| 1. Science |
| 2. Night & Day |
| 3. Le Grand Controleur |
| 4. Massou |
| 5. Black Cat |
| 6. Secret Garden |
| 7. Welcome To Nowhere |
| 8. Octopus |
| 9. Panorama 02 |
| 10. Raga |
| 11. Post-Scriptum |
| 12. Stratas |
Naki,Naki,Selec,World Music
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Canyon Trilogy: Native American Flute Music
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000136Z Release Date: 1993-03-04 |
Tracks:
- I. Dawn's Mirage: Song for the Morning Star
- I. Dawn's Mirage: Daybreak Vision
- I. Dawn's Mirage: Ancestral Home
- I. Dawn's Mirage: Echoes of Time
- I. Dawn's Mirage: Inward Journey
- II. Dreamscapes: Creation Chant
- II. Dreamscapes: Canyon People
- II. Dreamscapes: Turquoise World
- II. Dreamscapes: Cleft in the Sky
- II. Dreamscapes: Spiral Passage
- II. Dreamscapes: World of Rainbows
- III. Resonance: Walking Song
- III. Resonance: The Sacred Reed
- III. Resonance: Kokopelli Wind
- III. Resonance: Departure
- III. Resonance: Into the Maze
- III. Resonance: Homage to the Ancient Ones
Product Description
1. Song for the Morning Star
2. Daybreak Vision
3. Ancestral Home
4. Echoes of Time
5. Inward Journey
6. Creation Chant
7. Canyon People
8. Turquoise World
9. Cleft in the Sky
10. Spiral Passage
11. World of Rainbows
12. Waking Song
13. The Sacred Reed
14. Kokopelli Wind
15. Departure
16. Into the Maze
17. Homage to the Ancient Ones
Format: CD
Amazon.com essential recording
Nakai's free improvisations on this album are based on his impressions of the Anasazi and Sinagua sites, ancient cliff dwellings that were home to communities of Native people thousands of years ago. By using the Roland SDE 3000 Digital Delay system, Nakai is able to play duets with his own echo, in an effort to emulate the echoes of the past that haunt these ruins. On this recording, Nakai's flute sounds even more plaintive than usual, as if the spirits of these forgotten ancestors had entered into the studio to fill his playing with the whispered reverberations of their ancient ways. This is one of Nakai's most deeply felt recordings, one that resonates with a deep, melancholy yearning. --j. poetCustomer Reviews:
nice!.......2007-03-31
GREAT CARLOS NAKAI!.......2007-03-12
I am dreaming about forgotten times.
Thank you.
Hauntingly beautiful.......2007-01-15
The Master.......2007-01-04
AWESOME Native American Flute Music!.......2006-11-14
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Mythic Dreamer: Music For Native American Flute
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000136V Release Date: 1998-02-17 |
Tracks:
- Corn Grinding Song
- The World How Fair
- See The Rainbows
- Fox Song
- Elk Dreamer's Song
- The Great Mystery Hears Me
- Summer Solstice
- Antelope Song
- Begging Song
- Victory Song
- Eagle Flute Song
- Ealges Gathering
- Silver Salmon Bear
- Rocks And Rills
- Coyote Wind
- Swallows And Night Hawks
- Inner Voices
- Lake That Speaks
Product Description
01. Corn-Grinding Song; 02. The World How Fair; 03. See the Rainbows; 04. Fox Song; 05. Elk Dreamers Song; 06. The Great Mystery Hears Me; 07. Summer Solstice; 08. Antelope Song; 09. Begging Song; 10. Victory Song; 11. Eagle Flute Song; 12. Eagles Gathering; 13. Silver Salmon Bear; 14. Rocks and Rills; 15. Coyote Wings; 16. Swallows and Night Hawks; 17. Inner Voices; 18. Lake That Speaks
Format: CD
Amazon.com essential recording
Nakai's most recent outing finds him returning once again to the simple under-produced style that he pioneered on Changes. This program includes 10 traditional tunes from the Kiowa, Lakota, Dakota, Zuni, and Cheyenne; seven of his own compositions; and "Lake That Speaks," from the second movement of James DeMars's "Two World Concerto." On this album the Native melodies sound forceful, almost triumphant, partially due to the short, staccato bursts that Nakai often uses to begin a melodic line--sounds that bring to mind a child's laughter or the contented chirping of a dawn bird. For the Cheyenne "Victory Song" and the Dakota/Lakota melody "The Great Mystery Hears Me" Nakai uses more sustained notes than usual, and the clear, piercing tone of his flute illuminates the heart like a ray of midday sunshine. --j. poetCustomer Reviews:
soothing and wonderful.......2007-03-26
GREAT MUSIC!.......2007-03-12
I like the sound of Carlos Nakai and the far West.
Thank you.
Highly recommended!
An absolute must have.......2006-03-28
Mystic Dreamer by Carlos Naki.......2006-03-25
Mythic Dreamer: Music For Native American Flute.......2006-02-27
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Earth Spirit
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001371 Release Date: 1993-11-23 |
Tracks:
- Shaman's Call
- Canyon Reverie
- In Media Res
- Gateway
- Athabascan Song
- Coyote Animus
- Song Of The Evening Star
- Ancient Dreams
- Catfish Muse
- Star Chant
- Aura Aurealis
- Crystal Canyon
- Omaha Song
- Nemi
- Earth Spirit
Product Description
1. Shamens Call
2. Canyon Reverie
3. In Media Res
4. Gateway
5. Athabascn Song
6. Coyote Animus
7. Song of the Evening Star
8. Ancient Dreams
9. Catfish Muse
10. Star Chant
11. Aura Aurealis
12. Crystal Canyon
13. Omaha Song
14. Nemi
15. Earth Spirit
Format: CD
Amazon.com essential recording
This collection of solo flute pieces from Navajo-Ute musician R. Carlos Nakai is an evocative delight. The album consists of mostly original material, from the composition "Canyon Reverie," to the improvisational "In Media Res," to "Athabascan Song," an arrangement of a traditional song. The latter in particular stands out, with a faster rhythm and more lilting melody than most of the other pieces. There's also "Ancient Dreams," performed on a bone whistle; the instrument almost exceeds the upper range of human hearing, and Nakai occasionally sounds like he's imitating birdcalls. A classically trained musician, Nakai blends musical traditions to create a whole that reminds one, on occasion, of Japanese shakuhachi music. --Genevieve WilliamsCustomer Reviews:
Simply Enjoy.......2007-06-02
Haunting.......2007-01-04
Flute-tastic........2005-11-09
Powerful healing tool.......2005-10-08
A Beautifull CD.......2004-09-12
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Inner Voices
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JNKI Release Date: 1999-08-03 |
Tracks:
- Inner Voices
- Canyon Reverie
- Winter Solstice
- 12/20/82 Song
- Amazing Grace
- Daybreak Vision
- Kokopelli Wind
- Songs For The Morning Star
- Catfish Muse
- Woodsong
Product Description
1. Inner Voices
2. Canyon Reverie
3. Winter Solstice
4. 12/20/82 Song
5. Amazing Grace
6. Daybreak Vision
7. Kokopelli Wind
8. Songs For The Morning Star
9. Catfish Muse
10. Woodsong
Format: CD
Amazon.com
With Inner Voices, R. Carlos Nakai revisits some familiar ground with new renditions of previously recorded material. Here the Native American flautist-composer's deeply resonant tones are countered and buoyed by Billy Williams's gently majestic arrangements consisting of violin, viola, cello, and bass. The title cut comes from 1998's Mythic Dreamer yet here takes on a more classic feel. The orchestra employs restrained and thoughtful strings, which in turn echo the melody line, play opposite Nakai for a grounded effect, and embolden the composition with gorgeously understated flourishes such as a low cello rumble or a slightly dissonant violin fill. On other standouts such as "12/20/82 Song" and "Winter Solstice," both on Changes, the artist's debut recording, Nakai's cedar flute beckons a return to balance, growth, and healing. The traditional hymn "Amazing Grace," having earlier appeared on Emergence, here becomes an aural blessing, as Williams's sweeping arrangements recall America's great Western plains and Nakai's melody floats above as an eagle on strong wind. --Paige La GroneCustomer Reviews:
Amazing!.......2005-03-18
NATIVE AMERICAN FLUTE FOR MODERN MUSIC.......2004-02-14
For the listener who isn't quite ready for more traditional Native American flute music, INNER VOICES will become a favorite among your other easy listening CD's.
