Songs from France

Track Listings

 
1. Vie en Rose
2. Valse des As
3. Badinerie
4. C'Est Ci Bon
5. Habanera {from Carmen Suite}
6. Nocturnes
7. Tristesse-Op. 10 No. 3
8. Chanson Boheme
9. Ave Maria
10. Preludio {from Carmen Suite}
11. Entr'acte 1, 2, 3
12. Plaisir d'Amour
13. Romance de la Nuit
14. Syrinx for Solo Flute
15. Je Veux Viver

Songs from France,Various Artists,Ent. Media Partners,France,Int'l & World Music,Pop
Instruments of the Orchestra
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Tales & Songs From Wedding and Funerals
Average customer rating: 5 out of 5 stars
  • The Beat Sets the Heart on Fire
  • Just.... Beatiful
  • Timeless
  • Tales & Songs From Wedding and Funerals, Goran Bregovic
Tales & Songs From Wedding and Funerals
Goran Bregonic
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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ASIN: B000068PGX
Release Date: 2002-08-26

Tracks:

  1. Hop Hop Hop
  2. Tale 1
  3. Aven Ivenda
  4. Sex
  5. Tale Ii
  6. Maki Maki
  7. Tale Iii
  8. So Nevo Si
  9. Tale Iv
  10. Cocktail Molotov
  11. Tale V
  12. Polizia Molto Arabbiata
  13. Tale Vi
  14. Te Kuravle
  15. Tale Vii

Album Details

2002 Album Release from What Some Call a Gypsy Blend Symphonic Serbo-croate, Balkan Rock Music.

Customer Reviews:

5 out of 5 stars The Beat Sets the Heart on Fire.......2006-08-25

Goran Bregovic and his unique ensemble will have you jumping out of your seat, smiling and dancing around the room, just as the audience did at Avery Fisher Hall this summer (2006) when Bregovic made his U.S. debut. "Tales And Songs From Weddings and Funerals" has a beat you'll want to keep playing.

5 out of 5 stars Just.... Beatiful.......2004-08-29

I've only heard the soundtracks of Emir Kusturicas movies... but I got to say when I hear the song ''Aven Ivenda'' I feel like crying a river... it's just beatiful... how do they feel the songs... just beatiful.. amazing... all the cd is amazing.... great... unexplicable....

5 out of 5 stars Timeless.......2004-03-03

Buy this one if you prefer Music to music.

5 out of 5 stars Tales & Songs From Wedding and Funerals, Goran Bregovic.......2003-06-27

This is the best work of Goran Bregovic in the last ten years. There are so many things to talk and explain about Balkan culture, but many cannot ever understand it, although they still live over there. Of course that is even harder for people who do not know and never lived there. One needs to know history of Balkan, its culture, tradition, folklores, people diversity, tradition etc. to be able to understand everything that Bregovic is trying to tell us. Bravo, Goran! This time you really did it. You've told us a story without ending, a story about love, life and death. You incorporated everything together: new sound and old sound, new songs and old songs, and that all is very beautiful. You proved once again what a great artist you are.
La Stupenda ~ The Supreme Voice of Joan Sutherland
Average customer rating: 4.5 out of 5 stars
  • La Stupenda at her best
  • this is the one to buy
  • La Stupenda lives up to her name
  • La Stupenda, Amore, amore, amore
  • La Stupenda - well deserved title for Joan
La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005OC0E
Release Date: 2001-10-09

Tracks:

  1. Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
  2. Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
  3. Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
  4. Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
  5. Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
  6. Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
  7. Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
  8. La Fille Du Regiment Donizetti: Pour Ce Contrat Fatal... Ah! Salut A La France - Joan Sutherland/Chor Of The ROHCG
  9. La Traviata: Un Di Felice - Joan Sutherland/Carlo Bergonzi
  10. The Bohemian Girl: I Dreamt I Dwelt In Marble Halls - Joan Sutherland
  11. Home Sweet Home - Joan Sutherland
  12. Casanova: Nuns' Chorus - Joan Sutherland/Ambrosian Light Opr Chor
  13. Lucia Di Lammermoor: (O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl'incensi.. - Joan Sutherland/Chor De L'Opera De Paris/Rene Duclos

Tracks:

  1. Norma: Sediziose Voci... Casta Diva - Joan Sutherland/Chor Of The ROHCG/Douglas Robinson
  2. Alcina: Tornami A Vagheggiar - Joan Sutherland
  3. Con For Coloratura Soprano, Op.82: Andante - Joan Sutherland
  4. Con For Coloratura Soprano, Op.82: Allegro - Joan Sutherland
  5. Lucia Di Lammermoor: Sulla Tomba... Ah! Verranno A Te Sull'aure - Joan Sutherland/Luciano Pavarotti
  6. Rigoletto: Gualtier Malde... Caro Nome - Joan Sutherland/Riccardo Cassinelli/Christian Du Plessis/John Gibbs/Ambrosian Opr Chor
  7. Esclarmonde Massenet: Esprits De L'air! Esprits De L'onde! ... Roland! Roland! Roland! - Joan Sutherland/Huguette Tourangeau/John Alldis Chor
  8. Operette: Where Are The Songs We Sung? - Joan Sutherland
  9. The Boys From Syracuse: Falling In Love With Love - Joan Sutherland/Ambrosian Light Opr Chor
  10. I Puritani: Son Vergin Vezzosa - Joan Sutherland/Margreta Elkins/Pierre Duval/Ezio Flagello
  11. Turandot: In Questa Reggia - Joan Sutherland/Luciano Pavarotti/John Alldis Choir/Wandsworth School Boys' Choir/Russell Burgess
  12. Tristan Und Isolde: Mild Und Leise Wie Er Lachelt - Joan Sutherland
  13. Adriana Lecouvreur: Poveri Fiori - Joan Sutherland
  14. La Sonnambula: Ah! Non Giunge Uman Pensiero - Joan Sutherland/London Opr Chor/Terry Edwards

Customer Reviews:

5 out of 5 stars La Stupenda at her best.......2007-05-06

This 2 CD set is entitled "La Stupenda," which creates extremely high expectations. Joan Sutherland meets those expectations on this CD; she is, indeed, "La Stupenda." One of the interesting aspects of this set is Dame Joan's singing some non operatic works (such as "Home Sweet Home" or "Where Are the Songs We Sung?" or "Falling in Love with Love"). In the end, this is a wonderful compilation of the art of Joan Sutherland.

First, let's consider a sampling of the cuts on these CDs.

"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.

From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).

From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.

"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).

Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").

"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.

Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.

Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.

5 out of 5 stars this is the one to buy.......2007-04-18

I'm not an opera expert I just enjoy it. La Stupenda has the best of Joan Sutherland in a two CD set and it's amazing. She looked like a nice, quiet housewife but an indescribalbe voice. Her aria from Norma gave me chills and her version of "I Dreamed I Dwelt in Marble Halls" is flat out one of the prettiest things I've ever heard.

5 out of 5 stars La Stupenda lives up to her name.......2006-11-12

Joan Sutherland was undeniably one of the greatest operatic sopranos of the 20th century. This comprehensive two-CD retrospective of her long career will delight her many fans, and serve as a fitting introduction for those unfamiliar with her artistry. The two CDs span a period of nearly thirty years, from 1959 to 1988, with the majority of the 27 tracks recorded during the 1960s and 1970s, when her voice was at its' astounding best. Sutherland was renowned first and foremost as a dramatic coloratura, and her supple technique is brilliantly illustrated in selections such as the Mad Scene from Lucia di Lammermoor; Doll Song from The Tales of Hoffmann; Queen of the Night aria from The Magic Flute; and the seldom-performed Concerto for Coloratura Soprano by Gliere. As her career progressed, her voice became larger and more powerful, as demonstrated by the Liebestod from Wagner's Tristan and Isolde, and In Questa Reggia from Puccini's Turandot. Lastly, Sutherland was a diva who was not afraid to let her hair down once in a while, and we are treated to lighter selections such as Where are the songs we sung? by Noel Coward, and Falling in love with love, by Rogers and Hart. Highly recommended for all lovers of great singing.

5 out of 5 stars La Stupenda, Amore, amore, amore.......2006-01-28

I adore this woman's voice. And I love this cd. I was really happy to find an aria of "Esclarmonde" which is virtually impossible to find as well as some of the more lesser known works of hers such as Mozart's Queen of Night, although I wish she had done a recording of the revenge aria (Der Holle Roche) The whole cd was wonderful to hear but if I had to make on complaint it's that I didn't buy her Isolde's Liebestod but the woman can sing Lucia better than just about anyone so I'll forgive her for not sticking with the Wagner. In fact I am thrilled that she chose Lucia over Isolde because frankly acting and interperation was never her strong suit, it was the pure beauty of her voice. It's always a grand pleasure to listen to Joan kick butt in any coloratura arias but of course she set the bar so high that there is yet a coloratura since her that can do those arias half as well. She has spoiled me for life and that's why she is La Stupenda.

