| 1. Vie en Rose |
| 2. Valse des As |
| 3. Badinerie |
| 4. C'Est Ci Bon |
| 5. Habanera {from Carmen Suite} |
| 6. Nocturnes |
| 7. Tristesse-Op. 10 No. 3 |
| 8. Chanson Boheme |
| 9. Ave Maria |
| 10. Preludio {from Carmen Suite} |
| 11. Entr'acte 1, 2, 3 |
| 12. Plaisir d'Amour |
| 13. Romance de la Nuit |
| 14. Syrinx for Solo Flute |
| 15. Je Veux Viver |
Songs from France,Various Artists,Ent. Media Partners,France,Int'l & World Music,Pop
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Tales & Songs From Wedding and Funerals
Goran Bregonic Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068PGX Release Date: 2002-08-26 |
Tracks:
- Hop Hop Hop
- Tale 1
- Aven Ivenda
- Sex
- Tale Ii
- Maki Maki
- Tale Iii
- So Nevo Si
- Tale Iv
- Cocktail Molotov
- Tale V
- Polizia Molto Arabbiata
- Tale Vi
- Te Kuravle
- Tale Vii
Album Details
2002 Album Release from What Some Call a Gypsy Blend Symphonic Serbo-croate, Balkan Rock Music.Customer Reviews:
The Beat Sets the Heart on Fire.......2006-08-25
Just.... Beatiful.......2004-08-29
Timeless.......2004-03-03
Tales & Songs From Wedding and Funerals, Goran Bregovic.......2003-06-27
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La Stupenda ~ The Supreme Voice of Joan Sutherland
Gaetano Donizetti , Jules Massenet , Giuseppe Verdi , Richard Bonynge , and Joan Sutherland Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OC0E Release Date: 2001-10-09 |
Tracks:
- Attila: Santo Di Patria... Allor Che I Forti Corrono - Joan Sutherland
- Lakme: Viens, Mallika... Dome Epais Le Jasmin - Joan Sutherland/Jane Berbie
- Les Contes D'Hoffmann: Les Oiseaux Dans La Charmille - Joan Sutherland
- Die Zauberflote: O Zittre Nicht, Mein Lieber Sohn... Zum Leiden Bin Ich Auserkoren - Joan Sutherland
- Linda Di Chamounix: Ah! Tardai Troppo... O Luce Di Quest'anima - Joan Sutherland
- Semiramide: Serbami Ognor Si Fido - Joan Sutherland/Marilyn Horne
- Beatrice Di Tenda Bellini: Eccomi Pronta... Deh, Se Un'urna - Joan Sutherland/Ambrosian Singers
- La Fille Du Regiment Donizetti: Pour Ce Contrat Fatal... Ah! Salut A La France - Joan Sutherland/Chor Of The ROHCG
- La Traviata: Un Di Felice - Joan Sutherland/Carlo Bergonzi
- The Bohemian Girl: I Dreamt I Dwelt In Marble Halls - Joan Sutherland
- Home Sweet Home - Joan Sutherland
- Casanova: Nuns' Chorus - Joan Sutherland/Ambrosian Light Opr Chor
- Lucia Di Lammermoor: (O Giusto Cielo!)... Il Dolce Suono Mi Colpi Di Sua Voce!... Ardon Gl'incensi.. - Joan Sutherland/Chor De L'Opera De Paris/Rene Duclos
Tracks:
- Norma: Sediziose Voci... Casta Diva - Joan Sutherland/Chor Of The ROHCG/Douglas Robinson
- Alcina: Tornami A Vagheggiar - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Andante - Joan Sutherland
- Con For Coloratura Soprano, Op.82: Allegro - Joan Sutherland
- Lucia Di Lammermoor: Sulla Tomba... Ah! Verranno A Te Sull'aure - Joan Sutherland/Luciano Pavarotti
- Rigoletto: Gualtier Malde... Caro Nome - Joan Sutherland/Riccardo Cassinelli/Christian Du Plessis/John Gibbs/Ambrosian Opr Chor
- Esclarmonde Massenet: Esprits De L'air! Esprits De L'onde! ... Roland! Roland! Roland! - Joan Sutherland/Huguette Tourangeau/John Alldis Chor
- Operette: Where Are The Songs We Sung? - Joan Sutherland
- The Boys From Syracuse: Falling In Love With Love - Joan Sutherland/Ambrosian Light Opr Chor
- I Puritani: Son Vergin Vezzosa - Joan Sutherland/Margreta Elkins/Pierre Duval/Ezio Flagello
- Turandot: In Questa Reggia - Joan Sutherland/Luciano Pavarotti/John Alldis Choir/Wandsworth School Boys' Choir/Russell Burgess
- Tristan Und Isolde: Mild Und Leise Wie Er Lachelt - Joan Sutherland
- Adriana Lecouvreur: Poveri Fiori - Joan Sutherland
- La Sonnambula: Ah! Non Giunge Uman Pensiero - Joan Sutherland/London Opr Chor/Terry Edwards
Customer Reviews:
La Stupenda at her best.......2007-05-06
First, let's consider a sampling of the cuts on these CDs.
