Emperatriz del Danzonete [Import]

1. Rompiendo La Runtia

2. La Violetera

3. Mimosa

4. Campanitas De Cristal

5. El Verdulero

6. Obsession

7. Aprietas Mas

8. Vagando

9. Echale Solfeando

10. No Vale La Pena

11. Ritmo Pa'mi

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Average customer rating:

The End of the Big Voice?
Fla Gator Lady
20 Great Tenor Arias
Plesantly surprised...
Absolutely Agree About Corelli

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Most Famous Opera Duets
The Most Famous Opera Arias
The #1 Opera Album
The Best of Italian Opera
The Ultimate Puccini Collection

ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

La Boheme: Che gelida manina
Manon Lescaut: Donna non vidi mai
Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
Luisa Miller: O! fede negar potessi .. Quando le sere al placido
La Traviata: Lunge da lei ... De' miei bollenti spiriti
Martha: M'appari
Giordano: Amor ti vieta
L'Africaine: Mi batte il cuor .. O paradiso
La Favorita: Favorita del re . . . Spirto gentil
Werther: 'Pourquoi me reveiller'
Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
Les Contes d'Hoffmann: O Dieu! De quelle ivresse
TOSCA: E lucevan le stelle
Pagliacci: Recitar! ... Vesti la giubba
Il Trovatore: Di quella pira
Aida: Se quel guerrier .. Celeste Aida
TOSCA: Recondita armonia
L'Elisir d'Amore: Una furtiva lagrima
La Gioconda: Cielo e mar!
Turandot: Nessun dorma

Customer Reviews:

The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!

Average customer rating:

Sweet
superb
Oh my Gosh, Josh!
a true star
Floodgates of the Heart

Josh Groban
Josh Groban
Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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Closer
Awake
Josh Groban in Concert (with Bonus DVD)
Il Divo
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ASIN: B00005RGNI
Release Date: 2001-11-20

Tracks:

Alla Luce Dal Sole
Gira Con Me
You're Still You
Cinema Paradiso (Se)
To Where You Are
Alejate
Canto Alla Vita - featuring The Corrs
Let Me Fall
Vincent (Starry, Starry Night)
Un Amore Per Sempre
Home To Stay
Jesu, Joy Of Man's Desiring (w/Lili Haydn)
The Prayer - featuring Charlotte Church

Amazon.com

There are worse things in life than making your acting debut on the much ballyhooed season finale of Ally McBeal, though teen operatic baritone Josh Groban doesn't seem destined to encounter them anytime soon. As the awkward high school student-client who asks the typically romance-jinxed Ally to his senior prom, Groban performed this debut album's "You're Still You" (adapted from film-composing legend Ennio Morricone's Academy Award-nominated score for Malèna, with lyrics by Linda Thompson) as a heart-tugging, literal showstopper. The young phenom was just 17 when veteran producer-writer David Foster tapped him to fill in for Andrea Bocelli at rehearsals for the 1999 Grammys, where Groban found himself suddenly dueting with Celine Dion.

Indeed, such were his fortunes that the young Foster protégé was forced to drop out of Carnegie Mellon when professional commitments--including this record--interfered. And if this collection tends to hew sometimes uncomfortably close to Foster's own MOR sonic instincts, the material offers enough challenges to display Groban's talent and the potential of his warm, mature voice: a lyrical take on another Morricone classic, "Cinema Paradiso"; melancholy readings of Don McLean's "Starry, Starry Night" and Albert Hammond's "Alejate"; masterfully dramatic takes of the Neapolitan "Alla Luca Del Sole" and "Canto Alla Vita," the latter featuring the Corrs. Many of Groban's performances here, including a neo prog-rock-opera take on Bach's "Jesu, Joy of Man's Desiring" (with Lili Haydn), seem both bigger and bolder than their precious musical frameworks, a telling hint that Grand Opera can't be far from his grasp. As said earlier, there are worse things in life. --Jerry McCulley

Customer Reviews:

Sweet.......2007-07-13

Josh Groban and Charolette Church! Yum. This is a very good album and a must buy!

superb.......2007-07-05

What a voice, what an artist, what a man.
Underestimated in Europe. His concert on 21 May 2007 in Amsterdam was superb!

Oh my Gosh, Josh!.......2007-07-03

I love Josh Groban's music! It is romantic, mellow and beautiful :)
This CD has two songs on it that are very unusual. I believe both are from Cirque de Soleil, and draw you into the music--warning-- While driving, do not close your eyes!

a true star.......2007-06-24

First saw and heard Josh on the Tv and was blown away by his talent! it was about a year later that I found out who he was and bought the first album and can honestly say that I have never tired of his work. Every song is magical and he is truely wonderful. Have since purchased all his work and have also had the priviledge of seeing him live in concert in Glasgow/Scotland and was amazed. such a talented young man with a truely magical voice

Floodgates of the Heart.......2007-06-05

This CD played almost constantly in my wife's car for several years. Josh Groban's voice is so gentle and can go from gentleness to anthematic, almost operatic, textures. He sings in Italian effortlessly. The orchestration on "Cinema Paradiso" is enthralling with its emotional reach, powerful even with lyrics beyond my understanding. "To Where You Are" is one of the most gorgeous songs. Knowing how it moved my wife in the years before breast cancer proved stronger than her body, it touches me now, "Fly me up to where you are beyond the distant star I wish upon tonight to see you smile, if only for awhile to know you're there; a breath a ways to where you are." The song opens the floodgates of my heart. The Corrs were on Groban's 143 label when this release came out in 2001 and join him on the upbeat "Canto Alla Vita." Groban makes an interesting selection with Don McLean's "Vincent," polishing the melody to a fine sheen in ways that surpassed the original. Listening to Bach's "Jesu, Joy of Man's Desiring" is like being in a sonic cathedral with Groban's voice matching the grandeur of the music. With Charlotte Church on "The Prayer," Groban concludes the set with the Carole Bayer Sager/David Foster composition that makes one contemplate the eternal, "Lead us to a place, find us with your grace, give us faith so we'll be safe." Groban's first CD enhances with repeated listening by virtue of the depth of musicianship and performance. I listen to it now hearing the music that moved the one I love to tears. It does the same for me. I hope it touches you too. Bravo!

Average customer rating:

Rhythms Del Mundo
Rhythms del Mundo: Cuba
Great Salsa/Pop Fusion CD
Disappointing...buy something else
Unique, fun CD-Rock and traditional tunes turned Latin

Rhythms del Mundo: Cuba
Various Artists
Manufacturer: Hip-O Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000J23416
Release Date: 2006-11-14

Tracks:

COLDPLAY - Clocks
JACK JOHNSON - Better Together
ARCTIC MONKEYS - Dancing Shoes
DIDO and FAITHLESS - One Step Too Far
IBRAHIM FERRER - As Time Goes By
U2 with COCO FREEMAN - I Still Haven't Found What I'm Looking For
MAROON 5 - She Will Be Loved
KAISER CHIEFS - Modern Way
OMARA PORTUONDO - Killing Me Softly
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VANYA and RHYTHMS DEL MUNDO - Don't Know Why
AQUILA ROSE and IDANIA VALDEZ - Hotel Buena Vista
FRANZ FERDINAND - The Dark Of The Matinee
LELE featuring RADIOHEAD - High And Dry
IBRAHIM FERRER - Casablanca (As Time Goes By)

Amazon.com

Created as a benefit project for Artists' Project Earth, an organization devoted to protecting the environment, reversing climate change, and tendering disaster relief, this compilation pairs Western pop stars (U2, Sting, Artic Monkeys, et al) and their hits with all-new arrangements performed by members of Cuba's Buena Vista Social Club plus other Havana-based talent. The overall effect is of a well-meaning but not entirely simpatico mutual admiration society. Coldplay's "Clocks" is a good example; the lead vocal is coolly lethargic, engulfing the spiky crags of the rhythm section like syrup on a waffle. But then, most of the singers sound strangely unconnected to the frisky 1-2-3/1-2 of the clavé beat. The contrast between the two groups of players could have been bracing, and to many ears it perhaps will be, but most of the time, they seem to transmitting from parallel universes. Not surprisingly, the best tracks are those in which hometown icons are left to do what they do best. But the late, great Ibrahim Ferrer's marvelous interpretation of "As Time Goes By" (his final recording) and Omara Portuondo's wistful yet powerful cover of "Killing Me Softly" only serve to further showcase what's amiss with the rest of the album. --Christina Roden

Amazon.com

Album Description

This unique compilation project brings together the legendary musicians of the Buena Vista Social Club & some of today's most popular music stars Chris Martin (Coldplay), Dido, Franz Ferdinand, Sting, Bono, Radiohead among others, performing collaborations of some of their classic hits.

Customer Reviews:

Rhythms Del Mundo.......2007-07-15

It's a good idea and not bad for the effort. The songs while some work very well ,the others were just a good try . I can see what they were trying to do. Anyway it's for a good purpose

Rhythms del Mundo: Cuba.......2007-07-05

I love this CD. Every cut is good. I can clearly appreciate the original artist and the Latin beat at the same time. I am so pleased to have a CD that every cut is good and I don't have to stop what I am doing in the cafe to skip a cut when the player is on scramble.

Great Salsa/Pop Fusion CD.......2007-07-04

The fusion of well known pop artists (ie; U2, Coldplay, etc.) and Buena Vista Social Club totally works on this great CD.

Disappointing...buy something else.......2007-06-01

This is disappointing...a few of the remakes are ok. Some cuts are intolerably poor. The overal quality is poor and it is not as advertised.

Unique, fun CD-Rock and traditional tunes turned Latin.......2007-05-29

We love this CD and all of our guests who have heard it love it too. The latin version of Cold Play's "Clocks" seems like they should have recorded it that way from the start. You'll recognize all of the songs and enjoy the Spanish or rhymically-latin versions.

Average customer rating:

A Great Introduction to Italian Opera
Best of the best!
Fabulous bargain for anyone
Great songs for a low price.
Not a good choice.

The Best of Italian Opera

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Similar Items:

The Most Famous Opera Arias
The Most Famous Opera Duets
The #1 Opera Album
Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
The Best Opera Album in the World...Ever!

ASIN: B000000UXN
Release Date: 1997-01-21

Tracks:

La Traviata: 'Libiamo, Libiamo'
Rigoletto: 'La donna e' Mobile'
The Barber Of Seville: 'Una voce poco fa'
La Boheme: 'Che gelida manina'
Rigoletto: 'Gualtier Malde!' Caro nome'
Il Trovatore: 'Vedi! le fosche'
Il Trovatore: 'Il balen del suo sorriso...Per me ora fatale'
TOSCA: 'Vissi d'arte'
La Traviata: 'Di Provenza il mar, il suol'
The Marriage Of Figaro: 'Voi che sapete'
Aida: 'Se quel guerrier io fossi...Celeste Aida'
Madama Butterfly: 'Un bel di vedremo'
La Gioconda: 'Cielo e mar'
Lucia di Lammernoor: 'Ardon gl' incesi'

Customer Reviews:

A Great Introduction to Italian Opera.......2005-05-01

The artists on this CD succeed in their goal to create a CD that displays great Italian opera. Carlo del Monte and Victoria de los Angeles open the disc with the Brindisi from La Traviata. Victoria de los Angeles is not the best Violetta, but she does the job, along with her parner Carlo del Monte, an underappreciated tenor. Victoria de los Angeles also appears on the CD in "Un bel di vedremo" from Madama Butterfly, a role she was well known for. Swedish tenor Nicolai Gedda appears on the disc twice. His first appearence is a superb rendition of "La donna e mobile" from Rigoletto. His final performance on this disc is in the heroric aria "Celeste Aida", a performance in a role that was not in his voice range. Anna Moffo is the star on this CD, appearing three times in three very different roles. First is her beautiful "Una voce poco fa", normally a role that calls for a mezzo-soprano. Her second is "Voi che sapete" from Le Nozze di Figaro, another mezzo-soprano role. Her final appearence is her best, "The Mad Scene" from Lucia di Lammermoor. Underrated tenor Giuseppe Campora performs "Che gelida manina" with a great tenor voice. Soprano Reri Girst is excellent in her performance of "Caro nome" from Rigoletto. One of my favorite baritones appears on this CD. Robert Merrill is a perfect Count di Luna, and it is evident in his rendition of "Il balen del suo sorriso". Another baritone appears on this CD: mario Sereni. He is not a world famous baritone, but he should have been. Overall, this is an excellent introduction to the world of Italian opera.

Best of the best!.......2003-01-11

The performers, the selections, the quality... almost divine!

Fabulous bargain for anyone.......2002-11-24

I would recommend this CD to anyone, from opera novice to experienced listener...

These are older recordings -- I would guess mostly from the 1960's. The recording quality is exceptional for the day and, while not the equivalent of modern engineering, is sufficient to allow sheer physical pleasure from the music and an immediate appreciation of the vocal qualities of the artists. The sound quality is the only mild drawback...

The performances are magnificent! The voices are almost entirely lighter and more agile than the great voices of the 80's and 90's. In fact, the ear of the editor is apparent in his preference for lighter and more agile voices.

For example, there is a beautiful rendition of "Che Gelida Manina" from someone I had never heard before, Guiseppe Campora. He does not have the weight or volume of Pavarotti or Domingo, but has more elegance and a pure, charming tone. A connoisseur performance, but nevertheless a true operatic rendition by a tenor who can hit the high C with authority -- as good for a newcomer to opera who wants to hear the real thing, as for an opera lover who would like to hear something a bit different.

Some of the artists were among the most famous singers of their day: Moffo, de los Angeles, Gedda.

Anna Moffo, one of the greatest sopranos of her day (and all time), is in magnificent voice in famous blockbusters from Rossini's Barber of Seville, Mozart's Marriage of Figaro, and the Mad Scene from Lucia di Lammermoor.

De Los Angeles is at her best in "Libiamo" from La Traviata, but the recording quality (the one inadequately engineered track on the CD) and her lack of oomph make for a second-rate version of "Un bel di".

In keeping with the light and lyrical orientation of the selections, Moffo -- a famous Gilda and hardly a dramatic voice -- is bypassed for the even lighter, sweeter and more agile colatura Reri Grist (while she still had her voice), in a lovely "Caro Nome".

Another nice selection is Mario Sereni performing "Di provenza, il mar". Both this and "Libiamo" are taken from one of my favorite recordings of Traviata -- also a great chance to hear Serafin at the helm of the Rome Opera House orchestra. (The 2-CD version of this is still available from EMI, I think.) Newcomers will love this pretty tune, and Sereni's archtypal Verdi baritone is good, although hardly the best ever.

Franco Corelli has never been a favorite of mine, but he sounds the best I've ever heard him in his rendition of "Cielo et mar".

Anyway, I didn't intend to list every cut. Whether you are an opera lover who would like to hear some of opera's most famous arias performed in a new light, or an opera lover who would like to hear great performances at a cut-rate price, this CD gets my unqualified approval.

Great songs for a low price........2001-08-16

Ranging from selections of La Traviata, Il Trovatore and other popular Italian operas, this is a great cd for under four bucks. The singers may not be well recognized, but they do possess powerful voices.

Not a good choice........2001-02-22

To the contrary of one of the other ratings, I think if you are new to opera, this is NOT the CD I would recommend as an introduction. While it DOES have many of the very well known, it is, in my opinion, very poor quality, done by people with hardly any feeling for the music. They are good singers, but that's all they are doing. Hearing someone sing words is much different than hearing someone accomplished sing the soul of the story. All in all, a very boring, poorly done CD. I guess you get what you pay for though. I just recived mine yesterday, and will probably return it. If you are new to opera, I would suggest Pavarotti. The 2 star rating is because the orchistra was good.

Average customer rating:

Tango fantasico
One Sexy CD
Tango Music at Its Best
Tango-Trance? Trance-Tango?
My Favorite Gotan Project CD!

La Revancha del Tango
Gotan Project
Manufacturer: Xl Recordings
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

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Bajofondo Tango Club
Narco Tango
Emigrante
Versions
Shall We Dance?

ASIN: B00008NRL8
Release Date: 2003-04-08

Tracks:

Queremos Paz
Epoca
Chunga's Revenge
Triptico
Santa Maria (Del Buen Ayre)
Una Musica Brutal
El Capitalismo Foraneo
Last Tango In Paris
La Del Ruso
Vuelvo Al Sur

Tracks:

Triptico (Peter Kruder Mix)
Santa Maria (Tom Middleton's Cosmos Mix)
El Capitalismo Foraneo (Antipop Consortium Mix)
Santa Maria (Pepe Braddock Mix)

Amazon.com

Released in Europe in 2001, La Revancha Del Tango's sexy combination of chillout programming and authentic tango music became a lounge favorite and led to massive sales. Lightning struck twice when it was released two years later in the States--the domestic debut attracted the attention of electronic music hipsters, tango freaks, and world music geeks. And rightfully so. The Gotan trio of Philippe Cohen Solal, Christoph H. Müller, and Eduardo Makaroff write the album's strongest material themselves, but their imaginative incorporation of Frank Zappa's "Chunga's Revenge," Gato Barbieri's theme from the movie Last Tango In Paris and, not surprisingly, Astor Piazzolla's "Vuelvo Al Sur" into the Gotan world shows just how broad and inclusive their tastes really are. Naysayers may complain that this album can be heard in every hip restaurant and clothing boutique from Paris to Los Angeles, but sometimes the cream does rise to the top and gain mass acceptance, as it has here. Also includes a bonus disc of four remixes. --Tad Hendrickson

Album Description

The debut by this Paris based trio is a relaxed blend of tango dance rhythms and Argentinean instrumentation. The group was brought together by their passion to combine sound with image and to marry electronic and acoustic music. They built on their house, dub, and hip-hop influenced productions by adding two of Argentina's finest tango musicians, the musical result being supremely distinctive, incorporating bandonion (a form of accordion), violin, and vocals. This release includes 2000's most memorable jazz-house hit, "Triptico", which has already sold over 400,000 copies worldwide. The US version features the original ten tracks from the European release, along with a special bonus disc of the "Santa Maria" video plus four audio tracks.

Album Description

The debut by this Paris based trio is a relaxed blend of tango dance rhythms & Argentinean instrumentation. The group was brought together by their passion to combine sound with image & to marry electronic & acoustic music. They built on their house, dub, & hip-hop influenced productions by adding two of Argentina's finest tango musicians, the musical result being supremely distinctive, incorporating bandonion (a form of accordion), violin, & vocals. This release includes 2000's most memorable jazz-house hit, 'Triptico'. The U.S. special edition includes a second disc with five bonus tracks, 'Triptico' (Peter Kruder Mix), 'Santa Maria' (Tom Middleton's Cosmos Mix), 'El Capitalismo Foraneo' (Antipop Consortium Mix), & 'Santa Maria' (Pepe Braddock Mix & Video). Digipak. XL. 2003.

Customer Reviews:

Tango fantasico.......2007-06-27

I saw the movie "Shall we dance" and one of the songs from the film is on this cd. I liked the music and thought I would enjoy all of the songs if they had the same instrumental feel as the song. I really enjoy it and would recommend it for anyone who likes a mixture of latin, instrumental and tribal beats.

One Sexy CD.......2007-03-27

I'm loving the CD. They have a great sound....sensuous and chill. I first heard their music on a compilation CD. They play some of their tracks on Nip/Tuck too.

Tango Music at Its Best.......2007-03-09

This is definitely worth the purchase. A combination of Parisian electronica and Argentinian dance music. Perfect blend of two styles.

Tango-Trance? Trance-Tango?.......2007-02-18

A very nice French lady called Anne-Marie gave me this disc a few weeks ago and I've been listening to it ever since. I watch the American remake of the Japanese film, "Shall We Dance", last week and I noticed that the music of Gotan Project was used very effectively when Richard Geer dances with J-Lo.

I listened to "La Revancha del Tango" this Sunday afternoon. It was around 40 degrees outside - damned hot! - and I just sat and listened to this disc with my air conditioner on full blast. I rather think that I will play this CD the next time I have some friends over for a few drinks.

The music of Gotan Project is rather hypnotic and relentless on this CD. I like that. I guess that one could call this "Tango-Trance", or something like that?! The percussion/drums, bass line, piano and piano accordion dominates the sound here.

I've been playing "Lunatico" at work all week and I like it, too. Gotan Project is performing in Adelaide, South Australia soon and I am seriously considering making the effort to see them.

Very spunky, suave and sexy dance music.

My Favorite Gotan Project CD!.......2007-02-14

La Revanch del Tango is beautiful, easy to dance to, and fun! Lifts your spirts up with it's light hearted beats, but still remains mysterious and romantic with it's darker flair. It's just good!

Classical Music for Children: A Toddler's Introduction to Classical Music

Average customer rating:

Awesome CD
He started dancing as soon as we put it on!
Better than baby einstein
great music at a great price
A Wonderful CD for all ages

Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Children's Music | Styles | Music

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4-for-3 Classical | 4-for-3 Music | Stores | Music

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Similar Items:

Children's Favorites
Classics for Kids
Bernstein Favorites: Children's Classics
Pavarotti's Opera Made Easy-My Favourite Opera For Children
David Bowie Narrates Prokofiev's "Peter and the Wolf"

ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

Clair de Lune
Eine kleine Nachtmusik: Romance: Andante
Moonlight Sonata: Adagio sestonuto
Minute Waltz
On The Beautiful Blue Danube
The Nutcracker Suite: Russian Dance
El Amor Brujo: Danca del Terror
Grand Valse Brillante, Waltz No. 1 op. 18
Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
Goldberg Variations: Aria
The Nutcracker Suite: Chinese Dance
Symphony No. 7: Allegro molto
Symphony No. 94: Menuetto: Allegro molto
The Nutcracker Suite: March
Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.

Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta

Average customer rating:

delivery went ok
A knockout performance
The night that started it all!
Great singing from the three tenors
Excellent. Like summer sunshine. manna from heaven!

Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Francesco Cilea , Giacomo Meyerbeer , Giacomo Puccini , Franz Lehar , Vencenzo De Crescenzo , Salvatore Cardillo , Ernesto de Curtis , Agustin Lara , Pablo Sorozabal , Umberto Giordano , Leonard Bernstein , Vincenzo d' Annibale , Anonymous , Andrew Lloyd Webber , Alexander Sergeyevich Dargomizhsky , Juan De Dios Filiberto , Louis Louiguy , Ruggiero Leoncavallo , Rudolf Sieczynski , Joseph M. Lacalle , Eduardo di Capua , Zubin Mehta , Plácido Domingo , Luciano Pavarotti , and José Carreras
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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The 3 Tenors in Concert 1994
The Best of the Three Tenors
Three Tenors: In Concert
The Three Tenors Christmas
Romantica: The Very Best Of Luciano Pavarotti

ASIN: B0000041XX
Release Date: 1990-09-05

Tracks:

Il Lamento Di Federico
O Paradis
Recondita Armonia - Luciano Pavarotti
Dein ist Mein Ganzes Herz
Rondine Al Nido - Luciano Pavarotti
Core 'ngrato
Torna A Surriento - Luciano Pavarotti
Granada
No Puede Ser
L'impovviso
E Lucevan Le Stelle
Nessun Dorma
Finale Medley: Maria - Tonight, 'O paese d' 'o sole, Cielito lINDO
Memory, Ochi tchorniye, Caminito
Mattinata ; Wien, Wien, Nur Du Allein, Amapola, 'O sole mio
Encore: 'O sole mio
Encore: Nessun Dorma

Amazon.com

Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner Bayer

Customer Reviews:

delivery went ok.......2006-11-14

the item was delivered to me on-time and with no problems. however,i was looking for a DVD and not a audio Cd. might be good to clearly differentiate when the product is being advertised or shown.

A knockout performance .......2006-05-28

Like so many of the reviewers here I am not an opera aficionado. But I sensed immediately the night I saw this concert on television that this was one of those 'remarkable' artistic events. Domingo and Pavarotti both have such strength and beauty in their voices that they overwhelm. Carreras adds flavor and enthusiasm.
One of the most remarkable music performances I have seen.

The night that started it all!.......2005-11-02

You can read the technical information about the contents of this CD above. That is not what this review is about. I became intrested in opera about 1 1/2 years ago because of happening upon Mario Lanza. Since then, I have experienced many great truly operatic voices, including the "King," Pavarotti.
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!

Great singing from the three tenors.......2005-06-23

This cd is a must-have for anyone interested in opera - or beautiful singing. And when you're at it - why don't buy the dvd from the concert? It will make you appreciate the cd even more.

First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.

I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.

As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!

At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.

All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!

Excellent. Like summer sunshine. manna from heaven!.......2004-05-28

This CD is terrific on so many levels. In celebration of one of the world's great sporting events - the World Cup of football (soccer to us stateside), three great tenors and one masterful conductor (Zubin Mehta) were brought together in one of the world's great cities - Rome -- for a special evening that we are blessed to have been able to listen to again and again.

The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.

The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!

The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.

Tracks:

Let's Go Trippin
Shake 'N' Stomp
Misirlou
Mr. Peppermint Man
Surf Beat
Take It Off
King Of The Surf Guitar
Hava Nagila
Riders In The Sky
The Wedge
Night Rider
Mr. Eliminator
The Victor
Taco Wagon
Tidal Wave
Banzi Washout
One Double One Oh!
Pipeline - Dick Dale And His Del Tones w/ Stevie Ray Vaughan

Amazon.com

This collection rightly concentrates on Dale's instrumental exploits as the Jimi Hendrix of surf music. Nineteen sixty-one's "Let's Go Trippin'" was the first real surf instrumental, although the pyrotechnic fretwork of later Dale records is largely absent. Those divebomb runs, reverb drenchings, and impossibly quick picking displays materialize on the next single, "Shake & Stomp," then bloom on the revved-up Middle-Eastern standard "Misirlou." Dale's instrumentals generally fell into two camps: standard-progression frat blasts ("Take It Off," "Night Rider," "Mr. Eliminator") and minor-key Middle-Eastern excursions ("The Wedge," the "Pipeline"-esque "Banzai Wipeout," "The Victor," even "Hava Nagila"--which Jewish purists must have regarded as a hora of Babylon), on which his blistering technique was more likely to find its spotlight Some of his best work is found on "King of the Surf Guitar," a Duane Eddy knockoff with great vocals by the Blossoms garnished by lightning flashes of boss guitar. With all the dazzling axe-work on display (also including a beautiful 1987 duet with Stevie Ray Vaughan on the Chantays' unearthly "Pipeline"), the coolest cut here may be the sole vocal, "Mr. Peppermint Man," on which Dale's rasp oozes a concupiscent slime over the murky tale of a lollipop Lothario who "carries a little sign that says, Have some dessert." Frat rock godhead. --Ken Barnes

Customer Reviews:

Dick Dale was the Pioneer..........2007-05-31

I knew of Dick Dale's more well known tunes, his first "Let's go tripping" & "Misirlou", but the lesser known tracks are quite good. It demonstrates Dale's growth from his first to the "Pipeline" remake. The tracks are pretty much layed out on chronological order, and that's good.

His style is all over this cd, no mistaking it. He's described as "High Energy", and I'm not a fan of harsh surf - some of that here, but all good.

I recommend this cd for surf tune lovers and how surf all started with Dick Dale.

Surf mandolin.......2007-03-05

Dick Dale was left-handed, yet didn't reverse the strings on his guitar. His technique is most accurately described as electrified mandolin that was augmented in 1962 with a portable Fender reverb unit. He is widely considered the father of surf music and there's no denying that those who came after Dale used his music as a starting point.

The Del-Tones never had a hit record in their time; not even "Misrilou" made much of a splash (forgive the pun). That song and Dale enjoyed a sort of notoriety 30 years after the track's release thanks to the film PULP FICTION. It was featured in the movie's opening credits.

In comparison to the surf music that followed in Dick Dale's wake (pun again), his stuff had more energy perhaps, but it just wasn't as good. Dale had a penchant for reworking tunes to his style that probably should have been left alone-- "The Wedge," "Riders In The Sky" and "Hava Nagila" are good examples of this.

The last selection, "Pipeline," features Stevie Ray Vaughan, and was recorded in 1987. RHINO did a fine job of remastering the older sides, and their liner notes are informative. THE BEST OF DICK DALE & HIS DEL-TONES is a collection that will appeal most to surf music completists, and historians of the "California Sound."

TOTAL RUNNING TIME -- 41:54

A Great Album but not easy listening music . . . ........2007-02-17

I am more partial to metal and hard rock, but Dick Dale is great! The first man to blow up amps and melt guitar picks. He used to start with a handful and flick them off into to audience.

Most of the tracks are a good cross section of the times; has artist as well as studio written and produced tracks. If you are interested in pre-Beach Boys 'surf guitar', this is one to get.

Most people will recognize Banzai Wipeout, but there are some 'studio produced' tracks as well that Dale was forced to record. They are insipid, but a good contrast to the artist's material. Dale wanted to see what he could do with a traditional melody, Hava Nagila has to be experienced . . . .its a great revenge track for all the boring whiny gangsta rap you hear in the summer.

DickDale-King of the Surf Guitar.......2007-01-21

Don't think Dale can play a song the same way twice. Didn't like the selection of songs nor the way they produced.
J

You Don't Know Dick.......2006-12-31

I've owned this particular CD for years, but I have been kind of reluctant to review it. Y'see, to me, Dick Dale is kind of like the Tao; "the Tao that is spoken about, is not the Tao..." The Dick dale that I speak about is not really Dick Dale.

Dick Dale needs to be experienced in order to be appreciated. I can't explain his music. It's kind of primal, kind of tribal, it's kind of raw and will gnaw at your gut for hours after listening to it. It takes a "different kind" of soul to not only listen to Dick Dale, but appreciate him. This isn't said out of arrogance, it's just said out of a knowing that not everybody will like him just like not everyone likes the Mills Brothers...

Shine little glow worm...

He is truly amazing. I saw him in concert a few times, but I remember one time he was playing so fast and so furious that he broke a guitar string in the middle of a jam session. Big deal you say? What would you say if I told you he changed that guitar string while he was playing it? He had a stage hand hold the guitar, while he changed the string with his left hand and played with his right. You wouldn't even believe how thunderous the applause was after that happened.

Every time I've seen him, I've been "deaf" for days. I've never left a Dick Dale concert without somehow changing in some way. He's like a Shaman, a wizard, an alchemist. He can transform the ordinary into something pure and golden. He is truly one of the world's greatest (and most overlooked) musicians.

He is the King.

So, buy this album. It's a great little starter and after you learn to appreciate this album, go to another, and another, until you'll finally be able to say, "Wow, I really do know Dick..."

Peace and Blessings, children

Average customer rating:

Audio beauty and magnificence, Maria Callas
sublime
Good "Best Of"
The Very Best of Maria Callas
Classic Callas

The Very Best Of Maria Callas
Maria Callas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
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The Most Famous Opera Duets

ASIN: B00005Y1YQ
Release Date: 2002-02-12

Tracks:

Carmen: L'Amour Est Un Oiseau Rebelle
Gianni Schicchi: O Mio Babbino Caro
La Wally: Ebben? Ne Andro Lontana
Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix
Tosca: Vissi D'arte, Vissi D'amore
Andrea Chenier: La Mamma Morta
Le Nozze Di Figaro: Porgi Amor
Orphee Et Eurydice: J'ai Perdu Mon Eurydice
Aida: Ritorna Vincitor!
Adriana Lecouvreur: Respiro Appena... Lo So L'Umile Ancella
Madama Butterfly: Un Bel Di Vedremo
Norma: Casta Diva
Turandot: Signore, Ascolta!
Louise: Depuis Le Jour
La Boheme: Si. Mi Chiamano Mimi
La Gioconda: Suicidio
La Forza Del Destino: Pace, Pace Mio Dio!

Customer Reviews:

Audio beauty and magnificence, Maria Callas.......2007-03-31

There are moments on this recording that are virtually audio heaven.
Ms. Callas' voice goes beyond the normal concept of beauty.

sublime.......2007-02-14

she is an angel , a voice without parallel , a collection very interesting of arias from different masters.

Good "Best Of".......2007-02-09

Maira Callas was never a favorite of mine, but she is notable as a passionate, (but sometime shrill to my ears) performer. This collection is a good single record tribute to her operatic legacy.

The Very Best of Maria Callas.......2006-08-20

Second on my list for CDs that should be recommended for people who want to start on a long trail of Callas to the Carmen with Gedda and Prétre. This has perhaps the best excerpts of all time from Maria Callas. The 'Ritorna vincitor' and 'Una voce poco fa' are to be treasured. Any long-time Callas fan will find this CD of little to no interest, because anything they haven't heard before, there's a better, low-audio-quality version of somewhere. 4 stars for that reason.

Classic Callas.......2006-07-11

Countless assessments of Maria Callas' life and career, as well as re-issues of some of her definitive recorded performances have been fueled by the 25th anniversaary of her tragic and prophetic death alone in her Paris flat on September 16, 1977. One of those such discs, this 17 track retrospective compilation from the archives of EMI is among the best. Every character she portrays is bought to life by her incomparible ability both vocally and emotionally. Enjoy!

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International Music

International Music