5 out of 5 stars La Stupenda - well deserved title for Joan.......2006-01-12

I am not an opera expert by any stretch of the imagination - but I love opera. I love the expertise and beautiful voices of these hardworking singers. When I first heard Joan sing, it was from a recording she made late in her career and I honestly thought, what's the big deal about her? So, I decided to get The Art of Prima Donna album, and all I have to say is WOW! In her prime, this woman was a fantastic singer! While she wasn't the dramatist like Callas was (I also love Callas), her range and the way she hit each note so precisely was amazing! So, I bought La Stupenda. I loved the piece she did from Handel's Alcia and the fantastic Rossini duet she did with Marilyn Horn. The entire album is wonderful. I particularly like how Joan's high notes are never screechy - she makes those high notes sound so effortless. I also appreciate how she had such control over her vibrato - not too trilly (I like trilly - especially by Beverly Sills - however, not every song should be all trill). Finally, I think that Joan was one of the few sopranos that didn't try to drown everyone out. When she sang a duet, she blended with the other singer - how rare! Not all singers seem to be able to accomplish that - duets shouldn't be a competition. This album is worth every penny. Joan was one of the great singers of the 20th century and she deserves her title of La Stupenda!
A Centenary Tribute: Songs from 1930-1953
Average customer rating: 5 out of 5 stars
  • Sepia features 5 vocalists with 5 different styles
A Centenary Tribute: Songs from 1930-1953
Josephine Baker
Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B000EBGFOU
Release Date: 2006-03-13

Tracks:

  1. Pretty Little Baby
  2. Dis-Moi Josephine?
  3. Love Is A Dreamer
  4. Sans Amour
  5. Madiana
  6. Paartir Sur Un Bateau Tout Blanc
  7. Doudou
  8. La Congo Blicoti
  9. I'm Feelin' Like A Million
  10. A Message From The Man In The Moon
  11. Afraid To Dream
  12. Sur Deux Notes
  13. Mon Coeur Est Un Oiseau Des Iles
  14. Tout N'est Qu'un Chant D'Amour
  15. Besame Mucho
  16. Brazil
  17. Boneca De Pixe
  18. Serenade Celeste
  19. You're The Greatist Love
  20. Pecadora
  21. Peg De Mon Coeur
  22. Santa Chiara
  23. La Petite Tonkinoise
  24. J'ai Deux Amours
  25. J'Ai Lu Dans Les Etoiles
  26. Dans Mon Village
  27. C'est Ca Le Vrai Bonheur

Album Description

This CD celebrates the centenary of the extraordinary Josephine Baker, the American who conquered first France, then the rest of Europe! The 27 tracks here span the years 1930-1953, including five numbers that are appearing on CD for the first time. CD booklet includes French lyrics translated into English and rare photos. Includes "Pretty Little Baby," "Dis Moi Josephine," "Love is a Dreamer," "I'm Feelin' Like a Million,""Araid to Dream," "Besame Mucho," "Brazil," "Serenade Celeste," "You're the Greatest Love," and more.

Customer Reviews:

5 out of 5 stars Sepia features 5 vocalists with 5 different styles.......2006-05-21



> I have the greatest respect for and owe a lot to the gallant little producers who are restoring old recordings to CDs. So to my list of such companies as DRG and Archeophone, I can now add a delightful little label from London, England called Sepia.


I have just listened to 5 CDs, each featuring a female vocalist from the past, and was fascinated by their contrasting styles.


"Starring Betty Rhodes" (Sepia 1069) showcases a singer whose ""I don't want to walk without you" I have used so many times in my talk about the songs of World War II. Never the great star, she was always around doing a far better than average job in a few films and countless recordings. Here she sings 26 numbers that include "Somewhere in the night," "What is this thing called love?" "Rumors are flying," and "Buttons and bows." Her style is easy going and very very pleasant.


