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Love,Volpli Vidopliasova,EMI,World Music
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Some Live Songs
Jack Johnson , G Love , and Donavon Frankenreiter Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00076AGHO Release Date: 2005-06-13 |
Tracks:
- Rodeo Clowns
- Free
- Sunshine
- Heading Home
- Mud Football
- Girl I Wanna Lay You Down (Plus Bonus Hidden Track: Superhero Brother)
Product Description
WOW! Whotta groovy collection of live tracks by these fantastic musicians, put together on this limited edition EP -- which you will only find at select indie record stores nationwide! Also available: ON AND ON by Jack Johnson, THE HUSTLE by G Love, and Donovan Frankenreiters self-titled debut. 1) Rodeo Clowns - Performed by J Johnson, G. Love and D Frankenreiter 2) Free - Performed by D Frankenreiter, J Johnson and Zach Gill 3) Sunshine - Performed By G. Love, J Johnson and Zach Gill 4) Heading Home - Performed by D Frankenreiter, J Johnson, G. Love, Zach Gill 5) Mud Football - Performed by J Johnson, G. Love, D Frankenreiter and Zach Gill 6) Girl I Wanna Lay You Down - Performed by J Johnson and Zach Gill 7) Bonus Hidden Track: Superhero Brother Performed by G. LoveCustomer Reviews:
Disappointed.......2007-05-04
Awesome music.......2007-03-21
Have to have it.......2007-01-31
Jack's Worst.......2007-01-18
Short and sweet.......2007-01-10
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Because I Love It
Amerie Manufacturer: Sony / Bmg Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PKG4SM Release Date: 2007-05-21 |
Tracks:
- Forecast Intro
- Hate 2 Love U
- Some Like It
- Make Me Believe
- Take Control
- Gotta Work
- Crush
- Crazy Wonderful
- That's What U R
- When Loving U Was Easy
- Paint Me Over
- Somebody Up There
- All Roads
- 1 Thing [*]
- Losing U [*]
- Take Control [*] - Amerie,
Album Description
Asian pressing of her 2007 album features three bonus tracks, '1 Thing', 'Losing U' and 'Take Control (feat. Seven)'. Sony / BMG. 2007.
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Love Is My Religion (Import)
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FORBLC Release Date: 2006-05-23 |
Album Description
2006 release and second solo album by Bob Marley's son, the follow-up to the successful Dragonfly album from 2003. Features 12 tracks total including 10 new songs plus an Acoustic Version of the title track and 'Be Free' (Dub). Tuff Gong.Customer Reviews:
Great rhythms and melodies, but not the best lyrics........2007-05-19
What a treat!.......2007-02-28
This is a fun, highly listenable album. There's a distinct reggae flavor, but strong blues and pop influences as well, smoothly integrated into a distinctive sound that's easy to love. This CD is a great mood-lifter -- it's just tough not to be upbeat while listening to this!
Surprised.......2006-10-08
melodic and mellow.......2006-09-28
Ziggy is a singer and a guitar player, he's just not a great writer, he .......2006-09-10
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Love of My Life: The Best of Dan Hill
Dan Hill Manufacturer: Sbme Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00003OTEO Release Date: 2003-05-26 |
Tracks:
- Seduces Me
- Never Thought (That I Could Love)(Single Remix
- All I Ses Is Your Face
- Carmelia
- You Make Me Want To Be
- Once Upon A Time
- All I Want Is You
- Can't We Try (Duet With Vonda Shepard)
- Hold On
- Wishful Thinking (Duet With Celine Dion)
- The Healing Power Of Love (Additional Vocals By
- Love Of My Life
- My Love For You
- Somewhere In The Distance
- In Your Eyes (Duet With Rique Franks)
- Unborn Heart
- Sometimes When We Touch
- Daddy's Song
Album Description
18 of the gentle Canadian pop singer/ songwriter's absolute greatest in the '70s & '80s, including all of his biggest U.S. chart hits. Features the #3 smash 'Sometimes When We Touch', the top 10 duet 'Can't We Try' with Vonda Sheppard (of 'Ally McBeal' fame), plus 'All I See Is Your Face', 'Never Thought' and much more. 1999 release.Customer Reviews:
Awesome music!.......2002-02-13
Wonderful.......2000-05-18
More new stuff, please!.......2000-05-12
His tunes are very romantic, intense and personal - to say the least - but they really shine if you're affected by this sort of music.
A brilliant collection that leaves you wanting for more of Dan Hill whose recent releases have been very rare, unfortunately - even though this new collection does include the odd as yet unreleased track.
Great Compilation!.......2000-03-27
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She Loves Me / There's Love & There's Love & There's Love [2 on 1]
Jack Jones Manufacturer: Mca Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000B9FX Release Date: 1998-03-31 |
Tracks:
- She Loves Me
- Real Live Girl
- Our Language of Love
- Close Your Eyes
- When I'm Not Near the Girl I Love
- I Believe in You
- Lamp Is Low
- On the Other Side of the Tracks
- Wouldn't It Be Loverly
- My Mood Is You
- Hit the Road to Dreamland
- I Get Along Without You Very Well
- Night Is Young and You're So Beautiful
- I Can't Believe That You're in Love with Me
- Young at Heart
- And I Love Her
- Lovely Way to Spend an Evening
- You Do Something to Me
- Embraceable You
- You Made Me Love You
- While We're Young
- There's Love and There's Love and There's Love
- Tenderly
- True Love
Album Details
Two Original LPs on One CD. Part of MCA'S 'Two on One' Series. Digitally Remastered.Customer Reviews:
Sheer class.......2003-11-13
There was something almost mystical about Jack's earlier recordings, and if I had to pick out one album that I would consider my favorite, it would be There's Love... which gave us the Jack anthem And I Love Her.
I know we're all going to disagree over his 'best' work, but with an artist of his caliber, you can only really talk about your favorite albums - another classic being Sings Michel Legrand.
Last I heard the man is still going strong, and still doing sold-out world tours, and from the last recent photo I saw, he's still outrageously handsome, dang it.
A superb double Jack set and from the look of Amazon's excellent database, one of several paired sets. Now I just have to catch up on the rest.
Brilliant.
A WONDERFUL "TWO-FER" BY JACK JONES!.......2002-08-15
Incredible Singing!.......2000-04-28
Incredible Singing!.......2000-04-27
Two Master Disks from a Vocal Master on 1 CD: Big Deal!.......1999-10-28
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Love Actually
Various Artists Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00012QKSI Release Date: 2003-12-08 |
Tracks:
- Jump (For My Love) - Girls Aloud
- Too Lost In You - Sugababes
- The Trouble With Love Is - Kelly Clarkson
- Here With Me - Dido
- Christmas Is All Around - Billy Mack
- Turn Me On - Norah Jones
- Songbird - Eva Cassidy
- Sweetest Goodbye - Maroon
- I'll See It Through - Texas
- Both Sides Now - Joni Mitchell
- White Christmas - Otis Redding
- Take Me As I Am - Wyclef Jean
- All I Want For Christmas Is you - Olivia Olson
- God Only Knows - The Beach Boys
- All You Need Is Love - Lynden David Hall
- Glasgow Love Theme - Craig Armstrong
- PM's Love Theme - Craig Armstrong
- Sometimes - Gabrielle
Album Description
Asian pressing of 2003 soundtrack for the US box office hit starring Hugh Grant, Liam Neeson and Emma Thompson. 18 tracks from the likes of Sugababes, Dido, Joni Mitchell, Maroon 5, The Beach Boys and Norah Jones. Universal. 2003.Album Details
Asian Version featuring Four Bonus Tracks: "Christmas is all Around" by Billy Mack, "White Christmas" by Otis Redding, "All I Want for Christmas is You" by Olivia Olson, and "pm's Love Theme" by Craig Armstrong, and Two Alternate Tracks Not Found on the USA Version: "Jump" by Girls Aloud (In Place of the Pointer Sisters Version), and "Sometimes" by Gabrielle (In Place of the Calling's "Whenever You Will Go").Customer Reviews:
Big disappointment.......2007-02-15
NOT THE MOVIE DVD SOUNDTRACK AT ALL.......2007-01-23
By far the best song on the CD is the best one in the movie, Olivia Olson singing All I want for Christmas. It is nearly as good as the movie and BETTER than mariah carey.
There may be some issues between the USA and import versions reported in other reviews.
Jump, All you need is love, Christmas is all around....NOT THE SAME and disappointing.
All the songs are on my CD--but still disappointed.......2006-11-06
missing something.......2006-02-24
Loved it.......2006-02-23
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What Color Is Love
Terry Callier Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000026HWR Release Date: 1999-10-18 |
Tracks:
- Dancing Girl
- What Color Is Love
- You're Goin' Miss Your Candyman
- Just As Long As We're In Love
- Ho Tsing Mee (A Song Of The Sun)
- I'd Rather Be With You
- You Don't Care
Customer Reviews:
Folk-soul-R&B-jazz masterpiece, sadly unheard-of in USA.......2007-05-19
The album opens with the spacey "Dancing Girl," in which Callier displays his novel combination of acoustic folk guitar with his soulful, yearning voice that seems to evoke all the best characteristics of 60's/70's black soul, but at the same time transcend the structural trappings of the genre. On first listen, I was immediately impressed with Callier's lyrics--meaningful, mysterious, and thought provoking, on "Dancing Girl," he lays out some mind-blowers ("You'll surely come to harm/With that needle all up in your arm") and some lines that, combined with the power of the music, transcend the words alone ("Anyway you want to do/Boogie, bop, or boogaloo" is priceless in Callier's husky whisper). The song's structure is pretty progressive, with multiple movements and clocking in at over 9 glorious minutes.
"What Color is Love" and "Just As Long As We're In Love" showcase Callier's strengths as an interpretive singer and his gentle side, backed by female background singers, horns and strings in a delightful blend. "You Goin' To Miss Your Candyman" is one of the album's greatest tracks, with the funkiest soul bassline since Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)," and showcasing Callier's uniformly tight, gnarly rhythm section, which often includes some sick bass lines and bongo drums. "Ho Tsing Mee" is a contemplative protest song, deceptively gentle at the beginning, building to a barnstorming climax with Callier's plaintive scat/howl elevating the song to great heights. "I'd Rather Be With You" is the album's closest thing to a typical "on the road" folksong, and the closer is a groovy Bacharach-like blend of horns and background singers repeating "You Don't Care" for a tranquil, meditative end to a real trip of an album.
Terry Callier is one of the greatest relatively unknown artists I've discovered lately, and I can't help but recommend him as highly as I can. I'm looking forward to checking out his other classics, and maybe some of his newer music, which I heard is also excellent. Take a chance--I think you'll find Callier rewarding.
The Lady On The Cover.......2004-11-21
This man is good!.......2003-05-29
Then comes another Terry Callier classic 'What Color is Love'. These two tracks have become 2 of Terry's most played during his musical pilgrimage around the world.
This man is a true talent, buy this CD and try to go and see him live. This CD will never leave your collection
Terry Callier testifies............................................2001-12-31
Another WONDERFUL talent "rescued" from the scrapheap of obscurity by the English acid jazz/ dusty soul fans, TERRY CALLIER, Chicago's finest, seems to be enjoying the same career revival as Brasilians Marcos Valle and Joyce, and more recently here in USA, Shuggie Otis-------- izza 'bout time-a, ya thinks??
I used to see Mr Callier at the old QUIET KNIGHT club at the Belmont Ave "EL" train stop lightyears ago, and was always taken by his incredible vocal frasing, syncopated jazz time over his alternately folk/soul and post doowop compositions (TC composed many doowop soul tunes as a staff writer at Brunswick records, if I remember clearly............
TC's more stripped down accompaniment on the live dates was augmented on these older Cadet record recordings by the wonderful arrangements of Charles Stepney(Earth Wind & Fire) and the great jazz arranger Richard Evans, and featured alla the stalwart Chicago soul/ jazz session "cats" of the time, "What Color is Love " and the even better"Just Cant Help Myself" were for me , Mr Callier's finest recorded moments until his recent "Time Peace" cd, which is only BRILLIANT .
Only 7 tracks here, but each is of a very reasonable length.
The sound of the recording will satisfy the novice fan to Mr Callier, as it compares to the jazz folk sounds of Shawn Phillips and the recently cannonized Nick Drake both in conception and the EXCELLENT quality of lyrics.
Re; Tc's lyric conception,I feel most lyricists here in the USA lack the poetic flow -the "jeitinho"(knack??) to spin a nice melodic lyric that both sounds good AND means something. (maybe Jimi Hendrix, I think....). Mr Callier uses words in the same way a soloist chooses frases from the scales he's gonna run on the changes, Pure poesia, not "Baybee I Loves ya BS........"
There's no Vinicius de Moraes, Cae Veloso or Aldir Blanc here in USA as lyricwriting goes.(Im not a Dylan fan, so I must keep him out of the mix.......)
Mr Callier's folkier sounds were never my favorites, I always dug the jazzy and the doowop stuff. The doowops are fabulously represented with "Just as Long as We are in Love" and "You Dont Care"--straight up "Brunswick records " sound.
"Dancing Girl" is that dreamy quality that the Drake and Phillips sounds represent-
it is a lovely "suite".
What Color is Love title track simply a jazzy ballad, with the feel of all the timeless "standards". A lovely arrangement for sure!
The record hardly sounds dated, it's as fresh as anything recorded these days.........
And TC's vocals just soar, he frases like a jazz horn!
I'd review ALLA Tc's cds, ya have to say the same words for all of them-------- the word of gypsy origin, "duende" applies....DEEP PROFOUND "SOUL" from a fine musico, BRAVISSIMO < Terry Callier!!!!!!!!!!!!!!!
this album i have never forgoten.......2001-07-11
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Vicky Love
Biagio Antonacci Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O75HGG Release Date: 2007-04-23 |
Tracks:
- Soffocamento
- Lascia Stare
- C'Silenzio
- Sognami
- Impossibile
- Coccinella
- Vicky Love
- Non Sei Pi
- GiMani Capo
- Non Eri Tu "Quel Brivido di Libert
- Volte
Album Details
Biagio Antonacci's Return after Two Years of Silence. The First Single "Lascia Stare" Declares the World of Biagio: Pop, Rock and Magic, Biagio Sings About Intimism, Passion and Love. The Endless and Faithful Fan Base is Already Advised and Ready to Welcome Him Again with a Big Hug.Customer Reviews:
Best Italian Artist in a LONG TIME!!!!.......2007-05-23
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Lexicon Of Love (Deluxe Edition +20 Bonus Tracks)
ABC Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00042YL4A Release Date: 2004-11-22 |
Tracks:
- Show Me
- Poison Arrow
- Many Happy Returns
- Tears Are Not Enough
- Valentine's Day
- Look of Love, Pt. 1
- Date Stamp
- All of My Heart
- 4 Ever 2 Gether
- Look of Love, Pt. 4
- Overture
- Tears Are No Enough [7"]
- Alphabet Soup [12" Mix]
- Theme from Man Trap
- Poison Arrow [Jazz Mix]
- Into the Valley of the Heathen Go [Outtake]
- Alphabet Soul [BBC Swapshop Version]
Tracks:
- Tears Are Not Enough [Demo Version]
- Show Me [Demo Version]
- Surrender [Demo Version]
- Overture [Live]
- Show Me [Live]
- Many Happy Returns [Live]
- Tears Are Not Enough [Live]
- Date Stamp [Live]
- Look of Love [Live]
- All of My Heart [Live]
- Valentine's Day [Live]
- 4 Ever 2 Gether [Live]
- Alphabet Soup [Live]
- Poison Arrow [Encore][Live]
Album Description
Deluxe remastered reissue of the new wave act's classic 1982 album includes ten bonus tracks ('The original Singles') 'Tears Are Not Enough' (7-inch), 'Alphabet Soup' (12-inch), ''Theme From 'Man Trap''. & 'Poison Arrow' (Jazz Mix), (An Out-Take & An Oddity) 'Into The Valley Of The Heathen Go' ('Lexicon Of Love Out-take, 5/82), 'Alphabet Soup' (BBC Swap Shop Version 29/11/81), (The Route To Lexicon) 'Tears Are Not Enough' (Phonogram Demo 20/07/81), 'Show Me' (Phonogram Demo 20/07/81), & 'Surrender' (Phonogram Demo 20/07/81), & a bonus disc ('The Lexicon Of Love Live At The Hammersmith Odeon, Nov 1982') with an additional 11 tracks. Mercury. 2004.Album Details
Digitally Remastered Edition of the Abc's Stunning Debut Album Augmented with Previously Unreleased Demos and Remixes and the Full, Live Glory of the Band on their Debut "Lexicon of Love" Tour.. From their Gig at the Hammersmith Odeon Where David Bowie was Watching from the Wings. The Package Comes with Extensive Sleevenotes Including New Interviews with Martin Fry and Trevor Horn as Well as Memorabilia from Fry's Personal Archive.Customer Reviews:
Great Album.......2007-02-06
Unprecedented, but not the first!.......2004-12-11
The songs are an endless stream of witty couplets, like Satan himself had possesed your average dictionary of qoutations and was using it to sing the evils of love! The lowbrow take on highbrow lyricism all the while laughs at it's own haughty pretension, and Fry's ever-straining (though succeeding!) vocal delivery is emotive and leavening all at once! Tessa Niles (then Webb) made her mark as the angel of the New Romantic bands with her cameo parts here. Duran Duran would allude to her spots on Lexicon with their "Come Undone" single (that record seeming to mourn a bygone era).
Trevor Horn (I know what one is now!) assembled the core army that would march forth as ZTT (and the before-mentioned Frankie) around this effort, and the collective genius of all concerned, coupled with an exacting attention to recorded sonics (predicting the digital era to come...) would rise to heights unimagined. This record is every bit as engaging and lofty as any classical symphony or suite. Horn even managed to "tart up' and incorporate a track produced by someone else (Steve Brown on "Tears Are Not Enough") seemlessly. Fortunately for listeners, the original 7 inch single version is here for comparison. Also of note is the FABULOUS jazz mix of "Poison Arrow" (which i long treasured on vinyl) that proves Trevor's chops as an ombudsman arranger and mixer! Some of you may like to know that a "scratch" mix of 'Look of Love" is out there (part 5), it has it's moments, really, but I can see why it missed the cut here...
ABC's graphic sensibility PRE dated Pet Shop Boys and was in no small measure responsible for their success first time out. The Deluxe version exquistitely re-tailors the original graphics (Universal/Polygram in-house art has long been a leader in tasteful treatments, even when assigning such work to outside firms). Lots of Goodies for the eyeballs here, as well. The Live and Demo cuts are great, academically speaking. I only wish disc one had incorporated "overture" and "look parts 2 and 3" and left all else to disc two, it would have been less jarring. The sound has a certain "punched and compressed" quality in the percussion parts that was (like vintage Motown singles) a big part of it's vinyl success. It has obviously been decided to not mess with perfection in the audio approach, and the oddness of this approach is preserved (wise choice in my book!).
I sincerely hope this album is one day given the 5.1 surround mix it so desperately deserves. It would definitely pose a challenge to Mr. Horn, and he may well feel it is too risky to mess with perfection. This album deserves that extra detail every bit as much as Roxy's "Avalon" did, and "Avalon" succeeded as such, so please Trevor, give a try for the old guard! THANK GOD THIS ALBUM HAS GOTTEN IT'S DUE HONOR AT LAST! You will proudly own the very best if you buy it, even the original vanity "Neutron" label is used! Purveyors of Supa-Fine Product, indeed!
REMASTERED AGAIN another happy return.......2004-11-27
The bonus stuff is worth it's weight in gold. The demos are my favorite as the songs are stripped down an a little undeveloped. It's cool to hear the genesis of song without the added production
I have a live show from Germany (same tour) which is excellent. This one is from the Hammersmith 1982. If you have not heard the full live set from this tour - you are in for complete treat. Very classy.
OH - pretty important if you want to save some cash. I bought mine from Amazon UK. For everything, the price was under $30.00. For some reason, our Amazon could not get the price lower. So, go there and save $10.00
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Love Child/Supremes A-Go-Go
The Supremes Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004WZ5R Release Date: 2004-08-09 |
Tracks:
- Love Child
- Keep an Eye
- How Long Has the Evening Train Been Gone
- Does Your Mama Know About Me
- Honey Bee (Keep Stinging Me)
- Some Things You Never Get Used To
- He's My Sunny Boy
- You've Been So Wonderful to Me
- (Don't Break These) Chains of Love
- You Ain't Livin' Till You're Lovin'
- I'll Set You Free
- I Can't Shake It Loose
- Love Is Like an Itching in My Heart
- This Old Heart of Mine (Is Weak for You)
- You Can't Hurry Love
- Shake Me, Wake Me (When It's Over)
- Baby I Need Your Loving
- These Boots Are Made for Walkin'
- I Can't Help Myself (Sugar Pie, Honey Bunch)
- Get Ready
- Put Yourself in My Place
- Money (That's What I Want)
- Come and Get These Memories
- Hang on Sloopy
Album Description
UK version of Motown's '2 Classic Albums On 1 CD Series'. Reissue of 'Love Child' (1968) and 'Supremes A-Go-Go' (1966) together on 1 CD. Packaged in a full color slipcase with original artwork and 8 page booklet. The former LP reached #14; the latter toppAlbum Details
Digitally Remastered 2on1 CD with their Landmark LP that Saw them Eschew their Formal Gowns for Ghetto Rags and Relied More on Ashford and Simpson for their Hits. Along Side is 'supremes A-go-go', with their Hit 'you Can't Hurry Love' Fleshed Up Withmore Cover Versions of the Time.Customer Reviews:
Party time.......2006-07-06
Love Child followed the departure of Holland/Dozier/Holland from the fold and the policy at Motown of encouraging a new lyrical realism, addressing issues of the day, hence the downbeat album cover with Diana cast in the role of the "Love child" (you can tell by the T-shirt emblazoned with the words "Love child"), seemingly ostracized by Cindy and Mary. Some of the tracks were produced by rising stars Nickolas Ashford and Valerie Simpson, including the single Some Things You Never Get Used To and a new version of Marvin Gaye and Tammi Terrell's You Ain't Livin' Till You're Lovin', with other production duties shared by The Clan, Frank Wilson, Deke Richards and other relatively new blood, and including Smokey Robinson on his song He's My Sunny Boy. All reflect Motown's new found sophistication and a move towards the mainstream, but there is diversity and funkiness throughout the grooves. Cindy and Mary do not appear on the singles Love Child or Some Things You Never Get Used To, and are augmented throughout the album by the Andantes, in preparation for Diana's solo career which was launched around eighteen months later.
The Supremes A' Go-Go was hurriedly put together to capitalize on the hits Love Is Like An Itching In My Heart and You Can't Hurry Love, and these classics are among the strongest tracks, as runs-through of recent hits for Motown acts the Four Tops, the Isley Brothers and the Temptations, though efficient and enjoyable, can sound rushed. The album is further fleshed out with novelties such as a version of Nancy Sinatra's Boots, the McCoys' Hang On Sloopy, a rare Mary Wilson lead vocal on Martha and the Vandellas' Come And Get These Memories, and a stomping version of the Barrett Strong hit Money, which had by then become a standard thanks to covers by the Beatles and the Stones amongst others. The Supremes had previously recorded a whole album in tribute to the Beatles and other British acts, inaccurately named A Bit Of Liverpool, and it's possible that this track's origins date from then.
Apart from the two A-sides, there are no original songs on the album, unless Put Yourself In My Place is included. The Supremes had been the first to record this back in 1964, but their attempt had been shelved and the song assigned to the Elgins, and later to the Isley Brothers and to Chris Clark. This re-working was also the flipside of You Can't Hurry Love and is one of the highlights of this unpretentious and lively party album.
Offensive.......2006-04-02
On an impersonal level I understand that the girl of song story is saying she wants to wait prior to having a sexual relationship as she is not ready to take on the responsibility. Well and good. However, I take issue with the lyrics "...before end up hating the child we may be be creating...Love Child! Never meant to be!" Saying that suggests that only those born within marriages are valid people and meant to be.
Humanity predates marriage, so there was a time when all people were conceived and born ex wedlock. I hate the song and find it very offensive.
LOVE CHILD ALBUM REALLY SHINES--ESSENTIAL LATE '60s SUPREMES.......2005-05-03
SUPREMES A' GO-GO was the first album by a girl group to reach #1 pop. A great accomplishment, especially since this is, for the greater part, a so-so effort. The album certainly benefitted from featuring the classic "You Can't Hurry Love," and one of Holland-Dozier-Holland's best rocking dance grooves, "Love Is Like An Itching in My Heart." This album includes 8 Motown covers, the best, by far, of which are the Four Tops' "Shake Me, Wake Me," and the Elgins' "Put Yourself in My Place" (the latter which was recorded prior to virtually all of this material, and features strong backing by Wilson and Ballard). The non-Motown covers, "Hang on Sloopy" and "These Boots Are Made for Walking," are always hard for me to listen to, as Ms. Ross' lead vocal is mismatched. Reportedly, the latter was slated to be lead by Ms. Ballard. Pity that didn't happen. And, speaking of alternate lead vocals, Mary Wilson's on "Come and Get These Memories" is fairly subdued in the recording, if not in the performance. Her voice actually WAS perfectly matched to this tune. Overall, aside from the hits and 1 or 2 other selections, this is not a terribly satisfying mid-sixties effort by Motown and the Supremes though, clearly, it should have been. It comes across as a rushed effort to capitalize on a hot streak.
While all of the Supremes' hits are well anthologized, this collection is still absolutely essential, although primarily for LOVE CHILD.
ESSENTIAL DIANA ROSS AND THE SUPREMES.......2005-03-30
Even more exciting was the rip-roaring, sassy and evocative Love Is Like An Itching In My Heart. Those jamming musical arrangements courtesy of Motowns in house band known as The Funk Brothers, great lyrics from Holland-Dozier-Holland, a soulful, sexually-charged tour de force vocal performance from Diana Ross to some strong and highly effective backing vocals from Florence Ballard and Mary Wilson make this yet another perfect Supremes classic and was scores ahead of the light Pop/R&B ballads of their earlier phenomenon. All the more surprisingly Love Is Like An Itching In My Heart only got as far as No.9 on the U.S billboard charts and didn't even chart in the U.K though it certainly had all the momentum and fire to have cracked the top spot.
(Incidentally Love Is Like An Itching In My Heart went on to become a big Northern Soul hit in the 1970's)
The remainder of The Supremes A Go Go (1966) were crammed with impressive, dynamic cover versions of familiar hits of the day all of which were mostly songs by other Motown artists such as The Four Tops, The Temptations, The Isley Brothers, The Elgins and Martha Reeves And The Vandellas.
Diana Ross puts in a fine, easy-going performance on their cover version of The Isley Brothers, This Old Heart Of Mine (Is weak For You) though it does admitedly lack the punch of the original.
There are a total of three cover versions of The Four Tops classic hits. Ross' sweet, sensual voice may have not have that bite and edge of Levi Stubbs rocketing vocal style but she remarkably manages to make any song she sing completely her own. Though quite lightweight their take on The Four Tops classic 1965 chart-topper I Can't Help Myself is contagious from its fantastically arranged orchestrations and comes complete with a super fine performance from Ross. This could have easily been a hit for The Supremes had it not already been for The Four Tops.
The sweeping arrangements on their dynamic take on Baby I Need Your Loving are sensational and Ross packs in another cracking vocal performance gliding along with ease and style.
What does manage to even better the original is their far more effective version of Shake Me, Wake Me (When It's Over). If anything these cover versions proved a great experiment for the developing Diana Ross sound even if it did subsequently leave Florence Ballard and Mary Wilson lurking bitterly in the shadows.
I must admit I was quite cynical on seeing that on the track list there was a cover version of Nancy Sinatras' chart-topper These Boots Are Made For Walking but soon ate humble pie on just one listen to Ross' cool, sassy delivery.
Ross does a stellar job on their version of The Temptations Get Ready which she performs with verve and style (even if it doesn't place no great threat to the original). They actually improve The Elgins, Put Yourself In My Place. Ross delivers a nice, intricate performance whilst there are soothing backing vocals from Ballard and Wilson.
Motowns pioneering hit was Barrett Strongs superb Money (That's What I Want), a song that echoed the perils of the restrictions of the ghetto (to which they were no strangers to). It's quite clear that Diana and the girls were forced to do some of these numbers in just a few takes, especially on this track, but they do manage to do an adequate job even if it does pale next to the original.
Mary Wilson, the only surviving memeber of The Supremes to remain right to the groups bitter end in 1977 when they quietly disbanded years after their peak, heads up front on a moderate cover version of Martha Reeves and the Vandellas classic Come And Get These Memories. Though Wilson has a nice, breathy soprano, it clearly lacks the depth and range of Ross' more distinct and unique style.
Completing the track line up is their fabulous and unique version of Hang On Sloopy where Ross' performance is strong, assertive and passionate sounding magnificent as do the great backing harmonies of Wilson and Ballard.
Motowns obvious marketing ploy was that in getting The Supremes to do a series of famous cover versions of hits from around that era, this would instantly sell the album in big proportions as well as also showing how adept and versatile a vocalist Ross had become (her solo career was under discussion now even though she wouldn't fly from the group until early 1970). Well, Motowns strategy worked as The Supremes A Go Go (1966) raced to the top of the album charts elbowing off The Beatles, Revolver from the top spot. Though highly commercial and formulaic, The Supremes A Go Go proves compelling and indeed a classic album.
Love Child became Diana Ross and the Supremes eleventh chart-topper in late 1968. This song was actually something of a comeback for Ross and the Supremes as their previous singles Somethings You Never Get Used To and Forever Came Today didn't even manage to break into the Top 20 charts.
It's true that a lot of Motown acts suffered from the loss of the genius songwriting and production team Holland-Dozier-Holland. Holland-Dozier-Holland take credit for creating and defining that magical phenomenon that became commonly known as "The Motown sound - the sound of young America". Holland-Dozier-Holland had left Motown in early 1968 following a bitter dispute with head boss Berry Gordy over royalty payments (many other Motown acts also sued the company over back royalty payments as most felt they were exploited).
Anxious to keep the "motown sound" alive and thriving, Berry Gordy appointed some remarkably talented new in-house songwriters and producers with the cream of the crop including the likes of Ashford and Simpson, Norman Whitfield, Deke Richards, Frank Wilson to name but a few.
Love Child had been penned by Frank Wilson, Deke Richards and R.Dean Taylor (one of Motowns few white acts that scored hits with the classic There's A Ghost In My House and Gotta See Jane). This was Diana Ross and the Supremes first real contemporary musical offering that made any form of political statement and to explore relevant social issues of that of a baby born out of wedlock. Love Child was deemed controversial at the time though is tame by todays standards.
Love Child was perharps Ross and the Supremes most compelling and powerful recording. Ross puts in a power-house performance sounding untypically raw and earthy across the dramatic orchestrations thats given a sharp, soulful edge. Whilst hitting No.1 in the States it also enjoyed success in the U.K (renewing their popularity there where they had also struggled with their last two singles) where it became a Top 20 hit gliding in at No.15.
The Love Child album steers away from their earlier sound and if anything you could argue this does sound more like a showcase for Ross' talents (which was the case pretty much from their first hit and as neither Mary Wilson or Cindy Birdsong hardly appear on any of these tracks as backing duties were provided by The Andantes). This does lack the group-oriented sound of their earlier phenomenon but still its a credible album and showed The Supremes comfortably changing with the ever-changing musical tastes of the 1960s.
Motown had by now fully recognised the potential in albums being used as pieces of musical art and not just a mere dumping ground for routine "filler" (as mostly the case with studio albums by any Motown artist in the 60's with all acts covering each others hits).
Ashford and Simpsons Keep An Eye has a slow, mellow arrangement thats ignited by Ross' strikingly husky delivery. Keep An Eye tells the tale of betrayal, bitterness and paranoya and really has that urban feel which was the intentional tone of the album (one look at the front cover with Ross, Wilson and Birdsong sporting afro hairstyles, dressed in cut off jeans and sweatshirts standing somewhere down some isolated back alley in the heart of Detroit really conveys that this album was going to be pure street).
How Long Has That Evening Train Been Gone continues the mellow mood where Ross lets go and puts in a strong, assertive performance which compliments the complex musical arrangements consisting of that pounding percussion and glorious saxophone interludes courtesy of Motowns legendary in-house band known as The Funk Brothers.
More reminiscent of their showbiz persona was their commendable take on Does Your Mama Know About Me where Ross' voice shines too full effect revealing the real depth and essence in her soft, unique voice whilst moe familiar but ultimately an unexpected highlight of the album is the totally infectious Honey Bee Keep On Stinging Me. This track really was more reminiscent of their earlier sound with a contemporary twist. Ross sings in an engaging lower throat register which proves quite effective for her unusual, unique sound.
Somethings You Never Get Used To was Ross and the Supremes first single since 1963 not to have been written and produced by Holland-Dozier-Holland. They were immediately teamed with the multi-talented duo Ashford and Simpson that brought to Motown their own brand of chic, New York kind of sound that was fresh and exciting. The rolling Somethings You Never Get Used To was a concious effort by Ashford and Simpson to keep up the momentum of Holland-Dozier-Holland and it partially succeeds in its mission even though this became their first single since 1963 not to hit the Top 20.
He's My Sunny Boy is utterly fabulous from its fantastically assembled musical arrangements to the gorgeous, yearning sounds of Ross' slightly angelic vocals where as that showbizzy sound they delved into at their live concerts, creeps in on You've Been So Wonderful To Me though is still a catchy affair at that with Ross putting in a warm, exuberant vocal performance.
Even better was the upbeat, feel-good Chains Of Love where Ross' stirring performance is impressive whilst they make their version of Marvin Gaye and Tammi Terrells' You Ain't Livin Till Your Lovin' compelling with Ross putting in a commendable intepretation.
Ross' delicate voice enhances to great effect on the soulful I'll Set You Free whilst they move into funkier terriotry on the fun, bouncy I Can't Shake Loose where Ross' soulful performance ignites the stirring arrangements.
Love Child (1969) remains one of Diana Ross and the Supremes most popular studio albums. It was a big seller jumping into the Top 10 album charts on both sides of the Atlantic as well as winning many favourable reviews from critics that had previously predicted that Ross and the Supremes would sink following the departure of Holand Dozier Holland.
Love Child (1969) captures Diana Ross and the Supremes - the worlds biggest girl group of all time - at their swinging prime. For any lover of Motown or indeed Ross this album is pure gold!
Ian Phillips
truth from motown historian on the excellent love child ablu.......2005-02-01
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