"O Zittre Nicht" is from Mozart's "Magic Flute" and it is a challenge to sopranos, with its series of staccato high notes. Sutherland essays this well. There are some nice trills; she hits the high notes well. The series of (treacherous) high notes toward the end is handled very nicely by Sutherland. In short, she scintillates, with a closing high note well hit.
From Donizetti's "Linda di Chamounix," she sings "O luce di questi'anima." Her voice and technique are well suited for Donizetti (and Bellini). The cantabile is smoothly sung. The cabaletta is rollicking. Her coloratura technique is on target; the ornamentation is compelling. There are trills, runs, high notes and other ornamentation well done. The close is nice (although there may be a bit of a scoop on the final high note).
From "Beatrice di Tenda" (by Bellini), we hear ""Eccomi pronta. . .Deh, se un'urna." The cantabile is sung well. She hits notes clearly. The spirited cabaletta follows. Sutherland exhibits somewhat less ornamentation than usual, but trills are well done and, overall, the piece is nicely sung. The close features clean high notes.
"Home Sweet Home." This kind of illustrates Joan Sutherland's work nicely. I can hardly make out the words (and it is sung in English). But it is an interesting version. She sings the song straight, without overpowering the song with operatic technique (an occasional trill actually works out well).
Elsewhere, I have commented on her 1959 version of the "Mad Scene" from "Lucia di Lammermoor" (from her album "The Greatest Hits").
"Falling in Love with Love" is an interesting cut. This is a classic Rodgers and Hart song. Sutherland sings it pretty well, and one can pick up the words cleanly. However, one might compare this with Anna Moffo's version, which is more musical. Sutherland's version is a bit too operatic for what the song is about.
Finally, "Ah non giunge" from Bellini's "La Sonnambula," a great coloratura tune! This is taken at a sprightly pace. Sutherland exhibits good coloratura technique. There is nice ornamentation. She precisely nails high notes. In the repeat, the florid singing ramps up. This is a compelling version, with series of staccato high notes to close the work out.
Thus, this 2 CD set is a welcome entrée to the body of work of Dame Joan Sutherland. Sometimes (as with "Home Sweet Home") one has a hard time picking out the words. But with Sutherland, the skills and techniques create a compelling oeuvre that is well worth attending to.
this is the one to buy.......2007-04-18
La Stupenda lives up to her name.......2006-11-12
La Stupenda, Amore, amore, amore.......2006-01-28
La Stupenda - well deserved title for Joan.......2006-01-12
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A Centenary Tribute: Songs from 1930-1953
Josephine Baker Manufacturer: Sepia Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EBGFOU Release Date: 2006-03-13 |
Tracks:
- Pretty Little Baby
- Dis-Moi Josephine?
