Le Concert Mythique [Live] [Import]

1. Legende - Alan Simon

2. Pour l'Amour de la Reine - Fairport Convention, Alan Simon, Tri Yann

3. Elements - Fairport Convention, , Alan Simon

4. Morning Song - Fairport Convention, Nikki Matheson, Alan Simon

5. When the Legend Comes True - Dan Ar Bras, , Alan Simon

6. Mourir Avant - Gildas Arzel, , Fairport Convention, Alan Simon

7. Celtic Dream - Alan Simon

8. Morgane - Fairport Convention, Jacqui McShee, Alan Simon

9. Behind the Darkness - Fairport Convention, Alan Simon

10. Gest of Gauvain - Fairport Convention, Alan Simon

11. Complainte de Perceval - Fairport Convention, Alan Simon, Gabriel Yacoub

12. Will of God - Fairport Convention, , Alan Simon

13. Fame and Glory - Didier Lockwood, Simon Nicol, Alan Simon

14. Mordred - Fairport Convention, Alan Simon, James Wood

15. Excalibur - Dan Ar Bras, , Fairport Convention, Alan Simon

16. Dans la Même Lumière (Brother) - Fairport Convention, Roger Hodgson, Alan Simon, Gabriel Yacoub

Tracks:

Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve

Tracks:

Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
Concerto No. 1, Op, 1 In F Sharp Minor: Andante
Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Largo
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso

Tracks:

Isle Of The Dead, Op. 29
Vocalise, Op. 34, No. 14
Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
Symphony No.3, Op. 44 In A Minor: Allegro

Tracks:

Sonata, Op. 30, No. 3 In G: Allegro assai
Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
Sonata, Op. 30, No. 3 In G: Allegro vivace
Sonata D. 574 In A: Allegro moderato
Sonata D. 574 In A: Scherzo: Presto; Trio
Sonata D. 574 In A: Andantino
Sonata D. 574 In A: Allegro vivace
Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
Sonata, Op. 45 In C Minor: Allegro animato

Tracks:

Partita No. 4, BWV 828: Sarabande
Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
Sonata, K. 331: III: Turkish March
32 Variations, WoO 80 In C Minor: Thema: Allegretto
32 Variations, WoO 80 In C Minor: Variation I
32 Variations, WoO 80 In C Minor: Variation II
32 Variations, WoO 80 In C Minor: Variation III
32 Variations, WoO 80 In C Minor: Variation IV
32 Variations, WoO 80 In C Minor: Variation V
32 Variations, WoO 80 In C Minor: Variation VI
32 Variations, WoO 80 In C Minor: Variation VII
32 Variations, WoO 80 In C Minor: Variation VIII
32 Variations, WoO 80 In C Minor: Variation IX
32 Variations, WoO 80 In C Minor: Variation X
32 Variations, WoO 80 In C Minor: Variation XI
32 Variations, WoO 80 In C Minor: Variation XII
32 Variations, WoO 80 In C Minor: Variation XIII
32 Variations, WoO 80 In C Minor: Variation XIV
32 Variations, WoO 80 In C Minor: Variation XIX
32 Variations, WoO 80 In C Minor: Variation XXII
32 Variations, WoO 80 In C Minor: Variation XXIII
32 Variations, WoO 80 In C Minor: Variation XXIV
32 Variations, WoO 80 In C Minor: Variation XXV
32 Variations, WoO 80 In C Minor: Variation XXVI
32 Variations, WoO 80 In C Minor: Variation XXVII
32 Variations, WoO 80 In C Minor: Variation XXVIII
32 Variations, WoO 80 In C Minor: Variation XXXI
32 Variations, WoO 80 In C Minor: Variation XXXII
Return Home
Polish Songs: The Maiden's Wish
Die schone Mullerin: Das Wandern
Schwanengesang: Serenade
Polonaise No. 2 In E
Songs Without Words, Op. 67: Spinning Song
Impromptu, Op. 90, No. 4 In A Flat
Concert Etude No. 2: Gnomenreigen
Orfeo ed Euridice: Melodie
Etude, Op. 104b, No. 2 In F
Etude, Op. 104b, No. 3 In A Minor
Spanisches Liederspeil: The Smuggler
Minuet, Op. 14, No. 1 In G
Liebesfreud

