La Mama [Import]

Product Description
Charles Aznavour's La Mamma appeared in 1963, ten years after his first real chart hit, Jezebel. Gone are the Maurice Chevalier cribs and the Louis Prima stylistics. In their place is a sense of poetic French drama, a command of his own gravelly voice even Aznavour thought impossible, and a pop singer so theatrical in his delivery he has been caricatured more than any other French vocalist. 1995 reissue fro EMI Holland. --This text refers to the Audio CD edition.

Tracks:

(It's Just) Talk
Always And Forever
The First Circle
Letter From Home
Are We There Yet?
If I Could
See The World
Minuano (Six Eight)
Dream Of The Return
Every Summer Night
In Her Family
Have You Heard

Amazon.com

Pat Metheny and his keyboard collaborator, Lyle Mays, have drawn on diverse sources for their music, combining folk, jazz, country, Latin, and world elements into a tuneful and often electronic mix. Bob Curnow is a veteran of the Stan Kenton Orchestra, and part of his avowed intention here is to set some of the Metheny and Mays compositions within the Kenton style. In keeping with that model, Curnow has assembled a very big band, 20 members strong with five trumpets and five trombones. It's an arresting project, and Curnow has successfully reconceived the Metheny work, substituting layered acoustic winds where electric guitars and keyboards were, enriching the textures and supplying orchestral breadth to what was once more intimate music. Metheny's prettier tunes, such as the ballad "If I Could," take on a Henry Mancini-like luster in this new setting. The sectional play is polished and energetic, and there are plenty of good soloists, including tenor saxophonist Rob Lockart, trombonist Chuck Hughes, and guitarist Paul Viapiano, who frequently provides a sonic bridge between the worlds of Metheny and Curnow. The sound is audiophile quality and the music provides a new look at both Metheny's music and the big-band tradition. --Stuart Broomer

Album Description

An amazingly successful translation of the inimitable compositions of the Pat Metheny Group into the idiom of big band jazz.

Customer Reviews:

Blast From The Past!.......2007-05-18

I played this arrangement of "The First Circle" in college jazz ensemble and it was one of THE highlights of anything we played. The clapping part was really fun, and it changes time signature every few measures so it was wicked difficult too. Wow, I remember combing the CD stores looking for this gem back before Amazon existed!

What great, great charts these are by Curnow, and Mays, two amazing musicians. And these are some of Pat Metheny's best, Minuano and Letter From Home are also standouts. Flat-out fantastic modern big band writing, absolute TOP recommendation.

Impressive.......2006-09-24

Hearing Metheney's tunes in a different context, apart from his guitar and Mayes' ubiquitous synth, really helps you to appreciate what strong, memorable themes Metheny writes. And Curnow's arrangments are first rate; he knows just what voice to assign where. The result is classic big band sound with some of the hippest tunes ever arranged for that settings. Listening to this makes me wish I was still in my high school big band, so that I might get a chance to play some of Curnow's charts!

Good Buy.......2006-03-17

I really enjoyed this CD. I love the music of Pat Metheny and the big band arrangements on the album are great. Personal favourites are "Minuano" and "Have You Heard." Reccomend for anyone that enjoys a more serious big band and not the poxy Glenn Miller sound.

Current, fresh, and it swings.........2005-05-15

This is a rich CD that you can listen to over and over again.
My favorite is Always and Forever where Bobby Shew's flugelhorn is funky and beautiful. Every Summer Night is light and interesting with a rhythm that moves it along. In Her Family is haunting.
The rhythms and orchestrations still sound fresh after over a decade.
Although I have not been a Pat Metheny fan nor a fan of the guitar in jazz, this music goes beyond just soft jazz that one hears in an elevator...
Is it a curse or a blessing that jazz is being picked up for background use? Just when we thought younger listeners would delve into the richness of Miles, Ella, Kenton, Gil Evans and Basie after being exposed to jazz, I hear it dismissed as dental office music !!
This is a richly orchestrated CD that supplies a strong background for soloists like Shew and Bill Cunliffe.
One can hear Curnow's roots in the Kenton orchestra and as has been mentioned before.."Is this CD what Kenton might have been doing now?"
Incredibly interesting rhythms and a great rhythm section to execute them.

Hits both ends of the spectrum.......2005-01-23

On a first listening to this cd, it was wonderful, and gets a bit better each time you re-listen.

Most of the charts were good, some, like Minuano, Dream of the Return and In Her Family were excellent.
The one that really blew me away was If I Could, which doesnt suffer at all compared to the original Metheny version.

I did find some VERY lacking. Letter From Home, which was always my favourite ballad from the original album, has absolutely no feeling in it. It seemed straightforward, and very dead, missing all the emotion Mays put into it.

Overall great arrangements by Curnow, and with the exception of Letter From Home, an Excellent CD. I would reccomend buying it.

Giuseppe Di Stefano: Historical Recordings 1952 - 1963

Average customer rating:

Very good CD for the price
A musical history
Only for die-hard Di Stefano fans

Giuseppe Di Stefano: Historical Recordings 1952 - 1963

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Tracks:

La Boheme: Che Gelida Manina
Rigoletto: Questa O Quella
La Forza Del Destino: La Mia Vita E Inferno All' Infinito
Lucia Di Lammermoor: Fra Poco A Mi Ricovero
Lucia Di Lammermoor: Tu che a Dio spiegasti l'ali
Cavalleria Rusticana: Viva Il Vino Spumeggiante
Cavalleria Rusticana: Mamma, Quel Vina E Generoso
La Traviata: Un Di, Felice, Eterea
La Traviata: De Miei Bollenti Spiriti
Rigoletto: La Donna E Mobile
Turandot: Nessun Dorma
Aida: Se Quel Querrier Io Fossi.. Celeste Aida
Un ballo in maschera: La Rivedra Nell'estasi
Un ballo in maschera: Di Tu Si Fedele
Un ballo in maschera: E Scherzo O E Follia
Turandot: Non Piangere Liu
'L'elisir d'amore': Quanto E Bella, Quanto E Cara
'L'elisir d'amore: Una Furtiva Lagrima
Luisa Miller: Quando Le Sere Al Placido

Customer Reviews:

Very good CD for the price.......2000-08-14

I have just listened to the whole CD and except for three tracks I think Pippo's singing is excellent.We have to listen to this CD for what it really is.A re-recording of live performances dating back almost 50 years.We can't expect today's digital quality recordings sound.On the first track,we hear Che Gelida Manina from a 31 year old Pippo who obviously was having a bad night,which is not uncommon with most singers.Tracks 18 & 19 definitely show Pippo in decline,but I didn't find band 18 as bad as another reviewer did.I counted only two vocal flaws.The rest of the aria is sung not that bad for a declining Pippo.Track 19 is sung well,but as in track 18 the voice sounds like it's getting tired.The rest of the singing on the CD,I enjoyed,especially the Addio Alla Madre.I would say that is my favorite on the CD.In my opinion,it's an ecellent CD for the price and it does contain some excellent singing and also is of historical value.

Pippo's Biggest Fan.

A musical history.......1999-12-12

I purchased this recording when it first became available. It is an important for as a historical document on one of the greatest tenors in the history of opera. Yes, his voice has a very apparent decline. And yes track 18 (Una furitiva lagrima) has cracked notes and other obvious vocal flaws. What the other reviewer has missed (but the audience didn't - which is why the aria was greeted with such enthusiasm) was the passion, the emotion that Di Stefano put into his singing. I make no excuses, I am an ardent Di Stefano devotee. His early singing was glorious, pure beauty. His later singing lost it's pure beauty, but gained passion and emotion.

This disc is important because it traces this transition.

Only for die-hard Di Stefano fans.......1999-03-24

I picked up this CD on a whim. The liner notes are useful, and describe the meteoric rise and fall of DiStefano's career, his temperment and ego.

The CD covers a period of only 11 years, but the deterioration of his voice during that period is frightening. Track 1 (1962) 'Che Gelida Manina' showcases a much fresher voice, but he strains terribly for the high 'C' and never even gets close. Track 18 (1963) 'Una furtiva lagrima' is full of embarrassments- chokes, flat notes, etc. - yet the live audience eats it up.

Di Stefano had stopped singing by the time I became an opera fan. This disk clearly shows why. Being a famous operatic tenor is not always about vocal quality (James McCracken, anyone?), and Di Stefano was certainly an exciting siger. There is some beautiful music on this CD, but I find it to be of mostly historical interest.

Sephardische Romanzen
Average customer rating:

it's early for this ensemble...but STILL...

Sephardische Romanzen
Spanish Anonymous , Jewish Traditional , Sephardic Traditional , and Accentus Ensemble
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
General | Opera & Vocal | Styles | Music
General | Folk | Styles | Music
General | Classical | Styles | Music
Compilations | Classical | Styles | Music
Similar Items:

The Sephardic Experience: Volume 1, Thorns Of Fire

Sephardic Experience, Vol. 2

The Sephardic Experience: Volume 3, Gazelle & Flea

The Sephardic Experience, Volume 4: Eggplants

Sephardic Journey

ASIN: B0000023RH
Release Date: 1995-02-07

Tracks:

Mi Suegra
Sa Dawi
La Rosa Enflorece
Durme, Durme Mi Alma Doncella
Entre La Mar Y El Rio
Don Amadi
Por La Tu Puerta Yo Pasi
Noches, Noches
Yo En Prizon, Tu En Las Flores
Nani, Nani
Dos Amantes Tengo Mama
Quiero Y Quiero
De Cadiz Vengo, Senores
Hija Mia Mi Querida
Yo M'enamori D'un Aire
Una Hija Tiene El Rey
Esta Es La Rueda Del Mundo/Estando Una Nina
Las Estrellas De Los Cielos
Durme, Durme Hermozo Hijico
Cantar Del Saidi
Rahelica Baila

Customer Reviews:

it's early for this ensemble...but STILL..........2001-08-07

This is the oldest available CD featuring Michael Posch and Thomas Wimmer. They go on to become members of Accentus/Oni Wytars/Unicorn, easily the most formidable early music instrumental ensemble in existence. Here, their skills certainly aren't what they'll become. But even amid their slightly hesitant and unrefined playing, their phenomenal musical spirit shines through. Thomas Wimmer is the only early musician I've heard who can sound so compelling with so little technique! I wouldn't recommend this CD as authentic Sephardic music (which isn't verifiably medieval), but it's a welcome addition to any collection solely on the basis of its engaged arrangements and presentation. The earliest tender shoot of a grand tree...

Average customer rating:

A glorious heritage, well sounded
a Hispanophile and Judeophile
hauntingly beautiful simplicity
A Fabulous collection!

Songs of The Sephardim

Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Jewish & Yiddish Music | Folk | Styles | Music

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Classical | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

International | Imports | Stores | Music

Classical | Imports | Stores | Music

General Christmas | Holiday Music | Special Features | Music
Similar Items:

Sephardic Romances
Sephardic Experience, Vol. 2
Ladino Love Songs: Bride Unfastens Her Braids, the Groom Faints
Sephardic Journey
Jews of Spain: A History of the Sephardic Experience

ASIN: B000001Q6I
Release Date: 1993-08-31

Tracks:

Los gayos empesan a cantar
Una ija tiena el rey
La prima vez
Puncha, puncha
A'har noghenim
Era escuro
Seu shearim
Esta monta'enfrente
Una pastora
Morena me Llaman
Nani, nani
A la una yo nac
Scalerica de oro
Yo m'enamori
Dos amantes tengo la mama
Una matica de ruda
Los bilbilicos
Ir me quero
Hija mia
Durme, durme, hermozo hijico
Avre tu puerta cerrada
Noches, noches
Partos trocatos
En la mar hey una torre
Esta Rachel la estimoza
Cuando el rey Nimrod
Adio, querida

Customer Reviews:

A glorious heritage, well sounded.......2005-10-05

This music has a distinctive Spanish flavour to it - the guitar introduction on the first track is unmistakably Spanish; this is a tradition that dates back to the time before Columbus discovered the 'new' world, which ironically was the same year Ferdinand and Isabella issued their edict of expulsion to the Jews in Spain. The Sephardic Jews took their musical traditions with them when they left, such that the Spanish influences in their culture permeated the Jewish communities in other parts of Europe.

There are all sorts of music on this disc, that covers the whole range of pieces from the Sephardic culture - there are love songs, lullabies, and storytelling songs. Women feature prominently in the stories, and most likely in the composition, of many of the pieces here. Many pieces, however, have come down to the present time without composer/author credits. These could be the songs of many Mediterranean cultures; that they are Jewish is indicated in some of the details of the lyrics rather than the style of music itself. References to Hebrew Scriptures in certain ways, and certain Jewish customs and officials (such as the Moel, the one who performs circumcision) indicate the kinds of details present here.

La Rondinella makes use of wind and string instruments, most likely the same kinds of instruments used by the folk singers who would have been the original performers. Included here as performers are Paul Bensel (recorder, crumhorn, percussion), Howard Bass (lute, guitar, harp, percussion), Rosalind Brooks Stowe (treble viol, vielle, percussion), and Tina Chancey as a guest artist (treble viol, vielle, rebec, kamenj, recorder, percussion), with the alto vocals of Alice Kosloski. La Rondinella was established in 1987 in Washington D.C. as a group dedicated to older styles of music such as Sephardic, English, Scottish and Italian music.

The performances here are simply stunning, and remarkable in the fullness of sound and one with so few players. The care and spirit infused into the performances is wonderful. The emotion is very strongly present, particularly in pieces that give a sense of longing and wandering, a very well-known feeling among the Sephardim.

a Hispanophile and Judeophile.......2005-08-24

This is a great album. The pieces are both instrumental and sung, with a range of themes. There are both lively and slow pieces on this album. The voices are clear, the harmonies are lovely, and with the lyrics, the words are fairly easy to follow and understand. If you already speak Spanish, you will find it easier to understand the medieval Castilian and so that knowledge provides a way in, but if you just like music and are interested in Jewish traditions, that offers an alternative route into the music.

hauntingly beautiful simplicity.......2000-02-05

A jewel of a recording. Alice Koslozski teamed up with La Rondinella for several more recordings of Sephardic and Spanish Renaissance songs, but this one, the first, is the very best: they are all technically excellent, but this CD has the best song selection.

La Rondinella produces great earthy and colorful Medieval timbres. Kozloski's mezzo singing is lyrical and moving, some where on the spectrum between lieder singer and folk singer.

The songs have a hauntingly beautiful simplicity - they are a relevant today as they were 600 years ago. The booklet contains all the Ladino texts - if you know a little Spanish, they are quite understandable.

A Fabulous collection!.......1999-04-03

This is a collection of songs that covers the broad spectrum of love, loss, hopes, and dreams. This music truly is expressed from the heart. It is interpreted by an excellent group of musicians who attempt successfully, I believe, to express the emotions and music of this particular era. This is a must-buy for anyone who is a serious collector.

Dame Eva Turner - The Collected Recordings

Average customer rating:

Interesting representation of the singer
Voice of a Legend

Dame Eva Turner - The Collected Recordings

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00004C8TK
Release Date: 2000-04-25

Customer Reviews:

Interesting representation of the singer.......2003-11-07

Eva Turner was condemned to be remembered as a one role singer; the role of Turrandot. Her artistry went far beyond that. She was a slow starter in many ways, and it took a considerable amount of time for major houses outside Italy to notice her. Yes, she was enjoyed and used in the Italian opera houses, but ignored in her own land. Eventually, she made her debut there and was a hit. Her voice is not to everyone's liking, and some critics found her interpretations very "ordinary." Some felt she couldn't color her voice enough to render complete interpretations of the roles she sang.

The real problem was her voice was not subtle at all. Through her development it grew and grew in size (many other singers didn't want to sing with her, not because of her personality -- she was a trouper, but because they had to strain so to be heard when singing with her). As with all very large voices, the virtues are astonishing and the vices just as pronounced. Perhaps she was not capable of much subtle coloring as many smaller voices were capable of, but she was able to "raise the roof" in the theatres she sang in, and present a very powerful living drama. Her intonation was nearly perfect at all times. And, unlike is often thought, she had great stage presence.

Finally, when a role came her way, one in which she had no competition, people were willing to actually open their ears and hear what she had to offer.

This set of recordings is very interesting to listen to. Yes, as with all "complete works of anyone" we hear repeats of various arias. The key then is to listen and see what changes had developed as the performer expanded their understanding of the role. Few singers really show much development in that regard. In this case, there are improvements that we hear from time to time.

Some of the pieces recorded do nothing for me, and I wouldn't have wasted the time recording them, however, they reflect what producers were having singers record at that time.

One role that Turner sang and excelled in was the Leonora from Trovatore. Yes, she had the necessary agility. She even produced a beautiful trill. Sadly, nothing here gives evidence to this fact.

I recommend this recording for those interested in having recordings of this great and under appreciated singer who had so much to give. I recommend it also for those interested in hearing a truly huge voice (some say that even Nilsson could come close to the power of Turner) recorded with minimal destortion. We are not able to know exactly how magnificent her voice really was, not even through these recordings, but we can hear the even quality of her noble instrument.

It is a pricey set, but for those who are interested in historic recordings of very famous singers, I would recommend it.

Voice of a Legend.......2001-01-13

Dame Eva Turner was arguably the greatest singer that England produced in the last century. Sadly, she was also one of the most under-recorded singers in history. This compilation finally releases in one package all of the material that we know of at this time. Unfortunately, that means that there are numerous recordings of the same arias, done at different times. Rumors continue as to the existence of more material in the vaults of companies in England, but none of that is available.

What you will hear is the voice of the definitive Turandot, a role which Dame Eva premiered in many houses, though the first performance of the opera was sung by Rosa Raisa. However, Franco Alfano, who completed the opera after Puccini's death proclaimed Dame Eva as the perfect Turandot. She effortlessly produces enormous waves of sound that are, at turns, steely or supple. Her instrument was one that has only been equaled by the great Birgit Nilsson.

Tracks:

Aida: Si Quel Guerrier Io Fossi !...Celeste Aida
La Favorita: Favorita Del Re !...Spirito Gentil
La Gioconda: Cielo E Mar
Manon Lescaut: Donna Non Vidi Mai
Adriana Lecouvreur: L'anima Ho Stanca
TOSCA: Recondite Armonia
TOSCA: E Lucevan Le Stelle
Il Trovatore: Ah Si Ben Mio...Di Quella Pira
Norma: Meco All'altare Di Venere... Me Protegge, Me Difende
Gli Ugonotti: Non LungeDella Torre...Bianca Al Par Di Neve Alpina
Romeo et Juliette: L'amour, L'amour... Ah Leve Toi Soliel !
Cavaleria Rusticana: Intanto Amici...Viva Il Vino Spumeggiante
Cavalleria Rusticana: Mamma, Quel Vino E Generoso
Andrea Chenier: Colpito Qui M'avete...Un Di All'azzuro Spazio
Andrea Chenier: Legray !... Andrea Chenier !...Si Fu Soldato
Andrea Chenier: Come Un Bel Di Di Maggio
Pagliacci: Recitar !...Vesti La Giubba
Turandot: Nesun Dorma

Customer Reviews:

The One & Only - Corelli .......2005-05-01

I have been reading the rave reviews of this CD and listening to the samples and after doing so I am going to purchase another Corelli CD. I am never disappointed in his voice. He was and is the greatest tenor of all time - - - bar none. Once again, B R A V O Corelli!!

i came i saw i kneeled.......2003-04-12

theres nothing else to say i was struck by the forces of natur and and found greatnes. first there was caruso then bigorling then lanza now corelli what more is there to say.

FRANCO CORELLI AT HIS BEST!.......2002-12-20

This compilation of moments from various complete opera studio recordings gives a very good idea about the legendary tenor Franco Corelli. Unfortunately most of the complete sets have one or two singers who are not ideal, therefore only a few opera recordings with Corelli can be recommended as first-choice recordings. EMI here has put together most of Corelli's best moments! He is heard in his glorious prime! Endless breath, electrifying high notes and power, power, power characterise his singing. My only objection is that his stentorian voice can sometimes become tiring. If only, however, we had such a tenor today! Of all the roles here, his Pollione and Manrico impressed me the most but everything else is also amazing. Bravo!

SPLENDID!!!.......2002-12-02

If you have not heard Franco Corelli, this cd is a good start. It gives a fine portrait of Mr.Corelli. It`s one of my most-played records ever. It's so exciting. But watch out! After listening to it, you can find many other tenors a little bit boring if you`re comparing. Of course Corelli had his faults he too and they are easy to find, but when you hear the thrilling sound of this abnormal tenorvoice, his brilliant boldly high notes, his intensity, they are very easy to ignore.
So if you`re looking for a different singer, buy this one and
you`re gonna be excited!

In A Class By Himself.......2001-05-14

Franco Corelli, who sang from 1951 to 1975, was the greatest tenore di forza of the postwar era. A powerful and exciting singer, never a subtle, elegant, or refined one, he had his detractors (who called him crude, vulgar, self-indulgent, and who lambasted his execrable French), but there can be no argument about the quality of his voice, a big, vibrant tenor with a thrilling timbre (often described as rich, dark, or baritonal) and a brilliant, secure top that must have been the envy and despair of other tenors. A nervous performer repeatedly subject to pre-performance jitters and anxiety attacks (a wag once said of him that Corelli could always think of more reasons not to sing than to sing), once onstage he was a generous singer who gave fully of himself and, like Caruso, poured out his magnificent voice unstintingly, never holding back.

The voice itself was one of the glories of the generously-endowed operatic scene of the Fifties and Sixties, and one of greatest tenor voices of the century. Herbert von Karajan said of Corelli, "A voice of heroic power, yet with great beauty of tone; darkly sensuous, mysteriously melancholic . . . but above all, a voice of thunder and lightning, fire and blood." Harold C. Schonberg, senior music of the New York Times, reviewing Corelli's Metropolitan debut in 1961, noted that his voice "has something of an exciting animal drive about it, and when Mr. Corelli lets loose, he can dominate an ensemble," and later described his voice as "a force of nature, an act of God, the vocal equivalent of an earthquake, volcano or hurricane." The distinguished musicologist Paul Henry Lang writing in the New York Herald-Tribune called Corelli "a latter-day Caruso." Alan Rich of the New York Herald-Tribune wrote of him, "There is no tenor in modern times, Italian or otherwise, whose voice rings out with greater vibrancy, whose every tone carries with it emotion at white heat. The sounds he makes, seemingly without effort, are dazzlingly bright, urgent, and communicative." Since Corelli's retirement we haven't heard anything remotely like him, and those of us who know his voice (and Bjorling's) can perhaps be pardoned for finding the "three tenors" so popular today somewhat anemic in comparison.

I have been an admirer of Corelli, a collector of his recordings, and a follower of his career since the 1950s (before he sang in America, when his only recordings were Italian Cetra imports). I have just about everything he recorded. This CD is a fine, representative selection of Corelli's Angel/EMI studio recordings from the 1960s, when he was in his prime, and a good introduction to his singing, including two roles in which he was without a peer: Andrea Chenier and Calaf in Turandot. You will never hear a more thrilling and heroic Improviso from Chenier than the one here. And if you're fond of Nessun dorma, this is one of the great ones.

Tracks:

Una Furtiva Lagrima - Vincenzo La Scola
Questa O Quella - Yordy Ramiro
La Donna E Mobile - Yordy Ramiro
Di'Tu Se Fedele - Thomas Harper
Ma Se M'E Forza Perderti - Thomas Harper
Lunge De Lei...De' Miei Bollenti Spiriti - Yordy Ramiro
Se Quel Guerrier Io Fossi...Celeste Aida - Kristjan Johansson
Ah! Si Ben Mio - Maurizio Frusoni
Di Quella Pira - Maurizio Frusoni
Recitar...Vesti La Giubba - Nicola Martinucci
Mama, Quel Vino E Generoso - Giacomo Aragall
Donna Non Vidi Mai - Kaludi Kaludov
Firenze E Come Un Albero Fiorito - Janez Lotric
Ch'Ella Mi Creda Libera - Thomas Harper
Cielo E Mar - Thomas Harper
Che Gelida Manina - Jonathan Welch
Dammi I Colori...Recondita Armonia - Giorgio Lamberti
E Lucevan Le Stelle - Giorgio Lamberti
Come Un Bel Di Di Maggio - Thomas Harper
Nessun Dorma - Thomas Harper

Customer Reviews:

You get what you pay for........2000-06-07

This CD Features Many wonderful tenors. Unfortunately, the tenor singing the title aria "Nessun Dorma" is not really fit to sing such a demanding piece. If you are buying this CD for that aria, I recommend you look elsewhere, but if you like the other arias on this CD, it is a great buy!

Average customer rating:

Colors (Las Colores)
La Escuelita de Mama Gallina
Manufacturer: Madacy Latino
ProductGroup: Music
Binding: Audio CD

General | Latin Music | Styles | Music

Latin Pop | Latin Music | Styles | Music

General | Children's Music | Styles | Music

4-for-3 Children's Music | 4-for-3 Music | Stores | Music
ASIN: B00008O311
Release Date: 2003-04-15

Tracks:

Introduction (Texto Inicio)
Red (Rojo)
Green (Verde)
Yellow (Amarillo)
Blue (Azul)
Orange (Anaranjado)
Purple (Morado)
Pink (Rosa)
Brown (Caf
Black (Negro)
White (Blanco)
Grey (Gris)
Color (Los Colores) [Remix]

Average customer rating:

Mama, Mama, Ich Bin in Dam La La Land
Roger Klug
Manufacturer: Immigrant
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music
ASIN: B00002547P
Release Date: 2000-01-11

Tracks:

I'd Love to Make You Change Your Mind
Land
Romance of Depression
Shaken Not Stirred
Walking on Eggshells
About Your Cat
Tongue Tied
You Do Something to Me
Takin' up My Time
Our Friend Jess
You're Alright
Ode to a Fiancee's Answering Machine
Vibin'
They Ain't the Same
Austin and Aaron
Sweat the Poison Out
Let the Future Be Your Friend

Average customer rating:

U CANT BE SERIOUS
Beauty of the music...

The String Quartet Tribute to Tupac

Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Rap & Hip-Hop | Styles | Music

West Coast | Rap & Hip-Hop | Styles | Music

General | Compilations | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Tributes | Pop | Styles | Music
ASIN: B0006HBZKG
Release Date: 2005-01-04

Tracks:

California Love
Dear Mama
Brenda's Got a Baby
Picture Me Rollin'
Keep Ya Head Up
All Eyez On Me
2 Of Amerikaz Most Wanted
To Live And Die In L.A.
How Do U Want It
I Get Around
I Ain't Mad At Cha
Life Goes On
Thugz Mansion
Another Day

Product Description

1. California Love
2. Dear Mama
3. Brenda's Got A Baby
4. Picture Me Rollin'
5. Keep Ya Head Up
6. All Eyez On Me
7. 2 Of Amerikaz Most Wanted
8. To Live And Die In L.A.
9. How Do U Want It
10. I Get Around
11. I Ain't Mad At Cha
12. Life Goes On
13. Thugz Mansion (Nas Remix)
14. Another Day (Original Composition)

Format: CD

Customer Reviews:

U CANT BE SERIOUS.......2006-11-12

WHATS NEXT THE HARMONICA VERSION. OR TUPAC HITS ON AN XILAPHONE OR WHISTLING.............

Beauty of the music..........2006-08-10

String quartet versions exelled such beautiful performance! After reviewing Tupac Shakur's original albums, I decided to check out the string quartet. To be honest, Tupac's work shows such strong, beautiful meanings of his life while the string version plays the beauty of many instruments dedicating to Tupac's work and his music. For those who love rap and a side of classical listening, this is one collection you can't pass up to!

International Music:

International Music

International Music