The Soul of Percussion

1. Drummer's Delight

2. Stop! Bayão

3. Doun' Doum Ba - Ayo Nelson-Homiah

4. Sakete

5. Sabar - Ifang Bondi

6. Collective for 'Changuito' - Amampondo

7. Mandana

8. Neeru

9. Tabla Solo 1

10. Hamada - Sayed Balaha

11. Karachi - Mahmoud Fadl

12. Caña - Los Activos

13. When the Stars Fall Down, We Are on Top

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

The Cloud Messenger, H111: 'O Thou, Who Com'st From Heaven's King' - G. HOLST
The Cloud Messenger, H111: 'Tarry Not, O Cloud, Tarry Not. Rushing Northward ...' - - G. HOLST
The Cloud Messenger, H111: 'Tarry Not, O Cloud, Tarry Not.' - G. HOLST
The Cloud Messenger, H111: 'Tarry Not, O Cloud. Bow Thy Head' - - G. HOLST
The Cloud Messenger, H111: 'When The Dancers Are Weary ...' - G. HOLST
The Hymn Of Jesus, H140: Prelude - - G. HOLST
The Hymn Of Jesus, H140: The Hymn - G. HOLST
Ave Maria, H49 - G. HOLST
The Evening-watch, H159 - G. HOLST

Tracks:

Seven Part-Songs, H162: Say Who Is This? - Gustav Holst
Seven Part-Songs, H162: O Love, I Complain - Gustav Holst
Seven Part-Songs, H162: Angel Spirits Of Sleep - Gustav Holst
Seven Part-Songs, H162: When First We Met - Gustav Holst
Seven Part-Songs, H162: Sorrow And Joy - Gustav Holst
Seven Part-Songs, H162: Love On My Heart From Heaven Fell - Gustav Holst
Seven Part-Songs, H162: Assemble, All Ye Maidens - Gustav Holst
A Choral Fantasia, H177 - Gustav Holst
City Of London Sinfonia: A Dirge For Two Veterans, H121 - Gustav Holst
Ode to Death, H144 - Gustav Holst
This Have I Done For My True Love, H128 - Gustav Holst
Four Part-Songs: O Lady, Leave That Silken Thread - Gustav Holst
Four Part-Songs: Soft And Gently - Gustav Holst
Four Part-Songs: The Autumn Is Old - Gustav Holst
Four Part-Songs: Winter And The Birds - Gustav Holst

Customer Reviews:

More than just choral works.......2006-04-20

These choral works from Gustav Holst are as striking as the Planets. They are like two dozen angels singing with heavenly glory. A Choral Fantasia, The Cloud Messenger and The Hymn of Jesus are excellent; superb playing from the London Symphony, breathtaking and articulate singing from the Chorus. Ode to Death & A Dirge for Two Veterans are absolutely haunting. The Part-songs are worth the listen, and the Ave Maria and the Motets sound fresh and fabulous.

If you are a fan of Holst's Planets, then you'll be an immediate fan of his choral works once you start listening to The Cloud Messenger.

Get This For the Hymn of Jesus.......2002-09-07

How many of you are sick of the Planets! I know I am, as marvelous as I find that work. Holst was a much more varied and talented composer than that work reveals. On this disc you can hear a wide variety of Holst's choral music and judge for yourself.

I can only comment on half this disc, as I own the Cloud Messanger and the Hymn of Jesus only in an earlier incarnation. The Cloud Messanger is a massive work based on an Hindu text. It is of variable quality...Holst himself flet that it was not wholy a success and supressed further performances of it in his lifetime. But the passages that are good are stunning indeed, and Hickox and crew make a strong case for the work.

The reason to get this CD is for the Hymn of Jesus. This is the best performance of the best work that Holst composed. The Hymn of Jesus is based on Holst's own translation of a passage from the Gnostic Gospel of Thomas ( some sources claim the Acts of John as the origin of this text, but I'm pretty sure I have it in my copy of the Gospel of Thomas, which had recently been discovered at the time.)These Gnostic texts so intrigued Holst that he studied Greek just to be able to read it in the original. The work begins with a beautiful, atmospheric prelude based on two Sarum chants, Panea Lingua and a resplendant Vexilla Regis in the boy choir. Then there is a massive choral invocation to God and the Hymn is sung. This text is also known as the Round Dance of Jesus, and Holst goes for the dance in the piece, with a splendid section in 5/4 which must have frightened the Edwardian audience at the work's premiere. Tightly organized and stunning in it's choral effects, this version of the work surpasses even the fine old recording by Sir Charles Grove.

I can't comment on the performances of the other works on the second disc, but know that the Ode to Death is haunting and the Choral Fantasia is a major work worth hearing. But the reason to buy this album is for the Hymn. It's a stunning and neglected masterpiece in the English choral tradition.

An important record of lesser known choral works . . ........2000-08-08

. . . but I wish they'd used a large choral force.

My primary interest in this CD was the recording of the relatively recently re-discovered (1984) major choral work "The Cloud Messenger." From Holst's "India" period, this is a stunningly beautiful "painting" of the Khalidasa 6th Century A.D. lyric poem, "Meghaduta" ("Cloud Messenger"), the lament of an exiled yaksa who is pining for his beloved on a lonely mountain peak. When, at the beginning of the monsoon, a cloud perches on the peak, he asks it to deliver a message to his love in the Himalayan city of Alaka. Most of the poem consists of a description of the landmarks, cities, and terrain on the cloud's route to Alaka, interspersed with admonishments to the cloud to "Tarry not!" It is only at the end that we are finally aware of the message itself -- one intended to comfort the yaksa's wife in her loneliness.

I had the privilege of singing the U.S. premiere of this work in 1996 with Masterworks Chorale in San Mateo, CA, a chorus of about 150 auditioned singers. This work needs such a large choral force, and a conductor who can deal with the inherent drama in the text. We had both, and the performance was a stunning success. (It was the final work on a program that opened with Debussy's "La damoiselle Elue" for women's voices and mezzo-soprano and soprano soloists; and Brahms' "Alto Rhapsody" for men's voices and mezzo-soprano soloist. "The Cloud Messenger" also includes a mezzo-soprano soloist.)

My biggest complaint with this recording is the dynamics. The entire work seems to be performed at about mf+, occasionally venturing into f and mp. Unfortunately, this doesn't do justice to the drama. The opening, for example, needs to grow from the first ppp gentle raindrops, building as the cloud builds in strength, to a glorious ff choral introduction of the main character, the cloud: "O Thou, who com'st from heaven's king! scion of a noble race! who wearest wondrous forms at will!"

There are parts of this work that beg for a lush warm sound; what we hear on this recording is the British "boy choir" sound in the treble range, while the men have a warmer (albeit somewhat watered down) tone. This is a highly sensuous work, full of luscious ripe sensual imagery: "Where e'er thou goest, lonely wives, who pine in solitude with close-bound hair, will arise and go along the road. Thou bringest home their absent husbands, who will loosen their tresses and fill their hearts with joy!" The "flat" sound of pre-pubescent boys just doesn't do this music, or mature text, justice.

That said, however, this is an important recording of a little-known work. You'll get the feeling of the piece, a sense of the promise. Let's hope that a large chorus paired with a sensitive conductor will have an opportunity at another recording of this in the not-too-distant future (Atlanta? Chicago?).

Contrast this with "The Hymn of Jesus" -- Hickox fares much better with this material, playing up the dance rhythms (Holst knew what he was doing -- at the climax of the piece, the words are: "Ye who dance not, know not what we are knowing.") It really is a first-rate performance of this work.

Other works deserving special mention are "Dirge for Two Veterans," in which one can hear hints of "Mars" from "The Planets"; "Ode to Death," a setting of Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd," which contains allusions to "Saturn." The Four Partsongs on the second disk are among Holst's earliest works, written in 1894, when he was barely 20 yrs old and in his second year at the Royal College of Music; and the Choral Fantasia is among his later choral works, written in 1931.

Tracks:

Sheep May Safely Graze - Stuttgarter Kammerorchester
Jesu, Joy Of Man's Desiring - Stuttgarter Kammerorchester
Aria (Air On The G String) - Stuttgarter Kammerorchester
Air - Academy Of St. Martin-In-The-Fields
Love Divine, All Loves Excelling - Richard Farnes
Canon in D major - Stuttgarter Kammerorchester
Bridal Chorus - Stephen Cleobury
The Prince Of Denmark's March - Michael Laird Brass
Trumpet Tune And Air - Peter Hurford
Panis Angelicus - Luciano Pavarotti
Ave Maria - Wandsworth School Boys' Choir, National Philharmonic Orchestra and Luciano Pavarotti
Exsultate, Jubilate, K. 165 - Leontyne Price
Water Music - Stephen Cleobury
Wedding March - Peter Hurford
The Lord's My Shepherd - Huddersfield Choral Society
Laudate Dominum - Wren Orchestra
Let The Bright Seraphim - Dame Joan Sutherland
Abide With Me - Anthony Way
Ombra Mai Fu - Anthony Way
On Wings Of Song - Utah Symphony Orchestra
Toccata - Stephen Cleobury
Praise, My Soul, The King Of Heaven - Richard Farnes

Tracks:

My Heart Will Go On - James Horner
I Will Always Love You - Dolly Parton
Love Theme - Nino Rota
Up Where We Belong - Will Jennings
As Time Goes By - Herman Hupfeld
Take My Breath Away - Giorgio Moroder
Can You Feel The Love Tonight? - Elton John
Evergreen - Barbra Streisand
Love Is All Around - Reg Presley
Maid Marian At The Waterfall (Everything I Do) I Do For You - Seattle Symphony Orchestra
Moon River - Henry Mancini
Where Do I Begin - Francis Lai
When A Man Loves A Woman - Andrew Wright
The Way We Were - Marvin Hamlisch
Unchained Melody - Hollywood Bowl Orchestra

Average customer rating:

wedding classics
Problem with Samples
Perfect Music for a Perfect Day

Wedding Classics

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney
Classical Wedding
25 Wedding Favorites
Classic Wedding Album
The Ultimate Wedding Album

ASIN: B000089HC4
Release Date: 2003-03-25

Tracks:

Air on the G String (J.S. Bach, arr. Stokowski) BBC Philharmonic/ Mathias Bamert
Largo (from 'Winter' of Vivaldi's The Four Seasons) Bournemouth Sinfonietta/ Ronald Thomas
Canon (Pachelbel) Academy of St. Martin in the Fields Chamber Ensemble
Sheep May Safely Graze (J.S. Bach, arr. Stokowski) BBC Philharmonic/Matthias Bamert
Apres un reve (Faure, arr. Peter Graham) Philip McCann (cornet)/Sellers Engineering Band/Roy Newsome
Bridal March (from Wagner's Lohengrin) Michael Austin (organ)
Arrival of the Queen of Sheba (from Handel's Solomon) Cantilena/Adrian Shepherd
Trumpet Tune (Purcell) Michael Austin (organ)
March (from Handel's Judas Maccabaeus) Collegium Musicum 90/Simon Standage)
Alla Hornpipe (from Handel's Solomon) The Scottish Chamber Orchestra/Sir Alexander Gibson
Trumpet Voluntary (Clarke) Michael Austin (organ)
I Was Glad (Parry) Roderick Elms (organ)/London Symphony Chorus London Symphony Orchestra/ Richard Hickox
God Is Gone Up (Finzi) The Finzi Singers/Paul Spicer
Panis Angelicus (Franck, arr. Gordon Langford) Phillip McCann (cornet)/Simon Lindley (organ) Boys of Leeds Parish Church Choir/Sellers Engineering Band/Roy Newsome
The Lord Is My Shepherd (Psalm 23) (Crimond, arr. H. Roberton) Rhos Orpheus Male Voice Choir/J. Glyn Williams
Ave Maria (Bach/Gounod, arr. Phillip McCann) Phillip McCann (cornet)/Lain Robertson (organ)
Ave Maria (Schubert, arr. Phillip McCann) Phillip McCann (cornet)/Malcolm Hicks (organ)
Come Down, O Love Divine (Vaughan Williams) Choir of Worcester Cathedral/Christopher Robinson
Praise My Soul the King of Heaven (Goss, arr. Gordon Langford) Besses O' Th' Barn Band
Greater Love Hath No Man (Ireland) Paula Bot (soprano)/James Oxley (tenor)/London Symphony Chorus/London Symphony Orchestra/Richard Hickox

Tracks:

Air (from Handel's Water Music) The Scottish Chamber Orchestra/Alexander Gibson
Priere Notre-Dame (from Boellmann's Suite gothique) Ian Tracey (organ)
Concerto for 2 Violins in D minor, 2nd movement (J.S. Bach) Collegium Musicum 90/Simon Standage
Chanson de matin (Elgar) Bournemouth Sinfonietta/Norman Del Mar
Laudate Dominum (from Mozart's Solemn Vespers) Phillip McCann (cornet)/Simon Lindley (organ) Boys of Leeds Parish Church Choir
Salut d'amour (Elgar) Nigel Kennedy (violin) Steven Isserlis (cello)/Peter Pettinger (piano)
Meditation (from Massenet's Tha=EFs) Yuri Torchinsky (violin)/BBC Philharmonic/Yan Pascal Tortelier
Jesu Joy of Man's Desiring (from Bach's Cantata 147) Michael Austin (organ)
Cantique de Jean Racine (Faur=E9, arr. John Rutter) Huddersfield Choral Society / BBC Philharmonic/Vernon Handley
Wedding March (from Mendelssohn's A Midsummer Night's Dream) Michael Austin (organ)
Toccata in G (Dubois) Francis Jackson (organ)
Organ Sonata No. 2, 3rd movement (Mendelssohn) Piet Kee (organ)
Hallelujah Chorus (from Handel's Messiah) Collegium Musicum 90/Richard Hickox
Toccata (from Widor's Symphony No. 5) Ian Tracey (organ)
March triomphale - Nun danket alle Gott (Karg-Elert) Michael Auston (organ)
Andante (from Stanley's Trumpet Voluntary, Op. 6 No. 5) Richard Marlow (organ)
Finale (from Saint-Sains' Symphony No. 3) Gillian Weir (organ)/Ulster Orchestra/Yan Pascal Tortelier=

Customer Reviews:

wedding classics.......2007-06-18

a very useful collection of music for weddings. A pity that at least two of the samples let you hear the wrong music, i.e. other music than the title shows......

Problem with Samples.......2007-06-13

I am just reviewing to let people know that at least one of the audio samples is incorrect. I clicked the sample to listen to the sample of Meditation from Thais by Massenet but what played was the Entrance to the Queen of Sheba by Handel.

Perfect Music for a Perfect Day.......2003-04-02

What an excellent collection of music from the amazing Chandos catalog. All the selections are arranged into sections based on where in the ceremony the music would be heard. And there's more than just 'Here Comes the Bride' (although it is there) but all sorts of choices that any bride would love to make her wedding memorable and individual. 2 CDs that have all sorts of different music whether you're planning a traditional wedding or just a few friends in the park, there is something in it for anyone. I highly recommend this collection!

Average customer rating:

Fertile Ground is one of the best soul jazz spirtual groups today!!!!!!
DAMN!
Excellent! Excellent! Excellent!
big props for being original AND good...
Absolutely peerless

Black Is...
Fertile Ground
Manufacturer: Blackout Studios
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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Similar Items:

Seasons Change
Spiritual War CD2
Field Songs
Perception
Too Much Woman

ASIN: B0002ZAZGC
Release Date: 2004-08-24

Tracks:

Spirit World
Light Shed'n
Live in the Light
Another Day
An Artist Prayer
Shout
Changing Woman
A Blues for me
Yellow Daises
Black Is
Naked
You
On this day
Reprise

Album Description

Still ironically considered new artists, Fertile Ground has seven years, countless performances, and dozens of recordings to their credit. After 2 years of extensive touring, writing and recording, the group has unveiled their fourth full-length masterpiece, simply entitled Black Is… the highly-anticipated CD, is the sequel to the acclaimed 2002 release Seasons Change. This fourth full-length album, which will be internationally released and supported by an extensive world tour, contains a range of ethereal classics such as the title track, Black Is…, a soulful jazz waltz ballad full of affirmation, the joyful noise of Live In the Light; and the introspectively revealing song Naked, which gives us an example of how to truly connect with and reflect each other.

Customer Reviews:

Fertile Ground is one of the best soul jazz spirtual groups today!!!!!!.......2007-02-15

Believe the hype, this is a masterpiece true soul for the lovers of soul music. Thoughtful lyric's Wonderful sound from start to finish. Will not disappoint.

DAMN!.......2006-08-08

FERTILE GROUND IS THE QUINTESSENTIAL EXPERIENCE OF ALL THAT HAS LIVED AND THRIVED BEFORE IT...A COSMIC BLEND OF JAZZ, R&B, HIP HOP, BLUES, SOUL, FUNK FUSION...DAMN!! AND WHAT DISTINGUISHES FG FROM SO MANY OTHERS PAST AND PRESENT IS ITS PURITY AND WHOLESOMENESS...CLEAN AND UNTAINTED, UNCOMPROMISED, FREE SPIRITED AND CONVICTED, COMMITTED TO EXPRESSING THE GREATNESS OF THE ONE, THE ALL AND NOTHING, THE MOTHER, FATHER, SON, DAUGHTER ENERGY OF THIS GREAT METAVERSE AND BEYOND...DAMN!!! GET ALL OF THEIR CD'S...ALL OF THEM!!! AND PREPARE FOR SELF EXPLORATION...EACH AND EVERY CUT HAS DIFFERENT MEANINGS AT DIFFERENT TIMES...YOUR FAVORITES WILL CHANGE FROM WEEK TO WEEK...DAY TO DAY...DAMN!! FG REIGNS RIGHTEOUSLY!!!

Excellent! Excellent! Excellent!.......2006-03-17

Fertile Ground is outstanding and uplifting. I went to one of their live concerts without knowing too much about them. I am forever more a fan. "Black is" is a CD that will make you move and drift into meditation all at the same time. Awesome, Awesome, Awesome! Spiritual War is also good as well; I haven't purchased yet, BUT I WILL!!!!

big props for being original AND good..........2005-07-26

i love these folks.
pointblank.

no sexually suggestive lyrics over-scored by gratuitous production work...

no pre-teen/pop-minded/filthy-fleen-flarth... (sorry... channelin a lil bill cosby. my bad/wont happen again, i swair!)

but this is just a good, grownfolk's album...

equal parts billy holiday, earthwind&fire and curtis mayfield...

if you're here, readin this, then you already know or have already heard a little bit about them... dont be scurred now...

commit yourself...

...fulfill your 'rite of passage' into adulthood.

Absolutely peerless.......2005-06-03

I bought this CD after having seen Fertile Ground perform live in April. All I can say is Wow! Their music is spiritual, yet fun and lively -- they had people dancing in the crowded aisles of the theater. This is real music folks.

Fertile Ground's style encompasses jazz, reggae, samba with a little hip hop for good measure. And what can I say about Navasha Daya's voice? This vocalist sounds a lot like Phyllis Hyman to me, but far from being a soundalike, Daya is definitely a unique talent. She is a commanding presence not just because of her powerful set of pipes, but she has a way of engaging the audience that makes you want to watch this group all night. And the band does not play second fiddle to her voice because they can all hold their own. That is the hallmark of a good group -- when the musicians get to shine as much as the vocalist. As good their live show is, the CD is even better because you get to hit repeat as often as you like.

"Black Is" features 10 tracks along with some interludes and an instrumental. The title song is a love song to Black people that speaks to inner beauty and strength and exhorts the listener to remain steadfast. "Changing Woman" is a song that upholds the woman's various roles in life and is billed as a tribute to a native spirit. This is a balanced CD with some uptempo music that will make you groove, as well as some slower thought-provoking tracks.

This is definitely music for those of us with more on our minds than the latest dance step and material goods. I recommend it.

Average customer rating:

Everything he recorded in his all-too-short life
MORE ABOUT VALENS THAN I THOUGHT!
Ricardo Valenzuela--Gone BUT NOT Forgotten
Ritchie Is The King of the CENTURY!
Ritchie will always be the greatest of all time

Come On, Let's Go
Ritchie Valens
Manufacturer: Del-Fi Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Complete Ritchie Valens
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From Boppin Hillbilly to Red Hot Rockabilly
Ain't I'm a Dog: 25 More Rockabilly Rave-Ups

ASIN: B00000619B
Release Date: 1998-05-05

Tracks:

That's My Little Suzie
In A Turkish Town
Come On, Let's Go
Donna
Boney Maronie
Ooh! My Head
La Bamba
Bluebirds Over The Mountain
Hi-Tone
Framed
We Belong Together
Dooby Dooby Wah
Stay Beside Me
Cry, Cry, Cry
Big Baby Blues
Paddi-Wack Song
My Darling Is Gone
Hurry Up
Little Girl
Now You're Gone
Fast Freight
Ritchie's Blues
Rockin' All Night
Cry, Cry, Cry (With Claves)
That's My Little Suzie (Stereo Version)
La Bamba (Stereo Version)

Tracks:

We Belong Together
Come On, Let's Go
In A Turkish Town
Dooby Dooby Wah
Ritchie's Blues
Bluebirds Over The Mountain
Blues With Drums
I Got A Gal Named Sue (Became That's My Little Suzie)
Donna (Take #2)
Blues Instrumental
Cry, Cry, Cry (Take #1)
Stay Beside Me
Malaguena
Blues Slow
In A Turkish Town
Bluebirds Over The Mountain
Cry, Cry, Cry

Tracks:

Bob Keane Intro
Come On, Let's Go
Donna
Summertime Blues
From Beyond
La Bamba
Bob Keane Intro (Side Two)
Rhythm Song
Guitar Instrumental
Malaguena
Rock Little Darlin'
Let's Rock And Roll
Cry, Cry, Cry (Take #2)
Donna (Take #1)
Dooby Dooby Wah
That's My Little Suzie
Ooh! My Soul (Early Test Fragment)
La Bamba (Band Track)
Donna Commercial

Album Description

His complete Del-Fi recordings in a remastered 3 CD box set, 60 tracks total. All of his singles, LP tracks, demos, rare Gold Star Studio outtakes and alternates! This beautifully packaged box (full color, 5in x 5in x 1inch) with extensive liner notes, and many rare photos. This set also includes the complete Live at Pacoima Jr. High concert.

Customer Reviews:

Everything he recorded in his all-too-short life.......2002-09-22

Arguably the first Chicano rocker, Ritchie provided three hits - his first release "Come On, Let's Go", scrapping the Top 40, and his double-sided smash "Donna/La Bamba", released just prior to his tragic death on February 3, 1959 [along with Buddy Holly & The Big Bopper]
But, beyond the 3 hits, and the all-too-brief career, Ritchie provided inspiration to many others along the way. Despite the maudlin nature on deejay Tommy Dee's tribute song "Three Stars", there is a degree of truth in the line "Why did God call him so far away; perhaps to light a star to show the way". Ritchie's "star" shone brightly as inspiration to others. From soundalike Chris Montez to fellow Latino Trini Lopez to instrumental band El Chicano to guitar impressario Santana, Ritchie's meteoric rise gave the foundation not only to Chicano Rock, but to many others. Ritchie was amongst the first to write his own songs, do his own arrangements, and play his own guitar.
Although there is much in this box set that is minimal in terms of actual music value, there is a sense of what Ritchie might have been (or might NOT have been).
From his mawkish cover of Ersel Hickey's BLUEBIRDS OVER THE MOUNTAIN to his plaintiff take of Robert & Johnny's WE BELONG TOGETHER, Ritchie gives his own soul to the material.
Sit quietly in a dim-lit room and listen to IN A TURKISH TOWN, or clap your hands and dance around to DOOBY-DOOBY-WAH. Ritchie died in his teens, and it's been more than 40 years since he's been gone, but as the old saying goes - his music lives on in the heart of his fans (both old & new)

MORE ABOUT VALENS THAN I THOUGHT!.......2000-03-31

I bought a Ritchie Valens tape in 1988, and I thought all of those songs on there, were the only ones he had ever recorded. This box set sure proved me wrong! I don't understand why the motion picture(innacurate) did not include most of these songs. Sure is a shame of what happened to Ritchie in 1959, along with the other two men. Really makes you wonder what rock n'roll would have been like. Unfortunately, there music would probably not be respected as much, being that we live in such a "take everything for granted society". Jimi Hendrix once said, "People don't seem to notice rock singers, until after they are dead". That' true, I don't hear people talking much about Jon Bon Jovi, or even Van Halen. But this was a wonderful, very complete box set!

Ricardo Valenzuela--Gone BUT NOT Forgotten.......2000-03-05

I bought this CD box set in July of 1998 soon after I was told I had cancer. I had recently seen "La Bamba" on HBO and I decided to listen to Ricardo's tapes as part of my doctors'"positive attitude" therapy. And did it help! I have been cancer free for almost 18 months and I know that listening to him helped me immensely. He died before I was born, so I never had the chance to see and hear him in person; but seeing his pictures in the booklet and hearing him singing, laughing and being himself on tape is wonderful! This box set should convince the committee at the Rock and Roll Hall of Fame in Cleveland, Ohio that they should have inducted Ricardo years ago. Their refusal to honor him is unbelieveable! I'll ALWAYS remember you, Ricardo--My guardian angel. Until we meet in heaven---Mary

Ritchie Is The King of the CENTURY!.......1999-07-05

This boxed set demonstrates how great Ritchie's music and personality was.Disc 3 is a live performance by Ritchie Valens!Another cool thing to do is is listen to Come On, Let's Go and We Belong Together on Disc ONE and then listen to the same two songs on Disc TWO.It bares no resemblence!You Get a great Ritchie poster, Ritchie postcards, and a 62 page picture booklet with many rare photos.But at any rate if your a Valens fan this is a must!

Ritchie will always be the greatest of all time.......1999-05-06

This album has tracks that never been heard before in the public. Ritchie shows his style of rythum style of guitar playing in this album. In the song La Bamba which he plays in the studio many times you can hear that Richie plays the intro many times before Bob Keene helps him profectionizes it at the end. The album also has a rare live performance of Ritchie at his High School before his timely death in 1959. He performs many un heard songs in this album and you can see him through rare photos that a over 60 page booklet has of this young great unforgotten legend.

Average customer rating:

Intrigueing,creative, universal and an excellent introduction into the world of percussion and beats
a gift for percussionists

World of Drums & Percussion
Various Artists
Manufacturer: Times Square Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000006DSG
Release Date: 1998-03-17

Tracks:

Palms For Lester - David Torn/Mick Karn/Terry Bozzio
Transition - Trilok Gurtu
Across The Bridge - Chad Wackerman
I'll Never Forget - Mick Goodrick
Para - Joachim Kuhn/Daniel Humair/Jenny-Clark
The Other Tune - Trilok Gurtu
Lincoln Logs - Michael Shrieve
Dream Toon - Repercussoin Unit
All Souls Day - Mark Nauseef/Miroslav Tadic
Nideggen Uthan - John Bergamo
Pan-Eros - Glen Velez
Tabuh Pengawit: Gending Truntugan - Gamelan Jegog Werdi Sentana
Gending Langiang - Sekehe Gender Bharata Muni
P'u Sal - Samulnori

Customer Reviews:

Intrigueing,creative, universal and an excellent introduction into the world of percussion and beats.......2005-09-26

From the creators of the hit Broadway musical STOMP comes Pulse: a STOMP Odyssey -- a large-format film created just for the giant screen of the IMAX Theatre. Pulse: a STOMP Odyssey is a celebration of the global beat, guided by the internationally acclaimed performers of the sensational stage show STOMP. The audience embarks upon a worldwide odyssey to uncover the rhythms of disparate cultures from New York City to the American Southwest, Africa, South America, Asia and Europe. Along the way, you meet gumboot dancers, taiko drummers, djembe players, bell ringers, flamenco dancers, marching bands, street performers and everyday people living out loud.

I can testify to the greatness of this music having seen it myself in the IMAX theatre in the Austin,TX "The Bob Bullock Texas State History Museum" myself.

It is an exploration of the sights and sounds of continents and cultures, which explores the variety of percussive traditions around the globe, including the Timbala of Brazil, the Les Percussion de Guinee from West Africa, the Kodo drummers of Japan, the Jackie Robinson Steppers of New York, the Winchester Bell Ringers of London and the Moremogolo Dancers of South Africa, as well as the rhythmic thrumming of flamenco guitar and the celebratory sounds from a parade in India. The film itself reveals the universal language of rhythm, and I would reccommend it to anyone with a taste for universal music abroad to the tune of the wide variety of percussion instruments and their unique and creative application.

a gift for percussionists.......2000-07-31

last day i was wondering wich would be a perfect album for drummers, and then i got to the conclusion that the album may be an album for percusionists. Man when i heard this album i was amazed of how many sounds, textures, rythms can an instrument produce, the most interesting thing is that every time you hear it you discover many new sounds, all the people involved in this album are some of the most representative percussionists of the world, they got together just for the sake of doing music. One advice: if you are to listen to this record STOP doing everything close your eyes and wonder.

Average customer rating:

Borders on show tunes
Adrenaline and tears this CD fills the soul. a GEM

Psalms

Manufacturer: Reference Recordings
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B00000I08E
Release Date: 1999-02-23

Tracks:

Make a Joyful Noise
Psalm 1: Truth Is God's Gift
Psalm 8: The Majesty And Glory Of Your Name
Psalm 23: The Lord's My Shepherd (arr. Kurt Kaiser)
Psalm 47: Clap Your Hands
Psalm 91: The Secret Place
Psalm 93: The Lord Reigneth
Organ Improvisation
Psalm 92: It Is A Good Thing To Give Thanks
Psalm 100: A Festive Psalm
Psalm 103: Bless The Lord, My Soul
Psalm 121: I Will Lift Up Mine eyes
Psalm 85: A Psalm Of Peace
Psalm 150: Praise The Lord!

Customer Reviews:

Borders on show tunes.......2005-02-09

The audio quality is great, as is most often the case with Reference Recordings. However, there are far better chorales and compositions than represented on this cd. The content strikes me as saccharine. We're not allowed to mention other recordings in reviews, but I put one idea of some good choral music (chorale la) in the recommended instead section.

Adrenaline and tears this CD fills the soul. a GEM.......1999-10-28

I really like heoric choral/organ/orchestra music. But this is the ONE disc that I think everyone should experience. I recently played this disc at a HiFi Event in Norway. About half the listeners clamored for info on where to buy it. This one is magic, trust me.

Average customer rating:

Short, sweet and to the point (who knows from dangling partciples and diminished 19ths)

Hovhaness: Armenian Rhapsody 1, 2, 3

Manufacturer: Koch Vision
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Hovhaness Treasures
Hovhaness: Khaldis, Mt. Katahdin, Fantasy
Hovhaness: Mystery Of The Holy Martyrs/Symphony No.3
Hovhaness: Requiem and Resurrection; Symphony No. 19 "Vishnu"
Hovhaness: Symphonies Nos. 4, 20 & 53; The Prayer of St. Gregory

ASIN: B000001SXZ
Release Date: 1997-11-18

Tracks:

Armenian Rhapsody No. 1, Op. 45
Armenian Rhapsody No. 2, Op. 51
Armenian Rhapsody No. 3, Op. 189
Symphony No. 38, Op. 314: 3. 'My Soul Is A Bird'
Symphony No. 38, Op. 314: 4. 'Lullaby'
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 1. Andante espressivo
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 2. Adagio espressivo
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 3. Allegro
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 4. Andante cantabile
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 5. Andante maestoso
Concerto No. 10, Op. 413 For Piano, Trumpet, And Strings: 6. 'Wandering In Space' - Andante misterio

Customer Reviews:

Short, sweet and to the point (who knows from dangling partciples and diminished 19ths).......2005-12-17

These are the finest versions of the 3 Rhapsodies ever put on CD. Even better than the composer's own. Conductor Schwarz has a long term relationship with the composer and it clearly shows. He leads the wonderful Seattle Orchestra through ethereal and heavenly moods and sonics on all the compositions here and the accoustic in The Seattle opera was made for this. The Koch sound engineers provide SUPERB sound with great depth, clarity, wide dynamic range and rich warm textures. I don't think a better sound stage could be provided no matter what the music. Simply uplifting. The rest of the CD pieces are: Symphony #38 (M Soul Is A Bird/Lullaby) and Concerto #10 for piano, trumpet and strings. Also done as well as can be. This Cd is a must for fans of Hovhaness and his Armenian roots.

Verederos - Music for Flute and Percussion

Average customer rating:

Verederos - Music for Flute and Percussion

Manufacturer: Equilibrium Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00000K2NX
Release Date: 1999-08-24

International Music:

International Music

International Music