Tracks:

Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
Sonata No. 2, Op. 35 'Funeral March': Scherzo
Sonata No. 2, Op. 35 'Funeral March': Marche funebre
Sonata No. 2, Op. 35 'Funeral March': Presto
Carnaval, Op. 9: Preambule
Carnaval, Op. 9: Pierrot
Carnaval, Op. 9: Arlequin
Carnaval, Op. 9: Valse noble
Carnaval, Op. 9: Eusebius
Carnaval, Op. 9: Florestan
Carnaval, Op. 9: Coquette
Carnaval, Op. 9: Replique
Carnaval, Op. 9: Sphinxes
Carnaval, Op. 9: Papillons
Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
Carnaval, Op. 9: Chiarina
Carnaval, Op. 9: Chopin
Carnaval, Op. 9: Estrella
Carnaval, Op. 9: Reconnaissance
Carnaval, Op. 9: Pantalon et Colombine
Carnaval, Op. 9: Valse allemande
Carnaval, Op. 9: Pganini (Intermezzo)
Carnaval, Op. 9: Aveu
Carnaval, Op. 9: Promenade
Carnaval, Op. 9: Pause
Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
Nocturne, Op. 9, No. 2 In E Flat
Waltz, Op. 64, No. 2 In C Sharp
Waltz, Op. 64, No. 3
Ballade No. 3, Op. 47 In A Flat
Mazurka, Op. 68, No. 2
Waltz, Op. Posth. In E Minor

Tracks:

Partita No. 3, BWV 1006: Preludio
Partita No. 3, BWV 1006: Gavotte
Partita No. 3, BWV 1006: Gigue
A Midsummer Night's Dream: Scherzo
Liebersfreud
Die schone Mullerin: The Brooklet
Polka de V.R.
Etude-tableau, Op. 39, No. 6 In A Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Sorochintsy Fair: Hopac
Lullaby, Op. 16, No.1
Tsar Saltan: Flight of the Bumblebee
The Ruins Of Athens: Turkish March
Scherzo In A Flat
The Seasons: November: Troika
Prelude No. 8, Op. 11, No. 8 In F Sharp
One Lives But Once
Powder and Paint
Polka italienne (Piano 4 Hands)

Tracks:

Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Prelude, Op. 23, No. 10 In G Flat
Prelude, Op. 32, No. 3 In E Major
Prelude, Op. 32, No. 7 In F Major
Prelude, Op. 32, No. 6 In F Minor
Etude-tableau, Op. 33, No. 2 in C Major
Etude-tableau, Op. 33, No. 7 In E Flat
Daisies, Op. 38, No. 3
Oriental Sketch
Melodie, Op. 3, No. 3 in E
Serenade, Op. 3, No. 5 In B Flat
Humoresque, Op. 10, No. 5 In G
Lilacs, Op. 21, No. 5
Moment Musical, Op. 16, No. 2 In E Flat

Tracks:

Mazurka, Op. 63, No. 3 In C Sharp Minor
Nocturne, Op. 15, No. 2 In F Sharp
Waltz, Op. 18 'Grande valse brilliante' In E Flat
Waltz, Op. 34, No. 3 'Valse brilliante' In F
Waltz, Op. 64, No. 1 'Minute'
Waltz, Op. 69, No. 2 In B Minor
Waltz, Op. 70, No. 1 In G Flat
Scherzo No. 3, Op. 39 In C Sharp Minor
Waltz, Op. 64, No. 1 'Minute' In D Flat
Le coucou
L'Arlesienne Suite No. 1: Minuet
Carnival Of The Animals: The Swan
Songs Without Words, Op. 67: Spinning Song
Waltz
Lyric Pieces, Op. 12: Elfin Dance
Etude, Op. 28, No. 6 In F Minor
If I Were a Bird
La jongleuse
Dr. Gradus ad Parnassum
Children's Corner: Golliwogg's Cakewalk
The Seasons: November: Troika
Humoresque, Op. 10, No. 2 In G
Waltz, Op. 40, No. 8 In A Flat

Tracks:

Prelude, Op. 23, No. 5 In G Minor
Prelude, Op. 32, No. 12 In G Sharp Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Prelude, Op. 32, No. 5 In G
Serenade, Op. 3, No. 5 In B Flat
Lilacs, Op. 21, No. 5
Polichinelle, Op. 3, No. 4 In F Sharp Minor
Polka de V.R.
Liebesleid
Hungarian Rhapsody No. 2
Pastorale In E Minor
Theme and Variations
Waltz, Op. 42 'Two - Four' In A Flat
Waltz, Op. 64, No. 3 In A Flat
Polka de V.R.
Bacarolle, Op. 10, No. 3 In G Minor
Prelude, Op. 3, No. 2 In C Sharp Minor

Amazon.com

We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber

Customer Reviews:

Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17

At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.

Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.

For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.

To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.

(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)

6, or Even 7 Stars!.......2005-06-04

Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.

While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.

Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.

Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...

His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!

The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!

A must have for Piano and classical music lovers.......2005-04-04

To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.

Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14

The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.

Review from a spoiled modern listener.......2003-07-13

I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).

Average customer rating:

WHY WERE SOME OF THESE ITEMS RELEASED IN THE FIRST PLACE?
This is a great CD! And Freni is only adequate in Puccini!
Live in Concert - Maria Callas
Out of this world
Callas awful at Puccini? How stupid can someone be?

Maria Callas: Live In Concert

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Callas, Maria | Divas | Opera & Vocal | Styles | Music
Similar Items:

Bellini - Norma / Maria Callas
Maria Callas at Juilliard
Puccini: Arias
Verdi: Aida (complete opera) with Maria Callas, Richard Tucker, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan
Cherubini: Medea (complete opera live 1953) with Maria Callas, Fedora Barbieri, Leonard Bernstein, Orchestra & Chorus of La Scala, Milan

ASIN: B000002SHZ
Release Date: 1998-01-20

Tracks:

'Un Bel Di Vedremo'
'Deh! Torna Mio Bene'
'Vieni! T'Affretta...Or Tutti Sorgete'
'Il Dolce Suono...Ardon Gli Incensi'
'Ben Io T'Invenni.. Anch'Io Dischiuso Un Giorno'
'Dov'E l'Indiana Bruna?' (Bell Song/Air Des Clochettes/Glockchenaire)
'Tutte Le Tortur'
'Ahme! Che Notte Oscura...Ombra Leggiera'
'Depuis Le Jour'
'D'Amore Al Dolce Impero'

Tracks:

'Ai Vostri Giochi.. Ed Ora A Voi'
'Dolce E Calmo'
'Tu Che Invoco'
'Surta E La Notte...Ernani, Ernani, Involami'
'Tu Che Le Vanita'
'Il pirata: Oh, S'Io Potessi'
'...Col Sorriso D'Innocenza'

Customer Reviews:

WHY WERE SOME OF THESE ITEMS RELEASED IN THE FIRST PLACE?.......2006-08-16

Plain and simply, Maria Callas was the operatic icon of the Twentieth Century. The vocal, musical, and dramatic coponents of her art totaled a "complete package" that no one, living or historical, could come within miles of. My gripe here is with EMI, who, while they recorded Callas extensively in the standard repertoire (I am not including the studio recitals here), they completely missed the boat by not recording the great diva in roles like Lady Macbeth, Anna Bolena, Imogene in "Pirata", Elena in "Vespri", Abigalle in "Nabucco", and a few others. They have tried in recent years to correct this error by issuing live performances (with barely adequate sound) of "Bolena", "Macbeth", and "Pirata", etc. But --- and this is very important --- in many instances, the pressings that EMI have acquired sound even worse than the pirate pressings on which these performances first appeared. Truly, we should be grateful that EMI were brave enough to studio-record Callas in "Norma", "Puritani","Sonnambula" and "Il Turco in Italia".
This recording is a case in point. To start with, I am convinced that the abbreviated "Butterfly" aria in the beginning is NOT Callas. True, the speaking voice bears an astonishing likeness to her, but the singing does not. Even at the age of twelve, there should have been at least a hint of the Callas sound, however undeveloped. Someone spliced in another voice, I am sure. Yes, I know that I could be wrong, but I doubt it. The Proch variations are spectacular and they prove what a coloratura technician Callas was, but the sound is so introlerably bad that I find it impossible to listen to. All of the other items here are represented elsewhere on EMI releases in much better sound - though Callas herself may not have been in as excellent vocal condition.
Yes -- we are grateful to EMI for making so much of Callas' work available. But let's look at it from the $$$$$ standpoint. EMI has made megabucks on Callas, and while her artistry is certainly worth it, I wonder how much of a favor EMI is doing Callas by releasing material which she herself would have rejected, especially given the inferior pressings that EMI has settled for. It's not a tribute to the supreme diva of the Twentieth century ----- it's a matter of the all mighty dollar!!!!

This is a great CD! And Freni is only adequate in Puccini!.......2006-07-13

Sempion, for all his unintelligent reviews, would seem like the stupid one here. For all his taste for opera, he should first understand what a good singer and a great singer is, and obviously he seems to think that singers who didnt' dig into their roles as much as other great divas are greater than others. He is so full of mediocrity, stupidity, and diatribical tendencies that I would dismiss him as a fool. Ignore him, or laugh at this New Yorker's unintelligent and unhelpful responses. And he says I'm not intelligent. Ha!

As for this disc, well, it's amazing! It showcases the great voice of Callas playing around with different repertoire (and doing it well too!!!) at the greatest height of her interpretive powers. I recommend this disc to Callas fans and non-Callas fans alike.

Live in Concert - Maria Callas.......2006-02-25

This is a fabulous 2 CD set of live concerts by Maria Callas from 1949 to 1959. It demonstrates her unique range from dramatic soprano arias to The Bell Song. A must-have for all Callas lovers.

Out of this world.......2004-09-27

The album is brilliant. It has some very great pieces of Callas and is a must to have for anyone even remotely interested in Opera. Trust me, the music will take you somewhere out of this world.

Callas awful at Puccini? How stupid can someone be?.......2004-04-08

I understand that Amazon is trying to "cultivate different opinions" but there is a difference between an Opinion and sheer STUPIDITY... Callas awful at Pucini? Callas is the undisputable Tosca and Madama Butterfly of the 20th century and the only dramatic Mimi and Manon with the rest of the singers being from utterly inadequate (Tebaldi) to completely boring (Kanawa, Freni)...
I never expected to read so stupid and unbelievable remarks about Callas and it really faschinates me the fact that they appear to have been written by a greek person. No wonder Callas left Greece if there was such stupidity and ignorance she had to face...

Average customer rating:

Live In Concert 1952-1960

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Tracks:

Ave Maria
Le Nozze Di Figaro: Deh vieni, non tardar
Ernani: Erani, involami
La Boheme: Si, mi chiamano Mimi
Mefistofele: L'altra notte in fondo al mare
Manon: Gavotte
La Vida breve: Alli esta riyendo
Standchen
Vocalise In The Form Of A Habanera
Tout gai
Meine Liebe ist grun
Cantares
Jota catellana
Del cabello mas sutil
Coplas de Curro Dulce
Campana sobre campana
Das Madchen spricht
Die Mainacht
Geheimnis
Wiegenlied
Vergebliches Standchen

Tracks:

Iphigenie en Tauride: Cette nuit joai reveu
Thesee: Revenez a,ours, revenez
Les Fetes Venitiennes: Charmant papillon
Der Tod Und das Madchen
Lachen und Weinen
Mein
Widmung
Der Nussbaum
Ich Grolle nicht
Vergebliches Standchen
Kaddish
Enigme eternelle
Definicion
Cancion de Jinete
Cancion de la Barca Triste
Callejeo
El Majo Timido
El tra la la y el punteado
El Pano Murciano
Malaguena
El Cant dels ocells
Encore: jota

Average customer rating:

Bravo! I have become a fan of Hei-Kyung Hong

In Concert: Live in Seoul

Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B00001T6JW
Release Date: 1999-10-19

Tracks:

Andrea Chenier: 'Improvviso'
La Hoheme: 'Mi chiamanom Mimi'
La Boheme: 'O soave fanciulla'
Le Cid: 'O souvereign'
Romeo et Juliette: 'Nuit d'hymenee'
Faust: 'Le veau d'or'
Faust: 'Masi ce Dieu...'
Ernani: 'Finale And Trio'
La taberna del puerto: 'No puede ser'
Die lustige Witwe: 'Lippen schweige'
'Granada'
Kuriun Keumkangsam: Kurium Keumkangsam

Customer Reviews:

Bravo! I have become a fan of Hei-Kyung Hong.......2000-08-19

What a wonderful collection of songs and what a combination of singers! I bought the DVD version from Korea because of Domingo. Yes, he is perfect, but this is the first time I have listened to and watched Hei-Kyung Hong. Exquisite is the first word I can think of. She delivers such emotion - you can see her enter another world for the song and dedicates herself to it. The bass, Youn, was unremarkable but did not detract from the overall performance. The selection of songs was superb. I think I have become an opera fan. Enjoy!

Average customer rating:

Stars Were Shining

Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music
ASIN: B000065V6B
Release Date: 2002-10-29

Average customer rating:

Callas Edition Live: Maria in Norma

Manufacturer: Melodram
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B00005KAID
Release Date: 2001-09-25

Tracks:

Ite Sul Colle, O Druidi (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Svanir Le Voci (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Meco All' Altar Di Venere (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Sediziose Voci (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Casta Diva (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Ah Bello, A Me Ritorna (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Oh, Di Qual Sei Tu Vittima (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Perfido! Or Basti (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Non Vedran La Mano (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Me Chiami, O Norma (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Deh Con Te Li Prendi (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Mira, O Norma (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Cedi, Deh Cedi! (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Ah, Del Tebro (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...

Tracks:

In Mia Man Alfin Tu Sei (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Dammi Quel Ferro (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Qual Cor Tradisti (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Norma! Deh Scolpati (In Trieste) - Maria Callas/Franco Corelli/Bruna Ronchini/Elena Nicolai/Boris Christoff/Raimondo Botteghelli...
Sinf (In Buenos Aires) - Orch Of The Teatro Colon/Tullio Serafin
Ite Sul Colle, O Druidi (In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni/Fedora Barbieri/Chor Of The Teatro Colon
Io Fui Cosi (In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni/Fedora Barbieri/Chor Of The Teatro Colon
Radio Intro (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Argentine Nat Anthem (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Radio Intro (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Sinf (Gala Conc In Buenos Aires) - Tullio Serafin
Norma Viene (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Sediziose Voci (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Casta Diva (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni
Ah Bello, O Me Ritorna (Gala Conc In Buenos Aires) - Maria Callas/Nicola Rossi Lemeni

Tracks:

Sinf (In Rome) - Orch Of Teatro Dell'Opr Rome/Gabriele Santini
Ite Sul Colle, O Druidi (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Meco All' Altar Di Venere (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Mi Protegge E Mi Difende (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Sediziose Voci (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Casta Diva (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Ah, Bello A Me Ritorna (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Sgombra E La Sacra Selva (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...
Va, Crudele, E Al Dio Spietato (In Rome) - Maria Callas/Franco Corelli/Miriam Pirazzini/Giulio Neri/P. De Palma/Chor Of The Teatro Dell'Opr...