| 1. Lucie - Pascal Obispo |
| 2. Si Je Devais Manquer De Toi - Jean Louis Murat |
| 3. Doux - Jean Jacques Goldman |
| 4. Fier Et Fou De Vous - William Sheller |
| 5. Belle - Lavoie Fiori Garou |
| 6. Les Parfums De Sa Vie - Art Mengo |
| 7. Nos Fiancailles - Nilda Fernandez |
| 8. Rien Que Pour Toi - Louis Chedid |
| 9. Elle A Les Yeux Revolver - Marc Lavoine |
| 10. Diabolo Menthe - Yves Simon |
| 11. Daisy - Christophe |
| 12. Tu Verras (O Que Sera) (Live) - Claude Nougaro |
| 13. Je Voulais Te Dire Que Je T'attends - Michel Jonasz |
| 14. Et Si Tu N' Existais Pas - Joe Dassin |
| 15. J' T' Aime Comme Un Fou - Robert Charlesbois |
| 16. Premier Pas - Claude Michel Schonberg |
| 17. Elle - Didier Barbelivien |
Editorial Reviews
A Collection of the Most Romantic Songs from French Male Pop Artists Such as Jj Goldman, Julien Clerc, Joe Dassin, etc.
Pour Elles,Various Artists,Wea,World Music
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Nigel Kennedy's Greatest Hits
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JKMD Release Date: 2003-01-07 |
Tracks:
- Vivaldi: Spring, Allegro (The Four Seasons)
- Massenet: Meditation (Thais)
- Satie: Gymnopedie No. 1
- Vaughan Williams: The Lark Ascending
- Debussy: The Girl With the Flaxen Hair
- Bach: Sonata for Solo Violin in C, Allegro assai
- Kreisler: Praeludium and Allegro
- Bach: Es ist genug, so nimm, Herr
- Danny Boy
- Scarborough Fair
- Melody in the Wind
- Monti: Scardas
- Vivaldi: Autumn, Allegro (The Four Seasons)
Amazon.com
Violinist Nigel Kennedy long stopped annoying or surprising concertgoers and disc buyers with his looks and manners--the cover of this CD pictures him with red and blue paint on his face, and he's biting his violin. If that irritates you, his playing certainly will not. Here, two movements from Vivaldi's Four Seasons act as bookends to, among other pieces: a Satie Gymnopédie, exquisitely played, with lovely embellishments near its close; Vaughan Williams's floating Lark Ascending; a stunning, virtuosic Bach solo (never before released); a soft-edged Bach chorale; a soupy, sentimental "Danny Boy"; a slightly overwrought "Scarborough Fair"; a piece by Kennedy himself; and a few other surprises. Kennedy's tone is lush and warm, and his emotionalism almost never overwhelms the music. Greatest hits? More like greatest encores. But definitely a terrific 71 minutes of fiddling. --Robert LevineCustomer Reviews:
Wow!.......2005-09-28
Nigel Rules!.......2003-01-28
This collection underscores his remarkable repertoire. Be it Vivaldi, Beethoven, Kreisler, Elgar or Hendrix, Kennedy upends the expectations of one and all. His intensity is extraordinary, his playfulnesss on stage a joy, his interpretive skills incisive.
At this point, though, what would be even more welcome than this terrific collection, would be a DVD of the man himself in action. I can still hear the crowd at Philadelphia's Academy of Music howling, that's right, howling, for an encore. Sawalisch was not sure what to do. The Orchestra looked stymied. Out came Nigel with the fiddle attached to his forehead. He shouted at the audience that they were possibly further off their rockers than he and then asked if anyone in the orchestra knew any Willie Dixon. One of the double bassists did and they launched into "Gingerale Afternoon." Sheer genius, especially on the heels of Beethoven's volin concerto. Lu himself would have dug it immenseley.
Pick this disc up, then write to his label and insist on a DVD.
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Classic Kennedy
Antonio Vivaldi , Jules Massenet , English Traditional , Johannes Brahms , Fryderyk Chopin , Erik Satie , George Gershwin , Johann Sebastian Bach , Vittorio Monti , George Frideric Handel , Charles Gounod , Claude Debussy , Nikolay Andreyevich Rimsky-Korsakov , William Kroll , Pablo de Sarasate , Joni Mitchell , English Chamber Orchestra , Nigel Kennedy , Osian Ellis , London Voices , John Anderson , David Thomas , Harold Lester , Andrew Crowley , and Charles Tunnell Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026D4B Release Date: 2000-02-01 |
Tracks:
- Concerto No. 2 In G Minor: The Four Seasons - III Presto
- Meditation from Thais
- Scarborough Fair (Trad.)
- Hungarian Dance No. 5
- Nocturne in C Sharp Minor Op. Posth.
- Gymnopedie (No. 2
- Prelude No. 1
- Air on the G String
- Danny Boy
- Czardas
- The Arrival of the Queen of Sheba
- Ave Maria
- La Fille aux Cheveux de Lin
- Gymnopedie No. 1
- Prelude No. 2
- The Flight of the Bumble-Bee
- Banjo and Fiddle
- Zigeunnerweiden
- Urge for Going
- Melody in the Wind
Amazon.com
Just in case you thought Nigel Kennedy--fresh from his Hendrix tribute album--had left the classical music repertoire for good, think again. On Classic Kennedy, the fiddler is situated with the English Chamber Orchestra in a program that spans from Bach to Satie. (Yes, you also get a Joni Mitchell tune; "Scarborough Fair"; and the fiddler's own forgettable "Melody in the Wind," too.) The sequencing is a bit disjointed--the summer storm from The Four Seasons is followed by Massenet's blissful "Meditation" from Thaïs--and Kennedy's performances range from good to fair. The English Chamber Orchestra does an admirable job on these diverse works (it deserves a lot of credit here), but it'll be up to the listener to decide whether he or she wants to hear "Air on the G String" followed by Kennedy's version of "Danny Boy." As with most Kennedy discs, you'll either love it or hate it. --Jason VerlindeCustomer Reviews:
CLAIM.......2007-01-11
Romantic-Styled Playing.......2005-07-25
After a minute into his interpretation of Vivaldi’s third movement of Summer, I was hooked. Although Nigel may not play the pieces in a way that is considered “proper”, he brings his own style which is intense and highly emotional. The sound he can extract from his violin is engaging, and I always feel as if his violin is singing/crying to me. I’ve also heard several versions of “The Flight of the Bumble-Bee”, but this version just makes me giggle.
The only weakness for me is the mixing of main stream classical music. Songs such as the traditional songs like Scarborough Fair (a great song) and the Joni Mitchell song seem out of place. Perhaps it was EMI’s goal to show Nigel’s approach to different styles of music, but "this mixing things up" personally doesn’t work for me.
If you like the classical music on this CD, also pick up his Vivaldi CD’s which are fantastic. And if you like the traditional stuff, then get his “East to East” CD.
The beauty as it is.......2003-03-06
Flawless. Brilliant. Beautiful.
Clearly Kennedy.......2003-01-22
An Interesting Concept, A Failed Production.......2002-09-07
'Classical Kennedy' is an exploration of the violin not as the solo voice of a gargantuan half-hour concerto but, rather, the lead voice in a three to five-minute song, and it explores this concept from Bach to Joni Mitchell. Right away this poses a serious undertaking- it is difficult to achieve continuity in a classical album that practically spans the history of Western art music. However, this conflict is partly resolved by the consistency of the tracks' lengths.
Kennedy has a distinct sound, and his little "trick" is that he sometimes plays really hard and really fast. He occasionally draws an elegant and pure tone that listeners expect from a great soloist, but he also has the tendency to turn a beautiful phrase into a crude and apathetic statement. These days the idea of a violinist who isn't utterly predictable, and is willing to take liberties with the repertoire, is a pleasant muse, but Nigel Kennedy is certainly not the ideal solution.
Kennedy's gimmick becomes his fatal flaw- in classical music, the notes speak for themselves. He makes Bach and Brahms sound hoarse and nasal. Ask any professional violinist and they'll tell you that, though there isn't one exact way to play any piece, there are limits on what one should do with a phrase, and that rule is implicit through understanding the composition. It's a hard truth to face, and perhaps only a trained musician fully understands this phenomenon. Either way, there needs to be an intimacy between the performer and the listener. All in all, Kennedy's technique caves in on itself. He plays as if taking great liberties at every turn were in itself a good thing. He cuts off a note that should sing, his sense of tempo is awkward at best- he seems to be driven by self-indulgent whims rather than musical passion.
There are points in the album where I think that his approach does utter disservice to the piece. For example, his interpretation of Massenet's 'Meditations' simply does not compare to Itzhak Perlman's flawless, dramatic performance on 'A La Carte'. Kennedy's Chopin 'Nocturne in C#' (which really sounds better with just a piano) doesn't at all capture the emotion and power of Sarah Chang's performance on 'Sweet Sorrow'. I'm not saying that every single track on this album is a loser. But where he fails miserably in some regards is that his playing strays into avant-garde quirks, and it becomes somewhat ignorant to the music in the piece. Ivry Gitlis quoted in the DVD 'The Art of Violin' that 'of course it's an insult to music when somebody says 'that's the benchmark performance' or 'that's how it's supposed to be played''. But in a lot of classical works, the personality and individuality of the performer lay in the subtleties of the performance, not in urinating on the very things that made the piece wonderful and then hoping that the listener will somehow connect with it.
Nigel Kennedy, from a technical standpoint, is a musician to be envied, but I am certainly not one of his defenders. I am a violinist, and I have a life-long love and respect for some of these compositions. When I see these works become so utterly removed from the things that made them great in the first place, I become disappointed and depressed- but not because 'Classic Kennedy' has somehow offended me. Rather, these days it seems that classical record labels, big-shot corporate management, and major symphony orchestras, seem to think that a soloist with a clever gimmick is a cure for a disease effecting a dying genre. But classical music has upheld itself through discipline, conservation, and passion. In a lot of the pieces on this album, Kennedy abandons those values, and unfortunately the result is music that is surprisingly un-musical.
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1964 Classic Rock: The Beat Goes On
The Honeycombs , The Dixie Cups , Don Covay , The Reflections , The Murmaids , Roy Orbison , The Pyramids , The Rip Chords , The Searchers , and The Jelly Beans Manufacturer: Time-Life Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FPHK62 |
Product Description
Song listing: 1 Honeycombs, The Have I The Right (2:59) 2 Supremes, The Where Did Our Love Go (2:35) 3 Dixie Cups, The People Say (2:36) 4 Don Covay Mercy, Mercy (2:28) 5 Murmaids, The Popsicles And Icicles (2:35) 6 Roy Orbison It's Over (2:51) 7 Kingsmen, The Louie Louie (2:48) 8 Shangri-Las, The Give Him A Great Big Kiss (2:09) 9 Impressions, The Keep On Pushing (2:34) 10 Maxine Brown Oh No, Not My Baby (2:38) 11 Beach Boys, The When I Grow Up (To Be A Man) (2:04) 12 Searchers, The Love Potion Number Nine (2:08) 13 Reflections, The (2) (Just Like) Romeo And Juliet (2:23) 14 Marvin Gaye How Sweet It Is (To Be Loved By You) (3:01) 15 Jelly Beans, The I Wanna Love Him So Bad (2:45) 16 Four Tops Baby, I Need Your Loving (2:48) 17 Gene Pitney I'm Gonna Be Strong (2:16) 18 Rip Chords, The Hey, Little Cobra (2:04) 19 Pyramids, The Penetration (2:01) 20 Shirley Ellis The Name Game (3:03) 21 Marvin Gaye You're A Wonderful One (2:49) 22 Impressions, The Amen (3:28)
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Chávez: Complete Chamber Music, Vol. 2
Manufacturer: Cambria Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002W4TY4 Release Date: 2004-09-28 |
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Robert Simpson: String Quartets Nos. 14 & 15; Two-Clarinet Quintet
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZS4 Release Date: 1993-09-01 |
Amazon.com
This is one of the best releases of Simpson's music from Hyperion. If you're collecting the symphonies, you'll at least want to add this to your collection. His String Quartet No. 14 is a 1990 work that employs Simpson's characteristic contrapuntal and propulsive manner. He's also got Beethoven in the back of his mind, in terms of unfolding architecture; but there's nothing wrong with that. His Quintet (1983) is for clarinet, bass clarinet, and string trio, and is made much richer in texture by the clarinets. String Quartet No. 15 (1991) is a three-movement work of turbulent character, avoiding tonality altogether. --Paul Cook
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Zimba Zamba: Solo Percussion
Manufacturer: Sain Records ProductGroup: Music Binding: Audio CD ASIN: B0009UNBAW Release Date: 2005-11-08 |
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The French Connection
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD ASIN: B0000030Q2 Release Date: 1993-12-09 |
Tracks:
- Le Tombeau De Couperin: Prld
- Le Tombeau De Couperin: Forlane
- Le Tombeau De Couperin: Menuet
- Le Tombeau De Couperin: Rigaudon
- Danse Sacree Et Danse Profane - Osian Ellis
- Dolly Ste, Op.56: Berceuse
- Dolly Ste, Op.56: Mi-A-Ou
- Dolly Ste, Op.56: Le Jardin De Dolly
- Dolly Ste, Op.56: Kitty-Valse
- Dolly Ste, Op.56: Tendresse
- Dolly Ste, Op.56: Le Pas Espagnol
- Divertissement: Intro
- Divertissement: Cortege
- Divertissement: Nocturne
- Divertissement: Valse
- Divertissement: Parade
- Divertissement: Finale
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Le Quatuor A Cordes Alcan - Haydn/Mozart/Brahms
Manufacturer: Cbc ProductGroup: Music Binding: Audio CD ASIN: B0000287ZD Release Date: 1994-05-24 |
Tracks:
- Str Qt in d, Op. 76, No. 2 (Hob. III.76) 'Fifths': I. Allegro
- Str Qt in d, Op. 76, No. 2 (Hob. III.76) 'Fifths': II. Andante o piu tosto Allegretto
- Str Qt in d, Op. 76, No. 2 (Hob. III.76) 'Fifths': III. Menuetto (Allegro ma non troppo)
- Str Qt in d, Op. 76, No. 2 (Hob. III.76) 'Fifths': IV. Vivace assai
- Qt in B flat, K.458 'Hunt': I. Allegro vivace assai
- Qt in B flat, K.458 'Hunt': II. Menuetto (Moderato)
- Qt in B flat, K.458 'Hunt': III. Adagio
- Qt in B flat, K.458 'Hunt': IV. Allegro assai
- Str Qt No 1 in c, Op. 51, No. 1: I. Allegro
- Str Qt No 1 in c, Op. 51, No. 1: II. Romanze (Poco Adagio)
- Str Qt No 1 in c, Op. 51, No. 1: III. Allegretto molto moderato e comodo
- Str Qt No 1 in c, Op. 51, No. 1: IV. Allegro
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Dohnáyi: The 2 Piano Quintets
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD ASIN: B0000030VA Release Date: 1995-02-28 |
Tracks:
- Piano Quintet In C Minor, Op.1: I. Allegro
- Piano Quintet In C Minor, Op.1: II. Scherzo (Allegro)
- Piano Quintet In C Minor, Op.1: III. Adagio, quasi andante
- Piano Quintet In C Minor, Op.1: IV. Finale (Allegro animato)
- Suite In The Old Style, Op.24: I. Prelude
- Suite In The Old Style, Op.24: II. Allemande (Andnte espressivo)
- Suite In The Old Style, Op.24: III. Courante (Vivace)
- Suite In The Old Style, Op.24: iv. Sarabande (Adagio)
- Suite In The Old Style, Op.24: V. Menuet (Allegretto)
- Suite In The Old Style: Gigue
- Piano Quintet In E-Flat Minor, Op.26: I. Allegro non troppo
- Piano Quintet In E-Flat Minor, Op.26: II. Intermezzo (Allegretto)
- Piano Quintet In E-Flat Minor, Op.26: III. Moderato
Customer Reviews:
Disappointing.......2001-08-27
Fantastic pieces, fantastic playing.......2001-03-25
The second quintet is equally as great, if not better in terms of the fact that it is more purely Dohnanyi. It is a somewhat darker piece, still romantic, capricious, and beautiful, and perhaps more refined. Regardless, it is also very enjoyable to listen to.
Although the quintets are obviously the focus of the CD, the Suite in the Old Style for solo piano provides a nice intermezzo between the two. As always, Roscoe plays Dohnanyi such that the fullness, romanticism, and playfulness of sound required really comes through.
I highly recommend this recording, I don't see anyone being easily disappointed by it.
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Ellis B. Kohs: Passacaglia; Chamber Concerto
Manufacturer: Composers Recordings ProductGroup: Music Binding: Audio CD ASIN: B00000I9UL Release Date: 1999-03-23 |
Tracks:
- Passacaglia For Organ And Strings, I. II
- Chamber Concerto For Viola And String Nonet, K. 28: I - Moderato molto energico
- Chamber Concerto For Viola And String Nonet, K. 28: II - Scherzo: vivace
- Chamber Concerto For Viola And String Nonet, K. 28: III - Andante cantando
- Toccata For Harpsichord or Piano, K. 25
- A Short Concerto for String Quartet, K. 28: I - Sonata
- A Short Concerto for String Quartet, K. 28: II - Forlane
- A Short Concerto for String Quartet, K. 28: III - Waltz
- A Short Concerto for String Quartet, K. 28: IV - Sarabande
- A Short Concerto for String Quartet, K. 28: V - Farce
- A Short Concerto for String Quartet, K. 28: VI - Gigue
- A Short Concerto for String Quartet, K. 28: VII - Dreams: Recollections
- Sonatina For Violin And Piano, K. 26: I - (Allegro) Quarter=126
- Sonatina For Violin And Piano, K. 26: II - (Slow) Theme And Variations
- Sonatina For Violin And Piano, K. 26: III - (Vivo) Quartet=120
International Music: