Roses & Sunshine

Track Listings

 
1. Roses Love Sunshine
2. There Is a Time
3. Down by the Greenwood Side
4. Tomorrow Is a Long Time
5. Sweet Surrender
6. Nickels and Dimes
7. All over the World
8. Love Is a Rose
9. Even Now
10. I Never Will Marry
11. Autumn Leaves

Roses & Sunshine,Nana Mouskouri,Polygram Records,Easy Listening,Pop,Pop Vocals,Popular Music,Vocal Pop
Greatest Hits
Average customer rating: 4 out of 5 stars
  • Okay, but please read!
  • Can't live without it!
  • Lost in mail
  • Guns And Roses - A Decent Compliation
  • A Tidy Geastest Hits
Greatest Hits
Guns N' Roses
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. O, Yeah! Ultimate Aerosmith Hits
  2. Greatest Hits
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  5. Back in Black (Deluxe Digipak)

ASIN: B0000TLA9G
Release Date: 2004-03-23

Tracks:

  1. Welcome To The Jungle
  2. Sweet Child O' Mine
  3. Patience
  4. Paradise City
  5. Knockin' On Heaven'S Door
  6. Civil War
  7. You Could Be Mine
  8. Don't Cry Original
  9. November Rain
  10. Live And Let Die
  11. Yesterdays
  12. Ain't It Fun
  13. Since I Don't Have You
  14. Sympathy For The Devil

Amazon.com

If time is the true test, then Guns N' Roses' Greatest Hits confirms that they really were one of the greatest rock & roll bands in the world. While, in retrospect, fellow graduates of the class of 1987 are about as cool as poodle perms and spandex, the L.A. bad boys still rock like gods. Listening to the sun-drenched chords of "Paradise City" and the ensuing stadium-sized swagger is enough to make wearing leather trousers and bandanas seem like a good idea. Of course, it helped that for them sex, drugs, and rock & roll was a way of life, not a fashion statement. As Axl Rose wails "I wanna watch you bleed" on "Welcome to the Jungle" like a chain-smoking lunatic possessed, it's hard not to believe he meant it. Yet equally, it was his surprisingly poetic nature that made genuinely touching love songs of "Patience" and "Sweet Child of Mine."

Though none of their subsequent albums matched the drug-crazed genius of Appetite for Destruction, they did, as the Greatest Hits reminds, have their moments. From the bloated Use Your Illusion I & II came ultimate rock ballads "Don't Cry" and "November Rain," along with the primal rage that was "You Could Be Mine." And while the covers of the The Spaghetti Incident? were largely forgettable, the fact that their final single was a seedy sneer through the Rolling Stones' "Sympathy for the Devil" seems spectacularly fitting. --Dan Gennoe

Album Description

It may surprise some to realize that Guns N' Roses released only four full-length original albums, and two of those debuted simultaneously. But they were enough to forever change rock `n' roll. Even more shocking is that one of the great bands in rock history, with its last studio album issued 10 years ago, has never had a "best of" compilation. Now it has. Welcome to the jungle with Greatest Hits (Geffen), released March 23, 2004. With 14 selections housed in a digipak, Greatest Hits features all eight of the band's Top 40 Billboard Hot 100 tracks (five of them RIAA-certified "gold," i.e., sales of more than 500,000 units). Along with spanning the group's five album releases, Greatest Hits also marks the debut on a Guns N' Roses album of the band's cover of the Rolling Stones' "Sympathy For The Devil" for the 1995 film Interview With The Vampire.

Customer Reviews:

3 out of 5 stars Okay, but please read!.......2007-06-17

I love GNR. They remain one of my favorite bands. They put so much feeling into their music and lyrics (even those that are about drugs and sex). This was the first GNR CD I bought, and at the time I was in love with them. Years later I was pushed by a friend to buy Appetite for Destruction. I said to him, "I already have their greatest hits." But he replies, "No you don't. Not really." So eventually I bought AFD, and I was blown away. It is one of the greatest albums ever written. It's absolutly astounding. I am shocked to see that this greatest hits collection only had three songs from AFD. I no longer listen to this collection. Songs like Nightrain, Mr. Brownstone, My Michelle, and Rocket Queen weren't included. They certainly are better than some of the Medicore songs on here like Yesterday, Since I don't have you, and Such Fun. How were they hits, they were cover songs that did little to elevate the bands success. Where's It's So Easy, Coma, Estranged, and Garden of Eden. (even their underrated songs just mentioned are better than some songs on this track). If you want GNR's best, buy Appetite for Destruction and Use your Illusion I & II. If you want one CD then just get AFD.

5 out of 5 stars Can't live without it!.......2007-06-09

Who doesn't love Sweet Child of Mine?? This is one of my all-time favorite CDs!!

1 out of 5 stars Lost in mail.......2007-05-18

Inever received this item. No one from Amazon or the Post Office will help me locate it.

4 out of 5 stars Guns And Roses - A Decent Compliation.......2007-05-01

Talk about a band that had it all and pretty much threw it all away. Guns And Roses is the classic example of a band that came from nothing, hit the big time quickly, and then flushed it down the drain in a sea of drugs, alcohol, greed and general vice. The fact that they treated their fans like [...] did not help matters either. Showing up hours late at concerts or not showing up at all. Having hissy fits in the middle of shows and walking off the stage. It is really amazing to me these guys have maintained the audience that they have given the way their fans have been treated. This is a band that could have been the biggest hard rock band in the world, but basically blew it. Still, there is no denying that they produced some great rock n roll. The band really only put out 4 studio albums, so most people who are big fans of the band probably already have most of what is on this disc. As a compilation it is a decent collection. Naturally there is a lot of material from "Appetite For Destruction". The two "Use Your Illusion" albums are both well represented as well. My all time favorite G & R tune is probably "November Rain" which is here in all it's symphonic glory. Several covers are also here including Bob Dylan's "Knocking On Heaven's Door", Paul McCartney's "Live And Let Die", and The Rolling Stones "Sympathy For The Devil". All in all this is a decent collection if you just want to get the band's best known songs.

4 out of 5 stars A Tidy Geastest Hits.......2007-04-28

Some may say GNRs music is dated. Maybe true. Make no mistake in the late 80s early 90s GNR were one of the most fresh,hardhitting,and well known metal bands on the planet. Exploding onto the seen amongst the glossy hair metal genre(which they helped end)GNR were ruff, raw, they drunk, smoked and delivered lightening guitar riffs and screaming vocals. Metal had seen such rawness before (Iron Maiden,Judus Priest) but it had been many years and never so burtal. Put simply most of their best work appears on this album. Its not perfect, no "Greatest Hits" are (reason for 4 star rating) but I think most GNR fans would agree with the song selections here. Most "Greatest Hits" are cheap and miss the musical point. This captures one of the finest metal bands of all time well and is a satisfying listen and a highly recommended buy.YOZA
Contraband
Average customer rating: 3.5 out of 5 stars
  • Super Group Super Great
  • Great first effort from the supergroup, now polished this year with a new album
  • 4- Content 1- Disc
  • Almost Every Song Is A Hit !!!
  • Still Amazing
Contraband
Velvet Revolver
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Libertad
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ASIN: B00020NPZA
Release Date: 2004-06-08

Tracks:

  1. Sucker Train Blues
  2. Do It For The Kids
  3. Big Machine
  4. Illegal i Song
  5. Spectacle
  6. Fall To Pieces
  7. Headspace
  8. Superhuman
  9. Set Me Free
  10. You Got No Right
  11. Slither
  12. Dirty Little Thing
  13. Loving The Alien

Amazon.com

Scott Weiland. Slash. Duff McKagen. Matt Sorum. It doesn't seem like a good idea to put these people in a room together, let alone a band. But it was the same exact explosive element of danger and low I.Q. scores that made both of these players' former groups--Stone Temple Pilots and Guns N' Roses--sell billions, so why stand in their way? The music on Contraband sounds appropriately monumental, all window-quivering riffs, and ticker-tape parade choruses. "Do It For the Kids" and "Set Me Free" take direct inspiration from Nirvana, meaning they are brilliantly raw, raucous, and indecent. It's great stuff. The power-ballads like "Fall to Pieces" and "You Got No Right," however, are more heartburn than heartbreak when compared to past achievements like, oh, let's say "Sweet Child O' Mine." --Aidin Vaziri

Album Description

The debut release from VELVET REVOLVER features Guns N' Roses founding members Slash and Duff, as well as Stone Temple Pilots vocalist Scott Weiland. The complete line-up is below...

