Power to the Soul

Track Listings

 
1. Power to the Soul {Music from the Animation Film "The Moment"}
2. Aseriso
3. Flying Gods
4. Assase
5. Jungle Walk
6. Okemi Ekpe
7. My Hometown
8. Queen Is Born
9. Noko Ye Dzen [Live Solo]
10. Warrior [Live Solo]
11. Nana
12. Ogidi Gidi
13. Wala ABA

Power to the Soul,Gordon Odametey,United One Records,African,Int'l & World Music,Pop,World Music
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Back to Oakland
Average customer rating: 5 out of 5 stars
  • East Bay... All The Way
  • Excellent Groove, Never Gets Old, Squib Cakes Highlight
  • ONE WORD: AWESOME!!!
  • SQUIB CAKES!
  • ...like a bowlegged monkey
Back to Oakland
Tower of Power
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Tower of Power
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  3. Bump City
  4. East Bay Grease
  5. In the Slot

ASIN: B000002KF2
Release Date: 1990-10-25

Tracks:

  1. Oakland Stroke...
  2. Don't Change Horses (In The Middle Of A Stream)
  3. Just When We Start Makin' It
  4. Can't You See (You Doin' Me Wrong)
  5. Squib Cakes
  6. Time Will Tell
  7. Man From The Past
  8. Love's Been Gone So Long
  9. I Got The Chop
  10. Below Us, All The City Lights
  11. ...Oakland Stroke

Amazon.com

Formed out of various Oakland-based bands in the early '70s, Tower of Power was the West Coast answer to the various rock horn bands popular during that period. But where their rivals relied on catchy horn charts and bland lyrics (Chicago instantly comes to mind), Tower of Power was funkier, grittier, and a lot greasier than any of their contemporaries. Back to Oakland isn't one of their strongest albums. After two promising openers, "Oakland Stroke" and "Don't Change Horses in the Middle of the Stream," the set slips into more shapeless jams and is hobbled by the band's tendency toward mundane lyrics. Fans can savor the strong horn section work throughout, but this isn't the logical starting point for newcomers to TOP--a better bet is their second album, East Bay Grease. --Tom Vickers

Customer Reviews:

4 out of 5 stars East Bay... All The Way.......2007-01-02

What can I tell you about some of my homeboys... from the Bay. You gotta be ready for variety when you listen to ToP, because normal and ordinary is not them. They mix rock with soul with jazz with anything and everything else that sounds good. One of my favorites.

4 out of 5 stars Excellent Groove, Never Gets Old, Squib Cakes Highlight.......2005-04-28

Several tunes on 'Back to Oakland' feature Tower of Power at their best. One in particular that keeps me coming back is the deeply funky instrumental track, 'Squib Cakes'.

Featured soloists include a short, mellow guitar solo from Bruce Conte, followed by Greg Adams' fluegelhorn that first lurks in the pedal range (leading one to believe it's a trombone!) and then soars brilliantly higher and higher to a dramatic finish.

Tenor madness abounds from lead saxman Lenny Pickett (known primarily for his work as lead Tenor for the Saturday Night Live band), wailing in-tune in the difficult altissimo range (jazz musicians call these 'freak notes' because they are not notes typically included in the range of the instrument ... ), while at the same time refusing to compromise on excellent rhythmic and melodic ideas throughout.

Chester Thompson completes the soloistic foursome with a chunky Hammond organ solo that takes you back to a smoky bar in LA in the early 70s - without the probability of cancer. Lyrical yet hard-driving, Thompson lulls us first into his solo space by filling in behind the band as they chant 'Squib Cakes', then takes off on his own flight, delving out perfect 16th-note runs as though Bach suddenly had learned some jazz Hammond himself. In the middle of the solo, as if to a testament to the tightness of the groove, Thompson lingers on a treble note in his right hand, chunks out chords so symmetrically with the rest of the rhythm section with his left, that in the days of hearing this on vinyl, I wondered if my record was skipping through that section!

To finish the groove, at the end of Thompson's solo, the horns return to fill in a bridge with quick triplets. After he closes, we're back to the head to close out the tune.

Even with so much to savor, this syncopated gem will leave you hungering for more, even after the final stroke of the last chord. The musicianship and tightness of their groove more than make up for the bland lyrics on the album's other tunes. I have listened to this album for 30 years and revel in its freshness every time I spin it. I recommend it as a definite primer for anyone wishing to explore Tower of Power's "sound."

- Kathryn Shut

5 out of 5 stars ONE WORD: AWESOME!!!.......2004-08-13

I should have written this a long time ago. This album (CD) changed the way I looked at music, at groups, at the meaning of life . . . well, maybe not that drastically. But this album started a huge love affair between me and the Tower of Power. I'd never heard anything even approaching their level of musicianship, professionalism or tightness as a horn-based group. I'd heard a ton of groups up to this point in time: Blood, Sweat & Tears, Chicago and that group that made VEHICLE being the most prominent. Even Buddy Miles on his BUDDY MILES LIVE album (OOP) had a tremendous horn section But none of them highlighted the horn sections consistently. None of them could come close to this group of musical prodigies.

Every cut was a joy to listen to. Even the split-up version of OAKLAND STROKE was just a fun jam. My impressions of the group: Aside from Jimmy Smith, I hadn't heard a Hammond B3 sound so funky till I heard Chester Thompson. Aside from Jr. Walker, I hadn't experienced anyone who had such masterful control of their altissimo range till I heard Lenny Pickett. The supporting horns (Kupka, Castillo, Adams and Gillette) had their own vibe and despite a lack of solo time, managed to make a significant impact on every song. And for bass work, nobody was touching Rocco Prestia. In his true prime, Rocco's style was totally individual. David Garibaldi was what I considered a phenomenal drummer. All his rhythms were crisp and unique . . . playing off the sycopation of the bass, organ and guitar. He had a serious ear for rhythms. Bruce Conte was one of the most underrated of the crew, but his guitar work was ahead of its time. There were traces of jazz and some island influences that I hear very plainly.

Lenny Williams' vocals really set a definitive tone for this group. They were distinctive, fluid and heartfelt. His voice made the puzzle complete; put the icing on the cake; lit the cigarette after some mind-blowing sex.

My favorite selections: Without a doubt, JUST WHEN WE START MAKIN' IT ranks as one of my all-time favorite tunes. It exemplifies what the group is all about. It's jazzy, it's laid back, but it drives relentlessly, fills you with emotional fire and thrills your music sense to its fullest. Lenny's vocals are soaring and urging, Pickett's sax solos are powerful and sensual, the staccato background horns are poignant and dynamic, the organ break not only resets tempo, but turns into a thing of genius. CT creating a series of rippling, bubbling organ lines against the crescendo of the entire horn contingent and the incomparable Garibaldi drums - cymbals crashing, bass tom rolling, the incredible beat he lays down was too innovative. I was overwhelmed the first time I heard this. I must have worn out the vinyl from overplaying it. Actually, I have owned this album/CD around 12 times since 1973, from having to repurchase it after having it stolen or borrowed out indefinitely.

Other favorites: TIME WILL TELL, CAN'T YOU SEE, CITY LIGHTS. And no instrumental rocked my soul for a long time like SQUIB CAKES. Chester wrote a lot of songs in some other albums, but they all sounded like mutated versions of SQUIB CAKES . . . like distant cousins or wannabe next door neighbors.

In all, I really love this album. It's been part of my life for over 30 years. And it just sounds better everytime I put it on.

5 out of 5 stars SQUIB CAKES!.......2004-07-24

Squib Cakes is such an awesome song. "Dont Change Horses (in the Middle of a Stream)" is great too. This is an awesome CD. GET IT

5 out of 5 stars ...like a bowlegged monkey.......2003-10-17

Of all the Tower of Power albums (yes albums) and CDs I own, this has to be the best of the bunch. You have the band at a great point in their history with one of the premier lineups. The stand out song for me on the album is "Can't You See", a great song, especially live. Other good tunes include "Man from the Past" and "City Lights", which I would suggest while spending some time up at Coit Tower in San Francisco. If you were to get one TOP CD, I would say to get this one.
Will to Power
Average customer rating: 3.5 out of 5 stars
  • Unforgivable
  • Best CD of the 80s
  • This album started the Freestyle Movement
  • Great Memories!
  • Sorry.... I cannot give it less than one star.
Will to Power
Will to Power
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Alisha
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ASIN: B0000026D7
Release Date: 1990-10-25

Tracks:

  1. Dreamin'
  2. Searchin'
  3. Baby, I Love Your Way/Freebird Medley (Free Baby)
  4. Somebody Told Me
  5. Fading Away
  6. Say It's Gonna Rain
  7. Zarathustra
  8. Show Me The Way
  9. Strangers
  10. Anti-Social

Customer Reviews:

1 out of 5 stars Unforgivable.......2004-12-18

If ever negative values were deserved, this is the one. Not that Baby I Love Your Way was all that good to begin with, but to first pair it with Freebird and then to give the Skynyrd song a worse turn than Frampton - unbelievable that we had to suffer through this schlock (can't use a stronger word on Amazon.com) in 1988. Horrible, unforgivable, just about as bad as 1980s music gets.

5 out of 5 stars Best CD of the 80s.......2002-09-05

3 freestyle dance songs that all hit #1 on the dance charts. And 1 ballad that went to #1 on the popcharts and still gets heavy airplay today. I highly recommend this CD

5 out of 5 stars This album started the Freestyle Movement.......2002-07-19

Best album of the late 80s. The 3 big dance songs are classics ("Dreamin", "Say it's Gonna Rain" and "Fading Away". The ballad, "Baby I Love Your Way/Freebird" was extremely creative and one of the best ballads of all times. The radio stations still play this as a heavy recurrent.

5 out of 5 stars Great Memories!.......2001-12-02

I love "Baby I love your way"! It was one of my childhood songs and reminds me each and everytime what beautiful things I have in this world...

This song was originaly sang by Will To Power for the first time ever, and I say this for the customers who are looking for this song ("With the boy and the girl singing..")..

The whole album's good, and I will truly recommend it for every music fan, and even the ones that love the 80s just like me.

The whole album: Good
"Baby I love your way.." song: A MUST!

1 out of 5 stars Sorry.... I cannot give it less than one star........2000-11-11

You are kidding me, right? This "group" epitomizes all that was wrong with music in the 80's. The total lack of musical talent barely masked by over-produced electronic enhancment, while shredding not one but TWO classic rock and roll ballads. This CD is not worthy to be utilized as a coaster for a cheap light beer. Run away. Very fast.
Love Power
Average customer rating: 4.5 out of 5 stars
  • Excellent 80s love song
  • Hot music by a hot male (and female)
  • What a Classic!
Love Power
Will to Power
Manufacturer: Sony Music Special Products
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002Z2U
Release Date: 2003-02-04

Tracks:

  1. BABY I LOVE YOUR WAY/FREEBIRD MEDLEY (FREEBABY)
  2. BOOGIE NIGHTS
  3. IT'S MY LIFE
  4. SHOW ME THE WAY
  5. SEARCHIN'
  6. I'M NOT IN LOVE
  7. BEST FRIEND'S GIRL
  8. CLOCK ON THE WALL
  9. JOURNEY HOME
  10. ANTI-SOCIAL

Customer Reviews:

5 out of 5 stars Excellent 80s love song.......2007-01-21

I would Recommend this one from the 80s because it sounds just as Fantastic as It did when I heard it in the 80s on Vh1

4 out of 5 stars Hot music by a hot male (and female).......2001-09-27

I love this album!! It has so many good songs to snuggle to and to just remember the good times to. When they perform together on this album, you will be ready for love. (Besides, he is such a hunk!)

5 out of 5 stars What a Classic!.......1999-06-28

I love every song from Will To Power, it brings back many memories. The music and the vocals are a well thought combonation. Buy this!
Vanthology: A Tribute to Van Morrison
Average customer rating: 5 out of 5 stars
  • Breaking the mold for Tributes
  • Just buy this CD if you like good music.
  • Well Done!
  • Why didn't anyone do this before?
  • Magnificent!
Vanthology: A Tribute to Van Morrison
Various Artists
Manufacturer: Evidence
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AB6ZR
Release Date: 2003-08-05

Tracks:

  1. Tupelo Honey - Little Milton
  2. Jackie Wilson Said - Syl Johnson
  3. Have I Told You Lately - William Bell
  4. Brown Eyed Girl - Freddie Scott
  5. Into The Mystic - Frederick Knight
  6. Real Real Gone - Bettye LaVette
  7. Crazy Love - Eddie Floyd
  8. Gloria - Sir Mack Rice
  9. Warm Love - Otis Clay
  10. Queen Of The Slipstream - Son Seals
  11. Bright Side Of The Road - Dan Penn
  12. My Lonely Sad Eyes - Bobby Patterson
  13. I Like It Like That - Henry Butler
  14. Bulbs - Ellis Hooks
  15. Moondance - Chuck Jackson

Customer Reviews:

5 out of 5 stars Breaking the mold for Tributes.......2006-11-23

Most tributes have flaccid performances by artists who (a) don't understand the original side, (b) are not in the same class as the original artist, or (c) simply didn't bother to practice or develop a creative new arrangement.

This album has superb, intelligent artists who put together lovely new arrangements - many of the cuts would stand alone on the charts by themselves.

A great album.

5 out of 5 stars Just buy this CD if you like good music........2006-02-23

I have all Van Morrison's records from the era when LP's were king. I have this CD in my auto and it has not been out for over a week. The songs get better each time I hear them. This is just plain great music. I hate to say it but they have made the original versions lose something. Buy this if you love good American music.

5 out of 5 stars Well Done!.......2004-09-03

My local record store was having a buy 3 get 4 sale on CDs this week. I've been anxiously awaiting the release of Ray Charles' "Genius Loves Company" so I made a trip to get that CD (which I love, by the way). One of the other purchases to get to my "buy 3" was "Vanthology." It has been on my 'get' list for several months, but not one needing a special trip -- at least I thought it didn't.

At home I immediately put both CDs in the player and, as it happened, listened to "Vanthology" first. It was amazing. "Genius Loves Company" followed, but at decision time I went right back to "Vanthology" and played it a second time -- and I'll probably do a third time tonight as well.

I'm embarrassed to say that I was familiar with only two of the performers: Bettye Lavette and Son Seals. They provided wonderful renditions of Morrison's "Real Real Gone" and "Queen of the Slipstream" (respectively); but I was especially impressed with Little Milton's "Tupelo Honey" and Frederick Knight's "Into the Mystic."

This is an excellent compilation of songs and performers and I regret not having had it to listen to for the last several months. An especially enjoyable bonus are the liner notes that provide very interesting background to the performers and (fornutatley for me) point to other works of theirs that I will definitely look for.

4 out of 5 stars Why didn't anyone do this before?.......2004-04-03

This is a natural. It's great to hear soulful singers reinterpret these classic Van tunes, and emphasize the blues/soul/gospel influences inherent to Van's music. Many of these artists are getting on in years (as are many of Van's fans!)and rarely top Van's own versions, but they convey a real feeling for the form. Many of us have been disappointed by less than stellar "tribute" albums ("Blues on Blonde" comes to mind)but I think any Van fan would respond to this. A solid, diverse collection: great songs, great singing.

5 out of 5 stars Magnificent!.......2004-04-02

I have been a pretty intense Van Morrison fan since the mid 60's. He has been my favorite artist since around 1967. But I usually don't care for most covers of his tunes by other artists (for example, Johnny Rivers or Rod Stewart). There was, a few years ago, another tribute CD to Van with the singers being (I think) younger rock and pop stars. I didn't buy it because I felt pretty sure they wouldn't sing the tunes as good as Van himself.This CD is something different though. I love all 15 of these performances. Several are absolute killers. If I were to make a list of my top 20 Van songs of all time, only 1 or 2 of the 15 songs on this CD would be on that list. From my point of view, these 15 tunes seem like a "random" sample of Van's work. Some of the songs I've heard so many times (like Tupelo Honey and Moondance, for example) that I wasn't expecting to be moved at all by them this time around. Yet I was - it was like discovering new Van Morrison material, because great singers can each, in their own style, bring new feelings from great songs.

I also love great blues singers and great soul singers ("soul" as in the 60's soul artists). The 15 singers on this CD sing with such feeling - they're magnificent. They each demonstrate how beautiful and significant each of these songs really is. They bring back to life, and with their own passionate slants, these classics. The fact that (at least for me) these are just a sample of Van tunes, together with the fact that if I had never heard these songs before I would consider this one of the greatest blues and soul compilations I've ever heard, serves to underscore my belief that Van is one of the greatest songwriters of the 20th century.

This album should appeal to all blues fans, and to all true Van Morrison fans. Just as I seem to do with every Van Morrison record I buy, I haven't been able to stop playing this CD since I got it a few days ago.
Power of Soul: A Tribute to Jimi Hendrix
Average customer rating: 4 out of 5 stars
  • Last word on the poser Prince
  • Both powerful and souful--my first and probably only Hendrix collaboration tribute
  • POWER OF SOUL - JIMI HENDRIX'S MUSIC
  • Pretty sweet for a 'tribute' album, the best of its kind
  • Hendrix is rolling in is grave
Power of Soul: A Tribute to Jimi Hendrix
Various Artists
Manufacturer: Image Entertainment
ProductGroup: Music
Binding: Audio CD

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  1. Stone Free: A Tribute to Jimi Hendrix
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  3. Voodoo Crossing: A Tribute to Jimi Hendrix
  4. Hazy Dreams: (Not Just) A Jimi Hendrix Tribute
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ASIN: B0001XAQ9G
Release Date: 2004-05-04

Tracks:

  1. Gratitude - James 'Al' Hendrix
  2. Are You Experienced - Musiq
  3. Spanish Castle Magic - Santana
  4. Purple House - Prince
  5. The Wind Cries Mary - Sting
  6. Voodoo Child (Slight Return) - Earth, Wind & Fire
  7. Power Of Soul - Bootsy Collins (Featuring George Clinton & The P-Funk All - Stars)
  8. Burning Of The Midnight Lamp - Eric Clapton
  9. Have You Ever Been (To Electric Ladyland) - Lenny Kravitz
  10. 30 Years - James 'Al' Hendrix
  11. Who Knows - Devoted Spirits (Featuring George Duke)
  12. Purple Haze - Robert Randolph & The Family Band
  13. Going Home - Velvert Turner
  14. Little Wing - Chaka Khan & Kenny Olson
  15. Castles Made Of Sand - Sounds Of Blackness
  16. May This Be Love - Eric Gales
  17. Foxey Lady - Cee-Lo
  18. Red House - John Lee Hooker
  19. Little Wing/3rd Stone From The Sun - Stevie Ray Vaughn & Double Trouble

Description

Formed in 1995 by the family of the legendary guitarist, Experience Hendrix has earned wide praise for its restoration of the Jimi Hendrix catalog and efforts to expand the legacy of one of popular music's greatest artists. Janie Hendrix, president and CEO of Experience Hendrix, remains steadfast in efforts to protect the guitarist's legacy. "We will continue to safeguard Jimi's incredible musical legacy as best as we can, making it available to fans with the best possible quality." As a result of this unique focus on expanding Hendrix's profile, interest in Jimi Hendrix remains at an all-time high. The most recent Experience Hendrix DVD release, Jimi Plays Berkeley, debuted on the Billboard video chart at #9. Other releases by the company have enjoyed similar praise and commercial success. Rolling Stone called The Jimi Hendrix Experience, a four-CD box set issued in September 2000, "the Rolls Royce of box sets," and the Band Of Gypsys: Live At The Fillmore East earned a GRAMMY® Award in 2000 for Best Long Form Music Video. The theatrical film Blue Wild Angel: Jimi Hendrix Live At The Isle Of Wight has enjoyed wide critical approval and was featured as part of the New York Film Festival at Lincoln Center. Songs include: Are You Experienced (Musiq), Spanish Castle Magic (Santana), Purple House (Prince), The Wind Cries Mary (Sting), Voodoo Chile [Slight Return] (Earth, Wind & Fire), Power Of Soul (Bootsy Collins featuring George Clinton and the P-Funk All-Stars), Burning of the Midnight Lamp (Eric Clapton), Have You Ever Been [To Electric Ladyland] (Lenny Kravitz), Who Knows (Devoted Spirits featuring George Duke), Purple Haze (Robert Randolph & The Family Band), Little Wing (Chaka Khan & Kenny Olson), Castles Made of Sand (Sounds of Blackness), May This Be Love (Eric Gales), Foxy Lady (Cee-Lo), Red House (John Lee Hooker), Little Wing/3rd Stone From The Sun (Stevie Ray Vaughn & Double Trouble).

Customer Reviews:

4 out of 5 stars Last word on the poser Prince.......2006-09-20

The other reviewers have covered the quality of this tribute - it has to be the best of the many that have been attempted. Jimi's legacy to rock music and his impact is still growing (listen to the guitar work on the new Chili Pepper's lp for instance). Unfortunately - the poser Prince is on this tribute cd. FYI - ladies and gentlemen - many, many years ago - around the time Purple Rain was released, I saw an interview with Prince on TV. In that interview he proclaimed to the interviewer and the world, and I quote, "I'm a better guitarist than Jimi Hendrix EVER was....". Now the only response I had at that time (once my dropped jaw left the floor and returned to it's normal position) was to walk over to my coffee table, pick up my copy of the Purple Rain LP, and smash it to bits against the corner of the table. It felt good. I gather when Prince cashed his check for his egotistical contribution of "Purple House" he neglected to mention his previous comments about Jimi. Prince - what a poser and a fraud and a has been that never was. Jimi was the best
EJH

5 out of 5 stars Both powerful and souful--my first and probably only Hendrix collaboration tribute.......2006-02-13

I don't generally buy various artist tribute CDs, but the disk was on half-price and the lineup of artists covering Jimi was too good to pass up. I'm especially impressed that this is a multiracial, multinational, and multigenerational cast, which really makes up Jimi's fanbase. Two complaints: I know Prince's thing is Purple, but change the title of the song to Purple House--sorry, it just loses something there. And, I'd really have loved to see Angelique Kidjo on this CD doing her version of "VooDoo Child."

5 out of 5 stars POWER OF SOUL - JIMI HENDRIX'S MUSIC.......2005-07-08

I think this cd was very good. I especially liked Prince, Earth, Wind & Fire, Santana, and Bootsy's versions of Jimi's songs. It was an over all worthwhile experience.

4 out of 5 stars Pretty sweet for a 'tribute' album, the best of its kind.......2005-04-06

Tribute albums are usually a mixed affair, and few really hold up as albums, but this one comes close. It succeeds on so many levels for several reasons. First, the man it pays tribute to, Jimi Hendrix, is an indisputable legend; his reputation is so widespread, kids who've never heard his music know who he is. So not surprisingly, he's had an enormous influence on a wide variety of musicians, which brings us to a second reason why this collection succeeds: the participating musicians. The line-up here is so impressive because each artist is so different from the other, yet each one has some connection to him, either as a collaborator, as an artist he influenced, or as a friend.

Organized by the Hendrix estate, this disc has plenty of highlights: "Purple House" by Prince and former Sly & the Family Stone bassist Larry Graham showcases Prince's amazing guitar skills - the best track, and from an artist who, like Hendrix, managed to be a great innovator and commercial success while crossing the barrier between rock and r&b. Carlos Santana and Living Colour's Corey Glover perform an excellent cover of "Spanish Castle Magic," with an inspired jazz rhythm section: bassist Stanley Clarke and the late, great Tony Williams, arguably the greatest drummer of all-time. Elsewhere, Sting sings and plays bass on a cover of "The Wind Cries Mary," which has some searing guitar work by John McLaughlin; George Clinton and Bootsy Collins (of Parliament/Funkadelic/etc.) shake it up with "Power of Soul," Chaka Khan and Kid Rock's guitarist Kenny Olson do a strong version of "Little Wing," the late, great blues legend John Lee Hooker covers "Red House" (actually a track from a previous John Lee CD; he passed away before he could record something new, so they selected this as a tribute to him as well), and an awesome live recording of the late Stevie Ray Vaughan and Double Trouble performing "Little Wing" and "3rd Stone..." from Oct, 20, 1983 in Philadelphia for the King Biscuit Flour Hour. Granted, none of these covers 'surpass' the originals, and there are some mild disappointments, like an Eric Clapton/Chic collaboration on "Burning Of The Midnight Lamp" (a real letdown) and Lenny Kravitz's contribution, but as tributes go, this is surprisingly good, the kind you'll actually listen to again.

1 out of 5 stars Hendrix is rolling in is grave.......2005-01-08

This album is very very bad. If Hendrix were still alive we would thorw it out with the garbage. Artsits like Clapton, Santana, Hooker, and Vaughn, make decent efforts but still should not have even attempted. Tribute albums almost always suck, and this one files right into line. Artists like Cee-Lo and Lenny Kravitz (who has immatated Hendrix for years, very very poorly i might add) have no business on this album at all. Hendrix was more than a legend, he was a God. and for these artists to make these terrible covers is blasphemy. I hope that if you area true Jimi H4endrix fan that you do not buy this album.
We Came to Play
Average customer rating: 3 out of 5 stars
  • T of P Horns: the best of the best
  • Disappointing For Tower
  • Disappointing For Tower
We Came to Play
Tower of Power
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000025AU
Release Date: 1993-05-11

Tracks:

  1. We Came To Play
  2. Lovin' You Is Gonna See Me Through
  3. Let Me Touch You
  4. Yin-Yang Thang
  5. Share My Life
  6. Bittersweet Soul Music
  7. Am I A Fool
  8. Love Bug
  9. Somewhere Down The Road

Customer Reviews:

5 out of 5 stars T of P Horns: the best of the best.......2006-09-06

I used to hang out with these guys in the late 70s S.F. and travelled around the west coast to see their shows. Bruce & Victor Conte were at the top of their game, as was that phenomenal brass section. "Lovin' You Is Gonna See Me Thru" is an excellent cut and of course the title cut is T of P sheer beauty. I highly recommend, if you can get your hands on a copy.

2 out of 5 stars Disappointing For Tower.......2001-06-03

Besides the title cut, which is a Tower Of Power classic, there is not much else on this album that will thrill anybody that likes this group. The song "Yin-Yang Thing" is the only other song on here that's really good Tower. "Share My Life" and "Love Bug" are merely ok, and the rest.....pretty awful.

2 out of 5 stars Disappointing For Tower.......2001-06-03

Besides the title cut, which is a Tower Of Power classic, there is not much else on this album that will thrill anybody that likes this group. The song "Yin-Yang Thing" is the only other song on here that's really good Tower. "Share My Life" and "Love Bug" are merely ok, and the rest.....pretty awful.
Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Average customer rating: 4.5 out of 5 stars
  • On the Subject of Intelligent and Sensitive Recitals
  • Lovely
  • A Beautiful Disc
  • A stunning burst onto the world stage
  • Wonderful songs, and a singer with great potential
Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Antonin Dvorak , Bohuslav Martinu , Leos Janacek , Magdalena Kozená , and Graham Johnson
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00004SDO1
Release Date: 2000-08-08

Tracks:

  1. Love Songs: Oh, Our Love Does Not Bloom
  2. Love Songs: Death Dwells In So Many A Heart
  3. Love Songs: Now I Stumble Past The House
  4. Love Songs: I Know That In Sweet Hope
  5. Love Songs: Gentle Slumber Reigns Over The Countryside
  6. Love Songs: Here In The Forest By A Brook
  7. Love Songs: In The Sweet Power Of Your Eyes
  8. Love Songs: Oh, Dear Matchless Soul
  9. New Miniatures: The Rich Sweetheart
  10. New Miniatures: The Forsaken Lover
  11. New Miniatures: Lounging
  12. New Miniatures: The Inquisitive Girl
  13. New Miniatures: The Cheerful Girl
  14. New Miniatures: The Unhappy Lover
  15. New Miniatures: The Request
  16. New Miniatures: The Tall Tower
  17. Songs For A Friend Of My Country: Ponies On The Fallow Land
  18. Songs For A Friend Of My Country: The Lost Little Slipper
  19. Songs For A Friend Of My Country: A Religious Song
  20. Songs For A Friend Of My Country: An Invitation
  21. Four Songs: You Heartfelt Songs
  22. Four Songs: Oh, That Was A Beautiful, Golden Dream
  23. Four Songs: In Pain, My Heart Often Broods
  24. Four Songs: Silence On The Mountains
  25. Lullaby
  26. Songs For One Page: Dew
  27. Songs For One Page: Unlocking With A Single Word
  28. Songs For One Page: Journey To The Beloved
  29. Songs For One Page: The Footpath
  30. Songs For One Page: At Mother's
  31. Songs For One Page: The Virgin Mary's Dream
  32. Songs For One Page: Rosemary
  33. New Slovak Songs: So Tell Me
  34. New Slovak Songs: I Had A Blouse
  35. Moravian Folk Poetry In Songs: Who Is The Posy For?
  36. Moravian Folk Poetry In Songs: A Lover's Picture
  37. Moravian Folk Poetry In Songs: Little Posy
  38. Moravian Folk Poetry In Songs: Constancy
  39. Moravian Folk Poetry In Songs: Love
  40. Moravian Folk Poetry In Songs: Parting
  41. Moravian Folk Poetry In Songs: My Lover's Horses
  42. Good Night, My Darling

Amazon.com

The composers Antonín Dvorák, Leos Janácek, and Bohuslav Martinu might not be the names that first spring to mind when love songs are mentioned, yet this fascinating collection gives us a taste of what delights we have been missing. They range from seven Moravian folk songs, collected by Janácek at the turn of the century, to songs written by Martinu in the U.S. in 1942. There's also early Martinu--including songs he collected in Slovakia in 1920--plus the world-premiere recording of Songs for a Friend of My Country, a cycle he wrote in France in 1940 on his way to America. All of these songs are of interest in giving us another aspect of each composer's work; most have much more to offer. Many are achingly lovely, especially those by Dvorák--including his Op. 2, a reworking of four songs from a cycle he had written almost 20 years earlier, and Love Songs, a revision of eight songs from the same cycle. "Good night, my darling," from his 1886 cycle In Folk Tone, is worth the price of this CD alone. Czech mezzo Magdalena Kozená, who put together the program, sings with pure, attractive tone. Graham Johnson is her excellent accompanist. --Richard Fawkes

Customer Reviews:

5 out of 5 stars On the Subject of Intelligent and Sensitive Recitals.......2005-05-19

Combing the recorded literature to find CDs that showcase singers who not only own brilliant vocal gifts but who also possess the intelligence to program recordings of lesser known works in a sequence that makes for intelligent recitals, it is becoming more obvious that there are many singers who opt for purity of purpose rather than 'salesmanship' of careers in the PR arena. Magdalena Kozená is one of these gifted singers whose intelligence and sensitivity match her physical and vocal beauty.

LOVE SONGS is a tastefully selected panorama of lesser-known songs by Kozená's fellow countrymen (Czech) Antonín Dvorák, Leos Janácek, and Bohuslav Martinu. And while many of the Dvorák and Janácek songs have been occasionally heard in recitals, the Martinu "Songs for a Friend of My Country", an exquisitely beautiful work written in 1940, here receives its World Premiere recording. Kozená's voice is in prime condition for these songs and she is ably accompanied by pianist Graham Johnson. The special flavor of these Slavic emotions and songs has rarely been so well captured.

But over and above the beauty of Kozená's performance of these neglected masterpieces shines the glow of her sensitive programming. Recordings such as these are rare and should be included in the libraries of those who appreciate the lieder genre. Highly recommended. Grady Harp, May 05

5 out of 5 stars Lovely.......2004-03-25

This is a beautifully performed selection of Czech lieder. Kozena has a lovely voice and sings with precision and nicely modulated emotion. The accompanying pianist, Graham Johnston, is excellent. Despite the title, not all these songs are love or romantic songs but all are well worth hearing. The selection of songs is excellent. Different listeners will prefer different songs. For me, the highlight of this recording are the rarely heard Martinu songs, many of which exhibit the lyrical aspect of his compositional style. Recommended strongly.

5 out of 5 stars A Beautiful Disc.......2002-01-06

This is simply a magnificent recording. I like it better every time I put it on. The voice is fresh, supple, and expressive. I even find myself trying to learn some of the Czech words (from the translation in the booklet) they sound so nice. Both Kozena and the brilliant piano contributions by Graham Johnson are faithfully caught on the recording. There is enough variety and contrast that one doesn't tire in the least (over the generous 67 minutes of playing time) of hearing these playful, sometimes poignant, songs. One of the best discs, in terms of programming, performance, and sound quality, of the past couple of years.

5 out of 5 stars A stunning burst onto the world stage.......2001-12-17

Magdalena Kozena is suddenly known around the world, thanks to this stunning disc of 42 lieder from her Czech homeland. Most of the songs are short - some come in under a minute, the longest 3-4 minutes. Each is a little gem and many have never been recorded before.

Kozena's voice is sheer delight. She does have resonances in her voice which are reminiscent of her compatriot, Lucia Popp, but is certainly a mezzo - although she has chosen her repertoire well so we hear no strain at the top. Her low resonances are delightful and consistent with her head voice. To compare Kozena's voice to that of the late diva (Popp), it is more pure, more consistent in tone from top to bottom, and doesn't have so much of the `squeezey' quality which Popp used to great effect in evincing the passion of her characters. Kozena can empty her voice of vibrato or let it out rich and full, and uses all her vocal resources to great effect in contrasting the individual songs. She has astoundingly mature lieder-singer's technique for such a young singer.

This recording rightly won a Gramophone award this year. Kozena deserves all the accolades she receives for this - doubtless all listeners will develop their own favourites from these delightful miniatures.

4 out of 5 stars Wonderful songs, and a singer with great potential.......2000-10-08

What a wonderful, carefully thought out CD! Kozena obviously revels in these rarely performed songs by Dvorak, Martinu, and Janacek, and Johnson accompanies with his usual ease and sensitivity. What a pity the piano is balanced distantly -- we hear little of Johnson's variety of touch and dynamics. As for Kozena, she is obviously an intelligent musician with a voice of great potential. It is qutie beautiful as it is, yet the colour is still rather pale. Yes, there is something of the late Lucia Popp's timbre, yet it has little of Popp's depth and range of colour. BBC Legends released a CD of Popp a year ago which includes three Dvorak songs also sung by Kozena. The differences are quite marked -- while Kozena's timbre and interpretation suggests a dreamy yet earnest youth, Popp brings out an autumnal glow and a sharp pain that pierces at least this listener's heart. Kozena has started a wonderful career. Only time will tell how her voice will develop. I do hope it goes in the direction of Popp's unique lyric timbre. No one could ever equal Popp (perhaps it's obvious by now that Popp is my favorite singer of all time), but perhaps Kozena will become something of Popp's heir, while still being her own person. I hope so. But her musicality is not in question. Let's keep our ears open!
Organ Power!
Average customer rating: Not rated
    Organ Power!
    Messiaen , Widor , Dupre , and Richard Conte
    Manufacturer: Direct-to-Tape
    ProductGroup: Music
    Binding: Audio CD

    ClassicalClassical | Indie Music | Stores | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B000009KX6
    Release Date: 1997-10-01

    Tracks:

    1. Messiaen: Dieu parmi nous from La Nativit du Seigneur
    2. Bach: Prelude and Fugue in G Major BWV 541
    3. Bach: Prelude and Fugue in B Major Op. 7
    4. Widor: Andante sostenuto from Symphony No. 9 in C Minor("Gothique")
    5. Widor: Allegro from Symphony No. 6 in G Minor Op. 42 No.2
    6. Spong: Partita on Showalter
    7. Dupr: Magnificat 1 from 15 Versets sur les Vspres de laVierge Op. 18

    Album Description

    Allen Morrison in a wonderful performance on the Heefner Memorial Organ at Ursinus College, Collegeville, PA.
    (For God's Sake) Give More Power to the People
    Average customer rating: 4.5 out of 5 stars
    • Solid, smooth soul
    • A lost classic back in print.
    (For God's Sake) Give More Power to the People
    The Chi-Lites
    Manufacturer: Brunswick Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00004Z426
    Release Date: 2000-10-03

    Tracks:

    1. Yes I'm Ready (If I Don't Get To Go)
    2. We Are Neighbors
    3. I Want To Pay You Back (For Loving Me)
    4. Have You Seen Her
    5. (For God's Sake) Give More Power To The People
    6. Love Uprising
    7. Trouble's A Comin'
    8. You Got Me Walkin'
    9. What Do I Wish For

    Customer Reviews:

    4 out of 5 stars Solid, smooth soul.......2003-10-05

    This CD is a strong classic soul offering from a consistently high-quality group. Outside of hearing "Have You Seen Her" on the radio and on several compilations, I wasn't too familiar with their sound. I'd always heard that we were a "smooth soul" group and was pleasantly surprised to hear some Sly-influenced tracks like "Give More Power". Also, I liked the fact that the bass voice was an integral part of the group sound. These four guys were not merely a lead singer star with just support harmonies. They function as a group.

    This isn't the most important soul album to come out from this period but you will definitely not be disappointed if you pick up this overlooked gem.

    5 out of 5 stars A lost classic back in print........2000-12-08

    This album, first released in 1969, is one of the classic soul records of the era. The Chi-Lites, under the direction of Eugene Record, had been laboring away since 1965, making unexceptional sides for Mercury's Blue Rock subsidiary, when they jumped ship in '68 for greener pastures at the Brunswick organization. Brunswick at that time was a nascent Black music powerhouse, with Jackie Wilson, The Artistics, Barbara Acklin and Young-Holt Unlimited regularly climbing the R&B charts. "Power To The People" was actually their second disc for Brunswick, and it was stone cold perfect, alternating the sweet soul they untimately became known for with thumping chunks of Sly-influenced proto-funk like the title cut, the iconoclastic "We Are Neighbors" and the original version of "You Got Me Walkin'" (later to become Jackie Wilson's last substantial hit). There are no less than 5 chart hits on this amazing disc.

    Original vinyl copies of this record have been commanding steep prices for over 20 years (it's been cut out since Brunswick began it's death spiral during the payola scandals of 1978). If you're a fan of American soul, this should earn a place on your shelf right next to the Temptations' "All Directions", Hot Chocolate's "Cicero Park" and Al Green's "Call Me".

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