Aido [Import]

1. Japanese Title

2. Japanese Title

3. Love Train

4. Japanese Title

5. Mind Screen

6. Japanese Title

7. Home Bound

8. Japanese Title

9. On The Road

10. Promised Land

11. Sand Castle

12. Down By The Mainstreet

13. J. Boy

14. Club Surf And Snowbound

15. Father's Son

16. Wasted Tears

17. Japanese Title

Aido,Aido,Sony,World Music

Average customer rating: Why 5... Find Out! Outstanding De Sabata! Most famous and controversial Tosca! The Tosca of the century Wow Wow Wow Wow Wow!!!!

Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (complete operas) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan Bizet: Carmen (Complete Opera); Mirella Freni; Jon Vickers; Grace Bumbry Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra ASIN: B0000E3HM3 Release Date: 2003-12-02

Tracks:

1. Ah! Finalmente!
2. E Sempre Lava!
3. Sante Ampolle! Il Suo Ritratto!
4. Dammi I Colori...Recondita Armonia
5. Gente La Dentro!
6. Mario!...Mario!...Mario!...Son Qui!
7. Ora Stammi A Sentir
8. Or Lasciami Al Lavoro
9. Ah, Quegli Occhi...Quale Occhio Al Mondo
10. Mia Gelosa!
11. E Buona La Mia Tosca
12. Sommo Giubilo, Eccellenza!
13. Un Tal Baccano In Chiesa!
14. Tosca? Che Non Mi Veda
15. Ed Io Venivo A Lui Tutta Dogliosa
16. Tre Sbirri, Una Carrozza

Tracks:

1. Tosca E Un Buon Falco!
2. Ha Piu Forte Sapore
3. O Galantuomo, Come Ando La Caccia?
4. Meno Male!
5. Ov'E Angelotti?
6. Ed Or Fra Noi Parliam Da Buoni Amici
7. Sciarrone, Che Dice Il Cavalier?
8. Orsu, Tosca, Parlate
9. Floria!...Amore
10. Salvatelo!...Lo?...Voi!
11. Se La Giurata Fede Debbo Tradir...Gia Mi Struggea L'Amor
12. Come Tu Mi Odi!
13. Vissi D'Arte
14. Vedi, Le Man Giunte Io Stendo A Te!
15. Lo Tenni La Promessa
16. Tosca, Finalmente Mia!
17. Or Gli Perdono!
18. Andante Sostenuto
19. Lento (Le Campane Suonano Mattutino)
20. Largo - Mario Cavaradossi? A voi... - Meno
21. E Lucevan Le Stelle
22. Moderato Con Moto
23. O Dolci Mani Mansuete E Pure
24. Senti, I'Ora E Vicina
25. Amaro Sol Per Te M'Era Il Moire
26. E Non Giungono
27. Come E Lunga I'Attesa!
28. Presto! Su, Mario!

Customer Reviews:

Why 5... Find Out!.......2006-10-13

When I first got this recording, it was my first Tosca. As such, I didn't know what to listen to (or what to listen for) and really at the time the only other soprano I had heard was Cecilia Bartoli in La Cenerentola. So bascially it was my first Tosca with my only soprano. Even so, I knew after listening to the second act that this would be the best Tosca I had ever heard. Callas gives an amazingly intuitive dramatic performance of Tosca, with di Stefano matching her wonderfully as Cavaradossi. Tito Gobbi, of course, is Scarpia and gives the role an extremely insightful flair. Spoletta is played by Angelo Mercuriali, who gives, if not the most dramatic, certainly a precise interpretation of the role. As with all of Callas's Tosca recordings, the second act (i.e. from "Tosca e un buon falco!" to "E qual via scegliete?") is perhaps the best interpretation of the music and the donna Tosca that I have heard. Behind the baton is Victor de Sabata, who provides a unique insight into the music. He brings out, as Toscanini says, "what Puccini intended for the audience to hear". 5 stars.

Outstanding De Sabata! Most famous and controversial Tosca! .......2004-08-07

This is one of the few recordings in which the conductor attracted my attention more than the singers. This is not to dismiss the singers but De Sabata's conducting makes this the most idiomatic Tosca recording I've ever heard.

All three protagonists are heard here in their short-lived prime. Callas in firm voice is a capricious, nervous and furious Tosca. Many accuse her of overacting but here she controls herself and most outbreaks sound sincere. You won't hear the grandness, dignity and beauty of Tebaldi's Tosca but Callas' Tosca is a unique creation. No need to argue which one is better, they both are legendary and besides, tastes differ.

Di Stefano is all ardour and tenderness in this most beloved tenor role. I can already hear the manners that eventually ruined his instrument but he nevertheless is a memorable Mario. Gobbi's Scarpia frightens Tosca not because of what he is but because of what he can do. Gobbi doesn't have the huge voice that made Bastianini or London so scary but he uses his to great effect and creates a sinister Baron Scarpia. Luise's Sagristano is most convincing.

One of the greatest virtues of this old Tosca recording is its vitality and chemistry between the performers. No wonder that since its release it's impossible to make and accurate historical evaluation of Puccini's Tosca without taking it into account. Finally released at budget price!

The Tosca of the century.......2004-05-17

This recording has been showered with accolades and praise by critics, operafans, reviewers etc. etc. And listening to it a whole world comes to life. In a time when Puccini's masterpieces are destroyed by arrogant "directors" this golden age recording is like a breath of fresh air. Callas is in her prime, sounding fresh, loving, passionate and fascinating. She became Tosca, all her jealousies, passions, moods, fears are so real, so sublime and natural that you'll forget that you're listening to a recording. She cleared Tosca of those veristic, fish-wife tears after "Egli ved ch'io piango!" and her tears and agony are heard through her voice alone. Listen to Tosca's ardent "A come la sai bene l'arte di farti amare!" ... She sounds so gorgeous, so lucid and passionate, it'll warm your heart. Then there is act II with the never equalled clash between Tosca and the evil Scarpia sung and acted to perfection by Callas (Whose high Cs will chill you!) and Gobbi. (The only Scarpia) Listen to Callas' tearful, beautiful "Vissi d'arte" sung with exquisite legato, velvety warmth and most tearful colours. Pleading "Why, oh lord dost thou repay me thus?" she will break your heart! The chilling murder of Scarpia with Callas/Tosca ROARING "M'ai assai TORTURATO!!!!!" is too thrilling to describe. And the final duet sung with di Stefano and Tosca's suicide are portrayed hauntingly. Di Stefano, her favourite partner and part of the greatest operatic trio of the century (Callas, di Stefano, Gobbi) sounds sunny, charming and passionate. In short: It's the best Tosca ever recorded.

Wow Wow Wow Wow Wow!!!!.......2004-03-16

This is my first Callas recording. I was curious about her, of course, but I was always put off by descriptions of more or less horrendous audio problems on the famous recordings. Used to modern recordings, I didn't know how I'd react to such bad sound, so I put off trying.

No more! This is a new (12/03) EMI Remaster of the famous de Sabata "Tosca" -- yes, THE definitive "Tosca" starring Callas, Di Stefano, and Gobbi. And I can tell you it sounds WONDERFUL!

