Late Flowering Love [Import]

1. Narcissus

2. The Olympic Girl

3. Invasion Exercise On The

4. The Licorice Fields At Po

5. A Russel Flint

6. Station Syren

7. Myfanwy And Myfanwy At Th

8. In The Public Gardens

9. Eunice

10. Senex

11. Late-Flowering Lust

12. Sun And Fun

Tracks:

Act I: Overture
Act I: Another Op'nin', Another Show
Act I: Why Can't You Behave?
Act I: Wunderbar
Act I: So In Love
Act I: We Open In Venice
Act I: Tom, Dick Or Harry
Act I: I've Come To Wive It Wealthily In Padua
Act I: I Hate Men
Act I: Were Thine That Special Face
Act II: Too Darn Hot
Act II: Where Is The Life That Late I Led?
Act II: Always True To You (In My Fashion)
Act II: Bianca
Act II: So In Love (Reprise)
Act II: Brush Up Your Shakespeare
Act II: I Am Ashamed That Women Are So Simple
Act II: Finale: Kiss Me, Kate
Kiss Me, Kate Overture

Amazon.com

Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli

Customer Reviews:

The best and maybe the last CD of this great musical........2006-02-20

Now is the perfect time to buy the CD of this.

Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.

The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.

(See also the original broadway CD of Out of This World.)

Beautiful remastering of historic original cast recording.......2004-05-24

Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.

The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.

The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.

The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.

KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.

the peerless original cast.......2004-03-04

KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".

Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.

KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.

A must-own.

Who Put The Shake In Shakespeare?.......2001-04-11

Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!

The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!

The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.

Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!

The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!

There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.

Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!

TIMELESS BROADWAY SHOW.......2001-01-11

COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.

Average customer rating:

"The Summer Smiles, The Summer Knows"
Magnificent Monica!
She's chocolate and creme!
Astonishing
Monica's Latest is the best yet

Cinema Paradiso
Monica Mancini
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Cinema Paradiso: Original Soundtrack Recording (1988 Film)
Nightcap

ASIN: B00006LSQE
Release Date: 2002-11-05

Tracks:

Cinema Paradiso (from Cinema Paradiso)
A Day In The Life of a Fool (from Black Orpheus)
A Love Before Time (from Croutching Tiger, Hidden Dragon)
Senza Fine (from Ghost Ship)
I'll Never Say Goodbye (from The Promise)
The Shadow of Your Smile (from The Sandpiper)
Alfie (from Alfie)
Soldier in the Rain (from Soldier in the Rain)
Too Late Now (from Royal Wedding)
The Summer Knows (from The Summer of '42)
Baby Mine (from Dumbo)
Somewhere Over The Rainbow (from The Wizard of Oz)

Album Description

Featuring the title track from the Warner Bros. Motion picture 'Ghost Ship.' The love theme from the film Cinema Paradiso has been given an English lyric for the first time and makes its debut on this recording. Until now the composer Ennio Morricone has never accepted an English lyric for Cinema Paradiso. Concord Records. 2002.

Customer Reviews:

"The Summer Smiles, The Summer Knows".......2006-01-07

"When Monica Mancini set out to record this retrospective of songs from films, she clearly had her passions in order. Monica comes by her affinity for the medium honestly, having grown up in a house permeated with some of the best film music in history, from the pen of her incredibly prolific father, Henry. So it is no surprise that this collection has all the artistry, pathos, and musicality that it so deserves." ~ Dave Grusin, Liner Notes - 2002 ~

Dave Grusin, an expert arranger, conductor, pianist, film scorer himself has described this album so perfectly. The choice of material in this CD is impeccable with Monica Mancini's graceful interpretations and not to mention the flawlessly beautiful arrangements by Torrie Zito, John Calandrelli, Michael Lang, Patrick Williams, George Doering, Ray Ellis, Harvey Cohen and John Frizzell. There are twelve theme songs from various remarkable films in this recording and most of the tracks were backed up by an orchestra with the exception of a few.

The theme song from the movie "Summer of '42" penned by the creative husband-and-wife-team of Alan & Marilyn Bergman and composer Michel Legrand "The Summer Knows" is one of my top choices from this collection. Splendidly arranged by Michael Lang and Harvey Cohen on string section, she renders this timeless song so true to its essence and making it the most beautiful version, bar none!

Burt Bacharach and Hal David's "Alfie" (from the movie of the same title), is a moving song accompanied only by the sublime piano playing of Michael Lang. She has an exquisitely beautiful voice, the kind that still shines without the trimmings and backing up of an orchestra, (the kind that still glows even on A Cappella singing). Another affecting song and a favorite of mine is "Too Late Now," a Burton Lane and Alan Jay Lerner treasure and theme from the movie "Royal Wedding." The orchestral arrangement was done by Torrie Zito, a fine pianist/arranger/conductor who worked briefly with the legendary musical icon, Frank Sinatra. I loved the way he injected a classical touch on his arrangement, almost sounding like one of Claude Debussy's masterpieces. I would say that this is one of the best tracks. Ditto with another Torrie Zito arrangement, Johnny Mandel and Paul Webster's "The Shadow of Your Smile" from the movie "The Sandpiper." Ms. Mancini gave these classics the retire-the-trophy-treatments and made them her very own.

The lovely opener, Ennio Morricone and Gregg Field's "Cinema Paradiso," arranged by Jorge Calandrelli, is also one of the standouts. Another beauty is "I'll Never Say Goodbye" from the movie "The Promise" with piano accompaniment by Michael Lang. The finale "Over The Rainbow" from "The Wizard of Oz" is simply divine with orchestral arrangement by Ray Ellis.

This recording produced by Ms. Mancini's musician husband, Gregg Field, truly showed off not only the singer's vocal artistry, but her classy and elegant style of singing. Thank you Ms. Mancini for your wonderful gift of music. Music to enjoy forever!

Magnificent Monica!.......2004-06-28

My favorite song of all time is "The Shadow of Your Smile" from the movie "The Sandpiper". Until now, the 2 best versions of it were by Barbra Streisand and Tony Bennett. By FAR, this is THE best version of that song. Pure, without "vocal gymnastics", screaming, yelping or other artificial "stylings".. here it is sung as it was written, perfectly performed with beautiful orchestration. The rest of the album is no less miraculous. It is stunning. "A Day in the Life of a Fool", "Cinema Paradiso" and the haunting and tender "Theme from Crouching Tiger, Hidden Dragon" are just as lavish and well-crafted. Okay Monica, now could you release one album a year instead of one album every 3 years? Pleeeeassee??

She's chocolate and creme!.......2004-01-29

Seeing Monica Mancini on stage singing the theme from Crouching Tiger Hidden Dragon, hearing Gregg Field's drums, seeing the multi-media film clip behind her... is like having chocolate and creme!

Monica does not belt you to death, she does not yell at you, she does not punch notes into your being... she soothes you to her, lures you, with a voice that has been hidden for years.

Her voice is perfect in pitch, tone, and her ability to hit every single note as if she were born to sing. Clearly having inherited talent from her mom Ginny and her dad Henry.

On this cd I love the way she embraces other composers songs..."Baby Mine" just one of them. I about melted when she sang that song.

She has a great sense of humor on stage, is spontaneous, and is herself.

She has a great secure personality and stage persona and she has the family roots to give you a chill in your bones when she shares them with you in stories and song.

Hearing her sing live is like being home!

