The New Crazy

Track Listings

 
1. Doom! Doom! Doom! - Latterman
2. 303
3. Palahniuk's Laughter
4. Things They Carried
5. Nothing - Sounds Like Violence
6. Hold Out - Benton Falls
7. Evening - Secondhand Stories
8. Sincerely I - Burns Out Bright
9. P.S. I Hate You - Eleven Minutes Away
10. Fear and Loathing on Long Island - Latterman
11. Killjoy
12. Rust Killer - Slowride
13. Barnacle Beach - Settlefish
14. Safe Tomorrow Sun - Surrounded
15. Batteries - Desert City Soundtrack
16. Scratching Rounds - Planes Mistaken for Stars
17. You Give Me Heartattacks - Sounds Like Violence
18. Steps and Numbers - Appleseed Cast
19. Rookie Year - Brandtson
20. Just Do It - Slowride

The New Crazy,Various Artists,Deep Elm,Emo,Int'l & World Music,Pop,Post-Hardcore,Punk-Pop,Rock/Pop Collections
The Dictators Go Girl Crazy!
Average customer rating: 4.5 out of 5 stars
  • A hilarious middle finger to the 70's
  • great, but not my fave
  • Too stoopid for you? Try too briliant (4.5 stars really)
  • One of the best Rock n Roll albums
  • Good stupid fun
The Dictators Go Girl Crazy!
The Dictators
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Manifest Destiny
  2. Bloodbrothers
  3. D.F.F.D.
  4. New York Dolls
  5. L.A.M.F.: The Lost '77 Mixes

ASIN: B00000253W
Release Date: 1990-12-29

Tracks:

  1. The Next Big Thing
  2. I Got You Babe
  3. Back To Africa
  4. Master Race Rock
  5. Teengenerate
  6. California Sun
  7. Two Tub Man
  8. Weekend
  9. (I Live For) Cars And Girls

Customer Reviews:

4 out of 5 stars A hilarious middle finger to the 70's.......2006-06-05

It's funny to imagine some trendy hippie finding this at a record store in the 70's and seeing song titles like "Master Race Rock" and "Back to Africa". It's even funnier to imagine some white supremacist buying this album for exactly those songs only to hear "They didn't know we were Jews" on the first track. It's hilarious to hear the way they make fun of the Beach Boys with the harmonies on "(I Live For) Cars and Girls" or the even more hilarious Sonny & Cher cover. They send up everything from the transience of rock stardom to hippies to the idiocy of 70's hedonism. But for a band that plays it up for laughs, they're a lot smarter than they let on. You have to be in on the joke to enjoy this band, but enjoy them you will!

What about the music? It's somewhere between early Alice Cooper or Kiss and the New York Dolls or MC5, with chunky riffs and guitar leads and pounding rhythms. The punk elements of the band are more in their attitude on this album because they have a definite 70's hard rock vibe. But hey, it was 1975, "fast and loud" sounded totally different back then. It's quintessential rock n' roll -- music for unpretentious dudes who just want to raise hell and have a good time.

4 out of 5 stars great, but not my fave.......2005-10-19

How could you not pick up a CD/LP (in my time) with a pix of some goofball in a singlet and a glitter jacket in the background sporting the name Handsome Dick Manitoba?!? Curiosity is the crux of R & R and this was for the good.
The tunes are timeless--Next Big Thing, 2 Tub Man,....
They Rock And They're funny.
C'mon--talking about White Castle, Vitamin C, "ralphing", gasoline shortage, fat chicks....
They wrote songs that every schlub could identify with.
My only 'problem' is in the production---too overdubbed in the sense of the rhythm tracks are down and then BOOM all of a sudden a lead guitar comes from nowhere and blasts the song to death.
I love this LP but not as much as 'Manifest Destiny' which a lot of people rate as weak.

4 out of 5 stars Too stoopid for you? Try too briliant (4.5 stars really).......2004-11-21

This album works as both a parody and a loving tribute to rock 'n' roll, and manages to be one of the best rock 'n' roll albums ever. The first half is okay, but the second half contains five of my favorite songs. This was one of the few albums in the 70's that tried to save rock 'n' roll from Frampton and his evil ilk. The covers of "I Got You Babe" and "California Sun" manage to be better than the originals, and "I Live For Cars and Girls" and "Weekend" are songs that the Beach Boys just wish they could've written. Some PC freaks may hate "Back to Africa" or "Master Race", but the Dictators are not serious, they're just kidding around. So what are you waiting for? Pick up this true R-N-R classic.

5 out of 5 stars One of the best Rock n Roll albums.......2003-12-24

This has got to be one of my favorite albums. I knew a few songs off of it, when i saw it for six bucks at a used CD store. I'm glad to say that it had to be the best six bucks I ever spent (or maybe it was on Patti Smith's Horses). "Go Girl Crazy" is a loud Rock n Roll album, packed with plenty of humor. The lyrics are fun, and even go so far as to insult Lou Reed (even though velvet underground is all good, it's one of my favorite lines in the album), who basically created the 70's New York rock scene (which the Dictators are a part of). All in all, I highly recomend this album to anyone who's looking for a fun rock n roll packed weekend.

4 out of 5 stars Good stupid fun.......2003-07-11

I bought this album after reading "Please Kill Me," the history of the New York punk scene. The author, Legs McNeill, says somewhere in the book that he and his cronies at Punk magazine were huge fans of the Dictators' album "Go Girl Crazy" back in the summer of 1975. This made me curious and I ordered the album from Amazon. I'm glad I did. Every song is a mini-masterpiece of anarchic, goofy, party rock. The Dictators were perhaps one of the most unpretentious bands in the history of rock. They saw themselves as a joke and invite their listeners to laugh along with them. But they also had a knack for pairing sharp lyrics with catchy guitar hooks, creating some truly memorable moments. My favorite opening line on the album: "Who's that boy with the sandwich in his hand?"
Beat Crazy
Average customer rating: Not rated
    Beat Crazy
    Joe Jackson
    Manufacturer: American Beat
    ProductGroup: Music
    Binding: Audio CD

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    New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
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    ASIN: B000OVLB76
    Release Date: 2007-04-03

    Tracks:

    1. Beat Crazy
    2. One to One
    3. In Every Dream Home (A Nightmare)
    4. Evil Eye
    5. Mad at You
    6. Crime Don't Pay
    7. Someone Up There
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    Kiri Sings Gershwin
    Average customer rating: 4 out of 5 stars
    • Brava Dame Kiri!
    • Who could ask for anything more?
    • i was made to listen..now im hooked
    • I love it!
    • Classic Gershwin
    Kiri Sings Gershwin

    Manufacturer: Angel Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002SJI
    Release Date: 1990-10-25

    Tracks:

    1. Somebody Loves Me
    2. Boy Wanted
    3. Things Are Looking Up
    4. Love Walked In
    5. Love Is Here To Stay
    6. Someone To Watch Over Me
    7. But Not For Me
    8. Summertime
    9. The Man I Love
    10. Soon
    11. Meadow Serenade
    12. Nice Work If You Can Get It
    13. By Strauss
    14. Embraceable You
    15. I Got Rhythm

    Customer Reviews:

    5 out of 5 stars Brava Dame Kiri!.......2007-03-11

    This is a delightful CD. Esteemed soprano Kiri Te Kanawa sings Gershwin. One hook making this CD interesting is the use of the original scores and choral arrangements. It adds a most pleasant element to this recording. In essence, this is simply a lot of fun to listen to. Kiri Te Kanawa takes the music for what it is, sings it with gusto, and produces a very satisfying CD.

    Some examples. . . . "Somebody loves me" demonstrates her lush voice. This is a nice version of a fine Gershwin tune. The orchestral backing is solid and enjoyable. All in all, very satisfying. "Summertime," from "Porgy and Bess," is well known. This is well sung; her operatic voice handles the song most satisfactorily. A very fine version. . . .

    "Nice work if you can get it" is a clever bob-bon. Dame Kiri sings this in a most sprightly fashion. She sings in the proper spirit for the song and seems to be enjoying herself in the process! There is a nice high note at the end which does not seem simply for effect (compare with Mario Lanza's efforts at ending almost any song with a high C).

    "Embraceable you" is charming and well done. "I got rhythm" closes this CD. Again, very nicely done with lush orchestration and choral singing. The song is taken at a quick pace and the result is delightful. Her rich voice works well on this cut. The chorus is energetic and the orchestra sparkles.

    This is a most enjoyable album. Great music sung in a charming style by a great singer

    5 out of 5 stars Who could ask for anything more?.......2005-12-29

    That says it

    4 out of 5 stars i was made to listen..now im hooked.......2003-04-21

    i was made to listen to this album as a requirement for my A Level course into perfrming gershwin songs...its amazing..the way kiri sings each one in a different style and makes it her own..go and buy it..u wont take it out of your CD player

    5 out of 5 stars I love it!.......2002-05-14

    If you like Gershin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

    I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

    Gatsby would have loved it, and surely would have invited Kiri to all his parties!

    4 out of 5 stars Classic Gershwin.......2002-04-05

    Original arrangements of Gershwin tunes are rare these days, but that's what you'll hear in this album by Kiri Te Kanawa. Granted, the arrangements sound somewhat dated according to 21st century tastes, but that's what makes them fascinating. These were like nothing anyone else was writing when the George and Ira first brought them to life. Kiri uses a different, somewhat breathier voice than you might be used to on her classical albums, probably not the type of voice Gershwin had in mind, but I think it generally works pretty well.
    I've Always Been Crazy: A Tribute to Waylon Jennings
    Average customer rating: 3.5 out of 5 stars
    • Great!
    • Good stuff!
    • ok, but could have been better"
    • great songs, great performances, but overproduced
    • Fabulous Tribute
    I've Always Been Crazy: A Tribute to Waylon Jennings
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    Manufacturer: RCA
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    ASIN: B0000AQRZY
    Release Date: 2003-08-19

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    1. Are You Sure Hank Done It This Way - John Mellencamp
    2. Lonesome, On'ry and Mean - Travis Tritt
    3. Luckenbach, Texas (Back To The Basics Of Love) - Kenny Chesney with Kid Rock
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    5. Storms Never Last - Jessi Colter
    6. Only Daddy That'll Walk The Line - Hank Williams, Jr.
    7. Are You Ready For The Country - Pinmonkey
    8. Mammas Don't Let Your Babies Grow Up To Be Cowboys - Deana Carter and Sara Evans
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    10. You Asked Me To - Alison Krauss
    11. This Time - Andy Griggs
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    Customer Reviews:

    5 out of 5 stars Great!.......2005-06-20

    I've Always Been Crazy is really a great tribute to Waylon Jennings. one of the best CW singers ever.

    It is worth it just to hear 'Lonesome, On'ry and Mean' by the legendary Travis Tritt.

    5 out of 5 stars Good stuff!.......2005-02-10

    Overall, it's a great album. Some of the songs are done much the way they were by Waylon himself, and some have a very modern spin put on them. I appreciated the artist's interpretations and especially loved Kenny Chesney/Kid Rock's version of "Luckenbach, Texas" and the girls singling "mamas". A few of the songs don't even sound like the orig. and definitely don't sound country...so if that bugs you, you may not want to buy this album.

    4 out of 5 stars ok, but could have been better".......2005-01-27

    this tribute album is ok, there is some good tunes on here, but nothing as good as it need'ed to be after all waylon is the king of the outlaws' its a' should've could've kinda thing if you know what i mean? but i really do like travis tritt's version of lonesome onry and mean. he is alot like waylon was. the outlaw son of waylon so to speak. and then there is other great songs on here too. but that one stands out in my mind. yes the other tribute album is much better. man its time another one comes out, but hopefuly this time they will all do the songs they want to. a waylon fan.

    4 out of 5 stars great songs, great performances, but overproduced.......2004-10-25

    waylon jennings wrote great songs and the performances on this tribute album all seem heartfelt and energetic. in particular, i liked the performances by ben harper, hank williams jr., and john mellencamp. If you like waylon jennings you should like most of this album. unfortunately, many of the recordings are way too nashville-slick (see travis tritt...) and this diminishes them and will be annoying to many waylon fans.

    5 out of 5 stars Fabulous Tribute.......2004-02-12

    That pretty much sums it up! It is wonderful. Stargunn is awesome. I'd never heard of them before this tribute album to Waylon, but they are terrific. Alison Krauss (You Asked Me To) is incredible, as always. Dwight Yoakam (Stop the World) has a lot of heart - just as Lukenback, Texas (Kenny Chesney and Kid Rock)! A must have for your Waylon Collection! (The Dream by Waylon is beautiful)! Must Check this Album Out!!!
    Menuhin & Grappelli Play...
    Average customer rating: 5 out of 5 stars
    • Most beautiful music
    Menuhin & Grappelli Play...

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0002Z83LG
    Release Date: 2005-02-15

    Tracks:

    1. Fascinatin' Rhythm
    2. Soon
    3. Summertime
    4. Embraceable You
    5. Liza
    6. A Foggy Day
    7. 'S Wonderful
    8. The Man I Love
    9. I Got Rhythm
    10. He Loves And She Loves
    11. They Can't Take That Away From Me
    12. They All Laughed
    13. Funny Face
    14. Our Love Is Here To Stay
    15. Lady Be Good
    16. These Foolish Things
    17. Laura
    18. April In Paris
    19. Autumn Leaves
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    Tracks:

    1. Cheek To Cheek
    2. Isn't This A Lovely Day?
    3. Change Partners
    4. Top Hat, White Tie And Tails
    5. I've Got My Love To Keep Me Warm
    6. Heat Wave
    7. The Way You Look Tonight
    8. Pick Yourself Up
    9. A Fine Romance
    10. All The Things You Are
    11. Why Do I Love You?
    12. I Get A Kick Out Of You
    13. Night And Day
    14. Looking At You
    15. Just One Of Those Things
    16. My Funny Valentine
    17. Thou Swell
    18. The Lady Is A Tramp
    19. Blue Room
    20. Jealousy
    21. Skylark

    Customer Reviews:

    5 out of 5 stars Most beautiful music.......2005-08-17

    This is happy music.
    Just plain happy, instrumental music.
    Highly recommend to everyone.
    Andrew Lloyd Webber: Now & Forever
    Average customer rating: 4.5 out of 5 stars
    • I waited for this for five years
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    • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
    • SUCH MAGICAL MUSIC OF THE NIGHT!
    • A Must Have for Sir Andrew fans
    Andrew Lloyd Webber: Now & Forever
    Various Artists
    Manufacturer: Decca Broadway
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    12. Cats: Memory - Elaine Paige
    13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
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    16. Song And Dance: Tell Me On A Sunday - Marti Webb
    17. Song And Dance: Unexpected Song - Sarah Brightman
    18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
    19. Song And Dance: Introduction - Andrew Lloyd Webber
    20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

    Tracks:

    1. Starlight Express: Starlight Express - El Debarge
    2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
    3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
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    6. Requiem: Hosanna - Placido Domingo
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    10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
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    14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
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    17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
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    8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
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    15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
    16. The Beautiful Game: Overture - Andrew Lloyd Webber
    17. The Beautiful Game: The Beautiful Game - The Company
    18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
    19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
    20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

    Tracks:

    1. Oh What A Circus - David Essex
    2. Memory - Betty Buckley
    3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
    4. All I Ask Of You - Sarah Brightman/Cliff Richard
    5. Love Changes Everything - Michael Ball
    6. Any Dream Will Do - Donny Osmond
    7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
    8. As If We Never Said Goodbye - Barbra Streisand
    9. The Perfect Year - Dina Carroll
    10. With One Look - Petula Clark
    11. You Must Love Me - Madonna
    12. The Heart Is Slow To Learn - Kiri Te Kanawa
    13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
    14. Whistle Down The Wind - Tina Arena
    15. No Matter What - Boyzone
    16. The Vaults Of Heaven - Tom Jones
    17. Try Not To Be Afraid - Boy George
    18. Pie Jesu - Charlotte Church

    Tracks:

    1. Make Believe Love - Wes Sands
    2. Down Thru' Summer - Ross Hannaman
    3. I'll Give All My Love To Southend - Ross Hannaman
    4. Believe Me I Will - Sacha Distel
    5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
    6. Try It And See - Rita Pavone
    7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
    8. Goodbye Seattle - Paul Raven
    9. John 19:41 - The Andrew Lloyd Webber Orchestra
    10. What A Line To Go Out On - Yvonne Elliman
    11. Disillusion Me - Gary Band
    12. The Ballad Of Robert And Peter - Tim Rice
    13. Christmas Dream - Maynard Williams
    14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
    15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
    16. Magdalena - Tony Christie
    17. Buenos Aires - The Roja Rockers
    18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
    19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
    20. I Could Have Given You More - Petula Clark
    21. I've Been In Love Too Long - Marti Webb
    22. Benedicite - The Stephen Hill Singers

    Album Description

    Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

    Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

    Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

    CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

    Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

    Customer Reviews:

    3 out of 5 stars I waited for this for five years.......2006-06-30

    Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
    It was worth the wait.

    The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
    I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
    The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

    I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

    There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

    But the selections on CDs 1-3 don't make sense.

    First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

    Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

    On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
    So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

    The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

    There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

    With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

    Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

    In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

    5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

    Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

    4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

    Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

    Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

    Here are my basic impressions and comments regarding the material on the discs:

    * Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

    * Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

    * ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

    * Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

    * The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


    Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

    5 out of 5 stars SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

    "Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
    Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
    ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
    Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

    4 out of 5 stars A Must Have for Sir Andrew fans.......2002-05-21

    This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
    The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
    My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
    A great collection but too much Sarah Brightman!
    A Copland Celebration Vol. 3
    Average customer rating: 5 out of 5 stars
    • Wonderful
    • Pure joy
    • Copland's vocal work
    A Copland Celebration Vol. 3

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Copland, AaronCopland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
    New York Philharmonic OrchestraNew York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
    EnglishEnglish | Languages | Opera & Vocal | Styles | Music
    Classical MusicClassical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
    Opera & VocalOpera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
    Similar Items:
    1. A Copland Celebration Vol. 2
    2. A Copland Celebration Vol. 1
    3. The Copland Collection: Orchestral Works, 1948-1971
    4. Copland: Old American Songs/Canticle Of Freedom/Four Motets
    5. The Copland Collection: Orchestral & Ballet Works, 1936-1948

    ASIN: B000050HWV
    Release Date: 2000-11-07

    Tracks:

    1. Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
    2. Old American Songs, Sets 1 & 2: The Dodge - William Warfield
    3. Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
    4. Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
    5. Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
    6. Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
    7. Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
    8. Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
    9. Old American Songs, Sets 1 & 2: At The River - William Warfield
    10. Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
    11. Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
    12. Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
    13. Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
    14. Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
    15. Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
    16. Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
    17. Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
    18. Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
    19. Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
    20. Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
    21. Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
    22. Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
    23. In The Beginning - Aaron Copland
    24. Lark - Aaron Copland

    Tracks:

    1. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
    2. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
    3. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
    4. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
    5. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
    6. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
    7. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
    8. The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
    9. The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
    10. The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
    11. The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
    12. The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
    13. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
    14. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
    15. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
    16. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
    17. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner

    Customer Reviews:

    5 out of 5 stars Wonderful.......2007-04-22

    I must confess I am unfamiliar with Copland's "The Tender Land" except for this reissue, which I find to be absolutely magnificent. I realize this is a truncated performance, eliminating what I assume to be a fair amount of spoken dialogue. But I don't care. What is presented here is simply one of the finest American compositions - forget American - one of the finest compositions of the 20th century. Period.

    5 out of 5 stars Pure joy.......2005-07-29

    The recording of Copland's The Tender Land is alone worth getting this disc. The rest of the vocal works are just a bonus, a very good bonus! Copland directs a definitive account of his opera, and in this compressed version leaves out all the spoken parts of the full length opera, no doubt depriving us of a lot of good music but on the other hand giving listeners a very concise version that is even stronger musically (although dramatically a little lacking in logic because of the missing parts - for example without knowing of the confrontation during the party scene you would find the boys' departure the next morning puzzling, and the CD notes does not elaborate on the plot, which is about the only negative thing you can say about this set). Listening to the opera in this abridged version gives you the feeling of one hit after another, there is not a single weak point in the score and Copland has a gift for word-setting that can turn clumsy texts such as "girls come and go, some are good, some are not so good" into goosebumps stuff (a lovely dedication to Laurie sung by Grandpa). Other high points include the stunning transformation of the traditional Walls of Zion into the quartet piece The Promise Of Living and a rollicking Party Scene, which contains the best in Copland's clever orchestration and rythmic vitality - it seems all of the composers best traits have all come together in this work. Martin's Act 2 Song 'Laurie...You Know, Laurie' is a rare gem or an aria and beautifully sung. Other hidden gems include the comical 'We've Been North'. The cast is impeccable and the entire performance is flawless. Add to that one of those scores that simply win you over from start to finish, and you can't but fall in love with this music. I once thought that nothing could better Appalachian Spring but that was before I discovered this neglected work.

    5 out of 5 stars Copland's vocal work.......2002-08-08

    And so on this third set of the celebration of Aaron Copland's music, all attention is on his vocal work including the opera, "The Tender Land".

    I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.

    All in all, these three sets will give you a complete overview of one of America's most important composers.
    Beat Crazy
    Average customer rating: 4 out of 5 stars
    • A Fantastic Piece of work
    • Please re-issue this!
    • Ignored and overlooked
    • Joe's Paranoia
    • Beating a hasty retreat from rock and roll
    Beat Crazy
    Joe Jackson
    Manufacturer: Umvd Import
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000024HEG
    Release Date: 2005-07-11

    Tracks:

    1. Beat Crazy
    2. One to One
    3. In Every Dream Home (A Nightmare)
    4. Evil Eye
    5. Mad at You
    6. Crime Don't Pay
    7. Someone Up There
    8. Battleground
    9. Biology
    10. Pretty Boys
    11. Fit

    Customer Reviews:

    5 out of 5 stars A Fantastic Piece of work.......2007-02-14

    This is Joe at his angriest, his most acerbic and most insightful.
    I read one of the other reviews that the song BATTLEGROUND was an embarrassment. This is wrong. At the time BRIXTON and other areas in London were ablaze with riots and with vicious Racist Skinheads attacking Pakistani immigrants in the streets. Joe brought A GREAT spoken word poetry piece to bear on this situation. It was very real. Not soppy. Not idealized. The scene is two regular blokes lighting up in an alleyway, trying to break the tension of the moment. The song is about INDIVIDUAL evolution. A separate Peace. This, my friends, is how it's done. One spirit at a time.Don't fool yourself that it can't exist IN YOU. Joe faces it head on. EMBARRASSMENT? No- only if you don't try to heal yourself.The album is worth the price for this piece alone.
    BEAT CRAZY is an amazing piece of work. PRETTY BOYS pretty much sums up the American Idol phenomena- watched The Grammies lately? See anyone particularly real looking on that stage?
    I don't know about you, but most of the music and art I've seen is being done by actual PEOPLE- some ain't so pretty...but their souls and art shine through. Kinda like Joe. You might bump past him at the market, but on stage the Cat shines. Right?
    Beat Crazy is right on Par with Elvis Costello's work of the time.(Watching The Detectives,Waiting For the End of the World and the beautiful heartbreaking ALLISON..)
    Both are working class musical geniuses that bring the fact home that PRETTY ain't all it's cracked up to be.The lyrics are superb. The arrangements lean and mean. The BASS playing on MAD AT YOU,VOODOO and throughout the entire album are exemplary.The Rhythm section is tight sparse and POWERFUL. The guitar work sharp and spikey-EVERY DREAM HOME A NIGHTMARE is unparalleled and BELIEVABLE..I find myself re-living my trips back home to the small town whenever I hear it. This song, and the entire album ,is a virtual soundtrack of the self-exploration that comes of alienation.No frills. No B/S. A Clear and narrowed eye on life.
    I'd like to see a re-issue on this side of the pond.
    Joe is a real Cat. Be Glad.Shine on Brotherman!

    4 out of 5 stars Please re-issue this!.......2006-12-19

    This CD isn't quite on par with "Look Sharp," which was a great debut, or "I'm the Man," which is IMO his best. Still, it's smart, musically taut, and has some really good songs. While Jackson has not lost his angst on "Beat Crazy," he has tempered it somewhat with a wry sense of humor. The title track, "Mad at You," and "Evil Eye" are good examples of this. On the other hand, "In Every Dream Home" is perhaps the most haunting song that he's ever done.

    Overall, "Beat Crazy" gives a good feel for Joe Jackson's early years as a star, after he had made it big but before he had mellowed out. It's a good collection and deserves a re-master and re-release.

    4 out of 5 stars Ignored and overlooked.......2006-08-06

    This is Joe Jackson's BEST album ever - long out of print, you can now buy the import - so many great tracks that perfectly capture that early 80s new wave edgy intersection between punk, rock, dub, dance, and reggae-riddum, including MAD AT YOU, EVIL EYE, BEAT CRAZY, ONE ON ONE, PRETTY BOYS...I could go on, but you should just pick this up pronto!

    4 out of 5 stars Joe's Paranoia.......2006-04-03

    In the liner notes to this album, Joe says it 'represents a desperate attempt to make some sense of Rock and Roll'. What I really think it does is attempt to make some sense of the world.

    By this point in his career Joe had spent a couple years of non-stop touring, stopping only long enough to record, and the stress shows. This is Joe's angriest album (on 'Mad At You' he really lets the fur fly), but it still has his other trademarks as well: great melodies, stylistic swings (including the increasing use of Caribbean rhythms), social commentary, and ever-more-deeply-biting dark humor.

    If there's a common theme to this record, it may be about paranoia: what the kids, neighbors, feminists, creeps, crooks, spouses, the music industry, and Big Brother are doing (or at least what we think they are doing). Joe's observations do not necessarily represent his own; study between the lines of the lyrics and you'll see what I mean (the drug references in the title track, for example).

    It's a very good record; as usual, the musicianship is superb. I strongly suggest buying it, even if, like me, you may not always be in the mood to hear what he has to say this time out.

    4 out of 5 stars Beating a hasty retreat from rock and roll.......2005-11-11

    Joe Jackson cut two prototype albums for the blossoming new wave movement, but he considered himself a musician and artist. After the success of "Look Sharp" and "I'm The Man," Jackson was getting restless and feeling hemmed in by the cliches of punk, and he made an effort to dynamite his limitations.

    It is evident from the very first track that Jackson was out to veer as far left of expectations as possible. Opening with a scream against a beatnik bassline, "Beat Crazy" begins with bass player Graham Maby singing lead. Joe Jackson tried very hard to make this album a "band" effort, and as the liner notes put it, "make sense of rock and roll." He also declares the attempt a failure.

    It is easy to see how Jackson used the "failure" of "Beat Crazy" to make the leap to the more sophisticated "Night And Day." In one of his best ballads, "One On One," he deftly cuts the antagonist and himself with great couplets like "You're beautiful when you get mad. Or is that a sexist observation?" It's a far cry from the glibness of "Is She Really Going Out With Him." The music also took on more color, with the jazzy intro to "Crime Don't Pay" taking on a similarity to "Glad" from Traffic's "John Barleycorn Must Die."

    "Beat Crazy" suffers from that kind of intersection of desires and directions. The dub effects on "Mad At You" now just sound silly, and as a social statement, "Battleground" is even more embarrassing then it was in the 80's. Still, it is hard to fault Jackson and his mates for trying to shatter their old walls. Bear in mind that Jackson's next album was the Big Band "Jumpin' Jive," and that he'd jettison the band after "Beat Crazy." That helps to explain the wildness and musical tension that drives the eccentricities of "Beat Crazy."
    Bachelor Party
    Average customer rating: 4 out of 5 stars
    • At last on CD
    • A darn good 80's thrash!!
    Bachelor Party
    Various Artists
    Manufacturer: Superfecta
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000APVCN
    Release Date: 2003-08-12

    Tracks:

    1. The Fleshtones - American Beat '84
    2. Oingo Boingo - Something Isn't Right
    3. Jools Holland - Crazy Over You
    4. Adrian Zmed - Little Demon
    5. R.E.M. - Wind Out
    6. Oingo Boingo - Bachelor Party
    7. The Alarm - What Kind Of Hell
    8. Darlene Love - Alley Oop
    9. Angel & The Reruns - Why Do Good Girls Like Bad Boys
    10. Yip Yip Coyote - Dream Of The West

    Album Description

    Tom Hanks' 1984 motion picture, BACHELOR PARTY, features one of the best soundtracks of the '80s. Now, for the first time, this album is available on Compact Disc! It features 10 exclusive and digitally remastered tracks from some of the biggest bands of that era. The bash starts rocking when THE FLESHTONES kick off the CD with "American Beat '84." Followed by OINGO BOINGO's "Something Isn't Right," and later, "Bachelor Party"-both of which can only be found on this CD. And we "Wind Out" with R.E.M.

    Not only are the aforementioned bands included, but these partiers join in as well: the film's co-star, ADRIAN ZMED ("Little Demon"); Ex-SQUEEZE member, JOOLS HOLLAND ("Crazy Over You"); and, DARLENE LOVE, with a funky version of "Alley Oop."

    The newly designed booklet features exclusive liner notes from the Film's Producer and Music Supervisor, as well as classic stills from the film.

    Album Description

    First time on CD! The soundtrack for this out-of-control Tom Hanks comedy features 10 exclusive songs from R.E.M., The Fleshtones, The Alarm, Darlene Love, 2 tracks from Oingo Boingo, ex-Squeeze and current UK late night TV host, Jools Holland and more. Digitally Remastered along with new liner notes by producer Bob Israel and music supervisor Tim Sexton. Superfecta. 2003.

    Customer Reviews:

    4 out of 5 stars At last on CD.......2005-03-01

    It took it almost 20 years to do it but it was worth the wait (I.R.S. Records never got this one out on CD). Bachelor Party must be one of the funiest movies of the 80's and it was the spark that ignited Tom Hanks' movie carrer. The songs on this CD can ONLY be found here and there are some hard to find songs by REM, The alarm and Oingo Boingo which die hard fans will be greatful that they are now on CD. My personal fav is Angel & the rerun's "Why do good girl like bad boys" since this song sends me back to the sceens where the party is at it's best. It only gets 4 stars because I find the Yip Yip Coyote song a little dull; other than that, get this CD you won't regret it.

    4 out of 5 stars A darn good 80's thrash!!.......2003-08-30

    Wow - I'd waited 19 years for this to come out on CD, having previously owned the Soundtrack on Vinyl. And I'm not disappointed!

    This movie, whether or not Hanks likes it or not, is one of his best. A great party thrash it was the Grandfather to todays Teenage crude classics like American Pie and Road Trip. Comedy is the hardest thing to do well, and in Bachelor Party Hanks is just in a class of his own.

    The soundtrack reminds you of so many great scenes within the movie, it brings a sentimental tear to the eye. It's less Pop and more of a rock-new wave thrash, which adds to it's lasting appeal perhaps. The highlights for me are Oingo Boingo's 'Something Isn't Right', The Alarm's 'What Kind Of Hell' and Darlene Love's 'Alley Oop' - but the whole album hangs together so well.

    Adrian Zmed's little cameo reminds me of the sort of song you might hear at Karaoke parties! If you love the 80's, then do yourself a favour and get this little gem.
    Pianoforte Opus 5: Broadway
    Average customer rating: 5 out of 5 stars
    • Pianoforte Opus 5: Broadway Delight!
    • Music that is great to accompany any quiet project or event.
    Pianoforte Opus 5: Broadway
    Christopher Peacock , Lionel Bart , Leonard Bernstein , George Gershwin , Andrew Lloyd Webber , Eduardo Toldra , Tommy Wolf , and Vincent Youmans
    Manufacturer: Pure & Simple
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000008S3V
    Release Date: 1996-09-24

    Tracks:

    1. One Hand, One Heart/Somewhere from 'West Side Story'
    2. Memory from 'Cats'
    3. I Don't Know How To Love Him from 'Jesus Christ Superstar'
    4. Sun & Moon /Why God Why from 'Miss Saigon'
    5. Think Of Me from 'The Phantom Of The Opera'
    6. The Ballad Of The Sad Young Men from 'The Nervous Set'
    7. Love Changes Everything from 'Aspects Of Love'
    8. Without A Song from 'Great Day'
    9. Embraceable You/Summertime from 'Crazy For You And Porgy & Bess'
    10. Don't Cry For Me Argentina from 'Evita'
    11. Where Is Love from 'Oliver'
    12. With One Look from 'Sunset Blvd.'

    Customer Reviews:

    5 out of 5 stars Pianoforte Opus 5: Broadway Delight!.......2007-03-20

    Christopher Peacock is an extremely talented pianist. This CD is both exciting and soothing. I play it in my office as background music and use the auto reverse mode! I am planing to purchase additional CDs of his.

    5 out of 5 stars Music that is great to accompany any quiet project or event........1998-09-27

    This CD is my favorite when I work on my computer especially after a long day at work. The music is current and liked by teens as well as adults. My niece asked her parents to buy a copy after hearing it during Easter dinner at our house. The music simply makes me feel good.

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