Ahla Al Oyoun [Import]

1. Ahla El Ayoun

2. Ta'alla

3. Raneen El Dahab

4. Bierut

5. Mali Saber

6. Ma Khaleit

7. Tal Alyna

8. Azeboni W Azebok

Tracks:

Una Voce Poco Fa - Sherrill Milnes
Dunque Io Son - Sherrill Milnes
Contro Un Cor - Sherrill Milnes
Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
Via, Caro Sposino - Ambrosian Opera Chorus
Tornami A Dir Che M'ami - Ambrosian Opera Chorus
La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

Vilia - Beverly Sills
Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
Libiamo Ne' Lieti Calici - John Alldis Choir
Un Di Felice, Eterea - John Alldis Choir
E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
Che Fai? - John Alldis Choir
Addio Del Passato - John Alldis Choir
Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Average customer rating:

The End of the Big Voice?
Fla Gator Lady
20 Great Tenor Arias
Plesantly surprised...
Absolutely Agree About Corelli

Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

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The Most Famous Opera Duets
The Most Famous Opera Arias
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The Ultimate Puccini Collection

ASIN: B000007OTX
Release Date: 1998-06-09

Tracks:

La Boheme: Che gelida manina
Manon Lescaut: Donna non vidi mai
Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
Luisa Miller: O! fede negar potessi .. Quando le sere al placido
La Traviata: Lunge da lei ... De' miei bollenti spiriti
Martha: M'appari
Giordano: Amor ti vieta
L'Africaine: Mi batte il cuor .. O paradiso
La Favorita: Favorita del re . . . Spirto gentil
Werther: 'Pourquoi me reveiller'
Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
Les Contes d'Hoffmann: O Dieu! De quelle ivresse
TOSCA: E lucevan le stelle
Pagliacci: Recitar! ... Vesti la giubba
Il Trovatore: Di quella pira
Aida: Se quel guerrier .. Celeste Aida
TOSCA: Recondita armonia
L'Elisir d'Amore: Una furtiva lagrima
La Gioconda: Cielo e mar!
Turandot: Nessun dorma

Customer Reviews:

The End of the Big Voice?.......2007-04-16

This CD, which is truly fine overall, reminds me of Marilyn Horne's lament that we have probably seen the end of the big voice and it makes me sad. I agree with the reviewer who refers to "microphonies". And more justice could be done to Bjorling's voice with a better transfer. But at some point, music becomes a matter of taste and I prefers singers who have the instrument and the support and the training, whether formal or not, to just let fly and take a chance on making a mistake. Domingo can be wonderful and so can his musicianship but he tends to be so stiff. I have to wonder at the virulence and asperity with which some people go after Pavarotti. It's true that late in his career he made some questionable recordings but the answer to that is simple: don't buy them. At his best, he belongs for all time in the top echelon of tenors. I love this CD and would recommend it to anyone who enjoys great (big) voices.

Fla Gator Lady.......2007-01-12

Highly recommend this CD with these beloved arias of the greatest tenors in opera. I have owned this CD for a couple of years and purchased another for a friend who always requests that I play it ... perfect for listening in the car, dinner, bridge games, relaxation ... just so perfect. You won't be disappointed in this one.

20 Great Tenor Arias.......2007-01-09

A great disc,combination of the greatest tenors of the 20th century and some of the most beautiful music ever written in any century,a must addition to any opera lovers collection.

Plesantly surprised..........2006-01-14

I don't remember how I found this CD the other day surfing through the "Amazon" such as it is, but I did. I listened to a few clips provided & on the strength of that, I purchased this CD.

First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).

Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.

Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.

Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.

This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.

A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!

Absolutely Agree About Corelli.......2005-05-27

Franco Corelli's "Nessun Dorma" is still the best of them all - clear, passionate, and exciting. (And those final two notes...! Gives me chills just to think of it.) I was fortunate enough to see him live in both "Turandot" and "Romeo and Juliet" a year before his retirement, and he was still a Calaf and a Romeo to die for... as, of course, Liu and Juliet did! As it is, I tend to buy compilations depending on how much Corelli they include - though Bjorling is a strong second, and I have happy memories of Domingo. Long live the Golden Age of Operatic Tenors!

Average customer rating:

RIP, BEVERLY SILLS 1929-2007
Brava Sills!
Sills fits my bill
The Great American Soprano
My Favorite Woman

The Great Recordings

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001Y4JG6
Release Date: 2004-05-11

Tracks:

Son Vergin Vezzosa - Paul Plishka
Eccomi... Oh! Quante Volte
Mira, O Norma
Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
Contro Un Cor Che Accende Amore - Nicolai Gedda
Che M'apporti? - Ambrosian Opera Chorus
Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
Vorrei Spiegarvi, Oh Dio, K.418
Amor, Op.68 No.5

Tracks:

Martern Aller Arten
E Strano! E Strano!
Ah, Fors'e Lui
Follie! Follie!
Sempre Libera
Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
Robert, Toi Que J'aime
Tu Ne Chanteras Plus?
Chere Enfant Que J'appele
Meine, Lippen, Die Kusen So Heiss
Wien, Wien, Nur Du Allein
Always Through The Changing

Customer Reviews:

RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.

Average customer rating:

it's been stated by so many others...
Perfect Package for Al Green's Hits
A Greatest Hits Masterpiece
Very good
Oh, Al Green...Never fails to please!

Al Green - Greatest Hits
Al Green
Manufacturer: The Right Stuff
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002TTP
Release Date: 1995-08-01

Tracks:

Tired Of Being Alone
Call Me (Come Back Home)
I'm Still In Love With You
Here I Am (Come And Take Me)
Love And Happiness
Let's Stay Together
I Can't Get Next To You
You Ought To Be With Me
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Belle

Amazon.com essential recording

One of the must-own soul albums, Greatest Hits is fattened with five extra tracks in this reissue. Al Green brought the Memphis Sound into the '70s by slightly softening it, melding smooth funkiness with his miraculous voice and innate sensitivity: his love songs, while perfect for the bedroom, are as conversational as they are blatantly seductive. By adding the likes of "Belle," a 1977 single that's a near-goodbye to the pop life, to the original lineup of "Let's Stay Together," "Look What You Done for Me," "Call Me," and the others, this edition of Greatest Hits also intriguingly fills out the story. --Rickey Wright

Customer Reviews:

it's been stated by so many others..........2007-07-01

No one, but no one, is better than Al Green when it comes to heart-wrenching, gut-churning tales of heartbreak and woe.
I call it singing that is absolutely emotionally honest and believable and easy to relate to (if you've ever been in any of these situations--and who hasn't?)

The man (with his voice) has the ability to heal/mend when it comes to matters of the heart. It certainly seems that way.
Can't praise him enough.

Perfect Package for Al Green's Hits.......2007-05-16

All the best known Rev. Green songs are here, along with several lesser known, but still enjoyable, selections. This is must-have music for rock and rhythm and blues fans. You will find yourself trying to sing along.

A Greatest Hits Masterpiece.......2007-03-29

A lot if not most greatest hits collections have some hits and some padding.Not this album.This is one great collection.The five songs tacked on at the end made this album a must own masterpiece.If you like Al Green's 70's output,you WILL like this CD.Every single song is a classic.Ol Skool Al Green fans (like myself) might already have at least a couple of his albums already,but this CD sums up why he's soul legend.

P.S.:Do yourself a favor and pick up some of his 70's era albums starting with "I'm Still In Love With You" if you haven't already.

Very good.......2007-01-25

I've heard his music but never owned a CD of his, this one is really good and I enjoy it very much. Happy to add to my music collection.

Oh, Al Green...Never fails to please!.......2007-01-19

This CD is great! His music is so soulful and every song has a certain sound to it. It is pretty hard to not love Al Green. The compilation of songs chosen for this particular album are some of his greatest!!

Average customer rating:

I almost died laughing.
It will have you ROTFLOL.
"Weird Al" comes "Straight Outta Lynwood" and right onto the Billboard charts
Loved it!!
"That's not why I bought this album"

Straight Outta Lynwood
Weird Al Yankovic
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Binding: Audio CD

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Release Date: 2006-09-26

Tracks:

White & Nerdy
Pancreas
Canadian Idiot
I'll Sue Ya'
Polkarama!
Virus Alert
Confessions Part III
Weasel Stomping Day
Close But No Cigar
Do I Creep You Out
Trapped In The Drive-Thru
Don't Download This Song

Tracks:

Don't Download This Song
I'll Sue Ya'
Virus Alert
Close But No Cigar
Pancreas
Weasel Stomping Day

Amazon.com

All hail the return of novelty music's reigning king! Straight Outta Lynwood easily bests 2003's Poodle Hat and shows that Yankovic does know what he does best. Part of the secret to Weird Al's success is that he's never been very weird at all, and very rarely are his satires in any way "biting"--or even satires, really. The 11-minute parody of R. Kelly's "Trapped in the Closet" is funny at least for the first listen, but it's hard to ridicule something so largely ridiculous in the first place (plus Jimmy Kimmel totally got the jump on him). The best thing Mr. Yankovic has always done is to take some decent pop tune, change a word or phrase, invent an entirely new premise for the tune, and make an inspired video to go along with it. He does that several times here; Green Day's "American Idiot" becomes the hockey-obsessed "Canadian Idiot," and "White & Nerdy" is a truly inspired take on Chamillionaire's "Ridin'." That song (and video, included here on the dual-disc CD/DVD) is breakneck-paced and so funny it's a disservice to quote from it at all. "Polkarama!" is a return to W.A.'s novelty roots: a handful of mildly dated hit songs (50 Cent to Modest Mouse!) delivered in straight-ahead, sped-up polka style. It's toe-tapping and sweet. Hopefully we'll not have to wait three years for another Weird Al record. --Mike McGonigal

Album Description

"Weird Al" continues to reward his countless fans around the globe with yet another collection of insanely incisive musical comedy. As a special bonus, Straight Outta Lynwood will be available on DualDisc. which will include all original animations of all Al's original tracks! All-star animations include Academy Award nominee Bill Plympton, John Kricfalusi (Ren and Stimpy), Seth Green and Matt Senreich (Robot Chicken/Adult Swim, Family Guy). Also featured are Karaoke versions of the entire album including a scrolling lyric sheet for each track. As if that wasn't enough the Dual Disc also contains a behind-the-scenes featurette. All of this in a 5.1 Dolby mix of the entire album!

Customer Reviews:

I almost died laughing........2007-06-28

I listened to this album for the first time tonight. Eleven years ago tonight, a friend got us tickets to a Weird Al concert. While driving home from the concert, we had a car accident and he died. After the first verse of "I'll Sue Ya," I seriously wondered if I might die laughing and join him!

I'll go through track by track:
White and Nerdy: Funny, I've heard this before so it didn't seem as new, but as a computer programmer I got a lot of good laughs. And I do hand-code HTML4!
Pancreas: Another novelty artist named Mindless Drug Hoover released a song with the same name and a similar concept. I wondered if by some weird hand of Eris, Weird Al had done the same song, but nope! He did something even more insane, even tying in things like gravity.
Canadian Idiot: I don't listen to much pop music, so haven't heard the originals, but another fun song making fun of racism. Everyone bags on Canadians anyway. One note: Weird Al even parodies the war.
I'll Sue Ya: Okay, here we go, definitely a favorite song. As said, after the first verse I wondered if I would join my friend, and if I could even handle a second verse! I did leave Earthlink, because I became dissatisfied with their tech support, so that struck a chord. Everyone has had issues with Verizon. And don't even mention New Jersey! I see this listed as an original song, but it sounds like a song done in the style of Rage against the Machine. Perfect! I really enjoy it when he doesn't parody a song per se, but parodies a group or style. This has always brought out his creativity. Sadly, some of the ridiculous things he yells out have actually happened (a guy sued someone for breaking his ankle while robbing his place.) I love this song!
Polkarama: Another classic Polka tune. As said I don't listen to much popular music, so for me these Polka songs provide a good insulated way to absorb the dirtier music of this time. I'll stick with these versions!
Virus Alert: Another great computer song! The main part would make a great sound alert. It has one of those catchy melodies and concepts that will just stay in your head for days, especially the next time your antivirus software alerts you with a new update! Virus Alert! (You could, of course, just use Linux, but we'll save that for another rant.)
Confession Part III: I don't know if he parodied a song here, or simply parodied the style of the current music, but either way he did a hilarious job. Every guy will love the last spoken line of the song.
Weasel Stomping Day: A little silly song, not much to say, but have fun!
Close but No Cigar: Okay, now I have a confession to make. I downloaded this album on bittorrent, and this song didn't play, so I did not hear it. I feel doubly glad I bought the CD.
Do I Creep You Out: Okay, I've heard the original, but can't put my finger on it. In a silly way, I consider this a song from every guy to every girl!
Trapped in the Drive Thru: I've heard the original referenced, and saw the South Park episode, an can imagine the original. This song treks in at around eleven minutes, and it does sort of go on, fut for me, this just added to the theme of the song, a tedius hunger-driven trip to the drive thru.
Don't Download this Song: A great capper for the album. Doubly funny since my downloaded copy missed a track, as if to underscore the point. It reminds me of the South Park episode which covered this theme. Buy my CD so I can afford a diamond-studded swimming pool. Classic!

In summary, I love this album, and consider it one of his best. I know my friend would have loved it too! Through various events, I know Weird Al as a very compassionate human being, and in his own way, a visionary.

It will have you ROTFLOL........2007-06-24

I've been a fan of "Weird Al" Yankovic for 24 years now. After all these years, he's still as funny as ever (or perhaps my sense of humor hasn't matured since I was a teenager). If you are a fan of Al, you pretty much know what you're going to get on an album; about an equal number of parodies and original songs, plus a polka medley of recent hits. Hey, it's a proven formula, so why mess with it? This is a very funny album. "White & Nerdy" is probably the funniest song, but all of them are at least somewhat funny. Go and buy the CD like you know that you should.

"Weird Al" comes "Straight Outta Lynwood" and right onto the Billboard charts.......2007-06-10

I picked up this CD because "Weird Al" Yankovic is coming to town and I have tickets to go with my daughters (do not tell them, but we have seats in the front row, just left of center so I can hear with my one good ear). When I was a kid most of the records I had were Smothers Brothers records, I had a teacher who played Spike Jones songs for us, my father taped several Allan Sherman albums for us, and in college I discovered Dr. Demento and Tom Lehrer (not necessarily in that order). So I am a big fan of musical parodies and there can be no doubt that Yankovic is the Shakespeare of that peculiar little niche of the music business. I consider "The Saga Begins" to be his magnum opus and in looking at his body of work what is impressive is not only his longevity but the way his work has improved from those early days when it was just him on accordion and Jon "Bermuda" Schwartz banging on the accordion case.

It turns out that "Straight Outta Lynwood" is Yankovic's most successful album of all time and his most successful single with "White & Nerdy" making it all the way to #9 on the Billboard Hot 100 ("Eat It" was his previous top single which made it to #12). I still think "Running With Scissors" is his best album, but I am definitely heartened to know Yankovic is going strong. With albums coming out every three or four years he appears to have found his stride. There is the obligatory polka medley and several new style parodies, with "Pancreas" (Brian Wilson), "I'll Sue Ya" (Rage Against the Machine), "Virus Alert" (Sparks), "Close But No Cigar" (Cake), and "Don't Download This Song" (fundraiser songs). The surprise is that I liked the style parodies more than I did the parodies of particular songs, which is obviously turning my "Weird Al" universe upside down.

My only problem with this album is clearly my personal problem because with the exception of "Canadian Idiot" I had to look at the liner notes to find out which songs were parodies and which were originals. The fact that I had not heard (or perhaps only not remembered) "White & Nerdy" is a parody of "Ridin'" by Chamillionaire (featuring Krayzie Bone) was received with jaw-dropping astonishment by my daughters. I am down to recognizing only three songs out of 14 in the album's pokla medley, "Polkarama!" ("Let's Get it Started," "Don't Cha," and "Pon de Replay"). I had forgotten that Taylor Hicks had done "Do I Make You Proud," but I do not think I am alone in that regard. But I had no idea "Trapped in the Drive-Thru" is based on a R. Kelly song, although I did recognize Led Zeppelin's "Black Dog" when it popped up.

Flip over the CD and you get to the DVD, which has animated videos for all of the original songs, namely: "Don't Download This Song," "I'll Sue Ya," "Virus Alert," "Close But No Cigar," "Pancreas" and "Weasel Stomping Day." The videos for "White & Nerdy," "Do I Creep Your Out," "Canadian Idiot," and "Trapped in the Drive-Thru" are all for parodies and for some reason that justified exclusion (insert pout here). The videos are followed by a short documentary that simply shows Yankovic and his band recording some of the songs and paying testament to his attention to detail. You can also listen to the entire album with the lyrics as subtitles, each song accompanied by a photograph of Yankovic from infancy to young adulthood (his parents liked the triple image option). Finally, you can do the karaoke function and get the music and the lyrics so you can sing the songs yourself. Consequently, there are enough extras here to justify rounding up on the disc overall.

Concert Update: So last night "Weird Al" came to town and as I suspected they set up two rows in the orchestra pit for winners of radio contests for tickets (sigh). But during one of the songs (that does not appear on any of the albums) he came down in the audience. Al was singing to the women in the audience but when he was walking in front of it was all dads and kids, so he sang to my oldest daughter (she just got accepted into the Peace Corp to go do what she wants to do where she wants to do it so she is having a good week). We also picked up over a thousand dollars in "Weird Al" money. For the record, he does complete versions of five songs from this album (1, 3, 4, 5, 9), excerpts from three more (7, 10, 11), and one music video (8).

Loved it!!.......2007-05-29

I'll be the first to admit that some of these songs DID NOT catch on with me right away!! In fact at first I thought this would be the first Weird Al Album I bought that I would not enjoy very much.... I WAS WRONG!!! After a few listens these songs really grew on me!!
I loved "White and Nerdy" straight away (I am White and Nerdy accorging to my wife) and the song nails a few asects of the nerd culture that I perssonally have seen or experienced so it was quite a treat!
"Pancreas" is an AWESOME tribute to Brian Wilson and his style of music (if you are too young to know who Mr. Wilson is....listen to the beach boys and check out some of his own albums).
I also thought "Canadian Idiot" was great!! Being a Floridian and knowing a bunch of seasonal Canadians it was rather funny and hit home!!
Close But No Cigar was an excellent song that was an abvious style parody of CAKE. Loved the words to the song and the little flaws that made him break up with each gorgeous woman!!
I could list reasons for liking all the songs but I don't want to take up too much space!! Let me just say that you will love this album as long as you give it a chance!!
Don't forget to visit Weird Al's website and get the free parody "You're Pitiful" (parody of "You're Beautiful") which was originally going to be on the album but was tanked at the last minute do to record company lawyers.

One more thing. This album is a dual disc. One side plays as a DVD the other as a CD. This disc MAY NOT play in certain drives or DC players so just be careful!!
The videos were hilarious though!!

"That's not why I bought this album".......2007-05-26

I'm here to tell ya, there are a lot very good reasons to buy this album. But most of them are not why I bought this album.

Sure Al's parodies are all great fun, but that's not why I bought this album. Sure this whole album is fraught with hilarity, but that's not why a bought this album. I didn't even buy this album because of all the cool video's included. IT'S THE MUSIC, MAN. That's why I bought this album. Can this Al guy sing or what - even if he is a little weird. (Although, I'm not too sure about the weird part, but that's what Al keeps telling everyone so I'll go along with it.)

Case in point; So there I was, sitting in my mini van at a red light, jamming to the music, not really paying any attention to the lyrics, just enjoying the sounds the band and singers were putting out. With my head bobbin' to the beat and hands drumming on the steering wheel, I noticed an elderly lady in the car next to me looking my way. She seemed to have an air of disdain about her at seeing a gentleman of my years acting like some dang fool kid. That very moment is when my ears picked up on the words "I blew my nose and wiped it on your cat". The lyric caught me totally off guard and I spontaneously burst into laughter. Seeing that, the lady snapped her head forward, stomped on the accelerator and speed through the red light trying to get away from that dang fool (being myself) as fast as she could.

Well, I guess that probably isn't why you should by this album either, but I can tell ya... This double CD sure is a lot of fun and you will absolutely enjoy the music.

Jim

Average customer rating:

Pretty darn good
The Opera #1 Opera Album
Excellent assortment
Great Selections
Terrific !

The #1 Opera Album
Giacomo Puccini , Giuseppe Verdi , Léo Delibes , Georges Bizet , Umberto Giordano , Wolfgang Amadeus Mozart , Richard Wagner , Gioachino Rossini , Alfredo Catalani , Jacques Offenbach , Ruggiero Leoncavallo , Charles Gounod , Gaetano Donizetti , Pietro Mascagni , Antonin Dvorak , Richard Bonynge , Herbert von Karajan , Alberto Erede , Lamberto Gardelli , Giuseppe Patane , John Mauceri , Zubin Mehta , Charles Dutoit , Gyorgy Fischer , Riccardo Chailly , Istvan Kertesz , Leone Magiera , Evelino Pido , Gianandrea Gavazzeni , Renée Fleming , Cecilia Bartoli , Luciano Pavarotti , Jussi Bjorling , and Renata Tebaldi
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...

ASIN: B000059RXO
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Tracks:

Carmen: Act 1: Prld - LPO/Sir Georg Solti
La Traviata: Brindisi: Libiamo, Ne'lieti Calici - Luciano Pavarotti/Joan Sutherland/London Opr Chor/Terry Edwards
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Carmen: Habanera: L'amour Est Un Oiseau Rebelle - Tatiana Troyanos/John Alldis Chor/John Alldis
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Il Barbiere Di Siviglia: Largo Al Factotum - Leo Nucci
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Madama Butterfly: Humming Chor - Wiener Staatsopernchor/Norbert Balatsch
Carmen: Flower Song: La Fleur Que Tu M'avais Jetee - Placido Domingo
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Die Walkure: The Ride Of The Valkyries - Wiener Phil/Solti
Le Nozze Di Figaro: Voi Che Sapete - Cecilia Bartoli
Pagliacci: Recitar!... Vesti La Giubba - Luciano Pavarotti
La Boheme: O Soave Fanciulla - Mirella Freni/Luciano Pavarotti/Roland Panerai
Il Trovatore: Anvil Chor: Vedi! Le Fosche - Chicago Sym Chor/Margaret Hillis
Manon Lescaut: Donna Non Vidi Mai - Jose Carreras
Don Giovanni: La Ci Darem La Mano - Lucia Popp/Tom Krause
Mattinata - Andrea Bocelli
Faust: Soldiers' Chor - Ambrosian Opr Chor/John McCarthy
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Amazon.com

The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin

Customer Reviews:

Pretty darn good.......2007-07-04

This CD set has a lot of familiar music on it, so if you're a newbie, you might want to try starting with this. There are some great pieces on the first CD. I usually don't even make it to the second.

The Opera #1 Opera Album.......2007-06-07

The music is wonderful. The production is terrible!! The sound fades in and out and is very scratchy in some places.

Excellent assortment.......2007-05-12

I'm not a big opera fan but I wanted to expose an assorted selection for my kids. This was perfect since it included several recognizable selections.

Great Selections.......2007-03-31

This Cd, has the very best of Opera
covering mainly from the classcal
to the to the romantic periods, a most
memorable selection here is Leo Nucci
in a lagendary performance of Rossini's
"Largo al Factotum" from "Il Barbiere di Seviglia"
also Andrea Bocelli in his performance of Leoncavallo's
memorable "Matinatta" here in an orchestrated version.
Indeed some of opera's most loved arias are in this recording
various conductors, orchestras, and soloists. All in their
very best. Indeed a five-star recording...

Terrific !.......2007-01-10

A diverse album to give you a sprinkle of the various types of 'opera'. Every note is pure and lovely, I listen to it all the time ! Highly recommended for anyone just getting into opera. :}

Average customer rating:

George & Al - what an awesome combo!!!!!
The wrong song won the Grammy!
nice
Great Combination
Awesome Duo

Givin' It Up
George Benson , and Al Jarreau
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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Tracks:

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Mornin'
Tutu
God Bless The Child
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Amazon.com

Not trusting the drawing power of its co-billed veterans, singer-guitarist George Benson and singer-"vocal percussionist" Al Jarreau, or the eventfulness of their teaming, the producers of Givin' It Up have hedged their commercial bets with a full array of guest stars. But none of the guest singers lifts the proceedings above a sleek professionalism--not Paul McCartney, who participates in a humdrum, album-ending jam on Sam Cooke's "Bring It on Home to Me"; not the wonderful Jill Scott, who emulates Billie Holiday on a modest treatment of "God Bless the Child"; and not old pro Patti Austin. Herbie Hancock, Chris Botti, Stanley Clarke, and Marcus Miller also turn up, agreeably but unexcitingly enough, among smooth jazzers including Marion Meadows and Patrice Rushen. The material ranges from two songs to which Jarreau adds lyrics--the 1976 Benson hit "Breezin'" and "'Long Come Tutu," based on the Miller-written title track of Miles Davis's "Tutu"--to covers of Seals and Crofts' "Summer Breeze" and the Daryl Hall-penned Paul Young hit, "Every Time You Go Away." Benson and Jarreau seem a bit hemmed-in by the crowd of name contributors. Even in smooth mode, they have done livelier work than this. --Lloyd Sachs

Customer Reviews:

George & Al - what an awesome combo!!!!!.......2007-06-20

We bought this 2 weeks before seeing their concert. It took a few listens to really appreciate the blend.

Went to their concert and was BLOWN AWAY!!!! They are awesome together. Highly recommended!!! If you get the opportunity to see them live together - DON'T MISS IT!!!! Best concert I've ever been to and now the album is one of my most loved and brings back memories of that amazing night!!!!

The wrong song won the Grammy!.......2007-06-12

With so many guest artists on this disc, the release reminds one of those big-budgeted 80's albums produced by Quincy Jones and featuring all of his friends and neighbors. Benson and Jarreau are so individually gifted that the special appearances were not necessary but such additions stay with the current trend of star cameos.

As far as the songs go, the covers are well done, adding intriguing changes in the two songs ("Breezin" and "'Mornin'") made famous by Benson and Jarreau, respectively. Besides those two, there are other "re-workings" that are soulfully jazzy, especially "Summer Breeze" and John Legend's "Ordinary People." The final selection, "Bring It on Home to Me" features an impressive Paul McCartney on lead vocals.

Though "God Bless the Child," with Jill Scott adding her distinctive style on vocals, won last year's Grammy for best traditional R & B performance, it is "Let it Rain," with Patti Austin that should've taken home the coveted prize. The singer provides the perfect compliment to Jarreau's singing and Benson's guitar licks.

This song is truly what R & B is all about!

nice.......2007-06-11

good music but my only slight discomfort is that the cuts are somewhat disjointed with some instrumentals thrown in with vocals that don't seem to meld and flow for good background music for dinner parties. i am buying some other smooth jazz for background music that is more homogenous like boney smith and jeff golub.

Great Combination.......2007-06-08

Really enjoyed this CD. It is good background music. Particularly enjoyed Al Jarreau singing to George Benson's "Breezing." Some tracks I wasn't as keen on however, overall, a great combination.

Awesome Duo.......2007-04-13

I love them both separately but together they have created a dynamite CD. It is good for in the car, at the gym on the treadmill, or just everywhere. The arrangements are fun, familiar, and well done.

Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta

Average customer rating:

delivery went ok
A knockout performance
The night that started it all!
Great singing from the three tenors
Excellent. Like summer sunshine. manna from heaven!

Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Francesco Cilea , Giacomo Meyerbeer , Giacomo Puccini , Franz Lehar , Vencenzo De Crescenzo , Salvatore Cardillo , Ernesto de Curtis , Agustin Lara , Pablo Sorozabal , Umberto Giordano , Leonard Bernstein , Vincenzo d' Annibale , Anonymous , Andrew Lloyd Webber , Alexander Sergeyevich Dargomizhsky , Juan De Dios Filiberto , Louis Louiguy , Ruggiero Leoncavallo , Rudolf Sieczynski , Joseph M. Lacalle , Eduardo di Capua , Zubin Mehta , Plácido Domingo , Luciano Pavarotti , and José Carreras
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

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Release Date: 1990-09-05

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Amazon.com

Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner Bayer

Customer Reviews:

delivery went ok.......2006-11-14

the item was delivered to me on-time and with no problems. however,i was looking for a DVD and not a audio Cd. might be good to clearly differentiate when the product is being advertised or shown.

A knockout performance .......2006-05-28

Like so many of the reviewers here I am not an opera aficionado. But I sensed immediately the night I saw this concert on television that this was one of those 'remarkable' artistic events. Domingo and Pavarotti both have such strength and beauty in their voices that they overwhelm. Carreras adds flavor and enthusiasm.
One of the most remarkable music performances I have seen.

The night that started it all!.......2005-11-02

You can read the technical information about the contents of this CD above. That is not what this review is about. I became intrested in opera about 1 1/2 years ago because of happening upon Mario Lanza. Since then, I have experienced many great truly operatic voices, including the "King," Pavarotti.
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!

Great singing from the three tenors.......2005-06-23

This cd is a must-have for anyone interested in opera - or beautiful singing. And when you're at it - why don't buy the dvd from the concert? It will make you appreciate the cd even more.

First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.

I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.

As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!

At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.

All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!

Excellent. Like summer sunshine. manna from heaven!.......2004-05-28

This CD is terrific on so many levels. In celebration of one of the world's great sporting events - the World Cup of football (soccer to us stateside), three great tenors and one masterful conductor (Zubin Mehta) were brought together in one of the world's great cities - Rome -- for a special evening that we are blessed to have been able to listen to again and again.

The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.

The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!

The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.

Tracks:

I Love Lucy Theme - Wilbur Hatch
Dragnet - Ray Anthony
The Twilight Zone - Rod Open
Bonanza - Al Caiola & His Orchestra
The Andy Griffith Theme - Earle Hagen
The Ballad Of Jed Clampett - Earl Scruggs
The Addams Family (Main Theme) - Vic Mizzy
Munsters Theme - Jack Marshall
The Ballad Of Gilligan's Isle - Morton Stevens
Green Acres - Eddie Albert
Jeannie - Hugo Montenegro
Batman Theme - Neal Hefti
(Theme From) The Monkees - The Monkees
Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
Mannix - Lalo Schifrin
Hawaii Five-O - Mort Stevens & His Orchestra
Theme From The Brady Bunch - The Brady Bunch
Come On Get Happy - The Partridge Family
Those Were The Days - Carroll O'Connor
And Then There's Maude - Donny Hathaway
Good Times - Jim Gilstrap
Movin' On Up - Oren Waters
The Rockford Files - Mike Post
Them From S.W.A.T. - Rhythm Heritage
Happy Days - Pratt & McClain
Making Our Dreams Come True - Cyndi Grecco
Chico And The Man - Jose Feliciano
Welcome Back - John Sebastian
What's Happening!! - Henry Mancini
Barney Miller - Jack Elliott
Charlie's Angels - Jack Elliott
Love Boat Theme - Jack Jones
Angela (Theme From 'Taxi') - Bob James
It Takes Diff'rent Strokes - Gloria Loring
Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
Theme From Magnum, P.I. - Mike Post
The Theme From Hill Street Blues - Mike Post
Theme From Dynasty - Bill Conti
Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
Thank You For Being A Friend - Cynthia Fee

Album Description

TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

Customer Reviews:

good memories for me and fun "new" songs for my children.......2007-06-27

We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

memories.......2007-02-22

This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

TV Theme Songs.......2007-01-13

This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

TV themes.......2006-07-05

Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

Deja Vu.......2006-02-17

Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!

Average customer rating:

Excellent Introduction to Spanish Classical Guitar Music
The guitar is an orchestra in miniature!
GUITAR MAJESTY
Sweet, sweet music, an essential addition to your collection
A True Classic

Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

Albeniz: Asturias
Albeniz: Tango
Sanz: Canarios
Rodrigo: Fandango
Torroba: Nocturno
Segreras - El Colibri
Albeniz: Sonata in D
De Falla: The Corregidor's Dance
De Falla: Fisherman's Song
De Falla: The Miller's Dance
Torroba: Madronos
La Nit de Nadal
El Noy de la Mare
Granados: Ma Maja de Goya
Abeniz: Cordoba
Tarrega: Recuerdos de la Alhambra
Granados: Spanish Dance No. 5
El Testamen de Amelia
Villa-Lobos: Prelude No. 4 in E Minor
Albeniz: Sevilla
De Falla: Homanaje
Mudarra: Fantasia
Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

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