- Love Is A Dreamer
- Sans Amour
- Madiana
- Paartir Sur Un Bateau Tout Blanc
- Doudou
- La Congo Blicoti
- I'm Feelin' Like A Million
- A Message From The Man In The Moon
- Afraid To Dream
- Sur Deux Notes
- Mon Coeur Est Un Oiseau Des Iles
- Tout N'est Qu'un Chant D'Amour
- Besame Mucho
- Brazil
- Boneca De Pixe
- Serenade Celeste
- You're The Greatist Love
- Pecadora
- Peg De Mon Coeur
- Santa Chiara
- La Petite Tonkinoise
- J'ai Deux Amours
- J'Ai Lu Dans Les Etoiles
- Dans Mon Village
- C'est Ca Le Vrai Bonheur
Album Description
This CD celebrates the centenary of the extraordinary Josephine Baker, the American who conquered first France, then the rest of Europe! The 27 tracks here span the years 1930-1953, including five numbers that are appearing on CD for the first time. CD booklet includes French lyrics translated into English and rare photos. Includes "Pretty Little Baby," "Dis Moi Josephine," "Love is a Dreamer," "I'm Feelin' Like a Million,""Araid to Dream," "Besame Mucho," "Brazil," "Serenade Celeste," "You're the Greatest Love," and more.Customer Reviews:
Sepia features 5 vocalists with 5 different styles.......2006-05-21
> I have the greatest respect for and owe a lot to the gallant little producers who are restoring old recordings to CDs. So to my list of such companies as DRG and Archeophone, I can now add a delightful little label from London, England called Sepia.
I have just listened to 5 CDs, each featuring a female vocalist from the past, and was fascinated by their contrasting styles.
"Starring Betty Rhodes" (Sepia 1069) showcases a singer whose ""I don't want to walk without you" I have used so many times in my talk about the songs of World War II. Never the great star, she was always around doing a far better than average job in a few films and countless recordings. Here she sings 26 numbers that include "Somewhere in the night," "What is this thing called love?" "Rumors are flying," and "Buttons and bows." Her style is easy going and very very pleasant.
By way of contrast, "Betty Garrett: Star of Stage & Screen" (1038) is filled with lively but never over the top renditions of 28 songs such as "Manhattan," "Take me out to the ballgame," "Side by side," and "Home cookin'." She is accompanied along the way by such luminaries as Milton Berle, Vic Damone, Jimmy Durante, and Gene Kelly. Garrett, by the way, became a star when she brought down the house in "Call Me Mister" singing "South America, take it away." A real fun CD.
I seem to remember the featured singer of "Hildegarde: Entrancing Music" (1066) as far back as my preteens. She was quite popular in cabarets and nightclubs, with a style that was friendly without being obnoxious (as are too many nightclub acts) and with a voice that could be sexy one minute and little girlish the next. Among the 26 numbers on this CD, she is best in slow ballads like "The touch of your lips" and "Every time we say goodbye," not quite comfortable with "Alexander's Ragtime Band" and "The sidewalks of New York." The recordings used are in chronological order from 1936 to 1944 and afford a very pleasurable 78 minutes of listening. Hildegarde, by the way, passed away as recently as July 2005.
Also having gained fame as a cabaret singer in Europe is the star of "Gretta Keller: Remember Me & Other Intimate Songs" (1063). Equally at home in German and English, this chanteuse renders 25 songs, recorded in the mid-1950s, that include "The very thought of you," "They can't take that away from me," "These foolish things," and "Time on my hands." Her smoky voice will conjure up memories of Marlene Dietrich; but Keller is her own self in these engaging renditions of mostly familiar ballads.
The fifth and probably most familiar name on this cross-section of Sepia CDs appears on "Hommage a Josephine Baker: Disque du centenaire" (1065). This centenary tribute to the great singer includes songs recorded from 1930-53, in English and French (just listen to "Peg o' my heart" as "Peg de mon Coeur"!). Here is the voice of a St. Louis slum child who decided to make the most of her talents, even if it meant going to Paris to do so, and building herself into a great exponent of the French music hall.
Her voice can go from high soprano to what sounds like a mezzo, and she sounds great at any pitch. Included in the 27 songs on this CD are "La Congo blicoti," "Besame mucho," "Brazil," and "A message from the man in the moon." This disc should do a lot to make up for the cold reception she got upon her return to her native soil safter her European triumphs.
I am assured by the gentlemen running Sepia that these discs are available through amazon.com. And by the way, think what excellent gifts these would make, since you can be sure very few people will already have them in their collections.
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Over There - Songs From America's Wars
Marlborough Singers & Chamber Players Manufacturer: Newport Classic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006BCBU Release Date: 2002-07-30 |
Tracks:
- Free America
- The Red, White And Blue (O Columbia, The Gem Of The Ocean)
- The Soldier's Tear
- The Bonnie Blue Flag
- The Battle Cry Of Freedom
- When Johnny Comes Marching Home
- Tenting To-Night
- Tramp! Tramp! Tramp!
- Marching Through Georgia
- Captian Jinks Of The Horse Marines
- The Faded Coat Of Blue
- Over There
- He Is There!
- God Be With Our Boys To-Night
- Give A Little Credit To The Navy
- When Alexander Takes His Ragtime Band To France
- K-K-K-Katy
- Over Yonder Where The Lilies Grow
- Would You Rather Be A Colonel With An Eagle On Your Arm Than A Private With A Chicken On Your Knee?
- There's A Long, Long Trail
- When The Boys Come Sailing Home
- My Buddy
- Keep The Home-Fires Burning
Customer Reviews:
A very good CD to buy.......2005-07-06
What an Excellent Work of Art!.......2002-08-30
Excellent!.......2002-08-30
What A Blast - A Fun and Inspiring CD.......2002-07-30
What A Blast - A Fun and Inspiring CD.......2002-07-30
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Songs for Alexander: Music for Autism
Manufacturer: White Line ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000666BT Release Date: 2002-06-25 |
Tracks:
- Durisdeer - Sir James Galway
- O This Is No' My Ain Lassie - Stephen Kovacevish
- The Sun Rises Bright In France - Dame Felicity Lott
- O Willy's Rare And Willy's Fair - Steven Isserlis
- The Wee Cooper O'Fife - Sir James Galway/Gareth McLearnon/Marisa
- Lady Anne Bothwell's Lament - Sir James Galway/Gareth
- The Winter It Is Past - Evelyn Glennie
- The Brisk Young Lad - Evelyn Glennie
- My Love's In Germany - John Harle
- John Anderson My Jo - John Harle
- Willie Wastle dwalls on Tweed - John Lill
- O Gin My Love Were Yon Red Rose - John Lill
- The Flowers O' The Forest - Dame Felicity Lott
- The Deil's Awa Wi Th'Exciseman - Tasmin Little
- Flow Gently, Sweet Afton - Sir Simon Rattle
- By Yon Castle Wa - Sir Simon Rattle
- Jocky Said To Jenny - Sir Simon Rattle
- Ca The Yowes - Sir Simon Rattle
- He's Aye A-kissin' Me - Tasmin Little
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La Bele Marie: Songs to the Virgin from 13th-Century France
Anonymous 4 Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006ALAG Release Date: 2002-08-13 |
Tracks:
- O maria o felix puerpera
- Pia mater gratie
- De la mere au sauveor
- O maria virginei
- Verbum bonum et suave
- Ave salus hominum
- Mainte changon au fait
- Ave maria gracia plena
- Perotin: Beata viscera
- Mundum renovavit
- Je te pri de cuer par amors
- Salve sancta parens
- Serena virginum
- De la tres douce Marie
- Ave virgo Virginum
- Mater patris et filia
- Ave nobilis venerabilis
Amazon.com
The arrival of a new Anonymous 4 album has become as much a fall ritual as the turning of the leaves. However, there's nothing rote about their 12th album for Harmonia Mundi. All 17 selections are in honor of the Virgin Mary, ground familiar to fans of the ensemble's breakthrough first album, An English Ladymass (as well as 1998's Lammas Ladymass). Drawing upon both the Latin liturgy and chansons adapted from the French trouvère tradition of secular love songs, the combination of sources powerfully illustrates how strong devotion to Mary was in medieval France. But even more immediately striking is the New York-based vocal quartet's near-magical ability to enrapture their listeners. Whether they are coursing through a simply elegant monophonic chant such as "O maria o felix puerpera," a dazzlingly florid work like "Mater patris et filia," or the ethereal harmonies of "Mundum renovavit," their perfect intonation and pure tone are sublime. There's a special treat here, too--each of the ladies performs one piece solo. It's a chance to hear each singer's unique contribution to the group's inimitable sound: Marsha Genensky's exquisite smoothness, Susan Hellauer's dark-hued loveliness, Jacqueline Horner's creamy lightness, and Johanna Maria Rose's radiant resonance. It's a record that will transport you to another world, and yet one more star to add to Anonymous 4's constellation of celestially beautiful recordings. --Anastasia TsioulcasCustomer Reviews:
Another masterpiece from Anonymous 4.......2003-02-16
The bewitching variety of Anonymous 4.......2002-10-23
and subtleties. The crisp phrasing, exquisite nuances, poingnant details of haunting beauty is heard throughout the disc. Perotin and Notre Dame over all, were lyrics of the first water.
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Early Music (Lachrymae Antiquae)
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J4S Release Date: 1997-09-16 |
Tracks:
- Kyrie I
- Rachell's Weepinge
- Langdans efter Byfans Mats
- Lachrymae Antiqua
- Psalom
- Two Studies On Ancient Greek Scales: 1. Olympos' Pentatonic - 2. Archytas' Enharmonic
- Long-Ge
- Totem Ancestor
- Kyrie II
- Brudmarsch fra Osta
- Using The Apostate Tyrant As His Tool
- Synchrony No.2
- Quodlibet
- Viderunt Omnes
- Kyrie III
- Four Part Fantasia No. 2
- O Virtus Sapientie
- Uleg-Khem
- Farwell My Good I. Forever
- Collected Songs Where Every Verse Is Filled With Grief
- Requiem Mass: Bells: Tolling Of The Knell
Amazon.com essential recording
Don't get too comfortable with this disc's opening minutes, which sound convincingly like a well-tuned consort of viols performing two short pieces by Machaut and Tye. These two works from the 14th and 16th centuries quickly give way to a piece from 1997 by David Lamb. Then come Arvo Part, Harry Partch, John Cage, and even Moondog, a.k.a. Louis Hardin. Additional instruments come and go- -harmonium, bagpipe, zhong ruan, nyckelharpa, drum--all of which complement and enhance the string sounds. Later, we hear music by Hildegard von Bingen, Perotin, and even Purcell. Most of the selections from early composers are arrangements by the Kronos Quartet and others, but it's a tribute to the recording's producers that in spite of the music's diversity, everything works together to make a coherent, cohesive, intellectually, and musically challenging program. --David VernierCustomer Reviews:
one of their best.......2005-04-14
I loved this CD!.......2002-11-02
Not as early as you might think.......2000-06-07
Pleonastic.......2000-03-10
Summing up, I would just say that this is first of all a K.Q. album "inspired by" early music. I would just point out that it doesn't add much to the understanding neither of Machaut & co., nor of K.Q., which is still a great ensemble.
a good one.......1999-12-02
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Old and New Fangled Tangos/Folk Songs Around the World
Manufacturer: Dutton Labs UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006840K2 Release Date: 2005-02-08 |
Tracks:
- Whatever Lola Wants (Lola Gets)
- Blue Tango
- Tango Delle Rose
- New-Fangled Tango
- Music Box Tango
- Adios Muchachos
- Besame Mucho
- Hernando's Hideaway
- Blauer Himmel (Blue Skies)
- Takes Two to Tango
- Rain in Spain
- Orange Vendor
- Folk Songs of America: Aura Lee/Skip to My Lou/The Streets of Laredo
- Folk Songs from European Countries: Au Clair de la Lune/Fr Jacques
- Folk Songs from the British Isles: Greensleeves/When Love Is ...
- Two Guitars
- Moon on the Ruined Castle
- Hava Nagila
Customer Reviews:
A Magical Musical Journey Around the World with Mantovani........2005-02-23
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Classics for Violin
Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JJUL Release Date: 1999-07-13 |
Tracks:
- Suzuki: Twinkle, Twinkle
- Traditional: Lightly Row
- Traditional: Song Of The Wind
- Traditional: Go Tell Aunt Rhody
- Traditional: O Come, Little Children
- Suzuki: May Song
- Suzuki: Allegro
- Bach: Etude
- Bach: Minuet No.3
- Traditional: Happy Farmer
- Rouget De L'Isle: La Marseillaise (French National Anthem)
- Brahms: Finale
- Mendelssohn: On Wings Of Song
- Traditional: Home Sweet Home
- Steffe: Battle Hymn Of The Republic
- Traditional: Dixieland
- Traditional: Turkey In The Straw
- Brahms: Cradle Song
- Traditional: Songs My Mother Taught Me
- Nazareth: Tango
- Brahms: Ser
- Paganini: Withches' Dance
- Boccherini: Minuet
- Rimsky-Korsakoff: Scheherazade
- Laoreux: Study No.8
- Kabalevsky: Clown
- Chopin: Mazurka
- Brahms: Con
- Bach: Gigue
- Dancla: Air No.6
International Music: