| 1. Tudo Me Lembra Voce (Mi Dios, Micruz) |
| 2. Palavra De Homem |
| 3. O Cavaleiro Das Estrelas |
| 4. O Amo0r Que Eu Trouxe |
| 5. Escuta |
| 6. Amor E Liberdade |
| 7. Eu Que Nao Vivo Sem Voce (Lo Che Non Vivo Senza Te) |
| 8. Escuta O Teu Coracao |
| 9. Que Amor E Esse |
| 10. Fonte Cristalina |
| 11. Mais Uma Vez |
| 12. Francamente |
| 13. Tem Do |
Editorial Reviews
Product Description
New 2000 Release CD by this Romantic Singer from the 60's. Strong Comeback Album for Fans of this Respected Brazilian Crooner.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
On this album we have twelve outstanding selections with The Philharmonia Orchestra conducted by Andrew Greenwood and recorded at The Hit Factory (London), December 1990/January 1991...with the following performances coming your way.
LA WALLY (rarely performed complete)
LAKME (duet became famous for a British Airways commercial)
THE MARRIAGE OF FIGARO (full of life, love and games)
FAUST (jewels for her left by the Devil)
LA BOHEME (performed in the film "Moonstruck", one of my favorite films and favorite Puccini Operas)
RUSALKA (featured in the film "Driving Miss Daisy")
GIANNI SCHICCHI (featured in the 1986 film "A Room With A View")
SONGS OF THE AUVERGNE (melody introduced in Laurence Olivier's "Henry V")
THE BARBER OF SEVILLE (award winning Italian/Russian "Dark Eyes" with Marcello Mastroianni)
CARMEN (1952 film "Carmen Jones" with Harry Belafonte and Dorothy Dandrige)
TALES OF HOFFMAN (featured in 1948 "The Red Shoes")
KISMET (1955 film featuring Howard Keel, Dolores Gray and Vic Damone)
Take a bow Phillip Thomas (producer), Reynold da Silva and James Fitzpatrick (executive producers), David Stone (album release supervisor) and Silva Screen for this reissue...as Miss Garrett states - making opera accessible and presenting the best music to the widest audience possible is the goal in her musical career...thank you Lesley for sharing your God given talent!
Total Time: 49:00 on 12 Tracks ~ SIL 3012 ~ (6/07/2005)
We found great Spirituality and a wonderful sense of Worship whilst listening to this set. This is often sacrificed for brilliance of musical performance in other recordings.
Unfortunately the "St.Paul's Psalter" is not available (June 2007) but we are told that a new print run may happen within 12 months. This would be a most valuable companion to the recordings when and if it becomes available.
The rhythmic pacing, though a little slow for my taste, is steady and sensitive, the diction clear, and the organ accompaniment superb (Providing an expressive accompaniment to a choir singing in 4-part free rhythm, and improvising descants to the melody at the same time, isn't easy). And of course there's the cavernous acoustic of St. Paul's, very impressive in the more thunderous psalms. Unfortunately, though, the "forward" style favored for the St. Paul's boys produces a sound that's unpleasantly chesty in the lower registers and reedy in the higher ones. The poorly integrated choral sound caused by this kind of voice-production can be downright unpleasant for anyone used to, or trained in, the classic English choral style. In fact, one has to wonder why this choir was chosen for such a huge project: even allowing for the near-universal decline in standards of vocal training for boys in England, better sounds than this can still be heard.
Together with Elisabeth Schwarzkopf, Rita Streich studied voice with Maria Ivogun, a great coloratura soprano of the German-Austro school. Together with her colleague, Streich excelled in the Viennese-style coloratura singing. This album presents her wide range of repertoire from Austro-German to French to Italian opera; from classical opera to romantic Strauss operetta; from lieder to folk songs.
What this album does NOT include is Streich's Russian repertoire, some thing that, owing to her maternal descent, she was most adept at.
Unlike Schwarzkopf, Streich owned a voice that is out-right lyrical. It is even lighter, even more agile, even more silvery, though not as forceful as Schwarzkopf's on demand. Listen to her delightful "Bastien und Bastienne", her Mozart concert arias and enjoy her highly articulated, musically refined delivery. It is the exemplary Viennese singing. Her soubrettes as well as lyrical heroines are nothing short of being superb.
Not being as internationalised a singer as Schwarzkopf, Streich nonetheless was a representative figure of Viennese coloratura singing. Some times I would even feel that her coloratura is even more superior to that of the great dramatic coloratura of the 20th century, Joan Sutherland, again a very much more internationalised singer than Streich.
If you are undergoing voice training, this box set is essential.
Judging from the contents listed on this review site, this is the underlying structure of the "People's Guide."
--Tracks 1-15 (presumably one disk): arias from the Big-Five Mozart operas.
--Tracks 16-34: arias from bel canto operas.
--Tracks 35-46: arias from middle-period Verdi operas.
--Tracks 47-64: arias and one chorus from Puccini.
--Tracks 65-87: miscellaneous loose ends. (I absolutely guarantee you that Number 71, "Parigi, o cara," is not, repeat not from "La battaglia di Legnano" but from an obscure little piece by Verdi called "La Traviata.")
--Tracks 76-88: arias [sort of] and choruses from Wagner operas (but not from "The Ring.")
--Tracks 89-99: well-known overtures and preludes to operas.
Right off, it can be seen that "The People's Guide 1" begins at the end of the 18th Century and ends early in the 20th. It entirely ignores the better part of two centuries of operatic development before Mozart and composers of the stature of Monteverdi, Handel and Gluck, not to mention Salieri. A couple of French operas sneak in the back door in Italian versions and only Carmen appears in the correct language. German operas are ignored except those written by Mozart and Wagner. Russian operas are entirely shut out. The 20th Century appears only in the works of Puccini, so the likes of Richard Strauss, Berg and Britten are cast into the outer darkness.
On the whole, though, the selection isn't bad. If you really want about nine hours of bleeding hunks from what most people define as the standard operatic repertory, you could do worse than this set. The performances seem to range from the early 1950s to the early 1970s. There are many famous names among the singers and conductors.
But it is not opera. Operas are not just a string of songs and choruses that follow along after an overture. An opera is--or should be--a dramatic whole. Opera was consciously invented at about the beginning of the 17th Century to combine drama, music, dance, costume and set design into a unified whole and display them on stage. Often the best parts of operas are utilitarian but brilliant passages that will never make their way into highlights disks such as these.
This set is hardly expensive at the prices being quoted as I write this. Nevertheless, I advise you to look through the offerings of complete performances. Many of the older ones offer unbelievably good singers in superb performances at low price. That's a better deal than you'll get here.
New 2000 Release CD by this Romantic Singer from the 60's. Strong Comeback Album for Fans of this Respected Brazilian Crooner.
Tudo Me Lembra Voce,Jerry Adriani,Trama,World Music
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD  Byrd, William
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ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
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Diva!: A Soprano at the Movies
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Canteloube, Joseph
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ASIN: B0009JPVLA Release Date: 2005-06-07 |
Tracks:
- Diva: Ebben? Ne Andro Lontano
- The Hunger/Someone To Watch Over Me: Dome Epais
- The Moderns: Voi Che Sapete
- Phantom Of The Opera: Ah! Je Ris De Me Voir
- Moonstruck: Quando M'En Vo
- Driving Miss Daisy: Song To The Moon
- A Room With A View: O Mio Babbino Caro
- Henry V: Bailero
- Dark Eyes: Una Voce Poco Fa
- Carmen Jones: Dat's Love
- The Tales Of Hoffmann: Barcarolle
- Kismet: And This My Beloved
Customer Reviews:
"has fans from both sides of the Atlantic ~ Lesley Garrett".......2005-06-25
On this album we have twelve outstanding selections with The Philharmonia Orchestra conducted by Andrew Greenwood and recorded at The Hit Factory (London), December 1990/January 1991...with the following performances coming your way.
LA WALLY (rarely performed complete)
LAKME (duet became famous for a British Airways commercial)
THE MARRIAGE OF FIGARO (full of life, love and games)
FAUST (jewels for her left by the Devil)
LA BOHEME (performed in the film "Moonstruck", one of my favorite films and favorite Puccini Operas)
RUSALKA (featured in the film "Driving Miss Daisy")
GIANNI SCHICCHI (featured in the 1986 film "A Room With A View")
SONGS OF THE AUVERGNE (melody introduced in Laurence Olivier's "Henry V")
THE BARBER OF SEVILLE (award winning Italian/Russian "Dark Eyes" with Marcello Mastroianni)
CARMEN (1952 film "Carmen Jones" with Harry Belafonte and Dorothy Dandrige)
TALES OF HOFFMAN (featured in 1948 "The Red Shoes")
KISMET (1955 film featuring Howard Keel, Dolores Gray and Vic Damone)
Take a bow Phillip Thomas (producer), Reynold da Silva and James Fitzpatrick (executive producers), David Stone (album release supervisor) and Silva Screen for this reissue...as Miss Garrett states - making opera accessible and presenting the best music to the widest audience possible is the goal in her musical career...thank you Lesley for sharing your God given talent!
Total Time: 49:00 on 12 Tracks ~ SIL 3012 ~ (6/07/2005)
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Wagner: Tristan und Isolde (Abridged)
Manufacturer: Bella Voce Records ProductGroup: Music Binding: Audio CD All Works by Wagner
| Wagner, Richard
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ASIN: B00003A9QS Release Date: 1999-12-01 |
Customer Reviews:
Fire from Lindholm.......2001-11-17
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Andreas Scholl - A Musicall Banquet
John Dowland , Giulio Caccini , and Andreas Scholl Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Dowland
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ASIN: B0000523PF Release Date: 2001-03-13 |
Tracks:
- A Musicall Banquet 1610: My Heavy Sprite
- A Musicall Banquet 1610: Lady, If You So Spite Me
- A Musicall Banquet 1610: In Darkness Let Me Dwell
- A Musicall Banquet 1610: O Dear Life, When Shall It Be
- A Musicall Banquet 1610: Ce Penser Qui Sans Fin Tirannise Ma Vie
- A Musicall Banquet 1610: Si Le Parler Et Le Silence
- A Musicall Banquet 1610: Change Thy Mind Since She Doth Change
- A Musicall Banquet 1610: Go, My Flock, Go Get You Hence
- A Musicall Banquet 1610: Se Di Farmi Morire
- A Musicall Banquet 1610: Amarilli Mia Bella
- A Musicall Banquet 1610: Passava Amor Su Arco Desarmado
- A Musicall Banquet 1610: Far From Triumphing Court
- A Musicall Banquet 1610: Sir Robert Sidney His Galliard
- A Musicall Banquet 1610: In A Grove Most Rich Of Shade
- A Musicall Banquet 1610: Vous Que Le Bonheur Rappelle
- A Musicall Banquet 1610: Vuestros Ojos Tienen D'Amor
- A Musicall Banquet 1610: Sta Notte Mi Sognava
- A Musicall Banquet 1610: To Plead My Faith
- A Musicall Banquet 1610: O Eyes, Leave Off Your Weeping
- A Musicall Banquet 1610: Dovro Dunque Morire?
- A Musicall Banquet 1610: O Bella Piu
Customer Reviews:
a voice teacher and early music fan.......2006-02-09
SUPERB.......2001-04-30
Scholl has many "hit" CD's to his credit, including a beautiful collection of Vivaldi songs, an album called "Heroes" in which he sings some gorgeous Handel & Gluck opera arias and he is the male soloist on a new recording of Pergolisi's "Stabat Mater." His voice is absolutely pure and beautiful.
Three fine musicians accompany him on lute, guitar, harpsichord. etc. Recommended.
Absolute Scholl.......2001-02-27
These are not easy songs for a singer to do well but Andreas Scholl is ready for them, now: his voice bigger, deeper and more resonant than formerly. His thoughtful approach to text shines, as usual. His ornamentation in all the songs is just ... so. Not too much, and nothing is wanting.
He imbues In Darkness Let Me Dwell with an incredibly dark sound and a powerful intensity that I don't think he could have executed as well in earlier years. The final bars of To Plead My Faith are wrenchingly sad. The Spanish songs are spectacular in his live performance, especially Vuestros Ojos, which, live, he takes at one hell of a lick, to the immense pleasure of the audience; a fraction slower on the recording, but still very exciting. The coloratura tour de force of Sta Notte Mi Sognava is accomplished with almost throw-way ease. The genteel innuendo of Lady If You So Spite Me is done with sardonic humour and energy alternating with pathos - quite a combination. In Go My Flock, Go Get You Hence, he sounds about seventeen and full of teenage desperation: at `No, she hates me!' you can imagine the infatuated teenager flinging his arms about. The final track, O Bella Piu, is a little miracle of interpretation. Apart from the sheer perfection of voice and delivery, he does `pining' so well! He begins with quiet adoration; `non piu dolore!' is a gnat's whisker from a sob but without any loss of control or musicality - no extraneous funny business - moving into pleading in the first `Pieta!', and sheer desperation in the second. A heart-stopper.
The accompanying instrumentalists are all first rate. Christophe Coin's bass viol solo in O, Dear Life When Shall It Be is fascinating. Edin Karamazov - a star in his own right if ever there was - is a perfect match for Scholl and he also gets a short, beautiful lute solo. All the performers are on top form, as are the recording engineers. The whole CD is distilled pleasure from start to finish: each song is fully revealed and brought to vibrant life. Andreas Scholl's singing on this recording is peerless - but `Lieber erstmal Lieder', as he would say (he puts the music he sings before what he calls, self-deprecatingly, the present cult of his stardom) and on this CD he certainly lives up to his motto.
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Puccini: Il Trittico
Manufacturer: Bella Voce Records ProductGroup: Music Binding: Audio CD All Works by Puccini
| Puccini, Giacomo
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ASIN: B00003A9QR Release Date: 1999-12-01 |
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Psalms of David Complete
Choir of St Paul's Cathedral , and Scott Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD General
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ASIN: B00006GO6J Release Date: 2002-10-08 |
Amazon.com
This complete 12-disc survey of The Psalms of David from St. Paul's Cathedral is both a remarkable historical record of Anglican chant at its finest and an astonishing musical experience. Contained here are all 150 psalms in their traditional English garb from the 1549 Book of Common Prayer, with revised or entirely new musical settings as published in The New St. Paul's Cathedral Psalter, edited by the choir's musical director John Scott, itself a revision of the 1875 Cathedral Psalter. As such, these recordings represent the very backbone of the Anglican liturgy, but even a casual listener will be in no doubt that they also offer music that is both contemplative and richly varied when removed from its liturgical context.The art of "pointing"--or setting--psalm texts has been essayed by many English composers, from William Croft through the Wesleys and William Boyce in earlier times to the great flowering in the late 19th century under Stainer and Barnby, with further contributions from Parry, Stanford, Elgar, Howells, and a host of choirmasters and organists, including Sir David Willcocks and John Scott himself. All are represented here. Recorded throughout in the vast acoustic of their cathedral, the St. Paul's choristers enunciate the words precisely, backed by inventive though unobtrusive organ accompaniment. Taken individually, it's possible to isolate moments when the choir seem to drag their feet or fail to give due weight to the words (Psalm 125, "They that put their trust in the Lord," seems far too subdued, for example), and the massive Psalm 119 is awkwardly split across discs 10 and 11, but overall this set is nothing less than a document of invaluable cultural and musical significance. --Mark Walker
Customer Reviews:
Brilliant Recordings.......2007-06-11
We found great Spirituality and a wonderful sense of Worship whilst listening to this set. This is often sacrificed for brilliance of musical performance in other recordings.
Unfortunately the "St.Paul's Psalter" is not available (June 2007) but we are told that a new print run may happen within 12 months. This would be a most valuable companion to the recordings when and if it becomes available.
A- for effort.......2006-02-23
The rhythmic pacing, though a little slow for my taste, is steady and sensitive, the diction clear, and the organ accompaniment superb (Providing an expressive accompaniment to a choir singing in 4-part free rhythm, and improvising descants to the melody at the same time, isn't easy). And of course there's the cavernous acoustic of St. Paul's, very impressive in the more thunderous psalms. Unfortunately, though, the "forward" style favored for the St. Paul's boys produces a sound that's unpleasantly chesty in the lower registers and reedy in the higher ones. The poorly integrated choral sound caused by this kind of voice-production can be downright unpleasant for anyone used to, or trained in, the classic English choral style. In fact, one has to wonder why this choir was chosen for such a huge project: even allowing for the near-universal decline in standards of vocal training for boys in England, better sounds than this can still be heard.
What can you say?.......2003-01-03
How much do I like it? I bought it *twice*. I originally bought all the CDs separately, before they came out with a single boxed set. They were stolen from my car (and, God willing, maybe they converted some poor thief to Anglican Cathedral Music and got him into church). After they were stolen, I immediately bought them again.
One of the great pleasures of life is listening to the Morning and Evening Psalms while driving to and from work, and making listening a regular feature of Morning and Evening Prayer.
So what's the criticism? The sound is a bit muddy, so the words can be rather difficult to understand without reading along (which is a real problem when driving), and personally, I prefer the Psalter from the 1979 BCP instead of the old one, from the Great Bible. But that's unreasonable. They ARE a British choir after all. Those are the only criticisms.
Anyhow, if you have a taste for choral cathedral music, this is genuinely indispensible. St. Paul's has given the world a great blessing.
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Donizetti - Le convenienze ed incovenienze teatrali / Taddei, Mazzucato, Nucci, Rinardi
Gaetano Donizetti , Carlo Franci , Gianandrea Gavazzeni , Giuseppe Taddei , Leo Nucci , Daniela Mazzucato , Leonardo Monreale , Alfredo Giacomotti , Alberto Rinaldi , Federico Davia , Sergio Tedesco , Laura Zanini , Nicola Zaccaria , Umberto Grilli , Giovanni Antonini , and Mirna Pecile Manufacturer: Bella Voce Records ProductGroup: Music Binding: Audio CD All Works by Donizetti
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ASIN: B00004T0N2 Release Date: 2000-04-15 |
Tracks:
- Le Convenienze Ed Inconvenienze Teatrali: Introduction
- Le Convenienze Ed Inconvenienze Teatrali: Chorus, pay attention
- Le Convenienze Ed Inconvenienze Teatrali: Ah! Here Comes The Day
- Le Convenienze Ed Inconvenienze Teatrali: Great! But Really, The Cabaletta
- Le Convenienze Ed Inconvenienze Teatrali: Tell Me Something, Maestro
- Le Convenienze Ed Inconvenienze Teatrali: Stupendous
- Le Convenienze Ed Inconvenienze Teatrali: Scoundrals! Loafers
- Le Convenienze Ed Inconvenienze Teatrali: What A Sublime Creation!
- Le Convenienze Ed Inconvenienze Teatrali: What Do You Think? That My Wife
- Le Convenienze Ed Inconvenienze Teatrali: Therefore If You Want
- Le Convenienze Ed Inconvenienze Teatrali: I Should Sing A Duet?
- Le Convenienze Ed Inconvenienze Teatrali: Oh, My God, I'm Ruined
- Le Convenienze Ed Inconvenienze Teatrali: I've Lost My Voice
- Le Convenienze Ed Inconvenienze Teatrali: Livorno, 10th Of April
- Le Convenienze Ed Inconvenienze Teatrali: You Made Me Lose My Temper
- Le Convenienze Ed Inconvenienze Teatrali: So Much The Better
- Le Convenienze Ed Inconvenienze Teatrali: Ah! Do You Vaant Me? Vat Do You Yearn For?
Tracks:
- Le Convenienze Ed Inconvenienze Teatrali: As A Frog On An April's Day
- Le Convenienze Ed Inconvenienze Teatrali: I Can Find No Rest
- Le Convenienze Ed Inconvenienze Teatrali: Intermezzo
- Le Convenienze Ed Inconvenienze Teatrali: Duet Of Ersilia
- Le Convenienze Ed Inconvenienze Teatrali: And Can You Delight, Tyrant
- Le Convenienze Ed Inconvenienze Teatrali: Long Live The Great Romulus, Elect In Rank
- Le Convenienze Ed Inconvenienze Teatrali: I Am Warrior And I Am Lover
- Le Convenienze Ed Inconvenienze Teatrali: Ah, All The Better
- Le Convenienze Ed Inconvenienze Teatrali: Mister Conductor, Please Listen (Finale)
- Belisario: O, God Of The Warriors
- Belisario: Majesty, You Have Won
- Belisario: When Red Blood
- Belisario: On The Field Of Victory
- Belisario: Mother You Are, And Wife
- Belisario: Oh, May The Villain Die, Who Offended Nature
- Belisario: Friends, We Have To Seperate
- Belisario: Who Supports Me
- Belisario: Oh, If I Could Sleep
- Belisario: But You, Who Comforts A Poor Man
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The Viennese Nightingale
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Waltzes
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ASIN: B0000U1NGU Release Date: 2004-02-10 |
Customer Reviews:
The Essential Coloratura Album.......2007-02-16
Together with Elisabeth Schwarzkopf, Rita Streich studied voice with Maria Ivogun, a great coloratura soprano of the German-Austro school. Together with her colleague, Streich excelled in the Viennese-style coloratura singing. This album presents her wide range of repertoire from Austro-German to French to Italian opera; from classical opera to romantic Strauss operetta; from lieder to folk songs.
What this album does NOT include is Streich's Russian repertoire, some thing that, owing to her maternal descent, she was most adept at.
Unlike Schwarzkopf, Streich owned a voice that is out-right lyrical. It is even lighter, even more agile, even more silvery, though not as forceful as Schwarzkopf's on demand. Listen to her delightful "Bastien und Bastienne", her Mozart concert arias and enjoy her highly articulated, musically refined delivery. It is the exemplary Viennese singing. Her soubrettes as well as lyrical heroines are nothing short of being superb.
Not being as internationalised a singer as Schwarzkopf, Streich nonetheless was a representative figure of Viennese coloratura singing. Some times I would even feel that her coloratura is even more superior to that of the great dramatic coloratura of the 20th century, Joan Sutherland, again a very much more internationalised singer than Streich.
If you are undergoing voice training, this box set is essential.
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RCA MET 100 Singers, 100 Years
Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber
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Bellini, Vincenzo
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ASIN: B000003FFT Release Date: 1993-09-14 |
Tracks:
- Ardon Gl'Incensi (Mad Scene) - Marcella Sembrich
- Vissi D'arte - Emma Eames
- Devant La Maison (Serenade) - Pol Plancon
- Les Tringles Des Sistres (Gypsy Song) - Emma Calve
- A Vos Jeux, Mes Amis (Mad Scene) - Nellie Melba
- All'erta, Marinar: II Vento Cangia!; Adamastor, Re Dell'acque - Giuseppe Campanari
- O Pretres De Baal (Prison Scene) - Ernestine Schumann-Heink
- Come Paride Vezzoso - Antonio Scotti
- Jo-Ho-Hoe!; Traft Ihr Das Schiff (Senta's Ballad) - Johanna Gadski
- Vecchia Zimarra - Marcet Joumet
- Voce Di Donna - Louise Homer
- Rachel, Quand Du Seigneur - Enrico Caruso
- Se In Voi Cotanto Forte Fosse L'amor' I1 Cor Nel Contento - Geraldine Farrar, Hermann Jadlowker
- It Is Almost Midnight (Sung In German) - Emmy Destinn
- Eri Tu - Pasquale Amato
- Ed Io Non Ne Godevo; Sempre Cosi - Frances Alda
- Mein Vater! (Amfortas' Prayer) - Clarence Whitehill
Tracks:
- Qual Fiamma Avea Nel Guardo!; Stridono Iassu (Ballatella) - Alma Gluck
- Lunge Da Lei; Dei Miei Bollenti Spiriti - John McCormack
- Caro Nome - Luisa Tetrazzini
- Tutto Tace (Cherry Duet) - Miguel Fleta, Lucrezia Bori
- Lontano Eco Della Mia Giovinezza (Lenski's Air) - Giovanni Martinelli
- E Il Di Che Zar Saro (Garden Scene) - Paul Althouse, Margarete Ober
- Di Provenza Il Mar - Giuseppe De Luca
- Pace, Pace, Mio Dio! - Rosa Ponselle
- Mi Batte Il Cor; O Paradiso - Beniamino Gigli
- Bellah! Capretta Adorata; Si Carino (Slumber Song) - Amelita Galli-Curci
- Gluck, Da Mir Verblieb (Marietta's Lied) - Maria Jeritza
- Largo Al Factoum - Titta Ruffo
- Una Parola Sola; Or Son Sei Mesi - Edward Johnson
- Sieh' Evchen! Dacht' Ich Doch - Friedrich Schorr, Elisabeth Rethberg
Tracks:
- Meco All'altar - Giacomo Lauri-Volpi
- Nay, Marcus, Lay Him Down - Lawrence Tibbett
- Regnava Nel Silenzio - Toti Dal Monte
- Dir Tone Lob - Lauritz Melchior
- Deh, Vieni Alla Finestra - Ezio Pinza
- Depuis Le Jour - Grace Moore
- Depuis Heir Je Cherche; Que Fais-Tu? - Gladys Swarthout
- Salut A Toi (Hymnn To The Sun) - Lily Pons
- Adina Quest'oggi; Adina Credimi - Tito Schipa
- Ah, Malgre Moi - Rose Bampton
- Je Suis Seul!; Ah! Fuyez, Douce Image - Richard Crooks
- I Know You Better; This Very Vivid Morn - Helen Jepson
- Mild Und Leise (Liebestod) - Kirsten Flagstad
- Pres Des Remparts De Seville (Seguidilla) - Bruna Castagna
- So Its Es Denn Aus Mit Den Ewigen Gottern - Kerstin Thorborg
- Giunse Alfin Il Momento; Deh Vieni, Non Tardar - Bidu Sayao
- Einsam In Truben Tagen (Elsa's Dream) - Helen Traubel
Tracks:
- La Mamma Morta - Zinka Milanov
- Ah, Guai A Chi La Tocca!; Guardate, Pazzo Son - Jussi Njoerling, Enrico Campi
- Ist Ein Traum - Rise Stevens, Erna Berger
- O Saint Medaille; Avante De Quitter Ces Lieux - Leonard Warren
- Clock Scene (Sung In Russian) - Alexander Kipnis
- Elle A Fui, La Tourterelle! (Antonia's Romance) - Jarmila Novotna
- Con Onore Muore (Death Of A Butterfly) - Licia Albanese
- To Leave, To Break (Quintet) - Eleanor Steber, Rosalind Elias, Regina Resnik, Nicolai Gedda, Giorgio Tozzi, George Cehanovsky
- Tombe Degli Avi Miei; Fra Poco A Me Ricovero - Jan Peerce
- Oui, Pour Ce Soir; Je Suis Titania (Polonaise) - Patrice Munsel
- Se Quel Guerrier; Celeste Aida - Richard Tucker
- L'ho Abbandonato Senza Un Saluto; In Quelle Trine Morbide - Dorothy Kirsten
- Felice Ancor; Per Me Giunto - Robert Merrill
- Si, Pel Ciel - Ramon Vinay, Giuseppe Valdengo
Tracks:
- Morgenlich Leuchtend Im Rosgen Schein (Prize Song) - Set Svanholm
- Studia Il Passo; Come Ddal Ciel Precipita - Jerome Hines
- Che Gelida Manina - Giuseppe Di Stefano
- Ah, Non Giunge - Roberta Peters
- Ecco Ridente - Cesare Valletti
- Re Dell'abisso - Marian Anderson
- Credo In Un Dio Crudel (Iago's Creed) - Tito Gobbi
- O Figli, O Figli Miei! Ah, La Paterna Mano - Carlo Bergonzi
- Una Macchia E Qui Tuttora (Sleepwalking Scene) - Leonie Rysanek, Gerhard Pechner, Carlotta Ordassy
- Addio Del Passato - Anna Moffo
- In Questa Reggia - Birgit Nilisson, Jussi Bjoerling
- Recitar!; Vesti La Giubba - Jon Vickers
- Give Me My Robe - Leontyne Price
Tracks:
- La Fleur Que Tu M'avais Jetee (Flower Song) - Franco Corelli
- In Fernem Land - Sandor Konya
- Ah! Tu Dei Vivere! Aida A Me Togliesti - Grace Brumbry, Placido Domingo
- Je Dis Que Rien Ne M'epouvante - Mirella Freni
- Mia Madre Aveva Una Povera Ancella (Willow Song) - Renata Scotto
- Too Weak To Kill - Sherrill Milnes
- Mi Chiamano Mimi - Montserrat Caballe
- La Donna E Mobile - Alfredo Kraus
- Stride La Vampa - Fiorenza Cossotto
- Fia Dunque Vero; O Mio Fernando - Shirley Verrett
- L'anima Ho Stanca - Placido Domingo
- O Isis Und Osiris - Martti Talvela
- Cruda Sorte, Amor Tiranno - Marilyn Horne
- Come Scoglio Immoto Resta - Kiri Te Kanawa
- Ave Maria - Katia Ricciarelli
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The Peoples Guide to Opera 1
Manufacturer: People's Guide Opera ProductGroup: Music Binding: Audio CD Bellini, Vincenzo
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| Donizetti, Gaetano
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| Mozart, Wolfgang Amadeus
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| Puccini, Giacomo
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| Verdi, Giuseppe
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| Wagner, Richard
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ASIN: B00004TV5Z Release Date: 2000-06-06 |
Customer Reviews:
Appears to deliver what it offers--but it is not opera!.......2007-02-11
Judging from the contents listed on this review site, this is the underlying structure of the "People's Guide."
--Tracks 1-15 (presumably one disk): arias from the Big-Five Mozart operas.
--Tracks 16-34: arias from bel canto operas.
--Tracks 35-46: arias from middle-period Verdi operas.
--Tracks 47-64: arias and one chorus from Puccini.
--Tracks 65-87: miscellaneous loose ends. (I absolutely guarantee you that Number 71, "Parigi, o cara," is not, repeat not from "La battaglia di Legnano" but from an obscure little piece by Verdi called "La Traviata.")
--Tracks 76-88: arias [sort of] and choruses from Wagner operas (but not from "The Ring.")
--Tracks 89-99: well-known overtures and preludes to operas.
Right off, it can be seen that "The People's Guide 1" begins at the end of the 18th Century and ends early in the 20th. It entirely ignores the better part of two centuries of operatic development before Mozart and composers of the stature of Monteverdi, Handel and Gluck, not to mention Salieri. A couple of French operas sneak in the back door in Italian versions and only Carmen appears in the correct language. German operas are ignored except those written by Mozart and Wagner. Russian operas are entirely shut out. The 20th Century appears only in the works of Puccini, so the likes of Richard Strauss, Berg and Britten are cast into the outer darkness.
On the whole, though, the selection isn't bad. If you really want about nine hours of bleeding hunks from what most people define as the standard operatic repertory, you could do worse than this set. The performances seem to range from the early 1950s to the early 1970s. There are many famous names among the singers and conductors.
But it is not opera. Operas are not just a string of songs and choruses that follow along after an overture. An opera is--or should be--a dramatic whole. Opera was consciously invented at about the beginning of the 17th Century to combine drama, music, dance, costume and set design into a unified whole and display them on stage. Often the best parts of operas are utilitarian but brilliant passages that will never make their way into highlights disks such as these.
This set is hardly expensive at the prices being quoted as I write this. Nevertheless, I advise you to look through the offerings of complete performances. Many of the older ones offer unbelievably good singers in superb performances at low price. That's a better deal than you'll get here.
A chance to enjoy opera........2001-08-12
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