| 1. Can We Talk |
| 2. Do You |
| 3. What We Want |
| 4. Better Days |
| 5. The Love We Had |
| 6. In the Fallin' Rain |
| 7. African Girl |
| 8. The New Millenium |
| 9. Nah Fe Dis |
| 10. A Girl Like You |
| 11. Rasta Is Love |
| 12. Let Jah Be Praised |
| 13. Never Get Weary |
| 14. Don't Burn Your Bridges |
| 15. Here I Am |
| 16. How Many More |
Editorial Reviews
An artist with a roots that run deep. Sugar Black first started his musical journey voicing tracks with the Black Scorpio sound in his native Manchester province of Jamaica.
His contemporaries and musical bredren include the late Garnet Silk and Tony Rebel who took him around the world as a singer with Flames Production.
Performances with singer Lebanchuleh have wowed audiences from Santa Barbara, California to Hartford, Connecticut. Now in production on their next release with Beres Hammond, the duo nices up the dance wherever they perform with conscious lyrics and world class stage presence.
Product Description
Sugar Black's contributions as a vocalist with Tony Rebel and the Flames Production Crew and on his many singles as a solo artist have pleased audiences from radio to stage shows worldwide. Black Attack is his first full-length CD which includes guests Jah Mason, Kulcha Knox and his singing partner Lebanchuleh. This collection of unique rhythm collaborations with the Shocking Vibes Crew, Dave Kelly, Roots Radics, Henry K and more brings an original conscious message from one of the new generation of reggae's most powerful voices.
Black Attack,Sugar Black,Reggae
Average customer rating:
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The Yellow and Black Attack!
Stryper Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000OAZ Release Date: 1991-07-16 |
Tracks:
- Loud 'N' Clear
- From Wrong To Right
- My Love I'll Always Show
- You Know What To Do
- Co'Mon Rock
- You Won't Be Lonely
- Loving You
- Reason For The Season
Customer Reviews:
I Have To Confess.........2006-12-30
GREAT DEBUT FOR STRYPER.......2005-11-30
If "Soldiers Under Command" is one of your favorite albums then you will like this one as well. I put Stryper in the "Soldiers Under Command/Yellow And Black era or the To Hell With The Devil/In God We trust era. The biggest difference is they became more of a melodic, bigger sounding band with the newer ones. If you want raw,loud and the sound of a band about to make it big then pick up "The Yellow And Black Attack". It's the bands debut and is essential for your collection. I have reviews of the other albums if you want to check those out.
Stand Out songs: "You Know What To Do" "Loud'n'Clear" "Loving You" and "Reason For The Season"
excelent debut.......2005-05-03
The record that started it all........2004-06-04
Para ser el primer disco está muy bueno.......2003-08-26
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Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg Manufacturer: Relativity ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003BVK Release Date: 1990-05-22 |
Tracks:
- Prologue
- Valjean's Soliloquy (What Have I Done?)
- At The End Of The Day
- I Dreamed A Dream
- Lovely Ladies
- Fantine's Arrest
- The Runaway Cart
- Who Am I?-The Trial
- Fantine's Death
- The Confrontation
- Castle On A Cloud
- Master Of The House
Tracks:
- The Bargain-The Waltz Of Treachery
- Look Down
- The Robbery-Javert's Intervention (Another Brawl)
- Stars
- Eponine's Errand
- The ABC Cafe-Red And Black
- Do You Hear The People Sing?
- Rue Plumet-In My LIfe
- A Heart Full Of Love
- The Attack On Rue Plumet
- One Day More!
- At The Barricade (Upon These Stones)
- On My Own
- Building The Barricade
- Javert's Arrival
- Little People
- A Little Fall Of Rain
- Night Of Anguish
- First Attack
Tracks:
- Drink With Me
- Bring Him Home
- Dawn Of Anguish
- The Second Attack (Death Of Gavroche)
- The Final Battle
- The Sewers-Dog Eats Dog
- Javert's Suicide
- Turning
- Empty Chairs At Empty Tables
- Every Day (Marius And Cosette)
- Valjean's Confession
- The Wedding Chorale- Beggars At The Feast
- Epilogue (Finale)
- Bonus Track
Customer Reviews:
Great, definitely go with this and TAC.......2005-08-31
If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.
Awesome.......2005-07-03
Bought it used - thank God!.......2005-06-17
However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.
I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)
magnificent!.......2005-06-15
As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.
*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.
*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.
*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.
*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.
*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.
*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.
*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).
*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!
Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!
Mixed Feelings.......2005-04-20
For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
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Space: 1999 Year 1
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006UEVQS Release Date: 2005-01-25 |
Tracks:
- Space: 1999, Main Titles
- Breakaway
- War Games
- Matter Of Life And Death
- Space: 1999, End Titles (Alternate Version)
- The Infernal Machine
- Force Of Life
- Ring Around The Moon
- Black Sun
- Mission Of The Darians
- The Troubled Spirit
- Space: 1999, Main Theme (Extended Alternative Version)
- The Testament Of Arkadia
- Another Time, Another Place
- Space: 1999, End Titles
Customer Reviews:
Not to be missed!!!.......2007-04-30
Great year one compilation.......2007-01-09
If you are Space:1999 fan, it is a must have.
An Excellent CD.......2006-07-27
Fantastic Future Score.......2005-04-01
Especially when it came to the music. As many fans know, Barry Gray scored only 4 episodes - the rest being rounded out by reusing his cues for those episodes, plus liberal doses of library music. This disc gives a good overview of the magnificent music written specifically for the series, as well as a sampling of some of those library cues. As a previous reviewer said, the ultimate soundtrack to the series was released several years ago by the Fanderson organization ( which one had to join as a member to be able to order ) and is sadly out of print. Copies can be found on the internet, often selling for prohibitive prices. Unless you are a diehard collector, willing to shell out a good sized portion of your paycheck, this single disc is the way to go.
Sound quality is superb, and in some cases surpasses the previously mentioned two disc set, as several of the tracks have been remastered to remove wow, flutter, and distortion that could be heard on the Fanderson set. The main title was remixed to make it truer to the on-screen version, and the tracks from the episode "Black Sun" are in stereo on CD here for the first time ever. The previous release featured the episode's complete score, but only as a monophonic version, as many of the multitrack masters for that particular episode have been lost. For that alone, this disc is worth owning, even if you have the Fanderson set.
However, it is Gray's music that is the true reason to own this soundtrack - regardless of your feelings about the series. Full bodied, sweeping, emotional and grand... not at all your typical seventies television soundtrack. Years before John Williams revived the popularity of orchestral scores for science fiction projects, Barry Gray was filling small screen speakers with epic music that would have sounded perfectly at home in a motion picture theatre.
Space 1999 Year One Soundtrack Available Once Again!.......2005-03-09
The year 1 music definately set the tone for the TV show back in 1975. It gave it beautiful character and feeling for the show. It was ashame that for the second year that they had changed so much (even the music) and lost that character and feeling (but that is a whole other debate).
In 1976, RCA records released the year 1 soundtrack with a beautiful gate fold cover and for about 20+ years, that is all we had, until Fanderson. The year 1 soundtrack is no longer available through them, but it is the most complete. This CD, however, does well to capture the feeling of year 1 and does throw an additional track for you sun bathers out there. It is a nice 30 year anniversary gift to myself. Happy 30th Birthday: SPACE 1999!!!
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The Science Fiction Album
Various Artists Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066HE5 Release Date: 2005-02-08 |
Tracks:
- 2001: A Space Odyssey
- Aliens
- Sound Effect - The Nostromo
- Alien
- A.I.
- Armageddon
- Sound Effect - Apollo 13 Lift-off
- Apollo 13
- Back To The Future
- Battle Beyond The Stars
- Battlestar Galactica
- The Black Hole
- Contact
- Capricorn One
- Close Encounters of the Third Kind
- The Day The Earth Stood Still
- Dune
Tracks:
- Galaxy Quest
- Sound Effect - Dogfight in Space
- Enemy Mine
- Ghostbusters
- Gremlins
- Heavy Metal
- Independence Day
- E.T.
- Judge Dredd
- The Last Starfighter
- Lifeforce
- Sound Effect - Crash Landing
- Lost In Space
- Mars Attacks
- The Matrix
- Predator
- The Right Stuff
Tracks:
- Moonraker
- Robocop
- Silent Running
- Sound Effect - Alien Organism
- Species
- Stargate
- Starship Troopers
- Starman
- Star Trek - TV Theme
- Star Trek: The Motion Picture End Title
- Klingon Attack
- Sound Effect - Warp Drive
- Star Trek II: The Wrath of Khan
- Star Trek: Deep Space Nine
- Star Trek: Generations
- Star Trek IV: The Voyage Home
Tracks:
- Star Trek VI: The Undiscovered Country
- Sound Effect - Transporter Crew
- Star Trek: Deep Space Nine - Main Theme
- Star Trek First Contact
- Star Wars
- The Empire Strikes Back
- The Empire Strikes Back
- Return of the Jedi
- Sound Effect - Battle Stations
- Star Wars Episode 1: The Phantom Menace - The Flag Parade
- Anakin's Theme
- The Adventures of Jar Jar
- Duel of the Fates
- The Time Machine
- Things to Come
- The Thing From Another World
- War of the Worlds
- When Worlds Collide
- Total Recall
- You Only Live Twice
- Superman
Customer Reviews:
The penultimate collection ..........2006-12-07
I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.
This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...
But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)
If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).
But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.
Muisic of the Spheres.......2006-11-06
The Ulllllltimate Sci-Fi Music Collection.......2005-10-23
The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.
Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.
Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).
Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.
Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.
And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.
I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).
I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).
I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).
If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.
SciFi Album gift.......2005-07-20
Away From to be a Collectible Peace.......2004-12-16
Average customer rating:
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Terror Propaganda: Second Black Metal Attack
Craft Manufacturer: Napalm ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002VGS8K Release Date: 2004-09-14 |
Tracks:
- Ablaze
- The Silence Thereafter
- Reaktor 4
- Hidden Under The Skin
- False Orders Begone
- N.D.P.
- 616
- Terror Propaganda
Album Description
The cult Swedish black metal terrorists return delivering a fatal blow of metallic propaganda! An absolute assault on humanity and democracy, Terror Propaganda is an unrelenting slab of true black metal filled with cult riffs and grim toned vox. The most influential Swedish Black Metal export in years!Customer Reviews:
Terror Propaganda.......2006-04-07
Craft is also alot less droning than Darkthrone usually, coming closer to Mayhem than anything. As a brief observation, it's amazing where this band can really take a song in under 10 minutes while remaining cohesive. If you just zone out while listening to this album, you'll often find yourself forgetting Craft is playing conventional song structures. It seems sort of like a "wake up!" slap in the face once you hear a song's main riff come rolling back in, after being sucked in to a dense sphere of frostbitten accordance that explores Eastern scales, and flailing tremolos that hit the gut like the cold winds of winter in Sweden. This is the kind of subtle yet irreputable atmosphere that can only be made with guitars, vocals, and drums.
Mikael Nox's vocals have to be mentioned. They're a lower register growl, not terribly different than most black metal acts; But his screams are terrifying to say the least. I've droned on long enough about the musicianship, but for a brief rundown-- Volatile guitars that slice like samurai swords, nice non-blastbeat abusive drums, and uber-distorted bass craft (ho ho) the band's abrasive compositions. One last thing, though. Though I've thrown around synonyms for the word "catchy," these aren't tunes you can bop your head gleefully to on a car trip or something. I'm just saying with lyrics like "Do you feel the foul stench in the air/like corpses left to rot in the sun/nearly dead parasites trying to survive/it smells like humans," don't expect 3 Doors Down.
- Thus says the Pellington
THIS IS THE BEGINNING OF THE END!!!!!.......2005-08-11
Also, this band managed to be kvlt without being unoriginal. In fact, this is some of the most original black metal I've ever heard. It's hard to choose a favorite song, because they're all fvcking awesome. BUY THIS ALBUM and you won't regret it, it's pure fvcking kvlt black metal satanic terror propaganda!!!
Great!.......2005-08-03
A Satanic Black Metal Attack!!!.......2005-04-24
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The Yellow and Black Attack Is Back
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002Z72D Release Date: 1999-03-10 |
Tracks:
- Loud N Clear
- From Wrong To Right
- You Know What To Do
- Co'mon Rock
- You Won't Be Lonely
- Loving You
Album Description
Guardian remakes the Christian metal classic!Customer Reviews:
Inspiration of a Classic.......2004-01-18
Loud N Clear...........2002-01-13
J.