SCOTT WEILAND - Stone Temple Pilots SLASH - Guns N' Roses, Slash's Snakepit DUFF - Guns N' Roses MATT SORUM - Guns N' Roses, Slash's Snakepit, The Cult DAVE KUSHNER - Infectious Grooves

Customer Reviews:

5 out of 5 stars Super Group Super Great.......2007-07-05

It was predicted that this band would save rock n' roll, and for me that's what they did. The combination of ex-Gunners with former STP frontman Scott Weiland is fantastic to say the least. If you like Rock n' Roll pick this album up immediatly.

4 out of 5 stars Great first effort from the supergroup, now polished this year with a new album.......2007-07-05

I come back to review this album in the wake of VR second album release "liberated". Contraband is the orginal first effort of this group, made up of ex-Guns and roses members Duff, Slash and Matt Sorum (second drummer for guns After Steve), Stone temple pilots frontman Scott Weiland, and Dave Kushner, former guitarist for Wasted youth. Originally known as "the Project" and filmed for a VH1 documentary while rehersing and serching for a frontman, Weiland fell into their laps and they hit it off right away. Set me free was their fisrt song and released on the Hulk soundtrack. Next release was SLither. These first two has the old STP sound to them, with a kick of GNR guitar from slash. Final big release off the album was Fall to pieces, A great ballad and very GNR sounding. Overall, a great mix of sound on the album from both groups. I agree that the mixing was a bit rough, but still good. With their second album out now, the band has really come into their own sound, and comparing it to this album, Contraband was definitly a start, and seems a mix of their root groups sounds, but awesome anyway. Hopefully these guys will keep going and not fall apart like audioslave recently did, another supergoup of this decade. Check this album out. Unfortunately, this edition was a copy protected album, so making taking it to I pod, mp3 is not really possible. Oh well, still worth it.

3 out of 5 stars 4- Content 1- Disc.......2007-07-03

Bought this years ago.. When i switched to strictly using my PC for music, i went to rip and cant... Read other reviewers about their issues as well. I dont own an I-Pod but cant use the disc for that either... So i guess i wont be hearing this again until i hook my stereo back up.. Absolutely insane and RCA should be ashamed... I am sure there will be many used editions because of this.
Musically its great. I do like the cd itself. Solid Rock record.

4 out of 5 stars Almost Every Song Is A Hit !!!.......2007-06-28

I love Guns N Roses and when I heard that Slash and Duff were going to make a superband I was hyped about it. It took me a few weeks to pick this up after it came out but when I did I fell in love with it :) Some of the best songs on it are Slither (the single), Big Machine, Headspace, Superhuman, and basically all of the others except for 1.

I'm really looking forward to the sequel to this and it's coming out in less than 7 days - so it's already a must buy for me :)

5 out of 5 stars Still Amazing.......2007-05-20

I first heard about velvet revolver because I love guns n roses (slash in particular). I figured it would be cool to see what former band members were up to now. What I found surprised me - the sound was completely different then that of gnr, but it was amazing in a different way. More metal, less ballads. It all depends on what you're into. While Slash's guitar solos where arguably better in gnr songs, many songs on this album rock harder with loud powerful riffs. Plus scott weiland has the perfect voice for this type of music.
Appetite for Destruction
Average customer rating: 4.5 out of 5 stars
  • GN'R made hard rock fashionable again in the late 80's
  • Appetite for Greatness
  • wow
  • The Best Rock Album Ever
  • Guns And Roses - One Of The Great Debut Albums Of All Time
Appetite for Destruction
Guns N' Roses
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Use Your Illusion I
  2. Use Your Illusion II
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  4. Metallica
  5. Greatest Hits

ASIN: B000000OQF
Release Date: 1990-10-25

Tracks:

  1. Welcome To The Jungle
  2. It's So Easy
  3. Nightrain
  4. Out Ta Get Me
  5. Mr. Brownstone
  6. Paradise City
  7. My Michelle
  8. Think About You
  9. Sweet Child O' Mine
  10. You're Crazy
  11. Anything Goes
  12. Rocket Queen

Amazon.com

A glimpse of the future, and not because of its huge influence and umpteen million sales. The poor-little-rich-boy protest "Out ta Get Me" intimates that Axl Rose's egotism and martyr complex were soon to grow bigger than his head; still, Appetite's night-train wreck of punk and metal sounds and sensibilities make it more than just an emblem of its time. Whether GN'R are dancing with Mr. Brownstone, penning a callow kiss-off letter to some chick named Michelle, or passing out on somebody else's sofa, this was and remains a savage journey to the heart of the American--or at least the Hollywood--dream. --Rickey Wright

Album Description

120 gram vinyl/original artwork.

Customer Reviews:

5 out of 5 stars GN'R made hard rock fashionable again in the late 80's.......2007-06-21

THE BAND: William "Axl" Rose (vocals, synth, percussion), Saul "Slash" Hudson (guitars), Izzy Stradlin - born: Jeff Isbell (guitars), Michael "Duff" McKagan (bass), Steven Adler (drums & percussion).

THE DISC: (1987) 12 tracks clocking in at approximately 53 minutes. Included with the disc is a 10-page booklet containing song titles/credits/times, song lyrics, all original album artwork, and thank you's. Recorded at Rumbo Studios (Canoga Park, CA), Take One Studios (Burbank, CA) and Can Am Studios (Tarzana, CA). Label - Geffen Records.

COMMENTS: Some good music was released by some well known bands in 1987 - Aerosmith (a nice comeback with "Permanent Vacation"), Def Leppard ("Hysteria"), Motley Crue ("Girls, Girls, Girls"), Dokken ("Back For The Attack"), and Whitesnake (self titled - featuring John Sykes), etc. But the one album that made the most impact was "Appetite For Destruction". Just another album from a glammy tattooed L.A. hair band? No chance. The music was instantly cool... fusing elements of hard rock, blues and metal into one... full of crunchy guitars, attitude, catchy hooks, and vocals like no other. GN'R's debut is the 4th highest selling album of the entire 80's decade (15+ million units sold in the U.S. alone... only behind Michael Jackson's "Thriller", AC/DC's "Back In Black", and Springsteen's "Born In The USA"); and Rolling Stone magazine currently ranks it at #61 on their list of the 500 Greatest Albums of All Time. Rose and Slash had a much publicized feud (and 20 years later are still at it)... and the band imploded in the mid 90's. A short life with one incredibly solid debut album, some odd leftovers on "GN'R Lies" (1988), two good albums in '91 with "Use Your Illusion I & II" (though had they taken the best songs from each and put them on one album - it would have rivaled "Appetite For Destruction"), and a bunch of covers on "The Spaghetti Incident?" (1993). The band entered the music world with a ferocious bang, and the fizzled away without much noise. "Appetite" reminds me of one of my all-time favorite albums - Aerosmith "Rocks" (1976) - full of style, swagger, and simply great rock & roll music... destined to be a classic. The group successfully re-energised the genre in the late 80's with shameless gusto. The album gained momentum slowly - and exactly one year after its release, reached #1 on the Billboard charts. "Sweet Child O' Mine" became a #1 single and proved to be the album's selling point. "Paradise City" was the band's 2nd Top 10 hit. And after being re-released, "Welcome To The Jungle" achieved the same Top 10 status. As good as the 3 big hits here were, the rest of the album rocked on almost the same level. The 1st 9 songs are/were amazing and I put the deep album tracks right up there with the hits - "It's So Easy", "Nightrain", "Mr. Brownstone", "Think About You", and "My Michelle" are all classic GN'R tunes. Only 2 things negative regarding this album and GN'R - 1. the tail end of the album (specifically "You're Crazy", "Anything Goes" and "Rocket Queen") seemed to be a bit of a let down... I wish the album ended with a bigger bang; and 2. Axl Rose's antics on and off stage were disappointing. With that being said though, you simply can't deny the music on this album. A great debut - a classic! Very necessary in any rock library (5 stars).

5 out of 5 stars Appetite for Greatness.......2007-06-11

Appetite for Destruction - by Guns N' Roses - is one of the best Rock and Roll albums to be released in the decades before and the decades that followed. It was jolt of electricity to the Rock and Roll scene. There were songs here for fans of every genre as the hit Sweet Child O' Mine and Welcome To The Jungle were crossover hits enjoyed by metal fans and pop fans alike. The impact of these songs are still felt today, as Jungle is even played at NBA basketball games, and sports radio talk shows. But the real gems on this CD are the harder rocking offerings like It's So Easy, Nightrain, and My Michelle. If I have to put together my "stranded on a desert island list" this CD easily makes the cut. My personal favorites are Think About You and Rocket Queen. There is not a weak song amongst this group. The title is appropriate as the only thing that could derail this outstanding group was its own appetite for destruction, and new faces both literally and figuatively. I did have th opportunity to catch Guns and Roses in concert (with Metallica) in Oakland, and they were excellent.

If you are looking for the definitive post 70's rock and roll album, you have found it. Tremendous... 5 strong stars! Enjoy.

5 out of 5 stars wow.......2007-05-20

At the age of 60 I have discovered Guns N' Roses. I had to go and buy all the other CDs as well. It's never too late to find a really good Rock and Roll band.

5 out of 5 stars The Best Rock Album Ever.......2007-05-16

Appetite for Destruction is a definitive hard rock album from a legendary band. From the opening track, Welcome to the Jungle, through other hits such as Paradise City and Sweet Child O' Mine, this is Guns N' Roses debut album, and the album that moved them from being homeless musicians to multi-millionaires. Get this album, you won't regret it.

5 out of 5 stars Guns And Roses - One Of The Great Debut Albums Of All Time.......2007-04-29

I still remember the first time I heard "Welcome To The Jungle" on the radio. It immediately caught my attention as something completely different and very cool. To this day when I hear those opening guitar chords and Axle's opening scream in a sports arena (where it is played more than ever today) it still makes the hairs on the back of my neck stand on edge. The cool thing is that the rest of the album was also very very good. In the sea of bands that came out of L.A. in the 80's, Guns and Roses had that indefinable something that set them apart from the rest of the lot. They were a band of street punks that hit their peak right off the bat with this album and unfortunately had no where to go but down after this. This album is angry, nasty, grungy, metallic, and sleazy in all it's glory. Yes, the language is explicit, and the lyrics are at times derogatory towards women, but the material is still, in some ways, what rock n roll is all about. The music is consistently great, with Slash, Stradlin, Adler, and McCagen meshing perfectly as a unit to induce what they were trying to accomplish. As a vocalist Axle Rose is the perfect foil to the rest of the band. Whether you can stand him as a person or not there is no doubt that he was the perfect vocalist for this particular band. Several huge hits came from the album including "Jungle", "Paradise City", and "Sweet Child O' Mine", but most of the rest of the tracks on the disc are just as strong. Axle's snarl belts out rock classics like "Nightrain", "Mr. Brownstone", "My Michelle", "It's So Easy", and "Rocket Queen". To this day this remains one of the best albums in my collection to crank up after you have had a bad day. All of the angst and vile contained within, set to a perfect musical soundtrack; will never fail to cheer me up. "Appetite For Destruction" would prove to be one of the most important rock albums of the 80's and remains one of the best debut albums by any band anywhere in my opinion.
Cold Roses
Average customer rating: 4.5 out of 5 stars
  • Let it ride, let it roll, let it go
  • Accessible Yet True
  • With the Cardinals, Whiskeytown may be back...
  • Cold Roses
  • rewards multiple listens
Cold Roses
Ryan Adams & the Cardinals
Manufacturer: Lost Highway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Jacksonville City Nights
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  3. 29
  4. Love Is Hell
  5. Gold

ASIN: B0007YMUZW
Release Date: 2005-05-03

Tracks:

  1. Magnolia Mountain
  2. Sweet Illusions
  3. Meadowlake Street
  4. When Will You Come Back Home?
  5. Beautiful Sorta
  6. Now That You're Gone
  7. Cherry Lane
  8. Mockingbirdsing
  9. How Do You Keep Love Alive

Tracks:

  1. Easy Plateau
  2. Let It Ride
  3. Rosebud
  4. Cold Roses
  5. If I Am A Stranger
  6. Dance All Night
  7. Blossom
  8. Life Is Beautiful
  9. Friends

Amazon.com

Sent reeling by the one-two punch Conor Oberst's Bright Eyes delivered with I'm Wide Awake, It's Morning and Digital Ash In A Digital Urn, Ryan Adams vowed to strike back in 2005 with three of his own releases. The first--a double album, no less--sees the attention-seeking former Whiskeytown singer casting off both the raucous guitars of 2003's Rock N Roll and the rainy-day ballads of the same year's Love Is Hell in favor of the more introspective moments and rustic textures of 2000's Heartbreaker. He's snuck in at least one epic with "Meadowlake Street" and one potential radio hit with the twangy "Let It Ride," while the rest of the set is mostly packed with bleary-eyed laments that feel all too mannered after spending the last few years revealing his naked pop ambition in full. No doubt Adams will make up for it with the next one. --Aidin Vaziri

Recommended Ryan Adams Discography


Heartbreaker

Gold

Love Is Hell

Whiskeytown, Pneumonia

Whiskeytown, Stranger's Almanac

Whiskeytown, Faithless Street

From Amazon.ca

Here is the album that many fans have been hoping Ryan Adams would make since his much heralded emergence with Whiskeytown. Though Adams has been as eclectic (and erratic) as prolific over his solo career, this double-disc gem delineates the possibilities of alt-country in 2005 while transcending the limitations typically associated with the genre. The organic arrangements of his new band, the Cardinals, blend acoustic and electric strains, sparked by the interplay between J.P. Bowersock on guitar and Asleep at the Wheel alumna Cindy Cashdollar on pedal and lap steel. With the set-opening "Magnolia Mountain," Adams and band draw inspiration beyond the title from the era of Neil Young's "Sugar Mountain" and the Grateful Dead's "Sugar Magnolia," though much of what follows shares as much in spirit with Bright Eyes (or even the poppier side of Prince) as it does with retro country-rock. On "Mockingbird Street," Adams builds from the stripped-down intimacy of a heartbeat toward the majesty of an anthem. Except for the rock and roll swagger of "Beautiful Sorta," the material exposes an open-hearted vulnerability, emotions that range from the rapturously romantic ("Cherry Lane") to the tremulously tender ("Mockingbird") to the broodingly bittersweet ("Rosebud"). On the engagingly uptemo "Let It Ride," Adams confesses to "27 years of nothing but failure and promises that I couldn't keep." This release represents promise fulfilled. --Don McLeese

Album Description

Cold Roses is the first of three Ryan Adams releases this year on Lost Highway Records. September to hit this summer and 29 to hit this fall. The new release, a double CD, features Ryan's new band The Cardinals and was produced by Tom Schick. Ryan & The Cardinals recorded Cold Roses in two different sessions at Loho Studios. Ryan will be touring in the Spring, Summer and Fall. "Let It Ride" is the first single going to AAA in early April.

Customer Reviews:

4 out of 5 stars Let it ride, let it roll, let it go.......2007-07-10

I wasn't always the biggest Ryan Adams fan, but I remember years before I bought Cold Roses a couple of friends catching a concert of his - one friend thanked the other for bringing her saying "it's good I got to see him now since he'll probably drink himself to death in a couple years." Well, despite his rock and roll lifestyle, he hasn't drank himself dead just yet, and part of the reason might be that Ryan Adams seems to be writing two songs for every drink he consumes. Cold Roses, a double disc (!) of alt-country tunes, is the best of the three (!!) albums Adams put out in 2005, and that's because, on the one hand, Adams clearly has talent to burn, but also because he's willing to turn whatever idea pops into his head into a conventional song structure, and luck was with him for most of Cold Roses' 18 songs. You can hear that sense of drunken and whimsical invention on songs like, for example, "Mockingbirdsing," an infectious song that makes the most of musta-been-brilliant-at-the-time lyrics like "Sing me what the lord was singing/ on the day he made the sky the color of the blues," or a rambling coming-to-at-7-in-the-morning number like "Meadowlake Street." Then, there are songs that are plain brilliant - "Let It Ride" or "Dance All Night" or "How Do You Keep Love Alive," any of which could be classics of its genre. They sit side by side with the songs that are a little more drunken and a little more inane ("Beautiful Sorta," "Sweet Illusions," "Cherry Lane"), but if there's one failing of Cold Roses, it's not Adams' wild ways, but his predictable ones. For all of its great creativity, Cold Roses suffers from aimlessness - for an album with the running time of this double disc, it's surprising that you could not use words to describe the album such as "sprawling" or "epic" or even "exhausting." The record ends in "Friends," a great sunset song as bittersweet as any of its kind, but you may feel at the end of it as though you've gone nowhere. As a collection of good to great songs, Cold Roses is amongst Adams' best work. As an album, it seems like just another night at the bar.

5 out of 5 stars Accessible Yet True .......2007-06-08

Ryan Adams seems to produce two types of albums. Either you get the dark, misunderstood soul who showed-up on Love Is Hell or the melodic pop smith who showed up on Gold. Since then each record I have by Adams has danced between those two worlds with mixed results, 29 for example seemed like a rushed, unfocused effort, Rock N Roll kept things blasting but was clearly not in Adams normal wheelhouse of style.

On Cold Roses, Adams and his backing band The Cardinals stretch out comfortably in his varied styles in one of the most engaging efforts of Adams career. This album is neither too up to seem unrealistic of whom Adams is as an artist nor too down to be off-putting with melancholy laced diatribes. Instead the heartfelt, lovesick soul who has shown up before is now easy to listen to as Adams allows the Cardinals to create a lovely and rich alt-country backdrop throughout Cold Roses, which allows Adams to not veer off the path into self-indulgent territory.

Cold Roses presents 18 mostly realized efforts. Songs like Let It Ride best showcase this as richly played guitar hooks blast the song off in the right direction while Adams rides the energy into interesting places. Dance All Night is another example, with the lyrics dancing between happy and sad creating a wonderfully melodic slice of life tune that does not seem cheesy, all of a sudden the Bob Dylan comparisons that were applied to Adams can now morph into Neil Young comparisons.

Throughout Cold Roses Adams seems to be in a comfort zone that makes the record feel more complete, like a vision has been met. Each side of the record creates two different feels, but yet still remain a believable package. Sweet Illusion on the first side seems to best capture the sparseness Adams was looking to achieve, while If I Am Stranger is an example of the warmth on the second album.

With the huge number of Ryan Adams records out there one might wonder what one is the best showcase of his talent. Considering his back and forth prolific personality, Cold Roses seems like the best bet to explore as it best showcases all sides of Adams as a performer without veering into sub-standard territory. On Cold Roses, both the dark soul and merry popster appears, but with the help of The Cardinals, Adams allows both sides of himself to shine.

4 out of 5 stars With the Cardinals, Whiskeytown may be back..........2007-04-13

Ryan Adams is a truely talented artist. Every album shows his depth in a variety of musical genres. His voice has an almost chameleon quality that lets him sound like a completely different artist from song to song. Influences from all over the musical spectrum show up in his music.

However....with the newly formed Cardinals, Adams seems to be harkening back to his Whiskeytown days. This album (and it's acutally a double album) has a much more alternative country feeling. This isn't a bad thing. He even adds to repetoire of musical diversity pulling from the Eagles (Easy Plateau) and Van Morrison (Dance all Night). I just personally think that he does his best work in the haunting melodies of albums like Demolitions, Gold, and Love is Hell. This is still a pretty good album and definately worth a buy for fans. This is the first of three albums he released in 2005. The flurry of work kind of shows and takes it's toll in this first one. The first half of this double album doesn't hold a candle to the second. I almost wish Amazon let you use half stars because the first half is 3 and the second a 4. All the real standout material like Easy Plateau, Let It Ride, If I Am A Stranger, and Dance All Night come from disc two. Don't let the mixed singles put you off. This is a good album with some real gems. Just don't expect Gold of Love Is Hell. Cold Roses is a very different album.

4 out of 5 stars Cold Roses.......2007-02-06

Chameleon, charlatan, poseur, genius, prolific, derivative, alt-country poster boy, drunken fool and careerist, these and many more titles have been foisted upon singer songwriter Ryan Adams. The amazing thing is that most carry quite a bit of truth! Adams does so many things to engage, or enrage music fans, that he is fast approaching Dylan's level of being an enigmatic artist.

Say what you will about his past work, COLD ROSES is by far his best outing to date. With the luxury of the best backing band of his career, The Cardinals, Adams comes up with a solid set of tunes that stray into Deadhead territory. The album visits the spirit of Garcia, Lesh, Weir and Company's highwater marks, AMERICAN BEAUTY and WORKINGMAN'S DEAD, with surprisingly good results.

Highlights are many, including DANCE ALL NIGHT, CHERRY LANE, MAGNOLIA MOUNTAIN, EASY PLATEAU and LET IT RIDE. For an artist who throws out a ton of material, often without an eye towards overall quality, this one is very consistent. The only weak moment that I can spot is the irritating, faux NY Dolls intro to the otherwise solid BEAUTIFUL SORTA. That he was able to follow this up with two solid albums (29 and JACKSONVILLE CITY NIGHTS) in the same year is amazing.

I would not go as far as saying that COLD ROSES is a classic, but to my ears, it's the first time that Adams has hit one out of the park. Yes, it's derivative, but overall it's a well played and written set, that shows potential turning into results. I hope that it's a sign of things to come.

5 out of 5 stars rewards multiple listens.......2006-09-25

a great, textured collection of music. it's almost too much to take in at once. listen to it several times, let the songs live inside you and you'll find that the music will open up and engulf you.
Roses & Clover
Average customer rating: 4.5 out of 5 stars
  • Stands up to repeated listening
  • Maybe after repeated listening, I'll up my review
  • ALO simply amazing
  • awesome!
  • great
Roses & Clover
ALO
Manufacturer: Brushfire Records
ProductGroup: Music
Binding: Audio CD

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  1. Fly Between Falls
  2. A Brokedown Melody
  3. Recollection
  4. Grand National
  5. Move by Yourself

ASIN: B000OLHG48
Release Date: 2007-05-01

Tracks:

  1. Maria
  2. Empty Vessel
  3. Try
  4. Roses & Clover
  5. Monday
  6. Shine
  7. Plastic Bubble
  8. All Alone
  9. Lady Loop
  10. Water Song

Customer Reviews:

5 out of 5 stars Stands up to repeated listening.......2007-06-22

I have been a fan of these guys for a long time. Mostly their live shows and live recordings. I am not a huge fan of any studio recordings in general for the simple reason that I cannot "feel" it as much as when the band is playing together.
However, this album goes to my top ten albums of all time, for anyone. Every song is a gem, I can listen to this album over and over and do not get sick of it. For me, no matter what the artist, that is a miracle.

I do agree that on the surface, this album is a bit more pop, but that is merely the surface. This album is pure magic. Super recommended.
Faves are Roses and Clover, Monday, and empty vessel.

3 out of 5 stars Maybe after repeated listening, I'll up my review.......2007-06-19

I have to disagree with others in that this is their best yet. I still think Fly Between Falls is much much better. Don't get me wrong, this is still great music, with incredible vocals from Zach and very good songwriting with very catchable melodies and harmonies. But I don't think it has the depth or transcendence that Fly has. Even though they continue to demonstrate their mastery of classic R&B, ala Marvin Gaye and even Stevie Wonder, woven around more bouncy jam-band influenced rythms, there are many times I have been listening to this and listening to the melodies and thinking..."oh-oh...hope they aren't going to start sounding like Hootie and teh Blowfish."

They haven't gone totally "pop" yet, and hope they never do.

But who knows, I might be back here in a month or 2 after listening a few more dozens times to change my review entirely. I can be like that with music.

5 out of 5 stars ALO simply amazing.......2007-06-11

After seeing ALO support Jack Johnson I went out the next day and bought their first album Fly Between Falls, which I would says was amazing in itself. As soon as I was aware of the new record I had to get it shipped across the atlantic and was not dissapointed. Ever song on the album Roses & Clover is well written, brilliantly performed and a pleasure to listen to. My persoanl favourite tracks are Maria and Monday but I could listen to this album over and over and never get tired of hearing the beautiful songs. I recommend anyone who likes good music to get this.

5 out of 5 stars awesome!.......2007-05-31

this cd is great from start to finish-lyrics are well-written, melodies are catchy and folky, and zach griff's vocals are as usual without equal

5 out of 5 stars great.......2007-05-25

I bought this album as soon as I knew it was out, just 4 days before I was to see them in concert. I love their previous album, Fly Between Falls, and wasn't sure where they would go from there. To my great surprise this album is even funkier than the last, and yet it contains great mellow songs to balance it out wonderfully. I highly recommend both of their albums, its hard to determine which is the best. But overall, i suggest to go out and see these guys live, they play one hell of a show, and ive been to a lot of shows in my day. Peace and love
Use Your Illusion I
Average customer rating: 4.5 out of 5 stars
  • The guns n roses show
  • nearly perfect
  • turn around point!
  • turn around point!
  • Yeah, whatever
Use Your Illusion I
Guns N' Roses
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Use Your Illusion II
  2. Appetite for Destruction
  3. G N' R Lies
  4. The Spaghetti Incident?
  5. Live Era: '87-'93

ASIN: B000000OSE
Release Date: 1991-09-17

Tracks:

  1. Right Next Door To Hell
  2. Dust N' Bones
  3. Live And Let Die
  4. Don't Cry (Original)
  5. Perfect Crime
  6. You Ain't The First
  7. Bad Obsession
  8. Back Off Bitch
  9. Double Talkin' Jive
  10. November Rain
  11. The Garden
  12. Garden Of Eden
  13. Don't Damn Me
  14. Bad Apples
  15. Dead Horse
  16. Coma

Amazon.com

Part one of Guns N' Roses' ambitious second album is arguably the better of the two. It certainly rocks harder, though this seems to be more coincidence than anything else; which songs went on which CD looks to have been a random selection. Use Your Illusion I stays closer to the band's bluesy hard-rock roots, with guitarist Izzy Stradlin contributing some of the best songs, including "Dust N' Bones" and "You Ain't the First." "November Rain" (clocking in at over nine minutes) became an instant classic, and there are a fair number of straight-ahead rockers, such as "Perfect Crime," "Don't Damn Me," and "Garden of Eden." Taking the best from this album and Use Your Illusion II would have made a killer single CD, but there's enough good stuff here to make it worthwhile. --Genevieve Williams

Customer Reviews:

5 out of 5 stars The guns n roses show.......2007-04-18

This was the 5th guns album i bought my first being : Greatest Hits, 2nd Appetite: third Use your illusion 2 and then lies and finally Uyi 1.
Each time i bought a new guns album i heard a new sound completly different to the album before it. My fav. songs on this album are Don't damn me, Dead horse, Back off Bitch and definetly COMA. The riffs are unbelivable, Matt on the drums is great and axl well he is legendary, his voice, ever changing and his lyrics especially on Coma are mind blowing. Buy this album. You have to appriciate the lyrics of Axl and the others to really get this album. But there are still some hard rockin classics 5*

5 out of 5 stars nearly perfect .......2006-12-30

use your illusion 1 is a real bluesy, complex, rock n roll album, instead of a stupid hair metal album like appetite. i'll only review songs i like,ok.

dust n bones, bad obsession and bad apples: intelligent, aerosmith, stonesy blues rock songs.

live and let die: cool cover song, unique riffs.

don't cry: beautiful, but not comparable to november rain.

november rain: if u know anything about gnr, you've heard it. sounds classical, complex, and great instruments.

you ain't the 1st: twangy bluegrass country song w/ no solos, short, but one of a kind.

double talkin jive: kinda stupid lyrics, but almost metallica-sounding guitar solo, which fades into a spanish guitar sounding solo at the 1 minute left mark, rebellious.

the garden: seems to tell of drug use, multi-styled, it's soft yet heavy, like led zeppelin songs. BEST HARD SONG ON ALBUM

don't damn me: rebellious, and quality lyrics, just a simple gnr rocker.

dead horse: starts out acoustic, then suddenly gets crazy heavy, and an awesome solo from slash, then goes back to the same acoustic part then ends.

coma: describes a coma, has very heavy riff in it; coma>the garden.

This is not a hair metal album; uyi1 is like aerosmith/stones, while appetite is like poison/motley crue/kiss. do not buy but a few songs off appetite.

5 out of 5 stars turn around point!.......2006-12-28

appetite makes gnr sound like motley crue: high-pitched singing, repetitive songs, empty lyrics. This makes em seem even more manly; they sound like aerosmith, perhaps lynyrd skynyrd, having old, bluesy licks, deep lyrics, southern rockish keyboard, and the great ballad november rain, of course. Also, kinda weird pink floydish/zep sounds in some parts.
anti- hair metal! buy now!!!

5 out of 5 stars turn around point!.......2006-12-28

appetite makes gnr sound like motley crue: high-pitched singing, repetitive songs, empty lyrics. This makes em seem even more manly; they sound like aerosmith, perhaps lynyrd skynyrd, having old, bluesy licks, deep lyrics, southern rockish keyboard, and the great ballad november rain, of course. buy it now!

3 out of 5 stars Yeah, whatever.......2006-12-13

Okay, I'm still wondering something: Do we really need two CD's worth of this album? I mean, come on! Yeah, there's some coolness spread across this album: "November Rain" and "Don't Cry" are two more awesome lovestruck power ballads, "Live and Let Die" is arguably even better than Macca's because of Slash's heavy guitar, "Right Next Door to Hell", "Dust n' Bones", and "Perfect Crime" fill out the obligatory "kickass rock n' roll" quotient. And "Coma" is nicely epic and such. The biggest misstep is the acoustic country-twanger thing "You Ain't the First", which at least is mercifully brief, unlike the proceeding stupidity. Tell me, what was their justification for dragging slag like the Stones rip "Bad Obsession", misogynistic "Back off B*tch", psychedelic trash "In the Garden" (with Alice Cooper making a total fool of himself), and "Don't Damn Me", with Axl justifying his writing "One in a Million" by saying, "Sometimes I wanna kill" and "Sometimes I wanna destroy" (niiiiiiice. Now those two people in the world who previously didn't think you were an a** have changed their minds). And not only is he an a** (but you knew that), he's a friggin' hypocrite. "Why let one bad apple spoil the whole damn bunch", proclaims Mr. Axl "Immigrants and f*ggots/they make no sense to me" Rose. Hey buddy, by now everybody knows you hate anyone who isn't a straight American white guy, so why pretend otherwise? Who's gonna believe you? And guess what else? If you take what's good here, you get an economical single CD! Maybe it's a couple songs too few, but that's what we have those precious few good songs from Use Your Illusion II for!
Use Your Illusion II
Average customer rating: 4.5 out of 5 stars
  • The final album by Guns and Roses...
  • Pure early 90s metal
  • gnr 2
  • Wildly uneven, but could've been amazing
  • pretty good
Use Your Illusion II
Guns N' Roses
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Use Your Illusion I
  2. Appetite for Destruction
  3. G N' R Lies
  4. The Spaghetti Incident?
  5. Live Era: '87-'93

ASIN: B000000OSG
Release Date: 1991-09-17

Tracks:

  1. Civil War
  2. 14 Years
  3. Yesterdays
  4. Knockin' On Heaven's Door
  5. Get In The Ring
  6. Shotgun Blues
  7. Breakdown
  8. Pretty Tied Up
  9. Locomotive (Complicity)
  10. So Fine
  11. Estranged
  12. You Could Be Mine
  13. Don't Cry (Alt. Lyrics)
  14. My World

Amazon.com

Had Use Your Illusion II been combined with Use Your Illusion I, keeping only the best material while dropping the filler, it would have been one of the best rock albums ever recorded. Instead, great songs like "Civil War," "14 Years," "Estranged," and "So Fine" compete with the inexcusable "Get in the Ring" and the well-intentioned but off-target cover of "Knockin' on Heaven's Door." There's no point to the second version of "Don't Cry," either. On the other hand, when Guns N' Roses were good, they were very, very good, and some of the material on this album is unsurpassable. --Genevieve Williams

Customer Reviews:

5 out of 5 stars The final album by Guns and Roses..........2007-06-26

Both Use Your Illusion albums had enough material for a 4LP set, and most of it is superb. This is the better of the two records, with G n R classics like Locomotive (an intense, nearly 9 minute rave up), Pretty Beat Up (courtesy of Izzy Stradlin with a cool sitar intro), an excellent cover of Knockin' on Heaven's Door, and Estranged is a good ballad. Gettin' in the Ring is a funny song where Axl goes off on critics. The song is a bit obvious, but it's still fun to listen to. This is more than likely Guns n Roses's final album. There's no way Axl is ever going to release anything else. How come Axl and company can release the equivalent of four albums in 1991, and haven't made an album of new material in 16 years (well, at least Axl, the others have moved on)? Axl needs to get his head out of his a**, and stop being full of himself.

5 out of 5 stars Pure early 90s metal.......2007-05-19

Use Your Illusion II, the second half of Guns 'n' Roses' dual release, is second only to Appetite for Destruction in their list of best albums. With charging guitar funk ("Breakdown"), speeding hard rock ("You Could Be Mine"), and amazing ballads ("Estranged"), UYI II is a must-own for everyone and all die-hard G'N'R fans. It starts off with a creative blend of hard rock and balladry ("Civil War"), and after you've heard that song, you're immeadiately hooked. The blues rock sample of "14 Years" is also amongst the best in G'N'R's arsenal, and it shows that sometimes, bassists CAN be good at singing. "Estranged," which is probably the album's highest point, is one of the top 100 greatest songs of all time, and could even give "Stairway to Heaven" a run for its money. Other songs on the album, such as the two-part "Breakdown" and the awesome "So Fine," also deserve credit for giving the album the unique sound it has. "You Could Be Mine," which is my favorite from the album, is a hard-rocking G'N'R hit that will have you headbanging from the start. It features brilliant vocals by Axl Rose, awesome drumming from Matt Sorum, and masterful guitar playing from the almighty Slash. Use Your Illusion II probably would've won Best Album of the Year Award in 1992, but unfortunatly it didn't get the recogniton it needed thanks to Nevermind by Nirvana, one of the most overrated albums of all time. Standing as the last good album by Guns 'n' Roses, Use Your Illusion II will help you become a big fan of the band, even if you're against them in every way. A must-own album for everyone.

5 out of 5 stars gnr 2.......2007-02-15

one of the best gnr albums, the other is part 1. most of the songs on the use your illusion cd's are really well written.

3 out of 5 stars Wildly uneven, but could've been amazing.......2006-12-21

Hey, remember my old review of this album? Remember how much it SUCKED? Well, I'm editing it, because I've changed my mind about a couple songs. Now, I still feel Knockin' on Heaven's Door is a mockery of the Dylan classic, that Get in the Ring is stupidly self-centered, that My World is more wanking to end the extended game of pocket-hockey we call Use Your Illusion (at least it's short...), that Locomotive and Breakdown are amazing examples of WHY I feel this was an extended game of pocket hockey (how come nobody but me says that anymore?), and there's too much idiocy like Shotgun Blues, Pretty Tied Up (someone should make a law about anyone but Lou Reed writing a song about S&M) and So Fine. Oh, and why remake Don't Cry? It was a good song, you know, before you threw in the unneeded remake.
But we've got five REALLY AWESOME songs here. Ever see that video for Yesterdays? Great stuff, man. (and this from a guy who normally despises music videos!) Say what you will about Axl, but that little slither-dance thing he's got going is pretty cool. Now, I'm not saying you can judge a song by its video, because the song itself is amazing, too. Slash and Izzy riff away and Axl howls "ooh... yesterday's... got nothin' for me!" Schweet. Estranged is, well... Estranged. I didn't like it at first, but I didn't like ANY Guns n' Roses at first - their work seems to grow on me more than any other group's. Anyway, air-guitaring to that thing should be some sort of Olympic event, it's a great song to blast out the windows while you do said air guitaring (it'll drive the neighbors crazy, especially if they hate GN'R as I'm sure mine do and if you're as bad at air-guitar as me), it's got the best lyrics on any GN'R song anywhere ('cept maybe Patience), it's awesomely epic, AND I like Dizzy Reed's piano. It's true. I think he was an unnecessary addition to the band, but Estranged makes me change my mind. Possibly the best of either Illusion, though November Rain's some pretty stiff competition. Anyway, Izzy Stradin's my second-favorite Gunner (behind Guy with Cool Hat, Cool Stage Name and Even Cooler Guitar Tone), and he gets a chance to sing on his Stonesy Axl bash-a-thon 14 Years, which rocks tremendously. And I haven't gotten to the two big hits: Civil War (which mixes Appetite's hard rock, GN'R Lies' acoustic material, and surprising social relevance) which rules, and You Could Be Mine, a flat-out burning rocker which rules even more.

4 out of 5 stars pretty good.......2006-10-06

This was a pretty good piece of work by GNR, but they have definately done better. Use your Illusion I was clearly the better of the two, but that doesnt mean this cd was total trash. This was by-far 10 times better than the Spaghetti Incedent, but not as good as Appetite for Destruction or the Greatest Hits album. "Knockin' on Heavens Door" was probably the best song on the album, whearas "My World" was complete garbage. I don't know what they were thinking with this song, but it sucks big time.
G N' R Lies
Average customer rating: 4 out of 5 stars
  • Nice Boys Don't Play Rock N' Roll
  • On "I Used to Love Her"
  • Patience
  • Why 100 Bucks ?
  • GN'R Runs in Place
G N' R Lies
Guns N' Roses
Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Use Your Illusion II
  2. Use Your Illusion I
  3. Appetite for Destruction
  4. The Spaghetti Incident?
  5. Live Era: '87-'93

ASIN: B000000OQY
Release Date: 1990-10-25

Tracks:

  1. Reckless Life
  2. Nice Boys
  3. Move To The City
  4. Mama Kin
  5. Patience
  6. Used To Love Her
  7. You're Crazy
  8. One In A Million

Customer Reviews:

5 out of 5 stars Nice Boys Don't Play Rock N' Roll.......2007-06-30

While Guns N' Roses debut album "Appetite for Destruction" (1987) initially failed to make a major impact, over the course of a few months, with singles like "Welcome to the Jungle" and "Sweet Child `O Mine," almost overnight, Guns N' Roses became the biggest band on the planet.

To capitalize on the band's success, Geffen re-released Guns N' Roses first release, the "Live like a Suicide" (1986) EP along with four new recordings. Together, these eight songs made up Guns N' Roses second album "GN'R Lies" (1988).

"Live Like a Suicide" had been released one year before "Appetite" as a way for Geffen to introduce Guns N' Roses to the public. Although it was released under the "Uzi Suicide" label, that was just a front for Geffen. It was thought that if the EP had been released under an indie label it might have given the band added street cred. And while "Live Like a Suicide" is supposed to be a live album, that's not really the case. Crowd noise was added to the recordings, to which singer Axl Rose would later decry as "contrived."

While "Live Like a Suicide" or "side A" of "GN'R Lies" isn't as powerful as AFD, these are still great songs. While they may not have been recorded in front of an audience, they still have a live sound as they don't sound overproduced or have a lot over overdubs. Hopefully, however, one day "GN'R Lies" will be re-released without the faux crowd noise.

The opening "Reckless Life," featuring Rose's mightily signature wail and Slash's signature screeching solos, can be seen as a precursor to "Welcome to the Jungle." Rose Tattoo's "Nice Boys" is another fine hard-rocker and follows nicely. An early GN'R classic and the best song on "Live Like a Suicide," the groove-laden swagger of "Move to the City" has a clear element of vintage Aerosmith. A cover of Aerosmith's "Mamma Kin" is good, if not great.

The second half of "GN'R Lies" consists of four new acoustic recordings, demonstrating early on how versatile GN'R were. The Izzy Stradlin penned "Patience" is just plain terrific. A gorgeous balled, it's not overdone or overly sentimental, yet shows a sensitive side to the band none-the-less. "Used to Love Her" a song about killing your wife/girlfriend is one of the band's more misunderstood songs. As Rose states in "Live Era" (1999) while introducing the song, it's just a joke, a fantasy.

The country-esque "Your Crazy" is an acoustic version of the same song released a year before on "Appetite." While the "fast" AFD version of "Your Crazy" is probably the album's weakest song, the slower version on "GN'R Lies" is one of GN'R best recordings.

Guns N' Roses most controversial song, "One in a Million" closes out the album. This is the song that Axl Rose/Guns N' Roses detractors single-out when they refer to either Rose or Guns N' Roses as racist and/or homophobic. Listening to the song, it's easy to see why the song generated a storm of controversy upon its release. However, to simply condemn Rose and GN'R would be simplistic and a knee-jerk reaction.

Does "One in a Million" have racist, xenophobic and homophobic undertones? Yes. Is Axl Rose a white supremacist that hates gays? No. Essentially, the song is a gritty, honest confessional taken from the perspective of an ignorant young man who has grown up in Indiana his whole life, and upon arriving to LA, has negative experiences with blacks and gays. It's a song from the perspective of how Rose felt at the time and it doesn't reflect his current world-view.

Overall, GN'R's "Appetite For Destruction" and "Use Your Illusion I" and "Use Your Illusion II" (both 1991) may be more satisfying than "GN'R Lies" but this album still contains many gems and is overall a great collection of songs. This CD is also recommended for fans that didn't care for the more artistic leanings of "Use Your Illusion" but like the rawness of AFD.

3 out of 5 stars On "I Used to Love Her".......2007-06-21

People, people--"I Used to Love Her" is NOT about killing and burying a girlfriend, it's about putting down and burying a dog. The word that in clean contexts means "female dog," but which is usually used as a derogatory word for women, takes its literal meaning in this song. That's the joke. That having been said, it isn't a very funny joke.

As for my review, I bought this album a long time ago for "Patience," but rarely listen to the whole thing, since it sounds just like what it is--a cobbled-together album to keep the group in the spotlight. And I do object to "One in a Million." This album is pretty much for completists only.

3 out of 5 stars Patience.......2007-03-23

Patience is one of the best song I have ever listen to. Sorry for Gn'r fans but the rest is just 'ok'.

5 out of 5 stars Why 100 Bucks ?.......2007-03-18

I am writing this message , for the people who might have clicked on a "GN'R LIES" , that might have a very high price next to it.It could be the price is for the limited MFSL 24 K Gold Ultra Disc/original Master Recording.If you are a GN'R obsessed fan , that might be for you , but if you are just looking for the regular CD , you can find much cheaper here at Amazon on another GN'R LIES icon , if you keep looking!

As for the songs , I am an avid fan , but looking at a perspective , of what I thought of "LIES" when I first heard it , I was not impressed with the "Live Like a Suicide" stuff (Mamakin,Reckless Life,etc)at first , but it eventually grew on me , and now I would recommend to any fan.I love the acoustic stuff on here the best , and even though the lyrics might cross the line with some people , the overall songs are a great listen.I like "Used to Love Her" , "One in a Million" along with "Patience" as well.Great sing alongs,that give you great escape.

3 out of 5 stars GN'R Runs in Place.......2007-03-17

Uncomfortably positioned between the amazing Appetite for Destruction and the miserably indulgent Lose Your Illusion project, this is very much a stopgap release. And like most stopgaps, it's a complete middle-of-the-road project. Combining the pseudo-live (read: in the studio with crowd noises dubbed in) EP Live ?!#* Like a Suicide and a collection of new, acoustic songs, this could've made a great four-song EP, rather than a lousy eight-song LP. I like Reckless Life, a fierce rocker that should by all accounts be a classic, arguably the most underrated GN'R song out there. Same for their version of Mama Kin. On the other end of the specturm are Nice Boys and Move to the City - neither really make much of an impact on me.
Onto the new stuff. First, the good news - this contains the Top 5 smash Patience, easily one of the group's best songs ever, once again nailing the sensitive-guy routine (which had also previously been done on Sweet Child O' Mine and would happen a third time on November Rain). It's the perfect song - hell, I even like the whistling at the beginning. For whatever reason, I prefer the acoustic You're Crazy to the one released on Appetite - I don't see why it wasn't included on the album in the first place, as it would've added some variety and pounds the living crap out of the full band one.
Okay, now we've got Axl's infamous, borderline-sociopathic stuff. What the hell inspired him to write One in a Million? Was he trying to offend every group of people imaginable, or had he just been dancing with Mr. Brownstone on the Night Train (wink wink nudge nudge) while he was writing it? Even when you look past the lyrics, it sounds like a demo, with Axl singing vocals that sound like he was being castrated as he sang or something. Same with Used to Love Her (But I Had to Kill Her). Jeez, Axl, what the #@)*!) did the world do to you? I mean come on, the guy wore a frickin' Charles Manson shirt, for the love of Eric Clapton (or whoever it is you worship). The sad fact is, he probably just wore the damn thing for the shock value, since it would take somebody even more psychotic than Axl to support that moron. But I digress.
Okay, so what's the point of Lies? Uh, to get Patience on an LP, I suppose, and to make Life !?@* Like a Suicide more widely available. Ooh, ooh! I know! And to hold fans over while they worked on those bloated Illusion discs.
Grateful Dead (Skull & Roses)
Average customer rating: 4.5 out of 5 stars
  • A great Live show!
  • An interesting live album despite the overdubs
  • A Mixed Bag, with Moments of Greatness
  • ....THAT OLD COUNTRY FEELING.
  • Jerry's 'On'
Grateful Dead (Skull & Roses)
Grateful Dead
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Europe 72
  2. Workingman's Dead
  3. American Beauty
  4. Live / Dead
  5. Aoxomoxoa

ASIN: B00007LTIM
Release Date: 2003-03-25

Tracks:

  1. Bertha
  2. Mama Tried
  3. Big Railroad Blues
  4. Playing In The Band
  5. The Other One
  6. Me & My Uncle
  7. Big Boss Man
  8. Me & Bobby McGee
  9. Johnny B. Goode
  10. Wharf Rat
  11. Not Fade Away/Goin' Down The Road Feeling Bad
  12. Oh, Boy!
  13. I'm A Hog For You
  14. Bonus Track 1

Album Description

Expanded & remastered (in glorious HDCD) version of 1971 album includes two ultra rare bonus tracks, 'I'm A Hog For You' & 'Oh, Boy!'. Includes expanded booklet as well, with rare photos, packaged in Digipak format. Warner/Elektra. 2003.

Customer Reviews:

5 out of 5 stars A great Live show!.......2007-02-22

I found the record version of this in my basement. Sadly, for about 3 years I could not listen to it and other amazing grateful dead records because it seemed that no one in america had a record player anymore. But I finally bought the cd and good god Is this good! it truly is an awesome piece of music, it can stand the test of time, and it is really good to listen to for whatever occasion. This is by far one of the best live albums the dead released, it is up there with "Live/dead" and "truckin up to buffalo july 4th 1989" But it as soon as humanly possible.

5 out of 5 stars An interesting live album despite the overdubs.......2006-10-13

This is a great live album dispite that it doesn't really represent the period right. Spring tour 1971 featured alot of Pigpen tunes in the setlists but only one appears here. Due to Pigpen's illness, most of his parts are erased and overdubbed by Merle Saunders. Vocal overdubs were also added. On all of the lp copies you hear Phil singing backing vocals on Bertha. For whatever reason, on all the new remixed, remastered and newly released albums for this period this also happens. Buy this disc with Ladies and Gentlemen and get a good dose of the Dead from spring'71. Not Fade Away/Goin' Down The Road is one of the all time best.

4 out of 5 stars A Mixed Bag, with Moments of Greatness.......2006-06-02

For their second `official' live album, the Grateful Dead switched gears a bit from their previous endeavor. While "Live/Dead" accentuated the jamming aspect of the band, spreading five songs over four sides (the three tracks on side four really constitute one performance), this collection goes for a breezier feel. Here, eleven tracks fill out four sides, allowing room for only one meandering jam ("The Other One"), which does little to add to the legacy already created by "Live/Dead". When performing their own original material, this album succeeds completely on its own terms. "Bertha" is one of the chirpiest jam tunes the Dead ever came up with - enough to inspire Los Lobos to do a faithful cover version - while "Playing in the Band" gives Bob Weir the opportunity to indulge in some rock and roll. It's only when the band attempts to incorporate songs previously made famous by others that the album veers out of bounds. "Me and Bobby McGee" is a pointless endeavor, especially in light of Janis Joplin's definitive version, while there really aren't too many people who would consider a Grateful Dead version of "Johnny B. Goode" to be essential listening.

Grateful Dead works mostly because it presents a fairly accurate overview of the band's strengths (and weaknesses). Energetic `cover' songs such as "Mama Tried" and "Big Railroad Blues" provide an opportunity for the band to get down to basics and play like a fully integrated bar band. "Wharf Rat", meanwhile, shifts moods, sounding simultaneously desperate and hopeful, allowing the band to grease its improvisational tendencies to full effect. Most telling is the jam that ties Buddy Holly's "Not Fade Away" to the public-domain folk song "Going Down the Road Feeling Bad." This segue pretty much summarizes the best bits of the album, combining instinct, tradition and energy into a unique synthesis that transcends either basic song. Coming on the heels of two exceptional studio recordings, more people were listening to the Dead, and this album does an excellent job of retaining old fans while seducing new ones. Combining elements of their `traditional' jamming with a batch of nicely constructed new songs, Grateful Dead does a laudable job of offering something for everybody.
B+ Tom Ryan

5 out of 5 stars ....THAT OLD COUNTRY FEELING........2006-04-06


In the sixties The Grateful Dead were the premiere group in the scene of Psychedelic Jam Rock. They made their way up the ranks by playing infamous live shows that were famous for "the vibe."
What was the vibe? Well basically the band and the audience would become one, sometimes on the music (which was excellent at times) and sometimes on loads of drugs (in these cases the music was nothing more than a few intangible notes repeated over and over.---see LIVE/DEAD)
By the early seventies however, The Dead had reached a new phase. They found that, a little bit of proffesionalism, and a little less partying, was actually making them successful. In the same year the band released their two masterpiece albums WORKINGMANS DEAD and AMERICAN BEAUTY, and launched what became their first major (major) tour. This all happened years before I was even concieved, but when you look through my DEAD collection, this is the era where I hop on board. The laid back, country style, that far better showcases the bands talent, over the sixties psychedelia. GRATEFUL DEAD (aka SKULL and ROSES) was the bands next release, and really basks itself in country feel. The whole thing was recorded live, but stands to be the first published recording for every track contained within. Excellent stuff, some of The Deads best, for sure.
Right off we get the now bonafied classics BERTHA, MAMA TRIED, ME AND MY UNCLE etc.
Bob Weirs Dead introduction of PLAYING IN THE BAND, and there are also a few cover songs... ME AND BOBBY MCGEE (a different kind of version, nice) JOHNNY B. GOODE, and BIG BOSS MAN (W/Pigpen on vocals for that-yeah)-
This should be part of your DEAD collection, I'd say. If you like the country side of THE DEAD, without all the space out jams, this is for you.

5 out of 5 stars Jerry's 'On'.......2005-09-03

I read somewhere that Jerry said this record epitomised what the Dead were all about. and after hearing it again ,re-mastered after all these years I agree .I had this on vinyl while living in London in the 70's(a double LP) I liked it then and I love it now . Jerry's guitar never sounded better (especially on the remaster -great job whoever is responsible )Song selection is what they were doing back then .This is the disc that has the famous , Buddy Holly's "Not Fade Away'' seguing into Woody Guthries' , "Goin Down The Road Feelin Bad" and the superb Big Railroad Blues(was that Gus Cannon's Jug Stompers?) .All tunes contain astounding band performances Kicking off with "Bertha" ,and Jerry's axe shines throughout . I would recommend this to anyone new to the Dead ,as a great place to start. This remastered version contains two extra tracks that could have been left off .. The Coasters' Im A Hog For You Baby,and Buddy Holly's Oh Boy! .. 'Hog' is the better of the two , but neither of these performances enhance the disc .. but, there again .. some Deadheads might be ecstatic that this extra material is on here.
Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale
Average customer rating: 5 out of 5 stars
  • Review of Lauridsen: Lux Aeterna/Salamunovich, Los Angeles Master Chorale
  • So beautiful that it hurts.
  • Excellent
  • Great CD
  • Glorious, but not Perfection
Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale
M. Lauridsen
Manufacturer: Rubeda Canis Musica
ProductGroup: Music
Binding: Audio CD

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  5. Lauridsen: Northwest Journey

ASIN: B000006OF1
Release Date: 1998-05-19

Tracks:

  1. Introitus - Lux Aeterna
  2. In Te, Domine, Speravi - Lux Aeterna
  3. O Nata Lux - Lux Aeterna
  4. Veni, Sancte Spiritus - Lux Aeterna
  5. Agnus Dei - Lus Aeterna - Lux Aeterna
  6. En Une Seule Fleur - Les Chansons Des Roses
  7. Contre Qui, Rose - Les Chansons Des Roses
  8. De Ton Reve Trop Plein - Les Chansons Des Roses
  9. La Rose Complete - Les Chansons Des Roses
  10. Dirait - On - Les Chansons Des Roses
  11. Ave Maria - Ave Maria
  12. MID WINTER SONGS: Lament For Pasiphae - M. LAURIDSEN
  13. MID WINTER SONGS: Like Snow - M. LAURIDSEN
  14. MID WINTER SONGS: She Tells Her Love While Half Asleep - M. LAURIDSEN
  15. MID WINTER SONGS: Mid-Winter Waking - M. LAURIDSEN
  16. MID WINTER SONGS: Intercession In Late October - M. LAURIDSEN
  17. O Magnum Mysterium - O Magnum Mysterium

Amazon.com

Modern choral music for amateur singers may be America's biggest musical underground. That's the only explanation of why Grammy-nominated composer Morten Lauridsen can claim that his works are some of the most often-performed new pieces in years, although few among the East Coast intelligentsia have ever heard of him. Like the similarly popular John Rutter, Lauridsen inhabits an extremely conservative style directed simply and single-mindedly at showing off the beauty of choral singing while it illustrates inspiring texts. Unlike many of his fellow neo-Romantic conservatives, Lauridsen displays a brand of conservatism that is completely convincing and sincere. His music also has range, from the spellbindingly rapturous Lux aeterna to his playful settings of Rilke's poems about the beauty and thorniness of roses in Les chansons des roses. There is, moreover, a Coplandesque streak heard in his Mid-Winter Songs, which are settings of poems by Robert Graves. Though the Los Angeles Master Chorale has a suitably red-blooded sound, the music would be better served with more precise diction. --David Patrick Stearns

Customer Reviews:

5 out of 5 stars Review of Lauridsen: Lux Aeterna/Salamunovich, Los Angeles Master Chorale.......2007-05-13

This is a fabulous CD! I have sung at least one of the compositions on the CD in a choral society to which I belong. I am also familiar with the composer and love his music. The Los Angeles Master Chorale is a wonderful music group!

5 out of 5 stars So beautiful that it hurts........2007-04-27

Two days ago I had never heard of Morten Lauridsen (shame on me). Our local PBS station (WITF in Harrisburg, PA) opened its morning show a few days ago at 9 AM with his lovely "Sure on This Shining Night," a segment of a poem by James Agee. I could not work for an hour after hearing it. Students entered my office and left quickly at the sight of my dazed look. I immediately purchased three recordings, and this one, "Lux Aeterna," is my favorite. The music is so beautiful that it hurts.

Buy this album now. The music is truly exquisite. The performance is outstanding. The CD is a masterpiece. After one hearing of Lauridsen's "Lux Aeterna," I tell you the truth: I could not sleep the entire night. The music was with me all night, and it continues to resonate through my soul.

5 out of 5 stars Excellent.......2007-04-06

Excellent recording - Lauridsen music represents the best choral composers of this age. This CD captures as many of his best compositions as one can expect - Great buy.

5 out of 5 stars Great CD.......2007-02-17

I purchased this CD a couple of years ago when my daughter was working up a couple of Lauridsen works for an audition recording she was doing for her college application (she got in). Besides the sentimental association with that time, this CD has remained a treasured part of out listening library. These are truly 20th century masterpieces of choral music. The recording is among the very best of any type that I have heard. Even if you don't normally like choral music this is a CD to treasure.

5 out of 5 stars Glorious, but not Perfection.......2007-01-20

Morten Lauridsen has a style as distinctively recognizable as Mozart or Beethoven--if you have heard or sung a few of his works, an unfamiliar title will still sound like an old friend. I have to admit I love the aural world which Lauridsen creates.

This recording displays Lauridsen at his best--the long-standing working relationship between the Los Angeles Master Chorale and the composer give these performances an authority and credibility which would be the envy of any group. The Chorale voices display a depth and maturity (particularly in the Bass and Alto sections) which I miss in college choirs, yet the control is perfect.

The works are recorded in the Sacred Heart Chapel of Loyola Marymount University--a very live acoustic, which contributes to the wonderful sense of blend and sonic depth in these pieces. This sonorous glory does have a price, however. The wonderful texts are quite frequently muddled a bit. The enunciation and diction are not as clear on this recording as one might have expected from this group. That is a small cavil, however--intonation and interpretation are flawless.

Buy this, put it in your CD player, turn it up, and enjoy it. If you love choral music, you need to own this disc.

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