Astonishing.......2003-09-04

I sample A LOT of jazz vocalists (for some reason most contemporary jazz vocalists seem to be female) but initially dismissed Monica Mancici because she's the child of a famous father. Henry was very classy and as accomplished as musicians get, and such qualities rarely get passed down the line. What a mistake. I only heard her Mercer album because it was -- thankfully -- being played in a store I was visiting. I bought it, loved it, and was primed for this collection. A solid Five Stars. There's new stuff here (for me) and old songs done splendidly. Over The Rainbow, aside from its original iconic take by "Judy," has been covered hundreds of times. And Monica's take? Quite simply as good as any. With this release I've recognized what I love about Monica's voice: Aside from being simply perfect technically, her voice glows like a crackling fireplace! I mourned the recent passing of Rosemary Clooney, and now feel that there's a relatively new vocalist who I can follow for many years. Live or recorded, I'll be there ...

Monica's Latest is the best yet.......2003-06-04

Sorry, but I don't worry about the nuts and bolts of every particular detail of an album. I play what I enjoy and Monica's albums bring me that enjoyment. Cinema Paradiso has rarely left my CD Player. I'm only sorry she appears not to have a web page. Where someone like Michael Jackson or Dixie Chicks are all over the Internet, virtually no information is available concerning Monica Mancini. It's impossible to find a concert schedule. I hope she produces another album soon, I've worn out her others.

Michael Feinstein with the Israel Philharmonic Orchestra

Average customer rating:

Musical Wit in an Orchestral Setting
A Cabaret Singer Grows Up
This cd is about average, it could have been better
Fabulously Fantastic!
Michael has done it again

Michael Feinstein with the Israel Philharmonic Orchestra
Michael Feinstein , and Israel Philharmonic Orchestra
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005Q6LL
Release Date: 2002-05-07

Tracks:

The Folks Who Live On The Hill
The Best Is Yet To Come
Guess I'll Hang My Tears Out to Dry
By Myself
Spring Will Be A Little Late This Year
Stormy Weather
Laura
On A Clear Day (You Can See Forever)
Love Is Here To Stay
How Deep is The Ocean?
Somewhere
I Won't Send Roses

Amazon.com

If there's a precious tone to Michael Feinstein's interpretations of the American songbook, it probably stems from a fervent dedication to preserving the original context of his material. This is, after all, a musician who spent many of his formative years in personal service to the late Ira Gershwin. This collection further underscores that commitment, with the lush sound of the Israel Philharmonic Orchestra (augmented by the piano trio of Alan Broadbent, who also provides all but one of the arrangements here) adding considerable dramatic resonance to Feinstein's performances.

While singers from Sinatra and Streisand to Fitzgerald and Bennett have imbued many of these songs with considerable dollops of jazz, blues, and their own strong personas, Feinstein mines melancholy jewels like "Spring Will Be a Little Late This Year," "How Deep Is the Ocean," and "By Myself" for all their introspective emotion. "Somewhere" pays tribute to Bernstein with glorious, unabashed melodrama, while "Laura" (one of the most recorded songs of all time) gets recast in something approaching its original intent via an arrangement written for this recording by composer David Raksin. Feinstein himself penned the album's notes, paying careful tribute to each composer represented and noting that all were Jews, yet their music came to represent a richly American spectrum that included black and white and encompassed jazz, the theater, and even classics in its scope. There's a lesson herein, and one that spans more than mere history and musical archaeology. --Jerry McCulley

Customer Reviews:

Musical Wit in an Orchestral Setting.......2004-01-04

The one problem a record collector encounters when he has an album too many of one artist, is the tendency of the artist to sing the same songs in succeeding albums/settings. Feinstein, who I consider as the leading proponent in reviving the American Popular Song standards to its unfettered glory is backed by a philharmonic orchestra in this album with the musical direction of conductor Alan Broadbent. And yes, he sang some songs that were sung in sparse and acoustic settings in his previous albums. As usual, just like any cabaret singer who never really sings the same song twice (listen to the grand old dames of cabaret like Julie Wilson and Mabel Mercer), Feinstein delights in the varied ways he can see a song in different contexts. Having said that, I thought he was a bit overly cautious in exploring his rich bari-tenor (sorry for this oxymoron but that is the word to apply to his voice) in soaring the vocal lines of Kern's The Folks Who Live on the Hill. Other than that, he was at his wittiest and conversational (not to mention just plain beautiful) voice when singing I Won't Send Roses and he can revisit the Bernstein/Sondheim Somewhere without evoking the famous version of uber diva Barbra Streisand. If you like good crooning vocals in a grand and orchestral setting, this is the album to listen or give as a gift -- you/they won't regret it.

A Cabaret Singer Grows Up.......2003-03-14

"Extraordinary how potent cheap music is." -Noel Coward

Like Coward, Mr. Feinstein seems to understand the power of popular, romantic song when flung into the void of an apparently cold universe by an all too human, understated voice...I first heard Michael Feinstein sing and play the piano umpteen years ago in the mad, bad '80s. At that time, I found his choice of material from the great 20th Century American composers refreshing & interesting, his skills as a pianist were good, and his diction to be above average. Yet his voice at that time was a bit weak--there was too much bravura nonsense, too much vibrato and he may have been too young for some of the songs that he sang at the time.

Well, we've both matured, (I hope), and Mr. Feinstein has delivered a remarkably smooth, yet heartfelt performance on this album. I'm particularly impressed by his vocal smoothness and emotional restraint, especially on "Love is Here to Stay", "How Deep Is the Ocean", "Spring Will Be A Little Late This Year" & "I Won't Send Roses". Mr. Feinstein appears to really understand the depth of feeling that these words and music evoke in him and us. The vibrato is there when needed, but the ripeness of a mature singer is beginning to be heard on his recordings and the Israeli Philharmonic simply gives his singing wings. The only song that doesn't seem to fit is "Stormy Weather"--I kept hearing Lena Horne in my mind's ear, rather than a polished cabaret singer. I hope that Feinstein continues to grow in vocal power and subtlety as he does here. A lovely album for sophisticated romantics.

This cd is about average, it could have been better.......2002-08-18

First I would like to say i'm a Michael fan. I own all his catalog. Even though i'm a fan there are some things about this cd that I find in bad taste. Please let me explain!

I know it is hard to always be creative. There are just so many ideas to go around and then you have to start duplicating others. This is known as copying what others have done.

For this cd I felt like some of the arrangements were too long. For example, Laura as it was performed hear is a six minute song. It really should have been done in two minutes. I'm an engineer and I edited this version of Laura to run two minutes and it is just perfect. Sometimes less is really more. Also, I felt that some of the other songs didn't really have top notch arrangements attached to them. If the arrangements would have been better I whould have had no choice but to bring out the 5 star rating for this project.

To talk a little bit about the voice of Michael is my pleasure. His voice seems to be getting better with age. I have always liked Michael's voice and will continue to do so.

I will give this cd a favorable recommendation!

Fabulously Fantastic!.......2002-07-21

Feinstein has outdone himself with this collection!! He is in fine fettle with songs that only He can do justice! His interpretations and stylings are beyond compare and trust you will not be disappointed with this recording!! Feinstein is simply fabulously fantastic!

Michael has done it again.......2002-07-12

S'Wonderful, S'Marvelous.

If there is one thing you can say about Michael Feinstein it's that he knows how to put over a song. His new cd is absolutely magnificent, these are the only words to describe it.

Tracks:

