Estrela-Guia [Soundtrack] [Import]

Product Description
Original Soundtrack for Globo TV Soap Opera.

Estrela-Guia,Original Soundtrack,Som Livre,World Music

Average customer rating: Hannah Montana No. 1 With a Bullet. :) A Very Good Second Album can somebody... Far Better than it has the Right to Be

Hannah Montana 2: Meet Miley Cyrus Hannah Montana , and Miley Cyrus Manufacturer: Disney ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Teen Pop | Pop | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Similar Items: Hannah Montana - Pop Star Profile High School Musical 2 Hannah Montana: 2-Disc Special Edition Soundtrack Headstrong High School Musical, The Concert - Extreme Access Pass ASIN: B000OYC3L6 Release Date: 2007-06-26

Tracks:

1. We Got the Party
2. Nobody's Perfect
3. Make Some Noise
4. Rock Star
5. Old Blue Jeans
6. Life's What You Make It
7. One in a Million
8. Bigger than Us
9. You and Me Together
10. True Friend

Tracks:

1. See You Again
2. East Northumberland High
3. Let's Dance
4. G.N.O. (Girl's Night Out)
5. Right Here
6. As I Am
7. Start All Over
8. Clear
9. Good and Broken
10. I Miss You

Amazon.com

Tweens aren't often heralded for their good judgment and excellent taste (Heelys--hello), but if any young starlet can redeem them, it's Hannah Montana. On this, the second soundtrack from the Disney Channel series, Miley Cyrus takes her cues from her TV alter ego, who has an alter ego of her own: Disc 1 features Miley as Hannah, hair-tossing pop princess by weekend, likable schoolgirl by weekday (see "Old Blue Jeans" and "True Friends" to get a sense of each episode's un-cloying sweetness). But disc 2 is the start of something new, as her friends over on the High School Musical set might say: Miley sings strictly as her spunky, truth-telling self. This yields a number of pepped-up pop tracks bound to vibrate through the walls of pink bedrooms everywhere--"See You Again" is a boy-centric song instantly relatable to anyone who's ever been in seventh grade and suffered a bout of bashfulness, "East Northumberland High" puts a punk spin on an I'm-just-not-into-you tale, and "Clear" bounces on a reggae beat while canceling any doubt about our heroine's ability to stand up for herself. Like Hannah before her, Miley makes the best of both worlds--this well-worth-it set, by turns rockin' and reflective, is a masterful example. --Tammy La Gorce

Hannah Montana Photos

Album Description

This 2-disc set features 10 all new Hannah Montana songs from the #1-rated Disney Channel series, as well as a 2nd CD including 10 brand-new original songs by Miley Cyrus!

Customer Reviews:

Hannah Montana.......2007-07-15

I really injoyed both CD's. I think this Cd set is very good for young people and people who like to stay in touch with young people. My husband really like it too.

No. 1 With a Bullet. :).......2007-07-13

The two-disc _Hannah Montana 2: Meet Miley Cyrus_ release is a worthy successor to her no. 1 album of last year (see: the _Hannah Montana_ soundtrack album, 2006). As of this writing, at least seven of the songs from that first album have cracked the top 100 (Billboard). Additionally, the _Hannah Montana 2: Meet Miley Cyrus_ album placed no. 1 on the Billboard charts during its first week of release.

My family and I thoroughly enjoy this collection. There are twenty songs (ten by Hannah Montana and ten by Miley Cyrus), and the styles represented are quite eclectic. There appears to be a humble maturity occurring in her vocals and in a number of the 'Miley' texts being set to music; indeed, some of them are philosophical, while others are retrospective and (speculatively speaking) apparently prophetic, to a degree. Although the album is enjoyable to hear and digest on its own merits, in the opinion of this writer a number of tracks require repeated listenings in order to grasp some of the more subtle nuances, both musical and textual. Perhaps it is this aspect of the double-CD album that is most impressive: the quality of the work presented here by Miley and her entourage of writers is musically engaging and challenging to the listener.

The tunes on this double CD set, like those included on the initial soundtrack release, are again cleverly written. Among the genres and styles covered are ballads ("One In a Million" and "Make Some Noise"), rock, techno-pop, and a smidge of hip-hop, as well as songs containing both Spanish ("Let's Dance") and reggae ("Clear") elements. There are also some tracks (e.g. "Old Blue Jeans" and "See You Again," among others) which incorporate slightly more complex harmonies--harmonies that should keep those whom are musically inclined engaged and attentive. Among the ballads represented, it is pleasing to note that not all are about the all-too-common subject of love (e.g., "Make Some Noise").

Some semi-technical musical aspects:

The transition (from Hannah to Miley) I spoke of when reviewing her first album is deliberate on this stylistically-diverse collection. The new 'Hannah' tunes are as energetic and forward-moving as any of the power-rockish songs on the first album, while the cuts recorded by Miley continue to be imaginative and thought-provoking musically, especially with regard to the harmonic progressions being used. The melodies contain a relatively balanced mix of conjunct and disjunct movement, with some being diatonic (e.g., "Start All Over") and others encompassing more angular intervals (such as with the pronounced agogic accents that articulate the opening of "Life's What You Make It"). Particularly engaging and memorable to this listener, at least, is the unfolding locrian-esque ascending melodic line (built upon the third degree of the mode in which the tune resides) of "Start All Over" and the rhythmic movement accompanying the embedded pair of descending perfect fourths (F-C and C-G) included in the instrumental and vocal opening to "Life's What You Make It."