THE HORSEMAN
YOUR FIRST NATIVE AMERICAN FLUTE ALBUM.......2003-09-05
Inner Voices is the perfect compromise for those who want to enjoy Native American flute in a more conventional musical presentation. It is the perfect initial Native American flute album purchase. This album is wonderful! I find it the perfect companion for a placid meditation or for the drive home to wind down from a stressful day.
Once you make Inner Voices a part of your collection you will likely be ready for one of Nakai's many other beautiful recordings.
Beautiful and haunting melodies.......2003-04-27
Hauntingly Beautiful!.......2002-07-13
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Migration
Peter Kater , and R. Carlos Nakai Manufacturer: Silver Wave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000POD Release Date: 1992-05-19 |
Tracks:
- Wandering
- Initiation
- Honoring
- Stating Intention
- Surrender
- Embracing The Darkness
- Lighting The Flame
- Transformation
- Quietude
- Becoming Human
- Walking The Path
- Service
Customer Reviews:
If I could give it 6 stars I would.......2007-03-04
Okay, but not as good as some of his other work........2005-09-20
sacred holy.......2005-08-26
hauntingly beautiful.......2003-10-20
Awesome but reject the shamanism.......2003-10-16
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Sanctuary
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000B09ZZ Release Date: 2003-09-23 |
Tracks:
- Alpine Dawn
- Raven Dreams
- Choke Cherry Season
- Shining Mountains
- Coyote Moon
- A Song For Mrs. Bear
- Munk, Munk
- Elk Meadow
- Swallows, Nighthawks, Hummingbirds
- Afternoon In The Aspens
- Spring Creek Journey
- Cimarron Sunset
Product Description
1. Alpine Dawn
2. Raven Dreams
3. Choke Cherry Season
4. Shining Mountains
5. Coyote Moon
6. A Song for Mrs. Bear
7. Munk
8. Elk Meadow
9. Swallows
10. Nighthawks
11. Hummingbirds
12. Afternoon in the Aspens
13. Spring Creek Journey
14. Cimarron Sunset
Format: CD
Amazon.com
The Native American flute is not inherently versatile and R. Carlos Nakai, the Yo-Yo Ma of this instrument, knows it. That's why he's always looking for novel settings that range from Japanese ensembles to acoustic piano to global music groups. So to stand there naked with an instrument that has a one octave range takes a depth of resources that are both technical and spiritual. Nakai has both and he deploys them across this gently searing album of solo native flute works. Engineer Jack Miller gives Nakai just the right amount of reverb and delay to sheath his flute in an echoing glow without burying it in gimmick. It's like you would imagine a flute melody cast into a canyon to sound, only better. Serene, meditative, soothing; these are all easy adjectives for a CD that will become a staple of shiatsu massage parlors and yoga studios. But Nakai goes deeper than that, calling up the spirit of the desert southwest with every breath he exhales into his vibrato-tinged melodies. --John DilibertoCustomer Reviews:
Let your soul soar.......2005-11-26
Good flute music, not authentic American Indian music.......2005-05-11
I may have to rethink my impressions of Mr. Nakai's music (many of his CD's are flute only) and get some of them, including this one.
