Product Description
Budget Line Title from the French 'pretty Girl' Singer Turned Actress.
Jolie Mome,Juliette Greco,Delta,World Music
Average customer rating:
- Superb Early Music. Buy It.
- A Fiver from one of the Archangels of early music performance
- Outdated but Still Rivetingly Interesting
- If 6 were available, this would get them!
- One of the finest early music performances ever recorded
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The Art of Courtly Love - David Munrow & The Early Music Consort of London
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Music of the Gothic Era
- The Art of the Netherlands
- Music Of The Crusades
- Machaut: La Messe de Nostre Dame; Songs from Le Voir Dit
- Early Music Festival / David Munrow, Early Music Consort
ASIN: B000002SSB
Release Date: 1996-07-16 |
Tracks:
- A vous douce debonaire (Chansons)
- Hareu! Hareu! le feu - Helas! ou sera pris confors (motet)
- Amours me fait desirer (ballade)
- Trop plus est belle - Biaute paree - je ne sui mie certeins (motet)
- Amis tout dous vis (rondeau)
- Se ma dame m'a guerpy (virelai)
- Se je souspir (virelai)
- Dame se vous m'estes lointeinne (ballade)
- Quant je sui mis au retour (virelai)
- Mes esperis se combat (ballade)
- Ma fin est mon commencement (rondeau)
- Douce dame jolie (virelai)
- De Bon Espoir - Puis Que la douce rousee (motet)
- De toutes flours (ballade)
- Quant Theseus - Ne quier veoir (double ballade)
- Anon La Septime estampie Real (dance)
- Quant j'ay l'espart (rondeau)
- Phyton le mervilleus serpent (ballade)
- Armes amours - O flours des flours (double ballade)
- A l'arme a l'arme (virelai)
- Phiton Phiton (virelai)
- Two variants on the tenor 'Roussignoulet du bosi' Borlet: He tres doulz roussignol (virelai)
- Fumeux fume (rondeau)
- De home vray (ballade)
- Istampitta Tre fontane (dance)
- Ma douce amour (ballade)
Tracks:
- Tres doulz amis - Ma dame - Cent mille fois (rondeau)
- Plasanche or tost (virelai)
- Amour m'a le cuer mis (ballade)
- Tribum quem (motet)
- Helas! je voy mon cuer (ballade)
- Contre le temps (virelai)
- Andray soulet (canon)
- Le greygnour bien (ballade)
- Restoes restoes (virelai)
- Ce moys de may (rondeau)
- La belle se siet (ballade)
- Je ne fai tousjours que penser (rondeau)
- Files a marier (chanson)
- Amoreux suy et me viente toute joye (rondeau)
- Je loe Amours et ma dame mercye (ballade)
- Navre je sui d'un dart penetratif (rondeau)
- Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O tres piteulx - Omnes amici) (motet)
- La Spagna (Variant 1) (basse danse)
- Par droit je puis bien complaidre (rondeau)
- Donnes l'assault (rondeau)
- Vostre tres doulx regart (rondeau)
- Helas mon dueil (virelai)
- Bien puist (rondeau)
- Vergine bella (stropha)
- La Spagna (Variant 2)
Customer Reviews:
Superb Early Music. Buy It........2005-12-13
'The Art of Courtly Love' is a two CD set, condensed from a three LP album performed by The Early Music Consort of London. I know less than I would like about early music, considering how much I enjoy it, but one very important thing I do know is that the director of this recording, David Munrow was, until his untimely death, the big man in early music.
One of the many things I especially like about this collection is that by showcasing a lot of vocal music, the tinny quality of a lot of early music is moved to the background. Antother thing I like is the fact that one can plainly distinguish secular from liturgical music by listening carefully to these selections. The biggest differences I see are the appearance of percussion instruments and male / female duets.
One reviewer commented on the quality of the notes. I agree they are good, but only about average for an old music offering by a major label.
Highly recommended to all who like early music.
A Fiver from one of the Archangels of early music performance.......2005-06-26
I bought this when the album was first released. Even though scholarship has advanced, and it can be argued that Munrow's interpretations are dated, what has been lost over the years is the joy in performing this music. Many modern performances are ponderous and much, much too serious. But David Munrow found this music as a wonderous discovery. Through albums such as this one, he released into the open air music that had been locked away, languishing in the libraries for years, trotted out occasionally for a scholarly study, and then tucked back on the shelves. Munrow's enthusiasm for this music is evident in this collection, and his performances make them walk - no, dance - in the open air once more. This album is beautifully performed. I hope the notes in the CD are as good as the ones in my original release.