My Defences Are Down - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Girl That I Marry [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
They Say It's Wonderful [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
Anything You Can Do [From Annie, Get Your Gun] - Adolph Deutsch, Betty Hutton, Howard Keel, MGM Studio Orchestra
Pagan Love Song [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
House of the Singing Bamboo [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Tahiti [From Pagan Love Song] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Make Believe [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
You Are Love [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Why Do I Love You? [From Show Boat] - Adolph Deutsch, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Young Folks Should Get Married [From Texas Carnival] - Howard Keel, MGM Studio Orchestra,
Lovely to Look At [From Lovely to Look At] - Carmen Dragon, Howard Keel, MGM Studio Orchestra
You're Devastating [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Touch of Your Hand [From Lovely to Look At] - Carmen Dragon, Kathryn Grayson, Howard Keel, MGM Studio Orchestra
Higher Than a Hawk [From Calamity Jane] - Ray Heindorf, Howard Keel,
I Can Do Without You [From Calamity Jane] - Doris Day, Ray Heindorf, Howard Keel,
So in Love [From Kiss Me, Kate] - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
Were Thine That Special Face [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Wunderbar - Kathryn Grayson, Howard Keel, MGM Studio Orchestra, Andrrevin,
I've Come to Wive It Wealthily in Padua [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Where Is the Life That Late I Led? [From Kiss Me, Kate] - Howard Keel, MGM Studio Orchestra, Andrrevin,
Right Place for a Girl [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
Rose Marie [From Rose Marie] - Howard Keel, MGM Studio Orchestra, Georgie Stoll's Trio
Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
Sobbin' Women [From Seven Brides for Seven Brothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra
When You're in Love [From Seven Brides for Seven Bothers] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra, Jane Powell
Your Land and My Land [From Deep in My Heart] - Adolph Deutsch, Howard Keel, MGM Studio Orchestra

Customer Reviews:

Bravos belong to beloved baritone Howard Keel.......2005-08-30

Travel back in time to an era when songs were created to enjoy like a rich desert that your mom would make. Howard Keel and his various duet partners have done just this! This CD has a wonderful selection from the great musicals of the 1950's and makes you smile....sigh....and seek to hear them again and again. I would encourage you to add this to your collection as I have. I've even shared it with many of my friends who have come back with the same remarks of great music from one of the great singers of our recent past.

Average customer rating:

Another great trip down the MFU memory lane
The best of the three Double CDs ORIGINAL soundtrack release

The Man From U.N.C.L.E., Vol. 2

Manufacturer: Film Score Monthly
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006SSQ7U
Release Date: 2005-01-04

Tracks:

First Season End Title
Vulcan Affair (Suite No. 2)
Iowa-Scuba Affair
Shark Affair
Deadly Games Affair (Suite No. 2)
Meet Mr. Solo
Giuoco Piano Affair
King of Knaves Affair: Suite No. 2
First Season Main Title [Revised]
Deadly Decoy Affair
Spy With My Face
Second Season Main Title
Alexander the Greater Affair
Ultimate Computer Affair
Very Important Zombie Affair
Dippy Blonde Affair
Seadly Goddess Afair
Moonglow Affair

Tracks:

One of Our Spies Is Missing
Third Season Main Title
Sort of Do-It-Youself Dreadful Affair
Galatea Affair
Pop Art Affair
Come With Me to the Casbah Affair
Off-Broadway Affair
Concrete Overcoat Affair
Napoleon's Tomb Affair
Alternate Fourth Season Main Title
Fourth Season (End Title)
Test Tube Killer Affair
Prince of Darkness Affair
Seven Wonders of the World Affair

Customer Reviews:

Another great trip down the MFU memory lane.......2005-10-19

Volume 2 (comprised of 2 CDs) is another first rate compilation of the series' original music and not to be missed by U.N.C.L.E. fans. The liner notes are wonderful and add a lot to ones appreciation of the music.

My only problem is that THE CDs ARE COPY PROTECTED! Considerable work is needed to get the music onto your iPod, if you really want the music in your mp3 collection. This is a major hassle and a surprise, since the first set in the series was not copy protected.

The best of the three Double CDs ORIGINAL soundtrack release.......2005-07-12

Many of us have always thought The Man From UNCLE had the best music for a TV series ever, and this three double CD release confirms this. Wow! I'd be just happy with one CD, but having SIX (three double CDs packages) is absolutely out of this world, I mean, a lifetime wait come true.

Indeed, this is an unbelievable collection of three double CDs packages with the complete series soundtrack, and I mean the complete music, not a tune is missing.

And this is the ORIGINAL Man From Uncle music. Let me stress the point: this is the four years ORIGINAL soundtrack with the original recordings as they were heard throughout the series, not a no-name orchestra doing personal versions of the stuff. The audio transfer is very, very good, the music from late episodes is even in stereo.

Each individual CD carries over 70 minutes of music. All in all there you have the four TV seasons main titles and all, absolutely all of TMFU unforgetable music.

This is not a chronological release, meaning, all CDs have a mix of music from all four TV seasons. Volume 1 is heavier on early TV seasons stuff, fans of Jerry Goldsmith will love it. Those of us who prefer what Gerald Fried and later Richard Shores did with TMFU music, then volume 2 is mandatory. If you are a fan, you can't miss any of these six CDs. However if buying all three double packages is too much for you, you must go with Volume 2, no questions asked. Volume three is the weakest of them as it brings "suites" and a whole CD with "The Girl From Uncle" soundtrack, but you have a bonus "Open Channel D" beeper.

Each package is gorgeous, each with a glossy color booklet with extensive liner notes with details on how each tune was written to a specific TV series episode and how it was used onwards. You have bios on the composers, on how the recordings were made, even an overview on how many instruments were available in each of the years the music was recorded.

So, throw away your Hugo Montenegro Man From Uncle CD, this is the REAL thing.

Average customer rating:

Beautiful melody but lacks variety

Being Julia
Various Artists
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
Similar Items:

Being Julia
The Queen
Ladies in Lavender
De-Lovely
Memoirs of a Geisha

ASIN: B00065U0NG
Release Date: 2004-11-16

Tracks:

Curtain Up
Real World - The Mills Brothers
Lift
Bei Mir Bist du Sch
Farewell My Love
Life Is Just a Bowl of Cherries
Never Seen Them Shine Like That Before
Birthday Presents
It Will Only End in Tears
They Didn't Believe Me
Charades
I Saw the Light On
Am I Late
Not That Sort of Girl
Take a Break
Yes, Yes - Alison Jiear
Avice Gets the Part
Reunion - The Andrews Sisters
Play for the Other Side
Mad About the Boy
Jimmy's Magic
Avice Takes a Bow
For Old Times' Sake
Laird O'Drumblair
Stage Is Set
Curtain Call
Smoke Gets in Your Eyes
Quite Alone

Amazon.com

Based on Somerset Maugham's middling novel Theater, Annette Bening stars as the title character, an aging star of the London stage whose life and the melodramas she performs have come to mirror each other. Composer Mychael Danna sets those conflicts to a score that emphasizes theatrical surfaces and rigid role-playing, utilizing a finely honed classical pastiche approach with parallels to his previous period-evoking work on Vanity Fair. His cues here are rooted in the light romantic chamber music of the 19th century, though they frequently bristle with a more contemporary energy and aplomb. Offering counterpoint to Danna's dignified, oft-precious classical confections and mining the story's more sensual human dimensions are pop chestnuts from the era (The Andrews Sisters' saucy "Bei Mir Bist Du Schon" and Mills Brothers' jaunty "Life Is Just a Bowl of Cherries"), as well as fine contemporary takes of "They Didn't Believe Me" and Noel Coward's "Mad About the Boy" by Denzel Sinclair and Alison Jicar's elegant read of "Smoke Gets in Your Eyes." --Jerry McCulley

Customer Reviews:

Beautiful melody but lacks variety.......2005-04-11

Being Julia OST has a beautiful main melody which occurs over and over again throughout the tracks. I especially like "Curtain Up" and "Quite Alone". However, Being Julia OST doesn't have other strong melody to show along side with the main melody which seems a little too simple for a complete album. The movie is great too. Annette Bening's performance is outstanding.

Average customer rating:

Great person

True Love
Bradlee
Manufacturer: Parliament Records
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Pop | Indie Music | Stores | Music
ASIN: B00004U9K0
Release Date: 2000-07-18

Tracks:

Time To Say Goodbye Con Te Partir
Can't Help Falling In Love
True Love
Love Me Tender
Now Or Never
The Impossible Dream
Moon River
Crazy
Misty
Some Enchanted Evening
A Time For Us Love Theme from Romeo & Juliet
Are You Lonesome Tonight
Yesterday
Solitaire

Customer Reviews:

Great person.......2002-02-16

I had the opportunity to meet Bradlee in Dallas, Texas. He is a wonderful gentlemen. His music is wonderful. You will enjoy him on the piano.

Truth About Love: Music & Poetry of Wh Auden

Average customer rating:

Truth About Love: Music & Poetry of Wh Auden
Britten , Auden , Stravinsky , Mozart , and Barber
Manufacturer: Capstone
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music
ASIN: B00006JJ3H
Release Date: 2002-09-24

Average customer rating:

Midnight Soul: Late Night Love
Various Artists
Manufacturer: The Right Stuff
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

Philly Soul | Soul | R&B | Styles | Music

Quiet Storm | R&B | Styles | Music

Soul | Compilations | R&B | Styles | Music
Similar Items:

Midnight Soul
The Greatest Slow Jams
Tha Down Low
Slow Motion
Slow Motion, Vol. 2

ASIN: B00070EBQC
Release Date: 2005-01-25

Tracks:

Sail On - The Commodores
Three Times A Lady - The Commodores
Just To Be Close To You - The Commodores
Reasons - Earth Wind & Fire
After the Love Has Gone - Earth Wind & Fire
Can't Hide Love - Earth Wind & Fire
Lady - The Whispers
Keep On Lovin' Me - The Whispers
I Want To Make You My Wife - The Whispers
LaLa Means I Love You - The Delfonics
Didn't I Blow Your Mind - The Delfonics
Over and Over - The Delfonics
Loving You - The O'Jays
Brandy - The O'Jays
Forever Mine - The O'Jays
Never Let You Down - Maze
Joy & Pain - Maze
When You Love Someone - Maze

Average customer rating:

Broadway Musicals of 1960

Manufacturer: Bayview
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Curtains (2007 Original Broadway Cast)
The Broadway Musicals of 1953
Company (2006 Broadway Revival Cast)
Broadway Musicals of 1926
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B0007N1A7M
Release Date: 2005-02-08

Tracks:

Hey Look Me Over [From Wildcat]
How to Handle a Woman [From Camelot] - Brent Barrett
One Boy [From Bye Bye Birdie] - Liz Larsen
Lusty Month of May/Before I Gaze at You Again [From Camelot] - Lisa Vroman
Summertime Love [From Greenwillow]
I Know About Love [From Do Re Mi] - Marc Kudisch
Little Old New York/Picture of Happiness [From Tenderloin] - Eddie Korbich, Liz Larsen
Our Language of Love - Lisa Vroman
Tall Hope [From Wildcat]
I Ain't Down Yet [From the Unsinkable Molly Brown] - Eddie Korbich, Marc Kudisch, Liz Larsen
Kids [From Bye Bye Birdie] - Tovah Feldshuh
Ism Vintage 60 [From Vintage 60] - Tovah Feldshuh
One Last Kiss [From the Musical "Bye Bye Birdie"] - Marc Kudisch
Fireworks [From Do Re Mi] - Brent Barrett, Lisa Vroman
You're a Liar [From Wildcat] - Marc Kudisch, Liz Larsen
Christine [From Christine]
Late, Late Show [From Do Re Mi] - Eddie Korbich
Make Someone Happy [From Do Re Mi] - Marc Kudisch, Lisa Vroman
Camelot [From Camelot] - Brent Barrett
Lot of Livin' to Do [From Bye Bye Birdie]

International Music:

International Music

International Music