totally classic.......2000-11-11
Average customer rating:
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Ali (Score)
Pieter Bourke Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y23G Release Date: 2002-02-12 |
Tracks:
- Set Me Free - Dungeon East & Whild Peach
- As The Years Go Passing By - Mighty Joe Young
- That's How It Feels - Soul Clan
- Sleeper - lisa Gerrard & Pieter Bourke
- Papa - Salif Keita
- Time Flies By - Lisa Gerrard & Pieter Bourke
- Adagio - Lisa Gerrard & Pieter Bourke
- That's What You Always Do - Lisa Gerrard & Pieter Bourke
- Ceremony - Martin Tillman
- Black Attack - Lisa Gerrard & Pieter Bourke
- Sanni Kegniba - Salif Keita
Amazon.com
Michael Mann's warts-'n'-all biopic of three-time heavyweight boxing champ Muhammad Ali spans the most triumphant and turbulent decade of the legend's career. But like many a film marketing plan, its first soundtrack release seemed more concerned with selling CDs to those less familiar with Ali--and oddly, Mann's powerful film itself--than with accurately documenting the film's true musical soul. This second volume corrects that misstep, collecting much of Lisa Gerrard's and previous collaborator and former Dead Can Dance sideman Pieter Bourke's atmospheric, largely electronic underscore as well as an eclectic, less obviously pop-conscious slate of songs and music by Chicago bluseman Mighty Joe Young, nouveau R&B drum/bass/vocal merchants Dungeon East and Whild Peach, trans-genre cellist Martin Tillman, and Malian vocal legend Salif Keita. It's a release that variously seems better attuned to the director's own adventurous tastes in film scoring, more emblematic of Ali's own complex character and international legacy--and, more importantly, an ambience-rich document of the film's true musical and artistic spirit. --Jerry McCulleyCustomer Reviews:
Magic moments.......2005-08-05
almost there.......2002-04-23
Ali Score.......2002-03-13
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Isaiah 53:5 a Tribute to Stryper
Manufacturer: 1340 Records ProductGroup: Music Binding: Audio CD ASIN: B000BKP26Q |
Product Description
TRACK LISTING: Disciple - More Than A Man Blood N Fire - Surrender Fringe - Lonely Dinner Mint - The World Of You And I Augenkristall - The Abyss Nailed - To Hell With The Devil Derron's Tuba - Soldiers Under Command One Bad Apple - You Know What To Do The World Inside - Honestly Honeymooner - Calling On You Aimee Clark - I Believe In You Estis P@rc - It's Up 2 U Antioch - Free Wonderboy PHD - Makes Me Wanna Sing Racing Elijah with Blood N Fire - Loving You
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The Black Attack Is Back
Jim Dandy & Black Oak Arkansas Manufacturer: Heavy Metal UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QKBU Release Date: 2006-03-28 |
Tracks:
- Long Distance Runner
- Im On Your Side
- The Black Attack Is Back
- Body Slam
- You Cant Keep A Good Band Down
- The Wanderer
- I Dont Want Much Out Of Life
- Angel
- I Need More Love
- (I Want A Woman With) Big Titties
Album Description
1986 release from Heavy Metal Records. Highlights include, 'Long Distance Runner', 'I'm On Your Side' & 'Body Slam'. Slipcase.Customer Reviews:
Jim Dandy's finest recorded hour - turn it up and let it rip!.......2005-09-27
As life worked out, the core line-up of this BOA is the one that I saw live the most times in my life, so, while it's music with a harder edge than the glory days of the likes of "Our Eyes Ere On You", it's still an era of BOA that's special to me.
Right up front, what you have here is Jim Dandy in truly fine form! AWLRIIGHT indeed!! Top to bottom, this is argueably his consistently finest recorded studio release!
Fans of the original BOA will be comforted to know that he's ably abetted here by life-long pal Rickie Lee Reynolds, but they're taken into a much harder rocking zone by (criminally overlooked) guitar ace Mike Martin. Martin was an entirely different animal than old favorites Stan Knight and Harvey Jett. Despite all the venom tossed at those guys by critics, I love their music! So don't panic when I say that, while Mike Martin could shred with the best, if you didn't get to see him do songs like "Uncle Lijah" on stage, well then just shut up and buy this cd!
Highlights on this cd include:
"Angel" - I have every cut BOA ever released and, IMHO, this is the BEST song JD/BOA ever did, period! (And no, this is not the same as the song by those posers from Beantown).
"I'm On Your Side" & "I Love You More Than You'll Ever Know" both are of a slower, muscular, blues style, something that Dandy maybe should have done more of over the years.
"Body Slam" & "I Need More Love" are both hard rockers very much in Dandy's interest zone, Mike Martin shines.
"The Wanderer", yes, it's a cover of Dion's song, but it was still a viable addition to their repetoire and will appeal to fans of the original BOA.
"Long Distance Runner" is just a great opener, sytlistically reminiscent of "Hey Y'all".
Of the remaining cuts, the title track and "YCKAGBD" are fast paced rockers, "I Don't Want Much Out of Life" has some humorous lines, but doesn't do much for me. And "IWAWWBT", well, it seems to be pushing the boundaries of rude and crude just for the sake of doing it. And you wonder why you never heard this song on the radio..?
Overall, this is a very solid release and accurately depicts BOA at that point in time. Let's face it, either you loved Jim Dandy's vocals or you hated BOA, it was that simple. If you were a fan of The Dandy, you'll love this release!
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On the Edge
Black Attack Manufacturer: Bmg ProductGroup: Music Binding: Audio CD ASIN: B0000250Y5 Release Date: 1999-07-15 |
International Music: