Generations [Live]

1. Intro/Victory Song

2. Young Grey Horse Theme Song

3. Three Stooges

4. Round Hall Days

5. Jingle All the Way

6. Mrs.

7. Star School

8. Sharp and Bear Medicine Championship Honor Song

9. Tooky

Generations,Young Grey Horse Society,Canyon Records,Int'l & World Music,Native American,Pop,World Music

Average customer rating: The penultimate collection ... Muisic of the Spheres The Ulllllltimate Sci-Fi Music Collection SciFi Album gift Away From to be a Collectible Peace

The Science Fiction Album Various Artists Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Science Fiction Album, Vol. 1 Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 4: Defenders Of Justice Fantastic Journey Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side ASIN: B000066HE5 Release Date: 2005-02-08

Tracks:

1. 2001: A Space Odyssey
2. Aliens
3. Sound Effect - The Nostromo
4. Alien
5. A.I.
6. Armageddon
7. Sound Effect - Apollo 13 Lift-off
8. Apollo 13
9. Back To The Future
10. Battle Beyond The Stars
11. Battlestar Galactica
12. The Black Hole
13. Contact
14. Capricorn One
15. Close Encounters of the Third Kind
16. The Day The Earth Stood Still
17. Dune

Tracks:

1. Galaxy Quest
2. Sound Effect - Dogfight in Space
3. Enemy Mine
4. Ghostbusters
5. Gremlins
6. Heavy Metal
7. Independence Day
8. E.T.
9. Judge Dredd
10. The Last Starfighter
11. Lifeforce
12. Sound Effect - Crash Landing
13. Lost In Space
14. Mars Attacks
15. The Matrix
16. Predator
17. The Right Stuff

Tracks:

1. Moonraker
2. Robocop
3. Silent Running
4. Sound Effect - Alien Organism
5. Species
6. Stargate
7. Starship Troopers
8. Starman
9. Star Trek - TV Theme
10. Star Trek: The Motion Picture End Title
11. Klingon Attack
12. Sound Effect - Warp Drive
13. Star Trek II: The Wrath of Khan
14. Star Trek: Deep Space Nine
15. Star Trek: Generations
16. Star Trek IV: The Voyage Home

Tracks:

1. Star Trek VI: The Undiscovered Country
2. Sound Effect - Transporter Crew
3. Star Trek: Deep Space Nine - Main Theme
4. Star Trek First Contact
5. Star Wars
6. The Empire Strikes Back
7. The Empire Strikes Back
8. Return of the Jedi
9. Sound Effect - Battle Stations
10. Star Wars Episode 1: The Phantom Menace - The Flag Parade
11. Anakin's Theme
12. The Adventures of Jar Jar
13. Duel of the Fates
14. The Time Machine
15. Things to Come
16. The Thing From Another World
17. War of the Worlds
18. When Worlds Collide
19. Total Recall
20. You Only Live Twice
21. Superman

Customer Reviews:

The penultimate collection ..........2006-12-07

Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.

I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.

This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...

But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)

If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).

But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.

Muisic of the Spheres.......2006-11-06

You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.

The Ulllllltimate Sci-Fi Music Collection.......2005-10-23

If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.

The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.

Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.

Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).

Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.

Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.

And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.

I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).

I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).

I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).

If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.

SciFi Album gift.......2005-07-20

I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!

Away From to be a Collectible Peace.......2004-12-16

If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.

Average customer rating: Stern and Coleman in great form ! overall disapointment overall dissapointment a pleasant surprise

Four Generations of Miles: A Live Tribute to Miles Various Artists Manufacturer: Chesky Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music General | Compilations | Jazz | Styles | Music Tributes | Pop | Styles | Music General | Jazz | Indie Music | Stores | Music Similar Items: Chesky 2K: Sampler ASIN: B00006J3XK Release Date: 2002-09-24

Tracks:

1. There Is No Greater Love
2. All Blues
3. On Green Dolphin Street
4. Blue In Green
5. 81
6. Freddie Freeloader
7. My Funny Valentine
8. If I Were A Bell
9. Oleo

Amazon.com

Of the four musicians presented here, saxophonist George Coleman is the least represented on record with the great Miles Davis. But he's swinging here like he wants to play catch-up on this straight-ahead set recorded in a studio with an audience. The concept is as sound as the music, but don't expect any fusion-like explosions from guitarist Mike Stern, who joined Miles in the early '80s. The guitarist doesn't sacrifice the essence of his "dirty" sound; it's just that he's much more in the tradition than he ever was during his tenure with Miles. Stern and bassist Ron Carter do reach back into Miles's In a Silent Way prefusion era on a haunting version of "Blue in Green," circling and darting around the slow meter while Coleman rains down a Coltrane-like sheet of sound. Jimmy Cobb, one of the trumpeter's more subtle drummers, continuously makes sure his voice is heard throughout this nine-song set without ever getting in the way, just as he did with Miles in the late '50s and early '60s. This is really Coleman's record though, with Stern delivering some excellent solos, particularly on Carter's "81." This obviously heartfelt tribute finds the quartet completely on their game, and with Coleman's tasteful, underrated saxophone style leading the way. --Mark Ruffin

Customer Reviews:

Stern and Coleman in great form !.......2003-07-29

I don't accord with robert o'neill. Mike Stern & George Coleman are fantastic in this record ! A nice tribute.

overall disapointment.......2003-01-26

i bought this cd with great anticipation, but it was a major letdown. coleman is a monster, but in his effort to sound like miles'trumpet, he is out of tune and way outside the changes. stern offers gorgeous solos but the phaser/flanger that he employs on his telecaster sounds awful. his tone is terrible. jimmy cobb dissapears in the background and the bassist tries to hold this session together with some succcess. overall, this gig stunk, and the cd will gather some dust.

overall dissapointment.......2003-01-26

i bought this cd with alot of anticipation, but it is a serious letdown. the quartet sounds out of whack and the sax is hopelessly out of tune. coleman is a monster but in his effort to sound like a miles trumpet is hard to digest. the great jimmy cobb is lost in the background, and mike stern's tone(he plays his telecaster with a lousy phaser effect) absolutly stunk. i was shocked. stern has some good moments but the horrible flanger/phaser tone ruins his efforts. the bassist tries to hold this gig together with some success. this one will gather some dust.

a pleasant surprise.......2003-01-17

miles davis had a career that practically spanned the entirety of jazz in the 20th century, debuting in the bebop era (40s) and playing through his death in the 90s. along the way, he was a pioneer in developing the sound of jazz, setting the standard for cool jazz, then modalism, then launching fusion. the four players gathered here, george coleman (tenor), mike stern (guitar), ron carter (bass), and jimmy cobb (drums) were all part of major bands in davis' storied career, albeit save for stern, they were generally present in the 60s--cobb was on "kind of blue"; coleman was on "four and more-live at lincoln center"; carter was part of the great 60s quintet, and mike stern part of the later fusion bands.

the music here comes mostly from the "kind of blue" era, meaning fans of stern's fiery solos may be disappointed as he tones things down--he still plays beautifully, however. the star is george coleman, though. this underrated tenor player swings with abandon and completely captures the listener. coleman is always something of a surprise, leaving you wondering why no one has much noticed him over the years.

highlights are "green dolphin street" and the burning "oleo". this is an all-star session that cooks.

Average customer rating:

This City Shall Live Erisa Kopp Manufacturer: Erisa Kopp ProductGroup: Music Binding: Audio CD General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music ASIN: B000CA2LJ6 Release Date: 2004-09-21

Tracks:

1. This City Shall Live
2. Found You
3. Here I Wait
4. Light the Fire
5. We Invite You
6. Sweet Spirit
7. Find Your Rest
8. Run with the Vision
9. You Satisfy
10. Most High God

Average customer rating:

Prayers Manufacturer: Simplistic Records ProductGroup: Music Binding: Audio CD Gospel | Christian & Gospel | Styles | Music ASIN: B000CAK3KU Release Date: 2004-03-30

Average customer rating:

Generations Live at the Loft Manufacturer: Berger Platters ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music ASIN: B000CAADZU Release Date: 2003-05-27

Average customer rating:

Live At Barcelona: 3 Generations of Cuban Musicians ProductGroup: Music Binding: Audio CD ASIN: B00066D3R0

Average customer rating:

Live in South Africa - Generations to Come Manufacturer: IJAZZA Records ProductGroup: Music Binding: Audio CD ASIN: B000FCEOBE

Product Description

Born and raised in New York City, Rene McLean renowned Multi-reed Instrumentalist (Alto, Tenor, Soprano saxophonist, Flutes) began his musical training at the age of 9 under the tutelage and guidance of his father, world renowned alto saxophonist, Jackie McLean. As a young adolescent the young McLean was already performing with local R&B, Latin and neighborhood bands, making his major debut with his father's band in the mid-1960's while he was performing with other professional groups of varied musical traditions. Rene' continued his studies with the Jazz Arts Society, HARYOU ACT Cultural Program, the Clark Terry Youth Band, Jazz Mobile and later at the New York College of Music (N.Y.U.), and the University of Massachusetts. In addition, he studied privately with such Jazz luminaries as Sonny Rollins, Frank Foster, George Coleman, Kenny Durham, Jackie Byard, Barry Harris and Hubert laws. He has performed and recorded as a leader and featured sideman with the crème de la crème of Black Musical tradition such as : The big bands of Dizzy Gillespie, Lionel Hampton- All Stars, Tito Puente, Cesar Concepcion, Frank Fosters -Loud Minority, Sam Rivers- Studio Rivebea, Ray Charles Orchestra and the Cape Town Symphony Orchestra; to the quartet's ,quintet's and sextet's of : Horace Silver, Dr. Billy Taylor, Woody Shaw, Hugh Masekela, Miriam Makeba, Abby Lincoln, Little Jimmy Scott, Artur Prysoc, Doug and Jean Carn, Sibongile Khumalo, Jaco Patorius, Jerry Gonzales-Forte Apache to name a few, as well as in collaboration with premier poet-activists Amiri Baraka (Leroi Jones), Jayne Cortez/Fire Spitters and as Musical Director/Composer for the production of Ntozake Shange's play " for Colored Girls", choreographed and directed by George Faison and "Oedipus The King" directed by Jonathan Wilson and many, many others.

International Music:

1. Gullfakse: Norwegian Folk Music
2. Huecos [Import]
3. I Love the Soul of Spain
4. Ich Bin Da [Import]
5. Ich Weiss Was Dir Fehlt [Import]
6. Im Jahr Der Schweine [Import]
7. Instrumental [Import]
8. Irish Reflections [Import]
9. Jadir No Samba [Import]
10. Jaipongan Java

International Music

International Music