| 1. Sweet Emily |
| 2. Why Ya Bodder Me |
| 3. Catfight |
| 4. Long Time |
| 5. Send Him Home |
| 6. U Gon Get Hook |
| 7. Someday |
| 8. Where Did All The Good Men Go? |
| 9. I Don't Wanna Hurt No More |
| 10. I Will Survive |
Editorial Reviews
This solo album catapaulted Emily into stardom and she is recognized locally as the first female artist in the modern era. Emily formerly sang with the Falcons.
Product Description
Bahamian music mixing the sounds of calypso, junkanoo and goombay rhythms. Her first solo album captures all the island beats. Her song "Someday" was background music in the movie "Wild Things" starring Kevin Bacon and Matt Dillon.
Sweet Emily,Sweet Emily
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Tip-Toes/Tell Me More
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RGM8 Release Date: 2001-10-30 |
Tracks:
- Overture
- Florida
- Nice Baby
- Looking For A Boy
- Lady Luck
- When Do We Dance?
- These Charming People
- That Certain Feeling
- Sweet And Low-Down
- Finale-Act I
- Entr'acte
- Our Little Captain
- Looking For A Boy
- It's A Great Little World!
- Nightie-Night!
- Tip-Toes
- Finale-Act II
- Overture
- Tell Me More
- Tell Me More
- Shopgirls And Mannequins
- Mr & Mrs. Sipkin
- When The Debbies Go By
- Three Times A Day
- Why Do I Love You?
- How Can I Win You Now?
- Kickin' The Clouds Away
- Finale-Act I
- Love Is In The Air
- My Fair Lady
- In Sardina
- Baby!
- Finaletto-Act 2
- Opening Ensemble
- Ukelele Lorelei
- Finale-Act II
Amazon.com
This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth VincentelliAlbum Description
Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.
Customer Reviews:
Gifts from musical theater heaven!.......2005-07-24
Tell Me More and more and more.......2001-12-07
Two restored little Gershwin gems.......2001-11-10
Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.
The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.
This New World set deserves a place of honor among the other Gershwin Brothers restorations on other labels. And do not forget the New World complete recording of Kern's "Sitting Pretty," which (like these two Gershwin shows) did not produce any hits but is delightful from overture to Finale Ultimo.
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Soft Lights and Sweet Music
Manufacturer: Dutton Vocalion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UWOH Release Date: 2002-04-09 |
Tracks:
- April in Paris
- Soft Lights and Sweet Music
- Smoke Gets in Your Eyes
- Time on My Hands
- Nightingale Sang in Berkeley Square
- Ruby
- Snowfall
- Where or When
- Emily
- Embraceable You
- I Didn't Know What Time It Was
- Lonely Town
- Bad and The Beautiful
- My Ship
- Nobody Else But Me
- With a Song in My Heart
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How Sweet the Sound
Manufacturer: Marquis Music ProductGroup: Music Binding: Audio CD ASIN: B000JMK64Y Release Date: 2007-05-08 |
Tracks:
- Dixit Dominus
- Juravit Dominus
- Judicabit In Nationibus
- Kyrie Eleison
- Gloria
- Credo
- Sanctus
- Benedictus
- Agnus Dei/Dona Nobis Pacem
- Cantique De Jean Racine
- Noel Des Enfants
- Ave Maria
- Pie Jesu
- Psalm 92
- Psalm 47
- Psalm 23
- A Psalm Of Praise
- Evening Song
- Freedom Trilogy
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Sure on This Shining Night: 20th-Century Romantic Songs of America
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ZYW Release Date: 1997-04-10 |
Tracks:
- The Children
- The Year's At The Spring
- When Stars Are In The Quiet Skies
- Orpheus With His Lute
- Rose Marie
- Ives
- Song To The Witch Of The Cloisters
- Sure On This Shining Night
- Sigh No More, Ladies
- Come Away, Death
- On Hearing 'The Last Rose Of Summer'
- Echo
- If I Could Tell You
- The Collection
- The Lord's Prayer
- Nature, The Gentlest Mother
- The Tiger
- Never More Will The Wind
- Little Elegy
- One Alone
- Do Not Go, My Love
- To A Stranger
- When I Have Sung My Songs
- These, My Ophelia
- An Old Song Re-sung
- Ah! Sweet Mystery Of Life
- June Night
- Triolet
Customer Reviews:
A Spectrum of Romance in American Musical Composition.......2006-01-15
Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.
This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06
a rare gem of a CD.......2002-07-08
There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.
This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.
Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."
Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.
Even though it may be an acquired taste in our postmodern age, I give Sure On This Shining Night my full recommendation.
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Paul Sperry Sings Romantic American Songs
Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000049LM Release Date: 1995-08-10 |
Tracks:
- Ballad On Queen Anne' Death (Annon.)
- Bartholomew Green (James Purdy)
- Come Ready And See Me (James Purdy)
- Sweet Suffolk Owl (Annon.)
- Spring (Shakespeare)
- Waterbird (James Purdy)
- I Do (James Purdy)
- Isaac Greentree (An Epitaph)
- On A Wife (An Epitaph)
- The Astronomers (An Epitaph)
- Some Sheep Are Loving (Gertrude Stein)
- Once A Lady Was Here(Paul Boweles)
- Three (Tennessee Williams)
- Letter To Freddy (Gertrude Stein)
- April Fool Baby (Gertrude Stein)
- Baby, Baby (Paul Boweles)
- A Prayer To St. Catherine (Kennith Koch)
- There is A Garden In Her Face (Thomas Campion)
- English Usage (Marianne Moore)
- Take, O Take Those Lips Away (Shakespeare)
- Preciosilla (Gertrude Stein)
- Eleven Poems Of Emily Dickinsons: I'm Nobody
- Eleven Poems Of Emily Dickinsons: Safe In Thier Alabaster Chambers
- Eleven Poems Of Emily Dickinsons: The Level Bee
- Eleven Poems Of Emily Dickinson: The Butterfly
- Eleven Poems Of Emily Dickinson: Summer's Armies
- Eleven Poems Of Emily Dickinson: Presentiment
- Eleven Poems Of Emily Dickinson: The Grass Has So Little Has To Do
- Eleven Poems Of Emily Dickinson: Aristocracy
- Eleven Poems Of Emily Dickinson: Tie The Strings To My Life
- Eleven Poems Of Emily Dickinson: Papa Above!
- Eleven Poems Of Emily Dickinson: Ample Make This Bed
- O Mistress Mine (Shakespeare)
- These, My Ophelia (Archibald MacLeish)
- The Doves (Leonard Feeney)
- Memory (William Blake)
- I Rise When You Enter (Leonard Feeney)
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Britten: Ceremony of Carols
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000145U Release Date: 1995-08-22 |
Tracks:
- Friday Afternoons, Op. 7: 1 - Begone, dull care!
- Friday Afternoons, Op. 7: 2 - A tragic story
- Friday Afternoons, Op. 7: 3 - Cucko!
- Friday Afternoons, Op. 7: 4 - Ee-oh!
- Friday Afternoons, Op. 7: 5 - A New Year Carol
- Friday Afternoons, Op. 7: 6 - I mun be married on Sunday
- Friday Afternoons, Op. 7: 7 - There was a man of Neingtoon
- Friday Afternoons, Op. 7: 8 - Fishinf song
- Friday Afternoons, Op. 7: 9 - The useful plough
- Friday Afternoons, Op. 7: 10 - Jazz-Man
- Friday Afternoons, Op. 7: 11 - There was a monkey
- Friday Afternoons, Op. 7: 12 - Old Abraham Brown
- Sweet was the song
- King Herold and the Cock
- The Oxen
- Francie
- The Birds
- Three Two-Part songs: 1 - The Ride-by-nights
- Three Two-Part songs: 2 - The Rainbow
- Three Two-Part songs: 3 - The Ship of Rio
- A Wqalden Trio: Christmas song of the women
- A Cermony of Carols, op 28: 1 - Procession
- A Cermony of Carols, op 28: 2 - Wolcum Yole!
- A Cermony of Carols, op 28: 3 - There is no Rose
- A Cermony of Carols, op 28: 4 - That yonge child
- A Cermony of Carols, op 28: 5 - Balulalow
- A Cermony of Carols, op 28: 6 - As dew in Aprille
- A Cermony of Carols, op 28: 7 - This littl Babe
- A Cermony of Carols, op 28: 8 - Interlude Andante pastorale
- A Cermony of Carols, op 28: 9 - Im Freezing Winter Night
- A Cermony of Carols, op 28: 10 - Spring Carol
- A Cermony of Carols, op 28: 12 - Adam lay i-bounden
- A Cermony of Carols, op 28: 13 - Recession
Customer Reviews:
great music, but not a great recording.......2006-07-17
I love Britten's music, and having sung several of these songs as a treble-choir chorister myself, I am very familar with a lot of the music presented here. But I'm not completely happy with this recording. While it is sometimes very nice, overall, there are problems with the performance that detract from this CD.
One issue I have is with the ensemble. The choir hasn't achieved a very blended sound. I frequently hear five or more distinct vowel-sounds, when there should only be one. This is particularly obvious in the unison songs, which make up about 50% of this CD, but is also noticable in the Ceremony of Carols in some of the higher first soprano passages. And in the opening and closing Hodie.
There are also occaisional problems with the tuning throughout the recording, one section in Welcome Yol, in particular, becoming quite flat.
One or two of the songs on this disc are performed beautifully, I liked the recording of "Sweet was the Song" for example. Some of the soloists do a good job, but in general, the lack of togetherness and iffy tuning on this CD makes it difficult to enjoy.
BEST OF BRITISH.......2004-05-14
Britten had exquisite literary taste. His knowledge of the byways of English poetry would have shamed many a professor of literature. His instinct for what poetry goes to music and what does not was unerring and to the best of my knowledge he never commits the deadly sin of trying to set Housman, a source of great distress to that poet and no wonder. There is no particularly strong Christmas theme in the Ceremony, although A Wealden Trio for two sopranos and alto is specifically `a Christmas song'. So far as I can detect, all the vocal parts are such as amateurs, in many cases children, can handle, the only thing calling for a professional being the harp part in the Ceremony. What one needs to sense is that the performers understand the music with the marrow of their bones. That understanding is largely communicated by the choirmaster, and Ronald Corp's cv as outlined here confirms what my ears tell me anyway, namely that this kind of music is his line of country. One thing I find particularly pleasant is that Britten does not patronise children in his music for them, just as Bach did not.
Once again I feel we are indebted to Naxos for a production like this. Presumably it required only a low budget, and it is a heartening confirmation of my own conviction that financial restrictions are fully compatible with high quality and with some sense of adventure and discovery rather than yet more complete sets of Beethoven and Brahms. This collection dates from a time when people still made their own music as best they could without technical support, and it is encouraging to find how strong the tradition remains. Words are not provided, but the diction and recording are clear enough for one to get a very fair idea of each song even at first hearing. The leaflet provides information regarding the performers, and the short commentary on the music by Ates Orga is notably sensitive and knowledgeable. Obviously the ideal thing would be to organise one's own performances of this music. Pending that unlikely event in my own case I am more than happy to have it done so well for me.
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Elizabethan Christmas Anthems
Manufacturer: Amon Ra ProductGroup: Music Binding: Audio CD ASIN: B00000204O Release Date: 1999-09-15 |
Customer Reviews:
A new take on Verse Anthems.......2007-06-20
Red Byrd utilizes not only pronunciation appropriate to the period, but sings these pieces in a manner more like shaped note American tunes. It is, at first, a bit off-putting. However if one bears with it the pieces spring to life in a new way. In no piece is this more striking than "This is the Record of John". The rendetion heard here of the solo line becomes less pious and righteous, and a bit more tongue in cheek with John's repeated "no" answer to the questions asked of him by the Temple elders.
A must! I know of no other disk quite like this.
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Lost in Boston: Songs You Never Heard From
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AVHD0 Release Date: 2003-08-19 |
Tracks:
- English Music Hall [Mystery of Edwin Drood] - Tim Ewing, Jonathan Freeman, , , Dan Shaheen
- Just Fine [110 in the Shade] - Sally Mayes, Ron Raines
- Sweetriver [110 in the Shade] - Sally Mayes
- Flibbertgibbet [110 in the Shade] - Sally Mayes
- Where Do I Go from Here? [Fiorello!] - Liz Callaway
- Waiting [From The King and I] - Judy Kaye, Ron Raines, Lee Wilkof
- Dear, Sweet Sewing Machine [From Fiddler on the Roof] - Emily Loesser
- Like Everybody Else [From West Side Story] - Judy Malloy, Richard Roland, Sal Viviano
- Evensong [The Mystery of Edwin Drood] - Carolee Carmello, Gregg Edelman
- Ten Percent [From Chicago] - Harry Groener
- Come Down from the Tree [Once on This Island] - Lillias White
- Tick Tock Goes the Clock [Promises, Promises] - Judy Malloy, Lisa Mayer,
- When I Went Home [From Peter Pan] - Michelle Nicastro
- Let's Make It a Night - Jonathan Freeman,
- If You Leave Me Now [The Happy Time] - Michael Rupert
- Take It in Your Stride [From Annie Get Your Gun] - Liz Larsen
Customer Reviews:
So many great songs.......2007-02-26
The Missing Songs from Some Major Musicals.......2003-12-02
From 110 DEGREES IN THE SHADE:
"Sweetriver" - replaced in the show by "Love Don't Look Away", parts of the melody appear in "Everything Beautiful Happens at Night".
"Flibbertigibbet" - became "Raunchy" in the musical. The music is pretty much the same, but the lyrics are a bit different.
From THE KING AND I:
"Waiting" - Anna sings her frustration of being kept waiting for weeks to see the King. This song was cut after the premier of the show in New Haven.
From FIDDLER ON THE ROOF:
"Dear, Sweet Sewing Machine" - A lullaby sung at the start of the second act by the tailor and Tzeitel. Cut because audiences in previews just didn't respond.
From WEST SIDE STORY:
"Like Everybody Else" - a short fugue for the delinquents A-Rab (the "Shrimp"), Baby John (the young one) and Anybodys (the girl) intended to lighten up the first act. This song was edged out by "Gee, Officer Krupke".
From PETER PAN:
"When I Went Home" - a ballad sung by Peter about the time he tried to go back to his old life, and found everyone had moved on. Seems to have been replaced by the lullaby "Distant Melody".
From ANNIE GET YOUR GUN:
Annie's song about keeping her ego in check when she sees herself on the larger-than-life poster advertising the show. Cut possibly because the melody was too challenging to sing.
Other tracks on this CD include songs cut from CHICAGO, ONCE ON THIS ISLAND, PROMISES PROMISES, THE MYSTERY OF EDWIN DROOD, FIORELLO!, SILK STOCKINGS and THE HAPPY TIME.
If you enjoyed this CD, you must check out the other three in the series. Also, the same label, Varese Sarabande, has a series and a few composer albums of UNSUNG MUSICALS.
ONCE ON THIS ISLAND RULES.......2001-07-02
The first in this great series.......2001-02-13
Lost Songs From Musicals Are Fun To Hear!!.......2001-01-18
Of particular note on this particular disc are Lillias White singing "Come Down From The Tree" from "Once On This Island." This is a beautiful, beautiful song and while it may not have worked on stage, it works very well on CD.
From such classical musicals as "The King And I" comes "Waiting." This song, designed as a trio between the King, Anna, and the Krahalome is interesting to hear, but definitely is not on the same page as "Getting to Know You" or "Something Wonderful," both classic songs from the show.
Also of interest are the songs from "West Side Story," "Fiddler On The Roof," and what was almost the song that Annie Oakley sang in "Annie Get Your Gun" instead of "There's No Business Like Show Business."
This is a fun disc. It does have that overproduced sound that tends to be Bruce Kimmel's trademark, but it's still interesting to hear what almost made it in.
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Rejoice! A String Quartet Christmas, Vol. 2
Manufacturer: John Marks Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003Y9G Release Date: 1997-10-14 |
Tracks:
- Ave Maria
- Adam Lay Ybounden
- The Shepherds' Farewell
- II Est Ne Le Devin Enfant
- In The Bleak Mid-Winter
- Sheep May Safely Graze
- All Through The Night
- El Noi De La Mare
- Once In Royal David's City
- Ding Dong Merrily On High
- Crusader's Hymn
- Ave Maria
- Jesu Joy of Man's Desiring
- The Eastern Star So Bright And Clear
- I Saw Three Ships
- Innsbruck Ich Muss Dich Lassen
- He Shall Feed His Flock
- Cherry Tree Carol
- O Little One Sweet
- Lute-Book Lullabye
- Wexford Carol
- How Brightly Beams The Morning Star
Customer Reviews:
A Worthy Follow Up to the First Collection.......2003-12-11
Fresh and Vital.......2002-09-04
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My Lady Rich
Anonymous , English Anonymous , Jane Pickeringe's Lute Book Anonymous , John Bartlet , William Byrd , Giovanni Coprario , John Dowland , Antony Holborne , Robert [composer] Jones , Charles Tessier , English Traditional , Christopher Morrongiello , Emily Van Evera , Daniel Norman , John Potter , Asako Morikawa , Reiko Ichise , Richard Campbell , Susanna Pell , and Susanne Heinrich Manufacturer: Avie ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006FGH24 Release Date: 2005-06-21 |
Customer Reviews:
A gorgeous masterpiece; my favorite CD all year!.......2005-11-29
The arrangements for this recording are impeccable. Even the running order seems perfectly organic. The scholarship behind the entire project is thorougly engaging, a gripping story artfully told. Van Evera's liner notes describe each piece with meticulous eloquence. The material traverses a wide variety of moods from the playful "Pretty Woods" to the sexy "In Fields Abroad" to a lullaby so tender and gentle it is almost whispered. I can't pick a favorite track: right now it's a three-way tie between "Deceitful Fancy", "The Thrush", and "Sweet Stay Awhile". Whatever she is singing, Van Evera's voice is always lush, haunting, thrilling.
International Music: