| 1. Amazing Grace |
| 2. Auld Lang Syne |
| 3. Flower of Scotland |
| 4. Skye Boat Song |
| 5. Northern Lights of Aberdeen |
| 6. Loch Lomond |
| 7. Mull of Kintyre |
| 8. Roamin' in the Gloamin' |
| 9. Scottish Soldier |
| 10. I Belong to Glasgow |
| 11. My Love Is Like a Red, Red Rose |
| 12. Scotland the Brave |
This Is Scotland: Scottish Sing-A-Long,Various Artists,Mastersound (Aus),Int'l & World Music,Pop,Scotland,World Music
Average customer rating:
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From This Moment On
Diana Krall Manufacturer: Verve ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GG4KTU Release Date: 2006-09-19 |
Tracks:
- It Could Happen to You
- Isnt This A Lovely Day
- How Insensitive
- Exactly Like You
- From This Moment On
- I was Doing All Right
- Little Girl Blue
- Day In Day Out
- Willow Weep For Me
- Come Dance With Me
- You Can Depend On Me
Amazon.com
This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth VincentelliAlbum Description
From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.
More Diana Krall
All for You: A Dedication to the Nat King Cole Trio |
Live in Paris |
Love Scenes |
The Girl in the Other Room |
Christmas Songs |
Stepping Out |
Customer Reviews:
Diana Krall Excells!.......2007-06-27
(Cute too.)
Buy this one. If you like jazz, it is a Must in your portfolio/collection.
"From This Moment On" ~ Diana Krall.......2007-06-26
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"
Everyone HAS to hear it to believe it!
Mike
From This Moment On.......2007-06-10
What went on with Ms. Krall?.......2007-05-24
Repertoire consists of rather expected standards. All broadly covered brilliantly by so many vocalists in the past. Ms. Krall and her arrangers adds nothing at all.
Singing offers no surprise than a mainstream singer would do.
Orchestra is currently the darling big band of the time being. Good players, rare good ideas, nothing impelling.
There is an original and beautiful arrangement here: for the track 'How Insensitive'.
And that's all. Let's wait for the next Krall album.
There's no one like her.......2007-05-12
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This Is Ryan Shaw
Ryan Shaw Manufacturer: One Haven / RED / Columbia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NJXBYA Release Date: 2007-04-17 |
Tracks:
- Do the 45
- We Got Love
- Nobody
- I Am Your Man
- Working on a Building of Love
- I Found a Love
- I Do the Jerk
- Lookin' for a Love
- I'll Always Love You
- I'll Be Satisfied
- Mish Mash Soul
- Over & Done
Amazon.com
Just when you thought the 21st century retro-R&B revolution was grinding to a sunken-hearted halt, Ryan Shaw comes along and revives the revivalist moment: This Is Ryan Shaw, the 26-year-old's phenomenal debut, dazzles not just because he can sing a song like Bobby Womack's "Lookin' for a Love" without letting the rear-view mirror leach him of his own soul, but because his originals--first single "Nobody," "We Got Love," and set closer "Over and Done"--convincingly replicate the classic sound of such forebears as Otis Redding, Sam Cooke, and Wilson Pickett. Here's a man who can plead, please, and play out love-struck dramas with his voice as though the '60s never ended; if his sound borrows heavily, it pays back what it owes with genuine contributions to the genre. Shaw's is real R&B without the raunch--a return to uplift too self-respecting and sincere to land on the retread pile. --Tammy La GorceCustomer Reviews:
Great Retro debut from really talented singer.......2007-07-12
That said, the songs "Nobody" and "We Got Love" are unbelievably good and worth the price of the disc alone. I've been playing them constantly. In another era they'd garner him instant stardom. They may even do that now.
Whatever 'school' you put him in, Ryan Shaw's definitely head of the class.......2007-07-10
Shaw clearly demonstrates the old adage of RESPECT as well. There's no explicit language or situations that would prevent an Old School grandparent from introducing the kids to this music.
True Soul - Not New Soul.......2007-07-06
Want some new music that's not filled with "B*&%$ and H@$"? You've got to check this young man out! Ryan Shaw is a 26 year old from Decatur, GA that will take you back to the days of sweet soul music with Otis Redding, Wilson Pickett, and Sam Cooke. Great voice and slammin' retro tunes. I'm hoping he gets the air play he deserves on the so-called 'urban' stations.
The cd is a stable, midranger - a few new tunes by the artist, familiar standby's from Bobby Womack and Otis Redding. Right now I'm listening to Nobody, It's Over, and We Got Love. Sweet. Check him out, he's touring this summer with Joss Stone.
Now when you've finished checking this out, go tell yo' momma AND your daughter!
deja vu.......2007-06-28
You'll Be Rocked With This One.......2007-06-27
Average customer rating:
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This Left Feels Right: Greatest Hits With a Twist
Bon Jovi Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DZ3DG Release Date: 2003-11-04 |
Tracks:
- Wanted Dead Or Alive
- Livin' On A Prayer
- Bad Medicine
- It's My Life
- Lay Your Hands On Me
- You Give Love A Bad Name
- Bed Of Roses
- Everyday
- Born To Be My Baby
- Keep The Faith
- I'll Be There For You
- Always
From Amazon.co.uk
First of all, hats off to Bon Jovi for trying something different with This Left Feels Right--a selective collection of their most popular songs with a twist. That twist isn't a purely acoustic reworking, MTV unplugged style--anybody looking for that experience will be sorely disappointed by what's on offer. What Bon Jovi have done is re-record these songs in a completely different way while maintaining the original lyrics, melody and song structure. What's different then? Well, quite a bit actually. Check out the almost trip-hop beat and distorted vocal of "Wanted Dead or Alive", or the lazy soul of "Livin' on a Prayer". "It's My Life" is a beautiful piano-only standout, almost worth having the whole album for.The tracklisting isn't perfect, concentrating largely on their 1980s period (there's nothing from These Days, for instance). As such, the venture works as an effective cheese-extraction exercise, keeping the elements that made the originals so great, but removing shouty, hairspray-fuelled "whoa-yeahs". What we get is something that is closer to Jon Bon Jovi's last solo offering--the criminally underrated Destination Anyway. It doesn't always work ("Bed of Roses" just sounds like a warbling cover of the powerful original and by the time they reach "Always" it's obvious they've run out of new twists), and no doubt there will be legions of bemulleted faithfuls who will denounce this as blasphemy of the highest order. Sure, it's probably just record-company filler, but it's a worthwhile investment and you won't be embarrassed to have it on when your mates come round. --Cortman Virtue
Customer Reviews:
The point?.......2007-06-28
Disapointed.......2007-06-25
"This left feels right" sounds like it was done by a high school cover band trying to be artistic. Ranks WAY below Tesla (see "Five man acoustical jam" for those of you younger then 30).
I am a Bon Jovi fan and bought this without reservation. I suggest you sample the songs before you buy.
Love it........2007-05-09
What a let down!!!!.......2007-03-22
Jon Bon Jovi & Sons songs from the "Funeral Parlor".......2007-02-25
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This Way
Acoustic Alchemy Manufacturer: Narada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PHX55K Release Date: 2007-06-05 |
Tracks:
- Love Is All There Is
- Ernie
- Who Knows
- Slampop
- Out Of Nowhere
- This Way
- Tied Up With String
- Only In My Dreams
- Carlos the King
- Egg
- Now I'm On My Way
Album Description
Acoustic Alchemy are the British acoustic guitar duo of Greg Carmichael and Miles Gilderdale, and with "This Way" they are celebrating a remarkable two decades since their debut with 1987's Red Dust. For all this time they have been a quiet phenomenom, constantly topping the jazz charts in the USA, being nominated for GRAMMY's and touring the world. Following the pop-soul vibe of 2005's "American English", the duo have delivered their most aggressive and swinging, hard rocking and artfully jazzy disc to date. The regular touring/recording band of Terry Disley, Snake Davis, Fred White, Julian Crampton and Greg Grainger are joined by guests such as the buzz-of-today pianist Neil Cowley, trumpeter Rick Braun, saxman Jeff Kashiwa and, on the reggae-tinged Ernie, the great Specials Trombonist, Dennis Rollins. Just two tracks, "Out of Nowhere" and "This Way" feature only the duo - the rest are a fine mix of old-school soul/jazz, funk, reggae, and rock with a mixture of electric guitars, acoustic guitars and the horn section all combining to create a smooth but completely passionate album of classy jazzy guitar music.Customer Reviews:
Not one of Acoustic Alchemy's best albums.......2007-07-15
The current state of AA is like what an Amazon reviewer said about Pierce Brosnan's last 007 movie--that it bore little resemblance to the original Bond. I'm disappointed, although this album is decent enough that I'll probably keep it. Look at the first review of this album; I agree with it.
Great from beginning to end.......2007-07-09
to change your mind about CD purchases! From beginning to end, every track grabs your
attention and excites one emotion or the other. Well versed, well timed, well written and
very well executed.
In listening to this work of art, it is clear that this troupe had a great time producing this.
Everyone whom I have shared this with has fallen for it, and I suspect - no - predict you will too!!
I gave it 4 out of 5, only because I wanted more! Another 3-4 tracks like these would have been
perfect! I just have to wait for their next compilation!
Come This Way.......2007-07-03
Who are Acoustic Alchemy?.......2007-07-03
I've loved these guys since I bought the 1987 MCA Sampler LP that also included Larry Carlton and other up and coming instrumentalists. The element that made AA was the 'focus' on the acoustic guitars through the fresh, infectious melodies of Nick and Greg. They fused many styles, but always with a catchy hook and melody. I was fortunate enough to see these guys live in 1993 prior to their release of 'The New Edge'and also met them after the show(as they often met with fans for autographs) & was a definite highlight as far as live shows go. Really nice English lads! ((Get the 'Best Kept Secret' DVD!~and the counterpart CD, 'Arcanum'! ie: a nice moment when they were in Florida for a gig, and visited the launch of the Columbia Space Shuttle, inspiring them to dedicate a song to the awe that is 'Columbia')).
Since Nick passed on however, it appears to me that the formula that created AA was lost and to cover up for it, the acoustics that would grab you, draw you in and not let go, suddenly became mulit-layered, multi-instrumental, I-hate-to-say-typical, pop-Jazz that only leaves me wondering. Sounds good, and I'm glad that Greg's getting recognition through awards and all, but only pales in comparison to the years prior to the wishfully optomistic 'Positive Thinking'. I applaud Greg for continuing the dream, and I certainly wish him the best, but I'm sad to say, AA has left behind it's 'Natural Elements' for a more safe and formulaic environment.
Superb! Superb! Superb!.......2007-06-10
(...)
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Harry Potter & the Goblet of Fire
Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BGH22W Release Date: 2005-11-15 |
Tracks:
- Story Continues
- Frank Dies
- Quidditch World Cup
- Dark Mark
- Foreign Visitors Arrive
- Goblet of Fire
- Rita Skeeter
- Sirius Fire
- Harry Sees Dragons
- Golden Egg
- Neville's Waltz
- Harry in Winter
- Potter Waltz
- Underwater Secrets
- Black Lake
- Hogwarts' March
- Maze
- Voldemort
- Death of Cedric
- Another Year Ends
- Hogwarts Hymn
- Do the Hippogriff
- This Is The Night
- Magic Works
Amazon.com
Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth VincentelliAlbum Description
Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.Customer Reviews:
Harry Potter moves on.. and so does the music.......2007-05-23
I own all four albums, and as avid a fan as I am of John Williams, I would have to say "The Goblet of Fire" rates up there with "The Philosopher's Stone" (which really did set the standard for the rest of the following albums). In fact, I would have to say that "The Goblet of Fire" is my favourite. The music is quite simply beautiful and atmospheric. Standouts are "Harry In Winter" (this particular track I can't help but have on repeat mode in the car), "Death of Cedric" and "Foreign Visitors Arrive". "The Quidditch Cup" makes me want to catch the next plane to Ireland! And call me old-fashioned, but "Neville's Waltz" and "Potter Waltz" are pleasant and lovely to the ear.
As for the rock songs at the end, I usually bypass them. Some complain about the jarring disconnect between the orchestral aspect of the soundtrack and the loud rock of the end - well, at least they're at the end and not in the middle! And let's face it. How many people would have grumbled that those songs that featured at the Winter Ball were left out?
I've always loved the work of Patrick Doyle (e.g. "Sense and Sensibility" and "Much Ado About Nothing"), and this soundtrack is no exception. He didn't 'fill' John Williams' shoes on this score. He pretty much created a new pair. Harry's story and personality have shifted on. It would be remiss of us to think the music wouldn't evolve as well.
So has this soundtrack lost that feeling of magic? I would have to say a resounding 'no'. It's certainly a lot more listener-friendly than "Chamber of Secrets"!
The Magic is Gone.......2007-05-10
Atmospheric...But That's About All.......2007-03-31
Musically Spellbinding.......2007-01-09
Wonderful as always.......2007-01-04
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House Party
Dan Zanes Manufacturer: Festival Five Rec. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CC85J Release Date: 2003-10-07 |
Tracks:
- House Party Time
- Wabash Cannonball - with Bob Weir
- Queremos Bailar
- Hop Up Ladies
- Washington At Valley Forge
- Jamaica Farewell - with Angelique Kidjo
- Tankoh-Bushi
- Down In The Valley
- Waltzing Matilda - with Deborah Harry
- West Indian Counting Song
- Sunny Old Sun
- Tennessee Wig Walk
- Shining Star
- How Do You Do? - with David Jones
- Daniel In The Den
- Surrounded By Friendship
- Old Joe Clark
- Hey Little Red Bird
- We Shall Not Be Moved
- A Place For Us - with Phillip Glass
Amazon.com
For parents, listening to Dan Zanes provides not only instant Raffi relief, but also the warm sense of belonging to the right crowd. On each disc he trots out a posse of cool friends like Sheryl Crow, Suzanne Vega, and Lou Reed and he delivers his openhearted lyrics with the rare roots-rocker's gift for stirring grace into grit. It would seem that the release of his fourth record, House Party would be ripe for a backlash--how long can the hokey conceit of a bunch of aging groovsters banging out kids' tunes in a Brooklyn basement hang onto its charm? Looks like we'll have to wait and see, because House Party rages on with the same winning, welcome-to-our-homespun-revolution vibe as its predecessors. Deborah Harry takes a twirl on "Waltzing Matilda," Bob Weir fires up the "Wabash Cannonball," and Angelique Kidjo bids "Jamaica Farewell," but the Zanes originals are this record's proving grounds, and they pin the tail on the donkey with bulls-eye precision. Contributions from returning regulars Barbara Brousal and Rankin' Don--the best couple of favors a party could hope for--send Zanes' campaign to become the guy who turned lampshade-wearing into a kindergarten fashion craze soaring. --Tammy La GorceCustomer Reviews:
Dan's first album...Wiggle the Wiggles out of your CD Player.......2007-06-12
So do yourself a favor, swap out Wiggles or Barney for Dan and his Friends, and enjoy kids music once again.
Thank goodness for Dan Zanes!!!!!!.......2007-05-21
When I was a single college gal, I remember listening to very hip, fun music. Then came pregnancy and babies. Then Baby Einstein music (which is good, but sounds like someone's ballerina jewelry box after awhile), Barney, Sesame Street and nursery rhyme CDs that took over my music collection. Ack!!! What happened to me? I decided it was time to search for something new for me and the kids to listen to.
After finding this CD and loving it, I just assumed that my one-year-old and four-year-old would not like DZ because it sounded too different from what they were used to. Boy, was I wrong! My older one thinks she is listening to "cool music" -- which she is! We especially like the "Wabash Cannonball" but every song on here is a hit with my kids. The guy is truly talented, and it's just great stuff. And it's fun to hear the celeb singers on a kid's album. Finally, we all have "cool music" to listen to!
My daughters favorite!.......2007-05-14
Dan is her new best friend.......2007-05-13
Kids love it.......2007-03-09
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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001FLQ Release Date: 1990-10-25 |
Tracks:
- Overture
- Think Of Me
- Angel Of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Prima Donna
- All I Ask Of You/Reprise
- Entr'acte
- Masquerade
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More.../Track Down This Murderer
Amazon.com
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David HoriuchiCustomer Reviews:
Music of the Night????????.......2007-02-28
Great short version!.......2006-12-06
A long time favorite.......2006-08-26
The Best Recording of this Show Available.......2006-04-21
1)It has the original Broadway cast, the best.
2)It cuts out the more risqu? parts of the show (believe me, there are some), making it "appropriate for the whole family."
3)The entire CD is on one disc, so you can go through the show w/o switching discs.
4)The only song that the movie soundtrack has on it that this doesn't is "Learn to Be Lonely," which appears in the credits, and isn't really a great song anyways.
Great CD.......2006-03-14
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Beat This: The Best of the English Beat
The English Beat Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NOZD Release Date: 2001-09-11 |
Tracks:
- Mirror In The Bathroom
- Best Friend
- Hands Off She's Mine
- Too Nice To Talk To
- Doors Of Your Heart
- I Confess
- Twist And Crawl
- Rankin Full Stop
- Drowning
- Save It For Later
- Sole Salvation
- Click Click
- Tears Of A Clown
- Can't Get Used To Losing You
- Stand Down Margaret
Customer Reviews:
Commit to the Genre, Dude!!!.......2007-03-14
The best praise really came from the Japanese-American ballet dancer I took to see The Beat at Berkeley's Greek Theatre. She said they were "excellent" and later that night realigned my ska-dance weary spine with her massive calves!! (Another attendee was not so lucky: As Bow Wow Wow opened for The Beat, a crazed fan jumped on stage and was tackled by security guards at Annabella's feet! OwwwwOOOHHHHH!!! That deserved another bota bag squirt!!!)
Only 4 stars for two reasons 1) The Beat only had three original albums (and ALL the songs are "best of"). You can get all three for as low as $20. 2) The Beat's two leads - Dave Wakeling and Ranking Roger - left the band so they could split new money between the two of them instead of with all six players. The Beat's anti-greed and socialist unity lyrics are forever tainted.
Wakeling and Roger left and formed General Public, whose "All the Rage" was not a massive seller, but was THE party album of 1984-5. (It's been said that only a few people bought Velvet Underground's first album, but everyone who did started a band. Everyone who bought "All the Rage" got freakin' loaded, man!!! OwwwwwOOOOGGGAAACHAKA!!!) The single "Tenderness" has been used in the Weird Science and Clueless films, and in countless drunken "courtship" attempts. General Public's follow up LP "Hand to Mouth" sold weakly, but was great as well.
Two Beat players that were left behind (termed "redundant" in Brit-speak) by Wakeling and Roger's quest for lucre were David Steele and Andy Cox, who drafted singer Roland Gift and formed Fine Young Cannibals. FYC went multi-platinum with "The Raw and the Cooked" (far exceeding General Public's sales) and saturated American airwaves with "She Drives Me Crazy" (make it stop!) and other hits. IMHO, FYC was calculated/perfected chart pop (ALL cooked) that gave the nation a quick sugar rush. Their next album was remixes of the SAME SONGS from "The Raw and the Cooked." At the time, Madonna or Paula Abdul could get away with that -- FYC just overexposed and let us know they were played out.
In short: Party girls and smart chicks dig a lot more songs than are offered on "Beat This." Save your money up and get all three real Beat albums, and then General Public's first, and then get a keg of Guinness and unroll the Twister mat. (And move the precarious vase that's on the mantle).
A fine introduction to an underrated band.......2007-01-26
Find yourself a copy of this album. It's a great party CD, and I used to listen to it near-religiously. Great music. The Beat were a more authentic Police when it came to mixing reggae and punk, thanks to their brilliant saxman Saxa: that's saying something, since the Police were also an authentic reggae band. Every song on this one's a gem, unlike on some of their studio albums: if you're a casual fan, this is all the Beat you need.
Beat This: The Best of the English Beat.......2007-01-10
Its a Great Beat.......2006-10-19
When I finally purchased "What Is Beat?" on tape, their first compilation album, I was in heaven. When my music collection converted to CD, "What Is Beat?" was one of the first CDs I purchased. It was a slight disappointment, though, because the CD could not hold as much music as the tape did and a few songs had to be cut. Bummer.
When I found "Beat This!" a few years ago, I was thrilled. Even though there were many repeat songs, it also included some that were cut from the "What Is Beat?" CD and a few that were never included such as "Click Click" and "Drowning." I still have both CDs and each fulfills a different purpose.
Ultimately, though, these Best Of albums will never tell the whole story but they are a great start to this ska band. If you like "Beat This!," be sure to check out their original albums as well for other gems that just didn't fit with the time limitations.
This is the beat you're looking for.........2006-07-11
I think everyone will find what they're looking for in a collections album when they purchase this, and it's a great cd to start off with if you don't have anything else by The Beat.
The cd ranges over the many genres and influences that are jam-packed into this bands talent to a perfect blend, but this one will always stick alongside my ska and reggae collection.
So put it on direct play, or shuffle - you'll thoroughly enjoy it either way.
Average customer rating: |
This Delicate Thing We've Made
Darren Hayes Manufacturer: Powdered Sugar ProductGroup: Music Binding: Audio CD ASIN: B000SUKPR0 Release Date: 2007-08-21 |
Tracks:
- Fear of Falling Under
- Who Would Have Thought
- Waking the Monster
- How to Build a Time Machine
- Casey
- Step into the Light
- Sing to Me
- Conversation with God
- Sun Is Always Blindind Me
- Listen All You People
- Only Opne
- Bombs Up in My Face
- Great Big Disconnect
Tracks:
- Future Holds a Lion's Heart
- On the Verge of Something Wonderful
- Neverland
- Walk Away
- Maybe
- Me Myself And (I)
- Lucky Town
- I Just Want You to Love Me
- Setting Sun
- Hundred Challenging Things a Boy Can Do
- Words
- Tuning of Violins
Average customer rating:
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Is This It
The Strokes Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QIPH Release Date: 2001-10-09 |
Tracks:
- Is This It
- The Modern Age
- Soma
- Barely Legal
- Someday
- Alone, Together
- Last Nite
- Hard To Explain
- When It Started
- Trying Your Luck
- Take It Or Leave It
Amazon.com's Best of 2001
With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Is This It. On the strength of just five songs released on two singles, the Strokes were being hailed as everything from the saviors of rock & roll to the Savior himself. Surely, few bands could live up to the impossibly high standards set for this young five-piece, but the band needn't have worried: Is This It is one of the most exciting and energetic debut albums to spring from New York's long-dormant club scene. In fact, the Strokes are a New York City band through and through; like the Velvet Underground, these are a bunch of uptown artsy types elegantly slumming downtown to the tried and tested themes of sex, drugs, and rock & roll. Their singer-songwriter, the fantastically named Julian Casablancas, delivers his lyrics with a weary nonchalance that belies his age on songs like the title track, "Soma," "Hard to Explain," and the altogether wonderful "Barely Legal." And the band recalls the likes of Television and the Stooges on "Last Nite" and "The Modern Age." Let's hope this sexy, stylish, and undeniably cool band is the future of rock & roll. --Robert BurrowCustomer Reviews:
The most overrated album of the 21st century so far.......2007-06-24
fun.......2007-06-11
You need to hear this. The songs make it a true classic. .......2007-06-07
A Classic Album.......2007-05-30
I certainly wasn't aware of all the hype surrounding the Strokes -- their look, alleged influences, "importance to rock music," etc. All I knew was their hit, "Last Night," and remember thinking: "that's a catchy tune, but it seems to me that the singer is trying to sing like Lou Reed on "Rock 'n Roll" and the guitarist stole the riff from Tom Petty's "American Girl." The video from the same song reminded me of the High School bands that I remember seeing back in the early-to-mid '80s.
I kind of liked it, but just sort of forgot about the Strokes. It seems that along the way a lot of others have forgotten about the Strokes, too, which I mostly blame on the Strokes, themselves. But I'll get to that later.
But first, since becoming an "Is this It" devotee and diving back into the music scene, I've concluded that the Strokes were terribly misunderstood back in 2001. I think part of it has to do with how important a "rock scene" is to critics -- how is shapes their views of The Velvet Underground, Sonic Youth, Television, etc. I think critics back in 2001 wanted very badly for the Strokes to be a second coming of SOME NY band that came out any of the oft-noted NY rock scenes of the past. Some just fabricated the connections and praised them for it; others realized this wasn't the case and slagged them as poseurs.
To name some examples: I think that the comparisons to Television and The Stooges border on ludicrous. Comparisons to The Velvet Underground are valid, but mostly insofar as they relate to the similarity between Julian Casablancas' vocals and Lou Reed's on "Rock 'n Roll" and "Head Held High" (off the Loaded album). Frankly, in addition to the above-mentioned Tom Petty riff, some of the stuff from Joy Division and the Cure sound closer to the Strokes' sound than these other bands. Heck, I think I heard the Repitilia opening riff on Belle & Sebastian's "Judy Dick Slap."
But that's neither here nor there, because what I've learned from listening to a bunch of current bands that I like -- The White Stripes, The Raconteurs, The Shins, Spoon, Of Montreal, etc. -- is that that they ALL lift riffs, melodies, etc. from others. Heck, even Radiohead, on their epic OK, Computer, sounds an awful like Pink Floyd, the Smiths, and even Rush, in parts. So, yes, the Strokes might have clipped together sound fragments they liked, but they did it artfully (unlike, say, Oasis, who I like, but don't love partly for this reason), in my opinion, like many other excellent bands do.
The important thing here is the songs -- and the songs on this album are all great -- not "epic", but extremely catchy and unique. Unless I'm completely out of touch -- and that's a distinct possibility -- if I were in college today, "Is this It" would be one of the first and last records I would go to if I had a little party going on in my dorm room.
If someone wants to argue that the songs are "slight," OK, I'll buy it. If someone wants to say that there are roughly two songs here -- one more "Rock 'n Roll" and the other more "New Wavey" -- played five different ways each, I'll buy that, too. Finally, if someone wants to say that the band, itself, doesn't show true "virtuosity" as musicians or that the record, itself, didn't push new musical boundaries, like, say, "Sgt. Pepper," "Dark Side of the Moon," "OK Computer," etc., fair enough.
Except in the case of Julian Casablancas, who delivers the finest vocals on this record as almost any you'll ever hear since Kurt Cobain on Nevermind or Tom Yorke on OK, Computer. Some describe Casablancas' vocals as "listless" or "bored," but this only tells a small part of the story. Yes, at times he does sound bored, but then oftentimes, he'll go from bored, to growling, to outright shouting. Just check out "The Modern Age," "Last Night," "Take it or Leave it," well almost every song. One could argue that Casablancas' vocals are aided by a megaphone-like distortion; I don't disagree, but that doesn't change how effective they are for me. IIf all you did was focus carefully on Casablancas' vocals, I think there's a chance you'd become as hooked on this record as I have.
In fact, I urge you to do just that.
And on the note of production, I think the band and Gordon Raphael made a brilliant decision to make the album "sound" as retro as it does. The Strokes asked Raphael to produce a record which sounded like it was a band from the future returning to the past -- and he did. This album sounds, in style and substance, like it could have served as the soundtrack to "Fast Times at Ridgemont High."
Unfortunately, the Strokes haven't been productive, recording-wise, since "Is this It," coming out with only two records -- the good-but-not-great "Room on Fire" and "First Impressions of Earth" -- in the nearly-six years since then, and unlikely to produce another until at least 2008. And that's a shame.
Just imagine if we were sitting here, say, in 1989, and R.E.M. had only "Murmur," "Fables of the Reconstruction" and "Green" to show for themselves; or in 1970 and the Beatles had only made a "Please Please Me/With the Beatles" combo, "Beatles for Sale" and "Let It Be." [No, I am not saying that the Strokes are in the same class as either band, especially the Beatles]. They'd each have done some great stuff and some good stuff, but would have also missed out on producing almost two-handfuls of classic albums between them.
The Strokes SHOULD have come out with an album between "Is This It" and "Room on Fire;" they SHOULD have come out with TWO albums between "Room on Fire" and "First Impressions of Earth." Heck, I'd argue that they maybe they SHOULD have come out with an album since "First Impressions of Earth." Then, maybe, we'd have another classic Strokes' album or two to enjoy, in addition to the one we have with "Is this It."
Fun, fast and punchy - 4.5 stars.......2007-05-13
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