New Way

Product Description
Maccow's voice exhibits the influence of Bob Marley, coating each Reggae and rock 'n'roll track with warm island melodies. Female backing harmonies add a pleasant touch.

(Reviewed by Jesse T.)

New Way,Jahmings Maccow & E-Rif

Average customer rating: This Show is AMAZING Spot the difference It's "A Chorus Line" "Dance 10, Voice 2" Ineffective Revival

A Chorus Line - The New Broadway Cast Recording (2006 Broadway Revival Cast) Marvin Hamlisch , Edward Kleban , Charlotte d'Amboise , and Michael Berresse Manufacturer: Sony ProductGroup: Music Binding: Audio CD Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Spring Awakening (2006 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) Company (2006 Broadway Revival Cast) Curtains (2007 Original Broadway Cast) The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B000HEZF8Q Release Date: 2006-10-10

Tracks:

1. Opening: I Hope I Get It
2. I Can Do That
3. At The Ballet
4. Sing!
5. Montage, Part 1: Hello Twelve, Hello Thirteen, Hello Love
6. Montage, Part 2: Nothing
7. Montage, Part 3: Mother
8. Montage, Part 4: Gimme The Ball
9. Dance: Ten; Looks: Three
10. The Music And The Mirror
11. One
12. What I Did For Love
13. One (reprise) / Finale

Amazon.com

In the fall of 2006, A Chorus Line came back on Broadway 16 years after its original run closed, and it felt as if it had never left. The new production, put together by alums from the first one, is a carbon copy of Michael Bennett's groundbreaking staging, and the cast recording follows suit. The good news is that Marvin Hamlisch's energetic, pop-inflected score sounds as great as ever; the bad news: well, you might quibble with the staging but when it comes to the CD, there isn't really any bad news. This time around, the songs are performed in the order in which they are performed live, and the recording includes more of the incidental music and the dialogue. Among the highlights are Natalie Cortez's fabulous "Nothing" (check out the Bacharachian trumpet-and-piano arrangements, which aren't all that surprising since co-orchestrator Jonathan Tunick had worked on Bacharach's sole musical, Promises, Promises) and Jessica Lee Goldyn's uproarious "Dance: Ten; Looks: Three." And then there's "One," which remains one of the most memorable songs in the musical-theater catalogue—-lucky for us, we get it twice since it's reprised at the end. --Elisabeth Vincentelli

Customer Reviews:

This Show is AMAZING.......2007-07-11

Although many other people have criticized this cast for its departure from the original production, I think this cast is awesome. Although you can never truly trump an original, the vocals in this cast are much more clear and they are truly amazing singers (and if you see the show, you'll know that they're also amazing dancers). The song, "What I Did for Love" is truly beautiful and a real tear jerker when you see it on the stage.

If you appreciate fine vocals, love A Chorus Line or love the sounds of the 1970's, this cd is perfect for you. I highly recommend that you buy this cd!!!

Spot the difference.......2007-06-24

The music for A Chorus Line sounded endearingly dated in 1975, so you can only imagine the impact it has today. All those harps, the wah-wah guitars, the twinkly flutes and the clunky percussion. Close your eyes and you can see the credits role to some early seventies TV sit com...

And yet... this is A Chorus Line, and we love it. Having just seen the show for the first time live (on Broadway, with this cast) I now undertand that the show really is as wildly inconsistent and totally odd as the movie suggests. But the cast give it their all and act like they at least pretend they know what's happening.

I've marked this down one star for Charlotte d'Amboise's rendition of The Music and the Mirror. Boy this lady can dance. In heels! But I can't admire her for the way she sings "Gimme a chaaaaance to come thruuuuuuu". It was even worse on stage, so we are spared at least some of the horror.

Other than that there are very few differences compared with the slightly better 75 OBC recording, just the muffled sound is removed.

Interesting both for novices and for those buying it just to compare to the original.

It's "A Chorus Line".......2007-06-05

Well, this is A Chorus Line. I don't hear much difference from the original. Sound quality is a little better, the voices are a little bit better, and there are a few added notes here and there, but overall I don't feel this is a must have if you already own the original. Now if you have to choose between which one to get, I would say get this one. As I've said the sound quality and some voices ARE better on this one, but not so drastically that you need this one. I like A Chorus Line and I am happy I got this CD, but it definitely doesn't wipe the original off the map. I suggest this for collectors, and younger new listeners. Favorite song: "What I Did For Love"

"Dance 10, Voice 2".......2007-03-05

If you've seen the revival on Broadway, you know that the entire cast dances beautifully. Unfortunately, you can't see them dancing on the recording and while everyone always thinks of this as a "dancer's show" anyone who has seen the score knows how challenging the music is.

While there are a few cast members with exceptional voices, a few of them (including one in particular - you'll know who when you listen to the recording) fall a bit short of today's standards in the vocal department.

They should have added a song in this version called "Dance 10, Voice 2"...and not for Val!

I was disappointed when I saw the revival on Broadway (again, a few standouts like the actors who play Bebe, Don, Al, Val), but figured that they'd "correct" the vocal mistakes I heard while seeing it live on the recording (where they could do multiple takes). Alas, it's not any better on the recording.

The new orchestrations are nice and it's great that more of the amazing score was included, but this recording falls short. I'm sticking to the original.

Ineffective Revival.......2007-03-03

Having seen the original in 1975 shortly after it opened, and subseqeuntly, different casts over the years, I was hugely disappointed in this production. While it would be unfair to expect the current revival to have the same impact as the original (they were, after all, playing their own lives), this is oddly unmoving. Every performer seems to be "acting", whereas the original, they all came aross as natural and real. Charlotte D'Amboise is talented and appealing but somehow, she too seems to be forced. Donna MacKechnie was heartbreaking, her dancing was pure passion and desperation, D'Amboise is just dancing really, really hard.
While there is a little more music on this cast album, stick to the OBC to get what it was all about.
I thought to the novice who'd never seen ACL, that this production would seem wonderful, but I have a sister and her husband who recently saw this (and had never seen any production before) and they found it rather dull and ineffective. The original simply overwhelmed with it's brilliance...not here. BTW avoid the dismal mess of a movie at all costs.

Average customer rating: Excellent Musical, But Product Quality - Eh MODERNIZE your music collection!!! A must to add to your collection Delightful YOU WILL LOVE IT

Thoroughly Modern Millie (2002 Original Broadway Cast) Jeanine Tesori , Dick Scanlan , and Sutton Foster Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Thoroughly Modern Millie Thoroughly Modern Millie: Vocal Selections Little Women The Musical (2005 Original Broadway Cast) Hairspray (2002 Original Broadway Cast) The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B000066B4Y Release Date: 2002-06-11

Tracks:

1. Overture (Orchestra)
2. Not for the Life of Me (Sutton Foster)
3. Thoroughly Modern Millie (Sutton Foster and Ensemble)
4. Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
5. How the Other Half Lives (Angela Christian and Sutton Foster)
6. Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
7. The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
8. They Don't Know (Harriet Harris)
9. The Nuttycracker Suite (Orchestra)
10. What Do I Need with Love? (Gavin Creel)
11. Only in New York (Sheryl Lee Ralph)
12. Jimmy (Sutton Foster)
13. Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
14. Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
15. Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
16. I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
17. Muqin (Harriet Harris, Francis Jue and Ken Leung)
18. Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
19. Gimme Gimme (Sutton Foster)
20. Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
21. Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

Excellent Musical, But Product Quality - Eh.......2007-07-15

I absolutely love the musical so I'm thrilled with the cd.

My problem was not with the quality of the cd, but with the plastic case. The cd cases always come cracked. Although it doesn't affect the quality of the cd itself, it's rather disheartening that Amazon charges customers for its poor shipping.

MODERNIZE your music collection!!!.......2007-07-13

This is an AMAZING musical and great album. It is sure to jazz-up any music collection! BUY THIS ALBUM NOW!

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.

YOU WILL LOVE IT.......2006-02-17

If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)

Have Fun!

Average customer rating: A Beautiful Wedding Wonderful! Good CD for Wedding A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers great choice!

A Day to Remember - Instrumental Music for Your Wedding Day O'Neill Brothers Manufacturer: O'Neill Brothers ProductGroup: Music Binding: Audio CD General | New Age | Styles | Music General | Miscellaneous | Styles | Music General | Soundtracks | Styles | Music General | New Age | Indie Music | Stores | Music Similar Items: A Day to Remember vol II Classical Wedding 25 Wedding Favorites Heart Beats: Now & Forever - Timeless Wedding Songs I Will Be Here: 25 of Today's Best Wedding & Love Songs ASIN: B000066RG3 Release Date: 2002-04-25

Tracks:

1. Falling in Love - Tim and Ryan O'Neill
2. Wachet Auf - J.S. Bach
3. Air on a G String - J.S. Bach
4. Air (from Water Music) - Handel
5. Reminiscent Joy - Tim and Ryan O'Neill
6. Canon in D - Pachelbel
7. Jesu, Joy of Man's Desiring - J.S. Bach
8. The Wedding Song (There is Love) - Stookey
9. Ave Maria - Schubert
10. I Will Be Here - Steven Curtis Chapman
11. The Gift of Love (Water is Wide melody)
12. Spring (from The Four Seasons) - Vivaldi
13. Ode to Joy - Beethoven
14. From This Moment On - Shania Twain
15. The Way You Look Tonight - Kern
16. Forever in Love - Kenny G

Album Description

After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.

It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance

Customer Reviews:

A Beautiful Wedding.......2007-07-10

This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.

Wonderful!.......2007-03-23

This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.

Good CD for Wedding.......2007-03-21

All great music for weddings. It really does have all the music I want to use!

A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07

The music was just perfect for our wedding--not too formal, not too simple.

great choice!.......2007-01-10

There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!

Average customer rating: Just As Advertised Fats Domino Jukebox I'm happy, thanks! Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them Fats Domino CD, 20 year review

Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them Fats Domino Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Piano | Blues | Styles | Music Classic R&B | R&B | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Rock | Styles | Music General | Oldies & Retro | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Oldies | Pop | Styles | Music Similar Items: The Georgia Peach 25 All-Time Greatest Sun Recordings The Definitive Collection Buddy Holly - Greatest Hits The Very Best of the Drifters ASIN: B00005YW4I Release Date: 2002-03-12

Tracks:

1. The Fat Man
2. Goin' Home
3. Going To The River
4. Ain't That A Shame
5. All By Myself
6. Poor Me
7. I'm In Love Again
8. Blueberry Hill
9. Blue Monday
10. I'm Walkin'
11. It's You I Love
12. Valley Of Tears
13. Whole Lotta Loving
14. I Want To Walk You Home
15. I'm Gonna Be A Wheel Someday
16. Be My Guest
17. Walking To New Orleans
18. My Girl Josephine
19. Let The Four Winds Blow
20. Jambalaya (On The Bayou)

Customer Reviews:

Just As Advertised.......2007-06-08

Without sounding ancient, I remember when a lot of Fat's tunes were on the jukebox. This is the same effect with this CD. Domino's music the way it's meant to be heard. Great CD.

Fats Domino Jukebox.......2007-05-19

No bad songs on this CD.Doesn't get any better than this.

I'm happy, thanks!.......2007-03-09

Everything is like it was advertised. Good condition, on time, I'll buy from them again.

Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them.......2007-01-11

I bought this CD for my parents, and they loved it. All original hits, I recommend it.

Fats Domino CD, 20 year review.......2006-11-10

Good CD, arrival - Timely and in good condition; ease of ordering - excellent.

Average customer rating: Wonderful Recording of a True Original Great for those of us who grew up plus Broadway music lovers Perfection! Peter Pan: Original Broadway Cast Recording (1954 Newa York Cast) Peter pan: Original Broadway Cast Recording

Peter Pan: Original Broadway Cast Recording (1954 New York Cast) Moose Charlap , and Jule Styne Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Peter Pan (1997 Studio Cast) Peter Pan Peter Pan South Pacific (Original 1949 Broadway Cast) West Side Story (1957 Original Broadway Cast) ASIN: B000002W5G Release Date: 1990-10-25

Tracks:

1. Overture
2. Prologue
3. Tender Shepherd
4. I've Gotta Crow
5. Never Never Land
6. I'm Flying
7. Pirate Song
8. Hook's Tango
9. Indians
10. Wendy
11. Tarantella
12. I Won't Grow Up
13. Oh, My Systerious Lady
14. Ugg-A-Wugg
15. Distant Melody
16. Captain Hook's Waltz
17. Finale: I've Gotta Crow/Tender Shepherd/I Won't Grow Up/Never Never Land (Reprises)

Customer Reviews:

Wonderful Recording of a True Original.......2007-07-02

After watching a high school performance of this musical comedy, I wanted to be able to listen to these wonderful songs as originally performed. Unfortunately, my first attempt was the CD of the Disney cartoon version - which was a big disappointment on several levels. This recording was exactly as I had hoped - it captures the Mary Martin and Cyril Ritchard vocals wonderfully (even 50 years later!). Although this is not my favorite musical comedy of them all, this recording helps me understand why this show played so long on Broadway and why Mary Martin will ALWAYS be Peter Pan for many people. Highly recommended!

Great for those of us who grew up plus Broadway music lovers.......2007-03-13

This cd brought back the memories of the "real" Peter Pan and Capt Hook --Mary Martin & Cyril Ritchard. The music is happy, makes you want to sing along and in general generates really good feelings

Perfection!.......2007-03-12

Every note, every lyric from Mary Martin's throat is crystal clear, exquisite perfection! If you are of a "certain" age, tears will spring to your eyes at the first notes. Never Never Land is a song that goes beyond the magic island where Peter lives to an ode to finding your place in the world and happiness.
It may be miles beyond the moon
Or right there where you stand
Just keep an open mind
And then suddenly you'll find
Never never land

The Jule Styne / Betty Comden and Adolph Green music is glorious and should be perfomed more often. What a showcase this music would be for young singers.

Peter Pan: Original Broadway Cast Recording (1954 Newa York Cast).......2007-03-08

Excellent Excellent I remember this on TV in 1955. I loved it then. I loved it now. It made wonderful memories. Mary Martin was magnificent! All baby boomers should hear this. Retro smiles!!!!

Peter pan: Original Broadway Cast Recording.......2006-08-08

I was fortunate enough to record the Mary Martin TV version of Peter Pan and want to know if it was ever put out in VHS or DVD if so where can I get it. I'd like to keep this wonderful version of Peter Pan for my grandchildren.
If you know where to get it please email me at tmcmillen@lecenter.com
Thanks
Terri

Average customer rating: This Sound Track is Ship-Shape Not Anything But One of the Best A REAL CLASSIC! revival is quick and snappy Some bits are great, but others are mediocre

Anything Goes - The New Broadway Cast Recording Cole Porter , Howard McGillin , and Patti LuPone Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Revivals | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Anything Goes Anything Goes (1962 Off-Broadway Cast) Crazy for You (1992 Original Broadway Cast) Kiss Me, Kate (1999 Broadway Revival Cast) Guys and Dolls (1992 Broadway Revival Cast) ASIN: B000002WBK Release Date: 1990-10-25

Tracks:

1. Prelude
2. I Get A Kick Out Of You
3. There's No Cure Like Travel; Bon Voyage
4. You're The Top
5. Easy To Love
6. I Want To Row On The Crew; Sailors' Chantey
7. Friendship
8. It's De-Lovely
9. Anything Goes
10. Entr'acte
11. Public Enemy Number One
12. Blow, Gabriel, Blow
13. Goodbye, Little Dream, Goodbye
14. Be Like The Bluebird
15. All Through The Night
16. The Gypsy In Me
17. Buddie, Beware
18. I Get A Kick Out Of You / Anything Goes (Reprises)

Amazon.com

One of the leaders in the trend of big splashy revivals in the late 1980s and early '90s, Lincoln Center's 1987 production of Anything Goes was the perfect evocation of the 1930s, from the period pit band to James McMullan's striking poster art to the large photograph of Cole Porter that smiled over the stage like an approving spirit. While the score earns its share of authenticity by resurrecting numerous songs from the original score, it also tosses in a few ringers such as "Friendship" and "It's De-Lovely." (Porter himself did not mind when people staging his shows borrowed songs from his other shows.) Then-rising star Howard McGillin sings sweet ballads and the ensemble numbers are excellent, but the show belongs to Patti LuPone, who in the role of Reno Sweeney grabs the baton from Ethel Merman and never lets go. Her "I Get a Kick Out of You" is one of the great performances of her generation, and the title tune and "Blow, Gabriel, Blow" make almost every other song sound like filler. LuPone was upset in the Tony race by Joanna Gleason, but the show did win for Best Revival. The booklet includes full lyrics, synopsis, production notes, and photos. --David Horiuchi

Customer Reviews:

This Sound Track is Ship-Shape.......2006-07-26

What can one say? It's Cole Porter.
OTOH, I *bought* the CD because it features all the songs for Anything Goes, which I've been cast in. So for several days it was ALL I listened to. [We're also learning our tap routines to this sound track.] I haven't run screaming from the car yet.
Solid, entertaining, recording -- recommended without caveat.

Not Anything But One of the Best .......2006-06-28

I have heared many recordings for Cole Porter 's " Anything Goes ", but I like this one the best. The opening song is a historic and rare recording by Cole himself. This CD is a revised version of this song that was played in Lincoln Center in New York. Pattie LuPone has a truly beautiful ,strong yet sentimental voice. I highly recommend it

A REAL CLASSIC!.......2006-06-16

A real classic from the authorship of a B'way legend. A work like this has great relevance because it stands as a wonderful recording for one of the greatest classics of the musical theatre of all times. Voices and orchestrations are wonderful. The title song sounds great in the voice of Patti LuPone. A cultural treasure to keep and listen over and over again.

revival is quick and snappy.......2006-03-22

This recording strums along with a quick pace and Porters tunes are alive with energy and excitement. Patti Lupone can be a little harsh for some but she does the tunes justice. Its got some dance orchestration , but still missing most the dance sequence as most cd's do.

Some bits are great, but others are mediocre.......2006-01-27

This is the only version I've heard of Anything Goes, and I think the sound is fine and Lu Pone is perfect as Reno, but some bits of this I just want to skip while I'm listening to it. I really think it's worth buying, because some of the songs are fantastic, but I feel that some of the other songs just weren't meant to be sung like this. I like Howard McGillin at the beginning, especially in 'You're the Top', but when he starts to sing all the romantic songs, he turns all sappy. This would normally be good, but it's like a sickening sappy. It happens with Anne Francine too. One moment she'll be singing with this great voice, and then go all high-pitched with an over-acted sweetness. Seriously, a shiver ran down my spine the first time I heard her sing 'Goodbye, Little Dream', and not a good shiver either.
Buy this if you want to, because it's still a great CD, but don't expect too much from anyone but Patti Lu Pone. Is there anything she can't do?

Average customer rating: Songs for A New World - A truely magnificant musical that soars! JRB shines! Fantastic debut for a talented composer for a while now.... Wonderful Work of Art

Songs for a New World (1996 Original New York Cast) Jason Robert Brown , Andrea Burns , and Jessica Molaskey Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Last 5 Years (2002 Off-Broadway Cast) Parade (1998 Original Broadway Cast) Songs for a New World: Piano/Vocal Selections Wearing Someone Else's Clothes The Jason Robert Brown Collection: 24 Selections from Shows and Albums ASIN: B000003G5U Release Date: 1997-03-11

Tracks:

1. Opening: The New World - WPA Theatre
2. On The Deck Of A Spanish Sailing Ship, 1492 - Ty Talor/WPA Theatre
3. Just One Step - Jessica Molaskey/WPA Theatre
4. I'm Not Afraid Of Anything - Andrea Burns
5. The River Won't Flow - WPA Theatre
6. Stars And The Moon - Jessica Molaskey
7. She Cries - Brooks Ashmanskas
8. The Steam Train - Ty Taylor/WPA Theatre
9. The World Was Dancing - Brooks Asmanskas/WPA Theatre
10. Surabaya-Santa - Jessica Molaskey
11. Christmas Lullaby - Andrea Burns
12. King Of The World - Ty Taylor
13. I'd Give It All For You - Brooks Ashmanskas/Andrea Burns
14. The Flagmaker, 1775 - Jessica Molaskey
15. Flying Home - Ty Taylor/WPA Theatre
16. Hear My Song - WPA Theatre

Amazon.com

Jason Robert Brown, one of musical theater's brightest young composers, made his first New York splash in 1995 with Songs for a New World at the WPA Theatre. It's a revue of 16 of his cabaret and theater songs, directed by Daisy Prince (Hal's daughter) and realized by a crack cast of Andrea Burns, Jessica Molaskey, Brooks Ashmanskas, and Ty Taylor (who sang the role on this recording only because cast member Billy Porter had a contractual conflict), with Brown himself leading a small combo from the piano. Soaring melodies and irresistible rhythms mark a wide range of songs that encompass jazz ("Just One Step"), gospel ("The River Won't Flow"), funk ("Steam Train"), and Kurt Weill ("Surabaya Santa," sort of Mrs. Claus's lament as it would be sung by Lotte Lenya). Most memorable are two songs of lost love: the Ashmanskas-Burns duet "I'd Give It All for You," which perfectly captures romantic yearning, and Molaskey's wry yet poignant "Stars and the Moon," which has become something of a jazzy standard, recorded by such luminaries as Audra McDonald and Betty Buckley. Brown went on to win the 1999 Best Score Tony for his powerful Parade, then reunited with Prince on The Last 5 Years. --David Horiuchi

Customer Reviews:

Songs for A New World - A truely magnificant musical that soars!.......2007-05-13

The show, Songs For A World has been the "under ground" hit for musical theater for years. More recently has the muscial come up to be more and more well known (when in 2003 lyrisit/composer Jason Robert Brown's newer show, The Last 5 Years grew widely accomplished).

Songs For A New World first showed off-Broadway in 1995. Jason Robert Brown delivered what is now one of muscial theaters hidden treasurs.

Any true musical theater fan who is tired of the new lack luster shows or revival after revival clustering their shelfs will find this cd a new favorite.

Ironically, all these songs have been selected from differnt shows written by Jason Robert Brown, yet have a noticeable connection. Even Jason Robert Brown wrote, "No one tried to weave these songs together. Yet when the show was completed we couldn't help but notice how many of these characters and songs could be portrayed as the same individual."

For myself, each and every song can be a personel favorite. But of coarse certain numbers clearly rise above the rest.

The New World- Truely one of my favorite songs of all times, from the lyrics, the vocals and the message.

Just One Step - A hilarious and briliant song. You will be humming this hugely catching the first moment you hear it.

Stars and the Moon - A haunting and truely significant song. Any theater fan will appriciate this song for its soluful lyrics and heart warming message.

King of the World - Quite simply, one of the most brilliant vocal performances you will ever hear.

Each actor gives each and every song meaning and heart. And when all four are put together (The New World, The River Won't Flow, Hear My Song) produce awesome results.

This is a MUST HAVE for muscial theater fans who miss shows you can actually listen through entirely! I highly recommend this to be added to your collection!

JRB shines!.......2007-01-04

Jason Robert Brown has really hit the mark with this show. Heartwarming, thought provoking and thoroughly enjoyable.

Fantastic debut for a talented composer.......2006-11-03

Already a classic, will bookend a fantastic musical career

for a while now...........2006-10-25

I've had this CD for a while now...even before it began to grow in popularity. I've always adored it, and the opening song is particularly incredible. This CD, in my opinion, is definitely one to add to your collection if you're an avid musical theatre fan. I own tons of recordings, and this one is a true gem.
standout pieces include:

King of the World
I'd Give it All for You
The River Won't Flow

But they are all awesome!!
And JRB pieces are actually incredibly difficult to play...so much of the piano part is exceedingly intricate. Listen to King of the World.

Wonderful Work of Art.......2006-08-01

I absolutely fell in love with this cd when I first heard it. It is very uplifting and full of inspirational songs that will lift your spirits and just make you feel good! Having read some of the other reviews, I'm excited to check out JRB's other works.

Enjoy!

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: Absolutely peerless once-in-a-lifetime greatness We love this album Simply great Porgy and Bess

Porgy & Bess Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Classic Vocalists | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Porgy and Bess Gershwin: Porgy & Bess [With Members of the Original Cast] Porgy & Bess: High Performance George Gershwin - Porgy & Bess / Trevor Nunn · Sir Simon Rattle · W. White · C. Haymon · Glyndebourne Opera Ella & Louis Again (Dig) ASIN: B0000046Z5 Release Date: 1990-10-25

Tracks:

1. Overture
2. Summertime
3. I Wants To Stay Here
4. My Man's Gone Now
5. I Got Plenty O'Nuttin'
6. Buzzard Song
7. Bess, You Is My Woman Now
8. It Ain't Necessarily So
9. What You Want Wild Bess?
10. A Woman Is A Sometime Thing
11. Oh, Doctor Jesus
12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
13. There's A Boat Dat's Leavin' Soon For New York
14. Bess, Oh Where's My Bess
15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording

Average customer rating: This is the REAL Grease. Love it! Grease, Grit and Parody Greased Lightning has struck The original, stll the best!

Grease: A New 50's Rock 'N Roll Musical - The Original Broadway Cast Album Jim Jacobs , and Warren Casey Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Soundtracks | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Grease - The New Broadway Cast Recording (1994 Revival) Grease: A New 50's Rock and Roll Musical (Vocal Score) (Score) Grease Karaoke Grease (Original 1978 Motion Picture Soundtrack) Grease (Rockin' Rydell Edition) ASIN: B000001FG6 Release Date: 1990-10-25

Tracks:

1. Alma Mater/Alma Mater (Parody)
2. Summer Nights
3. Those Magic Changes
4. Freddy, My Love
5. Greased Lightnin'
6. Mooning
7. Look At Me, I'm Sandra Dee
8. We Go Together
9. It's Raining On Prom Night
10. Born To Hand-Jive
11. Beauty School Dropout
12. Alone At A Drive-In Movie
13. Rock 'N' Roll Party Queen
14. There Are Worse Things I Could Do
15. Look At Me, I'm Sandra Dee (Reprise)
16. All Choked Up
17. We Go Together (Reprise)

Customer Reviews:

This is the REAL Grease........2007-01-08

Grease, here in its original form, is an adventurous, raw, rowdy, INSIGHTFUL show that paints a very accurate picture of a pivotal moment in American history when rock and roll was giving birth to the Sexual Revolution. Grease is not a silly, brainless 50s parody, but is instead a smart, insightful, alternative piece of theatre (inspired in many ways by HAIR), with real muscle, attitude, rawness, and a thrilling, subversive, over-sexed energy. If you want to hear what Grease SHOULD sound like, if you want to hear the real sound of early rock and roll, get this original 1972 recording. Forget the awful revival, and forget the movie (as fun as it may be) -- THIS is Grease. [...]

Love it!.......2006-12-30

We have been trying to get our drama teacher to let us do Grease for years (way before I even went to the school) and this year she's finally letting us.

I've always been a fan of Grease whenever it would come on TV I'd watch it and sing to the songs and I always wanted to be Sandy. But, by listening to the soundtrack I've changed my mind into trying out for Marty because "Freddy, My Love" is, in my opinion, the best song on the soundtrack, the only problem, it's an alto song and I'm a soprano.

Anyway, enough about my life, let's talk about the album. As I said before I've always been a Grease fan, but this version has made me love it even more. This original version is way better than the movie version, the songs seem to fall into place better than in the movie (because they were written for the play of course). Actually, the songs NOT in the movie are the best songs in the play, other than "Freddy, My Love" there are "Mooning" sung by Roger and Jan at a picnic, "Raining on Prom Night" (replaced by "Hoplessly Devoted to You" in the play, Sandy sings this song in her room instead of going to the dance as she did in the movie), "Alone at a Drive-in Movie" (replaced by "Sandy" in the movie, basically, it says the same thing as "Sandy" does), and "All Choked Up" (replaced by "You're the One That I Want", I'm kinda glad it was replaced because I like "You're the One That I Want" better).

I hope this helped you, it probably didn't because of all the personal anecdotes I had to put in there. Anyway, what I'm trying to say is that it's a good album and worth buying if you're a Grease fan.

Grease, Grit and Parody.......2006-11-18

At some point in the early 1970's, nostaglia for the 1950's started running out of control. At a time when America was dealing with many social changes, somehow the decade of the 1950's became yearned after for
fun, innocence, rock and roll, and postwar prosperity. The realty being it was a decade that also included
economic issues, open descrimination, and very tame music (the name "the quiet generation" was there for a reason).

Grease came to life as a parody of the 1950's nostaglia craze, and it painted a truer, grittier portrait of the late 50's at an urban high school. The movie that came out in 1978, and the Broadway revival of the 90's whitewashed the story, and cleaned up the language so much the original Broadway musical got lost in the shuffle.

The great score is lead by Adrienne Barbaue, Barry Bostwick, and Carol Demas, and a number of songs never made it to the film, including Those Magic Changes, and Freddy My Love. Yes, in the 1950's there still was a draft!. Adrienne's character of Rizzo steals the show with her numbers, Look At Me I'm Sandra Dee, and There Are Worse Things I Could Do, finally the "Bad Girl" is allowed to be human. Summer Nights, It's Raining On Prom Night, and Rock N Roll Party Queen speak to the teenager that remains in all of us.

Enjoy this very real trip into the late 1950's

Ken

Greased Lightning has struck.......2006-09-06

GREASE what a classic. I'm listening to it right now! I recently saw the play and they did the song you're the one that i want instead of all chocked up witch replaces that and in the movie they use that song and so on but the only reason im not mentioning Sandy or Hoplessly Devoted is because those aren't n aturally ever in the play it was made for the movie. This soundtract is still great five stars to the cast writer and composer

The original, stll the best!.......2006-07-22

I saw the original production of Grease and it was hysterical. It was originally intended as an affectionate parody of the 50's and was a laugh riot. Then Hollywood got a hold of it and turned it into the cotton candy, pop fluff that the world see's it as now, totally missing the point (and losing alot of the fun). The original cast led by Barry Bostwick, Adrienne Barbaue and Carol Demas, were a blast! Stick to this version if you like real parody, humorous and true to the 50's rock style.

International Music:

1. O Show Tem Que Continuar [Import]
2. Olympia 2000 [Import]
3. Omar Chakil [Import]
4. Oraison Mystique
5. Oso Axizis Esi [Import]
6. Pame Sta Klarina [Import]
7. Patota De Cosme [Import]
8. Pipes & Drums of Scotland [Import]
9. Proof
10. Quejio

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