By way of contrast, "Betty Garrett: Star of Stage & Screen" (1038) is filled with lively but never over the top renditions of 28 songs such as "Manhattan," "Take me out to the ballgame," "Side by side," and "Home cookin'." She is accompanied along the way by such luminaries as Milton Berle, Vic Damone, Jimmy Durante, and Gene Kelly. Garrett, by the way, became a star when she brought down the house in "Call Me Mister" singing "South America, take it away." A real fun CD.


I seem to remember the featured singer of "Hildegarde: Entrancing Music" (1066) as far back as my preteens. She was quite popular in cabarets and nightclubs, with a style that was friendly without being obnoxious (as are too many nightclub acts) and with a voice that could be sexy one minute and little girlish the next. Among the 26 numbers on this CD, she is best in slow ballads like "The touch of your lips" and "Every time we say goodbye," not quite comfortable with "Alexander's Ragtime Band" and "The sidewalks of New York." The recordings used are in chronological order from 1936 to 1944 and afford a very pleasurable 78 minutes of listening. Hildegarde, by the way, passed away as recently as July 2005.


Also having gained fame as a cabaret singer in Europe is the star of "Gretta Keller: Remember Me & Other Intimate Songs" (1063). Equally at home in German and English, this chanteuse renders 25 songs, recorded in the mid-1950s, that include "The very thought of you," "They can't take that away from me," "These foolish things," and "Time on my hands." Her smoky voice will conjure up memories of Marlene Dietrich; but Keller is her own self in these engaging renditions of mostly familiar ballads.


The fifth and probably most familiar name on this cross-section of Sepia CDs appears on "Hommage a Josephine Baker: Disque du centenaire" (1065). This centenary tribute to the great singer includes songs recorded from 1930-53, in English and French (just listen to "Peg o' my heart" as "Peg de mon Coeur"!). Here is the voice of a St. Louis slum child who decided to make the most of her talents, even if it meant going to Paris to do so, and building herself into a great exponent of the French music hall.


Her voice can go from high soprano to what sounds like a mezzo, and she sounds great at any pitch. Included in the 27 songs on this CD are "La Congo blicoti," "Besame mucho," "Brazil," and "A message from the man in the moon." This disc should do a lot to make up for the cold reception she got upon her return to her native soil safter her European triumphs.


I am assured by the gentlemen running Sepia that these discs are available through amazon.com. And by the way, think what excellent gifts these would make, since you can be sure very few people will already have them in their collections.
Over There - Songs From America's Wars
Average customer rating: 5 out of 5 stars
  • A very good CD to buy
  • What an Excellent Work of Art!
  • Excellent!
  • What A Blast - A Fun and Inspiring CD
  • What A Blast - A Fun and Inspiring CD
Over There - Songs From America's Wars
Marlborough Singers & Chamber Players
Manufacturer: Newport Classic
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
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  1. Great War
  2. The Great War: Classical And Popular Selections From The Time Of World War I (National Public Radio Milestones Of The Millennium)
  3. Words and Music of World War II
  4. Those Were Our Songs: Music of World War II
  5. Songs That Got Us Through WWII

ASIN: B00006BCBU
Release Date: 2002-07-30

Tracks:

  1. Free America
  2. The Red, White And Blue (O Columbia, The Gem Of The Ocean)
  3. The Soldier's Tear
  4. The Bonnie Blue Flag
  5. The Battle Cry Of Freedom
  6. When Johnny Comes Marching Home
  7. Tenting To-Night
  8. Tramp! Tramp! Tramp!
  9. Marching Through Georgia
  10. Captian Jinks Of The Horse Marines
  11. The Faded Coat Of Blue
  12. Over There
  13. He Is There!
  14. God Be With Our Boys To-Night
  15. Give A Little Credit To The Navy
  16. When Alexander Takes His Ragtime Band To France
  17. K-K-K-Katy
  18. Over Yonder Where The Lilies Grow
  19. Would You Rather Be A Colonel With An Eagle On Your Arm Than A Private With A Chicken On Your Knee?
  20. There's A Long, Long Trail
  21. When The Boys Come Sailing Home
  22. My Buddy
  23. Keep The Home-Fires Burning

Customer Reviews:

5 out of 5 stars A very good CD to buy.......2005-07-06

I have bought many CD regarding American patriotic songs but it is the one that I prefer. The songs are sung in a very classic way and so, there are easy to listen. Jon English as a tenor gives an excellent performance. On the piano, Rob Carriker gives also an excellent performance; he does not try to cover the voice of Jon English but just to support his voice. So, Jon English and Rob Carriker form a very fine duo and the quality of recording is excellent. The choice of songs is also excellent. I strongly recommend this CD.

5 out of 5 stars What an Excellent Work of Art!.......2002-08-30

John English has a booming and resounding voice. Well suited for the rough and tough songs of our countries historic wars. It is an excellent buy, and I recommend it to any fans of great songs and American historics!

5 out of 5 stars Excellent!.......2002-08-30

This cd is excellent! I reccomend it to everyone!! Jonathon English has got an amazing voice!

5 out of 5 stars What A Blast - A Fun and Inspiring CD.......2002-07-30

I have to admit - I didn't know what I'd be getting when I bought this album. I love Americana and have known some of these songs all my life: K-K-K-Katy, Keep the Home-Fires Burning, and Tenting on the Old Camp Ground. Others that are listed I had never heard before: The Soldier's Tear, When Alexander Takes His Ragtime Band to France, and the very funny Captain Jinks! From first to last I found this CD a joy to hear. Jon English has a beautiful voice, and he sings with such clarity that you can understand every word! There are songs that will get your feet taping, and others that will bring a tear to your eye. The chorus is quite obviously not a professional choir, and that's all the better! They sing with an infectious energy and spirit that'll make you want to sing along. Add into that the horns, flute and percussion and this album becomes very pleasant experience. This is one of the best CD's I've heard in a long time, and I heartily recommend it.

5 out of 5 stars What A Blast - A Fun and Inspiring CD.......2002-07-30

I have to admit - I didn't know what I'd be getting when I bought this album. I love Americana and have known some of these songs all my life: K-K-K-Katy, Keep the Home-Fires Burning, and Tenting on the Old Camp Ground. Others that are listed I had never heard before: The Soldier's Tear, When Alexander Takes His Ragtime Band to France, and the very funny Captain Jinks! From first to last I found this CD a joy to hear. Jon English has a beautiful voice, and he sings with such clarity that you can understand every word! There are songs that will get your feet taping, and others that will bring a tear to your eye. The chorus is quite obviously not a professional choir, and that's all the better! They sing with an infectious energy and spirit that'll make you want to sing along. Add into that the horns, flute and percussion and this album becomes very pleasant experience. This is one of the best CD's I've heard in a long time, and I heartily recommend it.
Songs for Alexander: Music for Autism
Average customer rating: Not rated
    Songs for Alexander: Music for Autism

    Manufacturer: White Line
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Folk | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
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    1. Spectrum Connections - Connecting Emotions
    2. Playing, Laughing and Learning with Children on the Autism Spectrum: A Practical Resource of Play Ideas for Parents and Carers
    3. Spectrum Connections - Connecting Body Movement
    4. Incredible 5-Point Scale ¿ Assisting Students with Autism Spectrum Disorders in Understanding Social Interactions and Controlling Their Emotional Responses

    ASIN: B0000666BT
    Release Date: 2002-06-25

    Tracks:

    1. Durisdeer - Sir James Galway
    2. O This Is No' My Ain Lassie - Stephen Kovacevish
    3. The Sun Rises Bright In France - Dame Felicity Lott
    4. O Willy's Rare And Willy's Fair - Steven Isserlis
    5. The Wee Cooper O'Fife - Sir James Galway/Gareth McLearnon/Marisa
    6. Lady Anne Bothwell's Lament - Sir James Galway/Gareth
    7. The Winter It Is Past - Evelyn Glennie
    8. The Brisk Young Lad - Evelyn Glennie
    9. My Love's In Germany - John Harle
    10. John Anderson My Jo - John Harle
    11. Willie Wastle dwalls on Tweed - John Lill
    12. O Gin My Love Were Yon Red Rose - John Lill
    13. The Flowers O' The Forest - Dame Felicity Lott
    14. The Deil's Awa Wi Th'Exciseman - Tasmin Little
    15. Flow Gently, Sweet Afton - Sir Simon Rattle
    16. By Yon Castle Wa - Sir Simon Rattle
    17. Jocky Said To Jenny - Sir Simon Rattle
    18. Ca The Yowes - Sir Simon Rattle
    19. He's Aye A-kissin' Me - Tasmin Little
    La Bele Marie: Songs to the Virgin from 13th-Century France
    Average customer rating: 5 out of 5 stars
    • Another masterpiece from Anonymous 4
    • The bewitching variety of Anonymous 4
    La Bele Marie: Songs to the Virgin from 13th-Century France
    Anonymous 4
    Manufacturer: Harmonia Mundi Fr.
    ProductGroup: Music
    Binding: Audio CD

    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    GeneralGeneral | Classical | Styles | Music
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    Similar Items:
    1. 1000: A Mass for the End of Time / Anonymous 4
    2. The Origin of Fire: Music and Visions of Hildegard von Bingen
    3. Legends of St. Nicholas: Medieval Chant & Polyphony
    4. An English Ladymass: Medieval Chant and Polyphony
    5. The Lily and the Lamb: Chant and Polyphony from Medieval England

    ASIN: B00006ALAG
    Release Date: 2002-08-13

    Tracks:

    1. O maria o felix puerpera
    2. Pia mater gratie
    3. De la mere au sauveor
    4. O maria virginei
    5. Verbum bonum et suave
    6. Ave salus hominum
    7. Mainte changon au fait
    8. Ave maria gracia plena
    9. Perotin: Beata viscera
    10. Mundum renovavit
    11. Je te pri de cuer par amors
    12. Salve sancta parens
    13. Serena virginum
    14. De la tres douce Marie
    15. Ave virgo Virginum
    16. Mater patris et filia
    17. Ave nobilis venerabilis

    Amazon.com

    The arrival of a new Anonymous 4 album has become as much a fall ritual as the turning of the leaves. However, there's nothing rote about their 12th album for Harmonia Mundi. All 17 selections are in honor of the Virgin Mary, ground familiar to fans of the ensemble's breakthrough first album, An English Ladymass (as well as 1998's Lammas Ladymass). Drawing upon both the Latin liturgy and chansons adapted from the French trouvère tradition of secular love songs, the combination of sources powerfully illustrates how strong devotion to Mary was in medieval France. But even more immediately striking is the New York-based vocal quartet's near-magical ability to enrapture their listeners. Whether they are coursing through a simply elegant monophonic chant such as "O maria o felix puerpera," a dazzlingly florid work like "Mater patris et filia," or the ethereal harmonies of "Mundum renovavit," their perfect intonation and pure tone are sublime. There's a special treat here, too--each of the ladies performs one piece solo. It's a chance to hear each singer's unique contribution to the group's inimitable sound: Marsha Genensky's exquisite smoothness, Susan Hellauer's dark-hued loveliness, Jacqueline Horner's creamy lightness, and Johanna Maria Rose's radiant resonance. It's a record that will transport you to another world, and yet one more star to add to Anonymous 4's constellation of celestially beautiful recordings. --Anastasia Tsioulcas

    Customer Reviews:

    5 out of 5 stars Another masterpiece from Anonymous 4.......2003-02-16

    For me what sets apart an Anonymous 4 recording, besides the wongerful singing is the presentation of a coherent program that only enhances the listening enjoyment. This disc contains anonymous chansons and conducti--with the exception of the "Beata viscera" of Perotin. These enchanting hymns and songs to the virgin Mary are vividly brought to life by the ensemble. I highly recommend this recording.

    5 out of 5 stars The bewitching variety of Anonymous 4.......2002-10-23

    The child-like simplicity beguiles the music's endless array of intricacies
    and subtleties. The crisp phrasing, exquisite nuances, poingnant details of haunting beauty is heard throughout the disc. Perotin and Notre Dame over all, were lyrics of the first water.
    Early Music (Lachrymae Antiquae)
    Average customer rating: 4 out of 5 stars
    • one of their best
    • I loved this CD!
    • Not as early as you might think
    • Pleonastic
    • a good one
    Early Music (Lachrymae Antiquae)

    Manufacturer: Nonesuch
    ProductGroup: Music
    Binding: Audio CD

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    5. Black Angels

    ASIN: B000005J4S
    Release Date: 1997-09-16

    Tracks:

    1. Kyrie I
    2. Rachell's Weepinge
    3. Langdans efter Byfans Mats
    4. Lachrymae Antiqua
    5. Psalom
    6. Two Studies On Ancient Greek Scales: 1. Olympos' Pentatonic - 2. Archytas' Enharmonic
    7. Long-Ge
    8. Totem Ancestor
    9. Kyrie II
    10. Brudmarsch fra Osta
    11. Using The Apostate Tyrant As His Tool
    12. Synchrony No.2
    13. Quodlibet
    14. Viderunt Omnes
    15. Kyrie III
    16. Four Part Fantasia No. 2
    17. O Virtus Sapientie
    18. Uleg-Khem
    19. Farwell My Good I. Forever
    20. Collected Songs Where Every Verse Is Filled With Grief
    21. Requiem Mass: Bells: Tolling Of The Knell

    Amazon.com essential recording

    Don't get too comfortable with this disc's opening minutes, which sound convincingly like a well-tuned consort of viols performing two short pieces by Machaut and Tye. These two works from the 14th and 16th centuries quickly give way to a piece from 1997 by David Lamb. Then come Arvo Part, Harry Partch, John Cage, and even Moondog, a.k.a. Louis Hardin. Additional instruments come and go- -harmonium, bagpipe, zhong ruan, nyckelharpa, drum--all of which complement and enhance the string sounds. Later, we hear music by Hildegard von Bingen, Perotin, and even Purcell. Most of the selections from early composers are arrangements by the Kronos Quartet and others, but it's a tribute to the recording's producers that in spite of the music's diversity, everything works together to make a coherent, cohesive, intellectually, and musically challenging program. --David Vernier

    Customer Reviews:

    5 out of 5 stars one of their best.......2005-04-14

    If you like simple, string quartet music as much as I do, then you've got to listen to this. It is a generous 68 minutes of plaintive music--no discontinuities and surpises like on their Black Angels recording. It is all slow and mournful.

    4 out of 5 stars I loved this CD!.......2002-11-02

    When I was listening to MSN I came across it. I love Early Music and they had a Radio station that was playing it. I decided to listen to it. So as I was lisitening to it I came across the song Collected Songs Where Every Verse Is Filled With Grief. That is the besty song I ever heard in a long time. I like the other songs but this one really spoke to me. It was quite moving if I might say.

    4 out of 5 stars Not as early as you might think.......2000-06-07

    Yes, there is "old" music on this disc. But works in olden style by John Cage, Arvo Part, et al are also present. Quite a challenging program on the listener - but rewarding as well. I am particularly found of Kronos' setting of Alfred Shnittke's "Collected Songs Where Every Verse is Filled With Grief". Very eclectic recording performed with usual finesse of the Kronos Quartet - and some guests.

    3 out of 5 stars Pleonastic.......2000-03-10

    Kronos Quarter has been an agile and versatile instrument in the hands of modern composers. It has (re)interpreted music from many sources in a coherent way, thus creating a very distinctive sound. This album offers a mixed program of composers, juxtaposing the modern and the antique. The thesis of the album is (I think) that early composers are surprisingly palatable to modern sensibilities, and that they are close in spirit to a vast array of contemporary musicians. Also, it seems that the bond linking all these authors is a certain state of affliction; hence the subtitle of the album "lachrymae antiquae", ancient tears. Yet, overall, I found this a pretentious album, even in its use of latin. After so many years of philologically accurate renditions of the early masters, performed on period intruments, the operation of K.Q. sounds at least inappropriate if not even a bit obnoxious. It often seems that they are sacrificing the original intentions of the authors to the altar of this "modernity" thesis. The listener should judge by him/herself.

    Summing up, I would just say that this is first of all a K.Q. album "inspired by" early music. I would just point out that it doesn't add much to the understanding neither of Machaut & co., nor of K.Q., which is still a great ensemble.

    4 out of 5 stars a good one.......1999-12-02

    Who can say, as of now, how much of the music the KQ plays will fall, deservedly or not, by the wayside and how much of it will continue for the ages? At any rate, this CD is rewarding. I like the mix of quirky pieces with the staid, even if the title "Early Music" is misleading (since few original instruments are utilized in this record). Fine work; highly recommended.
    Old and New Fangled Tangos/Folk Songs Around the World
    Average customer rating: 5 out of 5 stars
    • A Magical Musical Journey Around the World with Mantovani.
    Old and New Fangled Tangos/Folk Songs Around the World

    Manufacturer: Dutton Labs UK
    ProductGroup: Music
    Binding: Audio CD

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    5. Strauss Waltzes

    ASIN: B0006840K2
    Release Date: 2005-02-08

    Tracks:

    1. Whatever Lola Wants (Lola Gets)
    2. Blue Tango
    3. Tango Delle Rose
    4. New-Fangled Tango
    5. Music Box Tango
    6. Adios Muchachos
    7. Besame Mucho
    8. Hernando's Hideaway
    9. Blauer Himmel (Blue Skies)
    10. Takes Two to Tango
    11. Rain in Spain
    12. Orange Vendor
    13. Folk Songs of America: Aura Lee/Skip to My Lou/The Streets of Laredo
    14. Folk Songs from European Countries: Au Clair de la Lune/Fr Jacques
    15. Folk Songs from the British Isles: Greensleeves/When Love Is ...
    16. Two Guitars
    17. Moon on the Ruined Castle
    18. Hava Nagila

    Customer Reviews:

    5 out of 5 stars A Magical Musical Journey Around the World with Mantovani........2005-02-23

    The soaring strings of the original orchestra led by the late great Mantovani are once again presented in this brand new Vocalion release of two of the maestro's masterpiece recordings first released in 1964 (Folk Songs) and 1968 (Tango). Folk Songs from Around the World will charm and excite listeners with melodies as diverse as Aura Lee (what Elvis sang as Love Me Tender) and the sizzling sounds of Hava Nagila. The highly disciplined orchestra under the baton of Mantovani perform spectacular arrangements of "Two Guitars" from Russia and folk songs from Japan, Europe,and the British Isles arranged with such artistry that they will readily evoke from each listener intense emotions. The splendid orchestrations found on the Tango tracks also evoke a variety of emotions, with Whatever Lola Wants, Hernando's Hideaway and Takes Two to Tango, offering playful amusement, and such tracks as Blue Sky, Orange Vendor, and Tango Delle Rose combining captivating tango rhythms with time honored melodies made ever more delightful by the unique, cathedral sound identified exclusively with Mantovani. In an interview at the time of the Tango album's release, the ever perfectionist Mantovani expressed his delight with the musical outcome,noting that he tried "blending fine melodies with exciting rhythms to produce a sound that is stimulating.." Acquire this two CD-set, and new and old Mantovani fans will know the maestro was right on the mark in his assessment of this incomparable musical journey.
    Classics for Violin
    Average customer rating: Not rated
      Classics for Violin

      Manufacturer: Compendia
      ProductGroup: Music
      Binding: Audio CD

      Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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      Similar Items:
      1. Classics for Kids: Solo Flute
      2. Suzuki Violin School (Suzuki Violin School Cd): Vol. 1 (Suzuki Violin School CD)
      3. Classics for Kids (Box Set)
      4. Classics for Cello
      5. Classical Music for Children: A Toddler's Introduction to Classical Music

      ASIN: B00000JJUL
      Release Date: 1999-07-13

      Tracks:

      1. Suzuki: Twinkle, Twinkle
      2. Traditional: Lightly Row
      3. Traditional: Song Of The Wind
      4. Traditional: Go Tell Aunt Rhody
      5. Traditional: O Come, Little Children
      6. Suzuki: May Song
      7. Suzuki: Allegro
      8. Bach: Etude
      9. Bach: Minuet No.3
      10. Traditional: Happy Farmer
      11. Rouget De L'Isle: La Marseillaise (French National Anthem)
      12. Brahms: Finale
      13. Mendelssohn: On Wings Of Song
      14. Traditional: Home Sweet Home
      15. Steffe: Battle Hymn Of The Republic
      16. Traditional: Dixieland
      17. Traditional: Turkey In The Straw
      18. Brahms: Cradle Song
      19. Traditional: Songs My Mother Taught Me
      20. Nazareth: Tango
      21. Brahms: Ser
      22. Paganini: Withches' Dance
      23. Boccherini: Minuet
      24. Rimsky-Korsakoff: Scheherazade
      25. Laoreux: Study No.8
      26. Kabalevsky: Clown
      27. Chopin: Mazurka
      28. Brahms: Con
      29. Bach: Gigue
      30. Dancla: Air No.6

      International Music:

      1. Songs from Germany
      2. Songs from Hungary & Romania
      3. Songs from Ireland
      4. Songs from North Africa
      5. Songs from Russia
      6. Songs from Scotland
      7. Songs from South America
      8. Songs from Spain
      9. Songs of Greece [Import]
      10. Stripped [CD-single] [Import]

      International Music

      International Music