New Standards

Product Description
Put on "New Standards" and find yourself in a dark corner of a smokey cabaret, halfway through a bottle of low-brow Bordeaux. These intimate, obsessive songs teeter between the tragic and comic sides of love. Featured are Jerret's crafty lyrics, sultry voice and revivalist sensiblity. He is backed by an international sound palette, including vibes, upright bass, accordion, conga, and vintage organ. Similar artists include Tom Waits, Leonard Cohen, Chet Baker, Serge Gainsbourg, Nick Cave, and Paolo Conte.

New Standards,Jarrett Cordes,Label Vunkturi,Dark, intimate and obsessive torch songs that teeter between the tragic and comic sides of love.

Average customer rating: His Best Yet My oh my, We make a lot of Love! This is the BEST! Makes me remember why I love Harry! Would give it more than 5 stars if I could! A classy salute to the city of New Orleans!

Oh, My Nola Harry Connick Jr. Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music New Orleans Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Contemporary R&B | R&B | Styles | Music General | R&B | Styles | Music General | Funk | R&B | Styles | Music Jazz Funk | Funk | R&B | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Chanson du Vieux Carre Not Too Late Freedom's Road Into White Duets: An American Classic ASIN: B000I2KNU2 Release Date: 2007-01-30

Tracks:

1. Working In A Coal Mine
2. Won't You Come Home, Bill Bailey ?
3. Something You Got
4. Let Them Talk
5. Jambalaya (On the Bayou)
6. Careless Love
7. All These People (Original Recording)
8. Yes We Can
9. Someday
10. Oh , My Nola - (Original Recording)
11. Elijah Rock
12. Sheik of Araby
13. Lazy Bones
14. We Make A Lot Of Love - (Original Recording)
15. Hello Dolly
16. Do Dat Thing - (Original Recording)

Amazon.com

Fresh off his Broadway stint in The Pajama Game, Harry Connick went back to his New Orleans roots and recorded a pair of albums in tribute to his hometown. Released the same day as the similarly themed but mostly instrumental Chanson du Vieux Carré, Oh, My Nola is a loose, effortlessly swinging album that ranks among Connick's best. He traces New Orleans' prodigious musical legacy with well-chosen covers peppered with some originals. Though he wrote only four tracks, at least one of them, "All These People," is a stand-out--a mid-tempo elegy about the immediate aftermath of Hurricane Katrina, with a strong contribution from gospel great Kim Burrell. When it comes to the covers, Connick chose tracks that either originated in New Orleans or found particular resonance there. The funky, exuberant take on Allen Toussaint's classic "Working in a Coal Mine" that opens the CD reflects the flavor of things to come, but even more fun are the seemingly left-field picks--you'll never think of "Hello Dolly" the same way after listening to the version found here. --Elisabeth Vincentelli

Amazon.com

Having grown up in New Orleans, Harry Connick, Jr. is an iconic product of a city famous for its rich musical history. His new release, Oh, my Nola, is the endearing ode to the rebirth of his hometown and the bright spirit of her people. The album is an impressive collection of classic songs associated with the city and her culture, and also features four original compositions. Sony BMG Music Entertainment and Harry Connick, Jr. proudly sponsor the New Orleans Habitat Musicians Village. For more information, visit http://www.habitat-nola.org/projects/musicians_village.php.

More from Harry Connick, Jr.

When Harry Met Sally: Music From The Motion Picture	Come by Me	30
Only You	Harry On Broadway: Act 1	Chanson du Vieux Carre

Customer Reviews:

His Best Yet.......2007-07-15

I love every track on this this CD. I admit to trepidation upon hearing his version of "Jambalaya" but I think I prefer his version.

One of the best songs on the track, IMHO, is "Elijah Rocks", a song I'd never heard before. Usually repeat this one before gpoing on to the next tune.

His versions of "Bill Bailey" & "Hello Dolly" are equally excellent. They don't sound like I remember them, they sound better.

Also, he is definitely the star here, but he allows his band mates to have their turn in the spotlight. It isn't all about him.

Knowing the history behind "All These People" makes it even more poignant. Another new fave song of mine.

I esp like the fast upbeat songs, but even slow numbers like "Careless Love" & "We make a Lot of Love" are excellent.

"Yes We Can" is another one I remembered well by the Pointer Sisters. The message is esp. timely today & I love his version of it.

To be honest, I didn't find a bad song on the entire CD & I think this is his best work yet.

My oh my, We make a lot of Love! This is the BEST! .......2007-07-11

I cannot stop playing: We Make A lot of Love, Someday, Sheik of Araby, Elijah Rock, Something You Got, never a dull moment on this CD. I am long time fan and I love this. Great arrangements, great band. He is in excellent voice and his chops on the piano! This is what makes me buy his stuff on sight. Thanks to very interesting liner notes which gives the listener insight to each track. It's funky, jazzy, bluesy and all together soulful. Check out his very interesting duet with gospel artist, Kim Burrell!

Makes me remember why I love Harry!.......2007-07-10

I haven't bought a new Harry Connick Jr. cd in a while. I saw this one looking up at me in a store and I just had to have it. I popped it in to play as soon as I reached the car. I was blown away by this cd. The rhythm and soulful singing really spoke to me. Absolutely wonderful music!

Would give it more than 5 stars if I could!.......2007-06-28

I am great big HCJ fan, have been since "We Are In Love". But this is by far my favourite. I hope they come for a tour in Malaysia again, saw them in 2005, it was a wonderful experience.

A classy salute to the city of New Orleans!.......2007-06-03

I have always been fascinated with the rich musical history of New Orleans. Native son, Harry Connick Jr. pays tribute to this rich musical legacy with this outstanding representation of the city's heritage. He features old classics like "Bill Bailey" (done in a classy style that reminds me of Count Basie's big band sound), the Lee Dorsey classic "Workin In a coal mine" really kicks butt, "Yes we can can"...
makes me want to join the Mardi Gras parade, the bluesy "Someday" is fascinating etc. etc. There really isn't a bad cut on this album. Mr. Connick is a master musician/arranger and singer and he's made himself a classic album. Buy it and you won't regret it.

Average customer rating: So much more than "ear candy" music--BRAVO, STEVE TYRELL !!! WOW!!!!!!! Great singer, great album. TIME REMEMBERED Mister Smooth!

A New Standard Steve Tyrell Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music $8.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $8.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Standard Time This Guy's in Love Songs of Sinatra This Time of the Year Disney Standards ASIN: B00001QEOK Release Date: 1999-09-21

Tracks:

1. Give Me The Simple Life (From Father Of The Bride, Part II)
2. On The Sunny Side Of The Street (From Father Of The Bride, Part II)
3. I Can't Get Started With You
4. Don't Get Around Much Anymore
5. The Very Thought Of You
6. I've Got My Love To Keep Me Warm
7. A Kiss To Build A Dream On
8. I'm Through With Love
9. I Can't Give You Anything But Love, Baby
10. Cheek To Cheek
11. I've Got The World On A String
12. It's The Mood That I'm In
13. I'm In The Mood For Love
14. The Way You Look Tonight (From Father Of The Bride)
15. I'll Be Seeing You
16. For All We Know
17. Smile

