Das Konzert

1. Feuer

2. Jeder Is Zum Habn

3. Manchmal Denk I No an Di

4. Die Zahnspange

5. Sonnenuntergänge

6. Der General

7. Kein Schöner Land

8. Ganz Von Allan

9. Malibu

10. Es Lebe Der Sport

11. Macho Macho

12. Tango Korrupti

13. Tränen Trocknen Schnell

14. Voller Mond [*]

15. Paradies [*]

16. Strada del Sole

Das Konzert,Rainhard Fendrich,Ariola,World Music

Average customer rating: Lutheran Oratorical Passion with French-Style Recitative

St. Matthew Passion (Matthaus Passion 1746) Hermann Max , Wilfried Jochens , Klaus Mertens , Rheinische Kantorei , and Das Kleine Konzert Manufacturer: Capriccio ProductGroup: Music Binding: Audio CD Telemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00002DH3Q Release Date: 1999-11-02

Tracks:

1. St. Matthew Passion: No.1 Chor: Lasst Uns Mit Ernst Betrachten
2. St. Matthew Passion: No.2 Recitativo & Arioso: Und Da Sie Den Lobgesang Gesprochen Hatten - Wilfried Jochens/Klaus Mertens
3. St. Matthew Passion: No.3 Chor: Treulich Hast Du Ja Gesuchet
4. St. Matthew Passion: No.4 Recitativo & Arioso: Wenn Ich Aber Auferstehe - Klaus Mertens/Wilfried Jochens/Sebastian Hubner
5. St. Matthew Passion: No.5 Aria: Ich Dich Verleugnen!/Recitativo: Desgleichen Sagten Auch Die... - Sebastian Hubner/Wilfried Jochens/Rheinische Kantorei/Hermann Max
6. St. Matthew Passion: No.6 Recitativo: Da Kam Jesus Mit Ihnen Zu Einem Hofe - Wilfried Jochens/Klaus Mertens
7. St. Matthew Passion: No.7 Chor: Reiche Deinem Schwachen Kinde
8. St. Matthew Passion: No.8 Recitativo: Zum Andernmal GIng Er Aber Hin - Wilfried Jochens/Klaus Mertens
9. St. Matthew Passion: No.9 Aria: Den Sanften Schlaf, Den Sussen Schlummer
10. St. Matthew Passion: No.10 Recitativo: Und Als Er Noch Redete - Wilfried Jochens/Christoph Burmester-Streffer/Klaus Mertens
11. St. Matthew Passion: No.11 Chor: Wehe, Aufruhr, Eilet, Helfet!
12. St. Matthew Passion: No.12 Recitativo: Und Siehe, Einer Aus Denen, Die Mit Jesu Waren - Wilfried Jochens/Klaus Mertens
13. St. Matthew Passion: No.13 Aria - Die Unschuld: Mogen Wir Doch Ohne Grauen
14. St. Matthew Passion: No.14 Recitativo: Aber Das Ist Alles Geschehen - Wilfried Jochens/Uwe Czyborra-Schroder/Koen Van Stade/Bernhard Scheffel/Klaus Mertens
15. St. Matthew Passion: No.15 Aria - Die Wahrheit: Zerreiss Das Herz Und Nicht Die Kleider - Klaus Mertens
16. St. Matthew Passion: No.16 Recitativo & Chor: Er Ist Des Todes Schuldig - Rheinische Kantorei/Hermann Max/Wilfried Jochens/Veronika Winter/Sebastian Hubner/Carmen Schuller
17. St. Matthew Passion: No.17 Recitativo: Da Hub Er An Sich Zu Verfluchen - Sebastian Hubner/Wilfried Jochens/Christoph Burmester-Streffer
18. St. Matthew Passion: No.18 Chor: Was Gehet Uns Das An!
19. St. Matthew Passion: No.19 Recitativo: Und Er Warf Die Silberlinge In Den Tempel - Wilfried Jochens/Klaus Mertens
20. St. Matthew Passion: No.20 Chor: Es Taugt Nicht
21. St. Matthew Passion: No.21 Recitativo: Sie Hielten Aber Einen Rat - Ekkehard Abele/Wilfried Jochens/Klaus Mertens
22. St. Matthew Passion: No.22 Aria: Dein Konigreich Ist Ohne Ende
23. St. Matthew Passion: No.23 Recitativo: Und Da Er Verklaget Ward - Ekkehard Abele/Wilfried Jochens
24. St. Matthew Passion: No.24 Chor: Barrabam
25. St. Matthew Passion: No.25 Recitativo: Pilatus Sprach Zu Ihnen - Ekkehard Abele
26. St. Matthew Passion: No.26 Chor: Lass Ihn Kreuzigen
27. St. Matthew Passion: No.27 Recitativo: Der Landpfleger Sagte - Ekkehard Abele/Wilfried Jochens
28. St. Matthew Passion: No.28 Chor: Lass Ihn Kreuzigen
29. St. Matthew Passion: No.29 Recitativo: Da Aber Pilatus Sahe - Ekkehard Abele/Wilfried Jochens
30. St. Matthew Passion: No.30 Chor: Sein Blut Komme Uber Uns
31. St. Matthew Passion: No.31 Recitativo: Da Gab Er Ihnen Barrabam Los
32. St. Matthew Passion: No.32 Aria - Die Bussfertige Seele: Mit Dornen, Die Des Fluches Zeichen
33. St. Matthew Passion: No.33 Recitativo: Und Beugten Die Knie Vor Ihm
34. St. Matthew Passion: No.34 Chor: Gegrusset Seist Du, Judenkonig
35. St. Matthew Passion: No.35 Recitativo: Und Speieten Ihn An
36. St. Matthew Passion: No.36 Aria: Meinen Rucken Hielt Ich Dar
37. St. Matthew Passion: No.37 Recitativo: Und Da Sie Ihn Verspottet Hatten
38. St. Matthew Passion: No.38 Aria - Der Glaube: Lass Mich Mein Teil Bei Deinem Sterben
39. St. Matthew Passion: No.39 Recitativo: Und Sie Sassen Allda Und Huteten Sein
40. St. Matthew Passion: No.40 Chor: Gegrusset Seist Du, Meine Kron'
41. St. Matthew Passion: No.41 Recitativo: Da Wurden Zweene Morder Mit Ihm Gekreuziget
42. St. Matthew Passion: No.42 Chor: Der Du Den Tempel Gottes Abbrichst
43. St. Matthew Passion: No.43 Recitativo: Desgleichen Auch Die Hohenpriester Spotteten Sein
44. St. Matthew Passion: No.44 Chor: Andern Hat Er Geholfen
45. St. Matthew Passion: No.45 Recitativo: Desgleichen Taten Auch Die Morder
46. St. Matthew Passion: No.46 Chor: Du, O Herr, Hast Ausgestanden
47. St. Matthew Passion: No.47 Recitativo: Und Von Der Sechsten Stunde An - Klaus Mertens/Wilfried Jochens
48. St. Matthew Passion: No.48 Chor: Er Rufet Den Elias
49. St. Matthew Passion: No.49 Recitativo: Und Alsbald Lief Einer Unter Ihnen
50. St. Matthew Passion: No.50 Chor: Halt! Lasst Sehen
51. St. Matthew Passion: No.51 Recitativo: Aber Jesu Schrie Abermals Laut Und Verschied
52. St. Matthew Passion: No.52 Chor: Dess Sollen Wir Uns Trosten Gegen Sund Und Tod

Customer Reviews:

Lutheran Oratorical Passion with French-Style Recitative.......2005-07-24

Georg Philipp Telemann differed from his friend and colleague Johann Sebastian Bach in that he was even more prolific, producing so much music that it has never been completely catalogued even until today. This enormous mass of music includes a large number of oratorical passions composed during the time that Telemann was music director of the city of Hamburg in North Germany. The 1746 Matthew Passion recorded here is, in some ways, typical of such works written for use in Lutheran Churches at Eastertide: there is an evangelist who declaims verbatim the words of St. Matthew’s Gospel; the words of the other characters are sung by individual singers (Peter, Pilate, Judas Iscariot etc.); the recitative is divided into “secco” and “arioso”; and there are “arias” sung by various members of the cast or, as here in a number of instances, by allegorical figures such as “The Penitent Soul” or “Faith”, always with pious, devotional texts responding to what is happening in the Gospel. There are “turbae” scenes sung by the choir, and, of course, individual verses of hymns well-known to the congregation interspersed in the whole.

Where Telemann’s 1746 St. Matthew Passion differs from many contemporary works is its use of French-style changes of metre within the recitative, enabling Telemann to create a very smooth-flowing narrative and releasing him from the straightjacket of the normal regular declamation expected. The result is a pleasing, fast-flowing Passion that appears to look forward to the music of the next half-century rather than back to the monumental baroque works of Bach or Schütz.

This recording is of a live performance given by the Rheinische Kantorei and Das Kleine Konzert at the cathedral in Knechtsteden on 24th September, 1998. As always with live performances, there are certain disadvantages: you hear the coughing of the audience, occasionally someone accidentally touches a microphone, and once or twice there are inaccuracies in the choir that would have been corrected in a studio recording. On the other hand, the live atmosphere is something that a studio recording cannot achieve, and anyway, one would normally be lucky to hear a performance as good as this anywhere. The part of the evangelist is sung excellently by tenor Wilfried Jochens, and he is joined by Klaus Mertens as a very sovereign Jesus. The other solo parts are taken, it seems, by members of the Rheinische Kantorei, all the male soloists being members of the choir on the evening, while the two female soloists, Veronika Winter, soprano, and Carmen Schüller, alto, did not have the extra burden of singing in the choir.

The result is a fast-moving, enjoyable Passion that, although it does not have the stature of Bach’s ”Matthäuspassion”, is a moving experience both musically and spiritually.

Average customer rating:

Christoph Graupner: Two Overtures; Cantata Manufacturer: Cpo Records ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B00000IXJ6 Release Date: 1999-06-01

Tracks:

1. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Ouverture
2. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Air en Rondeau
3. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Air
4. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Menuet I - II
5. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Ruissance
6. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Uccellino chiuso (flauto traverso solo)
7. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Air alla polonese
8. Overture a 2 Corni di Selva, Tympani, 2 Violini, Viola e Cembalo in G: Menuet
9. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Dictum - Tombeau
10. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Recitativo
11. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Aria - Tombeau
12. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Recitativo
13. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Aria
14. Cantata For The Sixteenth Sunday After Trinity For Four Voices: Chorale
15. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Ouverture
16. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Rondeau
17. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Polonoise
18. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: La Costanza
19. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Menuet I - II
20. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Il Sospetto
21. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: La Noia
22. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Villanella
23. Ouverture a 2 Flauti Traversi, 2 Violini, Viola e Cembalo in D: Menuet I - II

Average customer rating: Kein schoener Land

Das Konzert Rainhard Fendrich Manufacturer: Bmg/Ariola ProductGroup: Music Binding: Audio CD General | International | Styles | Music Austria | Continental Europe | Europe | International | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music International | Imports | Stores | Music Rock | Imports | Stores | Music ASIN: B00000AQRR Release Date: 1989-04-24

Tracks:

1. Feuer
2. Jeder Is Zum Habn
3. Manchmal Denk I No an Di
4. Die Zahnspange
5. Sonnenunterge
6. Der General
7. Kein Sch Land
8. Ganz Von Allan
9. Malibu
10. Es Lebe Der Sport
11. Macho Macho
12. Tango Korrupti
13. Trn Trocknen Schnell
14. Voller Mond [*]
15. Paradies [*]
16. Strada del Sole

Customer Reviews:

Kein schoener Land.......2000-04-08

This is a classic recording- several years old. But I enjoy listening to it every time- his songs reflect carefully choosen words- mixed with the Austrian dialect- humour and satire. Great.

Average customer rating:

Organ Landscape: Mecklenburg - Martin Rost Georg Riemenschneider , Hermann Ernst Koch , Georg Gothe , Adolf Emge , Felix Mendelssohn , Johannes Brahms , George Hepworth , Theodor Friese , Heinrich Reimann , and Martin Rost (Organ) Manufacturer: MD&G Records ProductGroup: Music Binding: Audio CD All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B000028AN2 Release Date: 2003-09-23

Tracks:

1. Toccata D-Moll BuxWV 155
2. Allein Zu Dir, Herr Jesu Christ
3. Allein Gott In Der Hoh Sei Ehr
4. Praeludium
5. Praeludium Pedaliter
6. Was Mein Gott Will, Das Gescheh Allzeit
7. Auf Meinen Lieben Gott: 1, 2 Double, 3 Sarabande, 4 Courante, 5 Gigue
8. Fuge C-Dur
9. Herzilich Tut Mich Verlangen
10. Jesu Meine Freude
11. Fantasie F-Dur
12. Adagio D-Moll
13. Ouverture B-Dur
14. Jesus Christus, Unser Heiland (2 Claviere Und Pedal)
15. Jesus Christus, Unser Heiland (Pro Organo Pleno)
16. Improvisation Uber Den Choral, Wachet Auf Ruft Uns Die Stimme
17. Konzert-Praludium A-Dur Op.25
18. Choralvorspiele: 1. O Selig Haus, Wo Man Dich Aufgenommen, 2.Die Nacht Vergeth, 3. Lob Gott Getrost Mit Singen, 4. Schmucke Dich, O Liebe Seele

Tracks:

1. Toccata A-Moll
2. 1. Befiehl Du Deine Wege, 2.Choralsatz (Improvistation), 3.Befiehl Du Deine Wege
3. Nun Hosianna, Davids Sohn
4. Praludium A-Dur
5. 1. Choral, 2. Andante Sostenuto, 3. Allegro Molto
6. Fuga. Sostenuto E Legato
7. Finale. Andante
8. O Wie Selig Seid Ihr Doch, Ihr Frommen
9. Herzlich Tut Mich Verlangen
10. O Welt, Ich Muss Dich Lassen
11. Allegro Non Troppo
12. Adagio
13. Finale
14. Improvisation - Postludium Zum Choral, Wunderbarer Konig
15. Vorspiel Es-Dur
16. Moderato 'Was Gott Tut, Das Ist Wohlgetan'
17. Adagio 'Jesus Ist Mein Hirt'
18. Andante 'O Du Liebe'
19. 1. Unser Herrscher, Unser Konig (Choralvorspiel), 2. Unser Herrscher, Unser Konig
20. 1. Phantasie, 2. Fuge

Average customer rating: Very professional.

Bach: St. Matthew Passion Monika Frimmer , Wilfried Jochens , Klaus Mertens , Lena Susanne Norin , Christoph Pregardien , Das Kleine Konzert , and Rheinische Kantorei Manufacturer: Capriccio ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B000001WW0 Release Date: 1996-05-21

Tracks:

1. St. Matthew Passion: Part One: No. 1: Chorus: 'Kommt, ihr Tochter'
2. St. Matthew Passion: No. 2: Recitative: 'Da Jesus diese Rede'
3. St. Matthew Passion: No. 3: Chorale: 'Herzliebster Jesu'
4. St. Matthew Passion: No. 4a: Recitative: 'Da versammleten sich die Hohenpriester' No. 4b: Chorus: 'Ja nicht auf das Fest' No. 4c: Recitative: 'Da nun Jesus' No. 4d: Chorus: 'Wozu dienet dieser Unrat?' No. 4e: Recitative: 'Da das Jesus merkete'
5. St. Matthew Passion: No. 5 Recitative: 'Du lieber Heiland du'
6. St. Matthew Passion: No. 6 Aria: 'Buss' und Reu''
7. St. Matthew Passion: No. 7: Recitative: 'Da ging hin der Zwolfen Einer'
8. St. Matthew Passion: No. 8: Aria: 'Blute nur, du liebes Herz!'
9. St. Matthew Passion: No. 9a: Recitative: 'Aber am ersten Tage' No. 9b: Chorus: 'Wo willst du' No. 9c: Recitative: 'Er sprach: Gehet hin' No. 9d: Recitative: 'Und sie wurden sehr betrubt' No. 9e: Chorus: 'Herr, bin ich's?'
10. St. Matthew Passion: No. 10: Chorale: 'Ich bin's, ich sollte bussen'
11. St. Matthew Passion: No. 11: Recitative: 'Er antwortete und sprach'
12. St. Matthew Passion: No. 12: Recitative: 'Wiewohl mein Herz'
13. St. Matthew Passion: No. 13: Aria: 'Ich will dir mein Herze schenken'
14. St. Matthew Passion: No. 14: Recitative: ' Und da sie den Lobgesang'
15. St. Matthew Passion: No. 15: Chorale: 'Erkenne mich, mein Huter'
16. St. Matthew Passion: No. 16: Recitative: 'Petrus aber antwortete'
17. St. Matthew Passion: No. 17: Chorale: 'Ich will hier bei dir stehen'
18. St. Matthew Passion: No. 18: Recitative: 'Da kam Jesus'
19. St. Matthew Passion: No. 19: Recitative with Chorus: 'O Schmerz!'
20. St. Matthew Passion: No. 20: Aria with Chorus: 'Ich will bei meinem Jesu'
21. St. Matthew Passion: No. 21: Recitative: 'Und ging hin ein wenig'
22. St. Matthew Passion: No. 22: Recitative: 'Der Heiland fallt'
23. St. Matthew Passion: No. 23 Aria: 'Gerne will ich mich bequemen'
24. St. Matthew Passion: No. 24: Recitative: 'Und er kam zu seinen Jungern'
25. St. Matthew Passion: No. 25: Chorale: 'Was mein Gott will'
26. St. Matthew Passion: No. 26: Recitative: 'Und er kam'
27. St. Matthew Passion: No. 27a: Aria with Chorus: 'So ist mein Jesus nun gefangen' No. 27b: Chorus: 'Sind Blitze, sind Donner'
28. St. Matthew Passion: No. 28: Recitative: 'Und siehe, einer aus denen'
29. St. Matthew Passion: No. 29: Chorale: 'O Mensch, bewein' dein' Sunde gross'
30. St. Matthew Passion: No. 30: Aria with Chorus: 'Ach, nun ist mein Jesus hin!'
31. St. Matthew Passion: No. 31: Recitative: 'Die aber Jesum gegriffen hatten'
32. St. Matthew Passion: No. 32: Chorale: 'Mir hat die Welt'
33. St. Matthew Passion: No. 33: Recitative: 'Und wiewohl viel falsche Zeugen herzutraten'
34. St. Matthew Passion: No. 34: Recitative: 'Mein Jesus schweigt'
35. St. Matthew Passion: No. 35: Aria: 'Geduld, Geduld'

Tracks:

1. St. Matthew Passion: No. 36a: Recitative: 'Und der Hohepriester' No. 36b: Chorus: 'Er ist des Todes schuldig' No. 36c: Recitative: 'Da speieten sie aus' No. 36d: Chorus: 'Weissage uns'
2. St. Matthew Passion: No. 37: Chorale: 'Wer hat dich so geschlagen'
3. St. Matthew Passion: No. 38a: Recitative: 'Petrus aber sass draussen im Palast' No. 38b: Chorus: 'Wahrlich, du bist auch einer von denen' No. 38c: Recitative: 'Da hub er an, sich zu verfluchen'
4. St. Matthew Passion: No. 39: Aria: 'Erbarme dich, mein Gott'
5. St. Matthew Passion: No. 40: Chorale: 'Bin ich gleich von dir gewichen'
6. St. Matthew Passion: No. 41a: Recitative: 'Des Morgens aber' No. 41b: Chorus: 'Was gehet uns das an?' No. 41c: Recitative: 'Und er warf die Silberlinge'
7. St. Matthew Passion: No. 42: Aria: 'Gebt mir meinen Jesum wieder!'
8. St. Matthew Passion: No. 43: Recitative: 'Sie hielten aber einen Rat'
9. St. Matthew Passion: No. 44: Chorale: 'Befiehl du deine Wege'
10. St. Matthew Passion: No. 45a: Recitative: 'Auf das Fest aber hatte' No. 45b: Chorus: 'Lass ihn kreuzigen!'
11. St. Matthew Passion: No. 46: Chorale: 'Wie wunderbarlich'
12. St. Matthew Passion: No. 47: Recitative: 'Der Landpfleger sagte'
13. St. Matthew Passion: No. 48: Recitative: 'Er hat uns allen wohlgetan'
14. St. Matthew Passion: No. 49: Aria: 'Aus Liebe will mein Heiland sterben'
15. St. Matthew Passion: No. 50a: Recitative: 'Sie schrieen aber noch mehr' No. 50b: Chorus: 'Lass ihn kreuzigen!' No. 50c: Recitative: 'Da aber Pilatus sahe' No. 50d: Chorus: 'Sein Blut komme uber uns' No. 50e: Recitative: 'Da gab er ihnen Barrabam los'
16. St. Matthew Passion: No. 51: Recitative: 'Erbarm' es Gott!'
17. St. Matthew Passion: No. 52: Aria: 'Konnen Tranen meiner Wangen'
18. St. Matthew Passion: No. 53a: Recitative: 'Da nahmen die Kriegsknechte' No. 53b: Chorus: 'Gegrusset seist du' No. 53c: Recitative: 'Und speieten ihn an'
19. St. Matthew Passion: No. 54: Chorale: 'O Haupt voll Blut und Wunden'
20. St. Matthew Passion: No. 55: Recitative: 'Und da sie ihn verspittet hatten'
21. St. Matthew Passion: No. 56: Recitative: 'Ja! freilich will in uns das Fleisch und Blut'
22. St. Matthew Passion: No. 57: Aria: 'Komm, susses Kreuz'
23. No. 58a: Recitative: 'Und da sie an die Statte kamen' No. 58b: Chorus: 'Der du den Tempel' No. 58c: Recitative: 'Desgleichen auch die Hohenpriester' No. 58d: Chorus: 'Andern hat er geholfen' No. 58e: Recitative: 'Desgleichen schmaheten ihn'
24. St. Matthew Passion: No. 59: Recitative: 'Ach, Golgatha'
25. St. Matthew Passion: No. 60: Aria with Chorus: 'Sehet, Jesus hat die Hand'
26. St. Matthew Passion: No. 61a: Recitative: 'Und von der sechsten Stunde an' No. 61b: Chorus: 'Der rufet dem Elias' No. 61c: Recitative: 'Und bald lief einer unter ihnen' No. 61d: Chorus: 'Halt, lasst sehen' No. 61e: Recitative: 'Aber Jesus schriee aberm...
27. St. Matthew Passion: No. 62: Chorale: 'Wenn ich einmal soll scheiden'
28. St. Matthew Passion: No. 63a: Recitative: 'Und siehe da' No. 63b: Chorus: 'Wahrlich, dieser ist Gottes Sohn gewesen' No. 63c: Recitative: 'Und es waren viel Weiber da'
29. St. Matthew Passion: No. 64: Recitative: 'Am Abend, da es kuhle war'
30. St. Matthew Passion: No. 65: Aria: 'Mache dich, mein Herze, rein'
31. St. Matthew Passion: No. 66a: Recitative: 'Und Joseph nahm den Leib' No. 66b: Chorus: 'Herr, wir haben gedacht' No. 66c: Recitative: 'Pilatus sprach zu ihnen'
32. St. Matthew Passion: No. 67: Recitative with Chorus: 'Nun ist der Herr zur Ruh gebracht'
33. St. Matthew Passion: No. 68: Chorus: 'Wir setzen uns mit Tranen nieder'

Customer Reviews:

Very professional........2003-04-22

This is a very professionally performed HIP matthew passion. Hermann Max conducts and his tempos almost exactly mimic the likes of Herreweghe. He uses woman sopranos and a 50/50 mix for the altos. Forces are rather small; 3-5 to a part. He is dynamic and does not conduct too wooden like. There is the exception of the chorales. They are way too fast. Same fault as Herreweghe. The audience should be meditating on them; instead they are left trying to keep up with the frenetic pace just to comprehend the words.

Soloists range from good to superb, with the woman alto soloist (Lena Susanne Norin) being the superb (as good if not better than Scholl) and the rest being good. Pregardien is excellent as an evangelist; however, his same fault as Bostridge lies in his inability to be believable. Equiluz (Harnoncourt 1972?) and Cuenod (Scherchen 1953) remain the only two I've ever heard which were believable. And even Equiluz not totally so. Very beautiful and dramatic was Pregardien, but you could almost see him staring at the score as you listened. Of course, most singers these days seem to have this "impersonal" problem.

Virtuosity of all singers involved is almost unparalleled. The choir was very precise and had some feeling. Everyone and everything blended very well. Which is why I say this was very professional. I really wonder why not many people seem to know about it. It is a wonderful recording at a lower price. It also fits on 2 cds which makes it easier to listen to. Liner notes are very good (very thick!) and the case comes in a carboard cover to protect it from being scratched. My 4 star rating means that I recommend it as being one of the fifteen best recordings out there at this piece.

Average customer rating:

Das Vatikan-Konzert Zu Ehren Seiner Heiligkeit Papst Benedikt XVI Manufacturer: United One Records ProductGroup: Music Binding: Audio CD All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pfitzner | Pfitzner, Hans | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B000CPGV6U Release Date: 2006-02-28

Average customer rating: Historical performance! Memories from a Historic Moment Matchless!

Das Konzert: Beethoven Piano Concerto No. 1 and Symphony No.7 Ludwig van Beethoven , Daniel Barenboim , and The Berlin Philharmonic Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Barenboim, Daniel | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music ASIN: B0000026ZY Release Date: 1990-03-30

Tracks:

1. Concerto For Piano And Orchestra, No.1 In C Major, Op.15: Allegro con brio
2. Concerto For Piano And Orchestra, No.1 In C Major, Op.15: Largo
3. Concerto For Piano And Orchestra, No.1 In C Major, Op.15: Rondo: Allegro scherzando
4. Symphony No.7 In A Major, Op.92: Poco sostenuto - Vivace
5. Symphony No.7 In A Major, Op.92: Allegretto
6. Symphony No.7 In A Major, Op.92: Scherzo: Presto
7. Symphony No.7 In A Major, Op.92: Finale: Allegro con brio

Customer Reviews:

Historical performance!.......2005-12-26

The historical concert of Berlin will persist in our memory for a long time. Recorded just three days after that unforgettable day, November 9, 1989.The emotive burden is present all along this Concert; from the first bars of that excellent performance of The First Piano Concerto Op. 15 to the last bar of the Seventh Symphony. Daniel Barenboim conducted from the Piano in the First Half of the program. The encore was just after the Piano Concerto with the Andante of Mozart ` s Piano Sonata Kn. 333, that pitifully was not added to CD.

The astonished faces, the human warmth and the expressive gestures of a crowd who had never had the possibility to presence a live recording with the main orchestra of his beloved city.

I don' t doubt just a second about its gradual historical importance through the years to come.

Memories from a Historic Moment.......2003-10-03

An exellent CD from a moment in history that never will be forgotten. Daniel Barenboim and the Berlin Filharmonics have not rehersed before the concert - the decision of inviting the guests from DDR was taken on the evening before. You can hear the emotions from the conductor and the conductor. You can feel the presence of the big audience.
Lean back and take it in. Let your thoughts wander, let the memories come.
Then ...... try to find the very hard to find Video.
I found it on Amazon.com .... it is the most valuable video I have.

Matchless!.......2003-01-03

The emotion of this recording is one of the reasons that make this the best version of both works available today. Recorded live on November 12, 1989 at a special concert given for the visitors from East Germany. Barenboim surpasses himself as both a conductor and soloist. The Largo movement of the Concerto is unsurpassed in its poignancy. One phrase always brings tears to my eyes. Finally, you will never again hear the Symphony No. 7 without remembering the cheers of the audience at the end of the last movement. They are unforgettable and the listener now joins in the cheers.

Average customer rating:

Das Konzert Nov. 1989 Berliner Philharmonic - Daniel Barenboim - Beethoven #1 op15 - #7 op.92 ProductGroup: Music Binding: Audio CD ASIN: B000TDCL46

Product Description

Das Konzert - November 1989 - Berliner Philharmonicker - Daniel Barenboim soloist and Dirigent / SONY Classical Disc - 1989 issue / Ludwig Van Beethoven - Konzert fur Klavier und Orchester Nr. 1 C - Dur, op.15 / Beethoven Symphonie Nr. 7 A dur, op. 92.

Average customer rating:

Johann Ernst Bach: Passionsoratorium Manufacturer: Capriccio ProductGroup: Music Binding: Audio CD General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music ASIN: B000001WN9 Release Date: 1992-12-12

Average customer rating:

Fasch: Cantatas, Psalm 119 Fasch , Mertens , Das Kleine Konzert , and Hermann Max Manufacturer: Cpo Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music ASIN: B00005Y2IY Release Date: 2002-02-01

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