production premiered to rave reviews in Toronto and then moved to Broadway where it won the Tony as Best Revival of 1995 (it was, after all, the season's best musical) and enjoyed a long run.
Now, EMI has reissued this recording at a budget price. No, you don't get the same detailed booklet but you do get the wonderful performances by Jerry Hadley, Frederica Von Stade, Teresa Stratas, Bruce Hubbard, Karla Burns, Dave Garrison, and Paige O'Hara. If I have any quibbles with this set - and I am not completely sure it even qualifies as a quibble - it is the somewhat mannered readings of some of the dialogue. On the other hand, SHOW BOAT is about a theatrical family so there's no reason why they would not play broadly when off stage as well.
In the end, it's the music that matters here and the fine performances supplemented by McGlinn's bright conducting make this an essential disc for any theatre fan's collection.
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With Young People in Mind
Richard Dyer-Bennet Manufacturer: Smithsonian Folkways ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003TFRL Release Date: 2000-01-25 |
Tracks:
- Come All Ye
- Old Bangum
- Three Jolly Rogues Of Lynn
- Aunt Rhody
- Frog Went A-Courtin'
- John Peel
- The Leprechaun
- The Piper Dundee
- Bow Down
- The Tailor And The Mouse
- I Went Out One Morning In May
- Green Corn
- Buckeye Jim
- Little Pigs
- Three Craw
- The Hole In The Bottom Of The Sea
Amazon.com
Favored cult folkie William Dyer-Bennet stood at the forefront of the folk revivals of both the 1940s and '70s, drawing from an astounding repertoire of traditional materials from his native England, the British Isles, and America. Highly mannered though never contrived, Dyer-Bennet stands apart with his precise, high pure tenor and classical guitar accompaniment. Drawing inevitable comparisons (as a more serious, though like-minded, archivist) to Tiny Tim, Dyer-Bennet is far more in the vein of sometime collaborator Burl Ives. The 16 ballads that make up With Young People in Mind showcase Dyer-Bennet's fine minstrelsy in fantastical story songs, each like a musical fairy tale. High points include classics like "Frog Went A-Courtin'," "The Tailor and the Mouse," and the beautifully rendered "Bow Down." --Paige La GroneAlbum Description
Richard Dyer-Bennet, world-renowned troubadour, performs sixteen songs that have captivated children and their parents for centuries. With origins in England and the United States, some resemble fairy tales, while others sound more like adventure stories, and still others seem just for fun. Dyer-Bennet's high tenor voice, clear diction, and masterful guitar accompaniment create a variety of mods and rhythms through which children can explore these fantasies. Originally released in 1958 on Dyer-Bennet Records Volume 6. Original notes and song texts included; 18 page booklet. 35 minutes. "Probably we have no greater balladeer in America than Richard Dyer-Bennet.... No musically inclined family can afford to miss it." Emma Dickson Sheehy, Parents Magazine
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Dyer-Bennet, Vol. 5
Richard Dyer-Bennet Manufacturer: Smithsonian Folkways ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LN4Y Release Date: 2001-07-24 |
Tracks:
- Greensleeves
- The Golden Vanity
- The White Lily
- Lord Rendal
- Westryn Wynde
- Barbara Allen
- Venezuela
- The Quaker Lover
- John Henry
- Spanish Is The Loving Tongue
- I Ride An Old Paint
- Edward
Album Description
Richard Dyer-Bennet was a major figure in the folk music revival of the 1950s and 1960s. He founded his own label in 1955 in order to avoid making the compromises in sound quality, repertory, and style often dictated by large recording companies. This reissue of the fifth Dyer-Bennet Records release includes folksongs and ballads such as "Greensleeves" and "Barbara Allen" from the 16th-century British Isles and classic American ballads and songs like "John Henry" and "I Ride and Old Paint." All are performed in the singular character and style of this highly cultivated intepreter of folksong. 20-page booklet, includes lyrics, 38 minutes.Customer Reviews:
An Folk Music Listening Experience Unsurpassed!.......2003-07-27
Why do anything when you can forget everything?.......2002-12-05
A friend of mine had dug up Dyer-Bennet's version of "Greensleeves" on vinyl at a flea market years ago but unfortunately we lost touch and I'd been looking for it for years when I stumbled across this disc. It is still my favorite version of the venerable old tune. The best tune here however would be "Lord Rendall" which wouldn't be out of place on a Geto Boys cd, with the poisoned narrator shouting to his mother about needing a rope to hang his treacherous lover in hell.
On the down side is yet another version of "John Henry", and Dyer-B's etheral voice is NOT suited for blues songs. However his take of "Westeryn Wind" rivals Alfred Deller's perhaps definitive version of this.
So what am I trying to say? If you enjoy haunting folk music this is your bag. Sure they could have been more generous with the material but there are fine liner notes and lyrics provided and sadly you'll probably find this dead cheap somewheres...
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Dyer-Bennet, Vol. 2
Richard Dyer-Bennet Manufacturer: Smithsonian Folkways ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LN4X Release Date: 2001-07-24 |
Tracks:
- When Cockleshells Turn Silverbells
- Corn Rigs Are Bonnie
- The Garden Where The Praties Grow
- The Bailiff's Daughter Of Islington
- Two Maidens Went Milking
- Who Killed Cock Robin?
- Veillee De Noel
- Jan Hinnerk
- Woman! Go Home!
- Blow The Candles Out
- Eggs And Marrowbone
- The Beggar Man
- The Turkish Revery
Album Description
Richard Dyer-Bennet (1913-1991) played a key role in the folk music revival of the 1950's and 1960's. He founded his own record label in 1955 in order to maintain artistic control over the sound quality, repertory, and style of his performances. His meticulously cultivated vocal style, high tenor range, and studied delivery of poetic text attracted adoring audiences across North America and Europe. This reissue of the second album released on the Dyer-Bennet label in 1956 presents Richard Dyer-Bennet's interpretive minstrelsy rendered in his signature impeccable style and subtle guitar accompaniment. 20-page booklet, includes lyrics, 34 minutes.International Music:
- Britain [Import]
- Buena Vista Social Club Presents Ibrahim Ferrer
- Centrafrique: Xylophones de l'Ouham-Pendé / Central Africa: Xylophones from the Ouham-Pendé
- Changer [Import]
- Chansons & Violons
- Chant and be Happy! [Import]
- Chat Botte [Import]
- Collection [Import]
- Collection [Import]
- Collection [Import]