Amazon.com

A New Standard builds on the popularity of Steve Tyrell's appearances in the Father of the Bride movies. In addition to "The Way You Look Tonight" (from the Father of the Bride soundtrack) and "Give Me the Simple Life" and "On the Sunny Side of the Street" (from Father of the Bride, Part II), the album features Tyrell singing 14 more standards in a casual, gravel-throated style. A New Standard includes the final recorded performances of trumpet great Harry "Sweets" Edison, who solos on "Don't Get Around Much Anymore" and "I've Got the World on a String." Other notable guests include Clark Terry, Plas Johnson, Joe Sample, and Toots Thielemans. But the real keys to the album's success are the impeccably crafted arrangements of rhythm guitarist Bob Mann and Tyrell's unpretentious, warm-hearted vocal delivery. In contrast to so many neoswing wannabes, Tyrell approaches these timeless tunes with the R&B-bred soul of a gray-haired baby boomer who's just discovered his parents' record collection. In the jazzbo tradition of Louis Armstrong and Jack Sheldon, he doesn't try to blow anyone away with his chops. He just sings the songs with an infectious enthusiasm and easy swing that's impossible to dislike. --Rick Mitchell

Customer Reviews:

So much more than "ear candy" music--BRAVO, STEVE TYRELL !!!.......2007-06-15

Steve Tyrell will not disappoint you on his CD entitled A New Standard. I agree with Amazon when they state that he sings with the enthusiasm of an older baby boomer who just discovered his parents' record collection. All throughout this CD, Steve sings remarkably well and his slightly gravely voice exudes energy and masculine warmth.

The CD track set begins with two songs from the movie entitled Father Of The Bride, Part II. "Give Me The Simple Life" signals the beginning of a CD that is soothing and just plain wonderful to enjoy. Bob Mann's arrangement makes great use of the percussion; and the music complements Steve's performance perfectly. "On The Sunny Side Of The Street" has always been a favorite of mine; and Steve treats this ballad with an infectious enthusiasm and a type of boyish playful energy that charms you instantly. Bob Mann plays guitar very well to enhance the beauty of "On The Sunny Side Of The Street," too. Listen closely and you'll also hear Steve improvising some of the lyrics, too--and this works well on this number.

"I Can't Get Started With You" lets Steve sing of how, despite financial and material success, he cannot be truly happy without his one true love. Once again Steve improvises some of the lyrics for a great effect. Awesome!

Steve's interpretation of "Don't Get Around Much Anymore" sparkles; and the trumpet solos by Harry "Sweets" Edison and Clark Terry add color to this classic ballad. Joe Sample plays the piano magnificently, too.

"I Can't Give You Anything But Love, Baby" is another high point for this album; Steve's jazzy rendition infuses this standard with new depth and a type of vigor you just don't hear too often these days. Bob Mann plays great guitar as Bob Magnusson weaves magic on bass; Steve's vocals and the work of the band create a sublime rendition of "I Can't Give You Anything But Love, Baby." "Cheek To Cheek" boasts a great arrangement by Alan Pasqua; and Steve performs "The Way You Look Tonight" better than I've ever heard this number done.

Other high points on this CD include "I'll Be Seeing You" written by Sammy Fain and Irving Kahal; Steve plays with the tempo of the vocals ever so slightly to add an extra touch of class to "I'll Be Seeing You." In addition, "Smile," the last track, features a harmonica solo by "Toots" Thielemans that shines like pure gold. I wish Steve had performed "Smile" at just a slightly slower tempo; but "Smile" reflects good judgment nevertheless.

The liner notes include great black and white photos of Steve and the members of the band; and Steve writes a few words thanking the numerous people who helped make this album a reality. Burt Bacharach personally adds a small tribute to Steve as well.

It is increasingly rare that an artistic male singer of our times is bold enough to tackle the older standards the way Steve does; and the way Steve makes it seem so easy proves that he has a special gift to share with us. I would highly recommend this CD for Steve Tyrell fans; and anyone who enjoys classic pop vocals will love this CD as well.

Enjoy!

WOW!!!!!!!.......2007-03-19

My family and I borrowed this cd from the library, but had to buy it just a few weeks later because we liked it so much! "Don't Get Around Much Anymore" is a great song with a great swing.... if you are in any way a jazz fan, buy this cd!

Great singer, great album........2007-01-18

Have been a fan for a long time. Steve just keeps getting better and better, if that's possible. Highly recommend it to all romantics and need-to-be romantics!

TIME REMEMBERED.......2006-03-15

This wonderful collection of standards, given superb treatment by Steve Tyrell and his A1 musicians, takes me back to the time when music and lyrics had class. A CD to add to my top-drawer collection.

Mister Smooth!.......2006-03-14

This collection of songs has to be one of the best collection of renditions I have ever heard.
Steve Tyrell's voice is very distinct. Sometimes playful, other times a true crooner. But he really does justice to the choice of music here.
'Give Me The Simple Life', 'On The Sunny Side Of The Street' and 'The Way You Look Tonight' (An all-time favorite of mine) are done to perfection.
All tracks are done straight with a great orchestra and arrangements, no doubt. Hearing this cd I thought to myself that he would be a better 'sinatra-esque' than a few others out there. The reason being his voice.
I can't say much more than that. I promise if you like standards, you will really really really like this cd. Give it a shot.

Average customer rating: Great Jazz Great Stuff Harry Connick, Jr.- Chanson du Vieux Carre See What Happens Sweet New Orleans jazz

Chanson du Vieux Carre Harry Connick Jr. Manufacturer: Marsalis Music ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music New Orleans Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Similar Items: Oh, My Nola Not Too Late Harry On Broadway Act 1 Occasion: Connick on Piano, Vol. 2 Call Me Irresponsible ASIN: B000ICMFNK Release Date: 2007-01-30

Tracks:

1. Someday You'll Be Sorry
2. Panama
3. Ash Wednesday
4. Chanson du Vieux Carré
5. Bourbon Street Parade
6. Petite Fleur
7. Fidgety Feet
8. Luscious
9. New Orleans.
10. I Still Get Jealous
11. That's A Plenty
12. Mardi Gras in New Orleans

Amazon.com

As a Sinatra-molded swinger, Harry Connick, Jr. may have had some of his thunder stolen by young star Michael Buble. But with his raved-about performance on Broadway in Pajama Game and his continuing development as a jazz pianist, he's doing quite nicely, thank you. Chanson du Vieux Carre is one of two new simultaneously released big band tributes to his hometown of New Orleans by him. Released on Marsalis Music, it is a largely instrumental big band session divided between originals and classics that shows off his writing and arranging skills while featuring his longtime trumpeter Leroy Jones and trombonist Lucien Barbarin on incidental vocals. (Connick is in full vocal mode on Oh, My Nola, released by his longtime "A" label, Columbia.) Though his surprisingly few turns at the piano are mostly Basie-like in their edgy economy, his coloristic, sectional approach on tunes such as his own "Luscious" and Hoagy Carmichael's "New Orleans" evokes Duke Ellington. Named for the storied old section of the French Quarter, the album takes a few songs to get going, but once it does, it has plenty of spark and swagger--and heart. The ghostlike background voicings on Sidney Bechet's "Petite Fleur" seem to embody spirits of New Orleans past while it's always great to hear Connick honor his onetime mentor, Professor Longhair, on Longhair's bumptious "Mardis Gras in New Orleans." --Lloyd Sachs

Album Description

For Harry Connick, Jr. and the members of his big band, New Orleans has always been a constant state of mind. Connick's hometown, the birthplace of so much of America's musical culture, defines all of his performances, but never more so than on Chanson du Vieux Carré, the third disc in the Marsalis Music label's Connick on Piano series. The album was conceived and executed in May 2003, well before Hurricane Katrina, and showcases Connick's talents as a pianist, arranger of favorite New Orleans classics, and composer of three titles in debut performances. While Connick does not sing on the recording, key band members Lucien Barbarin (trombone) and Leroy Jones (trumpet) do. Chanson du Vieux Carré is a Crescent City love letter, composed two years before the deluge yet never timelier. The album will be released on January 30, 2007, the same day Columbia Records issues Connick's vocal tribute Oh, My NOLA. A portion of Connick's royalties from both discs will benefit New Orleans Habitat Musicians' Village.

Customer Reviews:

Great Jazz.......2007-06-30

Another great album in the Connick series. This one is more upbeat than Other Hours and alomost as good. If you don't have Other Hours, get that one too.

Great Stuff.......2007-05-13

No vocals from Harry, but it's great to hear his band at the forefront. Very unique and interesting arranging.

Harry Connick, Jr.- Chanson du Vieux Carre.......2007-05-02

I have mixed feelings about Harry Connick, Jr. The jazz lover in me often pleads with other aficionado's to not shoot the innovative piano player, but please off the reckless crooner Connick can be.

Fortunately, Connick sticks to the ivories in his more lucid moments and on his latest effort, Chanson du Vieux Carre', he makes his grand piano perform wondrous magic along with his sensational big band.

Chanson du Vieux Carre' is a tribute to New Orleans and the cross cultural hybrid of blues, old time spirituals, and honky-tonk that earned the moniker of New Orleans jazz. Connick and his band rip several pages from past giants such as Louis Armstrong and the Preservation Hall Jazz Band to make Chanson, however, this doesn't diminish the amazing power and overflowing spirit that lifts Chanson du Vieux Carre' to masterpiece status.

Like many of Connick's past big band efforts, he is nearly imperceptible, working as a small piece of an ensemble musical landscape. The band features some incredible players, including regular Arthur Latin on drums, Dave Schumacher on baritone saxophone, Mark Mullins, Craig Klein, John Allred, and the incomparable Lucien Barbarin on trombones, Jerry Weldon and Mike Karn on tenor sax, and the steady backbeat of Neil Caine's standup bass. Together, they navigate the salty waters of standards like Armstrong's "Someday You'll Be Sorry", Sidney Bechet's "Petite Fleur", Hoagy Carmichael's "New Orleans", and Sammy Cahn's "I Still Get Jealous"; plus about half dozen of Connick's original compositions. Each song is arranged brilliantly, making the most of the steamy sensuality of Crescent City jazz.

It's hard to know where not to recommend this album, but standout performances include Barbarin's vocal and solo trombone tracks on Connick original "Luscious", the unexpected horn blasts on "Someday You'll be Sorry", and the jump up and shout enthusiasm of the final track "Mardi Gras in New Orleans". The entire album succeeds in weaving a voodoo spell that will have jazz fans grooving zombie-like under its myriad charms.

Connick himself finds a groove too, and is smart not to hog the show with his solo work. When he does solo, it's simple and non-obtrusive, showing a great loyalty to the sound that has captivated him since childhood.

If all of that's not enough to convince you to buy this album, then you should also know that the profit from this album will go to building an old musicians home in the lower Ninth Ward of New Orleans, and to help with the reconstruction of the area in general.

So as much as I'd like to see Harry Connick the singer laid to rest, the pianist has made a huge contribution to jazz preservation with Chanson du Vieux Carre'. In so doing, he has earned his place among the legends of the musical form, and for the heart that has driven him to make this album.

See What Happens.......2007-04-19

It's been rumored that reviewers in these parts can get away with making passing references to *other* titles that cross their minds while enjoying the release at hand. Proof of that can be seen elsewhere on this very page, and it's a great thing. Here's the kicker - go so far as to actually "insert a product link" and your review will be deemed subversive, doomed to censorship at best, and probably completely annihilated by the time you come around to looking at it again. So here goes nothing...

"Chanson du Vieux Carré" is a wonderful collection of Crescent City big-band charts by Mr. Connick, Jr. and company. Having nothing to do with Katrina as the sessions themselves date back to 2003, you can nevertheless feel the teamwork and dedication put forth by players who respect each other and love the music they are making. Turns out that having this disc handy provides one with the perfect tonic for a fine gin like Tom Sancton's 2006 account "Song For My Father: A New Orleans Story in Black and White" (Other Press). Later we'll add a product link here and see if the whole review dies.

How about one more? Fans of Harry Connick, Jr. the pianist and composer can also be abundantly rewarded for their time and effort by another of his instrumental albums from yesteryear, "Lofty's Roach Soufflé", a trio outing on Columbia made in 1990 that reveals the not-so-subtle impact of Thelonious Monk on Connick's music-making. It's lots of fun, as is "Chanson". Both come highly recommended. Now watch - soon as we add a link for LRS this thing is DOA.

Sweet New Orleans jazz.......2007-04-18

"Chanson Du Vieux Carre" is wonderful, traditional New Orleans jazz. Classic pieces written by jazz greats like Louis Armstrong and Hoagy Carmichael are inter-mingled with Connick compositions that not only pay homage but sound right at home next to the old favorites. This was recorded in 2003, according to Connick's liner notes, during the same studio sessions in which he and his band recorded "Harry for the Holidays," and "Only You." For the most part, this album is without vocals, with notable exceptions on "Someday You'll Be Sorry," "Luscious" (sung by trombone-player extraordinaire Lucien Barbarin), and "Bourbon Street Parade," which showcases trumpet-player Leroy Jones. The haunting Connick title composition was previously released on the album "Occasion," a piano/saxophone pairing with Branford Marsalis. If you're looking for songs you can sing along with, don't miss "Oh My Nola," the Connick album released on the same day as this one.

Average customer rating: A Good Selection, An Odd Accompaniment to the Documentary Great Intro to Jazz Ken Burn's Jazz CD A must have.. Good starter set for jazz beginners

Ken Burns's Jazz: The Story of American Music Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Classic Female Vocal Blues | Blues | Styles | Music General | Dance & DJ | Styles | Music General | International | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music New Orleans Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Vintage Dance Bands | Swing Jazz | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Compilations | Jazz | Styles | Music Bebop & Post-Bop | Compilations | Jazz | Styles | Music New Orleans & Dixieland Jazz | Compilations | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music Stride Piano | Traditional Jazz & Ragtime | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music Dixieland | Jazz | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Jazz | Box Sets | Stores | Music Vocal Jazz | Jazz | Box Sets | Stores | Music Classic Vocalists | Broadway & Vocalists | Box Sets | Stores | Music Box Sets at 30% Off | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Dance & DJ | Styles | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Jazz: A History of America's Music Jazz - A Film By Ken Burns The History of Jazz Martin Scorsese Presents The Blues: A Musical Journey Jazz Styles: History and Analysis (9th Edition) ASIN: B000050HVG Release Date: 2000-11-14

Tracks:

1. Star Dust - Louis Armstrong & His Orchestra
2. Soon One Mornin' (Death Come A-Creepin' in My Room0 - Mississippi
3. Memphis Blues - Lieut. Jim Europe's 369th Infantry ("Hell Fighters") Band
4. Livery Stable Blues - The Original Dixieland Jazz Band
5. Charleston - James P. Johnson
6. Chimes Blues - King Oliver's Creole Jazz Band
7. Back Water Blues - Bessie Smith
8. The Pearls - Jelly Roll Morton
9. Dead Man Blues - Jelly Roll Morton's Red Hot Peppers
10. Wild Cat Blues - Clarence Williams's Blue Five
11. Cake Walkin' Babies (From Home) - Clarence Williams's Blue Five
12. Sugar Foot Stomp - Fletcher Henderson & His Orchestra
13. Heebie Jeebies - Louis Armstrong & His Hot Five
14. Potato Head Blues - Louis Armstrong & His Hot Seven
15. West End Blues - Louis Armstrong & His Hot Five
16. The Mooche - Duke Ellington & His Orchestra
17. East St. Louis Toodle-Oo - Duke Ellington & His Washingtonians
18. Black Beauty - Duke Ellington & His Orchestra
19. Mood Indigo - The Jungle Band
20. There Ain't No Sweet Man (Worth The Salt Of My Tears) - Paul Whiteman & His Orchestra featuring Bix Beiderbecke
21. Singin' The Blues - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
22. Riverboat Shuffle - Frankie Trumbauer & His Orchestra featuring Bix Beiderbecke
23. Hotter Than 'Ell - Fletcher Henderson & His Orchestra
24. I Got Rhythm - Ethel Waters

Tracks:

1. It Don't Mean a Thing (If It Ain't Got That Swing) - Duke Ellington & His Orchestra
2. Echoes of Harlem - Duke Ellington & His Orchestra
3. Moten Swing - Benny Moten's Kansas City Orchestra
4. St. Louis blues - Louis Armstrong & His Orchestra
5. Ain't Misbehavin' - Louis Armstrong & His Orchestra
6. For Dancers Only - Jimmie Lunceford & His Orchestra
7. King Porter Stomp - Benny goodman & His Orchestra
8. Rose Room - The Benny Goodman Sextet
9. Sing, Sing, Sing (With a Swing) - Benny Goodman Sextet
10. Jumpin' at the Woodside - Count Basie & His Orchestra
11. Sent for You Yesterday and Here You Come Today - Count Basie & His Orchestra
12. Lester Leaps In - Count Basie's Kansas City Seven
13. Oh, Lady, Be Good! - Jones-Smith Incorporated
14. Without Your Love - Billie Holiday & Her Orchestra
15. Strange Fruit - Billie Holiday
16. God Bless the Child - Billie Holiday with Eddie Heywood & His Orchestra
17. Three Little Words - Art Tatum
18. Rebecca - Pete Johnson & "Big" Joe Turner
19. Harlem Congo - Chick Webb & His Orchestra
20. A-Tisket, A-Tasket - Chick Webb & His Orchestra featuring Ella Fitzgerald
21. Shine - Django Reinhardt & Le Quartet du Hot Club de France
22. Dear Old Southland - Noble Sissle & His Orchestra

Tracks:

1. Body and Soul - Coleman Hawkins
2. Cotton Tail - Duke Ellington & His Orchestra
3. Take the 'A' Train - Duke Ellington & His Orchestra
4. Begin the Beguine - Artie Shaw & His Orchestra
5. In The Mood - Glenn Miller & His Orchestra
6. Well, Git It! - Tommy Dorsey & His Orchestra
7. Solitude - Billie Holiday with Eddie Heywood & His Orchestra
8. Drum Boogie - Gene Krupa & His Orchestra
9. Salt Peanuts - Dizzy Gillespie & His All Star Quintet
10. Groovin' High - Dizzy Gillespie Sextet
11. Ko-ko - Charlie Parker's Re-Boppers
12. Scrapple From the Apple - Charlie Parker Quintet
13. Enbraceable You - Charlie Parker Quintet
14. Get Happy - Bud Powell Trio
15. Epistrophy - Thelonious Monk
16. Straight, No Chaser - Thelonious Monk
17. Manteca - Dizzy Gillespie & His Orchestra
18. Moon Dreams - Miles Davis Nonet
19. Just Friends - Charlie Parker
20. Rockin' Chair - Louis Armstrong
21. They Can't Take That Away From Me - Sarah Vaughan & Her Trio
22. Walkin' Shoes - Chet Baker & Gerry Mulligan
23. Fine and Mellow - Billie Holiday

Tracks:

1. Doodlin' - Horace Silver & The Jazz Messengers
2. I Get A Kick Out of You - Clifford Brown & Max Roach
3. St. Thomas - Sonny Rollins
4. Django - The Modern Jazz Quartet
5. Take Five - The Dave Brubeck Quartet
6. So What - Miles Davis Sextet
7. Giant Steps - John Coltrane
8. Rick Kick Shaw - Cecil Taylor Trio
9. Chronology - Ornette Coleman
10. Original Faubus Fables - Charles Mingus
11. Acknowledgment - John Coltrane Quartet

Tracks:

1. Hello, Dolly! - Louis Armstrong
2. Desafinado - Stan Getz & Charlie Byrd
3. In a Sentimental Mood - Duke Ellington & John Coltrane
4. Tourist Point of View - Duke Ellington & His Orchestra
5. E.S.P. - The Miles Davis Quintet
6. Spanish Key (single version) - Miles Davis
7. Birdland - Weather Report
8. Mister Magic - Grover Washington, Jr
9. Rockit - Herbie Hancock
10. Un Ange en Danger - M.C. Solaar & Ron Carter
11. Tanya - Dexter Gordon
12. Soon All Will Know - Wynton Marsalis
13. Death Letter - Cassandra Wilson
14. Take The "A" Train - The Lincoln Center Jazz Orchestra

Amazon.com

This five-CD box set soundtrack to filmmaker Ken Burns's 10-part, 19-hour documentary Jazz spans nearly a century of jazz styles, from the martial rhythms of James Reese Europe to the soul-jazz of Grover Washington Jr. It includes time-tested classics like Benny Goodman's 1938 classic, "Sing, Sing, Sing"; John Coltrane's chanting 1965 immortal track, "A Love Supreme"; Billie Holiday's blue-ember ballad, "God Bless the Child"; and Ella Fitzgerald peeling off "A-Tisket A-Tasket." Bebop is represented by Charlie Parker's orchestral bop version of "Just Friends"; Thelonious Monk's nocturnal calling card, "'Round Midnight"; and Dizzy Gillespie's "Salt Peanuts" and "Groovin' High."

The jazz-instrumentalist-as-singer comes to life on Coleman Hawkins's "Body and Soul" and Horace Silver and the Jazz Messengers' "Doodlin'." Clifford Brown and Max Roach's "I Get a Kick out of You" epitomizes the hard-bop era, while Miles Davis's "So What" stands as the modal masterpiece. The cool school is in session with Chet Baker and Gerry Mulligan dishing out "Walkin' Shoes," and the Modern Jazz Quartet's soulful elegy "Django" straddles all the above musical orbits. As for Django Reinhardt, he's featured on "Shine" with the justly famed Le Quartet du Hot Club de France.

Louis Armstrong's "West End Blues" and "Potato Head Blues" and Duke Ellington's rousing rendition of Billy Strayhorn's anthem, "Take the A Train," and his moody "Solitude" show why they are the Olympian masters of this art form--and the most frequently featured artists in the series. Although Ken Burns tries bringing the music up-to-date with Wynton Marsalis, Cassandra Wilson, and two jazz-hip-hop-influenced tracks--Herbie Hancock's robotic "Rockit" and the French-language "Un Aige en Danger" by MC Solaar and bass legend Ron Carter--there are significant holes here. After Cecil Taylor and Ornette Coleman, the avant-garde period from the late 1960s to the 1980s is lacking. And aside from the bossa nova hit "Desafinado," Latin jazz is also missing. It's a tough task summarizing jazz in five CDs, and Burns has given us a vibrant and vivid multicolored aural portrait of the music. --Eugene Holley Jr.

Customer Reviews:

A Good Selection, An Odd Accompaniment to the Documentary.......2007-04-25

To chronicle the first six decades or so of American jazz in five CD's is an ambitious undertaking. Ken Burns pulled it off by making it the soundtrack to stories he wanted to tell. This made for heavy representation of songs from Louis Armstrong, Duke Ellington, Charlie Parker and Miles Davis easy choices. The documentary, in some ways, tells like an allegory of racism and civil rights in 20th century America, yet the soundrack includes white musicians like Chet Baker, Stan Getz, Dave Brubek and Benny Goodman in the CD selections. Brubek's inclusion is particularly notable after the documentary was so dismissive of "West Coast Jazz" - I don't even remember Take 5 being mentioned in the documentary. It would have been nice to include Bill Evans since every jazz pianist that followed him credited Evans as an influence, but his work as side man on "So What" is all we get. Herbie Hancock's Rockit is nowhere close to representative of his body of work. My main disappointment is that after Free Jazz and the like, jazz had nowhere left to go except backwards, yet the contemporary "pop" jazz at the end comes across as the latest and greatest thing yet. I respectfully disagree.

Great Intro to Jazz.......2007-03-23

For those just getting into Jazz or just need a refresher course this is a great CD. I brought it for my husband who is a big Jazz fan and he just loves it and gets alot of use out of them.

Ken Burn's Jazz CD.......2007-01-14

A great cd with many remastered original recordings of jazz greats. Each cd features a different jazz era, so one can select a jazz genre to suit one's mood.

A must have.........2007-01-05

..for any jazz fan or music history buff. LOADS of content, hours and hours of great music.

Good starter set for jazz beginners.......2006-02-22

This is a beautifully packaged 5 disc set highlighting some of the greatest jazz artists of all time. If you buy this set and are really excited about the sound and the masterful artists presented then, I highly recommend collecting the 22 discs of individual artists by Burns which showcase the popular and influential music of those artists. Having all of the Ken Burns Jazz editions is of course just a start but a good start into the world of jazz it will be.

Average customer rating: Absolutely peerless once-in-a-lifetime greatness We love this album Simply great Porgy and Bess

Porgy & Bess Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Porgy and Bess Gershwin: Porgy & Bess [With Members of the Original Cast] Porgy & Bess: High Performance George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera Ella & Louis Again (Dig) ASIN: B0000046Z5 Release Date: 1990-10-25

Tracks:

1. Overture
2. Summertime
3. I Wants To Stay Here
4. My Man's Gone Now
5. I Got Plenty O'Nuttin'
6. Buzzard Song
7. Bess, You Is My Woman Now
8. It Ain't Necessarily So
9. What You Want Wild Bess?
10. A Woman Is A Sometime Thing
11. Oh, Doctor Jesus
12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
13. There's A Boat Dat's Leavin' Soon For New York
14. Bess, Oh Where's My Bess
15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Average customer rating: Innocence Mission is an appropriate name Sickenly too sweet absolutely love this album I Love You, Innocence Mission. works beautifully

Now the Day Is Over The Innocence Mission Manufacturer: Badman Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music General | Children's Music | Styles | Music Lullabies | Children's Music | Styles | Music Similar Items: Befriended Glow We Walked in Song Birds of My Neighborhood Small Planes ASIN: B0002ZMJ4I Release Date: 2004-11-09

Tracks:

1. Stay Awake
2. Over The Rainbow
3. What A Wonderful World
4. Moon River
5. Somewhere A Star Shines For Everyone
6. Prelude In A
7. Once Upon A Summertime
8. My Love Goes With You
9. Edelweiss
10. Sonata No.8
11. Bye-Lo
12. It Is Well With My Soul
13. Now The Day Is Over

Amazon.com

The Innocence Mission have, over the course of a decade, created a half dozen albums which celebrate small pleasures, fragile details and the wistful edges of life. As the title suggests, Now the Day Is Over offers a set of lullabies. The dozen covers and one original were not all written as bedtime reveries, but it's a testament to the graceful nuances Don and Karen Peris that such a familiar song as "What A Wonderful World" can bring out the twinkling stars of nighttime with heartfelt purity. Free of embellishments, either internal or studio created, Karen's vocals are at once magical and direct. The trio has done much more than to simply streamline or slow down these selections, they've found the core of each number and built around it only that which is necessary. -- David Greenberger

Customer Reviews:

Innocence Mission is an appropriate name.......2007-06-02

Not the worst cd I have and certainly not offensive. However, lacks depth, character, and content. Could be good for the kids. Bought it because I fell in love with a track I heard on Radio Paradise. Overall I could have spent the money in other ways.

Sickenly too sweet.......2007-05-12

I am new to the Innocence Mission. We have a one year old baby, so a friend gave us this CD as a gift. For me, Karen Peris's voice has the "nails across the blackboard" effect on me. She has no range and her voice is cloying. I am not expecting rock 'n roll or anything like that, but I just cannot find anything attractive in her voice. She absolutely "Somewhere Over the Rainbow," a classic and a song that I want to associate with my relatively unspoiled childhood. Oh well, different strokes for different folks.

absolutely love this album.......2007-01-12

I play this album as part of my daughter's bedtime routine. I absolutely LOVE it. Has such a beautiful calmness to it. And as I sit their rocking with my daughter before I put her in her crib, it often brings both smiles to my face and tears to my eyes.

I Love You, Innocence Mission........2007-01-04

In the winter of '89-'90, I picked up The Innocence Mission's eponymous debut on cassette one evening in a mall in Muncie. During my solitary rural Indiana backroads return to Taylor Univ., I was introduced to the delightfully solid intangibility of these troubadours of Heart, Soul, and Mind. I wanted Don and Karen Peris to mother and father me, or to marry Karen, or to be a brother or sister of one, to experience in my life the meaningful connections that in song resonated on and strong without dwindling into the inevitable nihilism that so much of art does nowadays. (Soon realized they were Catholic Universalists or something like that.)Fan for life.

And so, I kept up with their oeuvre. Enjoying the experimental phases of beauty along with the return to simple folk beauty. "Bright as Yellow", on "Glow", piqued the world's interest on the "Empire Records" soundtrack. They toured at least a little with Lilith Fair one year. I found later they've done a blatantly spiritual album "Christ Is My Hope", and that Don (genius of guitar understatement/suggestion) has a couple of his own albums out. I still need to get those 3.

Anyway, the idea of a lullaby album from The Innocence Mission is so perfectly obvious that I never expected it. I mean, she sang songs to her "Someday Coming Child" (on "Umbrella") years before she birthed!

It is as perfect as it could be. Minimal in performance, maximal in effect. (With 3 little boys, I'm a connoisseur of artfully-lulling lullaby albums. Get the Disney Lullaby Album too--no, really--Greg Diakun and Fred Mollin create real art right under DisneyCorp's nose.)

Finally, Karen can sing me to sleep--and my family too.

works beautifully.......2006-10-18

I am a mother of twins and this CD was given to us as a gift. My babies fell asleep to this time after time and it was pleasant listening for both mom and dad. I plan on giving this as a gift to all my new parent friends.

Average customer rating: dreamy, unexpected, every song a unique interpretation "Love Is Blindness" Is Worth The Price Alone!!!! WUL, YES-of course this is GREAT vibes herein and....... Quiet, yet fiery inspiration from one of today's greats ONE INCREDIBLE JAZZ SINGER

New Moon Daughter Cassandra Wilson Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD General | International | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Funk | R&B | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music General | Jazz | Indie Music | Stores | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Similar Items: Blue Light Til Dawn Belly of the Sun Thunderbird Traveling Miles Glamoured ASIN: B000005H0D Release Date: 1996-03-05

Tracks:

1. Strange Fruit
2. Love Is Blindness
3. Solomon Sang
4. Death Letter
5. Skylark
6. Find Him
7. I'm So Lonesome I Could Cry
8. Last Train To Clarksville
9. Until
10. A Little Warm Death
11. Memphis
12. Harvest Moon

Amazon.com essential recording

Her luscious alto has the depth and texture of a great tenor saxophonist, but Cassandra Wilson's defining asset is a postmodern song sense that enables her to surf through Son House, Neil Young, Johnny Mercer, Billie Holiday, and (gasp!) the Monkees in pursuit of strong songs that can provide that instrument with a canvas. Her second Blue Note album extends Wilson's seductive pilgrimage beyond the conventions of jazz repertoire and accompaniment, yet it's her instincts as a jazz singer that inform these brilliant readings. The settings again step away from traditional small group jazz (for starters, there's no piano) to evoke the emotional core of these songs. Anyone who can turn the Monkees' "Last Train to Clarksville" into a slow-burning erotic vignette deserves your attention. --Sam Sutherland

Customer Reviews:

dreamy, unexpected, every song a unique interpretation.......2007-01-03

I own this and Glamoured, and love them both. Her covers of familiar songs always bring something new. What an eerie, moody, individual stylist.

"Love Is Blindness" Is Worth The Price Alone!!!!.......2004-11-01

"Love Is Blindness", I love that moody song! I love the lyrics. I love the musicianship. Most of all I love Cassandra's haunting voice. This is my favorite song on "New Moon Daughter".

"Blue Light Til Dawn" is Cassandra's most acclaimed CD but "New Moon Daugher" is equally as good. I love them both dearly but "New Moon Daughter" is still my favorite. The material on this CD is just so damn strong. Plus it's got "Love Is Blindness" on it. Like I said before, I LOVE that song!

WUL, YES-of course this is GREAT vibes herein and..............2004-09-09

NEEDS to be in any decent collection anymore.
'Last Train...."? OUTRAGOUS!! boom da boomboom dee BOOM!
Upstate New York,to boot,ey?Bearsville.Man- what a beautiful GIFT this woman posseses.WANT MORE PLEASE!!Her newest one is REALLY her best so far,imo.Gettum all! Check out the Jamie Cullum "TwentyFour Something" jams too!! WOW!! A La HOT!!
Karyn Allison...and Ben w/ The Medicine Wheel.Jean-Luc Ponty?YES!!

Quiet, yet fiery inspiration from one of today's greats.......2004-05-14

This recording would probably be worth it for nothing more than Wilson's reimagining of "Last Train to Clarksville," the 1966 hit written for the Monkees by Tommy Boyce and Bobby Hart. The sassy Monkees version was a huge success, but Wilson, with the help of a superb arrangement and musicians, mines the song's anxiety and doubt in a completely different way, but just as mesmerizing.

Other high points on this enormously well-conceived disc are a gorgeous version of Hank Williams' "I'm So Lonesome I Could Cry," a summery, engaging "Skylark" (yes, Hoagy Charmichael) and U2's "Love is Blindness," an aching ballad that Wilson imbues with overwhelming regret. And just the right choice to end is Neil Young's glowing "Harvest Moon," gently fading out in a haze of shimmering guitar work. Wilson's outstanding musicians -- creative, enthusiastic, yet never overpowering -- must share some of the credit for the success here.

If you go for Wilson's ethereal yet husky voice, not to mention her marvelous taste in choosing and reworking material, this recording shows her at her most luminous. Arguably her best to date, and one of the great jazz vocal recordings of the 1990's.

ONE INCREDIBLE JAZZ SINGER.......2003-04-23

Wilson is truly amazing, but not so much for her voice by itself, but the way she transforms non Jazz material no one ever would have dreamed of doing. She doesn't just pull it off. She makes seem as natural as breathing. I can't think of anyone else who could have taken a piece of mid 60's cheese like The Monkees "Last Train To Clarksville" and transform it into a really swinging Jazz number. Her reading of U2's "Love Is Blindness" is beautiful as well as making songs by Hank Williams and Neil Young all her own. There are also a a couple of standard
Jazz numbers here and she's no slouch as a writer. Case in point: "Solomon Sang". There's also her arrrangements which feature a Joni Mithchell style of "Whack Tuning" as it's refered to in the liner notes, as well as some very diverse instrumentation. It might take you a few listens to really get into, but most great music does and this is without a doubt, great!!!!

Average customer rating: Very good swing collection Decent Collection A Memorable Collection, But Not Really For the Casual Fan Swing, swing, swing Well, almost all of us agree

An Anthology of Big Band Swing (1930-1955) Various Artists Manufacturer: Verve ProductGroup: Music Binding: Audio CD Traditional Blues | Blues | Styles | Music East Coast Blues | Regional Blues | Blues | Styles | Music New York Blues | Regional Blues | Blues | Styles | Music Jump Blues | Blues | Styles | Music General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music New Orleans Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Vintage Dance Bands | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Swing Jazz & Big Band | Compilations | Jazz | Styles | Music New Orleans & Dixieland Jazz | Compilations | Jazz | Styles | Music Dixieland | Jazz | Styles | Music Orchestral Jazz | Jazz | Styles | Music 1950s | By Decade | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music 1940-1949 | Decades | Compilations | Miscellaneous | Styles | Music 1930-1939 | Decades | Compilations | Miscellaneous | Styles | Music 1950-1959 | Decades | Compilations | Miscellaneous | Styles | Music Verve | Verve Music Group | Specialty Stores | Music Similar Items: The Fabulous Swing Collection The Only Big Band CD You'll Ever Need Big Band Spectacular, Vols. 1-2 Fabulous Big Band Collection Big Band Magic: The Sound of the Fabulous Forties ASIN: B000003N3T Release Date: 1993-10-26

Tracks:

1. Rockin' In Rhythm - Duke Ellington
2. The House Of David Blues - Fletcher Henderson
3. Saratoga Drag - Luis Russell
4. Savage Rhythm - Mills Blue Rhythm Band
5. Chant Of The Weed - Don Redman
6. St. Louis Blues - Dorsey Brothers
7. Rock And Rye - Earl Hines
8. Down South Camp Meeting - Fletcher Henderson
9. Avalon - Jimmie Lunceford
10. In The Shade Of The Old Apple Tree - Claude Hopkins
11. The Darktown Strutters' Ball - Tiny Bradshaw
12. Polka Dot Rag - Noble Sissle
13. Stompin' At The Savoy - Isham Jones
14. Peg O' My Heart - Glenn Miller
15. One O'Clock Jump - Count Basie
16. Casa Loma Stomp - Casa Loma Orchestra
17. South Rampart Street Parade - Bob Crosby
18. Liza (All The Clouds'll Roll Away) - Chick Webb
19. Dunkin' A Doughnut - Andy Kirk
20. You Rascal, You - Louis Armstrong

Tracks:

1. Panassie Stomp - Count Basie
2. Transcontinental - Spud Murphy
3. Jamaica Jam - Teddy Powell
4. Okay For Baby - Benny Carter
5. Blues In The Groove - Jan Savitt
6. Murderistic - Jimmy Dorsey
7. Swingmatism - Jay McShann
8. Savoy - Lucky Millinder
9. Blue River - Jack Teagarden
10. Chicago - Muggsy Spanier
11. Fish Market - Roy Eldridge
12. Gambler's Blues - Stan Kenton
13. I've Got You Under My Skin - Woody Herman
14. Skyliner - Charlie Barnet
15. Million Dollar Smile - Lionel Hampton
16. Midriff - Duke Ellington
17. Bear Mash Blues - Erskine Hawkins
18. The Continental - Artie Shaw
19. The Blue Room - Tommy Dorsey
20. One O'Clock Jump - Benny Goodman

Customer Reviews:

Very good swing collection.......2006-04-01

While there was a renaissance of interest in swing in the 1990s, and while much of this was among a relatively younger --late 20s, 30s, 40s-- audience, swing CDs are increasingly out of print.
Decca and Brunswick recorded many important swing artists in the 1930s and 1940s, the period of focus in this collection.
We are fortunate that GRP has assembled a wide variety of performers on this collection. You have hot swing performers; and you also have more laid back performers such as Glen Gray's Casa Loma Orchestra.
The music on this collection swings! --Even the Glen Miller track is up-beat.
Some reviews in the discographical literature kvetch about the quality of anthologies. They always expect something more: more concentration on the major figures, more obscure tunes instead of hits. This collection definitely meets the bill; but the complainers might be disappointed that few artists are represented more than once. Count Basie is a worthy exception of course. If you liked what you heard in Ken Burns' "Jazz" series, you should get this collection. Given the shrinking amount of swing that is available these days, I would even recommend that "serious" collectors also get this one. Many of the artists here are unavailable in their own recordings.
Nearly all of the tracks are arranged in chronological order. In addition, there is a booklet of commentary that is so long, it hardly fits in the case.
My one disappointment was that there are no tracks with vocalists. For great swing with vocalists I would recommend that you pursue the Columbia (SONY) "His Great Vocalists" collections for Ellington, Basie or Goodman.

Decent Collection.......2005-02-19

It's not quite what I'd call an Anthology, but it's certainly a good collection. Each track is an excellent song and most of the major artists are represented. Not every track is danceable, for you swing dancers out there, but there's plenty of danceable numbers, including a couple you can practice your Bal-Swing to. Enjoyable collection.

A Memorable Collection, But Not Really For the Casual Fan.......2004-06-28

Strictly speaking, "swing" designates a style of performance in which the emphasis falls on the offbeat. Even so the term "big band swing" is a flexible one, and if your ideas about it center on the style of The Glenn Miller Orchestra you will likely be disappointed with this double disk collection, which ranges in tone from the strict tempos of the Deco era to the bop-inflected sounds popular in post-World War II America.

In the big band era, most popular ballrooms and dance clubs had a "house orchestra," and each strove to create a specific style that would set them apart in the highly competitive world of big band music--and overall this collection does a superior job of capturing both the broad differences and subtle nuances that made each band distinctly different from the rest, as well as giving the listener an overview of the form as it changed over time. Consequently, the selections here are not often the most popular, but rather most indicative.

The emphasis here is really more upon lesser known bands and then-popular but now forgotten releases, including such one-hit wonders as Casa Loma Orchestra, a house band that reached a brief popularity with the "Casa Loma Stomp." Even so, there are famous names aplenty, such as Duke Ellington, The Dorsey Brothers, Count Basie, Chick Webb, Louis Armstrong, Woody Herman, Bennie Goodman, Artie Shaw--and yes, even the inescapable and to my mind slightly overrated Glenn Miller, to name but the most obvious.

Hardcore fans are likely to regret the absence of certain artists and certain tunes--my own complaint is that Cab Calloway is absent from the collection, and it is unfortunate that Artie Shaw is represented by "The Continental" instead of "Begin the Beguine." It is also true that the sound quality, particularly re recordings from the early 1930s, is sometimes problematic; this, however, is inevitable, for early recording techniques were a far cry from current standards. Even so, you'd have to go some to find a collection that so effectively captures the wide array of styles seen in big band music over the course of 25 years of popularity.

GFT, Amazon Reviewer

Swing, swing, swing.......2003-12-13

This is a nice anthologie which is not typical for it features lsser known bands and lesser known songs. It has Don Redman's classic Chant Of The Weed, a RARE Spud Murphey & His Orchestra track! This cd is pure swing at it's best. My wife & I are swing dancers and there is palnty here for lindy hopping, shag, balboa, and jitterbug. Fun msuic for dancing or listening. A great place to start and the 1st disc gives you a nice sampling of where swings roots come from...

Well, almost all of us agree.......2002-11-07

This is a glorious collection. The cover art is indeed repugnant. And some of the recordings are a little hissy. But the performers sound pretty mean to me.

A good anthology covers the big numbers (though maybe not the biggest) and also uncovers mistakenly overlooked items. This does a good job on that, for the relative novice. And it also moderates between up-tempo and more relaxed performances, so it's not just constant swing. Another tip o' the hat--well-chosen selections. I had never heard of Lucky Millinder when I bought this, nor The Mills Blue Rhythm Band, nor the Casa Loma Orchestra. Those cuts alone made it worth the price--this stuff swings! And I found some new bands to investigate as well....never enough CDs on the shelf!

I found this collection almost perfect. How can anyone say Saratoga Drag doesn't swing....my shoulders gyrate and hips swivel. And I'm an old, non-dancing, rhythm-free guy. Thanks Decca!

Average customer rating: some brilliant renditions, but can't quite all mix together Cool and Camp September Song Music of Kurt Weill It's a long time between January and December Ain't we Hip?!!?

September Songs: The Music of Kurt Weill Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music American Punk | Hardcore & Punk | Alternative Rock | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Traditional Vocalists | Compilations | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | Rock | Styles | Music General | Compilations | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Traditional | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Weill, Kurt | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Lotte Lenya Sings Kurt Weill / Levine, Lenya, Armstrong, Gilford, et al Lotte Lenya sings Kurt Weill's The Seven Deadly Sins & Berlin Theatre Songs Weird Nightmare - Meditations on Mingus Ute Lemper Sings Kurt Weill Stratas Sings Weill ASIN: B0000029WM Release Date: 1997-08-19

Tracks:

1. Mack The Knife - Nick Cave
2. Ballad Of The Soldier's Wife - P.J. Harvey
3. Alabama Song - David Johansen
4. Youkali Tango - Teresa Stratas
5. Lost In The Stars - Elvis Costello
6. Pirate Jenny - Lotte Lenya
7. Speak Low - Charlie Haden
8. Oh, Heavenly Salvation - The Persuations
9. Lonely House - Betty Carter
10. Surabaya- Johnny - Teresa Stratas
11. Furchte Dich Nicht - Mary Margaret O'Hara
12. September Song - Lou Reed
13. Mack The Knife - Bertolt Brecht
14. What Keeps Mankind Alive? - William S. Burroughs

Customer Reviews:

some brilliant renditions, but can't quite all mix together.......2006-10-19

I like the spirit of this album, which is to let the music of Kurt Weill attach itself to the many worlds it came from. This was classical music that also used elements of popular music at the time, all with a very dark and almost mechanical tone. So it would seem fitting to have exquisite voices like Teresa Stratas rub elbows with darker elements like Nick Cave in this collection. There are also the jazz influences developed by Charlie Haden and Betty Carter.

In all, there are some brilliant interpretations of Weill here. I am a fan of Cave's "Mack the Knife" and David Johansen's "Alabama Song," and how can someone NOT like Lotte Lenya herself on "Pirate Jenny" and the drolling of the immortal William S. Burroughs talking through "What Keeps Mankind Alive?"

But other tracks feel to be just too short of brilliance. I love that Lou Reed tries to turn "September Song" into a kind of rock ballad, almost a VU "It Was a Pretty Good Year," but the rendition seems a little short of energy and falls flat after a while. Elvis Costello, though magnificent as an overall artist, just doesn't bring new life to "Lost in the Stars."

Perhaps the problem in the end that the choices were a little too much of the Top 40 Weill (if there really can be such a term). These are songs that have for a long time been regarded as the best of Weill, and it might have furthered the purpose of his music to find new gems and bring them into the sunlight.

Cool and Camp.......2006-08-24

This is a very biased review- I originally had much of Weill's work on cassette tape- way back in the olden days- before CD's- so I am already very partial to many of the tracks on this CD- I would recommend it not only to Kurt Weill fans, and the fans of the various artists featured, but I would also strongly recommend this to anyone who likes artsy, camp, fun burlesque, Bohemian European stuff. The record, even though performed by contemporary artists still retains much of it's zeitgeist, it evokes the era in which Weill was writing and it rounds out any great eclectic record collection. It's a great musical discovery for fans of all sorts of genres, and EVERYONE should own at least one recorded arrangement of "Mack The Knife". (You know, for parties and stuff!)

September Song Music of Kurt Weill.......2006-08-22

Songs from the film-documentary done by various artists. Excellent choice if you like Mr Weill's music. I saw the film and always wanted the CD. Now I have and I recommend it highly.

It's a long time between January and December.......2004-06-11

Kurt Weill is one of those composers who juggles Jewish angst with Catholic guilt: and possibly vice versa. As a collection, it is nonpareil. Each interpretation becomes a definitive reading of the "song". Lord, it is one of the best assemblies of contemporary artists going. Lou couldn't be better; Ms O'Hara, in fine form, performs her deranged puppet-dance to the X. OK. An unknown. Roping-in, such a postmodern figure as, well, you-know-who, to orate Weill's lyrics is never less than exceptional. An amazing collection. Is there a DVD?

Paul

Ain't we Hip?!!?.......2003-07-23

This is the avant version of these songs, everything done with that Downtown fingers-across-the-blackboard screech. They even got Johanson doing it, which is no less than amazing. The sole exception is the Persuasions' "O Heavenly Salvation", but one song does not an album make.

The mystery here is that there's a perfectly good compilation from the 80s, "Lost in the Stars: the Music of Kurt Weill", featuring many of the same songs--and, if I'm not mistaken some of the same performers. That's the one you want. Too bad it's OP.

Average customer rating: A must-have for any lover, singer, guitarist Overwhelmed Awesome Duo amazing! Intimate Jazz-Inflected Guitar and THAT Voice

Tears of Joy Tuck & Patti Manufacturer: Windham Hill Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | New Age | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Jazz | Indie Music | Stores | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Similar Items: The Best of Tuck & Patti Dream A Gift Of Love Love Warriors Learning How to Fly ASIN: B000000NE0 Release Date: 1990-10-25

Tracks:

1. Tears Of Joy
2. Takes My Breath Away
3. I've Got Just About Everything
4. Time After Time
5. Everything's Gonna Be All Right
6. Better Than Anything
7. My Romance
8. Up And At It
9. Mad Mad Me
10. Love Is The Key

Amazon.com

While unaccompanied jazz guitar can quickly become tedious, Tuck Andress funk-inspired, footloose approach was immediately arresting. Add Patti Cathcart's soul-inflected vocal to the mix, and the result is a disc that very quickly became something of a classic in modern jazz vocal records. While many jazz discs can boast fine musicianship, few have this much personality. Few could take two songs from the Bob Dorough canon ("I've Got Just About Everything" and "Better Than Anything") and make them their own. But that is the secret of this disc--the winning combination of instrumental chops and a personal, individual stamp on the tunes themselves. --Skip Heller

Customer Reviews:

A must-have for any lover, singer, guitarist.......2005-01-24

I found this album from listened to the original VH-1 late at night. There was a video of the Cyndi Lauper tune "Time After Time" that was captivating. I had to rush out and buy this album and became amazed at its depth.

Patty is not your typical jazz singer; she has much more gospel in her soul. A deep, throaty voice that has warmth and is still flexible. When she sings, her delivery is honest. Still, she has the ability to skitter about and improv as she sings.

Tuck is unbelievable. He has developed this style that combines walking bass, chordal changes and lead playing at the same time. Even better, he varies his arrangement chorus by chorus, so the accompaniment never gets stale.

Put them together and you have music that is overtly romantic, improvised, florid without being busy and real. Incredible.

This is their best album, in my opinion.

I learned a lot about how to play bass from listening to Tuck's line on "I've Got Just about Everything" as he plays it on guitar.

Patty's version of "My Romance" is definitive, even if she has to change the lyric ("I must have one soft guitar" provides the clue to the romance shared between Tuck and Patty.)

But the best tune remains "Time After Time." Tuck and Patty change this from a pop song to a gospel anthem, every bit as significant as "Bridge Over Troubled Water" or "You've Got A Friend."

I'll echo the comments of others...get a date and see Tuck and Patty live. I've been twice. Tuck continues to make the impossible seem normal, while Patty sings her heart out, and tears yours up at the same time. I've seen her sing this entire Tears of Joy album WITHOUT stopping, just scatting her way from one tune to set up the tempo of the next.

Overwhelmed.......2003-10-11

I am overwhelmed by this album. It is not just music, it is an experience! They have a way of letting their music resonate within one's being. I find myself not just listening but participating, as if the music was a part of me. Patti's voice is such an awesome instrument brilliantly caressing notes with deep emotion. Tuck's guitar playing leaves me speechless.
I was once asked a hypothetical question: if you were stranded on an island and could only have one CD which would it be? - this was the first that came to mind.

Awesome Duo.......2003-06-25

In the early 90s I attended a free T&P concert at the Central Park Zoo (I am not making this up). I had never heard of them before. It was one of those moments you remember all your life. The evening was one of those rare ones in NYC during summer - cool and fresh. It was a small crowd, unlike the crazed fests that big-name stars draw. Everyone was relaxed, just enjoying the moment. Lying on the grass, staring at the Fifth Avenue skyline, watching the seals bop abt in their pool, and listening to some of the most beautiful music I have ever heard. And "laughing with the band" when a NYC killer wasp went after Tuck. I've never done drugs, but that evening, I was high. On T&P. Wonderful experience. Thanks to both for something beautiful. I've since bought all of their CDs, and there isn't one that doesn't have four songs you want to hear forever.

amazing!.......2003-04-28

The moment I heard this CD,I got very relaxed. And this also makes me feel alive.This is a song of love.This CD will surely light up your life. These two musicians are really talented!!

Intimate Jazz-Inflected Guitar and THAT Voice.......2003-04-15

Growing up in Palo Alto in the 70's and early 80's, I saw Tuck and Patti frequently perform their set on the mezzanine of the Varsity Theatre, a wonderful venue now sadly closed. Being a kid in the age of the Power Guitar, I wasn't very musically sophisticated, but they were absolutely arresting. If you could muscle your way into the room, and find a place to sit down in the usually standing-room-only crowd, you'd be drawn into the twin arms of Tuck Andress' playful guitar and Patti's low, rich voice. It was an awful lot like being kissed.

I didn't actually own a Tuck and Patti record until college. After all, they were right down the street! This was the first one I bought. Listening to it all these years later, it's like coming home.

Standouts for me were the title track "Tears of Joy", because it showcases Tuck's virtuosity--he's rhythm, brass and guitar all at once--and their lovely cover of the Rogers and Hart favorite "My Romance", which is like having Patti sing you to dreamland.

This is a great introduction to this duo, and I urge you also to move heaven and earth to see them live, if you can.

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