Chicken soup for the soul.......2005-04-15
And funny of all, I am born to British Parrents. But I pleed with you if your considering this.. GO FOR IT. Dont think twice.
This is lovely... more lovely and real tribute to the old ways.
Any questions... feel free to email me Tru_wagner@yahoo.com
Familiar, haunting, and very highly recommended.......2004-06-07
Average customer rating:
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Philip Glass: The Concerto Project, Vol. 2
Manufacturer: Orange Mountain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H0MNKS Release Date: 2006-09-12 |
Tracks:
- 'The Vision' - Movement I - Paul Barnes
- 'Sacagawea' - Movement II - Paul Barnes
- 'The Land' - Movement III - Paul Barnes
- Movement I - Jillon Stoppels Dupree
- Movement II - Jillon Stoppels Dupree
- Movement III - Jillon Stoppels Dupree
Customer Reviews:
Philip Glass, good stuff.......2007-05-14
One excellent concerto and one good concerto.......2007-02-09
The first movement of the piano concerto presents those very very familiar arpeggios but with a twist. Its a very exciting piece and, despite its slight unoriginality, very enjoyable. The second movement offers a stunning theme for a rather wretched instrument that almost destroys the entire piece. If you can ignore the Native American flute, you will definitely be pleasantly suprised by the sounds and sheer beauty of the themes that come later in the movement- they're not terribly Glass-like. The final movement is definitely one of the composer's finest works. Though again, not terribly original, the final theme for piano evokes the best memories of Brahms and Rachmaninoff, and that's no sarcasm. Just wait until the last three minutes and you'll see what I mean. Very stunning and almost challenging for the performer.
The Harpsichord concerto, while good, has only one fine movement to offer, and that's the second movement. The first two movements are nice, but nothing too great. However the second movement is a lovely, very pleasant piece. He forgoes his usual morbid tendencies and presents a very peaceful, loving piece that you won't soon forget.
I highly recommend this disc for anyone, Glass fans or otherwise.
the descent into self-parody is complete..........2006-12-22
Two outstanding keyboard concertos.......2006-12-22
The second piano concerto is subtitled "After Lewis and Clark" - so called as it was commissioned for the Lewis and Clark Bicentennial in 2004. I think the subject matter will only be apparent to most listeners in the second movement, which takes a form of a duet (with string accompaniment) between the piano and a Native American flute. Anyone who enjoys the energetic, yet hypnotic, qualities of Glass' work will definitely enjoy the first movement of the piano concerto with its irregular rhythmic patterns and intriguing harmonic shifts. The concerto's above mentioned central movement strikes me as a bit strange, and the timbre of the Native American flute is not always to my liking; however its inclusion ensures that Glass joins the ranks with Khachaturian of composers whose piano concertos contain bizarre second movement additions (Khachaturian included a flexatone). Things return to normal in the third movement, which begins with Glass' immediately recognizable do-da-do-da-do-da pattern. If you are not quite sure what I am talking about, listen to the song sample for the third track and you will know what I mean. Although the opening of the finale is serene in nature, the movement gradually picks up steam as arpeggiations and other instrumentalists are weaved into the texture. This movement is also notable for the incorporation of some lovely melodic fragments towards the end.
Similar to the first volume of this "project" the second concerto included on the release serves to contrast the first. The piano concerto, despite its constant soloist figurations, strikes me a mellow and reflective work. The harpsichord concerto (composed in 2002), in contrast, is mostly extraverted and is often playful. The more I listen to the first movement of this concerto, the more I love it. In this movement, the energetic harpsichord part, full of trills, intriguing filigrees and arpeggios (of course!) is contrasted against a descending harmonic motif that, despite its wistfulness, is totally endearing. The second and third movements (and I feel somewhat the same about the piano concerto) are somewhat eclipsed by the first movement, although both movements are still quite enjoyable. The second movement marked by a lovely melody and includes several charming woodwind passages. The lighthearted finale is filled with Glass' characteristic syncopations and forward momentum, although the ending strikes me as a bit sudden and leaves me wanting something more.
When describing these concertos, I think it is important to mention that neither solo part appears to be exceedingly difficult. Both parts are chocked full of "busy" figurations, but there is seldom a section that sounds tremendously tricky. In fact, the harpsichord soloist indicated she learned the part in a few days. The nature of the solo parts did not bother me, as the music was continuously interesting. But if you are looking for a virtuosic tour de force, you might be somewhat disappointed with this release.
In conclusion, Glass fans need not hesitate in purchasing this fantastic disc. If you have not acquired the first volume featuring the cello concerto and the concerto fantasy, be sure to grab that one is well. If you happen to new to the music of Glass, the concerto project series would make an excellent introduction.
Highly Recommended!
TT: 58:55
As a brief side note, if you acquired this disc and liked the second piano concerto you may also like Glass' score to "The Hours" which has a similar style. If you liked the harpsichord concerto and are curious about other such works composed in the "modern" era, I would look into acquiring a copy of Martinu's interesting harpsichord concerto.
NY Times Review "Philip Glass Casts New Spells, Including One for Children" 11/27/06 .......2006-11-28
Not long ago, Mr. Munkacsi set out to archive Mr. Glass's tape library, which includes not only the studio masters but stacks of concert recordings as well. And the archiving project led to the next logical step: Orange Mountain Music, a label through which Mr. Glass could release new recordings and reissue old ones, as well as lending his spotlight to composers and ensembles he admires, as he did on Point Music, his boutique label for Universal. Lately, the Glass factory has been spinning out recordings every few weeks, both on CD and in compilations available only through iTunes.
The gem in the most recent batch is "The Witches of Venice," a zesty children's opera-ballet, set to a libretto by Beni Montresor and packaged in a CD-size hardcover book. The piece is about a boy who was born from a magic flower and lived with the king and queen of Venice before flying off on a wooden pigeon to rescue a girl of similar provenance from a group of witches.
The work has slipped under the radar of much of Mr. Glass's adult audience, and it is surprising and uncharacteristic. Its 24 movements are brief, and Mr. Glass's energetically rhythmic, repetitive thumbprints are everywhere; but so are sound effects that point up the magical aspects of the story, and stretches of dramatic, colorful scoring that is not immediately identifiable as Mr. Glass's. Who would have thought, back in the days of "Einstein on the Beach," with its embrace of nonnarrative theater, that Mr. Glass would someday offer vivid musical portraits of witches, fairies, ogres and a magical Plant-Boy?
Many of Mr. Glass's works are about discovery, sometimes spiritual ("Akhnaten") or scientific ("The Light") but often geographical, with social underpinnings. In "The Voyage" (two CDs), written for the Metropolitan Opera in 1992, the subject is Columbus, with a parallel plot about space travelers crashing on Earth. Where "The Witches of Venice" paints pictures with music, "The Voyage," like many of Mr. Glass's full-scale operas, is a grandly ritualistic spectacle in which staging is a crucial element, with the music often simply chugging along in support.
The ideal format for many of these works is DVD. Still, Dennis Russell Davies, leading the Bruckner Orchestra Linz and soloists and chorus from the Landestheater Linz, draws a solid, sometimes weighty reading that captures the monumental qualities one heard in the Met production.
"The Concerto Project, Volume 2" includes another installment in the discovery series, the Piano Concerto No. 2, "After Lewis and Clark." This 2004 score is built on an odd hybrid of Mr. Glass's ostinatos, Lisztian thunder (supplied with deft fluidity by Paul Barnes, the pianist) and an evocation of American Indian music. Some of the Indian themes have the feel of 19th-century salon music, but they work best in an attractive central movement dominated by R. Carlos Nakai's wooden flute.
