| 1. Outback Gam |
| 2. Dreamtime |
| 3. Dance The Great Divide |
| 4. Yiningarra |
| 5. Dust On The Wind |
| 6. Uluru |
| 7. Tanami Desert Song |
| 8. Waltzin' Matilda |
| 9. Great Barrier Reef |
| 10. Ritual Beat |
| 11. Sacred Stones |
| 12. Australian Landscape |
Ambient Outback,Various Artists,Mci,World Music
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Fear of a Blank Planet
Porcupine Tree Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O75F7C Release Date: 2007-04-24 |
Tracks:
- Fear Of a Blank Planet
- My Ashes
- Anesthetize
- Sentimental
- Way Out Of Here
- Sleep Together
Amazon.com
On Fear of a Blank Planet veteran progressive-rock act Porcupine Tree takes up the task of exploring the alienating forces of the media and its impact on our youths and ourselves. Fear's titular cut features lyrics rife with allusions to the confusing, isolating effects of TV, the X-Box, drugged out consumer escapades, and the ennui that arrives with prescription and self-prescribed numbness. "My Ashes" advances the themes of isolation, as a young person becomes increasingly estranged from himself; "Anesthetize" aptly captures dull apathy with accuracy and knowing but perhaps delves to deep into the dark depths and instead of alleviating pain and pressure instead deepens it via a track that fails to offer much emotional or mental counterpoint. The tune does feature an exceptionally lyrical guitar solo from Rush's Alex Lifeson and proves that if anyone can write a sprawling, throbbing epic it's most likely Porcupine Tree. Elsewhere, such as on the beautifully crafted "Sentimental" and "Way Out of Here," Wilson and Co. land squarely between the epic grandeur of peak-era Pink Floyd and the psychically distant cool of Radiohead, a feat that doesn't as much demonstrate how well PT echoes those bands as it shows us how expansive the English quartet's music and emotional vocabulary is. For elder listeners Fear probably won't serve as the powerful statement it wants to be--its themes have been explored to more exacting impact before and, musically, it's fairly standard progressive fare--but it is a strong and intelligent album and for a generation that's grown numb from three-minute ditties about life at the end of the country club cul-de-sac that embrace rather than rage against the dying of the light, it may serve as a wake up call and provide hope for a brighter and more color-infused tomorrow. --Jedd BeaudoinCustomer Reviews:
They've done it!.......2007-07-12
Then came the announcement that the new album would be titled "Fear of a Blank Planet." I thought, "This could either work or it will be a complete disaster." I heard the two tracks that found their way out to the internet before the release, and there was one brilliant track and a better version of "Deadwing" (the song, that is). So, to be honest, I was a bit nervous.
After a few months of digesting it, I can now say, with excitement and relief, that this is PT's best work yet. With the exception of a couple minutes at the end of "Anesthetize", every single second of this album is solid. It begins with the heaviest track on the album, musically and perhaps lyrically as well. They're not messing around here!
After we are treated to a very nice, atmospheric melody in "My Ashes" (the first PT track in some time to feature strings), we get to experience the brilliance that is most of "Anesthetize" (clocking in at 17 minutes or so). This track, albeit epic, is actually fairly minimalistic. We get repetitive, thinly-layered guitar parts over a trip-hop bass and drum beat which is reminiscent of circa-Up The Downstairs PT. The drums make this songs work, and they make it work well. The heavy riffs at some points in the songs are some of the best Steven Wilson has created.
Sentimental has a much lighter feel and flows softly and smoothly. It also has a sound different than anything they've done before, with high-pitched clean guitars ala U2 (though I'm not a U2 fan in the slightest...). This is followed by what is perhaps the weakest songs on the album, Way Out Of Here (which is not bad by any means).
The album closes (some would say too soon) with Sleep Together, which is absolutely brilliant. For all the flak it has gotten in some of these reviews, I consider this one of the most interesting pieces they've put out lately, with a feel that is completely different than anything they've done before. It ends in epic fashion, with thick strings, keyboards, and guitars reminiscent of Led Zeppelin's Kashmir, except not as unneccesarily long.
This album is simply phenomenal. They've outdone themselves. Steven Wilson has demonstrated with flying colors that he's still got it.
Will This Be The Breakthrough?.......2007-07-10
That may just be the case. With Alex Lifeson and Robert Fripp on board, literally millions of their fans blissfully unaware that Porcupine Tree exists will now be left wondering how a band so good could have been around so long and escaped popular notice. There is a market for great music out there as the success of bands like Rush and Radiohead proves, its just that there are few outlets for it. With luck, the rising popularity of bands like Porcupine Tree will force a change.
I had to listen to Fear of A Blank Planet several times before I appreciated it as much as I now do. There isn't really a weak point on it. From the first notes of the title cut to the final notes of Sleep Together, the listener will be transfixed by the layers of sound that are both hard-driving and dreamily soaring, and by the relentless despair of the lyrics.
Fans of the last couple of years' harder-edged direction of Porcupine Tree will love the title cut and also or even especially the epic Anesthetize which feature's Rush's Alex Lifeson. Those who prefer the spacier soundscapes of PT's earlier years will enjoy My Ashes, Sentimental, and Way Out of Here. The final cut, Sleep Together, offers something to both camps. Me, I like it all!
Fear of A Blank Planet is a recording that will spend a lot of time in my CD changer. Some have suggested that it may be the album of the year. I say its definitely in the running. If you haven't yet heard it, listen and hear what I mean. If you have been lukewarm on Porcupine Tree, this should be the album that makes you a confirmed fan.
Pretty good.......2007-07-08
It is very good. I have enjoyed everything that Porcupine Tree has done, except Stupid Dream. It sucked.
Blank Planet is WAY better than Stupid Dream but not quite as good as Up the Downstair, The Sunday of Life, Deadwing, or In Absentia.
BUT I still give it 5 stars!
Blank Planet - Better than Deadwing?.......2007-07-08
The [near]Perfect Drug.......2007-07-05
And again I find myself yearning for just a bit more musicianship - not much - but a bit. Perhaps this is made obvious when viewed against the more definitive perfection of the lyrics. In my book, lyrics have always been about 40% the weighting, with the music being responsible for the 60%. So lyrics alone don't carry an album (do you hear that Bob Dylan????). But they damn near do on this one. What is so amazing in Porcupine Tree's music is that it truly takes you on a journey, on an adventure. The careful attention to detail in the ambient soundscapes enhance and solidify the legitimacy of Wilson's exploration of mental disorder, topics of isolation, depression, and... well just count how many times he returns to address "pills". Quite a bittersweet and brutally realistic testimonial on life's effects on the human condition. I relate 100%.
So again, perhaps it is this complete identifiability in the subject matter that gives me the feeling of mild let-down musically. Lines such as "It's no fun to be told that you can't blame your parents anymore" beg for a rollercoaster of melody, a cacophony of crashing chords, something....
But rather, strictly musically speaking, there's a wanting. And maybe that's the point. But I've always held the Tree a bit higher musically, dare I say, than even Pink Floyd or Radiohead themselves. This album finds good company in such idioms, but doesn't quite truly transcend. It's an hour of similarly repetitive ideas that too often recall the monotonous drones a la U2, and not often enough does it break out. It's great zone-out music, but nothing Floyd hasn't taken to glorious heights some 30 years ago. A little more distinctiveness and identity to the songs as individuals would give the album more contrast and as a result, more impact. It's a body of work that gets deeper with each listen, but you have to want it.
Which I do.
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Pocket Symphony
Air Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KGGEUE Release Date: 2007-03-06 |
Tracks:
- Space Maker
- Once Upon A Time
- Hell Of A Party
- Napalm Love
- Mayfair Song
- Left Bank
- Photograph
- Mer du Japon
- Lost Message
- Somewhere Between Waking And Sleeping
- Redhead Girl
- Night Sight
Amazon.com
Some bands like to thwart expectations, and Air is one of them. "Spacemaker," the opening of Pocket Symphony, sounds like a cousin to their instrumental retro-lounge "La Femme D'Argent" from 1998's Moon Safari, right down to the electric bass break in the middle. But this isn't a return to their breakthrough sound. "Spacemaker" really does pave the way for an almost classically somnolent outing from the French duo. Air once proclaimed, "In any classical song you can take five seconds of it and make a loop and you make a great pop song with it." I think they took that to heart on an album that echoes Debussy, Bach, and Reich, but which also contains a Beatlesque eclecticism redolent of Revolver. But instead of the Beatles' Indian flourishes, Air look to Japan, using a plucked koto on a couple of tracks, but also a zen garden sense of sonic placement. Although Jarvis Cocker from Pulp and Neil Hannon of Divine Comedy sing on a couple of tunes--adding some emotional gravitas--Nicolas Godin and Jean-Benoit Dunckel do most of the vocalizing in their preternatural Munchkins-on-Quaaludes lisp. Air are known for their chilled melancholy, but the mood of Pocket Symphony is introspectively somber. Only "Mer du Japon" rises to a groove, while the rest recline in a luxurious torpor. That mood works especially well on instrumentals like the minimalist cycles of "Night Sight" and the Enoesque "Lost Message," with its circular piano line and ice-sheathed string synthesizers. Pocket Symphony won't yield any pop hits, but it could be the soundtrack to endless rainy afternoons. --John DilibertoAlbum Description
From the creators of the classic albums "Moon Safari" and "Talkie Walkie", Air deliver a career masterpiece, their most seductive and accomplished work to date.Features guest vocals by Jarvis Cocker and Neil Hannon (The Divine Comedy).
Includes the single "Once Upon A Time".
Customer Reviews:
absolute geniuses.......2007-07-16
Don't buy it if you actually want to listen to it.......2007-07-13
Air is God........2007-06-19
Sit back and enjoy... (not for anyone in a hurry).......2007-06-05
"Pocket Symphony" (12 tracks, 48 min.) is as atmospheric as Air will get while not making a movie soundtrack. The instrumental opener "Space Maker" sets the stage. First single (in the UK--can you imagine Air getting a single released in the US?) "Once Upon a Time" is a beautiful dreamscape. Jarvis Cocker is the vocalist on "One Hell of a Party", which reminds me almost of cabaret-style music. Another instrumental "Mayfair Song" flowes into "Left Bank", bringing the duo back home. "Mer du Japon" ironically enough does not feature some of the Japanese sounds found on several other tracks here (such as the beautiful "Somewhere between Waking and Sleeping" and "Redhead Girl"), and in fact I find this song to be somehwat out of whack with the rest of the album. The instrumental closer "Night Shift" is the perfect ending to this album.
Is this album as good as "Moon Safari"? No, but Air may never be that good again, who knows. That said, "Pocket Symphony" is a fine album, which I have been enjoying ever since its release a few months ago. I happen to catch Air at Coachella in late April, and due to technical difficulties they only put on a brief set, which was very disappointing. I'd love to see them again in concert in better circumstances.
Record Label Ruins Product.......2007-05-25
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Simple Things
Zero 7 Manufacturer: Palm Pictures (Audio ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R5M6 Release Date: 2001-11-13 |
Tracks:
- I Have Seen
- Polaris
- Destiny
- Give It Away
- Simple Things
- Red Dust
- Distractions
- In The Waiting Line
- Out Of Town
- This World
- Likufanele
- End Theme
- Salt Water Sound
- Spinning
Amazon.com
Zero 7's ability to conjure beautiful lullabies with all the romance of 1960s French pop (as found on their debut LP, Simple Things) would have made them the toast of soundtrack composers and chill-out connoisseurs the world over. Unfortunately, two Frenchmen beat Henry Binns and Sam Hardaker to the title of "masters of comedown cool," leaving the London duo to be forever called "the British Air." And this is fair; the similarities between Zero 7's lush cinematic soundscapes and those of Air's Moon Safari and the Virgin Suicides score are so strong as to sound almost intentional. Nonetheless, their debut is a truly gorgeous album. It has all the tried and tested atmospheric tricks--bleeps and whooshes layered over plodding Fender Rhodes chords, swathes of strings and tender trumpet parps--but it's Binns and Hardaker's languid grooves and the soft melancholy of their melodies that make dream-state instrumentals "Give It Away" and "Polaris" utterly enchanting. The real power of Simple Things, however, is in its songs. As beautiful as the ambient strains are, when laid beneath the seductive vocals of Australian diva Sia on the ethereal "Destiny" or the heart-breaking "Distractions," their potency becomes apparent. --Dan GennoeAlbum Description
2001 debut full length for dance act described as, 'the British Air', the follow-up to two limited, critically acclaimed EPs. Highlights include the awesome African influenced instrumental passage 'Likufanele', the velvety 'I Have Seen' feat. Mozez & the quiet storm of 'Destiny' feat. Sia. Quango.Customer Reviews:
Fantastic.......2007-04-05
My favorites in this album are "Destiny", "Distractions" (sublime) and "In the Waiting Line".
Fabulous.......2007-03-16
Fantastic.......2007-02-25
If you like downtempo and lounge house, this is for YOU!.......2007-02-18
No match for Air.......2007-02-01
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Sound Medicine: Music for Healing
Steven Halpern Manufacturer: Relaxation ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007JGQ6 Release Date: 2003-01-21 |
Tracks:
- Interstellar Light
- Awakening
- Stillpoint
- Jerusalem
- Ascension
- Oneness
- Healing Music #1
- Healing Music #2
Album Description
Music touches our hearts and resonates within our bodies. The right music can truly renew us, helping us to feel relaxed and rejuvenated. Great musicians have always recognized this therapeutic power of music, and researchers are finally proving them right. THE SOUND MEDICINE SERIES features the works of inspired musical pioneers who are exploring music's healing power.Natural Balance and Harmony Your body is a self-healing instrument. If you give it a chance it will always tend toward homeostasis or healthful balance. Sound healer Steven Halpern uses soothing and free-floating keyboard compositions to draw the body into this state of balance and harmony. Combining artistic inspiration, sensitivity, and sophisticated sound technology, his compositions synchronize the hemispheres of the brain and amplify the production of alpha waves. This natural response is associated with feelings of deep relaxation, contentment, and well-being.
Steven Halpern, Ph.D. stands at the leading edge of the growing public understanding of the relationship between music, body, mind and spirit. An internationally acclaimed composer and recording artist Halpern has produced over sixty recordings and authored several books. His music has been featured on 48 Hours, America's Talking, and in USA Today, The New York Times and Yoga Journal. Halpern's recordings are used in hospitals, healing clinics, and leading spas worldwide.
Music for Healing Mind, Body & Spirit was previously released under the title In the Key of Healing
Customer Reviews:
M. Gibbon "book maven".......2007-05-16
very nice.........2007-04-10
Sound Medicine: Music for Healing.......2007-03-20
Great meditation CD.......2007-03-12
Sound Medicine: Music for Healing.......2007-01-04
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From Here We Go Sublime
The Field Manufacturer: Kompakt Germany ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NQDDO6 Release Date: 2007-04-05 |
Tracks:
- Over The Ice
- A Paw In My Face
- Good Things End
- The Little Heart Beats So Fast
- Everday
- Silent
- The Deal
- Sun & Ice
- Mobilia
- From Here We Go Sublime
Customer Reviews:
elegant.......2007-07-14
From Here We Go Sublime.......2007-06-07
For once, believe the hype.......2007-05-16
This album is the best-reviewed album of 2007. This says alot about the music press and the music world in general...it is rare/nonexistent to see an album from the still rather obscure (I use that word lightly) genre of ambient techno be rated "best album of the year".
As for the album itself, do believe the hype. This album is both listenable and interesting when it comes to hearing what The Field (Axel Willner) can do with the deceptively simpleton beats and bleeps. The album is trance-inducing and well worth your attention.
simple or subtle?.......2007-05-05
Stunning minimal dance debut.......2007-04-16
From Here We Go Sublime is yet another release on the Kompakt label that is nonetheless completely stunning, and for reasons mentioned above, it's difficult to explain why. The debut release from Sweden's Axel Willner, it drifts somewhere between minimal dance music and repetitive ambience, with beats that clomp along fast enough to fuel movement, but with enough ethereal qualities that you could simply put it on and trip out on the couch with it easily enough as well. Essentially, it's trance music of the highest quality, veering completely leftward of the cheeseball Global Underground crowd, and falling somewhere between the work of Kaito (also on the Kompakt label) and Wolfgang Voigt (aka Gas).
Willner actually has a few things in common with micro-sample sculptor Akufen, but instead of trying to wow you with his cutting ability and a frantic hand, he has pulled out hundreds of little heavily melodic snippets and stutters and scatters them across gorgeous expanses, building tracks slowly and letting them peak subtlety. The release opens with "Over The Ice," a single that was released last year to great acclaim, and for good reason. The piece is a perfect introduction to his sound, with micro samples of vocals that flutter over a relentless 4/4 thump, building basslines, and all kinds of subtle spacial effects.
With ten songs running nearly exactly an hour in length, it's also a remarkably consistent release. "Good Things End" is constructed as many other tracks on the release, with jittery vocals samples over a rambling, rolling beat and some sudden bursts of tweaked noise. Even though the aforementioned "Over The Ice" got his foot in the door, there are actually a slew of tracks on From Here We Go Sublime that are even better. "Everday" is a perfect example, again building with spiraling upward beats and slippery programming while bright, overlapping vocal samples push things higher and higher until the stunning ending.
At ten minutes "The Deal" is the longest track on the album, but doesn't feel a bit weary as it pushes forward with devastating low-end bass and sprays of overdriven noise. It's the closest thing to Gas (who was supposedly one of his biggest musical inspirations) on the release, and manages to sound both hazy and clear as day at the same time. An outstanding debut, From Here We Go Sublime is yet another excellent album from the Kompakt this label and a release that has gotten some of the most play of anything I've heard this year. If you like minimal electronic music at all, you must seek it out.
(from almost cool music reviews)
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Chakra Suite
Steven Halpern Manufacturer: Inner Peace Music ProductGroup: Music Binding: Audio CD Similar Items:
Accessories:
ASIN: B00005OMHN Release Date: 2001-10-16 |
Tracks:
- Chakra Suite: 1st Chakra: Keynote C
- Chakra Suite: 2nd Chakra: Keynote D
- Chakra Suite: 3rd Chakra: Keynote E
- Chakra Suite: 4th Chakra: Keynote F
- Chakra Suite: 5th Chakra: Keynote G
- Chakra Suite: 6th Chakra: Keynote A
- Chakra Suite: 7th Chakra: Keynote B
- Chakra Suite: Sonic Satori
- Chakra Suite: Ascension
- Chakra Suite: Shambhala
- Spectrum Suite: 1st Chakra: Keynote C
- Spectrum Suite: 2nd Chakra: Keynote D
- Spectrum Suite: 3rd Chakra: Keynote E
- Spectrum Suite: 4th Chakra: Keynote F
- Spectrum Suite: 5th Chakra: Keynote G
- Spectrum Suite: 6th Chakra: Keynote A
- Spectrum Suite: 7th Chakra: Keynote B
- Chakra Chimes
Customer Reviews:
Relaxation.......2007-05-23
Great Music.......2007-03-13
Amazing.......2007-03-12
Unwinding music.......2007-03-02
Chakra Suite.......2007-01-17
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Takk...
Sigur Rós Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AJJNPY Release Date: 2005-09-13 |
Tracks:
- Takk
- Glosoli
- Hoppipolla
- Meo Blodnasir
- Se Lest
- Saeglopur
- Milano
- Gong
- Andvari
- Svo Hljott
- Heysatan
Amazon.com
Just when this Icelandic crew seemed stuck in loud/soft/loud/ soft rut a la Mogwai or Godspeed You Black Emperor, they release their most beguiling, subtle and beautiful album yet. This album, allegedly the group's first sung in Icelandic rather than their own made-up "Hopelandic" (not that this listener could tell the difference) is relentlessly joyous, unaffectedly rad and inventive but never just for its own sake. Strings hold an ever more prominent place in the music, and this is a good thing. Songs unfold slowly as usual, but they take unexpected turns as often as not. The brilliant "Glósóli" burbles with as much melodic invention and anything by their fellow Icelanders Mum. Takk is a delight from start to finish, managing to be both their most accessible and experimental album yet. --Mike McGonigalCustomer Reviews:
Fantastic Doesn't Begin To Describe It.......2007-07-08
There seems to be a burgeoning dichotomy of taste with their music. People who like the albums ( ) and Von tend not to embrace albums like Agætis Byrjun quite so readily, and vice versa. Those whose do like Agætis Byrjun are the ones who will love this latest work.
I can't find a track on here that I don't like. The pieces meld and flow together as if watching a liquid metal body spontaneously mutate into changing forms. A completely solid effort, though if I had had to choose one piece as the standout, it would be "Hoppípolla."
This is one of the ten best CD's I own.
Amazing.......2007-05-10
MASTERPIECE.......2007-04-13
I just don't know...........2007-04-03
It seems like in the writing process, Sigur Ros get in a huddle and say to themselves, 'Lets find the most beautiful sound we can and use it throughout the entire album.' I mean, the sounds this band can make are amazing, but there is absolutely no 'umph' nor meaning to this music as far as I can tell. Its like this band tries to recreate the sound you hear while stepping through heaven's gate, and succeed! But I do not want to remain at heaven's doorstep throughout an entire album. I want a band to take me into heaven and show me how it feels to live amongst the clouds, and walk on solid gold. There is very little variation in all of Sigur Ros works, and very little more than one long, but pretty droning sound. This album is like staring directly into the sun; its bright and overwhelming at first, but after a couple of minutes your eyes get tired of it, and block it out.
Personally, when I listen to music I want it to take me places. I want to expirence an aurol journey that lifts me off my feet with passion and energy, and Sigor Ros does not deliver. This band provides nothing more to me than a pleasant background noise. For the record, a little light/dark contrast goes a long way in music, and the same shining noise throughout an entire album is a good start, but gets stale and overdone very quickly. Just think how much brighter the light would be, mixed with a little bit of darkness! Think about how much more interesting the Sigur Ros concept would be with the slightest bit of contrast. Some will argue that there are dynamics throughout this album, and I will agree, but anyone can play music louder to create a cheesy sense of climax. Change is good! No change is boring.
To me, Sigur Ros lacks everything I look for in music: Contrast, direction, backbone and passion. If I were you I would check out Godspeed You! Black Emperor, Explosions in the Sky, and Pelican for music with personality.
This album just "takk"s to me..........2007-04-01
Remember back when albums were a sonically satisfying masterpiece of music and clever wordplay, generally tied together with some overall unifying theme and message? When the music really meant something and 'spoke' to you, even when you weren't engulfed in a purplish haze? No? That's probably because they stopped making music like that somewhere between the Moody Blues' epic "Days of Future Passed" and when whatever marketing genius signed Paris Hilton's record deal. They just stopped. That reason and the fact that if you've ever even heard of the band Sigur Rós and you're from the wrong side of the Atlantic, then it was probably by accident or because you were visited and blessed by some sort of musical angel set out to save the world from even still more Nirvana rip-off bands and flash-in-the-pan American I-dulls. In either of those cases, you owe it to yourself and humanity, now that you've happened upon the band and this, their magnum opus, to listen to "Takk..." a good thirty of forty times or until you start humming to yourself in Icelandic.
The band, Sigur Rós, is from the fairy-tale kingdom of Iceland, where genetically engineered-to-be-beautiful little Bjork-ettes frolic in the steamy mists of the natural hot springs...you could read about the band now, more and more, on discerning alterna-sites here and there...or just visit their homepage. But what you won't learn about them on the interweb is that they secretly and deliberately have been stealing all the best moves in music and concocting this album as a means to propel their mother Iceland to fabled musical-mecca status so that instead of English or Chinese the world will all want to speak their language. Don't fret if you don't already...you won't need to understand a word to understand what they're REALLY trying to say here. The lyric sheet basically translates into: "We're going to take over your heart, your scene, your country and then the world." I'm not afraid. Heil Sigur Rós!
File this one under "what every band in the world would love to accomplish." It's rock, it's classical, it's rap and country (except without so much of the rap or country) and a testament to mankind's ability to create and invent. I'd call it "ethereal" if I wanted to risk your running to the dictionary instead of to the record store first. Let's just say this album would be what could have happened if the Beatles lived on a funkier island, had cuter chicks to impress, and didn't just do it for the money. Yes, yes...and spoke icelandic.
Honestly, I probably couldn't tell you where one song starts and the other begins as the album's tracks have been fused together so artistically...But you'll be too busy kicking yourself for not having known about these guys earlier to be able to decide which is your favorite track. Assigning genre? Pointless. Just embrace it and accept it, guys. That cute girl with the hoodie and the ipod you always see on the way to work already has....girls? so has that sensitive, well dressed fella you've been meaning to give the time of day to. It's time to see what music has been doing while you were away.
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Moon Safari
Air Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003S5H Release Date: 1998-01-27 |
Tracks:
- La Femme D'Argent
- Sexy Boy
- All I Need
- Kelly Watch The Stars
- Talisman
- Remember
- You Make It Easy
- Ce Matin La
- New Star In The Sky
- Le Voyage De Penelope
Amazon.com
French duo Air's debut album is a superlatively happy collection of experimental disco-mood sound nestled between ambient soundscape and breathy pop. It's jazzy and melodic, and mostly laid-back, but not excessively so. There are a few shake-it, shake-it numbers, too, like the absurdly daft hit "Sexy Boy." It's snap your fingers and hang out (while reading) music or dance around sexy-slow with your mate music. It's also the perfect music to do your ironing or some other chore to; it's hypnotizing wallpaper music. It slips in and out of your consciousness, forcing you to move around with a relaxed smile before you even realize it. Oh, and contrary to sampler fashion, Nicolas Godin and Jean Benoit Dunckel played the instruments themselves. Bravo. --Mike McGonigalCustomer Reviews:
Serene chill-out music with warmth...and grooves.......2007-06-01
Some years ago I saw a hypnotic video on a music show [perhaps Rage, on ABC TV Australia]. The video is hypnotic because it featured a story about two girls, sisters perhaps, who grew up playing various tennis like games. The music and video combined was enchanting so I made a point of one day buying the song or album. Well, I got around to doing so within the last year.
The music on this album features a mellow female singer in most songs, or, for one song, a heavily accented French man singing English lyrics. The album combines English and French lyrics. The synthesiser is dominant on this album, though you do hear keyboards, pianos, bass, violins, trumpets and tambourines, I think.
A few of the tracks are instrumentals, but the standout tracks for mine are the poppy songs "Sexy boy" and "Kelly watch the stars"...the latter being the hypnotic song I mentioned earlier. In tracks like these you get a heavy bass sound from the keyboard and a groove perhaps like you get in the band Daft Punk [I'm not that familiar with Daft Punk, but to me there seems to be a similarity of sound with Air on occasion].
"Sexy boy" is probably my favourite track on this album. The title is spoken repetitively in this song by a honey voiced French female. Other lyrics are used, but it pretty much has vocal riff of "sexy boy".
As for "Kelly watch the stars" this is a song which reminds me, in a way, of Metallica's "One". By that I mean the song's strenghts are magnified with the aid of a video, but, by themselves, are weaker without the video. This song does have its strengths though, despite having the title as the only lyrics of the song and repeated frequently. One of those strenghts is, again, the female vocalist's tone of voice.
The track with the sole male voice appearing is "Remember" and this song is notable in that it samples the synth beat of my favourite Beach Boys song "Do it again". Any song with such a beat/rhythym can't be all that bad...all the heavily accented voice isn't as seductive to this male as the female voices.
Many tracks have a spacey feeling to them, and a couple, at least, even have sound effects reminescent of the kind of sound effects you hear for UFOs in those science fiction movies of a few decades ago.
Track #7 on this album features a sythesiser effect which sounds to me like the wind blowing sand in a desert. If you like that part of the track, then check out Jean Michael-Jarre's album "Oxygene" which has longer passages in this vein.
Track #1 features some ambient noise or synthesiser effects mimicking a running stream with some forest sounds, like crickets or what have you.
In closing this album mixes up tracks with a spacey feel, to bass heavy rhythyms which sound cool and are overlayed with keyboard tinkling at the higher end of a keyboard.
N.B. if you like this kind of music, or instrumentals, or more arty stuff, check out my reviews at this site of:
The Cocteau Twins: Blue belle knoll [not unlike this Air album]
Patti Smith: Horses [a poetic album, lyrically speaking]
Jean Michael Jarre: Oxygene [not reviewed here but highly recommended for instrumental tracks performed on synthesiser]
Midnight Oil: Bird noises [not reviewed here, but a very nice instrumental features on this EP]
And, lastly, brace yourself: Metallica: Master of Puppets [for the spacey instrumental Orion. The rest of the album is mostly heavy metal. Reviewed here by me].
It was Okay..........2007-05-14
Fantasmal.......2007-04-07
doesn't do it for me.......2007-01-03
An excellent introduction to chillout.......2006-12-30
Still, "La Femme D'Argent" and "Le Voyage De Penelope" are among my favorite tracks of any genre, and "You Make It Easy" is a great romantic song. On the whole, I'm very glad I own this CD and although it's not for everyone, I recommend it to those of you looking to discover new genres or expand your collection of chillout music.
Average customer rating:
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Ágætis Byrjun
Sigur Rós Manufacturer: Play It Again Sam Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005IC2H Release Date: 2001-05-22 |
Tracks:
- Intro
- Svefn g englar
- Staralfur
- Flugufrelsarinn
- Ny batteri
- Hjartad hamast
- Vidrar vel til loftarasa
- Olsen olsen
- Agaetis byrjun
- Avalon
Amazon.com
Reykjavík-based noise quartet Sigur Rós are the biggest band in their native Iceland, which should say much, much more about the collective insanity of that earthquake-ridden, blizzard-beaten crag of an island than anything to do with Sigur Rós's sound. But in their music, Sigur Rós reflect all the breathtaking glory of the Icelandic wastes--a fairy-tale explosion of unhinged elemental majesty that's finally crystallized here, their debut European release. Poised somewhere between the haunting soundscapes of Labradford and the lilting Celtic falsetto of Enya, Agaetis Byrjun is a truly breathtaking listen. Frontman Jon Por Birgisson sings in a language that Sigur Rós dub "Hopelandic"--an otherworldly mutation of Icelandic, sung in the falsetto cadence of angels; similarly, he plays his guitar with a violin bow, opening the floodgates for brilliant waves of feedback. And while it's the opening "Svefn-G-Englar" that's Sigur Rós' moment to date, there's far more that they have to offer; listen to the pomp and flourish of a full orchestra on "Flugufrelsarinn," or the awe-inspiring near-religious mantra of "Ny Batteri." --Amazon.co.ukAlbum Description
UK version of the Icelandic experimental/alternative act's international debut (their third album overall). Originally released in 1999, 'Agaetis Bryjun' is multi-platinum in their homeland. Includes the singles, 'Svefn-G-Englar' and 'Ny Batteri'. Single disc packaged in a very cool envelope style digipak. 2000 release.Album Description
UK version of the Icelandic experimental/alternative act's international debut (their third album overall). Originally released in 1999, 'Agaetis Bryjun' is multi-platinum in their homeland. Includes the singles, 'Svefn-G-Englar' and 'Ny Batteri'. A brilliant record packaged in a digipak.Customer Reviews:
The Good Reviews Are Apparenthetically ( Priceless ).......2007-07-09
With tongue firmly poked in cheek. Being "Visually Enhanced" Music is, first, enjoyed by the eye.
Which is to say that if the COVER is "interesting" the MUSIC is, possibabblely, at least as "inspired."
Take for instance the COVER of "Rock Bottom"... EXACTLY Why Mr. Wyatt and Alfraidie Cat ever changed that is beyond understanding, however it still touches the heart all the way up the charts. With that in mind, Sigur's Ro's's A'gaetis's Byrjun's, (it is with a tear on the other cheek this type-tighter does not connect the a to the e,) COVER has been observed for the past 8 years or so, picked up and perused and neatly replaced neatly in the bin still in protective placenta . ( See :: Put THAT Book Back on the Shelf and 787 Ray Johnson gives birth to CalligRayphy's new hole ) So it passes the "Visual Review". The Smekkleysa alone is worth the price. Honestly up until now only SNIPPETS of this have reached our ears and thus just the SNIPPETS and jib-lettes are being review here, so don't expect the WHOLE Inch-A-La-La. To make it short and tweet :: The SNIPPETS are not nearly long enough, however having purchased this, we are looking forward to cele-berating the entire Jam Boring Jamboree . And with tongue still snuggling deep in cheek, we do not need to see yet another review of this review so if you wanna review this review please send a stamped self addressed antelope or Deer Post Card To :: rain rien nevermind 2101 baneberry way east, Chanhassen, MN 55317 you sofa with some fingernails and religious overtomes. Dear Kjartan Sveinsson, Wheee! Appreciate YOU being appreciated. Put The Book Back On The Shelf: A Belle And Sebastian Anthology 2aBaby TranceDance.
AMAZING MUSIC BEYOND THE COMPREHENSION OF SOME POP MUSIC CRITICS MINDS.......2007-06-22
---adjective DISAPPROVING
---trying to appear or sound more important or clever than you are,
especially in matters of art and literature:
---a pretentious art critic
---The novel deals with grand themes, but is never heavy or pretentious.
-- characterized by assumption of dignity or importance.
-- making an exaggerated outward show; ostentatious
I've heard this word all my life because apparently I like a lot of music that is "pretentious." The last time I heard it used was recently on a radio special about the 40th anniversary for The Beatles Sgt. Pepper's Lonely Hearts Club Band, which one critic decried as "the beginning of pretentiousness in pop music". And this for an album that is consistently at the top of almost every list as the most important album ever made-- I guess a LOT of people like pretentious art.
What these critics are saying is that pop and rock musicians that have other musical influences (i.e., world music, classical music, jazz music) are somehow falsely trying to BE world musicians, classical musicians, and jazz musicians by using those influences. Or that lyricist that have other influences (i.e., poetry) are trying to BE poets. In reality, all they are is open-minded pop and rock musicians, willing to experiment with skills they have that lie beyond the boundaries of early rock styles (i.e., Eddie Cochran, Little Richard, Jerry Lee Lewis, etc.).
I'm not sure why it makes you pretentious simply because you have musical skills beyond pop and rock, but I can't imagine a more boring scenario than a genre that didn't grow or challenge itself. In reality, this is how the language of an art form evolves. The heyday for what Sigur Ros is trying to do was between 1967-1977, when progressive rock was literally a top ten chart topping phenomenon.
In the end, this is all "pretentious" means when used by such critics: they don't like the styles of music that exist midway between folk and classical, or rock and jazz, or whatever and whatever. I love music rooted in pop, rock, and folk that is embellished by all sorts of influences from more complicated genres. I love the fact that a song can swing from a gentle little folk tune to a complicated instrumental movement. I also love the storytelling aspect of longer pieces of music and concept albums-- it gives the lyricist more time to stretch out and explore a theme. These artists are not trying to be something that they are not, they are being exactly what they ARE: pop artists with ears open to other influences. This happened as soon as Paul McCartney (in 1967) came into the studio after hearing a classical work with a Bach trumpet, and he wrote and plopped a similar trumpet arrangement in "Penny Lane." It happened when Brian Wilson crumbled the Beach Boys formulaic song structure (1966) and started to record his collage piece SMiLE. And then for ten odd years after, much of the best of rock music had similar boundary-breaking tendencies.
Sigur Ros is very much in the art-rock category. You can see their lead singer from one or two vantage points (albeit extreme ones): either he is the most otherworldly supremely beautiful gift to pop music that has ever happened, or he is a pretentious pseudo-opera singer. And really, which vantage you choose depends on whether or not you are moved by his work. You can tell which camp I fit in-- I think he's one of the most important pop artists on the planet, and you'd have to be crazy not to at least give him a chance to work his magic on you. Buy this record--- TODAY!
Sigur Ros CD.......2007-06-08
Received in a timely fashion. Couldn;t be happier with the condition. Mahalo!
Undescribable...Breathtaking.........2007-05-16
Music never heard describing a place only imagined.......2007-05-12
Average customer rating:
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Sleep Soundly
Steven Halpern Manufacturer: Inner Peace Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003IU8 Release Date: 1996-10-29 |
Tracks:
- Brahms' Lullaby
- Comfort Zone (Delta)
- Subtle Energy Balancing
- Light As A Feather
- Sleep Soundly (Part 1)
- Sleep Soundly (Part 2)
- Eventide (Part 1)
- Eventide (Part 2)
Amazon.com
One of the fundamental criticisms of New Age music is that it puts people to sleep. Here, Steven Halpern, one of the founding fathers of New Age, makes that his mission and, as you might expect, does an effective job of it. Drawing on catalog material from the early 1980s, Halpern builds an attractive collection of delicate, lighter-than-air sonic textures that nicely serves the intended purpose--to fill the silence with something prettier than white noise. Halpern does so by blending electric and acoustic piano, plus additional keyboards, to create soothing, improvisational, cloudlike musical abstractions that often convey the tranquil randomness of wind chimes in a soft breeze. The liner notes also promise your subconscious will be exposed to a series of subliminal, sleep-encouraging affirmations along the quiet, unstructured way. This may sound like so much frou-frou to the unconverted, but for anyone sincerely interested in a sleep aid, Halpern's disc is a certified snoozer, a New Age music box. Other New Age discs may accomplish the same purpose as Sleep Soundly, but few will do it as persuasively. --Terry WoodCustomer Reviews:
Works for me!.......2007-03-23
not sleepy enough.......2007-03-02
Great CD For Falling Asleep.......2007-02-09
I have strongly recommended the CD to other family members and my collegues.
ZZzzzzz is right!.......2007-01-13
Well after another 5 minutes I checked out and went straight to dreamland.
I woke up refreshed and full of energy. I always suffered from not being able to fall asleep, worrying about little things. The cd is great, I can't hear my own thoughts.
I'm a dj and since using this cd my ears are no longer tired and I can mix my music properly. Love it
works wonderfully for the little ones too.......2007-01-12
International Music:
- Anthologie V.2 [Limited Edition] [Import]
- Ballades & Mots D'amour [Limited Edition] [Import]
- Beica
- Best of Irish Music
- Best of Osibisa [Import]
- Carmen Nebel Presents [Import]
- Carry on My Way [Limited Edition] [Import]
- Celtic Favorites
- Celtic Favorites [Original recording remastered]
- Com Defeito de Fabricacao (Fabrication Defect)