Noites Passadas [Import]

Editorial Reviews

Product Description
Acclaimed as Portugal's Greatest Contemporary Songwriter and Lyricist, Strgio Godinho Has Been Recording Professionally Since the Early Seventies and Each New Album is Greeted with Enthusiasm by Critics and Audiences Alike. 'noites Passadas', Released 1995, is a Sort of 'greatest Hits' Album Recorded Live at Some of his Lisbon Shows of 1994 and 1995, Bringing Together Many of the Classic Songs He Wrote During his Previous 20-year Career.

Noites Passadas,Sergio Godinho,EMI,World Music
Harold Melvin & The Bluenotes - Greatest Hits
Average customer rating: 4 out of 5 stars
  • harold melvin & the blue notes cd
  • short run time, mediocre selection
  • Still Shining
  • Love those "Part 1" songs!
  • Superb lyrics and music - lifeless sound
Harold Melvin & The Bluenotes - Greatest Hits
Harold Melvin & the Blue Notes
Manufacturer: Sony Special Product
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002YG6
Release Date: 1995-04-16

Tracks:

  1. The Love I Lost (Part l)
  2. If You Don't Know Me By Now
  3. Satisfaction Guaranteed (Or Take Your Love Back
  4. I Miss You (Part l)
  5. Hope That We Can Be Together Soon
  6. Bad Luck (Part l)
  7. Tell The World How I Feel About 'Cha Baby
  8. Yesterday I Had The Blues
  9. Where Are All My Friends
  10. Wake Up Everybody (Part l)

Customer Reviews:

5 out of 5 stars harold melvin & the blue notes cd.......2007-05-07

Thankyou for my order of this cd. Brings back great memories of good times and good music, that will always be in style. DEG

3 out of 5 stars short run time, mediocre selection.......2006-02-08

only ten songs, so only a 30 min or so run time; and of the ten songs selected, i would say that half were great, the other half were mediacore background music with no oomph..

5 out of 5 stars Still Shining.......2005-12-25

Even after Teddy Pendergrass, the most famous member left the Bluenotes the group led by Harold Melvin was still successful. My favourites include "Bad Luck Pt l, Wake up Everybody Pt l" and that ol' couples roller skating classic "If You Don't Know me by Now". Harold Melvin & the Bluenotes may not had as many hits nor lasted as long on the music scene as their contempories but the music was special and still endures. Rest in Peace, Harold.

5 out of 5 stars Love those "Part 1" songs!.......2005-10-01

I used to have a different Harold Melvin collection, but listening to them sing "Sorry I lost it" for about 5 minutes on "The Love I Lost" just got to me. I know some people need that, but I'm fine with these radio edits. Heck, I grew up listening to those versions, so I've always been used to them.
Anyway, no one makes music like this anymore. No one. Ah, back then they used real orchestras for strings. And Teddy's just working it to death! My fave vocal of his is on "Bad Luck", social commentary with a beat! Great dance music, not disco, but dance music (yeah, there's a difference!).

2 out of 5 stars Superb lyrics and music - lifeless sound.......2005-06-15

No doubt, these lyrics and music are superb; after all, this is why I purchased this CD. What wonderful memories! But, this particular CD's sound quality is lifeless and dimensionless. I didn't intend for this CD to be simply background music, as I like to become "drawn into" the recording, but that's all I can do. What a disappointment!

I have ordered many wonderful CD's from Amazon that sound great, but felt compelled to write and warn others.

I give this CD at 5-star rating for its lyrics and music, but only a 1-star for it's sound quality. With engineering like this, its no wonder so many would rather use free music-sharing services on the Internet rather than make a purchase.
Notes on a Scandal: Original Soundtrack
Average customer rating: 5 out of 5 stars
  • Varied, non-repetitive and seems to tell a story all its own
  • Somewhat less than noteworthy
  • Haunting
  • Notes on a Scandal: Original Soundtrack (
  • One of the best Philip Glass Soundtracks
Notes on a Scandal: Original Soundtrack
Philip Glass , and Original Soundtrack
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
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  1. The Illusionist
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ASIN: B000KG4BO0
Release Date: 2007-01-09

Tracks:

  1. First Day of School
  2. The History
  3. Invitation
  4. The Harts
  5. Discovery
  6. Confession
  7. Stalking
  8. Courage
  9. Sheba & Steven
  10. The Promise
  11. Good Girl
  12. Sheba's Longing
  13. Someone In Your Garden
  14. A Life Lived Together
  15. Someone Has Died
  16. Betrayal
  17. It's Your Choice
  18. Barbara's House
  19. Going Home
  20. I Knew Her

Amazon.com

Philip Glass deserves his Oscar® nod for this superb, richly atmospheric soundtrack. His work on, say, The Hours may have been found overly sappy and intrusive by many, but Notes on a Scandal is a masterful example of what a film score can achieve. Glass has explained that he wrote it from the point of view of the Judi Dench character, who becomes increasingly obsessive and unhinged as the film progresses; similarly, the early tracks are relatively calm, only to start building up and up and up, and the last third of the CD is a master class in how to suggest psychological tension. The composer's familiar hypnotic repetitions are used very sparingly, giving the technique even more impact when it hits (check out "Invitation" and "Betrayal" for textbook examples). A cue like "Barbara¹s House" easily sits next to Bernard Herrman's best work on Hitchcock classics--no small compliment. --Elisabeth Vincentelli

Album Description

Philip Glass is inarguably one of the most distinctive and influential composers of the modern era. In addition to his ground-breaking concert hall works and operas, his film scores, such as The Hours, Kundun, and The Thin Blue Line, have won acclaim and popularity through their combination of Western classical music, synthesized sounds, and non-Western influences. His emotive score for Notes on a Scandal is an integral part of the dramatic arc of the film. Notes on a Scandal is a story of loneliness, loyalty, envy and love. Directed by Richard Eyre, the film follows a free-spirited and charismatic art teacher Sheba Hart (played by Cate Blanchett), who is brought down by scandal when she is arrested for engaging in sexual relations with a 15-year-old student. Academy Award winner Judi Dench plays a fellow teacher, Barbara Covett who befriends the younger woman and observes her fall from grace. "The score essentially is about Barbara," Glass states. "It begins with Barbara and it ends with Barbara."

Notes on a Scandal opens in theaters December 25th.

Customer Reviews:

5 out of 5 stars Varied, non-repetitive and seems to tell a story all its own.......2007-06-06

This score makes the film. It is also varied, non-repetitive and seems to tell a story all its own. I have dozens of soundtracks I listen to while I work (write) and consider this one of the best for the dramatic genre. Better than the Illusionist (by the same composer).

3 out of 5 stars Somewhat less than noteworthy.......2007-05-13

Knowing it was nominated for Best Musical Score and after being entranced by his music to The Illusionist, I eagerly looked forward to Glass' music to Notes on a Scandal. After repeated listenings it falls short of my expectations. There just isn't enough to it. It seems somewhat spartan and uninspired. Themes are understated but pleasant. It almost feels like simple background music that does not have much power to lift or color a scene. The Illusionist is far better, nearly hypnotic, and should have been nominated for an Oscar for Best Musical Score.

5 out of 5 stars Haunting.......2007-05-01

Another 5 star soundtrack for a 5 star movie. Beautiful and yet haunting music that sets the perfect tone for the movie. Philip Glass is an epic composer. Not since Hitchcock's Psycho have I ever heard such music that creates the ultimate mood of the movie. It just made sense and fit the script perfectly, as movie music should. It's music that you'll be thinking about soon after the credits roll by. If you are a fan of such classical strings, add this CD to your collection today.

5 out of 5 stars Notes on a Scandal: Original Soundtrack (.......2007-04-11

I like Philip Glass music. This sound track has some parts of moody deep string sections which I enjoy.

5 out of 5 stars One of the best Philip Glass Soundtracks.......2007-03-09

This is one of Philip Glass's best soundtracks since The Hours and is an enjoyment to listen to, even outside of the context of a movie soundtrack. If you have not listened to Glass before, some of his music is quite esoteric. Start with the Hours and then try Notes on a Scandal. Both should please the general auditory palate.
Notes from the Underworld
Average customer rating: 5 out of 5 stars
  • best new band
  • A fantastic indie band
  • Unexpected Bliss
  • Blown away
  • Notes from the Underworld
Notes from the Underworld
Persephone's Bees
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FDFS2M
Release Date: 2006-08-29

Tracks:

  1. Way To Your Heart
  2. Climbing
  3. Clity Of Love
  4. Nice Day
  5. Muzika Dlya Fil'ma
  6. Even Though I'm Folling Around
  7. On The Earth
  8. Walk To The Moon
  9. Paper Plane
  10. Queen's Night Out
  11. Home

Customer Reviews:

5 out of 5 stars best new band.......2007-03-12

this is the best new alternative rock band i have heard in a long time. their sound reminds me of earlier no doubt or the pretenders best tracks.

5 out of 5 stars A fantastic indie band.......2007-01-17

For all of you who miss bands like The Primitives, Adult Net, The Darling Buds, Talulah Gosh and all late 80's/early 90's indie pop, welcome to Persephone's Bees. They take the best of what made late 80's/early 90's girl bands and step it up a notch to create something new that feels familiar in a wonderful way. I've played this album at least once a day since I purchased the CD, and it's already been about a month. You just don't get tired of it. It makes you want to get up and dance.

I personally can't wait to see what they do next.

5 out of 5 stars Unexpected Bliss.......2007-01-05

This album was one I was extremely excited about getting, and it surpassed my expectations. From the first song to the last, there isn't one that I skip over. I would reccomend this album to anyone with an open mind and a love for fun music. I hope Persephone's Bees keeps on making music because this is a fantastic listen.

5 out of 5 stars Blown away.......2007-01-04

This album really surprised me. Don't hesitate to rock your socks off with this one!

4 out of 5 stars Notes from the Underworld.......2007-01-04

A very good album, I like the style a lot. Mixes a lot of different styles, maybe too many sometimes. Anyway, I do recommend this!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Suicide Notes & Butterfly Kisses
Average customer rating: 4.5 out of 5 stars
  • Synyster Gates is God!
  • AWESOME!
  • The Never Ending Story
  • Defines the message: I you can't beat them, you might as well join them...
  • i enjoy it.
Suicide Notes & Butterfly Kisses
Atreyu
Manufacturer: Victory Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
PunkPunk | Hardcore & Punk | Alternative Rock | Styles | Music
GeneralGeneral | International | Styles | Music
GeneralGeneral | Rock | Styles | Music
Death MetalDeath Metal | Hard Rock & Metal | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
Similar Items:
  1. A Death-Grip On Yesterday
  2. The Curse
  3. The Curse
  4. Fractures in the Facade of Your Porcelain Beauty
  5. Frail Words Collapse

ASIN: B000066JH2
Release Date: 2002-06-04

Tracks:

  1. A Song For The Optimists
  2. Dilated
  3. Ain't Love Grand
  4. Living Each Day Like You're Already Dead
  5. Deanne The Arsonist
  6. Someone's Standing On My Chest
  7. At Least I Know I'm A Sinner
  8. Tulips Are Better
  9. A Vampire's Lament
  10. Lip Gloss And Black

Album Description

Sorrow, regret and revenge procreate in a dark lonely corner of your heart. It's that little piece of yourself that you try and hide from seeing the light of day. Southern California's Atreyu thrives on that darkness.

Taking a new direction in the world of metal they fluidly balance sinister metal riffs with technical, finger tapping cadences. Their blend of soothing vocal harmonies lull you into a state of momentary bliss, until your dreams are abruptly shattered by a menacing growl so fierce it will make you want to impale your delicate face with any object within arm's reach. Atreyu represents the perfect hybrid of hardcore, emo and metal.

Customer Reviews:

4 out of 5 stars Synyster Gates is God! .......2007-04-02

I'm a huge Avenged Sevenfold Fan. While i was searching the net for A7X stuff, i came across this cd of Atreyu's. I've only heard 2 of their songs so far from Suicide Notes and Butterfly Kisses. The songs are Lip Gloss and Black and At least i know i'm a sinner. I like Atreyu a lot. So the thing is if u like Avenged Sevenfold, u'll enjoy listening to this band. I thought Atreyu was gonna be one of those bands where they have no rhytym and all they do is scream. BOY WAS I WRONG. Lip Gloss and Black is a great song. I love the intro. I'm gonna listen to more Atreyu songs. Atreyu is one of those bands who will always surprise you, no matter what u listen to. Thats wat they have in common with Avenged Sevenfold. Its visa versa also. If u are an Atreyu fan and nvr listened to Avenged Sevenfold. I luv the way Atreyu mixes punk wit metal along with screamo.U dont know what u r missing. I nvr used to like metal till these bands came. So if u're an A7X fan, do yourself a favor and get this cd and visa versa.

5 out of 5 stars AWESOME!.......2007-02-19

This. Is. Amazing. I bought it several months ago, but just now got around to reviewing it. (I'm kind of lazy on the reviewing.) Anyway, it's completely awesome. The vocals are superb, ranging from melodic and beautiful to deep, guttural growls, adding a bit of unpredictability to the album. Some of the songs do sound a bit similar the first time through; however, after listening to it a few times you can pick out the differences, and some of the songs sound extremely different from one another. The accompaniment is remarkable, and the lyrics are...wonderful. I'd have to say that my favorite tracks are At Least I Know I'm A Sinner and Lip Gloss And Black. This CD will have you alternately screaming along and with tears flowing down your cheeks. You won't be disappointed.

5 out of 5 stars The Never Ending Story.......2007-01-27

This Is A Great Metalcore C.D.,Yep
1 A Song For The Optimists.
REAL heavy There Is Alot More Screaming Than Singing,
(There Is Only 1 Part W/ Singing)
2 Dilated.
One of The Best Songs,REAL Heavy But Not AS Heavy (More Singing)
3 Ain't Love Grand?
More Towards The Melodical Side (More Singing Again)
4 Living Each Day Like Your Already Dead.
I Don't Really Listen to This Song Alot It's Not Bad Just not Real good
5 Deanne The Arsonist.
Most Cussing
6 Someone's Standing On My Chest.
Heavy Explicit I Don't Know
7 @ Least I Know I'm a Sinner.
A Song That Is NOT About Hating God
8 Tulips Are Better
Also A Little More Melodical
9 A Vampire's Lament
Heavyist/Mellow I Like The Part Where Alex
Changes From An As I Lay Dying- Like Vocalist,
To Singing To A Clean Guitar Ballad
10 Lip Gloss and Black
ONLY song On the WHOLE C.D. W/ A Chorus The Most mellow
It Sounds A Bit Like "Never Too Far Gone" From The EXTREMLY
Old "Visions E.P." This Has A Longer Clean Chorus
And An As I Lay Dying Verse And A Melodical Guitar Solo
Exept This Has A Beutiful Piano Outro.
Note:The Visions E.P. is Avalabile On Limewire So NOW you Can Have
EVERYTHING Atreyu Has Released

1 out of 5 stars Defines the message: I you can't beat them, you might as well join them..........2006-05-26

As times have passed, metalcore has been one of my least favorite genres in music. One of the worst metalcore bands ever is Atreyu. This is their debut and is the one that annoys me the most. Atreyu's fans are a bunch of depressed teenagers who find this heavy and probably have never heard of Slayer or Morbid Angel. I rest this case...

I can't describe how juvenile the lyrics are! Here's an example from the single "Lip Gloss and Black"(with irregular capalization to make it seem dumber): "IF I GAve YOu ENouGH PRetTY WOrdS... COulD YOu PAinT A PIctURe OF US THat WOrkS..." *whiney sung parts* *chorus* *lousy guitar solo* *return screaming* "I WIll KIss EVerY SCar, ANd WEep YOu ARe NOt ALonE... THen I'Ll SHow YOu THat PLacE IN MY CHesT WHerE MY HEarT STilL TRieS TO BEat... ARen'T YOu TIreD OF BEinG WEak?" *whiney sung parts* *chorus* *filler breakdown moment*

Now to the vocals. OH MY FU**ING GOD!!! Who though this Alex Varkatzas idiot was good?! I mean come on! He barks like a dog with Tourettes syndrome, screams like he's getting dunked in a toilet(by a childhood bully which inspired the band's lyrics) and sings like a whiney child! The vocals are probably the worst part of the band! I'm not in the mood to talk about the instrumental talent as it sucks too.

So all in all Atreyu are another band in a crappy and oversaturated genre. And thus says The Metal Master_92...

4 out of 5 stars i enjoy it........2006-05-09

ive not really listened to much metal in a while, i love music, (mainly hip-hop, the good kind.) but recently ive found myself listening to metal again, and i had previouslly never heard of this group....i LOVE this group. probably the punk influences grab me the most, as i used to be an avid punk fan and any music that draws from the energy that punk has is gonna be good in my book.

what this album also does is combine the heavyness of metal with punks energy and uplifiting chords, and a not too bad drummer (ive heard better, think "atomship"). not to mention the vocals...

i have nothing against screaming, but if a band doesnt have melodic vocals to add variety to the music, i hate it. it just gets boring (think will haven). atreyu stays exciting through the whole cd, i never get bored. its a great album. buy it.
Animal Notes/Safety in Numbers
Average customer rating: 4.5 out of 5 stars
  • Remasters Please!!
  • Two of the Best Albums You Have Probably Never Heard
  • Crack the Sky ..Classy Rock
  • 4.5 stars - Crack The Sky's reign of excellence continues
  • yessss
Animal Notes/Safety in Numbers
Crack the Sky
Manufacturer: Lifesong
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
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  1. Crack the Sky
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ASIN: B00004OCFH
Release Date: 2000-02-29

Tracks:

  1. We Want Mine
  2. Animal Skins
  3. Wet Teenager
  4. Maybe I Can Fool Everybody
  5. Rangers At Midnight
  6. Virgin...No
  7. Invaders From Mars
  8. Play On
  9. Nuclear Apathy
  10. Long Nights
  11. Flashlight
  12. Lighten Up McGraw
  13. Give Myself To You
  14. A Night On The Town (With Snow White)
  15. Safety In Numbers

Customer Reviews:

4 out of 5 stars Remasters Please!!.......2006-12-20

Being a long-time CTS fan, I was hoping these two albums would get the deluxe remaster treatment, but no dice. I've wanted them on cd for so long, and the price was right...so I gave in. As I suspected, this is a barebones reissue: no liner notes,partial reproducton (at best) of the lp's original artwork, no lyrics and last but not least, low volume in the mastering. Obviously this was done some time ago but there still could have been more attention given to a better finished product. It goes without saying the music is SUPERB. and SAFETY IN NUMBERS shows how great this band was, even without John Palumbo. A good remaster would have rated 5 stars, but..This will just have to do until something better comes along(IF it does).

5 out of 5 stars Two of the Best Albums You Have Probably Never Heard.......2006-09-09

This CD is actually two albums in one -- "Animal Notes" and "Safety in Numbers", and is one of the best items you will find on eMusic. Download quickly or you may lose your chance.

Animal notes, the first eight songs on this double package is worth the price of admission, but I am going to focus on the final seven songs, which make up almost all of the original Safety in Numbers. More on the "almost all" in just a moment.

Safety in Numbers is CTS's finest album, and one of the best albums most people have never heard. If there were any justice in the world, these guys and Porcupine tree would be two of the most popular bands of all time, but we all know musical justice is in short supply.

I first encountered Safety in Numbers in the late 70s. A cousin had it playing on his 8-track player. After a couple of listens I had to have the album. I bought it in Vinyl; the record was scratched, so I took it back for a refund, as it was the store's only copy. I could not find another copy of the record. Fortunately I had kept a back-up on tape (with the scratch) and it became one of my favorite albums. Finally, I was able to buy this double CD a few years ago. and I had to get it as an import for about $18 or $19. I was happy to pay it.

You can hear some Beatles influence in Safety in Numbers -- particularly in "Flashlight" in the mellow interlude in about the middle of the song. This little snippet is so luscious, it could have been expanded into its own song, and it would have been a great one.

The two best tracks on Safety in Numbers may be the first and last, "Nuclear Apathy" -- the partly mellow, part hard / Prog symphony of a song that begins the album -- and the title track, a very well-produced, all stops pulled out social commentary track that I just can't get tired of. In between these masterpieces, are several more songs, each varied and able to stand on its own. Probably the most different from the rest is "A night on the Town (with Snow White)", which I might call progressive doo-wop with amazing, ironic, even humorous lyrics. Don't let my label turn you off of that song. It is a gem, and worth coming back to again and again and sharing with friends.

My one complaint is that the people who put this together did not include a short little track called (I believe) "Prelude to Safety in Numbers" , a strange and short little preview of "safety in Numbers"; this odd little piece was originally at the end of side 1 of the vinyl release. Oh well.

This is a wonderful package and worth buying and keeping and going back to again and again.

5 out of 5 stars Crack the Sky ..Classy Rock.......2006-06-06

A great 70's group, still playable today.. slip this one on with other discs at a party..have everyone asking who is that?With all the previous reveiws I woun't get into all the tracks and details, some great listening stuff here.. seen them live in the late seventies they do have a very classy delivery.. I have always enjoyed them through the years, hope you do too...

4 out of 5 stars 4.5 stars - Crack The Sky's reign of excellence continues.......2005-07-02

Animal Notes (1976.) Crack The Sky's second album.
Safety In Numbers (1977.) Crack The Sky's third album.

One of the most underrated classic rock groups of all time was Crack The Sky. In the seventies, progressive rock reached a pinnacle it had never reached before and would never again reach. Unfortunately, many of the bands of this era were overlooked in favor of more commercially-successful groups of a similar styling. Crack The Sky is one of these long-forgotten prog rock acts of the seventies. The band's musc has been all but forgotten, by all but a small group of music fans. In recent years, the band's material was released on CD, in the form of twofer albums! Read on for the twofer of Animal Notes and Safety In Numbers, the group's second and third albums from 1976 and 1977, respectively.

The first of the two albums featured on this release is the group's sophomore effort, 1976's Animal Notes. This is one of the band's most unfairly bashed and overlooked albums. Since the band's first album set the bar pretty high, many fans don't give the second album enough of a chance - and it's definitely a bit more of aquired taste than their first album. But anyone who gives it a chance should grow to agree that it's a great album. The opening track, We Want Mine, is a catchy rocker that fuses rock with a plethora of musical styles. It's definitely one of the band's best songs and one of the most widely-praised ones present. Next up comes Animal Skins, the most different-sounding song on the album. Here the band uses sitars and goes for a middle-eastern sound. The end result is actually quite good. It gets followed up by Wet Teenager, a straight-up rocker you'd have to be a fool not to like - even if you're not a fan of the band. The semi-ballad, Maybe I Can Fool Everybody (Tonight) comes next, and it proves to be another one of the more popular and excellent songs featured on the album. A seven-minute-plus tune, Rangers At Midnight, comes immediately thereafter. This is a piano-heavy pop rocker that beautifully epitomizes what the band stood for musically. It's definitely one of their best tunes. Next up we have the classic rocker, Virgin... No. This cool little rocker is the tale of a boy who misses the younger days in his life. Witkowski's guitar playing is top-notch as usual. In Invaders From Mars, the piano is the primary instrument. Paired up with the rest of the band's instrumentation, you've got one hell of a song on your hands. Closing things out of the band's sophomore release is Play On. Essentially, it's a melodic, Beatles-esque ballad with plenty of acoustic instrumentation. And there you have it. Animal Notes is a great album that deserves more credit than it gets.

And then we get to 1977's Safety In Numbers, the band's third album. This is where original frontman John Palumbo left the band (although he DID write plenty of the material present on the album.) Surprisingly, his departure does NOT hurt the overall quality of the band! Kicking off the third album is Nuclear Apathy, one of the greatest songs the band ever recorded. The first two minutes are slow and soft, but it explodes into a straight-up rocker right after that! As the eight-minute-plus track progresses, there are plenty of musical style changes, and this keeps things interesting all the while. We get more of the straight-up, seventies-style rock on the album with the second track, Flashlight. No Crack The Sky album would be complete without a melodic ballad, and we get one in the form of Long Nights. It's definitely one of the band's best songs of that styling. Following it is the short instrumental Prelude To Safety In Numbers (for some unknown reason, though, the twofer DOES NOT have this piece of music.) It's a very short instrumental, but in that one short minute, the band shows off their musical abilities beautifully. Lighten Up McGraw and Give Myself To You are more of the classic seventies-style rockers we know and love the band for. While the former is more of a straight-up rocker, the latter leans more toward the prog rock trend the band displayed many a time. One of my personal favorite songs on the album is the underrated gem A Night On The Town (With Snow White.) This is a melodic, poppy rocker that sticks in your head long after you're done listening to it. It should have been more popular. Closing out album number three is the title track. A lengthy acoustic and melodic masterpiece, this song makes for the perfect closing piece to the album. Once again the band served up a solid release - even without Palumbo at the helm.

It's great that the band has finally reissued their work on CD - and even better that they chose to do twofers, but there's a huge flaw with this - MANY OF THE TWOFERS ARE MISSING TRACKS. For instance, this issue is lacking the Prelude To Safety In Numbers instrumental from the Safety In Numbers album. Hopefully if the band's material is issued again someday, these flaws will be corrected.

Crack The Sky proved beautifully with their second and third albums that they were one of the most excellent rock and roll bands of the seventies. It's such a shame they got overlooked in favor of so many other bands of the day who didn't have half as much talent. If you're a fan of seventies rock, progressive rock, classic rock, or you're just the kind of music fan who likes to try listening to new things, Crack The Sky will be right up your alley. Take my advice and start with their self-titled debut, and then move onto these two albums. Their first album is the most accessible, by far. These two are almost as good, but harder to get into. Final verdict? These are highly recommended albums.

5 out of 5 stars yessss.......2002-06-22

One of my favourite alltime bands! Finally, the greatest album in CD format. I have the vinyl from 20 years ago...should have replaced it 15 years ago, but couldn't find it. Get the kids to listen to this, I bet they won't go back to the one-chord wonders of today.
The Ultimate Blue Notes
Average customer rating: 5 out of 5 stars
  • harold melvin and the blue notes featuring teddy pendergrass the ultimate blue notes
  • The Ultimate Blue Notes
  • IF YOU DON'T KNOW THEM BY NOW !
  • Philly soul at its very best
  • a Must!
The Ultimate Blue Notes
Harold Melvin & the Blue Notes
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
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ASIN: B00005NKKQ
Release Date: 2001-08-21

Tracks:

  1. Wake Up Everybody
  2. The Love I Lost
  3. Bad Luck
  4. If You Don't Know Me By Now
  5. Yesterday I Had The Blues
  6. Don't Leave Me This Way
  7. Keep On Lovin' You
  8. You Know How To Make Me Feel So Good
  9. Hope That We Can Be Together Soon
  10. I Miss You
  11. I'm Weak For You
  12. Be For Real
  13. Where Are All My Friends
  14. Satisfaction Guaranteed (Or Take Your Love Back)
  15. Tell The World How I Feel About 'Cha Baby

Customer Reviews:

5 out of 5 stars harold melvin and the blue notes featuring teddy pendergrass the ultimate blue notes.......2007-04-08

harold melvin and the blue notes featuring teddy pendergrass "the ultimate blue notes" is a spended cd over view of the best of their songs released on philadelphia international records of the 1970's. favs include "wake up everybody", "the love i lost", "bad luck", "if you don't know me by now", "don't leave me this way", "satisfaction guranteed (or take your love back) and "yesterday i had the blues". teddy pendergrass shines on this cd with his powerful strong singing style. a voice that commands your attention. pendergrass sings with such force and honesty. the best of all male soul singers. he would later move on to a very successful solo career. the music and the harmony is first rate. classic 70's soul at it's very best.

5 out of 5 stars The Ultimate Blue Notes.......2007-01-12

Yes, this indeed is the best collection out there - and remastered to boot! The price is definitely right! Get your copy and go back to the time of real music, real musicians and real singers. Five stars!!

5 out of 5 stars IF YOU DON'T KNOW THEM BY NOW !.......2006-06-21

If you don't know Harold Melvin & The Blue Notes by now, you're a lost soul! So sad to hear of Melvin's passing, but The Blue Notes still carry on that Philadelphia sound in his name !!

4 out of 5 stars Philly soul at its very best.......2002-11-24

This collection of Harold Melvin & the Blue Notes' classic '70s songs, courtesy of Kenny Gamble and Leon Huff's wildly successful Philadelphia International Records, sound just as good as they did now as when I first heard them when I was a kid! Boy, do these songs take me back. I was raised on this music...when there was REAL passion and meaning in the lyrics, and there were REAL singers behind them. Case in point: Philly-born Teddy Pendergrass, whose powerhouse and distinctive lead vocals dominated all of the Blue Notes' major (and not so major) hits, lifted the group out of almost certain musical oblivion when he joined the group in 1971. Who could've guessed that when he crooned with such force in "If You Don't Know Me By Now": "Ten long years, ten long years we've been together, if you don't know me by now..." he was only a youthful 22?! He certainly sang it as if he had indeed invested ten years in a romantic relationship.

I loved all the selections on this CD, and especially the extended versions of "Wake Up Everybody", "The Love I Lost", "Don't Leave Me This Way" and "Bad Luck". I gave this collection only four stars because "I Miss You" is in its edited version, so I felt a bit cheated. But overall, this is without a doubt one of my favorite CDs. Philly soul at its very best.

5 out of 5 stars a Must!.......2002-06-08

finally full Versions&a clear Sound.this is long overdue for this tight Group that were on the mark back in the 70's.you really get the Hard Soulful Grit up close with the Remastering.
If You Don't Know Me by Now: The Best of Harold Melvin & the Blue Notes
Average customer rating: 5 out of 5 stars
  • Brings back memories
  • Harold Melvin & The Blue Notes
  • Excellent collection
  • Best Of - If You Don't Know Me By Now
  • A more definitive package at last
If You Don't Know Me by Now: The Best of Harold Melvin & the Blue Notes
Harold Melvin & the Blue Notes
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

DiscoDisco | Dance & DJ | Styles | Music
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ASIN: B000002AQV
Release Date: 1995-02-28

Tracks:

  1. Cabaret
  2. The Love I Lost
  3. If You Don't Know Me By Now
  4. Don't Leave Me This Way
  5. I'm Weak For You
  6. Everybody's Talkin'
  7. Hope That We Can Be Together Soon
  8. Bad Luck
  9. Where Are All My Friends
  10. Wake Up Everybody
  11. Yesterday I Had The Blues
  12. Satisfaction Guaranteed (Or Take Your Love Back)
  13. I Miss You
  14. Tell The World How I Feel About 'Cha Baby
  15. Keep On Lovin' You

Customer Reviews:

5 out of 5 stars Brings back memories.......2007-06-27

This compilation by Leo Sacks should please all Harold Melvin and the Blue Notes fans from the early 70's. Teddy is at his best and the Gamble and Huff production unbeatable. This CD is highly recommended to anyone who wants to listen to a great group.

5 out of 5 stars Harold Melvin & The Blue Notes.......2007-01-04

Bought you back to the days when things were a lot calmer.

5 out of 5 stars Excellent collection.......2003-08-20

I have been a fan of these guys for a few years now. This is an excellent choice to select out of all Harold Melvin and the Bluenotes collection CDs. I enjoy listening to every song, I am a huge fan of "Weak for You". This is a CD you will never become unsatisfied of, it is a timeless classic. I would reccommend this CD to anyone who has ever liked only one of the Bluenotes song, you will certainly become a fan after this one. I love this collection!

5 out of 5 stars Best Of - If You Don't Know Me By Now.......2000-07-18

The songs on this CD bring back so many memories. I remember back when I first heard the group and thinking that the explosive lead singer "Harold Melvin" had a fantastic voice and such a feel for what he was singing! Later on to my embarrassment I found out it was Teddy Pendergrass who brought me out of my seat with his stirring renditions. Just listen to his urgency on "Weak For You!" The man is improvising almost every word he sings! He and Phillipe Wynne of The Spinners were two of the best at making it up as they went along. The man's a genius. On "Wakeup Everybody" he lays down the situation and puts out the solution. Wake up the teachers, preachers and doctors. Our minds, souls and bodies need a new way to go. If you like to dance with the bright lights shining on you or if you'd rather have just that lone blue light shining while you're holding her close this is the one. From top to bottom this is the best "Best Of" there is with all the full length cuts (except for "Tell The World..."). Even the B sides ("Keep On Lovin' You") are groovin. I guarantee you can't miss with this. It's a stone gas.

5 out of 5 stars A more definitive package at last.......1998-05-30

It wasn't long ago that all the novice listener had to choose from were the Collector's Item package and the reissue of Wake Up Everybody. Now, at last, we have the real meat of the Blue Notes legacy...a collection of some of the growlingest, funkiest, most soulful sounds ever put on record. Teddy Pendergrass made himself a star with these recordings. Listen and be transported by the dominant voice that was TP before the hoopla surrounded and overpowered so much of his sound.
The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)
Average customer rating: 4 out of 5 stars
  • Iffy
  • Rebecca Caine is what made me buy this album.
  • Very Nice!!!!
  • NOT AS GOOD AS THE LONDON CAST RECORDING
  • I liked Colm Wilkinson better in Les Miz
The Phantom of the Opera (Highlights from the 1989 Original Canadian Cast)

Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
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ASIN: B0000072VS
Release Date: 2002-11-26

Tracks:

  1. Prologue-The Stage Of The Paris Opera House, 1911
  2. Overture
  3. The Dress Rehearsal Of Hannibal
  4. Think Of Me
  5. The Mirror... (Angel Of Music)
  6. The Phantom Of The Opera
  7. The Music Of The Night
  8. Notes/Prima Donna
  9. All I Ask Of You
  10. I Gave You My Music...
  11. Entr'acte
  12. Masquerade
  13. The Graveyard
  14. Wishing You Were Somehow Here Again
  15. Wandering Child.../Bravo Monsieur...
  16. The Point Of No Return/Down Once More
  17. The Phantom's Lair

Amazon.com

A few years after The Phantom of the Opera debuted in London, Harold Prince unveiled Andrew Lloyd Webber's gothic musical in Canada, in 1989. It was so good that this recording of highlights from the Canadian cast is--dare we say it?--more enjoyable than the equivalent London cast highlights album. No, it doesn't have the authenticity of London principals Sarah Brightman (for whom then-husband Lloyd Webber wrote the role of Christine) and Michael Crawford, but it doesn't have their idiosyncrasies, either, and it does have the richer voices of Colm Wilkinson and Rebecca Caine (who played Jean Valjean and older Cosette, respectively, in the 1985 London cast of Les Misérables). At 69 minutes, the Canadian album is also 10 minutes longer than the London, allowing inclusion of the prologue and dress rehearsal for Hannibal. Of course, Lloyd Webber's melodies--"Angel of Music," "The Music of the Night," "All I Ask of You," "Wishing You Were Somehow Here Again"--are scrumptious on any continent. --David Horiuchi

Album Description

1990 Polydor release featuring highlights from Andrew Lloyd Webber's epic musical by the Original Canadian Cast, including Colm Wilkinson and Rebecca Caine. Directed by Harold Prince, it features 17 tracks, including 'Think Of Me', 'Notes/ Prima Donna', 'Masquerade' and 'Wishing You Were Somehow Here Again'.

Album Details

Contains highlights from the Andrew Lloyd Webber brainchild performed in Ottawa, Vancouver, Montreal & Calgary during April, 1991 through September, 1992. Stars Colm Wilkinson & Rebecca Caine in leading roles.

Customer Reviews:

3 out of 5 stars Iffy.......2007-01-22

I've only listened to clips here and online, but I personally would not buy this entire album. Why? Well, I would LOVE to have Rebecca Caine's "Think of Me" and "Wishing You Were Somehow Here Again" - she has a beautiful voice, much stronger than either Sarah Brightman or Emmy Rossum, and much better trained. But what I have heard of the Raoul annoys me. He's supposed to be the good guy, not a dork!

And Colm Wilkinson as the Phantom? Whose idea was that??? I really do not like his voice, even as Valjean in Les Miz. I highly doubt he's a strong enough singer to pull of "Music of the Night" the way Michael Crawford or Hugh Panaro (best Phantom EVER) can.

If, however, this was on iTunes, I'd jump at the chance to get Rebecca's songs!

4 out of 5 stars Rebecca Caine is what made me buy this album........2006-12-04

Rebecca Caine is my favorite Christine. I think that she has one of the most amazing voices, and I loved her in the title song.

As for everything else...
Honestly, Colm Wilkinson cannot sing. His voice is just too weak for the role. Like one of the reviewers before me said, he's no Michael Crawford, not even Gerard Butler. Maybe I should hear him sing in Les Miserables to appreciate his voice.
As for Byron Nease, he's okay, but I've easily heard better.

In all, the album's okay, but there are many better recordings.

4 out of 5 stars Very Nice!!!!.......2006-08-25

Although this is a specatcular Disc, I find it very hard to appreciate fully Colm Wilkinson's voice in the role of the Phantom after being so used to Michael Crawford's for that role (and being used to mr. Wilkinson's as Jean Valjean in Les Misérables). Don't get me wrong I very much like Colm wilkinson, but not so much as the phantom.
Apart from that Rebecca Caine is a stunning Christine!!!! And at times seems to me to be...dare I say.... better than (my personal favourite singer) sarah brightman, Ms. Caine's "Think Of Me" blew me away, it was very inspiring....

Overall the rest of the cast is very good as well and if you are a true "phan" this is a must have CD very much worth its price!!!!

4 out of 5 stars NOT AS GOOD AS THE LONDON CAST RECORDING.......2006-07-02

Today, after Phantom of the opera became the longest running musical in history of Broadway, and being one of the most produced of Andrew Lloyd Webber's work around the world, we can only agree with the statement of "The Times" reviewer which appeared on October 10, 1986, a day after the premiere in London, who wrote: "One thing is clear: Gaston Leroux's famous story is God's gift to the musical theatre. It wraps up the legends of Faust, Svengali, and Beauty and the Beast into a grand final death rattle of the romantic agony. It turns a theatre--the Paris Opera--into a replica of the universe, from the Statue of Apollo above the city's rooftops down to the infernal regions with their furnaces and stygian lake. And, musically, not only does it unfold to an accompaniment of the operatic repertoire, but also features a protagonist who is himself a great composer."

Phantom, with its operatic and lush melodies, intensive story and grandiose staging, remains one of the best and most beloved musicals of all time.

The musical is based on the Gaston Leroux's novel of the same title. It is set in the second part of the 19th century Paris and its famous opera house. The young soprano, Christine, is discovered as a talented young opera singer in the opera house. She is noticed by an old childhood friend, Raoul, and they fall in love. However, we find out that a third person, the mysterious Phantom, hiding behind a mask, is a musical genius who had been giving Christine singing lessons and who has developed a mad passion for his young pupil. He hides in the catacombs of the opera house, lurking on the outside world. He is determined to keep Christine for himself and the story evolves from here.

Apart from this interesting plot, the audiences were swept away by Lloyd Webber's tremendous score, which probably remains his best work. It combines the beautiful love songs and sweeping operetta-like arias, with numerous orchestral leads and crescendos. You can't help but being charmed by this beautiful and haunting score. The large numbers, especially, the last one, will probably move you deeply. The most popular numbers are "The phantom of the opera", a vibrating duet between Christine and the Phantom; "All I ask of you", a lovely love duet between Christine and Raul; Phantom's mesmerizing voice will hold you till the end in "The music of the night", Christine in "Wishing you are somehow here again" will evoke sadness, and many more.

One of the main reasons for the early success of this show and this recording was its original London cast. All of the three principals: Sarah Brightman as Christine, Michael Crawford as The Phantom and Steve Barton as Raoul gave the performances of their lives. Michael Crawford's take on the role of The Phantom became stuff legends are made of, due to his amazing vocalisation and the powerful, almost hypnotic attraction in his voice and performance, exactly how the Phantom is supposed to sound.

The lyrics by Richard Stilgoe and Christopher Hampton are the weakest link here, but they manage to convey the basic story.

After the show's success in London and on Broadway, the Canadian production was mounted and it premiered in Toronto's Pantages Theatre in September 1989. This CD captures the highlights of that production. All the important musical numbers are here, however, the problem is the cast, that is, some of them. Colm Wilkinson is a great singer, his interpretation of Jean Valjean being the best example. Unfortunately, he doesn't have what it takes to play the Phantom. His interpretation lacks the depth of Michael Crawford and he struggles to stretch his voice, especially on the high notes. Overall, he sings too deep for the role, sounding as if he is still in Les Miserables. Still, he is much better than the mediocre performance Gerard Butler gave in the 2004 movie version. Rebecca Caine is a fine Christine, her soprano has no problem of getting into the character. Byron Nease, who plays Raoul, also fails to deliver, sounding too old and squeaky. The unwritten rule of the musical theatre, that the miscasting can affect the best of materials, is regrettably evident here. There is also a minor problem with the orchestrations, since some parts have a faster tempo than in the original. The aficionados will notice small lyrical changes in comparison with the original cast recording.

The CD comes with a synopsis (a rear treat in the Andrew Lloyd Webber's cast recordings), the lyrics and production photos.

This recording works best as an addition to the existing Phantom collection. For the first time listeners, I highly recommend the 2-disc 1986 London Cast Recording. Not only does it feature almost the entire musical, but also the cast is much, much better, as well as the orchestrations, which have a more classical touch.

4 out of 5 stars I liked Colm Wilkinson better in Les Miz.......2006-05-12

Not to say that he doesn't do a good job in this role as well, but often times it just sounds like Jean Valjean singing the Phantom. He does have some great moments but I think the Christine is the best thing about this recording. I don't know why, but I find her voice incredibly sexy. It's easy to see why the Phantom would want to seduce her and foster her talent. Raoul's line (and vocal) delivery is a little too "Dudley Do Right" for my tastes. It sounds almost comical at times. I dunno, maybe that's what he was going for. The London Cast recording is probably still the gold standard simply because the actors have become so synonymous with the roles they played, but you should pick this one up if you want a more up-to-date version of the orchestrations and, subsequently, the libretto.
Wiggle Wiggle And Other Exercises (Bobby Susser Songs For Children)
Average customer rating: 5 out of 5 stars
  • The Most Simple Exercise Songs For Young Children From Bobby Susser
  • THIS CD IS OLD TRIED AND TRUE
  • The Benchmark Exercise Album For Young Children
  • The Finest Kid Songs For Kid Exercises From Bobby Susser
  • Bobby Susser's Songs And Exercises Are #1 On My Kids' List
Wiggle Wiggle And Other Exercises (Bobby Susser Songs For Children)
Bobby Susser
Manufacturer: New Hope Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Children's Music | Styles | Music
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ASIN: B00004DS1H
Release Date: 1998-01-01

Tracks:

  1. Wiggle Wiggle
  2. March Around In A Circle
  3. Shake It And You'll Be Happy
  4. Simple Exercise
  5. Let's Pretend
  6. Stretch Your Arms Way Out
  7. The Jumping Exercise
  8. We Exercise
  9. Hello Hello Goodbye Goodbye
  10. Rest Awhile

Album Description

Songs for children ages 2-8 that teach them how to exercise, the benefits, the fun, and purpose. This Award Winning collection has a rest song as a final track after all the exercises from these original instructive songs of Bobby Susser.

Customer Reviews:

5 out of 5 stars The Most Simple Exercise Songs For Young Children From Bobby Susser.......2006-05-22

I have three day care centers in Florida where music and exercise are favorites in the curriculum for my little children. This collection of very simple songs and exercises is just that. It shows, through the repetition of catchy lines, that Bobby Susser is very aware of children's needs. Susser knows that when he hits upon something catchy for the kids and through his repetition of lyrical and musical phrases, not to let up, giving the kids just what they want. He doesn't give them too much, but enough so they are thoroughly interested, satisfied, and enthusiastic. He knows when to keep going, and when to let up. For those of you who work with kids, you know the importance of repetition. Bobby Susser has mastered repetition of very catchy sections of songs he's created and in doing so, holds children's interest, gives them a heck of a good time, and teaches them all at the same time. I majored in preschool education and music, and believe me, Bobby Susser is a subtle master at teaching through his simple, catchy, songs with repetetive phrases written especially for little ones.

5 out of 5 stars THIS CD IS OLD TRIED AND TRUE.......2006-05-04

I AM A KINDERGARTEN TEACHER AND HAVE USED THIS ALBUM IN CASSETTE FIRST. THEN I BOUGHT THE CD WHEN MY TAPE WORE OUT. I JUST GOT ANOTHER CD BECAUSE I GAVE A TEACHER FRIEND THE CD TO BORROW. SHE LOVED IT SO MUCH FOR HER KINDERGARTEN CLASS THAT SHE ASKED IF SHE COULD KEEP IT. I GAVE IT TO HER AS A GIFT, AND I AM ENJOYING WORKING WITH MY NEW CD, AND WATCHING MY CLASS ENJOY THEMSELVES WHILE THEY EXERCISE AND LEARN OTHER GOOD HEALTH HABITS TO THESE CATCHY SONGS."WIGGLE WIGGLE AND OTHER EXERCISES" IS ONE EARLY CHILDHOOD ALBUM YOU CAN SURELY LABEL AS 'OLD TRIED AND TRUE.' IT NEVER FAILS TO WORK WITH THE KIDS.

5 out of 5 stars The Benchmark Exercise Album For Young Children.......2005-10-24

While B.B. King is the benchmark guitarist for playing the blues, Ray Charles, the benchmark singer for combining soul and gospel music, Barbra Streisand the benchmark vocalist for her range and clarity, Paul Simon, the benchmark singer/songwriter for telling his stories in song format, and Bob Dylan, the benchmark singer/songwriter for using unique phrases and the delivery of them, Bobby Susser's album "Wiggle Wiggle And Other Exercises" is undoubtedly the benchmark album for original songs for young children to exercise to. I am a kindergarten teacher, and I specialize in teaching music, and subjects through music. I have used virtually every collection of songs available for young children to sing along with and exercise to. Some are OK, and some are somewhat good. However, if you want the real thing, Bobby Susser gives it to you in every exercise song in this collection. The repetition of his catchy phrases and melodies is not boring, but rather very successful in teaching the kids the songs and exercises, and in keeping the children always interested. He's a master at using repetition in a positive way for children. It is very obvious, after seeing the children respond immediately to the simple rhythms, friendly vocal deliveries, and all the fun and easy to learn songs that convey the importance of exercise, good health habits, having fun, and incorporating these ideas into your daily routine at an early age, Bobby Susser knows how to make the very most of a song, and a simple 'Wiggle' for young children like noone else I've heard in the nineteen years I've taught little children.
When you listen to the songs "Wiggle Wiggle", "March Around In A Circle", "Let's Pretend", "Hello Hello Goodbye Goodbye", and "Rest Awhile", it is apparent that Bobby Susser is no accident and creates collections for young children that makes children's music history the first time any of his titles are heard. Anyone can easily tell that he cares and is dedicated to the children.

5 out of 5 stars The Finest Kid Songs For Kid Exercises From Bobby Susser.......2005-05-05

This album has everything you possibly want and need for an exercise album for young kids. My preschool class never tires of "Wiggle Wiggle And Other Exercises." Every song is so catchy and exciting for my class. Every song states a purpose, and has printed lyrics and suggested activities in the teacher/parent notes booklet. Subjects covered are developing gross and fine motor skills, coordination, right/left discrimination, listening skills, rhythm, counting, and good health habits, while exercising, and singing. Bobby Susser ends this great collection with a soothing rest song for the kids. This album has it all.

5 out of 5 stars Bobby Susser's Songs And Exercises Are #1 On My Kids' List.......2005-04-04

I'm a first grade teacher who has worked with exercises, and movement songs with my kids. From day to day and year to year this Bobby Susser album "Wiggle Wiggle And Other Exercises" is #1 on my kids' list. The songs are very catchy, but also simple enough for young kids to easily learn. The beats and rhythms are excellent for my young class. They quickly learn the songs and exercises, and have loads of fun doing and learning important health and exercise habits that will benefit them throughout their lives.

International Music:

  1. O Melhor De Frei Hermano [Import]
  2. O Melhor De [Import]
  3. O Poeta Nao Morreu [Import]
  4. Outro [Import]
  5. Para Quando O Arco Iris Encontrar O Pote De Ouro [Import]
  6. Perolas [Import]
  7. Plays the Hits of ABBA
  8. Rabi: The New Home of the Exiled Banabons-From Oce
  9. Rio Grande [Import]
  10. Sangue Bom [Import]

International Music

International Music