Gonzalo Rubalcaba [Import]

1. Pisando el Cesped

2. Pergamin

3. Rapsodia Española

4. Nueva Cubana

Gonzalo Rubalcaba,Gonzalo Rubalcaba,Egrem Records,Afro-Cuban Jazz,Cuba,Cuban Jazz,Int'l & World Music,Latin,Latin Jazz,Pop,Post-Bop

Average customer rating: Nice cuban music Cubano Revisited Ry Cooder With All Star Cuban Band Buena Vista Social Club Classic Absolutely fantastic!

Buena Vista Social Club Ry Cooder , Ibrahim Ferrar , Ruben Gonzalez , Compay Segundo , and Omara Portuondo Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Son | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Introducing...Rubén González Buena Vista Social Club Presents Omara Portuondo A Toda Cuba Le Gusta ASIN: B000005J56 Release Date: 1997-09-16

Tracks:

1. Chan Chan
2. De Camino A La Vereda
3. El Cuarto De Tula
4. Pueblo Nuevo
5. Dos Gardenias
6. Y Tu Que Has Hecho
7. Veinte Anos
8. El Carretero
9. Candela
10. Amor De Loca Juventud
11. Orgullecida
12. Murmullo
13. Buena Vista Social Club
14. La Bayamesa

Amazon.com essential recording

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright

Customer Reviews:

Nice cuban music.......2007-03-15

I have had this album a number of years, and my enthusiasm is not quite as great as many of the viewers here, because although it is generally pleasant listening, I don't think there are really any outstanding tracks or personal favorites on here.

I should add that I speak Spanish fairly well and therefore understand the lyrics, and am generally an enthusiast of Hispanic culture and music. The story of this worthy project and how this was recorded are interesting and I suspect some reviewers are moved more by sentiment than just on the merits of the music, some of which seems very middle-of-the-road to me, albeit pleasant enough for casual listening.

Cubano Revisited.......2007-02-12

Ry Cooder did a good thing reassembling these wonderfully talented and forgotten stars of another period. Great album, wish it was a double, triple, a collection. I would buy it. Can't replace these icons of another era and their sound will be gone with them.

Ry Cooder With All Star Cuban Band.......2007-02-02

All done in Spainish, this excellent CD has a book included with translations and facts about the players. The music here oozes with atmosphere, taking you to the heart of Cuba. First rate musicianship and great songs all the way through. Ry leaves the vocals to various others, but his guitar work is unmistakably present. A good veiw indeed!

Buena Vista Social Club Classic.......2007-01-16

For those of you who are fans of the Buena Vista Social Club already, this is the masterpiece. A culmination of talented musicians, soul, love, and sultry afternoons with a cool drink getting ready to kick on into the night!

For those of you who have never listened to this style of music, don't just listen to it once as you could compare it to the first 3 olives you have ever eaten.

The first one shocks your taste with a layered complexity that is both sharp and mellow, leaving you with a look on your face that says "what just happened?".

The second takes you back to the memory of your first taste, and enjoying re-living the sensation, you start looking for more.

The third confirms your interests and instils an infatuation with something unique, powerful, and good for the heart and soul, that will be played over and over again.

Absolutely fantastic!.......2007-01-11

Michael Fletcher reviewed this CD spot-on. And I concur with the review that it is magical--it is indeed that. I can listen to it over and over at work or at home! It seems to suit almost any mood and simply nourishes the soul. I highly recommend for anyone who enjoys good music--you don't even need to be a fan of Cuban music. I certainly am not well versed in Latin music, but am a definite fan of this album!

Average customer rating: garbage The BEST Latino Rock Band in the world The complete latin album sexy spanish music if it you're thinking about it, buy it

Amar Es Combatir Maná Manufacturer: Warner Music Latina ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Rock en Español | Latin Music | Styles | Music Mexico | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: El Tren De Los Momentos Limo`n y Sal Revolución de Amor Sueños Liquidos Ricky Martin: MTV Unplugged ASIN: B000GIXEPY Release Date: 2006-08-22

Tracks:

1. Manda una senal
2. Labios compartidos
3. Ojala pudiera borrarte
4. Arrancame el corazon
5. Tengo muchas alas
6. Dime Luna
7. Bendita tu luz
8. Tu me salvaste
9. Combatiente
10. El viaje
11. El Rey tiburon
12. Somos mar y arena
13. Relax

Amazon.com

It's finally happened. After years of puzzling popularity by way of derivative rock retreads, Mana has finally made the leap to full-bodied musical force on its first album in four years, Amar Es Combatir. The disc is a thoughtful, tender and often terrific collection of pop wizardry. It's buoyed by solid production work, a cohesive sound and singer Fher Olvera's commanding vocal presence. Mana has always drawn inspiration from the arena-rock vibes of everyone from U2 to Journey, but this time, the group takes those blueprints and creates its own urgent framework. It's a thrilling, insanely catchy collection. Everything on the disc crackles with energy, from winsome opener "Manda Un Senal" to swaggering closing track "Relax." In between, the Mexico-based outfit weaves memorable stories of love that are marked by pulsing percussion, driving guitar riffs and emotive vocals. First-rate stuff from a group who finally--at least to these ears--justifies all the fuss. --Joey Guerra

Album Description

Amar es Combatir, Mana's 9th studio album and first in four years, was produced by Mana with the special collaboration of recording engineer Tom Russo (Audioslave, Macy Gray, Michael Jackson, Eric Clapton). Also includes a duet with JLGuerra.

Customer Reviews:

garbage.......2007-06-19

After a while it all sounds the same.