In 1974, I had the great pleasure of meeting David Munrow and the other members of the Early Music Consort, and was blown away with that enthusiasm and unselfishness, their willingness to discuss their work - I remember Munrow trading recorder performance tips with a friend of mine - and Munrow's truly amazing store of energy. He radiated! : -)
Outdated but Still Rivetingly Interesting.......2005-05-01
This 2-CD boxed set is the digital version of a 3-LP box from 1973 and was reissued in 1996 as part of the edition with which EMI/Virgin celebrated the twentieth anniversary of David Munrow’s unfortunate demise. The recordings, made at London’s prestigious Abbey Road studios, are digitally remastered to a very high standard, so that I found myself enjoying them via headphones more than via loudspeakers, something which is pretty unusual with CDs from the old analogue days. The two discs contains no less than some 156 minutes (51 tracks) of absolutely fascinating music. The first part is devoted to Guillaume Machault’s songs, works which can be dated around 1350 to 1360. The second part of the programme is concerned with the so-called avantgarde from Avignon (including names such as Matteo da Perugia), composers who wrote for esoteric circles around 1380 to 1410. And the third part (the third LP of the original) is devoted to fifteenth-century music from the court of Burgundy, the two great composers here being Dufay and Binchois.
Of course, David Munrow’s performances, fascinating and rivetingly interesting as they are, were shaped by his own interests and research at the time, and the booklet notes point out that since then “scholarship and performance practices have moved on healthily”, which I interpret to mean that today nobody would dream of performing this music the way Munrow did: for instance, he has most of the songs accompanied by a whole plethora of ancient instruments, although today it is generally agreed that works from this period should be sung unaccompanied or with minimal instrumental support. Munrow also performs some of the songs as purely instrumental pieces, a legitimate decision perhaps. Munrow also uses the two countertenors James Bowman and Charles Brett for many of the songs, and not everyone will appreciate being bombarded with their somewhat forced androgynous falsetto for nearly three hours; personally, it was the singing of Martyn Hill, tenor, and Geoffrey Shaw, baritone, which delighted my ear during these sessions. Along with the instruments, of course: slide trumpet, cornett, shawm, crwth, fiddle, rebec, citole and so on, plus several tracks with the amazing Christopher Hogwood playing an organ that sounds, at least, very old – unfortunately, the otherwise good liner notes give no details concerning the instruments used.
The Old French texts are printed in full with English translations, so it is possible to follow every nuance. Exceptionally good value for money! – For more historically-informed performances of music of this kind, I suggest searching names such as Gothic Voices, Hilliard Ensemble or Binchois Consort.
If 6 were available, this would get them!.......2002-02-16
Lovely, beautiful, amazing, charming, and vital. I'll not replicate the previous reviewer, though my favorites differ from his, but I bought this on LP 25 years ago and it changed my life. These are exhilarating performances, that move you effortlessly through time and space into a world both far away and very, very close. So much great music, wonderfully performed. Take a chance--it might change your life as well!
One of the finest early music performances ever recorded.......2001-09-03
And an intriguing work of scholarship besides. This was originally released back in the early 1970's by the late David Munrow as a three album box set.
The first part of this recording is basically dedicated to Machaut and his contemporaries. The chanson -Amours me fait desirer- remains striking to this day, with its unusual leap in its first measures. -Amis tout dous- is a lovely miniature, and so also is the monophonic -Quant je sui mis au retour-. But the high point of this part of the record is -Quant j'ay l'espart-, a duet between countertenor and bass cornetto (a serpent?), understated and heartbreaking.
The second part is weirdness from the Avignon court of the Popes, the time when rhythmic notation got more sophisticated, and composers grew more experimental. The unusual chromaticism of -Fumeux fume- is given a great performance here. The -Tre fontane- estampie is given a reading here that is truly frenzied. -Plasanche, ou tost- is a lovely song. You also get rhythmic oddities like -Le greygnour bien-.
The third album nears Renaissance music, and focuses on Dufay and Binchois. Loud instruments like sackbuts and shawms are featured on pieces like -Donnes l'assault-, which seems risky, but sometimes works. The usually quiet pieces on the -La Spagna- ground are here given a marching-band performance on loud winds. The real high points here, though, are the motet -O tres piteulx-, Binchois absolutely gorgeous -Amoureux suy-, and the setting of Petrarch's -Vergine bella-.
This is a definitive early music performance that should never be allowed to go out of print. My only complaint with the CD edition is that it lacks some of the more extensive notes that came with the phonograph record booklet.
Average customer rating:
- Charming, simple & striking. Full of delightful surprises!
- Tour de Force of American Musical Roots!
- Astonishing
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New Britain: The Roots of American Folksong
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
General
| Baroque (c.1600-1750)
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Oratorios
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Similar Items:
- American Christmas
- Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)
ASIN: B000005E75
Release Date: 1991-06-25 |
Tracks:
- Judicii Signum -- The Great Day
- Calenda Maia - Cuando por el oriente
- Rossignolet du bois joli - Rossignolet del bos jolin
- Das Paris y-at-un'barbiere - Allons-nous faire faire la barbe
- Mon pere m'a mariee - Mon pere m'a mariee
- Gabriel Nazareth - Une nymphe jolie
- C'est en passant par Varennes - Margo labours les vignes
- Bransles de village - Il etait une Cendrillon
- C'est dans la ville de Bytowm
- Il est venu le petit oysillon - An jenem Tag, nach Davids sag - Barbara Allen - Heavenly Dove
- Chevy Chase -The Kinges hunt is upp - The English hunt's up
- My Love Gave Me A Cherry - I Gave My Love A Cherry
- Hey, Ho, Nobody At Home
- There Were Three Crows - There Were Three Ravens
- Lady Cassilles Lilt - Gipsy Davy
- The Jolly Beggar
- Billy Boy - Billy Boy
- Ricerada premera - Betty Anne
- Singing School
- Thomas-Town
- New Britain (Amazing Grace)
- Parting Friends
- Hallelujah
Amazon.com
Exploring the connections between early music and what we know as folksong, Joel Cohen and his very adventurous and competent band of musicians not only show us where many familiar tunes come from, they also give us fresh and illuminating renditions of songs from the 10th century to the middle of the 20th century. Besides the recording's obvious educational value, its primary purpose, according to Cohen, is "to give pleasure." That it does, often in amusing ways, as when a song with religious origins is transformed into a ribald descendant. It's also fun to see how widespread some songs are, with different versions common to many countries. Cohen demonstrates how songs that came from Renaissance forms were preserved by common folk long after the "elite" classes abandoned them. The songs are enhanced by excellent instrumental playing and well-conceived arrangements. --David Vernier
Customer Reviews:
Charming, simple & striking. Full of delightful surprises!.......2002-11-29
Many early music groups these days explain cross-cultural musical influences in their program notes, and proceed to play their selections accordingly. Joel Cohen and the Boston Camerata take it the logical step further by actually performing the "root" pieces side by side with the later music that reflects their particular influence. The result is inspired, thought-provoking groupings of related tunes and texts that span not only centuries but continents. The Boston Camerata is primarily a vocal ensemble, with a sound that is spare, pure and direct. Some of their renditions are performed a cappella, while others are accompanied by light, period instrumentation. If you've ever heard this group live in concert, you may recall the surreal effect of sitting in a theater that is pin-drop quiet, waiting for one or two musicians at a time to step forward and break the silence with a clarity and presence that holds the entire audience spellbound from first note to last. The effect of listening to this recording is much the same. My favorites on this release are the groupings of different versions of the same ballad--"Three Ravens", "Gypsy Davy", and "Barbara Allen", for example. The pairing of the Appalacian song "Betty Anne" with its exact harmonic match--a 16th century ricercada for viols by Diego Ortiz--is also quite striking, and I also enjoyed the "shape-note" and "Fa-sol-la" singing-school selections representative of early American music. In the insert, director Joel Cohen explains: "This unorthodox recording, an intentionally provocative mix of early art song and modern folksong, is meant first of all to give pleasure - but it is also a meditation on history, on archetypes, and on the transmission of human culture." The Boston Camerata succeeds admirably here on both counts!
Tour de Force of American Musical Roots!.......2001-01-05
Prepare to go on an amazing, haunting musical tour when you put this disc on your player. Joel Cohen (bless him) has once again assembled a group of musicians and singers who are up to the task of taking themselves, and you the listener, back through the mists of musical time. This disc contains songs that span hundreds of years, many of which actually originate in other lands. Yet, these songs would find their way into the early diverse fabric of colonial America, and go on to inspire much of emerging folk music in this country. Some of these songs are secular, but others have a distinctly religious flavor (as in the first piece on Judgment Day and the "stars falling"). Others are merry, dance-like tunes, and remind one of what might have been performed in medieval courts in Europe. Some are sung in english, others in different languages. The range of musical style and vocal interpretation is incredible. This wonderful diversity reminds the listener that America always had diverse roots, and even in colonial times, we were a nation that drew its strength and inspiration from many cultural sources. I like to listen to this disc during the bleak nights of winter, but it is wonderful music for any occasion. If you really are intrigued by the historical development of American music -- or any music -- then this disc is a "must" for your collection. Also recommended: "The World Turned Upside Down" (Barry Philips), "A Land of Pure Delight" (His Majestie's Clerkes), and "Simple Gifts: Shaker Cbants and Spirituals" (Joel Cohen and Boston Camerata).
Astonishing.......2000-03-25
The album is astonishing. It is rare to find a continuous line of musical thought from the turn of the previous millenium to its end. This album demonstrates the evolution of music over about a thousand year period and includes some very early versions of what we would call modern songs.
It is worth the price of the CD several times over and is one of my favorites in my CD collection.
Average customer rating:
- The other reviews only PARTLY right
- Misleading CD title!
- Hope you like the "Golden Cornet" and organ...
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All of the World's Most Beautiful Melodies (Box Set)
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000A7Q
Release Date: 1995-10-17 |
Tracks:
- The Golden Cornet Of Philip McCann: Songs My Mother Taught Me
- The Golden Cornet Of Philip McCann: Ave Maria
- The Golden Cornet Of Philip McCann: Lullaby
- The Golden Cornet Of Philip McCann: Passing By
- The Golden Cornet Of Philip McCann: One Fine Day (From Madame Butterfly)
- The Golden Cornet Of Philip McCann: None But The Lonely Heart
- The Golden Cornet Of Philip McCann: Rusalka's Song ToThe Moon
- The Golden Cornet Of Philip McCann: Nessun Dorma (None Shall Sleep): From Turandot
- The Golden Cornet Of Philip McCann: Maids Of Cadiz
- The Golden Cornet Of Philip McCann: My Love Is Like A Red, Red, Rose
- The Golden Cornet Of Philip McCann: Du Bist Die Ruh
- The Golden Cornet Of Philip McCann: The Girl With The Flaxen Hair (Preludes: Book 1, No. 8)
- The Golden Cornet Of Philip McCann: O, My Beloved Father (From Gianni Schicchi)
- The Golden Cornet Of Philip McCann: Non So Piu (From The Marriage Of Figaro)
- The Golden Cornet Of Philip McCann: The Lost Chord
Tracks:
- The Golden Cornet Of Philip McCann: Your Tiny Hand Is Frozen (Che gelida manina) From La Boheme
- The Golden Cornet Of Philip McCann: Celeste Aida (From Aida)
- The Golden Cornet Of Philip McCann: Skye Boat Song
- The Golden Cornet Of Philip McCann: A Brown Bird Singing
- The Golden Cornet Of Philip McCann: Macushla
- The Golden Cornet Of Philip McCann: Bruch: Violin Concerto ( Theme From Slow Movement)
- The Golden Cornet Of Philip McCann: Flower Song (L'amour est un oiseau rebelle): From Carmen
- The Golden Cornet Of Philip McCann: The Holy City
- The Golden Cornet Of Philip McCann: Intermezzo (From Cavalleria Rusticana)
- The Golden Cornet Of Philip McCann: I Hear You Calling Me
- The Golden Cornet Of Philip McCann: Ave Maria
- The Golden Cornet Of Philip McCann: Mendelssohn: Violin Concerto (Theme From Slow Movement)
- The Golden Cornet Of Philip McCann: M'appari Tutti'amor (From Martha)
- The Golden Cornet Of Philip McCann: Salut! Demeure Chaste et Pure (From Faust)
- The Golden Cornet Of Philip McCann: Quando Rapito In Estasio (From Lucia Di Lammermoor)
Tracks:
- The Golden Cornet Of Philip McCann: Nuns' Chorus (From Casanova)
- The Golden Cornet Of Philip McCann: Love's Old Sweet Song
- The Golden Cornet Of Philip McCann: Roses Of Picardy
- The Golden Cornet Of Philip McCann: Apres Un Reve
- The Golden Cornet Of Philip McCann: Shepherd's Song
- The Golden Cornet Of Philip McCann: Serenade: From La Jolie Fille De Perth (The Fair Maid of Perth)
- The Golden Cornet Of Philip McCann: Swedish Hymn
- The Golden Cornet Of Philip McCann: Because
- The Golden Cornet Of Philip McCann: Largo: From 'Winter' (The Four Seasons)
- The Golden Cornet Of Philip McCann: The Old Rugged Cross
- The Golden Cornet Of Philip McCann: Jesu, Joy Of Man's Desiring
- The Golden Cornet Of Philip McCann: Plaisir D'Amour
- The Golden Cornet Of Philip McCann: IL Bacio (The Kiss)
- The Golden Cornet Of Philip McCann: The Last Rose Of Summer
- The Golden Cornet Of Philip McCann: The Londonderry Air
- The Golden Cornet Of Philip McCann: Easter Hymn (From Cavalleria Rusticana)
Tracks:
- Torna a Surriento
- Count Your Blessings
- Panis Angelicus
- Song Of The Seashore
- I'll Take You Home Again, Kathleen
- O, For the Wings Of A Dove
- Polovtsian Dance (From Prince Igor)
- Myfanwy
- Believe Me, If All Those Endearing Young Charms
- Dank Sei Dir, Herr (Thanks Be to Thee, O Lord)
- Somewhere A Voice Is Calling
- Mattinata
- Pie Jesu (From Requiem)
- Laudate Dominum (From Solemn Vespers)
- Softly Awakes My Heart
- In Memoriam Happy Mortimer A Hunting Scene
Tracks:
- The Golden Cornet Of Philip McCann: Meditation From Thais
- The Golden Cornet Of Philip McCann: Salut D'Amour
- The Golden Cornet Of Philip McCann: Suo Gan
- The Golden Cornet Of Philip McCann: Beau Soir
- The Golden Cornet Of Philip McCann: La Calinda
- The Golden Cornet Of Philip McCann: Pavane
- The Golden Cornet Of Philip McCann: I'll Walk Beside You
- The Golden Cornet Of Philip McCann: Clair de Lune
- The Golden Cornet Of Philip McCann: Exotica
- The Golden Cornet Of Philip McCann: On Wings Of Song
- The Golden Cornet Of Philip McCann: Largo 'Ombra mai fu'
- The Golden Cornet Of Philip McCann: Eriskay Love Lilt
- The Golden Cornet Of Philip McCann: Vissi D'Arte
- The Golden Cornet Of Philip McCann: To A Wild Rose
- The Golden Cornet Of Philip McCann: Sheep May Safely Graze
- The Golden Cornet Of Philip McCann: Adagio From Symphony No. 2
- The Golden Cornet Of Philip McCann: Czardas
Customer Reviews:
The other reviews only PARTLY right.......2002-08-14
I agree with both other reviewers re the duo coronet/organ arrangements on SOME of the bands of Disk #2 I have, but McCann plays them very well and the organ is fine if you like the organ (which I don't). BUT, the OTHER BANDS include orchestra and on ALL bands McCann really plays beautifully. However, I will not buy another disk of these because of the duo performance bands and - WHAT A SHAME as ALMOST ALL THE PIECES REALLY ARE AMONG WORLD'S MOST BEAUTIFUL and MANY are very difficult, if not impossible, to find ANY arrangement of (though at least half on each cd readily avail other perfs arrangements).
Misleading CD title!.......2000-12-16
Thought I was purchasing a nice compendium of beautiful songs to listen to on long trips. You'd better love the golden cornet if you buy this CD - or, rather, 5 CDs!
Hope you like the "Golden Cornet" and organ..........2000-03-19
This CD set has all the greatest melodies... only they are performed by some guy and his "golden cornet" (a horn). There is accompaniment by an organ. This set WOULD have been great, IF it was performed by a piano. Huge disappointment. Would have been nice to know what instrument was used to begin with.
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