There is a decidedly less preponderant use of E major on this album, with keys such as C-sharp minor ("Nobody's Perfect"), G major ("Life's What You Make It"), A major ("Right Here"), A minor ("See You Again"), C major ("Clear"), G minor ("East Northumberland High"), and F-sharp minor ("Let's Dance") being used. {It must be noted that it was for me difficult to determine the precise key a given tune was written in as the tracks often sound a half step higher or lower depending upon the medium (DVD player, radio, or television) or format (CD or DVD) being used. But the relative, if not the absolute, pitch of the keys used is extremely varied.} The 'signature' E major framework is not entirely absent, however, as it is used on a couple of songs, one of which is "Bigger Than Us," a tune first heard by this writer performed in a different iteration (and in a different style and tempo) by Billy Ray Cyrus on the hit television show, "Hannah Montana." Speaking of which, another of the tunes on the 'Hannah' portion of this most recent effort, "Rock Star," is a trademark song of hers stylistically, and is sure to make its way to the television series as have several others to date.

As was the case with her first album, I again noticed--and appreciated--how different the vocal timbre of Miley Cyrus can be depending on the key being employed. Significantly, there are a few times where she cautiously extends her vocal range upward, and in so doing continues to attack her notes with excellent intonation and with what I perceive to be a modicum of ease. I am still hopeful that we will one day hear a more extensive (and melodically protracted) use of her lower range; the vocal quality is markedly different and may lend itself to a plethora of styles not yet represented on either of her first two albums.

The performances of "Nobody's Perfect" (the melody was heard initially as the "Bone Dance" on the television show, albeit with a different and more script-specific text) and "Life's What You Make It" are particularly engaging. It seems to me that both tunes (with a nod to "Make Some Noise" in 6/8 meter, and the harmonically compelling "Old Blue Jeans") are among the most imaginative and ambitious of any performed by Hannah thus far. Interestingly, "Make Some Noise" is the second tune of Miss Montana to use the barcarolle-like 6/8 meter; the first being the jointly-performed (with her father) "I Learned From You," the final cut to grace her premiere album, and a song which is interesting for its sporadic yet well-positioned use of hemiola. {N.B.: The songs by Miley are perhaps even more ambitious than those of Hannah Montana, with such gems as "See You Again," the dark (dare I say sardonic?) "East Northumberland High," and the somewhat flamenco-esque "Let's Dance" residing within and/or flirting tenuously with the minor mode; tangental cuts such as "Right Here" and the reggae-like "Clear" employ the unlikely melodic interval (performed vocally) of the ascending major seventh(!).} Curiously, and yet refreshingly, Miss Cyrus in some of the repeated sections of the pointedly melancholic "See You Again" chooses to vacillate between the raised (and eventually lowered) leading tone degree. The tension produced by the (albeit protracted, depending on one's musical memory) cross-relationship makes the tune somewhat modally ambiguous. Combined with her judiciously placed upward and downward slurring occurring on several of the phrases, and with the performance of the beginnings and endings of these segments being spot on with regard to pitch, the result tends to drive the music forward with a measured tenacity, which in the opinion of this writer is one mark of musicality occurring on the album. It is also noteworthy to mention that the first three tracks on the final CD--"See You Again," "East Northumberland High," and "Let's Dance"--each occupy a minor mode sound world.

Although I have given a cursory review of "Nobody's Perfect" elsewhere, it is important to reiterate that the tune is performed remarkably well, with Miss Montana's stage presence and accompanying rhythmic synchronizations (hand gestures and choreography) augmenting an already intriguing piece of writing. The track may interest those who enjoy relatively uncommon chord progressions in pop music. It begins and ends in C-sharp minor, but meanders effortlessly through a B minor/D major framework, eventually gravitating toward E major. The combination and succession of pitch centers--and especially the harmonic tension created between the opening and closing key of C-sharp minor and the B minor/D major/G(!) major constructs within which the second major section of this work vacillates--provides a stark yet musically engaging contrast.

I continue to appreciate the image Hannah Montana/Miley Cyrus has thus far portrayed as well. As a father of several children (including four daughters, each of whom loves her music), it is gratifying to see a positive role model (with talent to burn) coming out of the Disney stable. I and my family wish her all the best in the years to come.

A Very Good Second Album .......2007-07-10

Miley/Hannah produce some catchy songs on this great follow-up to the first album. In many ways this two-disc set is better than the first Hannah Montana album (there is no filler from other groups or singers) and there are many age-appropriate songs that adults will find themselves singing along to. They have included so many songs that not every song is a winner (some of the slow ones are boring) and songs that Miley wrote show that she is still learning how to songwrite. She also oversings a couple tunes. But overall this is very good, well produced and recommended.

can somebody..........2007-07-07

scan these plzzz

-Fron Cover
-Booklet
-Back of the Booklet
-CD
-Other CD
-Back Cover
-Anything Else Inside

It would be REALLY helpful, thanx!!!

P.S.:
I only rate it 1 star becuz i don't have the cd...yet

Far Better than it has the Right to Be.......2007-07-06

Everyone above who is complaining that "this isn't real music" and that it is only a marketing ploy are people who haven't actually listened to the CD. The first disc (the "Hannah") side is completely how it is described. Just a boring collection of Disneyesque pop made to advertise a TV show. But somewhere along the way, someone let the album get good. The "Miley" disc is far, far better than it has any right to be. If it wasn't packaged with "Hannah Montana" it would be getting the rave reviews that follow fellow popsters Kelly Clarkson, Gwen Stefani and Robyn, because it is just as good, if not better, then them all. Unfortunately too many people like to go on and on about the end of the music business and want to keep their street cred, so they fail to actually listen to music. Pop Music isn't a bad word, and this certainly isn't bad pop music. Hopefully Pitchforkmedia, long the perveyors of too-cool-for-you indie rock, but also champions of slick-as-hell pop music will catch wind and help out the cause.

Average customer rating: awesome Once Best film score of the year.. Once Amazing Film Amazing Songs

Once Original Soundtrack Manufacturer: Columbia ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Similar Items: The Cost Release the Stars Fitzcarraldo The Reminder Instant Karma: The Amnesty International Campaign to Save Darfur ASIN: B000PFU7OO Release Date: 2007-05-22

Tracks:

1. Falling Slowly
2. If You Want Me
3. Broken Hearted Hoover Fixer Sucker Guy
4. When Your Minds Made Up
5. Lies
6. Gold
7. The Hill
8. Fallen from the Sky
9. Leave
10. Trying to Pull Myself Away
11. All the Way Down
12. Once
13. Say It to Me Now

Amazon.com

Even those allergic to musicals may be won over by Once, a tender-hearted Irish romance with songs by Czech Republic-born Markéta Irglová and Frames frontman Glen Hansard. (The film's director, John Carney, actually used to play bass in the group.) The trick here is that Irglová and Hansard also play the leads; because their characters are shown busking, writing music, or rehearsing, the songs are smoothly integrated in the film. The overall acoustic mood won't surprise fans of the Frames--some tracks ("Say It to Me," "When Your Mind's Made Up") have even popped up on the band's albums, though the arrangements are more pared-down here, befitting the scruffy, street-musician setting. Being the lesser-known entity, Irglová feels like a revelation; she sounds a bit like a folkie Björk on "If You Want Me," and her song "The Hill" is downright heartbreaking. Irglová and Hansard had already made the 2006 album The Swell Seasontogether, so their collaboration here feels really organic--they sound particularly good together on the title track, for instance. Now that's the kind of magic you want from musicals. --Elisabeth Vincentelli

Customer Reviews:

awesome.......2007-07-15

The music was almost as good as in the movie. I loved the CD!

Once.......2007-07-13

I saw the movie and immediately ordered the soundtrack. I play it all the time. The music is great and the CD well balanced. I can't wait for the DVD.

Best film score of the year.........2007-07-12

I agree with the critics that this lovely movie has the best music of any film in years.

Once.......2007-07-12

This CD captures the beauty and power of the songs from the movie. I still get goosebumps when I listen to Say It To Me Know and When Your Mind's Made Up. You will not be disappointed by purchasing this soundtrack.

Amazing Film Amazing Songs.......2007-07-12

Once you see the film "Once" the music will stay in your head for days. The soundtrack captures the magic of the film and the music is 85% of the story. Wonderful music.

Average customer rating: Love the Broadway Cast recording? Give this a second chance... Two Tons of Fun! DISAPPOINTED WEAK! Feel Good Soundtrack to Feel Good Film

Hairspray (Soundtrack to the Motion Picture) Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Legally Blonde (2007 Original Broadway Cast) The Pirate Queen (2007 Original Broadway Cast) Curtains (2007 Original Broadway Cast) High School Musical 2 110 in the Shade (2007 Broadway Revival Cast) ASIN: B000PUAID4 Release Date: 2007-07-10

Tracks:

1. "GOOD MORNING BALTIMORE" - Nikki Blonsky
2. "THE NICEST KIDS IN TOWN" - James Marsden
3. "IT TAKES TWO" - Zac Efron
4. "(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
5. "I CAN HEAR THE BELLS" - Nikki Blonsky
6. "LADIES' CHOICE" - Zac Efron
7. "THE NEW GIRL IN TOWN" - Brittany Snow
8. "WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
9. "RUN AND TELL THAT" - Elijah Kelley
10. "BIG, BLONDE & BEAUTIFUL" - Queen Latifah
11. "BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
12. "(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
13. "I KNOW WHERE I'VE BEEN" - Queen Latifah
14. "WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
15. "(IT'S) HAIRSPRAY" - James Marsden
16. "YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
17. "COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
18. "COOTIES" - Aimee Allen
19. "MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake

Amazon.com

What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth Vincentelli

Album Description

The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.

The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).

Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).

Customer Reviews:

Love the Broadway Cast recording? Give this a second chance..........2007-07-14

When I first put in this CD and heard "Good Morning Baltimore", I was utterly disappointed. In fact, by the end of the first run-through I was almost prepared to write-off the movie. Almost.

If, like me, you're a fan of the stage production and the Broadway Cast recording, then you have to remember -- like I came to -- that this is the soundtrack to a movie (re-)adaptation.

You might, initially, be annoyed by the changes in the lyrics of certain songs, the addition of certain songs, the removal of "The Big Dollhouse", and the change in the order of songs. I still trying to get the putting of "Mama, I'm A Big Girl Now" at the end (since it was early on in the stage production)!

I think the movie is going to be great. But you can't compare the stage production and the movie directly -- it's really not fair, because they're entirely different mediums, and perhaps, more or less, aimed at different audiences (i.e., the movie is more for the masses).

You might need to listen to the CD a couple of times before you get into it. I'm on my third go-round now, and it's growing on me with every go (except for the song "Cooties"!).

Two Tons of Fun!.......2007-07-14

I thought "You Can't Stop the Beat" in the movie trailer sounded a bit lifeless but WOW! The soundtrack's ensemble sounds fantastic!
They POP! Tons of energy!
The chorus of "Beat" positively explodes at the end.

The new and augmented arrangements are dazzling also! Overall the soundtrack has much fuller sound over the original cast recording."Good Morning Baltimore" opens the cd, sounding much like "Be My Baby" with a big Phil Spector Wall of Sound...it just jumps out at'cha

Nicki Blonsky is a little less vocally demonstrative than the Broadway's Tracy, Marisa Winokur, but has a bright, appealing voice minus Winokur's more nasal quality.Michelle Pfeiffer's vocals doesn't match original cast member Linda Hart's growly belt but she has an interesting vibrato filled punch on her more sustained notes. Queen Latifah is not as dynamic or as powerful as Mary Bond Davis on the original but she sounds sassy on "Big, Blonde and Beautiful" and gives a understated performance on "I know Where I've Been". Travolta's renditions are lacking personality but he redeems himself on "Timeless to Me"

I don't know that this recording replaces the OBC (it doesn't feel quite as coherent or like a total experience) but it is very upbeat. The new songs are okay and totally fit in the style of the show. The score is reminiscent of 60s pop with lots of musical and vocal references to 60s hits (everything from "Wipe Out" to "Shout"),including an instrumental nod to "La Vie En Rose" during the charming Travolta/Walken "Timeless" duet.

My first listen gave me the same exultation and high I felt walking out of the theater after first seeing the show on Broadway!

DISAPPOINTED.......2007-07-13

Having just purchasesd and listened to the Hairspray soundtrack, I was very disappointed about how flat it all sounds? While the broadway show and the movie should be judged as two separate entities (due to casting), I enjoyed the broadway soundtrack because there was a sense of joy, enthusiasm and fun in the voices of the cast. This cast, however, only seems to be "singing" the songs, but the feeling just isnt there. While everyone is praising Queen Latifah, I found her renditions just lacking any emotion. Dont get me started on John Travolta...and Amanda Bynes? Michelle Pfeifers version is just too droll....but Zac Efron does a very good job of bringing his songs to life. If this is any indication of the movie, I might be avoiding it.

WEAK!.......2007-07-13

This is weak compared to the original broadway sdtk! I'm a huge Hairspray fan...There is a definate lack of energy on the movie sdtk...I hope the movie doesn't turn the same fate.

Feel Good Soundtrack to Feel Good Film.......2007-07-13

Saw a sneak preview last night of the film and it was fun! Did not have high expectations after seeing Hairspray on Broadway and again on a touring show but it was great. I like Nikki Blonsky's Tracy over Marissa Winokur's Tracy. This soundtrack as additional songs and sounds better than the orginal Broadway cast. Only wish Cooties was in the movie, hopefully it will be on the DVD version whenever. Glad it made it on the CD. See the movie, buy the soundtrack. John Travolta was OK as Edna, better than I expected but sometimes his voice reminded me of Mike Myers's Dr. Evil somehow. His dancing in "fat" costume was funny.

Average customer rating: I Love Phoebe Strole's as Ilse! what a great album. Interesting concept for the stage Great show, great soundtrack Great new musical

Spring Awakening (2006 Original Broadway Cast) Duncan Sheik , Steven Sater , Skylar Astin , Lilli Cooper , John Gallagher Jr. , Gideon Glick , Jonathan Groff , Brian Johnson , Lea Michele , and Lauren Pritchard Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Pop | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Grey Gardens - A New Musical (2006 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Company (2006 Broadway Revival Cast) The Drowsy Chaperone (2006 Original Broadway Cast) 110 in the Shade (2007 Broadway Revival Cast) ASIN: B000J3FBFC Release Date: 2006-12-12

Tracks:

1. Mamma Who Bore Me
2. Mamma Who Bore Me (Reprise)
3. All That's Known
4. The B*tch of Living
5. My Junk
6. Touch Me
7. The Word of Your Body
8. The Dark I Know Well
9. And Then There Were None
10. The Mirror-Blue Night
11. I Believe
12. Don't Do Sadness
13. Blue Wind
14. The Guilty Ones
15. Left Behind
16. Totally F*ucked
17. The Word of Your Body (Reprise)
18. Whispering
19. Those You've Known
20. The Song of Purple Summer

Amazon.com

Who would have thought that Duncan Sheik would succeed where Paul Simon and Randy Newman failed, successfully transitioning from the pop-rock world to the Broadway stage? With Spring Awakening, Sheik and book writer/lyricist Steven Slater (who had already worked on Sheik's 2001 album Phantom Moon) have created a thoroughly exciting show that incorporates a contemporary art-indie idiom (including a small rock band instead of an orchestra) into a dramatic musical-theater context. The unlikely setting is that of a Frank Wedekind adaptation, but as it turns out, teenage angst is perennial, whether it's in contemporary America or in a 1891 German boarding school. Songs such as "The Bitch of Living" ("with nothing going on, asking just what went wrong"), "The Word of Your Body," "I Don't Do Sadness," and "Totally Fucked" ("You're fucked if you speak your mind and you know you will") resonate with the rage, frustration, confusion, excitement, joy, anger, and of course budding lust of those hormone-driven years. The show is greatly enhanced by its youthful cast members (they're all pretty close in age to their characters), who sing their hearts out. --Elisabeth Vincentelli

Album Description

Decca Broadway presents the cast recording for the acclaimed new Broadway production, SPRING AWAKENING. Written by pop music composer Duncan Sheik and playwright/lyricist Steven Sater, the musical explores emotional earthquakes in the lives of teenagers.

SPRING AWAKENING is based on Frank Wedekind's controversial 1891 drama, which was scandalous in its day for addressing sex violence and suicide. The story, dialogue and costumes suggest the 19th Century, and are perfectly wedded to a beautiful alternative pop music score by Grammy® nominated singer/songwriter Duncan Sheik. The creative team also includes Tony® Award Winning director Michael Mayer (Thoroughly Modern Millie) and legendary choreographer Bill T. Jones.

Customer Reviews:

I Love Phoebe Strole's as Ilse!.......2007-07-14

I finally got this extraordinary soundtrack and I love it! The CD soundtrack is true to the play, with one exception. I saw "Spring Awakening" back in February and was blown away by the production and by the cast's incredible talent! That night I was also introduced to Phoebe Strole who played the part of Ilse. I will never forget how beautiful her voice was, especially on the song "Blue Wind". When I purchased the CD I was anticipating hearing Stole sing this beautiful song. And instead they used Lauren Pritchard's vocals for the soundtrack. Pritchard has a nice voice but I liked Strole's rendition better. I wish they would have put Strole's version as an alternate on this soundtrack recording. Other than that, this cast album is a must for your Broadway collection!

what a great album........2007-07-13

The songs are written so well, and the performances are excellent! It's quite an experience to listen to.

Interesting concept for the stage.......2007-07-13

The music is good, just takes some getting used to if your into more traditional musical theater. The themes are very adult, but the music is haunting. The phrasing is very different and the lyrics are more obtuse than I'm used to, But once you give it a chance, you will be singing these songs all day. I will be very interested in seeing this production live.

Great show, great soundtrack.......2007-07-13

Spring Awakening is "not your parents' musical," so to speak, and the music certainly reflects that. With many musicals, it is hard to enjoy the music out of context, i.e. if you haven't seen the show, but I don't think that is the case with this soundtrack. The songs are edgy, beautifully written and magnificently performed. I keep going back to this over and over again.

Great new musical.......2007-07-13

I saw the cast performing on the Tony's and was blown away by the music. TV usually deadens live theater no matter how good it is, but when I saw the company performing and they still were dynamite over the airwaves, I knew this was something special. The CD does not disappoint. Only criticism is that some of the lyrics they sing in a few songs are not in the liner notes, and it's so good I wish I had every word in writing. Not suitable for playing if you've got young children in the car, but the profanity is not for shock value, it is justified in the text. Great new work.

Average customer rating: CURTAINS is likable but not special. The Last Kander and Ebb All DAVID HYDE PIERCE FANS WILL LOVE IT!!!!!!!!! Very Pleasant Pure Entertainment

Curtains (2007 Original Broadway Cast) Manufacturer: Manhattan Records ProductGroup: Music Binding: Audio CD Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: 110 in the Shade (2007 Broadway Revival Cast) Spring Awakening (2006 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) The Pirate Queen (2007 Original Broadway Cast) Company (2006 Broadway Revival Cast) ASIN: B000PC1QKQ Release Date: 2007-06-05

Tracks:

1. Overture
2. Wide Open Spaces
3. What Kind Of Man?
4. Thinking Of Him
5. The Woman's Dead
6. Show People
7. Coffee Shop Nights
8. In the Same Boat
9. I Miss the Music
10. Thataway!
11. The Man Is Dead
12. He Did It
13. In the Same Boat
14. It's a Business
15. Kansasland
16. Medley: Thinking Of Him/I Miss the Music
17. A Tough Act To Follow
18. In the Same Boat
19. In the Same Boat
20. Show People
21. Wide Open Spaces
22. A Tough Act To Follow

Amazon.com

Sadly, Curtains is the final entry in the long and fruitful partnership of lyricist Fred Ebb (who died in September 2004) and composer John Kander. While the show doesn't reach the heights of the team's previous masterpieces, such as Cabaret and Chicago, it's certainly a lot better than, say, their middling 1997 offering Steel Pier. Deliberately old-fashioned (it even features a real overture, something that's fast becoming a rarity), Curtains is a whodunit rolled into a musical--or vice versa. Set in 1959 Boston, it takes place backstage at a singing-and-dancing Western corker titled Robbin Hood. Someone gets killed, and a show tunes-crazy homicide detective (David Hyde Pierce) is called in. The plot is just a pretext for a series of very entertaining, characteristically brass-heavy songs that may not have the bite of old Kander and Ebb but are still very catchy. Above all, Curtains is (both thematically and stylistically) a love letter to old-school showbiz, and it's delivered on a silver platter by a cast of pros that includes the aforementioned Hyde Pierce, Kander and Ebb habituée Karen Ziemba, endearing Jason Danieley and, a notch above the rest, Debra Monk. Unsurprisingly, she chews the scenery and spits it right back in a pair of rowdy numbers: "Show People" and "It's a Business." --Elisabeth Vincentelli

Album Description

Curtains is an entertaining play within a play, as well as a "whodunit" new musical comedy featuring one of the last scores by legendary, Tony Award-winning songwriters John Kander and Fred Ebb (Cabaret, Chicago, New York, New York). Starring David Hyde Pierce (Spamalot, "Frasier") and Debra Monk, the Curtains original Broadway cast album is produced by nine-time Grammy Award-winner Jay David Saks.

Customer Reviews:

CURTAINS is likable but not special........2007-07-15

There is nothing particularly great about this score, but it is likable, and it is Kander & Ebb's final work. That makes it worthwhile to have. The next time I am in NYC, which won't be until December, I would like to see CURTAINS, especially if David Hyde Pierce is still in it. I prefer revivals and old fashioned musicals like CURTAINS to the new shows with rock or folk rock scores, like LEGALLY BLONDE which I disliked.

The Last Kander and Ebb.......2007-07-13

Couldn't miss the opportunity to hear the last of the Kander and Ebb collaboration. This score has a familiar feel to it. The music is good but not great and the show seems as if it would be fun.

All DAVID HYDE PIERCE FANS WILL LOVE IT!!!!!!!!!.......2007-07-10

And even if you are not---the music is great!!!!!! This is the final collaboration between John Kander and the late Fred Ebb--plus throw in the efforts of Rupert Holmes (who wrote the underated MYSTERY OF EDWIN DROOD--and everyone's favorite guilty pleasure 70's tune--THE PINA COLADA SONG). Anyway, I always thought David was robbed of a TONY nod for SPAMALOT--so his win for this was quite overdue!

Every song is a winner---and it is not just because of Pierce--Deborah Monk also has one of the great show stoppers "IT'S A BUSINESS"!

All theatre buff will enjoy--I certainly did!

Very Pleasant.......2007-07-10

Nice, witty and pleasant music. Sadly, as the teams last work, it is not on a par with their earlier efforts. I kept expecting the big, gorgeous, soaring ballad of other shows, but it never really comes. I still think Steel Pier is their best work (tho the show didn't work). However when you are the composers of Cabaret, The Happy Time, Woman of the Year, Chicago, The Act and The Rink (among still more), you go down in theater history as one of the great songwriting teams in American theater.

The performers are all first rate, David Hyde Pierce and Debra Monk are hoots. KAren Ziemba, as always, is wonderful. A major disappointment is that Jason Danielly's beautiful tenor voice is not given more to do. Overall, pleasant fun!!

Pure Entertainment.......2007-07-10

Very entertaining. A fitting finale to the partnership of Kander & Ebb.
The story is immaterial to the music. A strong cast carries off what could be considered a nonsense piece. Plaudits all round to the cast, writers and producers.

Average customer rating: Movie Soundtrack Review Get on the freeway, roll down the windows and DRIVE! AHOY! Pirates Of The Caribbean:At World's End CD Beyond words

Pirates Of The Caribbean: At World's End Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pirates Of The Caribbean: Dead Man's Chest Pirates Of The Caribbean: The Curse Of The Black Pearl Bring Me That Horizon:: The Making of Pirates of the Caribbean (Welcome Book) 300 Original Motion Picture Soundtrack The Art of Pirates of the Caribbean ASIN: B000P0J02E Release Date: 2007-05-22

Tracks:

1. Hoist the Colours
2. Singapore
3. At Wit's End
4. Multiple Jacks
5. Up Is Down
6. I See Dead People In Boats
7. The Brethren Court
8. Parlay
9. Calypso
10. What Shall We Die For
11. I Don't Think Now Is the Best Time
12. One Day
13. Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

Movie Soundtrack Review.......2007-07-16

I love his music. And all the movie soundtracks he has done. I already have two of these,one for my car,and one for my home. This purchase was for my best friend on her birthday. His music for soundtracks,always intenses and blends so well with the movie,which it is all about. He's a wonderful composer.

Get on the freeway, roll down the windows and DRIVE!.......2007-07-16

I LOVE this CD! It is just so much fun.
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!

AHOY!.......2007-07-14

Love it. Listening to it is like re+living the movie over and over again.

Pirates Of The Caribbean:At World's End CD.......2007-07-13

The music that Hans Zimmer has written for this movie is outstanding. Once you have seen the movie, you realize the music fits it perfectly. There are several favorites that bring to mind the favorite scenes during which they're played so it's almost like watching the movie while listening to the CD. I have the CD's from all three Pirates movies and, while I love them all and listen to them regularly, the music from AWE is a different type of music. I recommend it highly.

Beyond words.......2007-07-09

I can't even explain how I feel about the Pirates of the Caribbean soundtracks, especially the third disc. I can't imagine how someone can be so talented to be able to connect you to the story through this music, I just really can't understand. "At Wit's End" is definitely a masterpiece, however every single song on this disc, along with all the others are absolutely outstanding. I love soundtracks, but I am aware of Hans's talent, and knowing he was one of the composers of these tracks I knew it would be a win win situation, and I knew I was not to be disappointed. I have never caught myself listening to a soundtrack..over and over.....and over again. Literally, I even watch the movies over and over so that I can listen to the soundtracks on it. Amazing stuff, just like I said, BEYOND WORDS!!

Average customer rating: La Vie en Rose

La Vie en Rose: La Mome Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Voice of the Sparrow: The Very Best of Edith Piaf Edith Piaf: 30th Anniversaire Edith Piaf: Her Greatest Recordings 1935-1943 Eternelle: The Best Of Once ASIN: B000MEYIBG Release Date: 2007-05-22

Tracks:

1. Heaven Have A Mercy
2. Milord
3. Rien De Rien
4. La Foule
5. Cri Du Coeur
6. La Vie En Rose (English version)
7. Padam Padam
8. Mon Dieu
9. L'Hymne A L'Amour
10. Mon Manege A Moi
11. Non, Je Ne Regrette Rien
12. L'Eveil
13. Mon Legionnaire (piano solo)
14. Lisieux
15. La Mort De Leplee ("Mon Legionnaire")
16. Apparition
17. L'ABC
18. L'Arrestation ("Mon Legionnaire")
19. L'Idylle
20. Derniere Nuit
21. Mon Homme (interpreted by Jil Aigrot)
22. Les Momes De La Cloche (interpreted by Jil Aigrot)
23. Les Hiboux (interpreted by Jil Aigrot)
24. Fascination (interpreted by Maya Barsoni)
25. Il M'a Vue Nue (interpreted by Mistinguett)
26. La Poupee
27. Vie En Rose (accordeon)

Amazon.com

As befits the soundtrack of a music biopic, most of the heavy lifting here is done by the movie's subject: iconic French singer Edith Piaf. She was the Gallic Judy Garland, a natural performer who overcame one personal tragedy after another and was never more alive than on stage, forging an uncommon bond with both material and audience. Since actress Marion Cotillard lip-synchs in the film, the first 11 tracks on the CD are by Piaf herself, and give a good overview of her biggest hits (though we get the English version of the title track) and her feverish, ultra-dramatic style. But Piaf wasn't only a tragedienne of song: Her lighter side is represented by "Rien de Rien" and "Mon Manège à Moi," which she infuses with wonderful flair. Tracks 12-20 are made up of Christopher Gunning's richly symphonic original score (check out "La Mort de Leplée"). The last third of the album offers Piaf without Piaf, with contemporary singers Jil Aigrot and Maya Barsoni performing her songs (apparently because the originals' poor sound quality meant they would have stuck out in the movie). Watch out, however, for Mistinguett's hilarious "Il m'a vu nue," a slice of French music-hall history preserved in amber. --Elisabeth Vincentelli

Album Description

Official motion picture soundtrack to the film La Vie En Rose, the dramatic real-life story of French chanteuse Edith Piaf, starring Marion Cotillard and Gerard Depardieu. This release contains 27 tracks featuring 11 of Piaf's most popular songs remastered including "La Vie En Rose", "Hymne A L'amour" "Milord" and "Non, Je Ne Regrette Rien", plus the original score by Christopher Gunning.

Customer Reviews:

La Vie en Rose.......2007-07-06

The soundtrack to the movie by the same title is excellent. The restoration was superb. The voice of Edith Piaf is masterful.

Average customer rating: Jersey Boys Like being there A step back in musical time Great music, but missing too much Jersey boys win my heart

Jersey Boys (2005 Original Broadway Cast) Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Very Best of Frankie Valli and the Four Seasons The Drowsy Chaperone (2006 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) Spring Awakening (2006 Original Broadway Cast) The Color Purple (2005 Original Broadway Cast) ASIN: B000BFH2QY Release Date: 2005-11-01

Tracks:

1. Ces Soirees la'
2. Early Years Medley
3. Cry For Me
4. Backups Medley
5. Sherry
6. Big Girls Don't Cry
7. Walk Like A Man
8. December, 1963
9. My Boyfriend's Back
10. My Eyes Adored You
11. Dawn (Go Away)
12. Big Man In Town
13. Dialog: A Little Trouble
14. Beggin'
15. Dialog: See How You Handle It
16. Medley Listen Listen
17. c'mon marianne
18. Can't Take My Eyes Off Of You
19. Working My Way Back To You
20. Fallen Angel

Album Description

Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.

Amazon.com

Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth Vincentelli

Customer Reviews:

Jersey Boys.......2007-07-08

Purchased CD prior to seeing the show when visiting USA in '06. A fun lively show - the CD now captivates those fond memories of not only the foot tapping music & show but also our special time in New York.

Like being there.......2007-07-05

Have seen the play twice. This album lets me relive the experience anytime anyplace. A great piece of Rock n roll history.

A step back in musical time.......2007-07-05

My wife and daughter didn't know about the Four Seasons but I did. When I told them I wanted to see the musical on stage, there was no interest so I bought this product and they heard it in the car. We went to the stage musical soon after and we have listened to the entire disk so many times I've lost track. I created a Four Seasons monster in my daughter. She's fifteen and has memorized most of the songs and sings along while we are driving somewhere.

Great music, but missing too much.......2007-07-04

I saw this play at age 16 with no idea who the Four Seasons were, but instantly fell in love with it. The problem is, this soudntrack cuts a two hour play into less than an hour on CD. Most of the dialouge is missing, only including enough to let each member of the group at least say something. I know many play soundtracks cut out dialouge, but what confuses me is why this stretches to the music as well. What is there is amazing, but I don't understand why most of the songs are cut to half, and sometimes even a third or fourth of their original lengths. I love this CD, just be aware that you are hardly getting any story, just clips of lots of Frankie Valli and the Four Seasons songs. So, great music and dialouge, just not enough for a musical soundtrack.

Jersey boys win my heart.......2007-07-03

what a wonderful album-brings back such wonderful memories
they don't write songs like this enough today

Average customer rating:

High School Musical 2 Original Soundtrack Manufacturer: Disney ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Similar Items: Hannah Montana 2: Meet Miley Cyrus High School Musical, The Concert - Extreme Access Pass Hairspray (Soundtrack to the Motion Picture) High School Musical 2: What Time Is It Hannah Montana - Pop Star Profile ASIN: B000QCTGIE Release Date: 2007-08-14

Tracks:

1. What Time Is It
2. Fabulous
3. Work This Out
4. You Are the Music in Me
5. I Don't Dance
6. You Are the Music in Me (Sharpay Version)
7. Gotta Go My Own Way
8. Bet On It
9. Everyday
10. All For One
11. BONUS TRACK: HUMUHUMUNUKUNUKUAPUA'A

Album Description

High School Musical 2 is the follow up to the Music Phenomenon of 2006! Featuring the #1 hit single "What Time Is It"

Average customer rating: good score, bad CD eeeaaaaaa Woefully inadequate Time to BRING BACK JOHN WILLIAMS!! Noise noise noise noise

Harry Potter and the Order of the Phoenix Manufacturer: Warner Bros/Wea ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Pirates Of The Caribbean: At World's End Music from the Harry Potter Films Ratatouille Harry Potter and the Chamber of Secrets Harry Potter & the Prisoner of Azkaban ASIN: B000OLGCHA Release Date: 2007-07-10

Tracks:

1. Fireworks
2. Professor Umbridge
3. Another Story
4. Dementors in the Underpass
5. Dumbledore's Army
6. The Hall of Prophecies
7. Possession
8. The Room of Requirements
9. The Kiss
10. A Journey to Hogwarts
11. The Sirius Deception
12. Death of Sirius
13. Umbridge Spoils a Beautiful Morning
14. Darkness Takes Over
15. The Ministry of Magic
16. The Sacking of Trelawny
17. Flight of the Order of the Phoenix
18. Loved Ones and Leaving

Amazon.com

For its fifth cinematic installment, the Harry Potter franchise gets a new composer as England's Nicholas Hooper (a usual collaborator of new director David Yates) succeeds Patrick Doyle and John Williams. The screeching electric guitar that suddenly irrupts on the very first track, "Fireworks," lets the listener know that all is not quiet on the Hogwarts front. The kiddies are growing up, evil is spreading: which is worse?! But actually this modern sonic touch is deceiving: Hooper works within an old-school format and mostly sticks to tried-and-true effects. His score is best when it goes for tension and unease, particularly in its use of low, rumbling tones: A choir starts by humming in a menacing manner in "Dementors in the Underpass"; the sound at the beginning of "The Death of Sirius" feels as if it's being belched out from some deep, dark, scary place, creating an effective atmosphere of dread. Elsewhere, the beginning of "Possession" feels as if it belongs in a J-horror movie, and then the track becomes deceptively calm before the storm hits again. Keen listeners will recognize Williams' "Hedwig's Theme" in "Another Story," but mostly Hooper is his own man. Just like the overall series, which gets darker and darker as it goes along, this CD makes for a rather brooding listening experience--the pizzicato violins on "Umbridge Spoils a Beautiful Morning" provide one of the few jaunty touches. --Elisabeth Vincentelli

Album Description

Featuring a colorful and inspiring score by Nicholas Hooper, the soundtrack to Harry Potter and the Order of the Phoenix takes the movie-goer to the next level of magical enchantment right along with Harry and his friends.

Customer Reviews:

good score, bad CD.......2007-07-16

While watching the terrific movie this score comes from, I was very positively impressed by the work Nicholas Hooper has done: it works extremely well within the context of the movie, which, after all, is the ONLY job a score is required to get done.

However, when I got the CD and listened to it, I was VERY disappointed with it. This has got to be THE most poorly sequenced score CD I have ever heard. The CD has absolutely no dramatic flow, but what's worse is that much of the best music seems to have been left off, so that you can't even make a particularly good self-sequenced album out of it.

There are still a few good tracks here -- the "Dumbledore's Army" sequences, at least, are fairly well represented -- so hardcore score collectors will enjoy having it. For most everybody else, it's an enormous letdown.

Here's hoping that someday, when the series is complete, we'll get nice, complete presentations of all seven scores. It's sorely needed in this movie's case.

eeeaaaaaa.......2007-07-14

it was'nt the best, and it could of been better it was alwright. the first two was a lot better then this one in my own words.
bring back john williams

Woefully inadequate.......2007-07-14

First off, I will not throw in the "John Williams needs to be brought back to score Harry Potter" line as its already been well overused at this point. Nicholas Hooper's background in television music is very evident in his score work for Harry Potter and the Order of the Phoenix, and unfortunately, having to overcome the melodic envelopment of John Williams' work in the first three movie soundtracks is not something most people can even attempt to try.

The arrangement of the tracks on the soundtrack is not sequenced as they were played in the movie, which is jarring for those of us that like to follow a storyline based on its music. And sadly, the choice to do the order in this manner just proves that Hooper's music is not textured or rich enough to give each song track its own voice and yet be part of a larger chorus, but rather that each song was cookie cut and freeze dried to be placed anywhere that would keep the listener's attention level up.

The opening track, Fireworks, was not one of the best introductions to a Harry Potter soundtrack I would ask for but I guess that comes from being spoiled by always hearing "Hedwig's Theme" in its various incarnations opening a soundtrack. Listening to the CD in its entirety, I could honestly say that Hooper's music was so much in the background that most of the time you hardly noticed it. While William's music in Sorcerer's Stone, Chamber, and Azkaban accompanied the movie hand in hand, and Doyle's music was so jarringly in the front that you had to notice it, Hooper's music was so low-key that even in the "taking flight"-style songs you barely notice the music-if at all.

Sadly, Umbridge's "theme" was not something I found appropriate for her character. The theme gave me the impression that Umbridge was more of a character to be ridiculed at a sideshow than the truly menacing Ministry of Magic member to be watching out for. The music in relation to Voldemort felt forced and nothing made it stand out for his level of evil power. I enjoyed the "Flight of the Order of the Phoenix" track primarily because of the high hope feeling it placed upon the listener, but Hooper cuts it short (the song was only 1 min, 32 seconds) before it becomes a truly beautiful and sweeping song.

The finale song, Loved Ones and Leaving sends our Hogwarts family off into the sunset, with feelings of grief for those lost during the journey but hope for what the next adventure is to bring. Beautiful song, but for some reason, the song felt like the ending of a TV series and less an ending for a movie like Order of the Phoenix.

Overall, Nicholas Hooper did a decent job of creating the score for Order of the Phoenix but the score ends up being just another soundtrack to join the other unexciting soundtracks. Unfortunately, there are no tracks in the soundtrack that I will find humming years later such as John Williams' "Hedwig's Theme" and for the most part, only one or two tracks will be replayed due to most of the tracks either being forgetful or just outright not appropriate for the scene it was attached to. Avid Harry Potter fans will fetch this one up just because it IS Harry Potter, but for the casual soundtrack listener, I would say stick to the Harry Potter soundtracks done by John Williams to remember the true musical legacy for the franchise.

Time to BRING BACK JOHN WILLIAMS!!.......2007-07-13

Sadly, this soundtrack turned many of John Williams' beautiful themes into death marches and left nothing new to be desired. It was much like a bunch of sound effects rather than a score meant to tie the movie together into an artistic whole. Obviuosly, Warner Brothers is trying to make the Harry Potter movies as cheap as possible since they know the fans will come no matter how poorly they make the films. John Williams has said that he would love to do Harry Potter again, and they need him to strenthen his wonderful themes to tie all the movies together before it's too late.

Noise noise noise noise.......2007-07-12

Received the soundtrack prior to having a chance to see the movie since the movie just came out for us yesterday. I was disappointed in the sound track since from Williams' first the HP music has been fun to listen to even as background music while working or whatever. But HP 5 just seemed tune-less. The Umbridge theme is there and annoying as it was designed to be -- increasingly so -- as designed to be -- but this is well, annoying music. Good job. Well, I waited to see the movie before making a judgment on the soundtrack since after all it is music for the movie and the main thing it should do is work well with the movie. And while watching the movie I noticed that it is appropriate noise for the movie -- but, and I realize one of the rules of music is to be not only invisible but inaudible -- not distract from the action -- it is never distracting. It seems never good enough to distract attention from the action. Is this how the science of directing our emotional sense during the movie is going? There will be little point in buying soundtrack noise then. So this is a disappointment. I miss Williams' themes even if they remind us of Star Wars or Indiana Jones or Close Encounters. You can sing some of those. With HP 5 the only thing I can sing is annoying.

International Music:

1. Exitos
2. Experencia
3. Fata-Organa
4. For Sverige I Rymdem- De Levas Basta [Import]
5. Gongolo [Import]
6. Grandes Sucessos [Import]
7. Gypsy Music from the Balkans [Import]
8. Hot Brazilian Jazz [Import]
9. Indian Classical Music on the Sitar & Tabla [Import]
10. Intelectual

International Music

International Music