The BEST Latino Rock Band in the world.......2007-04-04

When it comes to asking people about Pop Latino music; it is almost common that almost everyone you ask will say Mana is among thier favorites. This is probably hard to believe that I have only been a Mana fan or the other word they use for fans like me "Manatico" since 2004. I had a huge interest in the group when I Bought my first album from them called "Unplugged". Thier soothing sounds of a live concern scene had me wanting more. When I bought the next album Cuando Los Angeles Lloran I was hooked. I really enjoy listening to Fher Olvera, the main singer in the group. His musical talents are often compared to the main singer in Sting or Bono from U2. It's really amazing how the group we know as Mana know now almost failed to exist at one point of thier career. I listen to these guys often and recommend anyone to listen to thier music, you don't have to speak Spanish but you can still enjoy the sound of Fher's voice, as well as the drumbeats performed by Sergio Vallin Rodriguez. Here are a couple reviews of thier albums from thier careers (may not have all of them)

Falta Amor 1990- Great first album under the name Mana. for those of you who don't that they used to be called Sombrero Verde and were also part of the movement called "Rock en tu Idioma" This album has more of an Adult Contemporary sound to it, kinda like a Soft Rock en Espanol type sound. My favorite song in this album is "Rayando El Sol" Mana's first big hit.

Donde Jugaran Los Ninos 1992- Another great masterpiece of work, still has the Soft Rock en espanol sound. Great hits include: Oye Mi Amor, Vivir Sin Aire, and Como Diablos, as well as the beginning up beat hit: De Pies a Cabeza. This album you can say put the group on the map on heading to being one of the best Latino rock band in the world

Cuando Los Angeles LLoran 1995- This is when they kinda leave the Soft Rock en espanol sound and head towards the rock en espanol sound. You can tell of the musical differences by listening to thier sound, Selva Negra, as well thier balads. Thier balads aim towards the edge of rock. I don't have a favorite song from this album but I do consider it as one of my favorites.

Suenos Liquidos 1997- En el Muelle de San Blas is another favorite song from Mana.

MTV Unplugged 1999- Another favorite of mine, has the all songs in a concert setting on CD. You can listen to this album while relaxing or if your up and around.

Revolucion de Amor 2002- Includes the hit Mariposa Tracioniera. Love that song!

Amar es Combatir 2006- My favorite song is Labios Compartidos, still love thier music even though they went a little stronger

The complete latin album.......2007-04-02

I don't speak spanish but I enjoy the music. All the songs are good if you like rock, upbeat, romantic music...I made 3 copies, one for home, car and work. Oh! I even have it on my Ipod for when I exercise. You just can't get enough of it. This is the best album ever!!!

sexy spanish music.......2007-03-30

what an awesome album!.Manda me Senal is my most beloved song and I have dedicated this song to my wife.I have recorded to my mind this song just when I first listened. So catchy and sexy tune.Bendita tu Luz is another apple-pie hit.All in all, I am grateful this contemporary Orpheuses. IMy Spanish fluency increases day by day thanks to the lyrics of their songs.

if it you're thinking about it, buy it.......2007-03-13

this is a good cd. i was worried i might not like it, but it's good. esp 5, 6, 11... but also pretty much all the rest except for 4....

Average customer rating: Jose Gonzalez is a Master! An Antti Keisala Comment: Everything Changes Snooooooooooooooze Veneer Lacks Spark Easy listening

Veneer José González Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Indie & Lo-Fi | Alternative Rock | Styles | Music General | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Stay in the Shade Time Without Consequence The Garden The Crane Wife 9 ASIN: B000ETRB9K Release Date: 2006-04-04

Tracks:

1. Slow Moves
2. Remain
3. Lovestain
4. Heartbeats
5. Crosses
6. Deadweight on Velveteen
7. All You Deliver
8. Stay in the Shade
9. Hints
10. Save Your Day
11. Broken Arrows

Album Description

Hidden Agenda release licensed to and reissued on Mute Records.

Customer Reviews:

Jose Gonzalez is a Master!.......2007-07-07

I first heard Jose on a few Zero & tracks on their last album. As soon as I found out who he was and his bio, I immediately purchased his solo CD. He has been compared to a modern Jose Feliciano, but I feel more of a Latin David Crosby thing happening. Either way, he is unique in his lyrics and passion. Anyone who hears me playing this CD, instantly wants to know who it is, and they are entranced by his beautiful voice. Jose Gonzalez will never go out of style.

An Antti Keisala Comment: Everything Changes.......2007-06-01

We're quite fine with the current of young songwriters and guitarists that have been making their way into our consciousness during the beginning of the new century: Sufjan Stevens (Michigan, Illinois), the solo work of Andrew Bird (The Mysterious Production of Eggs, Armchair Apocrypha) and Jeffrey Foucault (Ghost Repeater) all showcase fine understanding of songwriting and merging a full line of talent, in both understanding structure and lyrics and being aware of what sounds work and what do not, into a musically cultured unity. Stevens has been the most celebrated, whose complex sonic layering can be matched only by Bird. The more I listen to these guys the harder it makes it to find any kind of sense from the five-star rating system any longer.

But Gonzaléz is radically different altogether: he's a brilliant guitarist, proved by the minimalism of his songs, and the growth that the song achieves within itself from beginning to end. There are some absolutely stunning songs on this disc, and others that add to what came before or comes after. "Remains" is my highlight to which I get stuck time and again when listening through the album: his wandering voice in the growing presence of the guitar, moving from the mysteriously inviting to the aggressive. Nothing else is needed. It's as if you heard the waves in that meticulous emotional crescendo of his playing; the waves, as he sings, that wash everything away.

Heartily recommended.

With best regards,
AK

Snooooooooooooooze.......2007-06-01

Boring beyond words, the only life associated with this album occurs when the voice gets so on your nerves you have to hit the NEXT button before you jump out of a window.

Veneer Lacks Spark.......2007-05-17

The CD is VERY mellow. I Like Jose's work work with Zero 7 and I think his music is better when there is an ensamble.

Easy listening.......2007-03-09

I was surprised to find out these guys are Swedish, but there you go. Crystalline clear vocals, interesting lyrics and good playing make for eays listening time and time again.

Average customer rating: An un/rediscovered gem! A must buy for anyone that likes Cuban music Farewell to Ruben Gonzalez Sadly no longer with us... The Past Re-Introducing Itself to the Ever-Emerging Present

Introducing...Rubén González Rubén González Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Cuba | Caribbean & Cuba | International | Styles | Music General | Caribbean & Cuba | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Jazz | Styles | Blowout Music | Stores | Music International | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Purists | Warner Brothers Records | Stores | Music Similar Items: Buena Vista Social Club Presents Ibrahim Ferrer Buena Vista Social Club Buena Vista Social Club Presents Omara Portuondo A Toda Cuba Le Gusta Buena Vista Social Club Presents: Manuel Guajiro Mirabal ASIN: B000005J55 Release Date: 1997-09-16

Tracks:

1. La Enganadora
2. Cumbanchero
3. Tres Lindas Cubanas
4. Melodia Del Rio
5. Mandinga
6. Siboney
7. Almendra
8. Tumbao
9. Como Siento Yo

Amazon.com essential recording

Cuban pianist Rubén González has lived through this century's greatest musical windstorms, from the emergence of son to salsa to Latin Jazz and more. Born in 1919, González also retired from playing professionally years before this, his debut CD, was even recorded. He reemerged in 1996 when World Circuit stopped in Cuba to record for several days. He ended up making a thrilling debut. This impromptu CD was cut in a day, and its limber vibe shines for all its uptempo looseness. González plays a rainbow of Cuban rhythms and prods his percussionists and lone trumpeter to great depths of conversation and great heights of flash. --Andrew Bartlett

Customer Reviews:

An un/rediscovered gem!.......2007-01-10

Having just seen the movie "Buena Vista Social Club", I needed to hear more wonderful music from the principal musicians and singers. Special thanks should go to Ry Cooder and his son for rediscovering this historic music before they all passed.( Of whom most already have.)
All the musicians and singers are very special in their own singular, as well as collective right, but my personal favorite is Ruben Gonzalez on piano. What a Gem! I urge anyone who loves Afro-Cuban Jazz to add this to your collection, you WILL NOT be disappointed!

A must buy for anyone that likes Cuban music.......2005-11-28

A friend introduced me to this CD and I think I might wear it out. Three of the songs are his own compositions, while the rest of the songs are Cuban favorites. Ruben approaches these these pieces with a unique light and and lively style. The music is infectious and makes you want to get up and dance.

There is a nice variety. Unlike with some folk music where after you've heard a few songs it starts to sound the same--each song here is a gem of its own. This is one of those CDs where you will like every song.

Farewell to Ruben Gonzalez.......2003-12-10

On Monday, December 8, 2003, Ruben Gonzalez died at the unregretful age of 84. Farewell to an unbelievably charismatic and talented musician! His death is the sad realistic reminder that as great musicians like him grow old and die, so does a priceless era of music that will never be emulated.

Sadly no longer with us..........2003-12-10

Ruben Gonzalez no longer is with us. He passed away yesterday. At least he lived a life worth living! He was one of the best Latin pianists ever, one of those (like a friend said) that you just don't find any more. He combined technique and charm in a way that few have been able to. Fortunately for the rest of the world, Ry Cooder discovered him, along with Ibrahim Ferrer and a host of other Cuban geniuses of Latin music with his Buena Vista Social Club initiative. After that album, this "Introductory" recording presented Ruben Gonzalez's work to the world in a more focused way. You are bound to respect this gentleman once you take a listen to this album. Ruben Gonzalez: descansa en paz!

The Past Re-Introducing Itself to the Ever-Emerging Present.......2003-08-22

Ry Cooder once described Ruben Gonzalez as, "A Cuban cross between Thelonius Monk and Felix the Cat." Ruben Gonzalez is no Thelonius Monk...and I cannot really say if he is Felix the Cat...but he is definitely an extremely rare piece of jazz history...an "endangered species" of sorts in comparison to today's lacklustre jazz scene. Thanks to the re-emergence of mostly forgotten Cuban musicians in the late 90's through such vehicles as the Afro-Cuban All-Stars and the Buena Vista Social Club, the world...or at least a portion of it...has had the opportunity to experience a truly unique skill and sound that once flourished. This description of Ruben Gonzalez's music cannot do him justice. When you listen to him either pounding out or softly lifting notes off the piano keys, feelings of excitement, nostalgia, appreciation, comfort, and reflection can all rise to the surface. His skill is difficult to match; his love of music nearly impossible to emulate. Ruben Gonzalez "is" the music he creates and plays...a living example of the musical past re-introducing itself to the ever-emerging present.

Average customer rating: TMV They did it again These guys were "punk" Welcome back, Mars. Good Album

Amputechture The Mars Volta Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Styles | Music Progressive Metal | Progressive | Rock | Styles | Music Pop Rock | Pop | Styles | Music Experimental Music | Miscellaneous | Styles | Music $9.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $9.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Frances the Mute De-Loused in the Comatorium Tremulant Scab Dates Return to Cookie Mountain (with Bonus Tracks) ASIN: B000GPI1BO Release Date: 2006-09-12

Tracks:

1. Vicarious Atonement
2. Tetragrammaton
3. Vermicide
4. Meccamputechture
5. Asilos Magdalena
6. Viscera Eyes
7. Day Of The Baphomets
8. El Ciervo Vulnerado

Customer Reviews:

TMV.......2007-07-05

Before you base your judgment of this CD soley in comparison to any of The Mars Volta albums you need to realize that it isn't a Mars Volta album. It is a Soundtrack for a film and Omar is even quoted by saying it is a reaction to the film. If you're a die-hard Omar fan then you'll love it. Rapid Fire Toll Booth is now one of my all time favorites and all the other songs sound great in my opinion.

I don't usually write reviews because it's so painful for me to read someone elses review especialy ones that contain the following examples. I only like their older stuff, they keep changing their style, the guitar player is too self induldgent,they should use the same producer as on their first album, there's too much ambience, there's too much guitar noodling, they've become snobs, they're not as good without the old drummer, they're progressive, they're experimental, they took a riff from some other band, I like them less with each album they put out,etc. That was in reference to all bands not just The Mars Volta.

That kinda review irritates me because it's a bunch of garbage. I wish those kinda people would just stick to their MTV lifestyles and leave the real music to those who are true fans and are more open minded. I don't know why it bugs me so much it's not like I'm defending them because I know them on some personal level it's just that some people just don't get it. I'm tired of everyone disecting the music and the musicians. All they want to do is entertain us, not create some sort of musical doctorine that should be discussed as though one was attending a seminar. As a musician I understand the need to experiment and branch out so the music making process doesn't become stale. Do you really want your favorite band to constantly repeat themselves and never evolve. People please I beg of you quit writing these cliche pointless reviews. As for me I'm through writting about this subject for as long as I live. Omar & Cedric have been making music for quite some time now. Let's allow the professionals to do their thing and the rest of you can either tune in or tune out.

They did it again.......2007-06-13

The Mars Volta puts out some of the most complex, thought-provoking, and lyrically charged music that I have heard in the last 10 years. The beauty of their style is that it can't be criticized, because they don't claim to be a part of any genre...it is simply music at its rawest core element.

In line with this description, Amputechture delivers just as much, if not more, than their previous offerings. It's style is unpredictable, yet captivating. The jazz influence can be heard in almost every track. Some songs verge on becoming monotonous, until a slight riff change or new vocal is thrown in at exactly the right moment, and makes it perfect.

Their total disregard for "what sells" and making chart-topping music is probably what keeps their music fresh and innovative. This is easily the best album of 2006 if you're into non-mainstream, real music. Otherwise, go buy Incubus/Maroon 5/Weezer or something.

These guys were "punk".......2007-06-13

Sounds like the singer got his nutz caught in a meat grinder. I love high pitched singers voices but this guy has to go. Music is o.k. but super wanky without enough substance to make it worth the while. Take 'em or leave 'em kids, you know where I stand.

Welcome back, Mars........2007-04-17

This album redeemed them for Frances.

A continuation of The Mars Volta's stunning innovation, while not straying too far from their classic style. There is a stunning new touch in this album: "Asilos Magdalena", a heart-wrenching, tragic, spanish ballad, as tonal as they come, with the strongest cadential points heard in any of the albums thus far.

The album is a continuous study of Cedric's impressive (awe-inspiring) range, the band's famous stepwise bass lines, super-rhythmic melodies set to abnormal meters, and beautifully incoherent (though barely dissonant) guitar riffs.

The lyrics continue to shock, strewn with raw physical imagery of both human and animal body parts (see: album title "amputechture", song titles "viscera eyes" and "vermicide", and cover art), and Christian-dogmatic references/commentary (see: song titles "vicarious atonement" and "day of the baphomets").

Deloused set our expectations high, but the true fan will not be disappointed in Amputechture.

Good Album.......2007-02-17

I like this recording very much. The Mars Volta has a fantastic approach to music making. They are creative with effects and have long jam sessions with very good playing. Like a modern, more heavy metal Pink Floyd, innovative and slow burning. Doesn't get boring or start sounding the same half way through the album.

Average customer rating: TMV Melodic sonic boom ! very cool musicians from mars The closest you will get to the best music ever invented.

Frances the Mute The Mars Volta Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Emo | Hardcore & Punk | Alternative Rock | Styles | Music Post Hardcore | Hardcore & Punk | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Neo-Psychedelia | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Rock | Styles | Music Progressive Metal | Progressive | Rock | Styles | Music Pop Rock | Pop | Styles | Music Experimental Music | Miscellaneous | Styles | Music Similar Items: De-Loused in the Comatorium Amputechture Tremulant Scab Dates Relationship of Command ASIN: B0007GAEW6 Release Date: 2005-03-01

Tracks:

1. Cygnus...Vismund Cygnus: A. Sarcophagi/B. Umbilical Syllables/C. Facilis Descenus Averni/D. Con Safo
2. The Widow
3. L'Via L'Viaquez
4. Miranda That Ghost Just Isn't Holy Anymore: A. Vade Mecum/B. Pour Another Icepick/C. Pisacis (Phra-Men-Ma)/D. Con Safo
5. Cassandra Geminni: A. Tarantism
6. Cassandra Geminni: B. Plant A Nail In The Navel Stream
7. Cassandra Geminni: C. Faminepulse
8. Cassandra Geminni: D. Multiple Spouse Wounds
9. Untitled
10. Cassandra Geminni: E. Sarcophagi
11. Cassandra Geminni: E. Sarcophagi
12. Cygnus...Vismund Cygnus: A. Sarcophagi

Amazon.com

If one needed further proof of the contemporary revival/reassessment of the ambitiously overwrought sensibilities once so reviled in '70s rock, this aggressively mindbending second album by the Mars Volta offers it up in spades. Band mainstays Omar Rodriguez-Lopez and Cedric Bixler-Zavala insist that labels like "prog" don't interest them, and that this is emphatically not a "sequel" to 2003's De-Loused in the Comatorium. What it is was thematically inspired by a stranger's diary allegedly found by late bandmate Jeremy Ward, the basis for an expansive, often amorphous musical head-trip that brews psychedelia, trance, hard-rock and free-jazz into a daunting new whole. The dozen tracks here represent but five "songs" proper, though the band's disdain for conventional track banding inspire it to sound more like a stream-of-consciousness soundscape from Can--or a dark, lyrically inventive, if decidedly troubled corner of their ids. On the "Umbilical Syllables" portion of "Cygnus.." and "The Widow" Bixler-Zavala invokes the wailing, Led Zeppelin II & III spirit of Robert Plant set against a feverish, swirling melange that's anything but the blues. The vocalist coaxes "L' Via l'Viaquez" en Espanol, while his band indulges its space-mambo conceits with an evocative spirit that recalls Latin Playboys at their most mischievous. It's an album that loops back on itself in a haunting ellipse--and one whose boundless ambition makes Pink Floyd sound like three-chord bar punters by comparison. --Jerry McCulley

Customer Reviews:

TMV.......2007-07-05

Before you base your judgment of this CD soley in comparison to any of The Mars Volta albums you need to realize that it isn't a Mars Volta album. It is a Soundtrack for a film and Omar is even quoted by saying it is a reaction to the film. If you're a die-hard Omar fan then you'll love it. Rapid Fire Toll Booth is now one of my all time favorites and all the other songs sound great in my opinion.

I don't usually write reviews because it's so painful for me to read someone elses review especialy ones that contain the following examples. I only like their older stuff, they keep changing their style, the guitar player is too self induldgent,they should use the same producer as on their first album, there's too much ambience, there's too much guitar noodling, they've become snobs, they're not as good without the old drummer, they're progressive, they're experimental, they took a riff from some other band, I like them less with each album they put out,etc. That was in reference to all bands not just The Mars Volta.

That kinda review irritates me because it's a bunch of garbage. I wish those kinda people would just stick to their MTV lifestyles and leave the real music to those who are true fans and are more open minded. I don't know why it bugs me so much it's not like I'm defending them because I know them on some personal level it's just that some people just don't get it. I'm tired of everyone disecting the music and the musicians. All they want to do is entertain us, not create some sort of musical doctorine that should be discussed as though one was attending a seminar. As a musician I understand the need to experiment and branch out so the music making process doesn't become stale. Do you really want your favorite band to constantly repeat themselves and never evolve. People please I beg of you quit writing these cliche pointless reviews. As for me I'm through writting about this subject for as long as I live. Omar & Cedric have been making music for quite some time now. Let's allow the professionals to do their thing and the rest of you can either tune in or tune out.

Melodic sonic boom !.......2007-06-08

If you want to hear some amazing song structures, melodies and all around great rock musicians Jon Theodore to Omar Gonzalez and even John Fruscante, get this album. Once you get through the few dead spots and few moments of senseless noise, this will be placed in your heavy rotation of favorite music. Cedric Bixler is one of the most amazing modern rock singers out there today.

very cool.......2007-03-08

i reviewed de loused in the comatorium and thought this deserved a review as well. the mars volta is so different from most other music out there and the first time i heard them i was hooked. i would suggest listening to some tracks before buying because the vocals aren't for everyone. i once heard someone say, "the vocals are like nails on a chalkboard", and i will admit they are not for everyone. i personally took to them and consider TMV one of my favorites these days.

musicians from mars.......2007-02-20

Put together Miles Davis' "Bitches Brew", Led Zeppelin's "II" and "III", and King Crimson's "In The Court of King Crimson", and you get "Frances The Mute". My favorite Mars Volta album so far, but all of them are amazing. Could be very very strange for listeners who never listened to this kind of music. To me, this album resembles "Bitchs Brew" alot (not just in the music itself, but the way it was received by the public - you either hate it or love it).

The closest you will get to the best music ever invented........2007-02-15

The Mars Volta has an uncanny way of taking old rock styles, jazz, even metal in some light, and making it new, better and more amazing than it could've ever gotten without them. They have brought Pink Floyd back together metaphorically speaking, as well as led-zeppelin, countless jazz bands, and anything else holy in music except for a low voice and brought it to the public. Ever instrument played is played to its fullest in some form or another, and even the computerized parts tie it all together. This album is a monument to what is good in music, and its a damn shame they had to take it all apart for "Amputechture."

Average customer rating: Best compilation CD ever Here we go. Stallings CDs The Carl Stalling Project Warner Brother's King of Music

The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958 Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Nostalgia | Miscellaneous | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music General | Oldies | Pop | Styles | Music Cartoon Music | Children's Music | Styles | Music Similar Items: The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957 Reckless Nights & Turkish Twilights Bugs Bunny on Broadway Microphone Music That's All Folks! Cartoon Songs from Merrie Melodies & Looney Tunes ASIN: B000002LJE Release Date: 1990-07-17

Tracks:

1. Putty Tat Trouble Part 6
2. Hillbilly Hare
3. Early WB Scores: The Depression Era
4. The Good Egg
5. Various Cues From Bugs Bunny Films
6. There They Go Go Go
7. Stalling Self-Parody: Music From Porky's Preview
8. Anxiety Montage
9. Stalling: The War Years
10. Medley: Dinner Music For A Pack Of Hungary Cannibals
11. Carl Stalling With Milt Franklyn In Session
12. Speedy Gonzalez/Meets Two Crows From Taco
13. Powerhouse And Other Cuts From The Early 50's
14. Porky In Wackyland/Dough For The Do Do
15. To Itch His Own

Amazon.com

For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores. --Heidi MacDonald

Customer Reviews:

Best compilation CD ever.......2007-02-18

Carl Stalling gave me the best musical education I ever had. I'm spending the rest of my life learning the titles and composers of all the hundreds of tunes I first heard in his cartoon scores. I've had this CD ever since it came out, and it still is one of my favorites.

Only a handful of tracks are a complete score from one cartoon; most are snippets from several cartoons edited together with a common theme.

This CD is about a composer and his music, more than about the cartoons for which he composed it. To drive home this point, it includes the score from, of all things, 1939's "The Good Egg." No one would consider "The Good Egg" to be among the best Warner cartoons, but the score, heard by itself, turns out to be a tour de force that is highly representative of Stalling's work. That's what makes this CD such a great listening experience: It was pieced together by musicologists who chose the music based on its auditory qualities, and not on the relative fame of the cartoon associated with it. It is not merely a trip down memory lane (although it is that, too), but is a great creative work in its own right.

Despite the vast amount of Stalling music that exists, this CD provides as ambitious and exhaustive an overview as can be given, and its 1995 follow-up, while also worth having, is but a pale afterthought. There's no following this act.

Here we go........2006-11-16

This CD features music from the Warner Brothers cartoon film scores by Carl Stalling. There are some complete scores and also some "medleys", with clips from various cartoons strung together. Carl Stalling was a master at writing music for cartoons, but something is lost when you just hear the music without seeing the cartoon.

Stallings CDs.......2006-11-10

If you harken back to the days when you snuggled on the couch on a Saturday morning with your little ones, and ate donuts and drank juice and watched "Bugs Bunny" you will love these CDs. You'll recognize all the characters and their entrances and their pratfalls...and laugh and say "I've heard that!"...it's a walk down memory lane and a very special one, at that. I highly reccommend these to anyone who loves B Bunny.
Not to mention these are some of the finest musicians you will ever hear...a lesson in classical music, and cartoons.

The Carl Stalling Project.......2005-09-12

Music from Warner Brothers cartoons "Golden Years" (1936-1958).
Carl Stalling was the chief music arranger for Warner Brothers cartoons from 1936 to 1958. He was one of the foremost composers of cartoon music. This disk is much better than "The Carl Stalling Project Volume II."

Warner Brother's King of Music.......2003-12-02

Even if you do not recognize his name, Carl Stalling is a very familiar composer. He wrote the soundtrack for many of our young lives as the composer for Warner Bros.' "Merrie Melodies" and "Looney Tunes" cartoons from late 1930's to late 1970's. Hal Willner has compiled this CD that for the first time lets you hear the music on its own, and lets you realize just how much of the cartoons' impact came from Stalling's music.

Willner sifted through hundreds of cartoons to choose about 40 with the most significant music. He presents the music in a variety of formats. A few tracks provide the soundtrack for a single entire cartoon. Others are medlies from a certain period in Stalling's career or pieces that set a particular mood (such as the "Anxiety Montage"). There are also tapes from recording sessions for 1951's "Putty Tat Trouble" that give insight on how this music was recorded. I couldn't recommend this CD any more highly. (After you've given it a listen, check out a Raymond Scott "best of" album like "Reckless Nights and Turkish Twilights" to see just how many of its tracks are familiar from various cartoons.)

Stalling's music, instead of following the traditional rules of musical structure (exposition, development, theme, variations, etc.), was written to follow the rapid action of cartoons. Stalling would not compromise on this, even if it meant having the 50-piece orchestra play fortissimo for five seconds and then having only one piccolo playing the next four seconds. To ensure a perfect correspondence between the sound and the image, Stalling and the cartoon's directors would agree on a few sketches and on the timing of the action. This enabled Stalling to compose and record the music without even seeing the movie. Carl Stalling was also a master at telling a story through music, with gestures so clear, that there is never any doubt as to his intentions.

Stalling once said, "One problem with cartoons today is that they have so much dialogue the music doesn't mean much." Unfortunately, this statement rings true as we move into 2004. But keeping Carl Stalling from rolling in his grave is not why you need to buy this CD. You need it because it is IMPOSSIBLE to maintain a bad mood while this CD is playing. You need this to listen to as a stress reducer on those tough days. You need this because it is complete childhood in a disc.

I challenge you to turn on your television and watch some Looney Tunes. Turn up the volume and listen while doing something else (wash dishes, write a paper perhaps.) I guarantee you will know exactly what is happening, and to whom. This was the comedic skill and genius talent of Carl Stalling.

As Porky Pig would say: "abieh-abieh-abieh... That's All Folks!"

Average customer rating: Blade Runner, without the blades or the running. fin de siecle, fin du monde Breathtaking Suffers from a loss of ideas Musique colorýe des ýmotions

Before the Dawn Heals Us M83 Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music Ambient Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music Electronic Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music General | New Age | Styles | Music General | Rock | Styles | Music Electronica | Dance & DJ | Styles | Music Pop Rock | Pop | Styles | Music Electronica | Dance & DJ | Indie Music | Stores | Music Similar Items: Dead Cities, Red Seas & Lost Ghosts M83 The Campfire Headphase Takk... Set Yourself on Fire ASIN: B00070Q8HC Release Date: 2005-01-25

Tracks:

1. Moonchild
2. Don't save us from the flames
3. In the cold I'm standing
4. Farewell / Goodbye
5. Fields, shorelines and hunters
6. *
7. I guess I'm floating
8. Teen angst
9. Can't stop
10. Safe
11. Let men burn stars
12. Car chase terror!
13. Slight night shiver
14. A guitar and a heart
15. Lower your eyelids to die with the sun

Amazon.com

Most druggy music chooses clearly between ecstasy and horror; Anthony Gonzalez deliberately blurs the emotional borders. The French musician, now a one-man-band following the departure of partner Nicolas Fromageau, communicates an awareness that even as the darkest trips have a sick thrill to them, the most pleasurable parts of a lysergic voyage have a creepy aftertaste. On the opener, "Moon Child," you can hear both creepiness and pleasure, as a lucid yet happily stoned female voice reveals that "The whole universe will glow," contrasting ominously with the sort of swelling background choirs Pink Floyd amassed when it was time for their big production numbers. And excitement and fear meld on "Don't Save Us From the Flames"; surreal snippets of lyrics ("Out of the flames/ A piece of brain in my hair/ The wheels are melting/ A ghost is screaming your name") are followed by the name "Tina" in a moan all-but indistinguishable from the airy synthesizers. Gonzalez is less adept at constructing structurally-complex compositions than at tunefully arranging sound effects--repetitive keyboard licks that could've been swiped from a '70s PBS documentary soundtrack and bone-scraping blasts of My Bloody Valentine guitar are among his favorite tricks. But his methods are justified by his sense of brevity, and careful alternating between two speeds--soft epic space-trance and vintage shoe-gazer rave-up--adds to the hallucinatory feel. --Keith Harris

Customer Reviews:

Blade Runner, without the blades or the running........2007-04-01

Let's define beauty. There's a couple types. There's "as beautiful as a rock in a cop's face" beauty, and there's also "frilly dresses, makeovers, and rainbows" beauty. One type yields better art. Guess which one.

Sure, it's possible to mix the two. In fact, it's encouraged. But that hasn't happened with this record. For all the pompous audacity of comparing this to My Bloody Valentine, there is no edge to "Before the Dawn Heals Us." Where Loveless suggests an entire organic spectrum of emotion, with a tenderized heart hiding behind the depressive and angry gloom of white noise guitars, M83's dry, soulless drum machines and keyboard arrangements miss the mark most of the time. Maybe it's unfair to compare M83 to a defining record of the '90s.

Huh. Maybe so.

Most insipid is "Farewell/Goodbye," which brings to mind the Blade Runner score as composed by an interior decorator. It's a damn long goodbye, too, clocking in at 5:32's worth of repetitive synth pad swells, faux theremin, and whispered melodrama. The only people tasteless enough to actually want to listen to this likely run planetariums and wear turtleneck sweaters with rainbow embroidery.

Something like "Unrecorded" (from M83's Dead Cities, Red Seas & Lost Ghosts) managed a drifty, spaced-out vibe with enough musical variation to keep things interesting. They repeat that success here somewhat with "*" and perhaps "Don't Save Us From the Flames," although neither song can claim the mesmeric quality of "Unrecorded," or of other shoegaze groups they get lumped in with. Try the latest Amusement Parks on Fire record for a pleasant mixture of beauty with volume.

The endlessly slow swells of synthesized strings and woodwinds here bring to mind space at its cheesiest, composition at its nadir, and people watching the Discovery channel in awe without ever detouring to look up the source material. Don't save this one from the flames. Chuck it toward the sun. If the aliens find it instead of the Bach we sent them, they'll assume we're all interior decorators.

fin de siecle, fin du monde.......2007-02-13

A certain apocalyptic shadow hangs over "Before The Dawn Heals Us," a distinct feeling of scrambling for the few necessary supplies and the connections with our loved ones which alone will sustain us after the HUGE, IMPENDING DISASTER. This album's cinematic scope is present not only in the dynamics, which veer from soft crickets in the background of certain tracks to immense walls of dense sound that channel Kevin Shields and Sigur Ros simultaneously; but also in the feelings of panic and bliss that are alternately evoked -- sometimes the music is claustrophobic, sometimes open and expansive to the point of inducing agoraphobia. One of BTDHU's main strengths is that it is "electronica" that is not solely beat-driven -- there is no easy 4/4 to hang onto and stabilize the listener. This only serves to increase the listener's sense of hurtling toward some unavoidable event.

Melodically simple, emotionally effective, this M83 release listens like the soundtrack to a David Lynch film about worldwide disaster and its survivors.

Breathtaking.......2007-01-06

I haven't called an album "Breathtaking" in a long time. I can't even remember the last time I did. But listening to Before the Dawn Heals Us from beginning to end, when there's not much going on around you and you're just sort of sitting on the bus at night or going for a fairly long car ride...It gives you this really great feeling.

BTDHU is one of the most beautiful albums I've heard in a long time.
It's sort of a...Post-Rock/Electronica/Indie thing. If you're into post-rock, definitely consider giving M83 a listen. You won't be disappointed.

Suffers from a loss of ideas.......2007-01-06

Overall the new M83 album fulfills what you'd expect from an M83 album, moody electronica with synthesized choirs and distorted guitars combined to create an ethereal cocoon of noise. For the most part the album works, but upon repeated listenings it becomes more and more clear that many of the songs are actually 3-4 note motifs that cycle through intensity while a new chord is played underneath them. These songs are great calm inducing works and remind me of Pieter Bourkes score for the Insider (although M83 has never written anything as serene as Iguazu). What is lacking, is more variation in song structure, which is the very reason I gave it three stars. Having a handful of songs that sound different from the rest does not introduce enough diversity to make this a full blown success.

Musique colorýe des ýmotions.......2006-04-25

Beaucoup de gens savent que M83 comme collaborateur de musique avec d'autres bandes comme la partie de placebo ou de bloc ou le mode de Depeche pour se rem?lange. Mais on s'av?re qu'Anthony Gonzalez est un g?nie vivant qui a pris du temps de cr?er un album conceptuel juste ressembl? ? d'un rose moderne Floyd de jour. Lyrically peut ne pas ?tre aussi profond que Floyd rose mais la cr?ation musicale sages en effet. Cet album est une conglom?ration de la gamme diff?rente des ?motions de la crainte ? la tristesse ? la tranquilit? ? la fin joviale et soulag?e. Cet album exige une attention ?motive ? appr?cier. Assur?ment, un des meilleurs albums de 2005. Svp temps de prise d'appr?cier l'album. Faites- confiancemoi, vous obtiendra accroch?.
D'autres bandes sugg?r?es comme miaulent, retarde, Mogwai, Godspeed que vous noircissez l'empereur, Kent, maman, Kasabian, et Gravenhurst etc.

Average customer rating: One of the best pices of music The Name Says It All A true gem. wonderful Warning!

The Rough Dancer and the Cyclical Night (Tango Apasionado) Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Piazzolla, Astor | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Cuba | Caribbean & Cuba | International | Styles | Music Argentina | South & Central America | International | Styles | Music General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Tango | Latin Music | Styles | Music General | Jazz | Styles | Music Latin Jazz | Jazz | Styles | Music Similar Items: Tango: Zero Hour La Camorra Astor Piazzolla - The Soul Of Tango: Greatest Hits The New Tango Maria de Buenos Aires ASIN: B00004R8RX Release Date: 2000-03-21

Tracks:

1. Prologue (Tango Apasionado)
2. Milonga For Three
3. Street Tango
4. Milonga Picaresque
5. Knife Fight
6. Leonora's Song
7. Prelude To The Cyclical Night (Part One)
8. Butcher's Death
9. Leijia's Game
10. Milonga For Three (Reprise)
11. Bailongo
12. Leonora's Love Theme
13. Finale (Tango Apasionado)
14. Prelude To The Cyclical Night (Part Two)

Customer Reviews:

One of the best pices of music.......2005-09-24

Borges its a great writer, and so when it comes to mix the emotion of literature in the field of music, piazzolla its a virtuoso, the complete record its great, perfectly balance, emotional, intense, a must for the nu tango lovers

The Name Says It All.......2005-03-11

Tango Apasionado - never has there been a better description of the form in generalic. And the "Cyclical Night" describes the form on this CD in specific. The tango has evolving from a barrio song of bordellos to a sultry dance to, in Piazzolla's hands, an entirely new creature. One only has to see "The Twelve Monkeys" and hear the edgy, nervous sound track to realize how far the Tango has progressed.

But it is the Milonga and songs/pieces like this that continue to draw us to the music. All that yearning, longing and bittersweet melody. If you like Piazzolla (and I cannot imagine any sane person who doesn't) then this is one of the signature works, approved by the master himself. It's cyclical nature is perfect for the story the composer tells. Best of all it shows yet another facet of this multi-faceted man. Not only was he a great composer who moved the music beyond the safety zone, he was also a performer of the first order. The bandoneon, that yawning, difficult instrument literally sings. Pablo Zinger is, of course, as wonderful as ever. Indeed the ensemble sounds more like a single unit than disparate musicians. This is a relic of great value and should be treasured as such.

A true gem........2003-02-06

If you like Astor Piazzolla, you'll love this one. This, along with Buenos Aires Tango: Zero Hour and La Camorra, are Piazzolla's best works (even recognized by the master himself).

If you like tango, you'll love this one. No matter how purist you could be, Milonga Picaresque es as pure as tango itself.

If you like Jazz, you can't miss Milonga For Three (Reprise).

And, if you just like music (like me) well, this is the CD to have.

It has something that makes it so special. It's great for all tastes. One funny thing: Milonga For Three (reprise) is GREAT FOR LOVEMAKING ;-)

wonderful.......2003-02-05

I have just started taking Tango lessons and got this on my way home one night, can't stop listening to it, and doing steps in my head as I go to work.....tis' Wonderful, full of passion and romance that is true Tango

Warning!.......2002-09-22

Warning ! The Music Fan General should determine that this recording might cause addiction. Do not listen to it when you have made use of, say Tristan and Isolde - Themes or some of Schuberts Piano Sonatas on the same day.If it makes you want to get rid of the rest of your record-collection, call a friend or for professional assistance.

Average customer rating: One of the best "La Folias" Amazing variety and delight A master's musical magic a favorite

La Folia, 1490-1701 Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD All Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Marais | Marais, Marin | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Altre Follie, 1500-1750 Villancicos y Danzas Criollas Elizabethan Consort Music Tous Les Matins du Monde/Dix Ans Apres Vivaldi: La Viola da Gamba in Concerto ASIN: B000023YPG Release Date: 1999-02-09

Tracks:

1. I. Folias Antiguas: Folia: Rodrigo Martinez
2. I. Folias Antiguas: Recercada Quarta Sobre La Folia
3. I. Folias Antiguas: Folia: Para Quien Crie Cabellos
4. I. Folias Antiguas: Recercada Ottava Sobre La Folia
5. I. Folias Antiguas: Folia: Hoy Comamos Y Bebamos
6. II. Diferencias Sobre Las Folias
7. III. Follias
8. IV. Couplets De Folies

Customer Reviews:

One of the best "La Folias".......2006-09-11

This CD contains a selection of Folia variations from Spain (mostly), Italy and France over a period of about 200 years. Savall and his ensemble are among the best -- their playing has a great richness to it. A very good anthology -- if you love "La Folia", you can't go wrong with this CD.

Amazing variety and delight.......2005-07-02

This collection contains dances and variations written on an old Spanish dance pattern. While the entire disc can be said to include only a handful of different harmonies, the endless sets of variations are anything but boring. Instead, they constitue a musical journey that takes you through three countries and over two hundred years of music-making.

The journey begins in Spain, around the time Columbus made his famous voyages. The first variations are filled with spirit and joy and are both wild in nature and yet refined and exquisite under Savall's fingertips. After a set of five wonderful pieces, there next comes a later Spanish piece for gamba, continuo, and...castanets! This piece concludes with a rousing col legno section that needs to be heard to be believed.

Next is a great rendition of Corelli's Follias, also known as his 12th violin sonata. The volin part is played in a period arrangement for gamba, and Savall uses the treble instead of the bass viol for the part, which sounds great and offers a good opportunity to comapre the treble viol to the violin. Under Savall's touch, the viol gives the violin a run for the money! Great fun.

Lastly, we have Marais' masterful Follias d'Espangne, and after hearing them performed like they are here, what more can be said? This CD would make a wonderful purchase for yourself or a friend, and would be a great way to introduce someone to early music. This disc is yet another reminder of why Jordi Savall, as the previous reviewer so well put it, deserves to be considered among the top musicians of our day. Alia Vox does a great job of presenting these discs in great packages and with wonderful sound quality. The days of second-rate period instrument performances are coming to a close.

A master's musical magic.......2004-12-29

Jordi Savall's special talent for reviving lost or obscure music is no better illustrated than by this album. The "Folia" are country dances, sometimes frenetic in their rendition, other times sedate and even-paced. The full range of those characteristics are presented in this collection of interpreters of the "folia" idiom. From Roderigo Martinez in the last years of the 15th Century to the Versailles Court musician Marin Marais two centuries later, Savall provides a glorious musical tour of time and place. He seems almost to transport himself away from the present as he plays. Time and space are compressed to an environment limited only by the music's expressiveness. With the roots in peasant dances, that's a wide space which Savall fills with delightful playing. The broad spectrum of styles in the pieces grant this CD an equally expansive audience.

Savall's group, whose renditions of these pieces can only be described as exquisite, is the core of later ensembles. Each member brings a strong sense of the professional to the music. Even given such a background team, it is Savall's rich, precise and meaningful use of the da gamba that rightly predominates. He is an undisputed master of evoking the fullest expression the instrument can produce. The music leaves the listener breathless even when but seated as an audience. What must it be like for a professional dance troupe to perform to these sometimes frantic tones? The entire performance is dazzling and inspiring. This CD could be considered the acme of his performances - a judgment tempered only by knowledge of later and even more glorious releases.

Alia Vox has taken the lead in producing the most superior of recording techniques for Savall's musical skills. Savall is more than just the leading viola da gambist in the world. He could be elevated to the finest musician without overreaching his abilities. The sounds are crisp and elevating. It's easy to see why "La Folia" is considered a "desert island" CD choice by many. Listen to it for yourself, with one you love, and endear yourself to someone by offering it as a gift. In all cases, the rewards are valuable. [stephen a. haines - Ottawa, Canada]

a favorite.......2004-06-13

This compilation of Spanish-insprired dance music is often in the player. It's tuneful and accessible. A similar collection by the Purcell Quartet feels more stilted and less joyful.

I would also recommend Savall's Elizabethan Consort Music, and Espanoleta by Chatham Baroque.

International Music:

1. Grandes Orquestas Cubanas De Los Anos 50's [Import]
2. Grandes Orquestas Cubanas [Import]
3. Grupo de Xperimentacion: Sonora del Icaic, Vol. 4 [Import]
4. Guateque [Import]
5. Homenaje a Maduro [Import]
6. Ibiza Meets Africa [Import]
7. Je Vous Donnerai Toute Ma Vie, Mon Amour [Import]
8. L'indimenticabile Principe [Import]
9. La Diva de la Chanson Orientale [Import]
10. Le Jerk [Import]

International Music

International Music