The companion work is the Concerto for Harpsichord and Orchestra (2001), a Baroque-gone-haywire score in which 18th-century figurations and ornaments morph into (and sometimes escape) Mr. Glass's signature repeating cells. Jillon Stoppels Dupree, the harpsichordist, does a superb job of moving between the two worlds. (Ralf Gothoni conducts the Northwest Chamber Orchestra in both works.)
Also not to be missed is "Analog," which includes a vividly remixed version of "North Star" (1977), one of Mr. Glass's early Virgin recordings. Unlike most of his works of the time, this film score is built of short works that develop comparatively quickly. Joining it here are "Dressed Like an Egg" (1977) and an organ solo, "Mad Rush" (1980), previously available only in a limited edition given away as a subscription bonus for the long-defunct SoHo Weekly News.
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Emergence
R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000136X Release Date: 1993-11-23 |
Tracks:
- Dreamer's Chant
- Solstice Prayer
- Atoka, Atoka
- Whirlwinds Dancing
- Red-Tailed Hawks
- Coyote Rainbows
- Saguaro Sunsets
- The Young Old Warrior
- Red Streaking Into The Water
- Willow People
- Songs Of The Rainbow World: Black World
- Songs Of The Rainbow World: Blue-Green World
- Songs Of The Rainbow World: Yellow-White World
- Songs Of The Rainbow World: Rainbow World
- Amazing Grace
Product Description
01. Dreamers Chant; 02. Solstice Prayer; 03. Atoka, Atoka; 04. Whirlwinds Dancing; 05. Red-Tailed Hawks; 06. Coyote Rainbows; 07. Saguaro Sunsets; 80. The Young Old Warrior; 09. Red Streaking Into the Water; 10. Willow People; 11. Black World; 12. Blue-Green World; 13. Yellow-White World; 14. Rainbow World; 15. Amazing Grace
Format: CD
Amazon.com essential recording
Emergence is one of R. Carlos Nakai's most emotive CDs, exploring traditional melodies and prayers of Northern and Central Plains Native Americans while waxing improv on everything from desert winds to willow trees and red-tailed hawks. The result is a sweet, expressive, and grounding music dedicated to the songs and stories of Nakai's tribal ancestors. This longtime master owns a natural gift for singing with the cedar flute, and this becomes delightfully apparent after hearing the fresh and light "Whirlwinds Dancing" and "Coyote Rainbows." Nakai devotes the last third of the album to South American Diné creation and emergence stories and his original, "Willow People"--with its echoing notes and touch of ambient synthesizer--begins to sing with cosmic tones, reflecting the landscape of the Din&ecute; songs. What follows are four lovely pieces of expansive Native American music, some of which include Nakai's deep, godly voice floating over a timeless universe, before ending on a quiet, melancholy rendition of "Amazing Grace." With each song, Emergence emerges into a masterpiece. --Karen KarleskiCustomer Reviews:
Doesnt get any better.......2007-05-14
NATIVE AMERICAN FLUTE IN ITS PURITY.......2005-09-25
EMERGENCE is yet another testament of Nakai's devotion to his craft. Each track provides a soulful expression of the natural foundation for the flute's expression. No strange, New Age audiotechnics here. Nothing but the music and its ability to thrill the listener to the very center.
EMERGENCE, with solid performances like DREAMER'S CHANT, COYOTE RAINBOWS, WILLOW PEOPLE and AMAZING GRACE (just to name a few), is a masterful presentation of tone poetry that will soothe and inspire.
THE HORSEMAN
Music Medicine.......2003-10-01
Stirring and Thought Provoking.......2001-02-17
Nakai doesn't fall into the trap of giving the musical tourist exactly what he expects. There is no chanting or jingling bells, no corny sound effects or war cries. Instead he simply taps into that inner peace that we all look for. Perhaps that's the reason so many people have come to appreciate his music. The universal understanding of, and need for, peace and insight.
Wonderful for Relaxation & Meditation . . ........2000-12-10
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Ancestral Voices
R. Carlos Nakai & William Eaton Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000138D Release Date: 1993-12-15 |
Tracks:
- Dreaming A Life
- Beyond The Edge
- Caravanserai
- Indios Mythos
- Stone Mirage
- Unfolding Sky
- First Voices
- Covenants Shared
- Promise Given
- Making Thunder
- Returning As Clouds
- In The Silver Glow
- Walking The Shining Earth
- Dreams Of The Children
- Earth Chant
- Saguaros
- Life Seeking Eternity
- Many Flags
Product Description
1. Dreaming a Life 2. Beyond the Edge 3. Caravanserai 4. Indios Mythos 5. Stone Mirage 6. Unfolding Sky 7. First Voices 8. Covenants Shared 9. Promise Given 10. Making Thunder 11. Returning as Clouds 12. In the Silver Glow 13. Waking the Shining Earth 14. Dreams of the Children 15. Earth Chant 16. Saguaros 17. Life Seeking Eternity 18. Many Flags
Format: CD
Customer Reviews:
Best of Nakia.......2007-06-02
Best of Native American Music, especially on the flute.
Great for classroom use!.......2005-07-25
THE ESSENCE OF DREAMS.......2002-04-28
On the rare occasion this CD leaves the player beside my bed, it's usually in the player in my painting studio.
BUY IT NOW!...
Melodies that you carry with you.......2001-02-17
Nakai doesn't fall into the trap of giving the musical tourist exactly what he expects. There is no chanting or jingling bells, no corny sound effects or war cries. Instead he simply taps into that inner peace that we all look for. Perhaps that's the reason so many people have come to appreciate his music. The universal understanding of, and need for, peace and insight.
love this CD.......2000-07-01
Average customer rating:
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Desert Dance
R. Carlos Nakai Manufacturer: Celestial Harmonies ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000007WM Release Date: 1992-01-23 |
Tracks:
- Ancient Ground
- Pollen Pathway
- Ancient Voices
- Spirit Valley
- Sand Tapestry
- Turquoise Swallows Dance
- Abalone Wind
- Wind Dance
- Sacred Earth Call
- Spiral Journey
- Land Of Emergence
- Mountain Blue Bird Calling
- Mountain Call
- Yellow Eagle-Feather Dance
- Journey Of Yellow Wind
- Medicine Keeper
- Desert Dance
Album Description
Desert Dance is R. Carlos Nakai's musical interpretation of his experiences in the sacred place of his ancestors, Colorado's San Luis Valley. Like his critically acclaimed 1988 release, Sundance Season, the Navajo-Ute musician's latest album was recorded in the Lindisfarne chapel, a uniquely resonant structure situated within this dramatic expanse of holy ground. Many tribes, from the early pueblo dwellers to the Kiowa, Arapaho, and Comanche, have inhabited this alpine valley over time. Near Alamosa, Colorado, where the Great Sand Dunes lie, is the site of the Navajo's eastern sacred mountain, Blanca Peak, and the center of the Ute world. Nakai weaves his improvisations on the native American wooden flute, nose flute, drums, rattle, and voice into poetic meditations on the land and its history. During Ancient Voices, he delicately plays a Southern Plains war dance drum with finger taps and brushes to reveal a hidden palette of sound, much like the whisper of spirits within the valley. The joyful spectacle of desert birds frolicking upon waves of transparent air currents is depicted on Turquoise Swallows Dance, while the wind's daily moods are choreographed in temperate summer breezes, dust devils, and cloud formations on Wind Dance. Other selections deftly combine the plaintive, yet, potent sounds of Nakai's heritage to explore the mystery and unique beauty of this sacred territory.Customer Reviews:
Takes me to the desert.............2007-04-17
and there my heart is filled with
warmth and joy. Beautiful music.
Relax and let it soothe you.
I recommend you spend time in the
desert with Nakai.
NAKAI'S PEACE JOURNEY.......2007-03-11
Very Relaxing.......2006-08-16
A Pleasant Mix.......2006-08-08
Sacred Valley.......2006-01-20
International Music: