| 1. Polka Lypse |
| 2. Mazurka D Embrault |
| 3. Sceau du Plaix |
| 4. Scottische à Gilles |
| 5. Yopla |
| 6. Suite Rondeau / Polka |
| 7. Mal-Aimable |
| 8. Suite Auvergnate |
| 9. Gavotte des Soeurs Goadeg |
| 10. Drame Rue Mizon |
| 11. Détournement de Mode Mineur |
| 12. Filles de Mon Pays |
| 13. Boulevard Garibaldi |
| 14. Humeurs |
| 15. Tambouille du Mogambö |
| 16. Vasselerie des Seelie |
81 - 86,Fubu,Musea Records,Celtic/Irish,Int'l & World Music,Pop
Average customer rating:
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Mendelssohn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLJ2 Release Date: 2004-11-30 |
Customer Reviews:
Uneven quality but great value.......2007-04-30
Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.
A superb collection of Mendelssohn.......2007-03-24
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.
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Rubinstein Collection, Vol. 50
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004ZD5E Release Date: 2001-03-06 |
Tracks:
- Mazurka No.1 in f#, Op.6
- Mazurka No.2 in c#, Op.6
- Mazurka No.3 in E, Op.6
- Mazurka No.4 in e flat, Op.6
- Mazurka No.1 in B flat, Op.7
- Mazurka No.2 in a, Op.7
- Mazurka No.3 in f, Op.7
- Mazurka No.4 in A flat, Op.7
- Mazurka No.5 in C, Op.7
- Mazurka No.1 in B flat, Op.17
- Mazurka No.2 in e, Op.17
- Mazurka No.3 in A flat, Op.17
- Mazurka No.4 in a, Op.17
- Mazurka No.1 in g, Op.24
- Mazurka No.2 in C, Op.24
- Mazurka No.3 in A flat, Op.24
- Mazurka No.4 in b flat, Op.24
- Mazurka No.1 in c, Op.30
- Mazurka No.2 in b, Op.30
- Mazurka No.3 in D flat, Op.30
- Mazurka No.4 in C#, Op.30
- Mazurka No.1 in G#, Op.33
- Mazurka No.2 in D, Op.33
- Mazurka No.3 in C, Op.33
- Mazurka No.4 in b, Op.33
Tracks:
- Mazurka No.1 in c#, Op.41
- Mazurka No.2 in e, Op.41
- Mazurka No.3 in B, Op.41
- Mazurka No.4 in A flat, Op.41
- Mazurka No.1 in G, Op.50
- Mazurka No.2 in A flat, Op.50
- Mazurka No.3 in C#, Op.50
- Mazurka No.1 in B, Op.56
- Mazurka No.2 in C, Op.56
- Mazurka No.3 in c, Op.56
- Mazurka No.1 in a, Op.59
- Mazurka No.2 in A flat, Op.59
- Mazurka No.3 in f#, Op.59
- Mazurka No.1 in B, Op.63
- Mazurka No.2 in f, Op.63
- Mazurka No.3 in C#, Op.63
- Mazurka No.1 in G, Op.67
- Mazurka No.2 in g, Op.67
- Mazurka No.3 in C, Op.67
- Mazurka No.4 in a, Op.67
- Mazurka No.1 in C, Op.68
- Mazurka No.2 in a, Op.68
- Mazurka No.3 in F, Op.68
- Mazurka No.4 in f, Op.68
- Mazurka 'A'Emile Gaillard' in a
- Mazurka 'Notre Temps' in a
Amazon.com
Chopin wrote mazurkas throughout his all-too-brief life, using this Polish dance as the basis for short pieces that encompass a world of harmonic explorations and varied emotions, from the subtly comic to the intensely sad. Rubinstein plays the 51 in the standard canon, skipping the unpublished youthful ones. Of his three recordings of the set, connoisseurs tend to prefer his first, from 1938-1939 (available on RCA, EMI, and Naxos) for their spontaneity. But these 1965-1966 stereo recordings in refreshingly alive transfers can't fail to please most listeners. They're a bit weightier than the early ones, but the added depth and Rubinstein's characterization of each piece yield big dividends. In the great C sharp minor Mazurka, Op. 50, No. 3, for example, he plays the beautiful opening theme with disarming simplicity that invests it with mournful regret, manages the transitions to bolder statements flawlessly, and turns a charming dance into a dramatic tone poem that says in five minutes what some composers need a full symphony to say. That miracle is repeated often in this set, as Rubinstein appears at first to be underplaying a piece until you realize the sophistication of his carefully modulated dynamics, gentle rubato, and varied tone. His was an outward simplicity that hid complex art. Throughout, he plays with a wonderful, singing tone, rhythmic life, and an aristocratic authority few have matched. --Dan DavisCustomer Reviews:
piano for the suburbanite.......2005-04-23
plays like a student.
pass it up...
This would be the greatest exce[pt...........2002-01-08
My only problem with this recording is that the repeat button on my CD player isn't working. I listen to one and say, "That's gotta be the best Rubinstein/Chopin Mazurka there could possibly be," but no sooner than I think that, that another one comes on, EVEN BETTER.
Okay, I have my fav. The great B Minor Opus 33 Number 4. This is mid-period Chopin at his finest, and Rubinstein at his finest, and we are privileged to be alive so that we can rehear it.
Who Better than to Record the Mazurkas?.......2001-12-01
Arthur Rubinstein: Chopin's 51 Mazurkas.......2001-04-07
The unsurpassable Rubinstein.......2001-03-29
Average customer rating:
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William Kapell Edition (Box Set)
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000B9MR Release Date: 1998-09-29 |
Tracks:
- Mazurkas: Op. 6, No. 2
- Mazurkas: Op. 7, No. 2
- Mazurkas: Op. 7, No. 5
- Mazurkas: Op. 17, No. 2
- Mazurkas: Op 17, No 3
- Mazurkas: Op. 17, No. 4
- Mazurkas: Op. 24, No. 1
- Mazurkas: Op. 24, No. 3
- Mazurkas: Op. 30, No. 3
- Mazurkas: Op. 33, No. 1
- Mazurkas: Op. 33, No. 3
- Mazurkas: Op. 33, No. 4
- Mazurkas: Op. 41, No. 1
- Mazurkas: Op. 41, No. 2
- Mazurkas: Op. 50, No. 2
- Mazurkas: Op. 50, No. 3
- Mazurkas: Op. 56, No. 3
- Mazurkas: Op. 59, No. 1
- Mazurkas: Op. 59, No. 2
- Mazurkas: Op. 63, No. 2
- Mazurkas: Op. 63, No. 3
- Mazurkas: Op. 67, No. 2
- Mazurkas: Op. 67, No. 3
- Mazurkas: Op. 67, No. 4
- Mazurkas: Op. 68, No. 2
- Mazurkas: Op. 68, No. 3
- Mazurkas: Op. 68, No. 4
- Mazurkas: Op posth. - 'Notre temps'
- Mazurkas: Op posth - In B Flat
Tracks:
- Sonata No. 3, Op. 58 In B Minor: Allegro maestoso
- Sonata No. 3, Op. 58 In B Minor: Scherzo: Molto vivace
- Sonata No. 3, Op. 58 In B Minor: Largo
- Sonata No. 3, Op. 58 In B Minor: Finale: Presto, non tanto
- Waltz, Op. 18 In E Flat Major
- Sonata No. 2, Op. 35 In B-Flat Minor: Grave; Doppio movimento
- Sonata No. 2, Op. 35 In B-Flat Minor: Scherzo
- Sonata No. 2, Op. 35 In B-Flat Minor: Marche funebre
- Sonata No. 2, Op. 35 In B-Flat Minor: Presto
- Nocture, Op. 9, No. 1 In B Flat Minor
- The Sheperd's Complaint: No. 5, Songs Without Words, Op. 67
- Romance, Op. 28, No. 2 In F Sharp
- Sonata No. 16, K. 570 In B Flat: II. Adagio
Tracks:
- Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace; Variation I: (Precedente)
- Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation II: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation III: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation IV: Piu Vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation V: Tempo precedente
- Rhapsody On A Theme Of Paganini, Op. 43: Varation VI: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation VII: Meno mosso, a tempo moderato
- Rhapsody On A Theme Of Paganini, Op. 43:: Varation VII: Tempo 1
- Rhapsody On A Theme Of Paganini, Op. 43: Varation IX: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation X: Poco marcato
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XI: Moderato
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XII: Tempo di minuetto
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIII: Allegro
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43:: Varation XV: Piu vivo scherzando
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVI: Allegretto
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVII: [Allegretto]
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XVIII: Andante cantabile
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIX: A tempo vivace
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XX: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXI: Un poco piu vivo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXII: Un poco piu vivo (Alla breve)
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XXIII: L'istesso tempo
- Rhapsody On A Theme Of Paganini, Op. 43: Varation XIV: A tempo un poco meno mosso
- Concero No. 2, Op. 18 In C Minor: Moderato; Allegro
- Concero No. 2, Op. 18 In C Minor: Adagio sostenuto
- Concero No. 2, Op. 18 In C Minor: Allegro scherzando
- Prelude, Op. 3, No. 2 In C Sharp Minor
- Preludes, Op. 34: No. 24 In D Minor
- Preludes, Op. 34: No. 10 In C Sharp Minor
- Preludes, Op. 34: No. 5 In D Major
Tracks:
- Concerto No. 3, Op. 26 In C: Andante; Allegro
- Concerto No. 3, Op. 26 In C: Tema: Andantino
- Concerto No. 3, Op. 26 In C: Variation I: Listesso tempo
- Concerto No. 3, Op. 26 In C: Variation II: Allegro
- Concerto No. 3, Op. 26 In C: Variation III: Allegro moderato (poco meno mosso)
- Concerto No. 3, Op. 26 In C: Variation IV: Andante meditativo
- Concerto No. 3, Op. 26 In C: Variation V: Allegro giusto
- Concerto No. 3, Op. 26 In C: Tema: Listesso tempo
- Concerto No. 3, Op. 26 In C: Allegro ma non troppo
- Concerto: Allegro mastoso
- Concerto: Andante con anima
- Concerto: Allegro brillante
- Preludes, Op. 34: No. 14 In E Flat Minor
- Preludes, Op. 34: No. 10 In C Sharp Minor
- Preludes, Op. 34: No. 5 In D Major
Tracks:
- Concerto No. 2, Op. 19 In B Flat Major: Allegro con brio
- Concerto No. 2, Op. 19 In B Flat Major: Largo
- Concerto No. 2, Op. 19 In B Flat Major: Rondo: Allegro scherzando
- Moment Musical: Moment Musical In F Minor, D. 780, No. 3
- Waltz: Waltz In B Major, D. 145, No. 2
- Waltz: Waltz In B Major, D. 145, No. 6
- Waltz: Waltz In E Major, D. 365, No. 26
- Waltz: Waltz In F Major, D. 365, No. 32
- German Dances: German Dance In B Flat Major, D. 783, No. 6
- German Dances: German Dance In B Flat Major, D. 783, No. 7
- Waltz: Waltz, In F Major, D. 365, No. 34
- Landler: Landler, In G Major, D. 734, No. 1
- Landler: Landler, In D Major, D. 734, No. 2
- Impromptu: Impromptu In A Flat Major, D. 935, No. 2
- Romance: Romance In F Sharp Major, Op. 28, No. 2
- Intermezzo: Intermezzo In E Major, Op. 116, No. 6
- Sonetto No. 104 del Petrarca - Liszt
- Hungarian Rhapsody No. 11 - Liszt
- Mephisto Waltz No. 1 - Liszt
Tracks:
- Partita No. 4 In D Major, BWV 828: Ouverture
- Partita No. 4 In D Major, BWV 828: Allemande
- Partita No. 4 In D Major, BWV 828: Courante
- Partita No. 4 In D Major, BWV 828: Aria
- Partita No. 4 In D Major, BWV 828: Sarabande
- Partita No. 4 In D Major, BWV 828: Menuet
- Suite In A Minor, BWV 818: Allemande
- Suite In A Minor, BWV 818: Courante
- Suite In A Minor, BWV 818: Sarabandes 1 & 2
- Suite In A Minor, BWV 818: Gigue
- Sonata In E Flat Major, K. 380 - L. 23
- Sonata In B Flat Major, K. 570: 2. Adagio
- From Iberia: Evocacion
- Piano Playtime: No. 1: Waltz Of The Rainbow
- Piano Playtime: No. 4: By The Brook
- Piano Playtime: No. 5: Dancing Bagpipes
- Piano Playtime: No. 6: Tricky Trumpet
- Children's Corner: Dr. Gradus ad Parnassum
- Children's Corner: Jimbo's Lullaby
- Children's Corner: Serenade For The Doll
- Children's Corner: The Snow Is Dancing
- Children's Corner: The Little Shepherd
- Children's Corner: Golliwog's Cakewalk
- Toccata ostinato
Tracks:
- Sonata In G Minor, Op. 19: Lento; Allegro moderato
- Sonata In G Minor, Op. 19: Allegro scherzando
- Sonata In G Minor, Op. 19: Andante
- Sonata In G Minor, Op. 19: Allegro mosso; Meno mosso; Moderato; Piu vivo
- Sonata In F Minor, Op. 120, No. 1: Allegro appassionato
- Sonata In F Minor, Op. 120, No. 1: Andante un poco adagio
- Sonata In F Minor, Op. 120, No. 1: Allegretto grazioso
- Sonata In F Minor, Op. 120, No. 1: Vivace
- Sonata In D Minor, No. 3, Op. 108: Allegro
- Sonata In D Minor, No. 3, Op. 108: Adagio
- Sonata In D Minor, No. 3, Op. 108: Un poco presto e con sentimento
- Sonata In D Minor, No. 3, Op. 108: Presto agitato
Tracks:
- Piano Sonata (1941): Molto moderato
- Piano Sonata (1941): Vivace
- Piano Sonata (1941): Andante sostenuto
- Nocturne In E - Flat - Op 55, 2
- Mazurka In C - Op 33, 3
- Polonaise-Fantasie In A - Flat - Op 61
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: The Gnome
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: The Old Castle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Tuileries
- Pictures At An Exhibition: Bydlo
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Ballet Of The Unhatched Chicks
- Pictures At An Exhibition: Samuel Goldenberg And Schmuyle
- Pictures At An Exhibition: Promenade
- Pictures At An Exhibition: Limoges - The Market
- Pictures At An Exhibition: Catacombs
- Pictures At An Exhibition: Con mortuis In lingua Mortua
- Pictures At An Exhibition: The Hut On Fowl's Legs
- Pictures At An Exhibition: The Great Gate At Kiev
- No 1 - Kinderszenen: About Foreign Lands And People
- Sonata In E (K 380) - L. 23
Tracks:
- Partita No. 4 In D Major, BWV. 828: Allemande (Beginning)
- Sonata No. 10 In C Major, K. 330: 1. Allegro moderato (Beginning)
- Sonata No. 3 In B Minor, Op. 58: 1. Allegro maestoso (Beginning)
- Sonata No. 3 In B Minor, Op. 58: 3. Largo
- Mazurka In A Flat Major, Op. 17, No. 3
- Sonata No. 3 In D Minor, Op. 108: 2. Adagio
- No. 4, Songs Without Words, Op. 67: Spinning Song
- Interview With William Kapell
Amazon.com essential recording
Blessed with transcendent technique and an affinity for big, bold Romantic works, William Kapell has been hailed as America's greatest homegrown pianist. This comprehensive collection of his complete recorded output, previously unreleased recordings, and broadcast tapes adds luster to a reputation that's become legendary since his tragic death in a plane crash at age 31. The earliest recordings, from the mid-1940s, bristle with raw energy and virtuosic flourishes tempered by an innate musicality that rises above mere display.The disc coupling Khachaturian and Prokofiev concertos is charged with excitement; the Rachmaninoff pairing of the Paganini Variations and the Concerto No. 2 weds the Grand Romantic style to poetic lyricism; and an inspired Liszt group is charged with dynamic energy. Best may be the two Chopin discs: spontaneous, rhythmically flexible sonatas and mazurkas. The later recordings demonstrate the repose that comes with artistic maturity, and the "live" broadcasts reveal Kapell's warmth and spontaneity in concert. Splendid transfers help make this long-awaited set appealing to music lovers in general, as well as piano buffs. --Dan Davis
Customer Reviews:
Very touched.......2006-09-24
In Memorium.......2005-10-29
A few years later, in the middle 50's, I bought Kapell's recording of the same work, with Fritz Reiner and the Robin Hood Dell Orchestra (alias of The Philadelphia Orchestra). I still have that LP, though I wore it out long ago. It was the beginning of my musical education. But since 1998, we have had this wonderful box of reissues from the vaults of RCA. The sound is mostly excellent, considering the age of the monophonic originals. To this day, Kapell's Rachmaninov Rhapsody remains-in my opinion-the most impassioned, yet the most musical, reading of the piece ever recorded. No one had, or has, Kapell's combination of white-hot temperament, technical brilliance, and musical insight. We have had musical geniuses; technical wizards abound. It is the combination of these gifts, as Kapell possessed them in particular, married to his incendiary passion, that made him unique.
He was still learning, and he was learning at such an astounding rate! He had moved from Khachaturian to the most unforgettable Chopin B minor Sonata ever recorded in little more than a decade. His deep throated, noble, and articulate Bach has caused some to speculate that Glenn Gould might have found his inspiration in Kapell. One Gould biographer, and a New York critic, wrote that the reverse was true. The critic acknowledged the error, in print, noting that Kapell could not have been influenced by Gould's style since he had been dead for two years by the time of Gould's debut recital in New York City in 1955.
The lyrical side of romantic music is not what Kapell was or is known for, not his "style" as people remember him now. But listening to the lyrical music in this set shows a side of him that was, nevertheless, as real as any, and perhaps more revealing. It also gives us a notion of what we might have expected of William Kapell had he lived a normal span of years and played a normal variety of music. In a live performance, he plays Chopin's Nocturne, Op. 9, No. 1, with melting legato and exquisite timing: his innate sense about when to tug on the beat and when to surge forward makes the music breathe. His use of dynamic variety demands the greatest respect: at one point, the repetition of a melodic phrase is but a pale echo of its first statement. His tonal palette is no less wondrous. When a deep bass note suddenly appears, early in the A section of the ABA structure, it sounds-not loud nor quiet, not muffled nor distinct-but awesomely subterranean. Kapell begins the piece without much sustaining pedal, but in the B section, he subtly adds more and more. Then, when the A section returns near the end, the pedal disappears. This dramatic change in color-along with Chopin's change of key-seems like the parting of clouds. We are in the hands of two masters here, Chopin and Kapell. Kapell gave this performance in Carnegie Hall in February of 1945, when he was twenty-two years old.
In the Bach and Chopin works I've discussed, the steely, percussive tone that some speak of is nowhere to be heard. Rather, we hear a full, rich, and complex piano tone. In the Chopin Sonatas, the Debussy pieces, and the Schubert, Schumann, Mendelssohn, Debussy, and Albeniz, the sound Kapell produces is beautiful and varied.
He was a chamber musician of the first order, as his collaborations with Heifetz prove. (He was one of the very few musicians who had the force of personality to make Heifetz accompany HIM. And you can hear it.) And if you've never heard Rachmaninov's great Cello Sonata, played here with the grand Russian/German cellist Edmund Kurtz, you're in for a treat. There are several fine, modern stereo recordings, but this one is special. The piano part is very important-Rachmaninov did write it, after all-and Kapell is magnificent. This was Rachmaninov's next published work after the 2nd Piano Concerto, to give you an idea of its melodic grandeur. If there is a flaw here, it is that the piano is recorded too far back, relative to the cello.
Kapell died on October 30, 1953. He had just turned thirty-three. He played his last recital in Geelong, Australia, on the 22nd. It included the Chopin 2nd Piano Sonata which contains the well-known "Marche funèbre." That performance is included here, transferred from the original acetates. It is a great performance but very hard to listen to now, in light of what was to follow just over a week later. I am writing this one day short of the 52nd anniversary of Kapell's death. Had he lived until today, he would be younger than either Earl Wild or Ivan Moravec, both of whom are still making magnificent music. For those of us who love William Kapell's music, it is heartbreaking to consider, and fruitless. Thank Heaven we have recordings like the ones in this set. They are essential for any lover of good music.
John Pendley
Priceless Souvenirs from a Rare Genius: Ave Atque Vale.......2005-10-28
William Kapell is still considered by most as the America's greatest pianist, even fifty odd years after his death at the age of 31 in a plane crash. Those who heard him perform still rhapsodize over the magic he created. Those of us who are left with only recordings, such as this spectacular boxed set of all of his recordings, can only be uplifted by the man's genius, his extraordinary technical facility, and his intuitive, profound approach to the great works of music.
All styles of music were easily accessible to Kapell. Listen to the Mozart, Bach, Scarlatti, Paganini and Mendelssohn and try to imagine performances of more clarity and finesse than these. His Chopin is well represented in this set and glows with the uncanny power and tenderness that Chopin combined in his works. His works for solo piano by Rachmaninov and Shostakovich are the gold standard, and yet his Schubert, Schumann, Brahms, Mussorgsky and Liszt raise the bar for excellence that has since not been excelled. Joyously this set includes concerti including Prokofiev, Beethoven, Khachaturian, and Rachmaninov with the various conductors who saw Kapell's gifts and championed them.
The memory of this great artist is felt throughout the year, but never as acutely as on October 29th which marks the date of his cruel death. The world was brightened for too short a time by William Kapell, yet because of his recorded legacy his legend lives on. This is an impossibly fine box set of treasures. Highly Recommended. Grady Harp, October 05
Poetry without words.......2004-12-14
What Is Technically Difficult Is Not Always Pleasant To Hear.......2004-10-02
Average customer rating:
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Scarlatti: The Keyboard Sonatas
Manufacturer: Warner Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009MWAVQ Release Date: 2005-10-11 |
Customer Reviews:
Definitive Scarlatti.......2007-05-26
An amazing accomplishment.......2005-10-20
And what an experience it is. Ross's harpsichord playing is bright and lively when required, relaxed and subdued at other times. While it's hard to imagine that Ross was able to become intimately familiar with 555 sonatas over the year it took to record them, his performances do not show any signs of boredom. The sonatas are overall focused and well performed.
In addition to the hundreds of harpsichord sonatas, there are also recordings of Scarlatti's five sonatas with string and woodwing accompaniment as well as his three organ sonatas. All keyboard parts are played by Ross.
The packaging of this set is very compact. Each CD is in a thick paper cover, the whole of the set in a single box. There is also a 255 page booklet that contains a short description of nearly every sonata. Additionally there is an interview with Ross from 1986.
This is a wonderful set for any fan of Scarlatti and Ross. And at the price, it would even be worth it for anyone who enjoys Baroque harpsichord music but isn't familiar with Scarlatti. I highly recommend this set.
Average customer rating:
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The Chopin Collection, The Mazurkas
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003ENZ Release Date: 1990-10-25 |
Tracks:
- Op.6-No.1 in f#
- Op.6-No.2 in c#
- Op.6-No.3 in E
- Op.6-No.4 in e flat
- Op.7-No.1 in B flat
- Op.7-No.2 in a
- Op.7-No.3 in f
- Op.7-No.4 in A flat
- Op.7-No.5 in C
- Op.17-No.1 in B flat
- Op.17-No.2 in e
- Op.17-No.3 in A flat
- Op.17-No.4 in a
- Op.24-No.1 in g
- Op.24-No.2 in C
- Op.24-No.3 in A flat
- Op.24-No.4 in b flat
- Op.30-No.1 in c
- Op.30-No.2 in b
- Op.30-No.3 in D flat
- Op.30-No.4 in c#
- Op.33-No.1 in g#
- Op.33-No.2 in D
- Op.33-No.3 in C
- Op.33-No.4 in b
- Op.41-No.1 in c#
Tracks:
- Op.41-No.2 in e
- Op.41-No.3 in B
- Op.41-No.4 in A flat
- Op.50-No.1 in G
- Op.50-No.2 in A flat
- Op.50-No.3 in c#
- Op.56-No.1 in B
- Op.56-No.2 in C
- Op.56-No.3 in c
- Op.59-No.1 in a
- Op.59-No.2 in A flat
- Op.59-No.3 in f#
- Op.63-No.1 in B
- Op.63-No.2 in f
- Op.63-No.3 in c#
- In a
- In a ('Notre Temps')
- Op.67-No.1 in G
- Op.67-No.2 in g
- Op.67-No.3 in C
- Op.67-No.4 in a
- Op.68-No.1 in C
- Op.68-No.2 in a
- Op.68-No.3 in F
- Op.68-No.4 in f
Amazon.com
Near the end of his long life, Artur Rubinstein declared these Mazurkas among the best recordings he had ever made. They're certainly convincing in their lyric simplicity, tonal warmth, and healthy, uncluttered sentiment. There are, however, other valid approaches to these wonderful works. Rubinstein himself, for instance, was a friskier and riskier player when he recorded the set for EMI in the thirties. The pianist's fifties-remakes are more grounded, yet retain the joie de vivre and rhythmic snap that were hallmarks of his live performances. On the other hand, the stereo versions benefit from superior engineering and a more scrupulous approach to Chopin's text. Decisions, decisions. --Jed DistlerAmazon.com
A mazurka is a little Polish folk dance in triple time, kind of like a waltz, but with the accent more often than not on the second beat. That gives the music a curious "hopping" quality that adds to the quirky quality of the music that Chopin wrote in this form. While very simple in structure, Chopin's mazurkas constantly challenged his harmonic ingenuity, and they contain some of his most daring tonal experiments. PBS fans may recall, for example, Leonard Bernstein's analysis of Op. 17 No. 4 as part of his Harvard lectures broadcast under the title "The Unanswered Question." Rubinstein's performances of these jewels are for many the supreme achievement in what is widely regarded as the finest series of Chopin recordings ever made. --David HurwitzCustomer Reviews:
Youth and hope.......2003-03-05
One must remember that the Mazurkas were originally Polish dances, thus their odd yet similar rhythms. They vary in both length and depth but each is a poignant poem, dedicated not only to friends but also, silently to his birthplace, Poland. He wears his patriotism on his sleeve - something unthinkable today - and emptied his sould into his music.
About the playing there is nothing much to add to the other reviewers. It seems as if Rubinstein gathered all his artistic energy for this recording and it is impossible to imagine one Mazurka standing alone. They MUST be heard as a group to get the true import of the music. Each idea is quickly explored and then completed, preparing the way for the next one. A few lengthen to several pages and they provide nice breaks in the quickly moving pace. For all the criticism of the performer's rhythmic style one can find no hint of affectation or exaggerated rubato with this set. This recording is perfection.
Who Better to Record Chopin's Mazurkas?.......2001-11-28
Definitive (almost).......2000-07-21
Superbly nuanced performances.......1999-09-19
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Saint-Saëns: Complete Works for Piano
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008X5B5 Release Date: 2003-05-27 |
Amazon.com
This series of Saint-Saëns' piano music, recorded in 1974, will be of interest to the composer's admirers, but it's not likely to win any awards. Most of the music consists of glittering generalities, with few memorable moments and a lot of padding. Saint-Saëns had inspirations, but he didn't waste many of them on his solo piano music. In the few cases when a piece has become familiar, we can tell that Dosse's performances are mostly just adequate, seldom exciting or insightful. She gets around the keys well enough, and the last of the Six Etudes (based on the composer's own Fifth Piano Concerto) is pretty dazzling, but elsewhere she seems to be just going through the motions. The solo piano music, recorded by the wonderful Elite team of Nickrenz & Aubort, has splendid sound quality. But the duets, recorded in Stuttgart, sound boxy and flat--except for "Carnival of the Animals," with the sparkling chamber orchestra. This certainly isn't a bad set, but it's only a compelling purchase for lovers of this composer who can't get enough of his piano music. Well, now they can. --Leslie GerberCustomer Reviews:
Decent performances but terrible sound quality.......2007-06-01
Proto-Modern Music.......2004-05-21
Because this is a "complete works" set of CDs, the quality of the compositions is predictably uneven. Several of the many pieces included are too protracted, formulaic and even dull, but few are without any interest. Almost all seem impersonal and dispassionate. That said, much of the music is lovely, frequently colorful and occasionally dazzling. Saint-Saens piano writing is almost always transparent, elegant, ironic and wry. Some pieces, like the Scherzo for Two Pianos (which is organized as a palindrome), the Valse Gaie and the Etude en Forme de Valse, are stunning mixtures of modern musical language and traditional gestures. There is truly no other music like this.
Admirers of French music are fortunate that Vox decided to reissue these performances, which range from adequate to excellent.
COMPLEMENTS STEPHEN HOUGHT SAINT SAENS CONCERTOS.......2003-08-12
I THOUGHT I MAY HAVE DUPLICATED SAINT-SAENS COMPLETE WORKS FOR PIANO AND ORCHESTRA BY SAKARI ORAMO UNDER STEPHEN HOUGH OF THE CITY OF BIRMINGHAM ORCHESTRA, BUT THAT IS NOT THE CASE. WITH VOX I GOT 5 CDS AT HALF THE PRICE OF THE HOUGH TWO CDS. SO THE SELECTIONS AREN'T FAMILIAR. WHO NEEDS MORE OF THE SAME?
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Haydn: The Masterworks [Box Set]
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLJM Release Date: 2004-11-30 |
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Bach: Sacred Cantatas
Manufacturer: Teldec ProductGroup: Music Binding: Audio CD ASIN: B000000SKY Release Date: 1994-12-20 |
Tracks:
- Discs 1 - 6: Cantatas BWV 1 - 19
- Discs 7 - 12: Cantatas BWV 20 - 36
- Discs 13 - 18: Cantatas BWV 37 - 60
- Discs 19 - 24: Cantatas BWV 61 - 78
- Discs 25 - 30: Cantatas BWV 79 - 99
- Discs 31 - 36: Cantatas BWV 100 - 117
- Discs 37 - 42: Cantatas BWV 119 - 137
- Discs 43 - 48: Cantatas BWV 138 - 162
- Discs 49 - 54: Cantatas BWV 163 - 182
- Discs 55 - 60: Cantatas BWV 183 - 199
- Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Aria: Durchs Feuer Wird Das Silber Rein - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Chor: Das Wollst Du, Gott, Bewahren Rein - Wiener Sangerknaben/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Ach Gott, Wie Manches Herzeleid - Wiener Sangerknaben/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Wie Schwerlich Lasst Sich Fleisch Und... - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Paul Esswood/Wiener Sangerknaben...
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Empfind Ich Hollenangst Und Pein - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Es Mag Mir Leib Und Beist Verschmachten - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Wenn Sorgen Auf Mich Dringen - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Erhalt Mein Herz Im Glauben Rein - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Christ Lag In Todes Banden, BWV 4, BC A54b: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus I: Christ Lag In Todes Banden - Wiener Sangerknaben/Hans Gillesberger
- Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus II: Den To Niemand Zwingen Kunnt - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus III: Jesus Christus, Gottes Sohn - Kurt Equiluz
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus IV: Es War Ein Wunderlicher Krieg - Wiener Sangerknaben/Hans Gillesberger
- Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus V: Hier Ist Das Rechte Osterlamm - Max Van Egmond
- Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus VI: So Feiern Wir Das Hohe Fest - Soloist Of The Wiener Sangerknaben/Kurt Equiluz
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus VII, Chor: Wir Essen Und Leben Wohl - Wiener Sangerknaben/Hans Gillesberger
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Wo Soll Ich Fliehen Hin - Wiener Sangerknaben/Hans Gillesberger
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Der Sunden Wust Hat Mich Nicht Nur Befleckt - Max Van Egmond
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Ergiesse Dich Reichlich - Kurt Equiluz
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Mein Treuer Heiland Trostet Mich - Paul Esswood
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Verstumme, Hollenheer - Max Van Egmond
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Ich Bin Ja Nur Das Kleinste Teil Der Welt - Soloist Of The Wiener Sangerknaben
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Fuhr Auch Mein Herz Und Sinn - Wiener Sangerknaben/Hans Gillesberger
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Bleib Bei Uns, Denn Es Will Abend ... - Wiener Sangerknaben/Hans Gillesberger
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Hochgelobter Gottessohn - Paul Esswood
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Auch Bleib Bei Uns, Herr Jesu Christ - Soloist Of The Wiener Sangerknaben
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Recitativo: Es Hat Die Dunkelheit An ... - Max Van Egmond
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Jesu, Lass Uns Auf Dich Sehen - Kurt Equiluz
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Beweis Dein Macht, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Christ Unser Herr Zum Jordan Kam - King's College Chor Cambridge/David Willcocks
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Merkt Und Hort, Ihr Menschenkinder - Max Van Egmond
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Dies Hat Gott Klar Mit Worten - Kurt Equiluz
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Des Vaters Stimme Liess Sich Horen - Kurt Equiluz
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Als Jesus Dort Nach Seinen Leiden - Max Van Egmond
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Menschen, Glaubt Doch Dieser Gnade - Paul Esswood
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Das Aug Allein Das Wasser Sieht - King's College Chor Cambridge/David Willcocks
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Liebster Gott, Wenn Werd Ich Sterben? - King's College Chor Cambridge/David Willcocks
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Was Willst Du Dich Mein Geist... - Kurt Equiluz
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Zwar Fuhlt Mein Schwaches Herz - Paul Esswood
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Doch Weichet, Ihr Tollen... - Max Van Egmond
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Behalte Nur, O Welt, Das Meine! - Soloist Of The Regensburger Domspatzen
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Herrscher Uber Tod Und Leben - King's College Chor Cambridge/David Willcocks
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Es Ist Das Heil Uns Kommen Her - King's College Chor Cambridge/David Willcocks
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Gott Gab Uns Ein Gesetz - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Wir Waren Schon Zu Tef Gesunken - Kurt Equiluz
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Doch Musste Das Gesetz Erfullet Werden - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Herr, Du Siehst Statt Guter Werke - Soloist Of The Regensburger Domspatzen/Paul Esswood
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Wenn Wir Die Sund Aus Dem Gestz Erkennen - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Ob Sichs Anliess, Als Wollt Er Nicht - King's College Chor Cambridge/David Willcocks
Tracks:
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Meine Seel Erhebt Den Herren - King's College Chor Cambridge/David Willcocks
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Herr, Der Du Stark Und Machtig Bist. - Soloist Of The Regensburger Domspatzen
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Des Hochsten Gut Und Treu - Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Gewaltige Stosst Gott Vom Stuhl - Max Van Egmond
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Duetto: Er Denket Der Barmherzigkeit - Paul Esswood/Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Was Gott Den Vatern Alter Zeiten - Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Lob Und Preis Sei Gott Dem Vater - King's College Chor Cambridge/David Willcocks
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Lobet Gott In Seinen Reichen - Wiener Sangerknaben/Hans Gillesberger
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Der Herr Jesus Hub Seine Hande Auf - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach, Jesu, Ist Dein Abschied Schon So Nah? - Max Van Egmond
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Ach, Bleibe Doch, Mein Liebstes Leben - Paul Esswood
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Ward Auf Gehoben Zusehends - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Nun Lieget Alles Unter Dir - Wiener Sangerknaben/Hans Gillesberger
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Da Sie Ihm Nachsahen - Kurt Equiluz/Max Van Egmond
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach Ja! So Komme Bald Zuruck - Paul Esswood
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Sie Aber Beteten Ihn An - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Jesu, Deine Gnadenblicke - Soloist Of The Wiener Sangerknaben
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Wann Soll Es Doch Geschehen - Wiener Sangerknaben/Hans Gillesberger
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Weinen, Klagen, Sorgen, Zagen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Arioso: Wir Mussen Durch Viel Trubsal - Paul Esswood
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Kreuz Und Krone Sind Verbunden - Paul Esswood
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Ich Folge Christo Nach - Max Van Egmond
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Sei Getreu, Alle Pein - Kurt Equiluz
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Was Gott Tut, Das Ish Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
Tracks:
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Meine Seufzer, Meine Tranen - Kurt Equiluz
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Rectiativo: Mein Liebster Gott Lasst Mich Annoch - Paul Esswood
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: Der Gott Der Mir Hat Versprochen - Paul Esswood
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Recitativo: Mein Kummer Nimmt Zu - Walter Gampert
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Achzen Und Erbarmlich Weinen - Max Van Egmond
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: So Sei Nun, Seele, Deine - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: War Gott Nicht Mit Uns Diese Zeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Unsre Starke Heisst Zu Schwach - Peter Hinterreiter
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Recitativo: Ja, Hatt es Gott Nur Zugegeben - Marius Van Altena
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Gott, Bei Deinem Starken Schutzen - Max Van Egmond
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: Gott Lob Und Dank, Der Nicht Zugab - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: Herr Gott, Dich Loben Wir - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: So Stimmen Wir Bei Dieser Frohen Zeit - Max Van Egmond
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor & Aria: Lasst Uns Jauchzen, Lasst Uns Freuen - Max Van Egmond/Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/ ...
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: Ach Treuer Hort - Paul Esswood
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Aria: Geliebter Jesu, Du Allein - Marius Van Altena
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: All Solch Dein Gut Wir Preisen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
Tracks:
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wer Dank Opfert, Der Preiset Mich - Wiener Sangerknaben/Hans Gillesberger
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Es Muss Die Ganze Welt - Paul Esswood
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Herr, Deine Gute - Soloist Of The Wiener Sangerknaben
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Einer Aber Unter Ihnen - Kurt Equiluz
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Welch Ubermass Der Gute - Kurt Equiluz
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Sieh Meinen Willen An - Max Van Egmond
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wir Sich Ein Vatr Erbarmet - Wiener Sangerknaben/Hans Gillesberger
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Gleichwie Der ... - Max Van Egmond
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Mein Gott, Hier Wird.. - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Wiener Sangerknaben/Hans Gillesberger
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Aria: Mein Seelenschatz Ist ... - Soloist Of The Wiener Sangerknaben
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Chor: Ich Bitt, O Herr, Aus ... - Wiener Sangerknaben/Hans Gillesberger
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Es Erhub Sich Ein Streit - Wiener Sangerknaben/Hans Gillesberger
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Gottlob! Der Drache Liegt - Max Van Egmond
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Gott Schickt Uns Mahanaim Zu - Soloist Of The Wiener Sangerknaben
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Was Ist Der Schnode Mensch - Kurt Equiluz
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Bleibt, Ihr Engel - Kurt Equiluz
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Lasst Uns Das Angescht - Soloist Of The Wiener Sangerknaben
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Lass Dein Engel Mit Mir Fahren - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo... - Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Ewigkeit, Du Machst Mir Bange - Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo: Gesetzt... - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Gott Ist Gerecht - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: O Mensch, Errette Deine Seele - Paul Esswood
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: Solang Ein Gott Im Himmel Lebt - Wiener Sangerknaben/Hans Gillesberger
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: Wacht Auf, Wacht Auf... - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Recitativo: Verlass, O Mensch... - Paul Esswood
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: O Menschenkind... - Paul Esswood/Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Ich Hatte Viel Bekummernis - Wiener Sangerknaben/Hans Gillesberger
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Seufzer, Tranen, Kummer, Not - Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Recitativo: Wie Hast Du Dich, Mein Gott - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Bache Von Gesalznen Zahren - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Was Betrubst Du Dich, Meine Seele - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Recitativo: Ach Jesu, Meine Ruh - Walker Wyatt/Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Duetto: Komm, Mein Jesu - Walker Wyatt/Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Sei Nun Wieder Zufrieden - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Aria: Erfreue Dich, Seele - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Das Lamm, Das Erwurget Ist - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
Tracks:
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria,Chor: Jesus Nahm Zu Sich Die Zwolfe - Kurt Equiluz/Max Van Egmond
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Jesu, Ziehe Mich Nach Dir - Paul Esswood
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Recitativo: Mein Jesu, Ziehe Mich - Max Van Egmond
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Alles In Allem - Kurt Equiluz
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Chor: Ertot Uns Durch Dein Gute - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Aria: Du Wahrer Gott Und Davids Sohn - Paul Esswood/Walter Gampert
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Recitativo: Ach, Gehe Nicht Voruber - Marius Van Altena
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Aller Augen Warten, Herr - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Christe, Du Lamm Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Ein Ungefarbt Gemute - Paul Esswood
- Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Redlichkeit Ist Eine Von Den Gottesgaben - Kurt Equiluz
- Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: Alles Nun, Das Ihr Wollet - Wiener Sangerknaben/Hans Gillesberger
- Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Heuchelei Ist Eine Brut - Max Van Egmond
- Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Treu Und Wahrheit Sei Der Grund - Kurt Equiluz
- Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: O Gott, Du Frommer Gott - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor... - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo... - Kurt Equiluz
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Ach, Wo Hol Ich Armer Rat - Max Van Egmond
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo: O Jesu, Lieber Meister - Soloist Of The Wiener Sangerknaben
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Offne Meinen Schlechten Liedern - Soloist Of The Wiener Sangerknaben
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor: Ich Will Alle Meine Tage - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: So Schnell Ein Rauschend Wasser Schiesst - Kurt Equiluz
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Freude Wird Zur Traurigkeit - Paul Esswood
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: An Irdische Schatze Das Herze Zu Hangen - Siegmund Nimsgern
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Hochste Herrlichkeit Und Pracht - Soloist Of The Wiener Sangerknaben
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Wer Weiss, Wie Nahe Mir Mein Ende! - Wiener Sangerknaben/Hans Gillesberger
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Mein Leben Hat Kein Ander Ziel - Kurt Equiluz
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Willkommen! Will Ich Sagen - Paul Esswood/Soloist Of The Wiener Sangerknaben
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Ach, Wer Doch Schon Im Himmel War! - Soloist Of The Wiener Sangerknaben
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Gute Nacht, Du Weltgetummel! - Siegmund Nimsgern
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Welt Ade! Ich Bin Dein Mude - Wiener Sangerknaben/Hans Gillesberger
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gottlob! Nun Geht Das Jahr Zu Ende - Soloist Of The Wiener Sangerknaben
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: Nun Lob, Mein Seel, Den Herren - Wiener Sangerknaben/Hans Gillesberger
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo - Arioso: So Sprict Der Herr - Siegmund Nimsgern
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo: Gott Ist Ein Quell... - Kurt Equiluz
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gott Hat Uns Im Heurigen Jahr Gesegnet - Kurt Equiluz/Paul Esswood
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: All Solch Dein Gut Wir Preisen - Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Wir Danken Dir Gott, Wir Danken Dir - Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Kurt Equiluz
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Gottlob! Es Geht Uns Wohl! - Max Van Egmond
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Gedenk An Uns Mit Deiner Liebe - Soloist Of The Wiener Sangerknaben
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Vergiss Es Ferner Nicht - Paul Esswood/Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Paul Esswood
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Sei Lob Und Preis Mit Ehren - Concentus Musicus Wien/Nikolaus Harnoncourt
Tracks:
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Coro: Freue Dich, Erloste Schar - Wiener Sangerknaben/Hans Gillesberger
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Wir Haben Rast - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Gelobet Sei Gott, Gelobet Sein Name - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Der Herold Kommt - Paul Esswood
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Kommt, Ihr Angefochtnen Sunder - Paul Esswood
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Chor: Eine Stimme Lasst Sich Horen - Wiener Sangerknaben/Hans Gillesberger
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: So Bist Du Denn, Mein Heil... - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Ich Will Nun Hassen - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo... - Soloist Of The Wiener Sangerknaben
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Eilt, Ihr Stunden, Kommt Herbei - Soloist Of The Wiener Sangerknaben
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: Geduld, Der Angenehme Tag - Kurt Equiluz
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Chor: Freue Dich, Geheilgte Schar - Wiener Sangerknaben/Hans Gillesberger
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b: Son - Concentus Musicus Wien/Nikolaus Harnoncourt
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: Der Himmel Lacht! Die Erde Jubilieret - Wiener Sangerknaben/Hans Gillesberger/Soloists Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Erwunschter Tag! Sei, Seele ... - Siegmund Nimsgern
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Furst Des Lebens, Starker Streiter - Siegmund Nimsgern
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: So Stehe Dann... - Kurt Equiluz
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Adam Muss In Uns Verwesen - Kurt Equiluz
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Weil Denn Das Hauupt Sein Glied - Soloist Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Letzte Stunde, Brich Herein - Soloist Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: So Fahr Ich Hin Zu Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Leibster Jesu, Mein Verlangen - Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Was Ists, Dass Du Mich Gesuchet? - Max Van Egmond
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Hier, In Meines Vaters Statte - Max Van Egmond
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Ach! Heiliger Und Grosser Gott - Max Van Egmond/Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Nun Verschwinden Alle Plagen - Max Van Egmond/Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Chor: Mein Gott, Offne Mir Die Pforten - Knabenchor Hannover/Heinz Henning
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Chor: Allein Zu Dir, Herr Jesu Christ - Knabenchor Hannover/Heinz Henning
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott Und Richter - Max Van Egmond
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Wie Furchtsam Wankten Meine Schritte - Rene Jacobs
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott, Verwirf Mich Nicht - Marius Van Altena
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Gott, Der Du Die Liebe Heisst - Marius Van Altena/Max Van Egmond
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Ehr Sei Gott In Dem Hochsten Thron - Knabenchor Hannover/Heinz Henning
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: O Ewiges Feuer, O Ursprung Der Liebe - Wiener Sangerknaben/Hans Gillesberger
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo: Herr!... - Kurt Equiluz
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Aria: Wohl Euch, Ihr Auserwahlten Seelen - Paul Esswood
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo... - Siegmund Nimsgern
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: Friede Uber Israel!... - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Geist Und Seele Wird Verwirret, BWV 35, BC A125: Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Geist Und Seele Wird Verwirret - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Recitativo: Ich Wundre Mich... - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Gott Hat Alles Wohlgemacht - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125: Seconda Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Recitativo: Ach, Starker Gott... - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Aria: Ich Wunsche Mir... - Paul Esswood
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Schwingt Freudig Euch Empor - Wiener Sangerknaben/Hans Gillesberger
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Nun Komm, Der Heiden Heiland - Paul Esswood/Soloist Of The Wiener Sangerknaben
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Aria... - Kurt Equiluz
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Zwingt Die Saiten In Cythara - Wiener Sangerknaben/Hans Gillesberger
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Willkommen, Werter Schatz - Ruud Van Der Meer
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Der Du Bist Dem Vater Gleich - Kurt Equiluz
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Auch Mit Gedampften... - Soloist Of The Wiener Sangerknaben
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Lob Sei Gott, Dem Vater, G'ton - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Wer Da Glaubet Und Getauft Wird - Wiener Sangerknaben/Hans Gillesberger
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Ist Das Pfand Der Liebe - Kurt Equiluz
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Herr Gott Vater, Mein Starker Held - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Recitativo: Ihr Sterblichen, Verlanget Ihr Mit Mir - Ruud Van Der Meer
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Schafft Der Seele Flugel - Ruud Van Der Meer
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Den Glauben Mir Verleihe - Wiener Sangerknaben/Hans Gillesberger
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Coro: Aus Tiefer Not Schrie Ich Zu Dir - Wiener Sangerknaben/Hans Gillesberger
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: In Jesu Gnade Wird Allein - Paul Esswood
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Ich Hore Mitten In Dem Leiden - Kurt Equiluz
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: Ach! Dass Mein Glaube Noch So Schwach - Soloist Of The Wiener Sangerknaben
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Wenn Meine Trubsal Als Mit Ketten - Soloist Of The Wiener Sangerknaben/Paul Esswood/Ruud Van Der Meer
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Choral: Ob Bei Uns Ist Der Sunden Viel - Wiener Sangerknaben/Hans Gillesberger
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Coro: Brich Dem Hungrigen Dein Brot - Knabenchor Hannover/Heinz Hennig
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Recitativo: Der Reiche Gott Wirft Seinen Uberfluss - Max Van Egmond
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Aria: Seinem Schopfer Noch Auf Erden - Rene Jacobs
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Wohlzutun Und Mitzuteilen - Max Van Egmond
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Hochster, Was Ich Habe - Soloist Of The Knabenchor Hannover
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Recitativo: Wie Soll Ich Dir, O Herr - Rene Jacobs
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Choral: Selig Sind, Die Aus Erbarmen - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Coro: Darzu Ist Ist Erschienen Der Sohn Gottes - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Das Wort Ward Fleisch - Marius Van Altena
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Die Sund Macht Leid - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Hollische Schlange, Wird Dir Nicht Bange - Max Van Egmond
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Die Schlange, So Im Paradies - Rene Jacobs
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Schuttle Deinen Kopf Und Sprich - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Christenkinder, Freuet Euch - Marius Van Altena
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Jesu, Nimm Dich Deiner Glieder - Knabenchor Hannover/Heinz Hennig
Tracks:
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Coro: Jesu, Nun Sei Gepreiset - Wiener Sangerknaben/Hans Gillesberger
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Lass Uns, O Hochster Gott, Das Jahr Vollbringen - Soloist Of The Wiener Sangerknaben
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Ach! Deine Hand, Dein Segen Muss Allein - Paul Esswood
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Woferne Du Den Edlen Frieden - Kurt Equiluz
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Doch Weil Der Feind Bei Tag Und Nacht - Ruud Van Der Meer
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Choral: Dein Ist Allein Die Ehre - Wiener Sangerknaben/Hans Gillesberger
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Am Abend Aber Desselbigen Sabbats - Kurt Equiluz
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Wo Zwei Und Drei Versammlet Sind - Paul Esswood
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Verzage Nicht, O Hauflein Klein - Soloist Of The Wiener Sangerknaben
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Man Kann Hiervon Ein Schon... - Ruud Van Der Meer
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Jesus Ist Ein Schild Der Seinen - Ruud Van Der Meer
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Choral: Verleih Uns Frieden Gnadiglich - Wiener Sangerknaben/Hans Gillesberger
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Coro: Gott Fahret Auf Mit Jauchzen - Wiener Sangerknaben/Hans Gillesberger
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Es Will Der Hochste... - Kurt Equiluz
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Ja Tausendmal Tausend Begleiten... - Kurt Equiluz
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Und Der Herr... - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Mein Jesus Hat Nunmehr - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Es Kommt Der Helden Held - Ruud Van Der Meer
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Er Ists, Der Ganz Allein - Ruud Van Der Meer
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Der Vater Hat Ihm Ja - Paul Esswood
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Ich Sehe Schon Im Geist - Paul Esswood
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Er Will Mir Neben Sich - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Choral: Du Lebensfurst, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Sie Werden Euch In Den Bann Tun - Kurt Equiluz/Ruud Van Der Meer
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Coro: Es Kommt Aber Die Zeit - Wiener Sangerknaben/Hans Gillesberger
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Christen Mussen Auf Der Erden - Paul Esswood
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: Ach Gott, Wie Manches Herzeleid - Kurt Equiluz
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Recitativo: Es Sucht Der Antichrist - Ruud Van Der Meer
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Es Ist Und Bleibt Der Christen Trost - Peter Jelosits
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: So Sei Nun, Seele, Deine - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Coro: Es Ist Dir Gesagt... - Knabenchor Hannover/Heinz Hennig
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Recitativo: Der Hochste... - Kurt Equiluz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Aria: Weiss Ich Gottes Rechte - Kurt Equiluz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Arioso: Es Werden Viele... - Hanns-Friedrich Kunz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Aria: Werr Gott Bekentt... - Rene Jacobs
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Recitativo: So Wird Denn Herz. - Rene Jacobs
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Chor: Gib... - Knabenchor Hannover/Heinz Hennig
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: Schauet Doch Und Sehet... - Knabenchor Hannover/Heinz Hennig
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: So Klage Du... - Kurt Equiluz
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Dein Wetter Zog Sich... - Hanns-Friedrich Kunz
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: Doch Bildet Euch... - Rene Jacobs
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Doch Jesus Will Auch... - Rene Jacobs
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: O Grosser Gott Der Treu - Knabenchor Hannover/Heinz Hennig
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Wer Sich Selbst Erhohet - Wiener Sangerknaben/Hans Gillesberger
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Wer Ein Wahrer Christ.. - Peter Jelosits
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Recitativo: Der Mensch Ist Ko - Ruud Van Der Meer
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Jesu Beuge Doch Mein... - Ruud Van Der Meer
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Der Zeitlichen Ehr... - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Coro: Ich Elender Mensch... - Wiener Sangerknaben/Hans Gillesberger
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: O Schmerz, O Elend... - Paul Esswood
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Solls Ja So Sein - Wiener Sangerknaben/Hans Gillesberger
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Ach Lege Das Sodom... - Paul Esswood
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: Hier Aber Tut Des Heilands.. - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Vergibt Mir Jesus Meine Sunden - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Herr Jesu Christ, Einiger Trost - Wiener Sangerknaben/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Geh Und Suche Mit Verlangen - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Mahl Ist Zubereit - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Bin Herrlich, Ich Bin Schon - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Glaube Hat Mich Selbst... - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Dich Hab Ich Je Und Je Geliebet - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft BWV 50, BC A.194: Coro: Nun Ist Das Heil Und Die Kraft - Wiener Sangerknaben/Hans Gillesberger
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Jauchzet Gott In Allen Landen - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Recitativo: Wer Beten Zu Dem Tempel An - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Hochster, Mache Deine Gute - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Chor: Sei Lob Und Preis Mit Ehren - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Alleluja - Marianne Kweksilber
Tracks:
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Falsche Welt, Dir Trau Ich Nicht - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Immerhin, Immerhin, Wenn Ich Gleich... - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Gott Ist Getreu! - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Ich Halt Es Mit Dem Lieben Gott - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Choral: In Dich Hab Ich Gehoffet, Herr - Knabenchor Hannover/Heinz Hennig
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Widerstehe Doch Der Sunde - Paul Esswood
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Recitativo: Die Art Verruchter Sunden - Paul Esswood
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Wer Sunde Tut, Der Ist Vom Teufel - Paul Esswood
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Ich Armer Mensch, Ich Sundenknecht - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Ich Habe Wider Gott Gehandelt - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Erbame Dich, Lass Die Tranen Dich... - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Erbarme Dich! Jedoch Nun - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Choral: Bin Ich Gleich Von Dir Gewichen - Knabenchor Hannover/Heinz Hennig
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Ich Will Den Kreuzstab Gerne Tragen - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Mein Wandel Auf Der Welt - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Endlich, Wird Mein Joch - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Ich Stehe Fertig Und Bereit - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Choral: Komm, O Tod, Du Schlafes Bruder - Knabenchor Hannover/Heinz Hennig
Tracks:
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Selig Ist Der Mann - Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ach! Dieser Susse Trost - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Wunschte Mor Den Tod - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ich Reiche Dir Die Hand - Peter Jelosits/Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Aria : Ja, Ja, Ich Kann Die Feinde Schlagen - Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: In Meiner Schoss Liegt Ruh Und Leben - Peter Jelosits/Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Ende Behende Mein Irdisches Leben - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Choral: Richte Dich, Liebste, Nach Meinem Gefallen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ach Gott, Wie Manches Herzeleid... - Peter Jelosits/Ruud Van Der Meer
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Verfolgt Dich Gleich Die Arge Welt - Ruud Van Der Meer
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Bin Vernugt In Meinem Leiden - Peter Jelosits
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Kann Es Die Welt Nicht Lassen - Peter Jelosits
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Hab Fur Mir Ein Schwere Reis... - Peter Jelosits/Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Duetto: Wer Mich Liebet - Peter Jelosits/Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Recitativo: O, Was Sind Das Vor Ehren - Peter Jelosits
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Komm, Heiliger Geist, Herre Gott - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Aria: Die Welt Mit Allen Konigreichen - Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Du Heilige Brunst - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: O Ewigkeit, Du Donnerwort - Herr... - Kurt Equiluz
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: O Schwerer Gang Zum Letzten Kampf - Kurt Equiluz/Paul Esswood
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: Mein Letztes Lager Will Mich Schrecken - Kurt Equiluz/Paul Esswood
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: Der Tod Bleibt Doch Der Menschlichen... - Paul Esswood/Ruud Van Der Meer
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Choral: Es Ist Genung, Herr, Wenn Es Dir Gefallt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Ov: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Der Heiland Ist Gekommen - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Komm, Jesu, Komm Zu Deiner Kirche - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Siehe, Ich Stehe Vor Der Tur - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Offne Dich, Mein Ganzes Herze - Seppi Kronwitter
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Chor: Amen, Amen! Komm Du Schone Freudenkrone - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Bewundert, O Menschen, Dies Grosse Geheimnis - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitative: So Geht Aus Gottes Herrlichkeit - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Streite, Siege, Starker Held - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitativo: Wir Ehren Diese Herrlichkeit - Peter Jelosits/Paul Esswood
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Lob Sei Gott, Dem Vater, Ton - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Christen, Atzet Diesen Tag - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: O Selger Tag! O Ungemeines Heute - Paul Esswood
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Gott, Du Hast Es Wohl Gefuget - Peter Jelosits/Ruud Van Der Meer
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: So Kegret Sich Non Heut Das Bange Leid - Kurt Equiluz
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Ruft Und Fleht Den Himmel An - Paul Esswood/Kurt Equiluz
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: Verdoppelt Euch Demnach - Ruud Van Der Meer
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Hochster, Schau In Gnaden An - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Sehet, Welch Eine Liebe... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Das Hat Er Alles Uns Getan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Geh, Welt! Behalte.. - Paul Esswood
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Was Frag Ich Nach Der... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Was Die Welt In Sich Halt - Peter Jelosits
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Der Himmel Bleibet.. - Ruud Van Der Meer
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Von Der Welt Verlang Ich.. - Paul Esswood
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Gute Nacht, O Wesen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Sie Werden Aus Saba Alle Kommen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Die Kon'ge Aus Saba Damen Dar - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Was Dort Jesaias Vorhergesehn - Ruud Van Der Meer
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Gold Aus Ophir Ist Zu Schlecht - Ruud Van Der Meer
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Verschmahe Nicht, Du Meiner Seelen... - Kurt Equiluz
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Nimm Mich Dir Zu Eigen Hin - Kurt Equiluz
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Ei Nun, Mein Gott, So Fall Ich Dir - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Erfreut Euch, Ihr Herzen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Es Bricht Das Grab Und Damit Unsre Not - Ruud Van Der Meer
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Aria: Lasset Dem Hochsten Ein Danklied Erschallen - Ruud Van Der Meer
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Bei Jesu Leben Freudig Sein - Paul Esswood/Kurt Equiluz
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Duetto: Ich Furchte Zwar (Nicht) Des Grabes Finsternissen - Paul Esswood/Kurt Equiluz
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Alleluja! Alleluja! Alleluja! - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Halt Im Gedachtnis Jesum Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Mein Jesus Ist Erstanden - Kurt Equiluz
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Mein Jesu, Heissest Du Des Todes Gift - Paul Esswood
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Erschienen Ist Der Herrlich Tag - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Doch Scheinet Fast, Dass Mich Der... - Paul Esswood
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Friede Sei Mit Euch - Max Van Egmond/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Du Friedefurst, Herr Jesu Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Also Hat Gott Die Welt Geliebt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Mein Glaubiges Herze - Peter Jelosits
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Recitativo: Ich Bin Mit Petro Nicht Vermessen - Ruud Van Der Meer
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Du Bist Geborer Mir Zugute - Ruud Van Der Meer
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Wer An Ihn Glaubet - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Wie Gross Ist Gottes Gute Doch - Wilhelm Wiedl
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Aria: Mein Seele, Auf, Erzahle - Paul Esswood
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Der Herr Hat Grosse Ding An Uns Getan - Kurt Equiluz
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Chor: Es Danke, Gott, Und Lobe Dich - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Lobe Den Herrn, Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Ach, Dass Ich Tausend Zungen Hatte - Wilhelm Wiedl
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Meine Seele, Auf, Erzahle - Kurt Equiluz
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Gedenk Ich Nur Zuruck - Paul Esswood
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Mein Erloser Und Erhalter - Ruud Van Der Meer
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Was Gott Tut, Das Ist Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Wachet! Betet! Betet! Wachet! - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Erschrecket, Ihr Verstockten Sunder - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Wenn Kommt Der Tag - Paul Esswood
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Auch Bei Dem Himmlischen Verlangen - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Lasst Der Spotter Zungen Schmahen - Wilhelm Wiedl
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Jedoch Bei Dem Unartigen Geschlechte - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Freu Dich Sehr, O Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Hebt Euer Haupt Empor - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Ach, Soll Nicht Dieser Grosse Tag - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Seligster Erquickungstag - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Nicht Nach Welt, Nach Himmel Nicht - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Gott Ist Mein Konig - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Aria: Ich Bin Nun Achtzig Jahr-Soll Ich Auf Dieser Welt - Wilhelm Wiedl
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Dein Alter Sei Wie Deine Jugend - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Arioso: Tag Und Nacht Ist Dein - Lieuwe Visser
- Gott Ist Mein Konig, BWV 71, BC B1, Aria: Durch Machtige Kraft - Paul Esswood
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Du Wollest Dem Feinde Nicht Geben - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Das Neue Regiment - Wilhelm Wiedl/Paul Esswood/Kurt Equiluz/Lieuwe Visser/Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Alles Nur Nach Gottes Willen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: O Selger Christ - Paul Esswood
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mit Allem, Was Ich Hab Und Bin - Paul Esswood
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: So Glaube Nun! - Ruud Van Der Meer
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mein Jesus Will Es Tun - Wilhelm Wiedl
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Was Mein Gott Will, Das Gescheh Allzeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Herr, Wie Du Willt, So Schicks Mit Mir - Jorg Erler/Max Van Egmond/Kurt Equiluz/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/...
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Ach, Senke Doch Den Geist Der Freuden - Kurt Equiluz
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Recitativo: Ach, Unser Wille Bleibt Verkehrt - Max Van Egmond
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Herr, So Du Willt - Max Van Egmond
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Das Ist Des Vaters Wille - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Wer Mich Liebet, Der Wird Mein... - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Komm, Komm, Mein Herze Steht ... - Jorg Erler
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Die Wohnung Ist Bereit - Paul Esswood
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Ich Gehe Hin Und Komme Wieder ... - Max Van Egmond
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Kommt, Eilet, Stimmet Sait Und ... - Kurt Equiluz
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Es Ist Nichts ... - Max Van Egmond
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Nichts Kann Mich Erretten - Paul Esswood
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Kein Menschenkind Hier Auf Der Erd - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Die Elenden Sollen Essen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Was Hilft Des Purpurs Majestat - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Jesus Soll Mein Alles Sein - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Gott Sturzet Und Erhohet - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Ich Nehme Mein Leiden Mit Freuden Auf Mich - Markus Klein
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Indes Schenkt Gott Ein Gut Gewissen - Markus Klein
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohl Getan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Nur Eines Drankt Ein Christliches Gemute - Paul Esswood
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Jesus Macht Mich Geistlich Reich - Paul Esswood
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Wer Nur In Jesu Bleibt - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Herze Glaubt Und Liebt - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: O Armut, Der Kein Reichtum Gleicht! - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohlgetan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Die Himmel Erzahlen Die Ehre Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: So Lasst Sich Gott Nicht ... - Kurt Equiluz
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Hort, Ihr Volker - Wilhelm Wiedl
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Wer Aber Hort - Ruud Van Der Meer
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Fahr Hin, Abgottische Zunft! - Ruud Van Der Meer
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Du Hast Uns, Herr, Von Allen ... - Paul Esswood
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Es Woll Uns Gott Genadig Sein - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
Amazon.com
There are certain musical monuments to Western civilization that no music lover should be without, at least in part. These include Haydn's symphonies and string quartets, Mozart's piano concertos, Handel's oratorios, Beethoven's string quartets and piano sonatas, Scarlatti's keyboard sonatas, and this, perhaps the biggest monument of all, the Bach sacred cantatas. About 200 of them survive and at least 100 are lost. All of them consist of a series of arias, choruses, and hymns based on sacred texts. Bach had to compose a new one every week for several years, and what makes the music so amazing is not only its quantity, but its sheer quality. There is literally no such thing as "bad" Bach, and this series of performances not only stands as one of the great achievements in the history of recording, it introduced many listeners to the fascinating sound of "authentic instruments." Is this set too much of a good thing? Nah! --David HurwitzCustomer Reviews:
Harnoncourt.......2005-09-24
It is a wonderful collection, with alle the works of Bach.The whole Box is amazing and every song is fantastic.
It also looks very good wehn you put it into the shelf.
The price is really justified in accord to the number of CD and the quality you get.
As Close as I can Imagine for Authentic Bach.......2005-08-02
When one considers that Bach had to produce a new cantata each week, and that the performers were local musicians, then one should not expect a perfect performance. When one recalls that the Cantata merely served to reinforce the message of the week according to the church calendar, one should not expect consistently brilliant music. To this, add the fact that the parishioners would have much preferred someone not so old fashioned as Bach to produce their church music. Set up so perfectly for failure, Bach produced some of the most perfect music ever written. Here, bad Bach does not exist.
The use of boys' voices is brilliant. A boy soprano simply does not sound like a woman. A good boy soprano's voice is clear and pure, without the extreme tremolo found in "trained women sopranos." The result is Bach at its purest.
In the mid to late 1950's, preforming Bach on original instruments became an interesting experiment. One group attempting this was the Bach Aria Group, directed by Frank Brief, who performed at the Town Hall in New York City. Over a two year span, Mr. Brief decided that it might be interesting to use a boy's choir instead of a women's choir once each year. He chose the Columbus Boychoir (now called the American Boychoir) of which I was a member for those two occasions. From the critical reviews, the results were very well accepted. Mr. Brief, however, did not go the full way. Instead of using boy soprano soloists, he called on women sopranos such as Beverly Sills. While they gave outstanding performances, it was not "original Bach." But when we asked why didn't he use a boy soprano, Mr. Brief responded that boys' voices could not be sufficiently trained to do Bach justice.
These recordings belie this judgement. Bach did know what he was doing! Highly recommended.
Recording's Greatest Achievement.......2003-04-14
Leonhardt, with his consort in Amsterdam, and Harnoncourt, with his Concentus Musicus of Vienna shared the task of recording, with an unmatched team of vocal and instrumental soloists, Bach's roughly 200 surviving "concerti sacri", perhaps a further hundred being lost to us. It was a repertoire more honoured in the history books than experienced in performance. This enterprise changed that state of affairs for ever.
The arguments which are now sometimes made (chiefly by those who are unaware of the extraordinary and revolutionary step which these performances represented), decrying the slightly "raw" (I prefer "vocal") sound of original instruments, or the occasional shakiness of a boy soprano soloist, miss the point of this enterprise, which was to present the music in a new way using Bach's own contemporary resources. Leonhardt and Harnoncourt are the first to insist that using "historical instruments" makes sense because those are simply the best tools for the job. Re-constituting something old has never been their aim. Rather, their idea was to break free of the mindless tradition of performance which took no account of the sounds that Bach actually had in his head when he created his "well-regulated" music for the churches of Saxony. And how does this work in practice? We are left to marvel at an extraordinary level of accomplishment on the part of nearly everyone associated with this project, vocally and instrumentally.
Gustav Leonhardt was well aware (and hopeful) that subsequent generations would likely improve upon aspects of performance which still remained to be sorted out. But, as he said, it was a start. Indeed, when he and Harnoncourt were jointly awarded the Erasmus prize in the Netherlands in 1980, he remarked, with singular modesty and self-awareness: "It was not done well, but it is remarkable that it was done at all". This tells us more about Leonhardt's famous humility, than it does about the standards of these performances, which are usually (with few exceptions) very high indeed. In many instances they will never be surpassed. What we have here is a glimpse of one of music's "golden" ages captured forever on disc. What the listener will marvel at is the extraordinary assuredness of technique and style which is evident in every one of these cantata performances.
The solo vocal contributions of Kurt Equiluz, Max van Egmond, Paul Esswood, Marjanne Kweksilber (BWV 51) are simply without equal, and the current generation of fine Bach singers would be the first to concede their enormous debt to the participants in this great enterprise (their teachers, in many cases). The choirs should also be singled out for attention: Wiener Sangerknaben, Tolzer Knabenchor, Hannover Knabenchor, Choir of Kings College, Cambridge as well as directors Heinz Hennig, Gerhard Schmidt-Gaden, Philippe Herreweghe, David Willcocks and Hans Gillesberger. So Europe's finest were all involved in this.
The instrumental soloists: Frans Bruggen, Walter van Hauwe, Kees Boeke, Anner Bylsma, Jurg Schaftlein, Lucy van Dael, Sigiswald, Wieland and Bart Kuijken, Ton Koopman, Bob van Asperen, Lidewij Schiefes, Alice Harnoncourt, Herbert and Herwig Tachezi, Erich Hobarth, Friedemann Immer - to list only the more familiar names - have created a whole world of intelligent and vital performance which has transformed musical thought in our time. No-one in any area of musical performance has remained untouched by the ideas which are so forcefully presented here (even those who'd be the last to admit it). The fundamental idea of treating each period's music as a vital and representative product of its time is one which now extends to music of all periods, signaling the fulfilment of one of Leonhardt's and Harnoncourt's chief aims: to eliminate the artificial distinction between mainstream and "early" music, and, instead, to treat all music with proper respect for its origins and context.
What this recording continues to offer the listener is the experience of hearing the music for the first time, which the technical polish of subsequent surveys cannot quite match. For the young person wishing to learn about music, there is no better starting point than investing in this set, now available at a fraction of its original cost (unfortunately, minus the scores, which were one of the hallmarks of this series in its first incarnation on LP.
It seems pointless to list highlights, but one might start with the following: BWV 1, 6, 8, 11, 13, 19, 23, 29 and so on. The list is endless. Better still, buy the set and begin a life-time's voyage of discovery instead. Bach, Leonhardt and Harnoncourt: you can't do better than that. Oh, and we should also acknowledge the contribution of the founder recording producer for this project, Wolf Erichson (even though he didn't stay with Teldec to the end of it). Without him, the revolution in informed and intelligent music performance on recordings would never have happened.
recommended.......2002-12-07
While Herreweghe's or Gardiner's new interpretations are CERTAINLY better in both orchestral and vocal support, they all are greatly in debt of Harnoncourt/Leonhard, for it's always simple to improve something ALREADY existing instead of breaking new grounds (as this stellar 1970's recording did). Not to be forgotten is the fact newer version bring a sence of lightness which pleases anyone's ears, but it's manytimes inappropriate for the content of the music.
Teldec Set Still Holds Up After 30 Years.......2001-04-11
I would argue that no one can really claim to know Bach without knowing both his organ works and his cantatas. After all, this is the music that occupied him for most of his professional life. Most of these cantatas were written as part of his duties at Leipzig, and while in the hands of any lesser composer that might have meant uninspired music cranked out week by week out of necessity, Bach rarely, if ever, had an off day. Each cantata is a little world unto itself, a place you can retreat to for 20 minutes and either reflect on their spiritual message (which, be warned, is sometimes grim indeed), or just lose yourself in the beauty and grace of the melodic lines.
Harnoncourt and Leonhardt choose to keep these performances intimate; this is not the Bach of the concert hall; these are direct, personal expressions that work well in the private space of one's living room. Some of the playing sounds a bit shaky by today's standards--apparently some of the soloists were still discovering how to play period instruments that had not been heard in centuries--and the boy soloists seem to strain at their parts sometimes, especially in the earlier recordings, but that only adds to the charm: I much prefer the uncertain readings to letter-perfect performances offered by others. The performances actually draw the listener's attention away from the playing itself, forcing attention on the music and the text, which is entirely consistent with the nature of these pieces.
For those who don't want to spend the 500+ dollars all at once, Teldec also offers these in six-CD sets at a great budget price. They're worth every penny. My only disappointment is that the CD package doesn't include the scores, as the old Telefunken vinyl sets did. But that's perfectly understandable. This set reminds us why Harnoncourt and Leonhardt were once at the forefront of the period-instrument movement. Let's hope that Teldec keeps these recordings in print for a long, long time.
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Complete Beethoven Edition Vol. 6 - Piano Works / Demus, Alder, Gilels, Mustonen, Kempff, Barenboim
Ludwig van Beethoven , Jörg Demus , Emil Gilels , Olli Mustonen , Christopher Alder , Daniel Barenboim , and Wilhelm Kempff Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GZ9 Release Date: 1997-11-25 |
Tracks:
- 7 Bagatelles, Op.33: No. 1 In E Flat Major - Andante grazioso quasi Allegretto
- 7 Bagatelles, Op.33: No.2 In C Major - Scherzo. Allegro
- 7 Bagatelles, Op.33: No.3 In F Major - Allegretto
- 7 Bagatelles, Op.33: No.4 In D Major - Andante
- 7 Bagatelles, Op.33: No.5 In C Major - Allegro ma non troppo
- 7 Bagatelles, Op.33: No.6 In D Major - Allegretto quasi andante
- 7 Bagatelles, Op.33: No.7 In A Flat Major - Presto
- 11 Bagatelles, Op.119: No.1 In B Flat Major - Allegretto
- 11 Bagatelles, Op.119: No.2 In C Major - Andante con moto
- 11 Bagatelles, Op.119: No.3 In D - a l'Allemande
- 11 Bagatelles, Op.119: No.4 In A Major - Andante cantabile
- 11 Bagatelles, Op.119: No.5 In C Minor - Risoluto
- 11 Bagatelles, Op.119: No.6 In G Major - Andante - Allegretto
- 11 Bagatelles, Op.119: No.7 In C Major - Allegro ma non troppo
- 11 Bagatelles, Op.119: No.8 In C - Moderato
- 11 Bagatelles, Op.119: No.9 In A Minor - Vivace moderato
- 11 Bagatelles, Op.119: No.10 In A Major - Allegramente
- 11 Bagatelles, Op.119: No.11 In B Flat Major - Andante ma non troppo
- Bagatelle in C Minor: Presto
- Bagatelle In C Major: Allegretto
- 6 Bagatelles, Op.126: No.1 In G Major - Andante con moto cantabile e compiacevole
- 6 Bagatelles, Op.126: No. 2 In G Minor - Allegro
- 6 Bagatelles, Op.126: No.3 In In E Flat Major - Andante cantabile e grazioso
- 6 Bagatelles, Op.126: No.4 In D Major - Presto
- 6 Bagatelles, Op.126: No.5 In G Major - Quasi Allegretto
- 6 Bagatelles, Op.126: No.6 In E Flat Major - Presto - Andante amabile e con moto - Tempo I
- Bagatelle 'Fur Elise' In A Minor: Poco moto
Tracks:
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 1. Allegro cantibile
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 2. Andante
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 1 In E Flat Major: 3. Rondo vivace
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 1. Larghetto maestoso - Allegro assai
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 2. Andante
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 2 In F Minor: 3. Presto
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 1. Allegro
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 2. Menuetto. Sostenuto - Var. I-VI
- 3 Sonatas For Piano ('Electoral' Sonatas): No. 3 In D Major: 3. Scherzando. Allegro, ma non troppo
- 2 Sonata Movments In F Major: 1. Without Tempo Indication
- 2 Sonata Movments In F Major: 2. Allegretto
- Piano Sonata In C Major: Allegro
- Piano Sonata In C Major: Adagio
- Allegretto In C Minor
- 'Lustig - Traurig' In C Major
- Prelude In F Minor
- Piano Piece In B Flat Major
- Allegretto In B Minor
- Allegretto quasi andante In G Minor
- Allemande In A Major
- Minuet In E Flat Major
- Waltz In E Flat Major
- Waltz In D Major
- Ecossaise In E Flat Major
- Fugue In C Major
- Allegretto In C Minor
Tracks:
- Rondo In C Major, Op. 51: Moderato e grazioso - Ludwig Van Beethoven
- Rondo In G Major, Op. 51 No. 2: Andante cantabile e grazioso - Ludwig Van Beethoven
- Rondo In C Major: Allegretto - Ludwig Van Beethoven
- Rondo In A Major: Allegretto - Ludwig Van Beethoven
- Polonaise In C Major: Alla polacca, vivace - Ludwig Van Beethoven
- 9 Variations (In C Minor) On A March By Ernst Christoph Dressler: Thema. Maestoso - Ludwig Van Beethoven
- 6 Variations On A Swiss Song In F Major: Thema. Andante con moto - Ludwig Van Beethoven
- Thema. Allegretto - Var. I-XIII - Var. XIV. Allegretto - Adagio - Var. XV-XIX - Var. XX. Scherznado - Var. XXI-XXII - Var. XXIII. Adagio sostenuto - Var. XXIV. Allegro - Allegro stringendo - Presto assai - Ludwig Van Beethoven
- 12 Variations (In C Major) On The 'Menuett a la Vigano' From Jakob Haibel's Ballet 'Le nozze disturbate': Thema. Allegretto - Var. I-IX - Var. XII. Allegro - Adagio - Ludwig Van Beethoven
- 6 Variations (In G Major) On The Duet 'Nel cor piu non mi sento' From Giovanni Paisello's Opera 'La molinara': Thema. (Andantino) - Ludwig Van Beethoven
Tracks:
- Fantasia In G Minor: Allegro - Poco adagio - allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio
- 6 Variations (In D Major) On An Original Theme: Thema. Allegro risoluto - Var. I-V - Var. VI. Presto - Tempo I
- Thema. Allegretto - Var. I-II - VarIII. Commodetto - Var. IV - Var. V. Risoluto - Arioso. Andante con moto - Var. VI. Espressivo - Var. VII. Allegro no nmolto - Var. VIII. Tempo I - Var. IX. Allegro
- 8 Variations (In C Major) On The Romance 'Une fievre brulante' From Gretry's Opera 'Richard Coeur de Lion': Thema. Allegretto - Var. I-VII - Var. VIII. Allegro - Presto
- 10 Variations (In B Flat Major) On The Duet 'La stessa, la stessissima' From Antonio Salieri's Opera 'Falstaff': Thema. Andante con moto - Var. I-IX - Var. X. Allegretto (alla Austriaca) - Tempo I
- 7 Variations (In F Major) On The Quartet 'Kind, willst du ruhig schlafen?' From Peter Winter's Opera 'Das unterbrochene Opferfest': Thema. Allegretto - Var. I-VI - Var. VII. Allegro - Allegro molto
- 8 Variations (In F Major) On The Trio 'Tandeln und Scherzen' From Franz X. Sussmayrs Opera 'Soliman II': Thema. Andante, quasi Allegretto - Var. I-VI - Var. VII. Adagio molto ed espressivo - Var. VIII. Allegro vivace - Adagio
- 6 Easy Variations (In G Major) On An Original Theme: Thema. Andante, quasi Allegretto - Var. I-VI
Tracks:
- 6 Variations (In F Major) On An Original Theme: Thema. Adagio. Cantabile
- 6 Variations (In F Major) On An Original Theme: Var. I
- 6 Variations (In F Major) On An Original Theme: Var. II - Allegro ma non troppo
- 6 Variations (In F Major) On An Original Theme: Var. III - Allegretto
- 6 Variations (In F Major) On An Original Theme: Var. IV - Tempo di Menuetto
- 6 Variations (In F Major) On An Original Theme: Var. V - Marcia. Allegretto
- 6 Variations (In F Major) On An Original Theme: Var. VI - Allegretto. Adagio molto
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Introduzione col Basso del Tema. Allegretto vivace
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Tema
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. I
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. II
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. III
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IV
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. V
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VI
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VII - Canone all'ottava
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. VIII
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. IX
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. X
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XI
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XII
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIII
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XIV
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Var. XV - Largo
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Coda
- 15 Variations And A Fugue (In E Flat Major) On An Original Theme ('Eroica' Variations): Finale. Alla Fuga. Allegro con brio - Andante con moto
- 9 Variations (IN A Major) On The Aria 'Quant'e piu bello' From Giovanni Paisiello's Opera 'La molinara': Allegretto
- 12 Variations (In A Major) On A Russian Dance From Paul Wranitzky's Ballet 'Das Waldmadchen': Allegretto
- 7 Variations (In C Major) On 'God Save The King': Thema - Var. I-V - Var. VI. Allegro. Alla Marcia - Var. VII. (Allegro) - Adagio - Allegro
- 5 Variations (In D Major) On 'Rule, Britannia' From Thomas Arne's Masque 'Alfred': Thema. Tempo moderato
- 32 Variations (In C Minor) On An Original Theme: Thema. Allegretto
- 6 Ecossaises In E Flat Major
Tracks:
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Thema.Vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. I - Alla Marcia maestoso
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. II - Poco Allegro
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. III. - L'istesso tempo
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IV. - Un poco piu vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. V. - Allegro vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var.VI-Allegro ma non troppo
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VII - Un poco piu allegro
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. VIII - Poco vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. IX - Allegro pesante e risoluto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. X - Presto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XI - Allegretto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XII - Un poco piu moto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIII - Vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIV - Grave e maestoso
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XV - Presto scherzando
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVI - Allegro
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVII
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XVIII - Poco moderato
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XIX - Presto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XX - Andante
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXI - Allengro con brio
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXII - Allegro molto
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIII - Allegro assai
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIV - Fughetta. Andante
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXV - Allegro
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVI
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVII - Vivace
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXVIII - Allegro
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXIX - Adagio ma non troppo
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXX - Andante, sempre cantabile
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXI - Largo, molto espressivo
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXII - Fuga.Allegro - Poco adagio
- 33 Variations (In C Major) On A Waltz By Anton Diabelli: Var. XXXIII - Tempo di Menuetto moderato
Tracks:
- Andante In F Major - 'Andante favori: Andante grazioso con moto
- 6 Minuets: 6 Minuets - No. 1 In C Major; No. 2 In G Major; No. 3 In E Flat Major; No. 4 In B Flat Major; No. 5 in D Major; No. 6 In C Major
- 7 Landler In D Major
- 12 German Dances: No. 1 In D Major; No. 2 In B Flat Major; No. 3 In G Major; No. 4 In D Major; No. 5 in F Major; No. 6 In B Flat Major; No. 7 In D Major; No. 8 In G Major; No. 9 In E Flat Major; No. 10 In C Major; No. 11 In A Major; No. 12 In D Major
- 'The Rage Over The Lost Penny' In G Major: Allegro vivace
- Canon A 2 In G Major, Hess 274
- Canon A 2 In A Flat Major, Hess 275
- 8 Variations (In C Major) On A Theme By Count Waldstein: Thema. Andante con moto - Var. I-VII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto
- 6 Variations (In D Major) On The Lied 'Ich denke dein': Lied. Andantino cantabile
Tracks:
- Sonata In D Major, Op. 6: 1. Allegro molto
- Sonata In D Major, Op. 6: 2. Rondo. Moderato
- 3 Marches, op.45: No.1 In C Major - Allegro ma non troppo
- 3 Marches, op.45: No. 2 in E Flat Major - Vivace
- 3 Marches, op.45: No. 3 In C Major - Vivace
- 'Grosse Fuge' In B Flat Major, Op. 134: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. (Allegro) - Meno mosso e moderato - Allegro (molto e con brio)
- 2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 1
- 2 Preludes Through All Twelve Major Keys For Piano Or Organ: No. 2
- Fugue In D Major For Organ
- 5 Pieces For Mechanical Clock: No. 1 In F Major - Adagio assai
- 5 Pieces For Mechanical Clock: No. 2 In G Major - Scherzo. Allegro
- 5 Pieces For Mechanical Clock: No. 3 In G Major - Allegro
- 5 Pieces For Mechanical Clock: No. 4 In C Major - Allegro non piu molto
- 5 Pieces For Mechanical Clock: No. 5 In C Major - Menuett. Allegretto
- Grenadier March For Mechanical Clock In F Major, Hess 107
Customer Reviews:
A good deal to enjoy.......2006-04-15
The piano sonatas are really self contained dramas. In them, you will hear the expressions of sadness, beauty, rage, and unbounded joy. It is impossible to listen to this collection and not find pleasure in it. The recordings as well as the performers are top-notch. Highly recommended.
Jazzy Ludwig!.......2005-02-17
NOTE: For those of you who don't understand metaphor: what I'm saying here is that Beethoven used popular operatic hit-tunes of his day and improvised variations on those tunes--as is done in America's original art-form--Jazz. Get it?
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Haydn: The Symphonies
Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000042DP Release Date: 1997-06-24 |
Tracks:
- Symphony No. 1 In D Major - I. Presto
- Symphony No. 1 In D Major - II. Andante
- Symphony No. 1 In D Major - III. Finale: Presto
- Symphony No. 2 In C Major - I. Allegro
- Symphony No. 2 In C Major - II. Andante
- Symphony No. 2 In C Major - III. Finale: Presto
- Symphony No. 3 In G Major - I. Allegro
- Symphony No. 3 In G Major - II. Andante Moderato
- Symphony No. 3 In G Major - Menuet E Trio
- Symphony No. 3 In G Major - Finale: Alla Breve
- Symphony No. 4 In D Major - I. Presto
- Symphony No. 4 In D Major - II. Andante
- Symphony No. 4 In D Major - III. Finale: Tempo Di Menuetto
- Symphony No. 5 In A Major - I. Adagio Ma Non Troppo
- Symphony No. 5 In A Major - II. Allegro
- Symphony No. 5 In A Major - III. Menuet E Trio
- Symphony No. 5 In A Major - IV. Finale: Presto
Tracks:
- Symphony No. 6 In D Major - 'Le Matin' - I. Adagio-Allegro
- Symphony No. 6 In D Major - 'Le Matin' - II. Adagio-Andante
- Symphony No. 6 In D Major - 'Le Matin' - III. Menuet E Trio
- Symphony No. 6 In D Major - 'Le Matin' - IV. Finale: Allegro
- Symphony No. 7 In C Major - 'Le Midi' - I. Adagio-Allegro
- Symphony No. 7 In C Major - 'Le Midi' - II. Recitativo: Adagio
- Symphony No. 7 In C Major - 'Le Midi' - III. Menuetto E Trio
- Symphony No. 7 In C Major - 'Le Midi' - IV. Finale: Allegro
- Symphony No. 8 In G Major - 'Le Soir' - I. Allegro Molto
- Symphony No. 8 In G Major - 'Le Soir' - II. Andante
- Symphony No. 8 In G Major - 'Le Soir' - III. Menuetto E Trio
- Symphony No. 8 In G Major - 'Le Soir' - IV. 'La Tempesta': Presto
Tracks:
- Symphony No. 9 In C Major - I. Allegro Molto
- Symphony No. 9 In C Major - II. Andante
- Symphony No. 9 In C Major - III. Finale: Menuetto-Allegretto
- Symphony No. 10 In D Major - I. Allegro
- Symphony No. 10 In D Major - II. Andante
- Symphony No. 10 In D Major - III. Finale: Presto
- Symphony No. 11 In E Flat Major - I. Adagio Cantabile
- Symphony No. 11 In E Flat Major - II. Allegro
- Symphony No. 11 In E Flat Major - III. Menuet E Trio
- Symphony No. 11 In E Flat Major - IV. Finale: Presto
- Symphony No. 12 In E Major - I. Allegro
- Symphony No. 12 In E Major - II. Adagio
- Symphony No. 12 In E Major - III. Finale: Presto
Tracks:
- Symphony No. 13 In D Major - I. Allegro Molto
- Symphony No. 13 In D Major - II. Adagio Cantabile
- Symphony No. 13 In D Major - III. Menuet E Trio
- Symphony No. 13 In D Major - IV. Finale: Allegro Molto
- Symphony No. 14 In A Major - I. Allegro Molto
- Symphony No. 14 In A Major - II. Andante
- Symphony No. 14 In A Major - III. Menuetto E Trio: Allegretto
- Symphony No. 14 In A Major - IV. Finale: Allegretto
- Symphony No. 15 In D Major - I. Adagio-Presto-Adagio
- Symphony No. 15 In D Major - II. Menuet E Trio
- Symphony No. 15 In D Major - III. Andante
- Symphony No. 15 In D Major - IV. Finale: Presto
- Symphony No. 16 In B Flat Major - I. Allegro
- Symphony No. 16 In B Flat Major - II. Andante Ma Non Troppo
- Symphony No. 16 In B Flat Major - III. Finale: Presto
Tracks:
- Symphony No. 17 In F Major - I. Allegro
- Symphony No. 17 In F Major - II. Andante Ma Non Troppo
- Symphony No. 17 In F Major - III. Finale: Allegro Molto
- Symphony No. 18 In G Major - I. Andante Moderato
- Symphony No. 18 In G Major - II. Allegro Molto
- Symphony No. 18 In G Major - III. Tempo Di Menuet
- Symphony No. 19 In D Major - I. Allegro Molto
- Symphony No. 19 In D Major - II. Andante
- Symphony No. 19 In D Major - III. Presto
- Symphony No. 20 In C Major - I. Allegro Molto
- Symphony No. 20 In C Major - II. Andante Cantabile
- Symphony No. 20 In C Major - III. Menuetto E Trio
- Symphony No. 20 In C Major - IV. Presto
- Symphony No. 21 In A Major - I. Adagio
- Symphony No. 21 In A Major - II. Presto
- Symphony No. 21 In A Major - III. Menuetto E Trio
- Symphony No. 21 In A Major - IV. Allegro Molto
Tracks:
- Symphony No. 22 In E Flat Major - 'The Philosopher' - I. Adagio
- Symphony No. 22 In E Flat Major - 'The Philosopher' - II. Presto
- Symphony No. 22 In E Flat Major - 'The Philosopher' - III. Menuetto E Trio
- Symphony No. 22 In E Flat Major - 'The Philosopher' - IV. Presto
- Symphony No. 23 In G Major - I. Allegro
- Symphony No. 23 In G Major - II. Andante
- Symphony No. 23 In G Major - III. Menuetto E Trio
- Symphony No. 23 In G Major - IV. Presto Assai
- Symphony No. 24 In D Major - I. Allegro
- Symphony No. 24 In D Major - II. Adagio
- Symphony No. 24 In D Major - III. Menuetto E Trio
- Symphony No. 24 In D Major - IV. Allegro
- Symphony No. 25 In C Major - I. Adagio
- Symphony No. 25 In C Major - II. Menuetto E Trio
- Symphony No. 25 In C Major - III. Presto
Tracks:
- Symphony No. 26 In D Minor - 'Lamentatione' - I. Allegro Assai Con Spirito
- Symphony No. 26 In D Minor - 'Lamentatione' - II. Adagio
- Symphony No. 26 In D Minor - 'Lamentatione' - III. Menuetto E Trio
- Symphony No. 27 In G Major - I. Allegro Molto
- Symphony No. 27 In G Major - II. Andante Siciliano
- Symphony No. 27 In G Major - III. Presto
- Symphony No. 28 In A Major - I. Allegro Di Molto
- Symphony No. 28 In A Major - II. Poco Adagio
- Symphony No. 28 In A Major - III. Menuetto E Trio: Allegro Molto
- Symphony No. 28 In A Major - IV. Presto Assai
- Symphony No. 29 In E Major - I. Allegro Di Molto
- Symphony No. 29 In E Major - II. Andante
- Symphony No. 29 In E Major - III. Menuetto E Trio: Allegretto
- Symphony No. 29 In E Major - IV. Presto
Tracks:
- Symphony No. 30 In C Major - 'Alleluja' - I. Allegro
- Symphony No. 30 In C Major - 'Alleluja' - II. Andante
- Symphony No. 30 In C Major - 'Alleluja' - III. Tempo Di Menuet, Piu Tosto Allegretto
- Symphony No. 31 In D Major - 'Hornsignal' - I. Allegro
- Symphony No. 31 In D Major - 'Hornsignal' - II. Adagio
- Symphony No. 31 In D Major - 'Hornsignal' - III. Menuetto E Trio
- Symphony No. 31 In D Major - 'Hornsignal' - IV. Moderato Molto
- Symphony No. 32 In C Major - I. Allegro Molto
- Symphony No. 32 In C Major - II. Menuetto E Trio
- Symphony No. 32 In C Major - III. Adagio Ma Non Troppo
- Symphony No. 32 In C Major - IV. Presto
- Symphony No. 33 In C Major - I. Vivace
- Symphony No. 33 In C Major - II. Andante
- Symphony No. 33 In C Major - III. Menuetto E Trio
- Symphony No. 33 In C Major - IV. Allegro
Tracks:
- Symphony No. 34 In D Minor - I. Adagio
- Symphony No. 34 In D Minor - II. Allegro
- Symphony No. 34 In D Minor - III. Menuetto E Trio
- Symphony No. 34 In D Minor - IV. Presto Assai
- Symphony No. 35 In B Flat Major - I. Allegro Di Molto
- Symphony No. 35 In B Flat Major - II. Andante
- Symphony No. 35 In B Flat Major - III. Menuetto E Trio: Un Poco Allegretto
- Symphony No. 35 In B Flat Major - IV. Presto
- Symphony No. 36 In E Flat Major - I. Vivace
- Symphony No. 36 In E Flat Major - II. Adagio
- Symphony No. 36 In E Flat Major - III. Menuetto E Trio
- Symphony No. 36 In E Flat Major - IV. Allegro-Presto
- Symphony No. 37 In C Major - I. Presto
- Symphony No. 37 In C Major - II. Menuet E Trio
- Symphony No. 37 In C Major - III. Andante
- Symphony No. 37 In C Major - IV. Presto
Tracks:
- Symphony No. 38 In C Major - 'Echo' - I. Allegro Di Molto
- Symphony No. 38 In C Major - 'Echo' - II. Andante Molto
- Symphony No. 38 In C Major - 'Echo' - III. Menuet E Trio: Allegro
- Symphony No. 38 In C Major - 'Echo' - IV. Finale: Allegro Di Molto
- Symphony No. 39 In G Minor - I. Allegro Assai
- Symphony No. 39 In G Minor - II. Andante
- Symphony No. 39 In G Minor - III. Menuet E Trio
- Symphony No. 39 In G Minor - IV. Finale
- Symphony No. 40 In F Major - I. Allegro
- Symphony No. 40 In F Major - II. Andante Piu Tosto Allegretto
- Symphony No. 40 In F Major - III. Menuet E Trio
- Symphony No. 40 In F Major - IV. Finale: Fuga
- Symphony No. 41 In C Major - I. Allegro Con Spirito
- Symphony No. 41 In C Major - II. Un Poco Andante
- Symphony No. 41 In C Major - III. Menuet E Trio
- Symphony No. 41 In C Major - IV. Finale: Presto
Tracks:
- Symphony No. 42 In D Major - I. Moderato E Maestoso
- Symphony No. 42 In D Major - II. Andantino E Cantabile
- Symphony No. 42 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 42 In D Major - IV. Finale: Scherzando E Presto
- Symphony No. 43 In E Flat Major - 'Merkur' - I. Allegro
- Symphony No. 43 In E Flat Major - 'Merkur' - II. Adagio
- Symphony No. 43 In E Flat Major - 'Merkur' - III. Menuetto E Trio
- Symphony No. 43 In E Flat Major - 'Merkur' - IV. Finale: Allegro
- Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - I. Allegro Con Brio
- Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - II. Menuetto E Trio: Allegretto Canone In...
- Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - III. Adagio
- Symphony No. 44 In E Minor - 'Trauer' ('Mourning') - IV. Presto
Tracks:
- Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - I. Allegro Assai
- Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - II. Adagio
- Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - III. Menuet E Trio: Allegretto
- Symphony No. 45 In F Sharp Minor - 'Abschied' ('Farewell') - IV. Finale: Presto E Adagio
- Symphony No. 46 In B Major - I. Vivace
- Symphony No. 46 In B Major - II. Poco Adagio
- Symphony No. 46 In B Major - III. Menuet E Trio: Allegretto
- Symphony No. 46 In B Major - IV. Finale: Presto E Scherzando
- Symphony No. 47 In G Major - I. Allegro
- Symphony No. 47 In G Major - II. Un Poco Adagio, Cantabile
- Symphony No. 47 In G Major - III. Menuet E Trio Al Roverso
- Symphony No. 47 In G Major - IV. Finale: Presto Assai
Tracks:
- Symphony No. 48 In C Major - 'Maria Theresia' - I. Allegro
- Symphony No. 48 In C Major - 'Maria Theresia' - II. Adagio
- Symphony No. 48 In C Major - 'Maria Theresia' - III. Menuet E Trio
- Symphony No. 48 In C Major - 'Maria Theresia' - IV. Finale: Allegro
- Symphony No. 49 In F Minor - 'La Passione' - I. Adagio
- Symphony No. 49 In F Minor - 'La Passione' - II. Allegro Di Molto
- Symphony No. 49 In F Minor - 'La Passione' - III. Menuet E Trio
- Symphony No. 49 In F Minor - 'La Passione' - IV. Finale: Presto
- Symphony No. 50 In C Major - I. Adagio E Maestoso
- Symphony No. 50 In C Major - II. Andante Moderato
- Symphony No. 50 In C Major - III. Menuet E Trio
- Symphony No. 50 In C Major - IV. Finale: Presto
Tracks:
- Symphony No. 51 In B Flat Major - I. Vivace
- Symphony No. 51 In B Flat Major - II. Adagio
- Symphony No. 51 In B Flat Major - III. Menuet, Trio I, Trio II
- Symphony No. 51 In B Flat Major - IV. Finale: Allegro
- Symphony No. 52 In C Minor - I. Allegro Assai Con Brio
- Symphony No. 52 In C Minor - II. Andante
- Symphony No. 52 In C Minor - III. Menuetto E Trio: Allegretto
- Symphony No. 52 In C Minor - IV. Finale: Presto
- Symphony No. 53 In D Major - 'L'Imperiale' - I. Largo Maestoso-Vivace
- Symphony No. 53 In D Major - 'L'Imperiale' - II. Andante
- Symphony No. 53 In D Major - 'L'Imperiale' - III. Menuetto E Trio
- Symphony No. 53 In D Major - 'L'Imperiale' - IV. Finale: Presto
Tracks:
- Symphony No. 54 In G Major - I. Adagio Maestoso-Presto
- Symphony No. 54 In G Major - II. Adagio Assai
- Symphony No. 54 In G Major - III. Menuet E Trio: Allegretto
- Symphony No. 54 In G Major - IV. Finale: Presto
- Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - I. Allegro Di Molto
- Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - II. Adagio, Ma...
- Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - III. Menuetto E Trio
- Symphony No. 55 In E Flat Major - 'Der Schulmeister' ('The Schoolmaster') - IV. Finale: Presto
- Symphony No. 56 In C Major - I. Allegro Di Molto
- Symphony No. 56 In C Major - II. Adagio
- Symphony No. 56 In C Major - III. Menuet E Trio
- Symphony No. 56 In C Major - IV. Finale: Prestissimo
Tracks:
- Symphony No. 57 In D Major - I. Adagio-[Allegro]
- Symphony No. 57 In D Major - II. Adagio
- Symphony No. 57 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 57 In D Major - IV. Finale: Prestissimo
- Symphony No. 58 In F Major - I. Allegro
- Symphony No. 58 In F Major - II. Andante
- Symphony No. 58 In F Major - III. Menuet Alla Zoppa E Trio: Un Poco Allegretto
- Symphony No. 58 In F Major - IV. Finale: Presto
- Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - I. Presto
- Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - II. Andante O Piu Tosto Allegretto
- Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - III. Menuet E Trio
- Symphony No. 59 In A Major - 'Feuersymphonie' ('Fire') - IV. Allegro Assai
Tracks:
- Symphony No. 60 In C Major - 'Il Distratto' - I. Adagio
- Symphony No. 60 In C Major - 'Il Distratto' - II. Andante
- Symphony No. 60 In C Major - 'Il Distratto' - III. Menuetto E Trio
- Symphony No. 60 In C Major - 'Il Distratto' - IV. Presto
- Symphony No. 60 In C Major - 'Il Distratto' - V. Adagio (Di Lamentatione)
- Symphony No. 60 In C Major - 'Il Distratto' - VI. Finale: Prestissimo
- Symphony No. 61 In D Major - I. Vivace
- Symphony No. 61 In D Major - II. Adagio
- Symphony No. 61 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 61 In D Major - IV. Prestissimo
- Symphony No. 62 In D Major - I. Allegro
- Symphony No. 62 In D Major - II. Allegretto
- Symphony No. 62 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 62 In D Major - IV. Finale: Allegro
Tracks:
- Symphony No. 63 In C Major - 'La Roxelane' - I. Allegro
- Symphony No. 63 In C Major - 'La Roxelane' - II. Allegretto O Piu Tosto Allegro
- Symphony No. 63 In C Major - 'La Roxelane' - III. Menuet E Trio
- Symphony No. 63 In C Major - 'La Roxelane' - IV. Finale: Presto
- Symphony No. 64 In A Major - I. Allegro Con Spirito
- Symphony No. 64 In A Major - II. Largo
- Symphony No. 64 In A Major - III. Menuet E Trio: Allegretto
- Symphony No. 64 In A Major - IV. Finale: Presto
- Symphony No. 65 In A Major - I. Vivace E Con Spirito
- Symphony No. 65 In A Major - II. Andante
- Symphony No. 65 In A Major - III. Menuetto E Trio
- Symphony No. 65 In A Major - IV. Finale: Presto
Tracks:
- Symphony No. 66 In B Flat Major - I. Allegro Con Brio
- Symphony No. 66 In B Flat Major - II. Adagio
- Symphony No. 66 In B Flat Major - III. Menuetto E Trio
- Symphony No. 66 In B Flat Major - IV. Finale: Scherzando E Presto
- Symphony No. 67 In F Major - I. Presto
- Symphony No. 67 In F Major - II. Adagio
- Symphony No. 67 In F Major - III. Menuetto E Trio
- Symphony No. 67 In F Major - IV. Finale: Allegro Di Molto-Adagio E Cantabile
- Symphony No. 68 In B Flat Major - I. Vivace
- Symphony No. 68 In B Flat Major - II. Menuetto E Trio
- Symphony No. 68 In B Flat Major - III. Adagio Cantabile
- Symphony No. 68 In B Flat Major - IV. Finale: Presto
Tracks:
- Symphony No. 69 In C Major - 'Laudon' - I. Vivace
- Symphony No. 69 In C Major - 'Laudon' - II. Un Poco Adagio Piu Tosto Andante
- Symphony No. 69 In C Major - 'Laudon' - III. Menuetto E Trio
- Symphony No. 69 In C Major - 'Laudon' - IV. Finale: Presto
- Symphony No. 70 In D Major - I. Vivace Con Brio
- Symphony No. 70 In D Major - II. Specie D'un Canone In Contrapunto Doppio: Andante
- Symphony No. 70 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 70 In D Major - IV. Finale: Allegro Con Brio
- Symphony No. 71 In B Flat Major - I. Allegro
- Symphony No. 71 In B Flat Major - II. Adagio
- Symphony No. 71 In B Flat Major - III. Menuet E Trio
- Symphony No. 71 In B Flat Major - IV. Finale: Vivace
Tracks:
- Symphony No. 72 In D Major - I. Allegro
- Symphony No. 72 In D Major - II. Andante
- Symphony No. 72 In D Major - III. Menuetto E Trio
- Symphony No. 72 In D Major - IV. Thema Con Variazioni: Andante-Presto
- Symphony No. 73 In D Major - 'La Chasse' - I. Adagio-Allegro
- Symphony No. 73 In D Major - 'La Chasse' - II. Andante
- Symphony No. 73 In D Major - 'La Chasse' - III. Menuetto E Trio: Allegretto
- Symphony No. 73 In D Major - 'La Chasse' - IV. La Chasse: Presto
- Symphony No. 74 In E Flat Major - I. Vivace Assai
- Symphony No. 74 In E Flat Major - II. Adagio Cantabile
- Symphony No. 74 In E Flat Major - III. Menuetto E Trio: Allegretto
- Symphony No. 74 In E Flat Major - IV. Finale: Allegro Assai
Tracks:
- Symphony No. 75 In D Major - I. Grave-Presto
- Symphony No. 75 In D Major - II. Poco Adagio
- Symphony No. 75 In D Major - III. Menuetto E Trio: Allegretto
- Symphony No. 75 In D Major - IV. Finale: Vivace
- Symphony No. 76 In E Flat Major - I. Allegro
- Symphony No. 76 In E Flat Major - II. Adagio, Ma Non Troppo
- Symphony No. 76 In E Flat Major - III. Menuetto E Trio: Allegretto
- Symphony No. 76 In E Flat Major - IV. Finale: Vivace
- Symphony No. 77 In B Flat Major - I. Vivace
- Symphony No. 77 In B Flat Major - II. Andante Sostenuto
- Symphony No. 77 In B Flat Major - III. Menuetto E Trio: Allegro
- Symphony No. 77 In B Flat Major - IV. Finale: Allegro Spiritoso
Tracks:
- Symphony No. 78 In C Minor - I. Vivace
- Symphony No. 78 In C Minor - II. Adagio
- Symphony No. 78 In C Minor - III. Menuetto E Trio: Allegretto
- Symphony No. 78 In C Minor - IV. Finale: Presto
- Symphony No. 79 In F Major - I. Allegro Con Spirito
- Symphony No. 79 In F Major - II. Adagio Cantabile
- Symphony No. 79 In F Major - III. Menuetto E Trio: Allegretto
- Symphony No. 79 In F Major - IV. Finale: Vivace
- Symphony No. 80 In D Minor - I. Allegro Spiritoso
- Symphony No. 80 In D Minor - II. Adagio
- Symphony No. 80 In D Minor - III. Menuetto E Trio
- Symphony No. 80 In D Minor - IV. Finale: Presto
Tracks:
- Symphony No. 81 In G Major - I. Vivace
- Symphony No. 81 In G Major - II. Andante
- Symphony No. 81 In G Major - III. Menuetto E Trio: Allegretto
- Symphony No. 81 In G Major - IV. Finale: Allegro, Ma Non Troppo
- Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - I. Vivace Assai
- Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - II. Allegretto
- Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - III. Menuetto E Trio
- Symphony No. 82 In C Major - 'L'Ours' ('The Bear') - IV. Finale: Vivace
- Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - I. Allegro Spiritoso
- Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - II. Andante
- Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - III. Menuetto E Trio: Allegretto
- Symphony No. 83 In G Minor - 'La Poule' ('The Hen') - IV. Finale: Vivace
Tracks:
- Symphony No. 84 In E Flat Major - I. Largo-Allegro
- Symphony No. 84 In E Flat Major - II. Andante
- Symphony No. 84 In E Flat Major - III. Menuetto E Trio: Allegretto
- Symphony No. 84 In E Flat Major - IV. Finale: Vivace
- Symphony No. 85 In B Flat Major - 'La Reine' - I. Adagio-Vivace
- Symphony No. 85 In B Flat Major - 'La Reine' - II. Romance: Allegretto
- Symphony No. 85 In B Flat Major - 'La Reine' - III. Menuetto E Trio: Allegretto
- Symphony No. 85 In B Flat Major - 'La Reine' - IV. Finale: Presto
- Symphony No. 86 In D Major - I. Adagio-Allegro Spiritoso
- Symphony No. 86 In D Major - II. Capriccio: Largo
- Symphony No. 86 In D Major - III. Menuet E Trio: Allegretto
- Symphony No. 86 In D Major - IV. Finale: Allegro Con Spirito
Tracks:
- Symphony No. 87 In A Major - I. Vivace
- Symphony No. 87 In A Major - II. Adagio
- Symphony No. 87 In A Major - III. Menuet E Trio
- Symphony No. 87 In A Major - IV. Finale: Vivace
- Symphony No. 88 In G Major - I. Adagio-Allegro
- Symphony No. 88 In G Major - II. Largo
- Symphony No. 88 In G Major - III. Menuetto E Trio: Allegretto
- Symphony No. 88 In G Major - IV. Finale: Allegro Con Spirito
- Symphony No. 89 In F Major - I. Vivace
- Symphony No. 89 In F Major - II. Andante Con Moto
- Symphony No. 89 In F Major - III. Menuet E Trio: Allegretto
- Symphony No. 89 In F Major - IV. Finale: Vivace Assai
Tracks:
- Symphony No. 90 In C Major - I. Adagio-Allegro Assai
- Symphony No. 90 In C Major - II. Andante
- Symphony No. 90 In C Major - III. Menuet E Trio
- Symphony No. 90 In C Major - IV. Finale: Allegro Assai
- Symphony No. 91 In E Flat Major - I. Largo-Allegro Assai
- Symphony No. 91 In E Flat Major - II. Andante
- Symphony No. 91 In E Flat Major - III. Menuet E Trio: Un Poco Allegretto
- Symphony No. 91 In E Flat Major - IV. Finale: Vivace
- Symphony No. 92 In G Major - 'Oxford' - I. Adagio-Allegro Spiritoso
- Symphony No. 92 In G Major - 'Oxford' - II. Adagio
- Symphony No. 92 In G Major - 'Oxford' - III. Menuetto E Trio: Allegretto
- Symphony No. 92 In G Major - 'Oxford' - IV. Finale: Presto
Tracks:
- Symphony No. 93 In D Major - I. Adagio-Allegro Assai
- Symphony No. 93 In D Major - II. Largo Cantabile
- Symphony No. 93 In D Major - III. Menuetto E Trio: Allegro
- Symphony No. 93 In D Major - IV. Finale: Presto Ma Non Troppo
- Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - I. Adagio-Vivace Assai
- Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - II. Andante
- Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - III. Menuet E Trio: Allegro...
- Symphony No. 94 In G Major - 'Surprise' ('Mit Dem Paukenschlag') - IV. Finale: Allegro Di Molto
- Symphony No. 95 In C Minor - I. Allegro Moderato
- Symphony No. 95 In C Minor - II. Andante Cantabile
- Symphony No. 95 In C Minor - III. Menuet E Trio
- Symphony No. 95 In C Minor - IV. Finale: Vivace
Tracks:
- Symphony No. 96 In D Major - 'Miracle' - I. Adagio-Allegro
- Symphony No. 96 In D Major - 'Miracle' - II. Andante
- Symphony No. 96 In D Major - 'Miracle' - III. Menuetto E Trio: Allegretto
- Symphony No. 96 In D Major - 'Miracle' - IV. Finale: Vivace
- Symphony No. 97 In C Major - I. Adagio-Vivace
- Symphony No. 97 In C Major - II. Adagio Ma Non Troppo
- Symphony No. 97 In C Major - III. Menuetto E Trio: Allegretto
- Symphony No. 97 In C Major - IV. Finale: Presto Assai
- Symphony No. 98 In B Flat Major - I. Adagio-Allegro
- Symphony No. 98 In B Flat Major - II. Adagio
- Symphony No. 98 In B Flat Major - III. Menuetto E Trio: Allegro
- Symphony No. 98 In B Flat Major - IV. Finale: Presto
Tracks:
- Symphony No. 99 In E Flat Major - I. Adagio-Vivace Assai
- Symphony No. 99 In E Flat Major - II. Adagio
- Symphony No. 99 In E Flat Major - III. Menuetto E Trio: Allegretto
- Symphony No. 99 In E Flat Major - IV. Finale: Vivace
- Symphony No. 100 In G Major - 'Military' - I. Adagio-Allegro
- Symphony No. 100 In G Major - 'Military' - II. Allegretto
- Symphony No. 100 In G Major - 'Military' - III. Menuetto E Trio: Moderato
- Symphony No. 100 In G Major - 'Military' - IV. Finale: Presto
- Sinfonia Concertante In B Flat Major - I. Allegro
- Sinfonia Concertante In B Flat Major - II. Andante
- Sinfonia Concertante In B Flat Major - III. Allegro Con Spirito
Tracks:
- Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - I. Adagio-Presto
- Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - II. Andante
- Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - III. Menuetto E Trio: Allegretto
- Symphony No. 101 In D Major - 'The Clock' ('L'Horloge') - IV. Finale: Vivace
- Symphony No. 102 In B Flat Major - I. Largo-Vivace
- Symphony No. 102 In B Flat Major - II. Adagio
- Symphony No. 102 In B Flat Major - III. Menuetto E Trio: Allegro
- Symphony No. 102 In B Flat Major - IV. Finale: Presto
- Symphony 'A' In B Flat Major - I. Allegro
- Symphony 'A' In B Flat Major - II. Andante
- Symphony 'A' In B Flat Major - III. Allegro Molto
Tracks:
- Symphony No. 103 In E Flat Major - 'Drum-roll' - I. Adagio-Allegro Con Spirito
- Symphony No. 103 In E Flat Major - 'Drum-roll' - II. Andante, Piu Tosto Allegretto
- Symphony No. 103 In E Flat Major - 'Drum-roll' - III. Menuetto E Trio
- Symphony No. 103 In E Flat Major - 'Drum-roll' - IV. Finale: Allegro Con Spirito
- Symphony No. 104 In D Major - 'London' - I. Adagio-Allegro
- Symphony No. 104 In D Major - 'London' - II. Andante
- Symphony No. 104 In D Major - 'London' - III. Menuetto E Trio: Allegro
- Symphony No. 104 In D Major - 'London' - IV. Finale: Spiritoso
- Symphony 'B' In B Flat Major - I. Allegro Molto
- Symphony 'B' In B Flat Major - II. Menuetto E Trio: Allegretto
- Symphony 'B' In B Flat Major - III. Andante
- Symphony 'B' In B Flat Major - IV. Finale: Presto
Tracks:
- Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - I. Presto
- Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - II. Andante Grazioso
- Symphony No. 22 In E Flat Major - 'The Philosopher' (2nd Version) - III. Finale: Presto
- Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending A - Finale. Capriccio: Moderato
- Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending C - Presto
- Symphony No. 53 In D Major - 'L'Imperiale' - Alternative Ending D - 'Overture In D': Presto
- Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - I. Allegro
- Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - II. Allegretto 'La Roxelane'
- Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - III. Menuet E Trio: Allegretto
- Symphony No. 63 In C Major - 'La Roxelane' (1st Version) - IV. Finale: Prestissimo
- Symphony No. 103 In E Flat Major - 'Drum-roll' - Alternative Ending - Finale: Allegro Con Spirito
Amazon.com
Another monument in the history of recording, this is the only set of Haydn symphonies that ever reached completion, and the performances are generally so good as to bear comparison with many of the best individual performances. The music itself is astounding--107 symphonies, all of them good, many of them shattering masterpieces. Haydn invented the Classical style, which, along with the contributions from his friend Mozart and his student Beethoven, became the standard by which all future music was measured. At a budget price, owning this set is like being able to have your own authentic copy of the "Mona Lisa" for a couple hundred dollars. Awesome! --David HurwitzCustomer Reviews:
A superb milestone.......2007-05-01
Dorati's pioneering efforts included also the Haydn operas, which recently have been collected and released in two boxes from Philips, and the 24 Minuets (Decca).
What about the competition, then? Adam Fischer's Haydn project on Nimbus offers also a complete cycle, now on Brilliant Classics at a bargain price for a very big box with 33 CDs and a brief booklet. Well, for one thing, Dorati's set is the classic cycle. Further, Dorati's readings are less extravagant than Fischer's - and in my view preferable. The sound is also better in the earlier Dorati set: a warm analogue sound in contrast to Fischer's chilly, all-digital sound, which also is very uneven. But Fischer's Haydn is less expensive: you can get his cycle for less than $100 from second-hand dealers. Despite that, Dorati's cycle should be your first choice. Moreover, if shelf space is an issue, the Dorati box is one inch slimmer and a half inch less tall.
Furthermore, there are selections of symphonies from Jochum (DG) and Scherchen (DG), of which I hold the latter in higher esteem due to its idiosyncrasy. In retrospect, however, Dorati's complete cycle has a unique classic status and is as such unchallenged. Thus I warmly recommend it as a part of the foundation of your collection in addition to Beethoven, Schubert, Schumann, Brahms, Mahler, and Mozart symphony cycles, because this is delightful music that will last for a lifetime on a desert island.
[Note: this box is available brand new at amazon.co.uk, for £98.87.]
For the sheer pleasure of them all...........2006-11-11
I lost the vinyl collection during a move in the mid 80's. It was an emotional impact; I had cherished them as a child, and as a gift, irreplaceable.
This release is true to my memory, and now I have the entire cycle.
I've performed many of these in various orchestras and loved them all.
There's a fresh energy to the performances, and an elegance to the collection quite rare and delightful.
As a set, it's actually quite affordable considering it's under $6 per disc, or under $2 per symphony.
Antal Dorati's Claim To Fame.......2005-10-14
Haydn's symphonies are not all similar sounding. Each symphony was unique, like the hand prints on people. Yes, at times they do tend to sound the same, possibly because so many of them were in the key of D. Nevertheless, they are music of individual merit. As his symphonies approached its later years and maturation, Haydn employed slights of ear and orchestral innovations that were considered new and bold in his time. The "surprise" in his "Surprise Symphony" is a thunderous "bang" in fortissimo by the orchestra after a melody that is rather bland and sleepy (which to me sounds like "Mary Had A Little Lamb"). The "Clock" Symphony is measured in a kind of "tick-tock" beat and is very very elegant and memorable, as it conjures up the image of a Rococco clock or a clock museum. The Paris Symphonies are an Austrian-German man's "trip" to Paris and his interpretation of French music. It sounds nothing at all like French music at the time although at times it nearly slips into the slow grandeur of the music of Baroque master Jean Baptiste Lully. The London Symphonies are among his best, with a kind of majesty and pomp typically associated with English royalty. If you listen carefully it's in the music. A similar thing occurs in the music to the "Oxford" Symphony. Haydn had visited Oxford to teach music and was awarded a doctorate. He composed music for that special event and the music is brooding, intellectual and somehow very very English.
Antal Dorati and his formidable Hungarica Philharmonica is at their very best in this set. The sound is crisp, gleaming and unbeatable. Even if you get the individualized sets of these symphonies, you will be treating yourself to some top-notch classical music. A must have for fans of Antal Dorati.
A major milestone in recorded music, stunning achievement.......2005-03-29
Many would comment "once you've heard one, you've heard them all" when asked about Haydn's vast symphonic output. They could not be more wrong. There isn't a dull symphony or poor performance in the lot. Try such unknowns as #26, or #33, or #51 and #52, to name a few of my lesser known favorites.
Those familiar with Haydn's more well known symphonies, such as the London Symphonies (93-104) were even astonished to find Dorati's performances giving more formidable orchestras and conductors a run for their money.
So what can be said of the set 30 years later?
Everything said earlier still stands, including the original liner notes. Only Graham Johnson's scrupulous notes with his various Hyperion lieder sets surpass Landon's astounding commentary. The digital transfers are from the late 80s, so they are not the best, but still quite serviceable. And the price is still quite reasonable.
Beware, though, that these are not period instruments. Dorati does use "period forces" as much as possible, meaning the number of instruments closely matches what would have been used originally.
So why do I say this set "heralded a new era in recorded music"? Because after the resounding success it enjoyed, many "complete" works projects of similar or greater magnitude got their chance. I doubt we would have any where near the volumes of "complete sets" we now enjoy had it not been for Dorati and Decca's Haydn cycle.
In short, a fabulous set that I would never part with.
Dorati blazed the trail for Haydn interpreters.......2004-11-12
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