| 1. To My Friend Michale |
| 2. Let's Dance |
| 3. Sounds Of Safed |
| 4. Silk Night Gown |
| 5. Rozhinkes Mit Mandlen |
| 6. Bublitschki |
| 7. Vehaeir Eineinu |
| 8. Old Klezmer Band |
| 9. Let's Sing |
| 10. To Giora The Klezmer |
| 11. Desert Dawn |
| 12. Come In Peace |
| 13. Bouncing (Niturim) |
| 14. New Freilach |
Viva el Klezmer,Giora Feidman,BMG,Israel,Jewish,Jewish Music,Klezmer,World Music
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Frida
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LLNV Release Date: 2002-10-22 |
Tracks:
- Benediction and Dream
- The Floating Bed
- El Conejo
- Paloma Negra
- Self-Portrait with Hair Down
- Alcoba Azul
- Carabina 30/30
- Solo Tu
- El Gusto
- The Journey
- El Antifaz
- The Suicide of Dorothy Hale
- La Cavalera
- La Bruja
- Portrait of Lude
- La Llorona
- Estrella Oscura
- Still Life
- Viva La Vida
- The Departure
- Coyoacan and Variations
- La Llorona
- Burning Bed
- Burn It Blue
Amazon.com
She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulleyCustomer Reviews:
Revolutionary times.......2007-05-14
Black Dove.......2007-05-13
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.
makes me want to dance .......2007-05-07
Enjoy!.......2006-12-30
FRIDA would be proud.......2006-10-20
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Viva El Mariachi!
Nati Cano's Mariachi Los Camperos Manufacturer: Smithsonian Folkways ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006BXKB Release Date: 2002-08-13 |
Tracks:
- The Muleteers
- San Miguel El Alto
- It Was Easy For Me
- The Little Pleasure
- The Gem
- The Man From Autlan
- Black Dove
- Green Eyes
- The Trees Of The Ravine
- The Woman From Malaga
- The Virgin Of Talpa
- You Say You Are Going Away
- Blind Love
- The Goldfinch
- Tequila With Lime
- Between Sigh And Sigh
- The Man From Cihuatlan
Customer Reviews:
Excellent purchase.......2006-07-31
Viva el Mariachi!.......2006-06-14
Quintessential.......2005-01-05
1) Great Rhythmic Diversity
2) Three Part Vocal Harmonies on Boleros
3) The integrity of improvised Fiddling on Huapangos
4) Frantic pace on the syncopated Sones Jalisciences
An extra treat comes with this CD!.......2004-07-23
What is fascinating is the story of Los Angeles mariachi band Nati Cano's Mariachi Los Camperos and is primarily based on interviews with Nati Cano in 1999. Cano born in 1933 grew up in Mexico and at 6 years old, he learned the vihuela, the violin. And at 8 years old, was playing professionally in the cantinas with his father and grandfather.
There was a time that mariachi music wasn't always received well in the very early days. Cano recalls a painful experience upon entering the cantinas, a sign that read "no women, men in uniform, beggars, street vendors, mariachis and dogs NOT allowed.
He shares wonderful stories about his start, the music, traditions, musicians, and more. Furthermore, the music is wonderful! The pure rich sound of mariachi is excellent! I always like some traditional classics and yet I am always introduced to many songs I hadn't heard of. This is refreshing! MzRizz.
Mariachi Los Camperos-Outstanding.......2004-02-16
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Music for the Spanish Kings
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059LOK Release Date: 2001-06-05 |
Tracks:
- Zappay
- Viva, Viva Rey Ferrando
- De Tous Biens Plaine
- Donde Estas Que Non Te Veo
- Figlie Guilielmin
- Amor, Che T'o Fat Hio
- Puis Fortuna
- Qu'es Mi Vida Preguntays
- Collinetto
- Dindirindin
- O Dio Se Vede Chiaro
- Il Re Di Spagna
- Dezilde Al Caballero
- Diferencias Sobre El Canto Del Caballero
- Cingari Siamo Venit'a Giocare
- Fantasia I - Fantasia II 'Salve Regina'
- Ay Luna Que Reluzes
- Gallarda Napolitana
- Vecchie Letrose
Tracks:
- Himno XIX Pange Lingua IV
- Pour Un Plaisir
- Diferencias Sobre 'La Dama Le Demanda'
- Tiento II. Cuarto Tono
- Pavana Con Su Glosa
- Fabordones Del Sexto Tono
- Tiento VIII
- Quien Llamo Al Partir, Partir?
- Tres Sobre La Alta
- Un Gay Bergier
- Diferencias Sobre 'Las Vacas'
- Tiento IX. Quinto Tono
- Para Quien Crie Cabellos
- Tiento XIII. Fuga A Cuatro
- Tiento VII. Cuarto Tono
- Diferencias Sobre La Pavana Italiana
- Je Fille Quant Dieu Me Donne De Quoy
- Tiento III. Primer Tono
Customer Reviews:
Great Addition to My Collection.......2006-10-29
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Moon, Sun & All Things
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AMQ00W Release Date: 2005-10-11 |
Tracks:
- Hanacpachp Cussicuinin
- Deus In Adiutorium
- Dixit Dominus
- Salga El Torillo Hosquillo!
- Beatus Vir
- !Viva Ignacio!!Viva!
- Laudate Dominum
- !Aqui, Valentones!
- Dios Itlazonantzine
- Ave Maris Stella
- Magnificat
- Cui Luna, Sol Et Omnia
- !Albricias, Mortales!
- Sancta Maria, E!
- !Ay, Andar!
- Dulce Jesus Mio
Customer Reviews:
Ideal performance for an unusual repertoire.......2007-05-28
Jeffrey Skidmore has made a deep research on this repertoire, including in situ revision of sources and contacts with many local musicologists. The choir and baroque ensemble, Ex Cathedra, are the ideal performers.
A fantastic program of early music from Latin America.......2006-07-10
Juan Gutierrez de Padilla (c. 1590-1664): Born in Spain, moved to Mexico in 1622
Juan de Araujo (1646-1712): Born in Spain, moved to Peru as a child, composed in Bolivia
Francisco Lopez Capillas (c. 1615-1673): Probably born in Spain, worked under Padilla in Mexico
Domenico Zipoli (1688-1726): Born in Tuscany, studied under Scarlatti, moved to Paraguay in 1716
Although this music, temporally, is from the Baroque period, much of the style reminds me of the renaissance. For instance, many of the tracks are accompanied by cornetts and sackbuts, something I consider part of the renaissance tradition. As with the "New World Symphonies" CD, the program begins with "Hanacpachap cussicuinin" an anonymous processional written in the Quechua language. This piece represents the earliest written polyphony in South America. On the present CD, the orchestration is altered and new versus are used in comparison with the version present on the first volume. This really is a fantastic piece, so it's no wonder it is reprised on the current volume.
The other music on the CD ranges from meditative choral pieces (Track 14) to lively dance pieces (Track 8) accompanied by a wide variety of percussion, including castanets and rain sticks(!). The pieces by Zipoli and Sumaya are firmly planted in the Baroque tradition. In fact, you might mistake Zipoli's 12 minute "Beatus vir" (scored for Baroque ensemble, solo soprano and chorus) for one of Vivaldi's sacred compositions. While the vibrant villancicos of Araujo, and the choral music of Capillas (think Gabrieli with less brass), remind me much more of the renaissance period.
Araujo, in particular, seems to be a major voice whose sacred and secular music should be more widely known. "Salga el torillo hosquillo" (Track 4), which is attributed to both Araujo and Salazar, would be a real crowd pleaser and is one of my favorites on this CD. Likewise, Araujo's "Ay, Andar" (Track 15), with its mesmerizing rhythm alterations between 3 + 3 and 2 + 2 + 2 patterns and "everything but the kitchen sink" orchestration, really is interesting. The musicians really have fun with this one - maybe a little too much fun ("Ay, Ay, Aye" lady, I'm talking to you).
This is a great CD, and is highly recommended for anyone with even a passing interest in early music. Full translations in English included within the CD notes. If you like this program, I would also pickup the Missa Mexicana CD recorded by the Harp Consort, featuring the compositions of Padilla.
76:50
Beautiful music from Latin America.......2006-05-27
I gave the other recording 6 stars out of 5, but only give this one a mere (!) 5 stars - simply because a couple of the soloists on a couple of pieces in this recording have a bit more of an 'operatic' sound than I care for. ~ But that's a minor quibble, and something that most people wouldn't mind, or even notice.
As I said on the related review of "New World Symphonies", this music often has a sense of ecstatic dancing, to my ears anyway.
These are the first records I've ever heard from the genre of Renaissance and Baroque music from Latin America, and I look forward to exploring the other CDs that are available.
This CD will be all things to many music lovers.......2006-01-20
Zipoli may provide the most polished music; however, "Moon, Sun & All Things" celebrates more than mere polish. The anonymous "Hanacpachap cussicuinin" from Peru has the haunting, otherworldly quality of the best Renaissance polyphony. And Manuel de Sumaya, although a native of Mexico City, reminds one again of Vivaldi. Sumaya's setting of "Albricias mortales!" ("Rejoice, mortals!") is bracing, with its solo trumpet and massed choral entries.
Interspersed with all this skillfully written liturgical music are popular choral works called villancios. These include Diego de Salazar's rambunctious "Salga el torillo hosquillo!" about bullfight and Juan de Araujo's jubilant celebration of the birth of Jesus, "Ay, andar!" Incidentally, the same composer contributes one of the more rarefied works to this collection, a beautiful--though rather archaic-sounding--setting of "Dixit Dominus."
So for sheer variety, this CD has much to offer. Even better, that variety is matched by the high quality of most of the compositions. For Jeffrey Skidmore, who tracked down this music in libraries of North and South America, the production is clearly a labor of love. And the love shows through; Ex Cathedra performs with joy and reverence throughout, and the results are wonderfully enjoyable. The recording, too, is even finer than that accorded the first CD. There is just enough reverberation to suggest the cathedrals of the New World, where this music would have been played and sung, but everything is crystal clear as well, including that wonderfully exotic percussion. Bravo, Hyperion!
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The Complete Caruso
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001TSWQO Release Date: 2004-11-09 |
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Spanish Music of Travel and Discovery/ The Waverly Consort
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004TQR2 Release Date: 2000-10-10 |
Tracks:
- Ayo Visto Lo Mappamundi
- Viva Gran Re Don Fernando
- Una Sanosa Porfia
- Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
- B'tayhi-M'saddar
- Nunca Fue Pena Mayor
- Ay Santa Maria
- Virgen, Bendita Sin Par
- El Cervel
- En Memoria D'Alixandre
- La Alta ('La Spagna')
- Pase El Agoa, Ma Julieta
- Oy Comamos Y Bebamos
- El Paso Del Mar Rojo
- Ah, El Novio No Quere Dinero!
- Kyrie: Ayo Visto Lo Mappamundi
- Ayo Visto Lo Mappamundi
- Improvisations On Ayo Visto Lo Mappamundi
Tracks:
- O Virgo Splendens
- Stella Splendens In Monte
- Laudemus Virginem/Splendens Ceptigera
- Los Set Gotxs Recomptarem
- Cuncti Simus Concanentes
- Polorum Regina
- Mariam Matrem Virginem
- Imperayritz De La Ciutat Ioyosa
- Ad Mortem Festinamus
- Ondas Do Mar De Vigo/Mandad' Ei Comigo
- Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
- Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
- Santa Maria, Strela Do Dia
- El Buesca Del Padre
- Las Hermanas Reina Y Cautiva
- El Sueno De La Hija
Customer Reviews:
Beware! two old CDs reissued with a new name.......2006-08-02
A reworking of a prior disc - but now with 2 CDs.......2006-01-27
perfect by candlelight or in the office.......2000-10-20
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Isabel Bayrakdarian ~ Azulão
Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker Manufacturer: Musica Viva ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DFZY4 Release Date: 2003-10-21 |
Tracks:
- El Majo Discreto
- El Majo Timido
- El Tra La La Y El Punteado
- La Maja De Goya
- La Maja Y El Ruisenor
- Song Of The Birds
- La Rosa Y El Sauce
- Con Que La Lavare?
- Vos me Matasteis
- De Donde Venis, Amore?
- De Los Alamos Vengo, Madre
- El Vito
- Al Amor
- Corazon, Porque Pasais?
- La Mi Sola, Laureola
- Del Cabello Mas Sutil
- Chiquitita La Novia
- El Pano Moruno
- Asturiana
- Cancion
- Nana
- Jota
- Polo
- Cancion De Cuna Para Dormir A Un Negrito
- Aria (Cantilena)
- Dance/Danse (Martel)
- Azulao
Album Description
Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).Customer Reviews:
Isabel's voice is enchanting!.......2006-10-12
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!
A real diamond!.......2006-04-13
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.
Amazing amazing stuff.......2004-10-07
I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.
The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.
Fascinating Program Beautifully Performed.......2003-11-21
First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'
The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').
Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.
The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'
I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.
TT=76:14
Scott Morrison
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Isabel I: Reina de Castilla
Hesperion XXI , Daniele Carnovich , Canciero de Montecassino Anonymous , El Cancionero de Colombina Anonymous , Johannes Cornago , Guillaume Dufay , Juan del Encina , Pedro de Escobar , Luys de Narvaez , Pedro de Tordesillas , Francisco de la Torre , Arabic-Andalusian Traditional , Sephardic Traditional , Turkish Traditional , Carlos Verardi , Jordi Savall , Carlos Mena , Andrew Lawrence-King , Begona Olavide , Luca Guglielmi , Pedro Estevan , Arianna Savall , Montserrat Figueras , and Miguel Bernal Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSNO6 Release Date: 2004-12-14 |
Tracks:
- Exultat Caelum Laudibus (Vesper's Hymn) - La Capella Reial De Catalunya
- Marcha Turca - Various Artists
- Toccata (CMC 68) - Various Artists
- Dinos, Madre Del Donsel (Villancico) (CMC 90) - Various Artists
- Je Ne Vis Oncques (CMM 46) - Andrew Lawrence-King
- La Spagna: Danza Alta (Instrumental) (CMP 321) - Hesperion XXI
- Muy Crueles Bozes Dan (Villancico) (CMC 6) - La Capella Reial De Catalunya
- Pavana (Pues Que Jamas Olvidaros) (CMP 30) - Various Artists
- Patres Nostri Peccaverunt (Hymn) (CMM 2) - La Capella Reial De Catalunya
- Viva El Gran Re Don Fernando (Instrumental) - Various Artists
- El Que Rige Y El Regido (Villancico) (CMP 275) - La Capella Reial De Catalunya
- Paseabase El Rey Moro (Romance) - Various Artists
- Levanta Pascual (Villancico) (CMP 184) - La Capella Reial De Catalunya
- Lavava Y Suspirava (Romance) - Montserrat Figueras
- Mappamundi - Various Artists
- Franceses, Por Que Rrazon? (Villancico) (CMP 424) - La Capella Reial De Catalunya
- Sanctus (CMC 47) - Various Artists
- Triste Espana Sin Ventura (Romance) (CMP 83) - La Capella Reial De Catalunya
- Cancion En Ritmo Quddan De La Nuba Gribt Al Hussein De Marruecos - B. Olavide
- Requiem Aeternam (Gradual) - La Capella Reial De Catalunya
Customer Reviews:
It's a gem!.......2006-11-21
Review: Isabel I: Reina de Castilla.......2005-07-27
Not always historically accurate, but fabulous performances.......2005-05-23
As on many other recordings by this ensemble, historical accuracy is secondary to an overall aesthetic result, and it is perhaps not difficult to understand why Savall's approach has ruffled certain musicologists. Where most of the works recorded here would have probably been performed by a small group of musicians (often a cappella), in these performances there is a wide range of instruments used in addition to the voices (including shawm, cornett and sackbuts). Four tracks have 'composed' introductions [tracks 1, 4, 10, 13], whilst Narvaez's romance [track 12] is transformed from a standard example of the genre into a hybridised Hispanic-Moorish lament.
On the other hand, it is equally apparent why this group have been greeted with such unanimous international acclaim. There is, after all, a significant difference between a sound recording and a musicological article - something which is not always as obvious as it should be in some of the more "correct" renditions of this repertory. Furthermore, there are a number of tracks which are definitely plausible [tracks 5, 8, 17, 20], as well as some which frankly do not stretch extant evidence - direct and indirect - too much [tracks 4, 15, 18; a thorough and satisfactory investigation of the political villancicos and romances - tracks 7, 10, 13, 16, 18 - has yet to be undertaken...why and in what contexts would such works be performed only by small forces, given their obvious exaggerated political overtones? Would Ferdinand and Isabella really have heard, for example, Encina's lament to their dead son [18] performed by no more than four singers in the elite isolation of their private chambers...?]
But what undoubtedly sets this recording apart from so many others of this repertory is the phenomenally high standard of these performances - unsurprisingly given the personnel line-up [Begona Olavide, Montserrat Figueras, Carlos Mena, Jean-Pierre Canihac, Markus Tapio, Andrew Lawrence-King...etc]. Given that so many tracks could be singled out to support this observation - not to mention the musicians themselves - it perhaps only remains to be said that this is without doubt one of the most incredible recordings of Cancionero songs available.
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Viva El Chicano! Their Very Best
El Chicano Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002P95 Release Date: 1991-07-01 |
Tracks:
- Viva Tirado
- The Latin One
- Brown Eyed Girl
- Cantalope Island
- El Cayuco
- Tell Her She's Lovely
- Quiet Village
- Ahora Si
- Pyramid (Of Love And Friends)
- Mas Zacate
Customer Reviews:
GREAT COMPILATION.......2003-10-07
Great latin rock.......2003-10-06
WHAT IS LATIN & SIZZLES? EL CHICANO, OF COURSE!!!!!!!!!!!!!.......2001-08-07
Loved these Latin rhythms.......1999-06-06
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Viva el Amor
The Pretenders Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JC6F Release Date: 1999-06-22 |
Tracks:
- Popstar
- Human
- From The Heart Down
- Nails In The Road
- Who's Who
- Dragway 42
- Baby's Breath
- One More Time
- Legalise Me
- Samurai
- Rabo De Nube
- Biker
Amazon.com
Chrissie Hynde is back to kick some ass. ¡Viva el Amor!, the Pretenders' first studio album since 1994's Last of the Independents, provides a reading on the singer's state of mind and relationships. Hynde and company--stalwart drummer Martin Chambers and an assortment of complementary players--take the energy level to breathtaking heights, especially on "Legalise Me," which matches Jeff Beck's incendiary guitar work against our heroine's rapid-fire delivery. Hynde shows that she can still sneer with the best of them on "Popstar," her biting send-up of late-'90s girl singers (and reportedly a roman à clef aimed in part at Patsy Kensit, who was once married to Hynde's former husband, Simple Minds' Jim Kerr). "Baby's Breath" skewers a young lover and showcases her sangfroid vocals at their chilling best. Hynde pours on more vitriol in "Biker," the record's final cut, which pairs steel-hard lyrics with an incongruously sweet string section. Nearly two decades after the release of the Pretenders' landmark debut, the Great Pretender is still feeling feisty. --Jaan UhelszkiCustomer Reviews:
Viva Los Pretenders.......2006-08-20
Chrissie and company show more adeptness here than their fine work 'Last of the Independents'. Experience with the same players brings out the best in the helmswoman and her able band. Here they're power pop perfect on "Human" and "Baby's Breath". Yet, we get both sides of the Chrissie Hynde coin: The former shows her at her most vulnerable, and the latter demonstrates she's not one to be taken lightly. "Who's Who" meets both character traits with a delivery that's nearly pop/rock perfect and more pleasing. There's at least one song with an edginess not appearing anywhere else: "Dragway 42," which adapts alternative like the band invented it. The album almost could be defined as having a Pretenders' "wall of sound," but they don't have the complacency to become formula, either. "Do It One More Time" is a mixed moment. Besides being a hard rock song, it starts with torch nightclubbiness that even increases the eclecticism of this effort. It is substantial, even if Hynde's voice uncharacteristically falters in the refrain. Then, there are spare moments that are accentuated. "My Favorite Samurai" has much more than what the surface conveys (musically, anyway). "Biker," however, is a fine anthem finale that is as bottom line musically as it is lyrically. Thoughtful, like the lead songstress, it punctuates all the observations of the good and bad in a love life, then figures out an ideal to follow up on. If it doesn't seem varied and engaging by now, then "Pop Star" and the athletic "Legalise Me" should stand up as more than exercises in rock and roll longevity.
Maybe, "They don't make 'em like they used to..." as she sings on her acerbic "Pop Star," but for the lucky few who have stayed with The Pretenders have been rewarded by a continuing update of Hynde and Co. as they continue to give it to us straight.
An excellent album.......2004-07-02
Their best since "Packed".......2003-11-06
"Popstar" is a catchy pop song with great lyrical and musical hooks that make for a good listen, but the theme is of limited interest, and when you take Chrissie Hynde's magnificent ability to be scathing and put it behind accusing someone of eating red meat, a great talent is being wasted a bit. "Human" is a light pop song reminiscent of songs on "Packed". "From the Heart Down" is a gorgeous slow love song that's among her best. The CD is largely downhill from there. "Nails in the Road" is a musically pleasing slow rocker, with well-written verses, but the nails-in-the-road metaphor in the chorus borders on silly, the "tires about to explode" line perhaps crossing the border. "Who's Who" is bubblegum-light pop, and Chrissie does such songs well, e.g. "Don't Get Me Wrong". The bitter lyrics here just don't match the sweet sound. "Dragway 4z" is a mediocre slow rocker with modal moments that faintly echo the beautiful "Tradition of Love". (This is not an endorsement of the disappointing "Get Close"; several songs on this CD are just reminiscent of songs on that one).
"Baby's Breath" is one of the better songs here, with a catchy chorus and a metaphor that does work well. The verses are weaker, and this is another enjoyable but disposable pop song that is almost too clever. Like several other reviewers, I'd say that's a weakness of many of the songs here - they sometimes seem overly crafted, overly clever. "One More Time" is a 60's-style soul song reminiscent of "Chill Factor". I agree with the reviewer who singles this one out for amazingly passionate singing, with Ms. Hynde playing it much safer on the other tracks. "Legalise Me" is catchy and captures a bit of the early Pretenders sound, but the Amazon review saying energy levels are taken to "breathtaking heights" seems way over the top; those heights were left behind 20 years ago, and that's OK - it would be foolish to try to reach for them at age 50. I largely agree with a reviewer who felt the final 3 songs could have been left off entirely. "Samurai" is very slow, pretty 80s pop with mediocre lyrics and music. I could have done without the Pretenders accompanied by accordion on "Rabo de Nube", or at least would have preferred the song in a different context - Chrissie Hynde doing an Astrid Gilberto-style album might be pleasant enough, but this song really doesn't fit here. I can't decide about "Biker"; it sounds alternately like an embarrassingly bad cliche or a great closing to me, usually the former.
Hynde and her band are skillful and crafstmanlike on this CD, but are often recycling old sounds and hooks to make new and lesser songs that are enjoyable but ultimately forgettable. There are rare artists who manage to re-invent themselves in interesting ways on and off for decades, many who degenerate into self-parody or oldies bands, and then there are those like Hynde who are workmanlike, continue to create, and continue to please with the same sort of music, relying heavily on their early material. If you want to hear Chrissie Hynde doing new songs in great vocal form, no longer trying to sound like she's 30, you'll likely enjoy "Viva El Amor". If you're looking for truly great new songs or sounds, or haven't been satisfied by other Pretenders albums since the early 80s, "Viva El Amor" may not be for you. This is no "Pretenders" or "Learning to Crawl", it's just Chrissie Hynde making some good music.
4 good songs, some mediocre ones and some bad ones.......2003-10-30
Jeff Beck plays guitar on this CD. His presence is felt on some of the tracks. But, for the rest of the CD, it could be anyone on guitar.
This CD is similar to everyone the Pretenders have done since Learning to Crawl. A lot of short songs in a pop/rock tradition. Most of them contain a cute illusionary turn of a phrase (Nails in The Road). She puts enough of these songs on an album that some hit and some miss.
There are 4 very good songs on this album. I think some people immediately like this CD because it starts out so well with the song Popstar. The other good songs include Dragway 4Z and Legalise Me. The songs have the emotion and energy that makes the Pretenders so good.
The bad songs are pedistrian pop songs trying to find a clever hook. These include Baby's Breath (Why did you send me flowers/save them for someone's death/it's just baby's breath) and Nails in the Road (Everytime I try to get close to you/you throw nails in the road).
The CD ends up with the ridiculous Biker. She sings "You bring The Biker out in Me", but it is to a lush, mushy, heavily orchestrated tune. It is more like someone brought out the mother in her. If she is going to sing about being a biker, it should be to rough, energetic rock.
The good songs are in the 4 star category. There just aren't enough of them. Last of the Independents is a much better CD.
Pleasant Sounds.......2001-03-23
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