Why is this set so affordable, then? I have no idea! There is no libretto included, only a slim booklet with a track list, a short synopsis of the action for each track, and one article about the opera and this performance. There is no cardboard case, and only a simple 2-part jewelcase, not the hefty one often provided with opera CD sets.

But it's enough!! It's more than enough! I'd buy these disks if they were sold loose in a paper bag. I am totally, permanently won over. This performance is simply electrifying! The music leaps out of the speakers and grabs you. Callas as Tosca had me in tears! Scarpia scared me! It's too good to believe it happened several decades ago.

All I can say is, Buy this now before they realize what a gem this is and raise the price! You won't regret it.

Average customer rating: excelent soundtrack Easy to the ears THE RAVE I'm touched... not the music I expected from the showtrack

Man on Fire Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Man on Fire Gladiator: Music from the Motion Picture Collateral Black Hawk Down Kingdom of Heaven ASIN: B00028HOB8 Release Date: 2004-07-27

Tracks:

1. Una Palabra - Carlos Varela
2. Main Title
3. Taxi
4. El Paso
5. Creasy's Room
6. The Rave
7. Pita's Sorrow
8. Nightmare
9. Bullet Tells The Truth
10. Followed
11. Smiling
12. You Are Her Father
13. No Mariachi
14. The Drop
15. Angel Vengador - Gabriel Gonzalez
16. You Betrayed Me
17. She's Dead
18. The Crime Scene
19. Pita's Room
20. Gonzalez
21. Oye Como Va - Kinky
22. La Nina
23. Creasy's Art Is Death
24. The Voice
25. Sanchez Family
26. The Rooftop
27. The End
28. Man On Fire (Remix) - Hybrid

Amazon.com

Director Tony Scott's tale of an ex-Marine-turned-bodyguard (Denzel Washington) who responds to the kidnapping of his young charge and her family with a violence-drenched cycle of revenge and torture is driven by the filmmaker's typically manic visual sense. English composer Harry Gregson-Williams, whose conjured similar action-oriented synth-symphony fusion scores for The Rundown and Spy Game, deftly expands the dimensions of that bi-polar musical sensibility here, infusing it with gentle ethnic folk touches and the ever-savory sonic contributions of Lisa Gerrard. The composer matches Scott's visually jarring action sequences with a melange of strangled guitar riffs, metallic rhythms and aggressive electronic soundscapes, contrasting them masterfully against quiet piano passages and brooding symphonic pastoralism. Contemporary Latin ballads by Gabriel Gonzalez and Cuban singer/songwriter Carlos Varela help cement the score's foreign intrigue, while Gerrard (arguably the MVP of soundtrack utility players) contributes a smart remix of the title track and collaborates with Gregson-Williams on the haunting "The End," which also features her distinctly exotic vocals. The result is a spiritual cousin to Hans Zimmer's similarly compelling brew of electronica and world music for Black Hawk Down. -- Jerry McCulley

Customer Reviews:

excelent soundtrack.......2007-05-14

If you love the movie you will love the soundtrack, it is greatttt......

Easy to the ears.......2007-01-09

This was a gift to my husband,,he loved the music during the movie and wanted this CD for a very long time. He was very suprised at Christmas, even the kids like listening to him play it over and over again.

THE RAVE .......2006-07-29

YEAH i need help finding out the artist or group for THE RAVE please

I'm touched..........2006-05-20

The film and the music makes a magnificent combination. I'm amazed by the pictures, the music and the way it all comes together in my mind. "Smiling" is one of the most beautiful songs I've ever heard and it makes the impression everlasting. I recommend this CD to anyone who wants to lean back after a hard days work and reflect on what's important in life. Because that's what this music does to you. I'm impressed.

Per Jonsson
Malmö, Sweden.

not the music I expected from the showtrack.......2006-03-25

my husband and I were very disappointed. It was not the music we expected from the soundtrack. What happened to the real music?

Average customer rating: A Wonderful Collection Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Sinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Bassoon | Reeds & Winds | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Salzburg Chamber Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Passion - Most Famous Orchestral Spectaculars [20 CD Set] Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Classical Masterpieces of the Millennium [20 CD Set] Thelonious Monk 3 CD Set (LP edition packaging) ASIN: B00012QLTG Release Date: 2003-12-09

Tracks:

1. Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
2. Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
3. Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
4. Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
5. Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
15. Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
16. Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
17. Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
2. Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
3. Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
4. Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
5. Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
6. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
7. Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
8. Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
9. Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
10. Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
11. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
12. Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
13. Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
14. Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
2. Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
3. Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
4. Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
5. Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
6. Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

1. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
2. Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
3. Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
4. Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
5. Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
6. Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

1. Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
2. Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
3. Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
4. Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
5. Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
6. Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
7. Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
8. Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
9. Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

1. Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
2. Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
3. Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
4. Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
5. Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
6. Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
7. Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
8. Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
9. Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

1. String Quartet in a Major K.464: Allegro - Petersen Quartett
2. String Quartet in a Major K.464: Menuetto - Petersen Quartett
3. String Quartet in a Major K.464: Andante - Petersen Quartett
4. String Quartet in a Major K.464: Allegro - Petersen Quartett
5. String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
6. String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
7. String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
8. String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

1. Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
2. Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
3. Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
4. Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
5. Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
6. Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
7. Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

1. Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
2. Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
3. Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
4. Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
5. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
6. Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

1. Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
2. Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
3. Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
4. Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
5. Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
6. Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
7. Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
8. Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
9. Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
10. Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
11. Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
12. Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
13. Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
14. Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

1. Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
2. Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
3. Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
4. Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
5. Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
6. Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
7. Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
8. Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
9. Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
10. Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

1. Ave Verum Corpus, K.618 - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
2. Exsultate, Jubilate, K.165 - Gabrielle Fuchs
3. Church Sonata in C, K.328 - Robert Kuppelwieser
4. Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
5. Fantasy in F Minor, K.608
6. Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

1. Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
2. Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
3. Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
4. Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
5. Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
6. Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
7. Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
8. Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
9. Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
10. Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
11. Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

1. Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
2. Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
3. Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
4. Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
5. Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
6. Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
7. Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
8. Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
9. Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
10. Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
11. Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
12. Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
13. Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
14. Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
15. Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
16. Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
17. Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
18. Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
19. Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
20. Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
21. Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
22. Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
23. Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
24. Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
25. Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
26. Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
27. Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
28. Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

1. Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
3. Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
4. Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
5. Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
6. Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
7. Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
8. Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
9. Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
10. Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
11. Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
12. Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

1. Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
2. Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
3. Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
4. Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
5. Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
6. Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
7. Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
8. Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
9. Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
10. Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
11. Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
12. Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Average customer rating: The Incomparable Callas A complete classic among classics Stellar cast - stellar performance A "Regular People" Review this is not a review

Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan Giacomo Puccini , Victor De Sabata , Maria Callas , Giuseppe di Stefano , Tito Gobbi , and Orchestra e Coro del Teatro alla Scala Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Sopranos | Voices | Opera & Vocal | Styles | Music Tenors | Voices | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Puccini, Giacomo | ( P ) | Composers, A-Z | Classical Music Blowout | Stores | Music Callas, Maria | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Verdi - Rigoletto / Sutherland, Pavarotti, Milnes, LSO, Bonynge Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan Puccini: La Boheme (complete opera) with Maria Callas, Giuseppe di Stefano, Anna Moffo, Antonino Votto, Chorus & Orchestra of La Scala, Milan ASIN: B000002RXZ Release Date: 1997-08-19

Tracks:

1. TOSCA: Ah! Finalmente! (Cavaradossi)
2. TOSCA: Dammi i colori...Recondita armonia (Cavaradossi)
3. TOSCA: Gente lentro! (Cavaradossi - Tosca)
4. TOSCA: Mario! Mario! Mario!
5. TOSCA: Ah, quegli occhi...Quale occhio al mondo puar di paro (Tosca - Cavaradossi)
6. TOSCA: buona la mia Tosca (Cavaradossi)
7. TOSCA: Un tal baccano in chiesa! (Scarpia)
8. TOSCA: Tutto hiaro...Tosca? Che non mi veda...Mario! Mario! (Scarpia - Tosca)
9. TOSCA: Ed io venivo a lui tutta dogliosa (Tosca - Scarpia)
10. TOSCA: Tre sbirri, una carrozza (Scarpia)

Tracks:

1. TOSCA: Tosca n buon falco! (Scarpia)
2. TOSCA: Ha pite (Scarpia)
3. TOSCA: Meno male! (Scarpia - Cavaradossi)
4. TOSCA: Dov'unque Angelotti? (Scarpia - Cavaradossi - Tosca)
5. TOSCA: Ed or fra noi parliam da buoni amici...Scarrione, che dice il Cavalier? (Scarpia - Tosca - Cavaradossi)
6. TOSCA: Orssca, parlate (Scarpia - Tosca - Caravadossi)
7. TOSCA: Basta, Roberti
8. TOSCA: Nel pozzo....Del giardino (Scarpia - Tosca - Caravadossi)
9. TOSCA: Se la giurata fede debbo tradir (Scarpia - Tosca)
10. TOSCA: Vissi d'arte (Tosca)
11. TOSCA: Vedi, le man guinte io stendo a te! (Scarpia - Tosca)
12. TOSCA: E qual via scegliete? (Scarpia - Tosca)
13. TOSCA: Io de' sospiri
14. TOSCA: Act III / Mario Cavaradossi? A voi (Cavaradossi)
15. TOSCA: E lucevan le stelle (Cavaradossi)
16. TOSCA: Ah! Franchigia a Floria Tosca
17. TOSCA: O dolci mani mansuete e pure (Cavaradossi - Tosca)
18. TOSCA: E non giungono (Tosca - Cavaradossi)
19. TOSCA: Com'unga l'attesa! (Tosca)
20. TOSCA: Presto! Su, Mario! Mario! Su! Presto! Andiam! (Tosca)

Amazon.com essential recording

Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher voice than on his fine Leontyne Price-Herbert von Karajan remake. On this set, EMI includes texts, translations, and notes that discuss this recording in the context of Callas's mercurial career. --Jed Distler

Customer Reviews:

The Incomparable Callas .......2007-05-13

She was sui generis (unlike any other) and for any fan of Mme. Callas this CD is a "must have!!! For the younger generation who were not fortunate enough to have ever heard her in person, her voice, although imperfect,portrays the complexity of Floria Tosca, through the delicate shadings of Callas' voice. Tosca is vulnerable, she is jealous, she is loving, she is delicate and tough at the same time. All of this is plain to hear through the marvel of this greatest of singing actresses.

A complete classic among classics.......2007-03-19

This is one of the few opera recordings that can reach immortality. De Sabata conducts superb over orchestra and a trinity of "monsters": Di Stefano, Callas and Gobbi understood not only the music but the drama. Opera as it always must be. What can we say about the climatic experience of Callas and Gobbi together, probably the most talented actors in opera?
At the end, pay attention (it is impossible not to) to Tosca's death... In the voice of Callas, no other soprano in history have achieved such perfection.

Stellar cast - stellar performance.......2007-01-11

What more can be said about this recording that has not already been abundantly elaborated?
Callas at her best with a supporting cast that made this recording stand the test of time. I received two recordings this Christmas as a present so that I can compare and perhaps change my mind (the Alagna - Gheorghiou & the Leontyne Price sets). I listened carefully and although I have to admit that Price's voice has a more melodic sonority Callas was the ultimate performer what little she may have lacked in her voice she more than made with her dramatic qualities, she had a stage presence that can be "heard" without having to watch her.
This is truly a premier performance of an operatic masterpiece. Enjoy it.

A "Regular People" Review.......2006-12-04

Hey I'm an Opera newbie trying to find his way around the maze with the help of Opera 101 (any Opera guru's out there that would like to help me out here?). Thanks to the Books advice I picked up this Opera and WOW! This is great stuff. Don't be intimidated by Opera you'll be missing out on this!

this is not a review.......2006-08-15

Just the fact that this product has gathered 123 reviewers by the time I write my first comment ever in a similar internet site, should tell something per se... I am a singer myself. I could write endless technical comments on the slightest vocal or musical nuance these four legendary musicians have contributed here. Empty words! Just ask yourselves: "Do I really and humbly love Music!?" If the answer is "YES!!!", run and buy this recording.

PS. Listen with the libretto in your hands (translation of it if you dont speak italian). Do it. At least the first time through... a Sunday afternoon. You'll remember me.

Average customer rating: Six discs, great price, but... a few obvious choices missing. The greatest opera singer of the 20th century. One of the best collection of Callas on CD Unbelievable Deal Deal of the Century!

Maria Callas 100 Best Classics Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin 100 Best Opera Classics Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata Maria Callas - Passion / A Film by Gerard Caillat Elisabeth Schwarzkopf 1915-2006 ASIN: B000LPR4VW Release Date: 2007-01-16

Tracks:

1. Bellini: La Sonnambula: Come per me sereno
2. Bellini: La Sonnambula: Sovra il sen la man mi posa
3. Bellini: La Sonnambula: D'un pensiero
4. Bellini: La Sonnambula: Ah! non credea mirarti
5. Bellini: Ah! non giunge
6. Bellini: I Puritani: Son vergin vezzosa
7. Bellini: I Puritani: Ah vieni al tempio
8. Bellini: I Puritani: Qui la voce
9. Bellini: I Puritani: Vien, diletto
10. Bellini: I Puritani: Ch'ei provo lontan da me?
11. Bellini: I Puritani: Vieni fra queste braccia
12. Bellini: Norma: Casta Diva
13. Bellini: Norma: Mira, o Norma
14. Bellini: Norma: Cedi, deh credi! Si, fino all'ore
15. Bellini: Norma: Qual cor tradisti
16. Bellini: Norma: Deh! Non volerli vittime
17. Bellini: Il Pirata: Col sorriso d'innocenza
18. Bellini: Quel suono...Oh, Sole!

Tracks:

1. Donizetti: Lucia di Lammermoor: Regnava nel silenzio... Quando rapito in estasi
2. Donizetti: Lucia di Lammermoor: Chi mi frena
3. Donizetti: Lucia di Lammermoor: Spargi d'amaro pianto
4. Rossini: Il Turco in Italia: non si da follia maggiore
5. Rossini: Il Turco in Italia: Serva...Servo
6. Rossini: Il Turco in Italia: No, mia vita
7. Rossini: Il Turco in Italia: Credete alla femmine...In Italia certamente
8. Rossini: Il Barbiere di Siviglia:Una voce poco fa
9. Rossini: Il Barbiere di Siviglia: Dunque io son
10. Rossini: Semiramide: Bel raggio lusinghier
11. Rossini: Gugliemo Tell: Selva opaca
12. Rossini: La Cenerentola: Non piu mesta
13. Donizetti: L'Elisir d'Amore: Prendi, prendi; per me sei libero
14. Donizetti: La Figlia del Reggimento: Convien partir
15. Donizetti: Anna Bolena: Al dolce guidami castel natio
16. Donizetti: Lucrezia Borgia: Com'e'bello

Tracks:

1. Verdi: I Vespri Siciliani: Merce, dilette amiche
2. Verdi: Rigoletto: Gualtier Malde...Caro nome
3. Verdi: Rigoletto: V'ho ingannato...Lassu in cielo
4. Verdi: La Traviata: Ah, fors'e lui
5. Verdi: Aida: Ritorna vincitor
6. Verdi: Aida: Qui Radames verra...O patria mia
7. Verdi: Aida: O terra addio
8. Verdi: Il Trovatore: Tacea la nolte placido...Di tale amore
9. Verdi: Il Trovatore: D'amor sull'ali rosee
10. Verdi: Un Ballo in Maschera: Ecco l'orrido campo...Ma dall'arido stelo
11. Verdi: Non sai tu che se l'anima mia
12. Verdi: I Lombardi: O madre, dal cielo soccorri
13. Verdi: Aroldo: Ciel, ch'io respire!...Salvami, salvami tu, gran Dio!
14. Verdi: Don Carlo: Non pianger, mia compagna
15. Verdi: Otello: Ave Maria

Tracks:

1. Puccini: Manon Lescaut: In quelle trine morbide
2. Puccini: Manon Lescaut: Sola, perduta, abbondonata
3. Puccini: La Boheme: Si, Mi chiamano Mimi
4. Puccini: La Boheme: O soave fanciulla
5. Puccini: La Boheme: Donde lieta usci
6. Puccini: La Boheme: Dunque e' proprio finita?
7. Puccini: Tosca: non la sospiri, la nostra casetta
8. Puccini: Tosca: Vissi d'arte
9. Puccini: Tosca: senti, l'ora e' vicina...Amaro sol per te
10. Puccini: Madama Butterfly: Quanto cielo....Ancora un passo or via
11. Puccini: Madama Butterfly: Vogliatemi bene
12. Puccini: Madama Butterfly: Un bel di vedremo
13. Puccini: Madama Butterfly: Con onor muore
14. Puccini: Suor Angelica: Senza mamma
15. Puccini: Gianni Schicchi: O mio babbino caro
16. Puccini: Turandot: Signore, ascolta
17. Puccini: Turandot: In questa reggia
18. Puccini: Tu che di gel sei cinta

Tracks:

1. Gluck: Orphee et Eurydice: J'ai perdu mon Eurydice
2. Gluck: Alceste: Divinites du Styx
3. Bizet: Carmen: L'amour est un aiseau rebelle
4. Bizet: Carmen: Pres des remparts de Seville
5. Bizet: Carmen: les tringles des sistres tintaient
6. Bizet: Carmen: Carreau! Pique!
7. Gounod: Romeo et Juliet: Ah! Je veux vivre dans ce reve
8. Thomas: Mignon: Ah, pour ce soir...Je suis Titania
9. Berlioz: La Damnation de Faust: D'amour l'ardente flamme
10. Massenet: Werther: Werther! Qui m'aurait dit...Des cris joyeux
11. Gounod: Faust: Un bouquet!...Ah! je ris
12. Saint-Saens: Samson et Dalila: Printemps qui commence
13. Saint-Saens: Mon coeur s'ouvre a ta voix
14. Massenet: Manon: Je ne suis que faiblesse...Adieu, notre petite table
15. Massenet: Manon: Suis-je gentille ainsi?....Je marche sur tous les
16. Charpentier: Louise: Depuis le jour

Tracks:

1. Giordano: Andrea Chenier: La mamma morta
2. Cilea: Adriana Lecouvreur: Ecco-respiro appena. lo son l'umile ancells
3. Cilea: Adriana Lecouvreur: Poveri fiori
4. Mascagni: Cavalleria Rusticana: Voi lo sapete, o mamma
5. Leoncavallo: Pagliacci: Qual fiamma avea nel guardo...Hui!
6. Boito: Mefistofele: L'altra notte in fondo al mare
7. Catalani: La Wally: Ebben? ne andro lontana
8. Cherubini: Medea: Dei tuoi figli
9. Spontini: La Vestale: O Nume tutelar
10. Spontini: La Vestale: Caro oggetto
11. Gluck: Iphigenie en Tauride: O malheureuse Iphigenie
12. Mozart: Don Giovanni: Or sai chi l'onore
13. Mozart: Don Giovanni: In quali eccessi, o Numi!
14. Massenet: Le Cid: De cet affreux combat...Pleurez, pleurez, mes yeux!
15. Ponchielli: La Gioconda: Suicidio!
16. Verdi: Un Ballo in Maschere: Morro, ma prima in grazia
17. Verdi: Don Carlo: O don fatale

Album Description

Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks.

CD 1 The Operas of Bellini
CD 2 The Operas of Donizetti and Rossini
CD 3 The Operas of Verdi
CD 4 The Operas of Puccini
CD 5 French Operatic Heroines
CD 6 Dramatic Heroines

Customer Reviews:

Six discs, great price, but... a few obvious choices missing........2007-07-16

EMI's spate of Callas re-issues and compilations in the past few years is more distressing than commendable. First, what does it say about the state of the classical music market today, when a label's marquee artist is a soprano who passed away thirty years ago, and whose recordings are a half-century old? Second, just how many ways can you re-package Callas?

Those quandaries aside, this is highly recommended to those with a passing interest in either Callas, or opera in general. With six discs tucked inside a standard double jewel case, offered at a bargain price, it's a no-brainer. So what if linear and biographical notes are missing? So much has been written about Callas, it's doubtful that anyone could come up with original essay about her life and artistic legacy.

Again, if you have no Callas or (gasp!) no opera in your CD collection, BUY THIS COMPILATION. However, those of us who already have both will find some glaring omissions.

In my mind, there are two pitfalls where a six-disc Callas retrospective is concerned. First, the need to achieve a balance in Maria's studio output produces something of a constraint. For example, there could have easily been two Verdi discs. As previously noted, Sempre Libera is missing. But there are other examples, such as Ernani, Involami, Tu Che Le Vanita(!), and arias from Nabucco.

Second, creating a balanced list of 100 Maria Callas excerpts inevitably includes some that expose her improper technique. Now, as rival diva Leyla Gencer once stated, Callas had the "sacred fire," which compensated for her imperfect techique (I'm paraphrasing here). That fire roars with life when it comes to dramatic verismo arias, such as La Mamma Morta, Voi Lo Sapete, and Suicidio. It doesn't crackle when it comes a Mozart aria like Or Sai Chi L'Onore, where her utter lack of Mozartean technique is laid bare. Callas just couldn't work her magic over it, like she did with Mi Tradi Quell'alma Ingrata.

These are minor quibbles, though, in the final analysis. You get double the content of the Callas La Divina collector's box set, for less than half the cost!

The greatest opera singer of the 20th century........2007-05-20

Here in one incredibly inexpensive package (I paid $15) are the "juicy bits" of Maria Callas's studio recordings. These six disks which run for 7 and 3/4 hours contain 99 arias, duets and concerted numbers from her studio work plus "Ah, fors'e lui" from the live recording of the Lisbon "Traviata" for the total of "100 Best". (NB: "Sempre libera" is not included.) This is probably EMI's last ditch effort to extract some value out of their Callas catalog as the European copyrights are starting to expire. Well, this is to our advantage. Whether you are a long time Callas fan and completist or a newcomer, this is well worth the money to have all these highlights ready at your finger tips.

The only complaint I have about this set is the complete lack of texts and notes. Usually these days this material is put on the web for bargain releases, but I was unable to locate any for this set. As Callas's art was in the shading of the texts, newcomers especially need to be able to follow along.

Grab this now while it is still available.

One of the best collection of Callas on CD.......2007-05-13

This is realy Maria Callas 100 best classics collection, surprisingly with very good sound ,without any noise or distortion .Six CDs, each of them 70 -79 min very enjoyable..Thank you EMI for this grate production...

Unbelievable Deal.......2007-04-27

I was hestant about purchasing this recording due to the low price. But this is really a great buy: A six disc compillation of Maria Callas' highlights grouped by genre/composer. If you are new to opera, this is an excellent introduction to what made Callas so unique as an artist: her passion, her ability to change her timbre, the weight of her voice, her vocal colors, to suit each role. Each disc feautres a different composer or repetoire so the listener gets to hear Callas in a differnt context. Since there are about a million "best of" complillations for Callas it's a bit overwhelming and difficult to know where to start. This is definately the most complete, and the best value for your money.

Deal of the Century!.......2007-04-19

A six CD set at this price is unbelievable! If you are a beginner, start here and if you are a long time fan and have every recording under the sun like I do, it's still nice to have the CD's grouped by composer. Highly recommended!

Average customer rating: Callas, di Stefano and Gobbi. Lucia di Lammermoor. An actress, and a woman sings Best Studio Recording Lovely recording Not THAT much shorter, the traditional cuts

Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music $9.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Donizetti, Gaetano | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata Bellini: I Puritani Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (complete operas) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan Bellini: Norma (complete opera) with Maria Callas, Tullio Serafin, Chorus & Orchestra of La Scala, Milan ASIN: B00064N8S6 Release Date: 2005-01-11

Tracks:

1. Preludio
2. Percorrete Le Spiagge Vicine
3. Tu Sei Turbato!...E N'ho Ben Donde
4. Cruda, Funesta Smania
5. Il Tuo Dubbio E Omai Certezza
6. La Pietade In Suo Favore
7. Maestoso
8. Ancor Non Giunse!
9. Regnava Nel Silenzio
10. Quando Rapito In Estasi
11. Egli S'Avanza
12. Sulla Tomba Che Rinserra
13. Qui Di Sposa Eterna Fede
14. Ah, Talor Del Tuo Pensiero
15. Veranno E Te Sull'Aure

Tracks:

1. Moderato/Lucia Fra Poco A Te Verra
2. Appressati, Lucia
3. Il Pallor Fuesto, Orrendo...A Ragion Mi Fe' Spietato
4. Nobil Sposo...Cessa, Cessa!
5. Soffriva Nel Pianto
6. Che Fia?...Suonar Di Giubilo
7. Se Tradirmi Tu Potrai
8. Per Te D'Immenso Giubilo...Per Poco Fra Le Tenebre
9. Dov'E Lucia?...Qui Giungere Or La Vedrem
10. Ecco Il Tuo Sposo
11. Chi Mi Frena In Tal Momento
12. T'Allontana, Sciagurato...Rispettate In Me Di Dio
13. Sconsigliato! In Queste Porte Chi Ti Guida?
14. Esci, Fuggi, Il Furor Chem M'Accende
15. D'Immenso Giubilo
16. Ah!...Deh, Cessate Que! Contento!...Dalle Stanze Ove Lucia
17. Oh! Qual Funesto Avvenimento!
18. Oh Giusto Cielo!...Il Dolce Suono
19. Ohime! Sorge Il Tremendo
20. Ardon Gli Incensi; Splendon Le Sacre Faci
21. Spargi D'Amaro Pianto
22. Maestoso...Tombe Degli Avi Miei
23. Fra Poco A Me Ricovero
24. O, Meschina! O, Fato Orrendo!
25. Dove Corri, Sventurato?
26. Tu Che A Dio Spiegasti I'Ali
27. Che Facesti?

Customer Reviews:

Callas, di Stefano and Gobbi. Lucia di Lammermoor........2007-06-08

Beautiful recording, fabulous voices, Callas was at her very best in this period

An actress, and a woman sings .......2007-01-10

Befoe Maria came onto the scene in 1952, I actually believed that only the "whistling teakettle" type of voice could sing this type of work. When I actually heard a woman's voice, I was transformed from that day.

Best Studio Recording.......2006-11-01

Without a doubt this is the best studio recording of the opera hands down. Callas, Di Stefano and Gobbi are in fine form and Serafin keeps things going at a good pace. The best RECORDING of the opera is of course the 1955 Berlin performance with Karajan conducting. The sound is quite good as Callas bootlegs go and everybody is ON FIRE. One of those magical moments that thankfully somebody taped. If you MUST have your stereo, go with the first Sutherland recording or the Gruberova/Kraus/Rescigno.

Lovely recording.......2005-03-30

I'm a huge bel canto fan and Lucia is one of my top 3 operas. (The others are NORMA and ANNA BOLENA) There is no other Lucia like Callas. Nobody embodies the melancholy, the tragic, fragile beauty and the torment of this doomed heroine more than she. And her coloratura and E-flats glitter and sparkle but never sound senseless or bland. Her partners (di Stefano, Gobbi) are in pristine form and Serafin conducts bel canto with unmatched perfection. This is THE Lucia to buy! A steal, grab it while you can!

Not THAT much shorter, the traditional cuts.......2005-03-17

One can say whatever one likes but IMHO that short review below doesn't do justice to the brilliance of this recording which is not 30 minutes shorter than the Sutherland-recording from 1971. The traditional cuts don't harm the score (The only addition I'd like to see would be the tower-scene), on the contrary, they focus the drama and don't prolong it unnecessarily. The three leads are in brilliant form, the conductor is unmatched. Brava! Brava! Bravissima!

Average customer rating: Bravo a tutti! Doing Rossini Right A Magnificent Performance ! An iconic version of this opera It's not just the stars, but the drama...

Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus Gioachino Rossini , Alceo Galliera , Maria Callas , Luigi Alva , Philharmonia Orchestra and Chorus , Gabriella Carturan , Tito Gobbi , Fritz Ollendorf , and Mario Carlin Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Rossini, Gioacchino | ( R ) | Composers, A-Z | Classical Music Blowout | Stores | Music Callas, Maria | ( C ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra Puccini: Madama Butterfly (complete opera) with Maria Callas, Lucia Danieli, Nicolai Gedda, Herbert von Karajan, Chorus & Orchestra of La Scala, Milan Puccini: La Boheme (complete opera) with Maria Callas, Giuseppe di Stefano, Anna Moffo, Antonino Votto, Chorus & Orchestra of La Scala, Milan Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano ASIN: B000002RY1 Release Date: 1997-08-19

Tracks:

1. Il Barbiere di Siviglia: Overture - G. Rossini
2. Il Barbiere di Siviglia: Act I, Scene 1 - Piano, pianissimo, senza parlar - G. Rossini
3. Il Barbiere di Siviglia: Act I, Scene 1 - Ecco ridente in cielo - G. Rossini
4. Il Barbiere di Siviglia: Act I, Scene 1 - Ehi, Fiorello? - G. Rossini
5. Il Barbiere di Siviglia: Act I, Scene 1 - Mille grazie, mio signore - G. Rossini
6. Il Barbiere di Siviglia: Act I, Scene 1 - Gente indiscreta! (Figaro) - G. Rossini
7. Il Barbiere di Siviglia: Act I, Scene 1 - La ran la le ra, la ran la la. Largo al factotum (Figaro) - G. Rossini
8. Il Barbiere di Siviglia: Act I, Scene 1 - Ah, che bella vita! (Figaro) - G. Rossini
9. Il Barbiere di Siviglia: Act I, Scene 1 - Se il mio nome saper voi bramate (Figaro, Rosina) - G. Rossini
10. Il Barbiere di Siviglia: Act I, Scene 1 - Oh, cielo! - G. Rossini
11. Il Barbiere di Siviglia: Act I, Scene 1 - All'idea di quel metallo (Figaro) - G. Rossini
12. Il Barbiere di Siviglia: Act I, Scene 2 - Una voce poco fa (Rosina) - G. Rossini
13. Il Barbiere di Siviglia: Act I, Scene 2 - Si, si, la vincero (Figaro, Rosina) - G. Rossini
14. Il Barbiere di Siviglia: Act I, Scene 2 - Ah, disgraziato Figaro! (Rosina, Figaro) - G. Rossini
15. Il Barbiere di Siviglia: Act I, Scene 2 - Ah! Barbiere d'inferno - G. Rossini
16. Il Barbiere di Siviglia: Act I, Scene 2 - La calunnia e un venticello - G. Rossini
17. Il Barbiere di Siviglia: Act I, Scene 2 - Ah! Che ne dite? - G. Rossini
18. Il Barbiere di Siviglia: Act I, Scene 2 - Ma bravi! Ma benone! - G. Rossini
19. Il Barbiere di Siviglia: Act I, Scene 2 - Dunque io son (Figaro, Rosina) - G. Rossini
20. Il Barbiere di Siviglia: Act I, Scene 2 - Ora mi sento meglio (Rosina) - G. Rossini
21. Il Barbiere di Siviglia: Act I, Scene 2 - A un dottor della mia sorte - G. Rossini

Tracks:

1. Il Barbiere di Siviglia: Finora in questa camera - Rossini
2. Il Barbiere di Siviglia: Ehi, di casa, buona gente - Rossini
3. Il Barbiere di Siviglia: Che cosa accadde, signori miei - Rossini
4. Il Barbiere di Siviglia: Fredda ed immobile - Rossini
5. Il Barbiere di Siviglia: Ma signor... ma un dottor - Rossini
6. Il Barbiere di Siviglia: Act II: Ma vedi il mio destino! - Rossini
7. Il Barbiere di Siviglia: Pace e giola sia con voi - Rossini
8. Il Barbiere di Siviglia: Insomma, mio signore, chi e lei? - Rossini
9. Il Barbiere di Siviglia: Venite, signorina - Rossini
10. Il Barbiere di Siviglia: Contro un cor che accende amore - Rossini
11. Il Barbiere di Siviglia: Bella voce! Bravissima! - Rossini
12. Il Barbiere di Siviglia: Quando mi sei vicina - Rossini
13. Il Barbiere di Siviglia: Bravo, signor barbiere, ma bravo! - Rossini
14. Il Barbiere di Siviglia: Don Basilio!... Cosa veggo! - Rossini
15. Il Barbiere di Siviglia: Che vecchio sospettoso! - Rossini
16. Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Rossini
17. Il Barbiere di Siviglia: Temporale - Thunderstorm - Gewittermusik - Musique d'orage - Rossini
18. Il Barbiere di Siviglia: Alfine eccoci qua - Rossini
19. Il Barbiere di Siviglia: Ah, qual colpo inaspettato! - Rossini
20. Il Barbiere di Siviglia: Ah, disgraziati noi! - Rossini
21. Il Barbiere di Siviglia: Insomma io ho tutti i torti - Rossini
22. Il Barbiere di Siviglia: Di si felice innesto - Rossini

Amazon.com essential recording

Maria Callas surprised some fans when this recording appeared in 1958 by singing some of Rosina's music in the mezzo-soprano range. Originally used by Rossini, the mezzo range helped Callas in characterizing Rosina not as a bird-brained, twittering, helpless ingenue but as a crafty, intelligent woman, smarter than any of the men around her (even the resourceful Figaro). Callas's Rosina knew exactly what she wanted and how she would get it. It is a brilliant performance, made even more enjoyable by the first-class contributions of Tito Gobbi, Luigi Alva, and Alceo Galliera. --Joe McLellan

Customer Reviews:

Bravo a tutti!.......2007-05-31

This "barbiere" is outstanding. The singing of Maria Callas (although the role of Rosina is intended for a mezzo) is clear and beautiful and transmits joy and determination. Tito Gobbi as Figaro is marvelous: humorous, hillarable and potent, he really makes Dr. Bartolo life a hell. Luigi Alva as the Count is great but sometimes his voice is too thin yet pretty. Fritz Ollendorf's Dottor Bartolo is very good, dark sometimes but very good.

The orchestra and the chorus are very well conducted by Maestro Alceo Galliera: good tempi and pretty good strenght. If you're getting into opera, this is the opera to start with and this is the version to listen.

Doing Rossini Right.......2007-05-22

My desert island list would include a recording of "Il Barbiere di Sevilia" but the choice of either this EMI set or RCA's Living Stereo Edition, would cause me to attempt smuggling in one or the other recordings of this work. My heart belongs to the Callas/Gobbi set because it was one of the first opera recordings I owned. What grabbed me as a pre-teen was that I could visualize the action through nothing more than the voices of the two lead singers and their ability to shade words. I was oblivious to the reservations many had about both singers in 1958. Gobbi's dry baritone and Callas's edgy and unsteady high notes were for me easy to excuse and I still feel the same way. The RCA set has Robert Merrill and Roberta Peters in their prime. Their voices are simply gorgeous and just as theatrically real as Gobbi/Callas. The RCA set is virtually uncut on 3 disks, the EMI set has some traditional cuts on 2 disks.
But the RCA set distances itself with the presence of coloratura lyric tenor, Cesare Valletti as Almaviva, not that Luigi Alva is second best but the RCA set reinstates Rossini's original closing to the final act with a show stopping coloratura tenor aria that would eventually end up as the closing aria for his Cinderella, "La Cenerentola". There is a passage here with music as fleet and difficult that I thought only a coloratura counter-tenor could sing. Valletti's voice is not as handsome as Alva's but the coloratura work is amazing.

I give both recordings four stars and as much as I dislike having more than version of an opera in my collection, these two recordings are recordings I turn to many times when I want to hear some extraordinary singing.

Now to sonics. Both recordings were made in 1958 but the RCA edition, the second CD edition of this recording, will be of interest to audiophile fans. The sound is splendid, open, with full fidelity. Some ensembles at full tilt distort a bit but the digital master was made using the original tapes on the original tape decks. RCA chose to not clean up the sound (tape hiss) for fear that the original fidelity and crispness would diminish the overall effect. They were right. The EMI remastering is good but I'm always cautious with these Callas Editions because EMI ruined several Callas mono recordings, mistaking the work of adventurous producers and engineers and even pitching some of the recordings incorrectly. But the sound is close to what I remembered with the LP editions. There is a hint of tape hiss, but I would rather have the hiss than the flat line noise reduction systems that deaden the brightness.

A Magnificent Performance !.......2007-05-12

I can only say that Tito Gobi has a voice and performance that is, in this opera, the very best that I have ever heard.

An iconic version of this opera.......2007-03-11

This is one of the great recordings of Rossini's "Il Barbiere di Siviglia." The cast is terrific: Maria Callas as Rosina (in her prime when her voice had not become balky), Tito Gobbi (as Figaro), Luigi Alva (as the Count), Fritz Ollendorff (as Bartolo), and Nicola Zaccaria (as Basilio). Alceo Galliera conducts the Philharmonia Orchestra and Chorus. A few comments to give a sense of the performance. However, suffice it to say that this is a version that still thrills.

Galliera conducts the well know overture with zest. This is an engaging version taken at a sprightly pace. It starts the opera off well.

"Ecco ridente" is an aria sung by Count Almaviva (Luigi Alva), as he tries to woo Rosina. This serenade is smoothly sung. Alva shows some vocal agility at the close of this aria.

Then, of course, there is Figaro's showpiece--"Largo al factotum." Gobbi has mastered this piece. Her throws off the phrases with panache and captures well the spirit of Figaro. An iconic version (an overused term, but accurate in this instance). The piece is taken at a quick pace, as it must be. There are nice touches here (note how Gobbi throws off "di qualita"). Gobbi easily handles the presto close to this work. All in all, an excellent version.

Callas is in good voice as she essays "Una voce poco fa." Later in her career, when she amped up her volume, some ugliness could creep in to her voice. Not here. This is a nice version of the piece. She displays some good coloratura technique in this aria. Good characterization, too. The cabaletta is well sung, with Callas showing off an agile voice. She hits the notes cleanly.

Finally, the wonderful sextet (this has to be one of the best ensemble pieces in all of opera!). "Fredda ed immobile" begins the fireworks. Everyone gets into the act here. This starts slowly and begins to accelerate, leading into "Ma signor. . .ma un dottor." This is rollicking and immense fun. The work shows great velocity as it unwinds. Callas' singing is infectious, but everyone is in the proper spirit.

And on it goes. This version features a terrific cast, led by a good conductor. To repeat, this is one of the most satisfying versions of "Il Barbiere di Siviglia" out there.

It's not just the stars, but the drama..........2004-12-22

Others have written of the undoubtedly great individual performances of most of the soloists in this recording. The most important feature of this opera in general, though, is the drama - it just doesn't work as highlights. At conveying the drama, this recording absolutely excels, primarily through the quality of the ensemble singing of the soloists. The finale of Act I is the finest piece of dramatic singing anywhere in my collection outside live recordings, and one I return to much more than the "lollipops". The timing is perfect, and the balance exceptional.

I suppose it is obligatory to mention a couple of negatives: firstly there is what sounds like some odd balance or microphone placement in some scenes (although my recording predates the nineties mastering mentioned by someone else here, so I'd be interested to see whether that has changed there). Secondly Callas' singing style doesn't really fit the Rosina part, for me. However, that is more than made up for the brilliance of her coloratura, evident particularly to my ears in the Finaletto to Act II. Could do with a bit more subtlety from the chorus in places, too, but the Chorus is often a weakness in recordings from this period.

This was the first opera I ever bought on CD, and therefore it must have been one of the first reissued on CD. I don't think it's been off the shelves ever since, so if you haven't got it, buy it.

Average customer rating: Not as good as the film... disappointing it's all about the Malagueña Start to Finish, a Real Mexi-CAN of a Soundtrack Better than the movie!

Once Upon a Time in Mexico Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Desperado: The Soundtrack Mexico and Mariachis: Music From and Inspired by Robert Rodriguez's El Mariachi Trilogy From Dusk Till Dawn: Music From The Motion Picture Kill Bill: Volume 2 Kill Bill: Volume 1 ASIN: B0000BWVC5 Release Date: 2003-09-09

Tracks:

1. Malaguena - Brian Setzer
2. Traeme Paz - Patricia Vanne
3. Eye Patch - Robert Rodriguez
4. Yo Te Quiero - Marcos Loya
5. Guitar Town - Robert Rodriguez
6. Church Shootout - Robert Rodriguez
7. Pistolero - Juno Reactor
8. Me Gustas Tu - Manu Chao
9. Sands Theme - Tonto's Giant Nuts
10. Dias De Los Angeles - Del Castillo
11. The Man With No Eyes - Robert Rodriguez
12. Mariachi Vs. Marquez - Robert Rodriguez
13. Flor De Mal - Tito Larriva
14. Chicle Boy - Robert Rodriguez
15. Coup De Etat - Robert Rodriguez
16. El Mariachi - Robert Rodriguez
17. Siente Mi Amour - Salma Hayek
18. Cuka Rocka - Chingon

Customer Reviews:

Not as good as the film..........2007-05-06

I remembered the music in the movie as being a little better than it actually is. I was a little disappointed in the CD.

disappointing.......2007-03-26

It just wasn't what I thought it would be and I personally didn't like it. But it is good music.

it's all about the Malagueña.......2004-12-01

i loved the movie and the music there is good. i really like the Malagueña so i learned how to play it on guitar. the song is great i enjoyed the movie as much as i enjoyed the sound track

Start to Finish, a Real Mexi-CAN of a Soundtrack.......2004-11-30

Alright, so the main reason I got the soundtrack was Pistolero by Juno Reactor,a real driving, pumped-up techno song. I started to get into the rest of the music on the soundtrack, and I find it an essential cd I carry along with me. The great thing about this soundtrack is you can listen in on Mexican traditional music and a glimpse of the culture, and still have some real badass-sounding guitar! Whatever you may think of the film, you can imagine the actors playing their parts in your head, since they play and sing in the soundtrack (as the first one). There is an aura in the music I can't put my finger on; there's a history, an old feel to it, but it lingers with new musical ideas. Kinda like the movie, in terms of making it. I agree fullheartedly with previous reviews: where the movie fails, the music fills in the gaps and expands on Mexican music, making the entire movie/soundtrack experience very deep and epic. I dunno, maybe I'm rambling, but I emphasize that this soundtrack adds culture and kickass to your collection, as it did mine.

Better than the movie!.......2004-11-21

When I first saw this film I was shocked at its total stupidity. I was a big fan of the first Desperado and this sequel completely choked my enthusiasm. One thing that was good about this film though was the music. I have to admit it, the music was excellent and in harmony with the motion picture. The best tracks on this CD are Traeme Paz, El Mariachi and Siente Mi Amor (Salma Hayek brings out the best in her sensuality in this song). I'm not a big fan of Latino music but some of these songs are so beautiful they deserve to be listened to. Yo Te Quiero and Cuka Rocka both are well known songs and excellent to dance to, while Flor Del Mal is a very nice and chilling ballad. This CD is a great addition to your music collection, don't hesitate to buy it.

Average customer rating: Muy caliente Excellente Tito Rocks

Tarantism Tito & Tarantula Manufacturer: Bmg ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music International | Imports | Stores | Music Rock | Imports | Stores | Music Similar Items: Andalucia Little Bitch Hungry Sally & Other Killer Lullabies From Dusk Till Dawn: Music From The Motion Picture Mexico and Mariachis: Music From and Inspired by Robert Rodriguez's El Mariachi Trilogy ASIN: B0000265LH Release Date: 2003-12-19

Tracks:

1. After Dark
2. Smiling Karen
3. Slippin' & Slidin'
4. Strange Face
5. Angry Cockroaches
6. Back To The House
7. Jupiter
8. Sweet Cycle
9. Flying In My Sleep
10. Killing Just For Fun

Customer Reviews:

Muy caliente.......2007-04-20

I first encountered Tito Larriva in David Byrne's 1986 slice of absurdist Texas life "mockumentary" TRUE STORIES. I quickly became enamored of his Tex-Mex rock sound, and have followed his career though his work with the CRUZADOS, as well as his current band - though its various musician change-outs. TARANTISM is Tito & Tarantula's best-selling CD to date and, although it contains only 10 tracks, they are some of the band's best known songs: From the full-throttle, sultry and white-hot "After Dark" (is there a red-blooded male out there who doesn't remember Salma Hayek's "would you like some fries with that shake" table dance in FROM DUSK TILL DAWN) and the frenetic "Angry Cockroaches" (also made famous in the same film), to "Back To The House That Love Built" and "Strange Face Of Love" from the film DESPERADO, Larriva's music has frequently provided the driving musical energy behind Robert Rodriguez's films. (The CD is in fact co-produced by both Larriva and Robert Rodriguez.) This CD represents the best cross-section of the band's early work--before they started to veer off into the musical experimentation of their album LITTLE BITCH.

I am surprised that Larriva hasn't found more of a following in this country. Perhaps it is because his music is hard to categorize. It incorporates elements from classic rock, as well as "Tejano," but doesn't really conform to either. Until the rest of the country catches on, and Tito & Tarantula becomes a household name, they will just have to be our little secret.

Excellente.......2006-10-17

First came across Tito and Tarantula on Robert Rodriguez's Desperado soundtrack - it kicked [...] and this album is more of the same bluesy rock. Stinging guitar licks and passionate highway rock - very visual, very dramatic, very poetic. Highly recommended...

Tito Rocks.......2005-10-04

This C.D. Combines some of the best tracks for a great gutiar lovers journey.

Average customer rating: Buenas Canciones malos Arreglos Not Impressed

Canciones Clasicas de Marco Antonio Solis Tito Nieves Manufacturer: La Calle Records ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music Salsa & Merengue | Compilations | Latin Music | Styles | Music Similar Items: La Llave De Mi Corazon Como Ama una Mujer Arroz Con Habichuela Mi Tiempo A Punto a Estrallar ASIN: B000MM1FBO Release Date: 2007-02-27

Tracks:

1. MQue Tu Amigo
2. Cuando Te Acuerdes de M
3. Peor de Mis Fracasos
4. Si Te Pudiera Mentir
5. O Me Voy O Te Vas
6. Que Me Quedo Contigo
7. CFui a Enamorarme de Ti
8. Quime
9. Tu Cel
10. Si No Te Hubieras Ido

Customer Reviews:

Buenas Canciones malos Arreglos.......2007-05-09

Aqui parece que empezo una ola de artistas de salsa haciendo grabaciones de otros cantantes de otros generos. Como el disco de Ismael Miranda que lanzo al principios del 2007, las canciones son romanticas pero los arreglos musicales ponen a uno dormir. Esta formula la experimento Tommy Olivencia en la decada de los 80, con "Lo Dudo" y "El Camionero" cantando Frankie Ruiz y "12 Rosas" y "Lobo Domesticado" cantado por Hector Tricoche, cual tambien interpreto canciones similares como solista con "Tomame O Dejame", "Hasta Que Olvides" y "Laura No Esta". Incluso Sergio George, cual tomo las riendas como productor en algunos temas de las recientes grabaciones de Ismael Miranda y Tito Nieves, no le funciono igual cuando hizo las mismas tareas con Marc Anthony en 1993 con "Hasta Que Te Conoci" y la India en 1994 con "Nunca Voy A Olvidarte".
En fin sin van a regrabar baladas para ponerlas en salsa, hay que hacer mas agresivos en los arreglos musicales, no hacer algo instananeo como se ha hecho en esta decada con muchos artistas que graban canciones en baladas y las regraban las mismas en version tropical, sacandole peste a la cancion. Eso ya esta saturado.

Not Impressed.......2007-03-29

I am a "Tito Nieves" fan i think he is a great salsa singer. But lately his musical productions are not considered the best in my opinion. His most recent falls in the same catagory, not impressed at all. I heard it once and i haven't heard it again. I am losing the anticipation when i hear he's coming out with a new recording. In my opinion he must do some thing better than what he's doing now. "Tito don't forget the TRUE SALSEROS.

International Music:

1. Aiga Arukara Daijobu [Import]
2. Alma [Import]
3. As I Am [Import]
4. Asian Pop's Gold [Import]
5. Beauty & Harmony V.1 [Import]
6. Best Collection [Import]
7. Best [Import]
8. Best of [Import]
9. Best of Live [Live] [Import]
10. Black List [CD-single] [Import]

International Music

International Music