| 1. Power to the Soul {Music from the Animation Film "The Moment"} |
| 2. Aseriso |
| 3. Flying Gods |
| 4. Assase |
| 5. Jungle Walk |
| 6. Okemi Ekpe |
| 7. My Hometown |
| 8. Queen Is Born |
| 9. Noko Ye Dzen [Live Solo] |
| 10. Warrior [Live Solo] |
| 11. Nana |
| 12. Ogidi Gidi |
| 13. Wala ABA |
Power to the Soul,Gordon Odametey,United One Records,African,Int'l & World Music,Pop,World Music
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Tower of Power Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KF2 Release Date: 1990-10-25 |
Tracks:
- Oakland Stroke...
- Don't Change Horses (In The Middle Of A Stream)
- Just When We Start Makin' It
- Can't You See (You Doin' Me Wrong)
- Squib Cakes
- Time Will Tell
- Man From The Past
- Love's Been Gone So Long
- I Got The Chop
- Below Us, All The City Lights
- ...Oakland Stroke
Amazon.com
Formed out of various Oakland-based bands in the early '70s, Tower of Power was the West Coast answer to the various rock horn bands popular during that period. But where their rivals relied on catchy horn charts and bland lyrics (Chicago instantly comes to mind), Tower of Power was funkier, grittier, and a lot greasier than any of their contemporaries. Back to Oakland isn't one of their strongest albums. After two promising openers, "Oakland Stroke" and "Don't Change Horses in the Middle of the Stream," the set slips into more shapeless jams and is hobbled by the band's tendency toward mundane lyrics. Fans can savor the strong horn section work throughout, but this isn't the logical starting point for newcomers to TOP--a better bet is their second album, East Bay Grease. --Tom VickersCustomer Reviews:
East Bay... All The Way.......2007-01-02
Excellent Groove, Never Gets Old, Squib Cakes Highlight.......2005-04-28
Featured soloists include a short, mellow guitar solo from Bruce Conte, followed by Greg Adams' fluegelhorn that first lurks in the pedal range (leading one to believe it's a trombone!) and then soars brilliantly higher and higher to a dramatic finish.
Tenor madness abounds from lead saxman Lenny Pickett (known primarily for his work as lead Tenor for the Saturday Night Live band), wailing in-tune in the difficult altissimo range (jazz musicians call these 'freak notes' because they are not notes typically included in the range of the instrument ... ), while at the same time refusing to compromise on excellent rhythmic and melodic ideas throughout.
Chester Thompson completes the soloistic foursome with a chunky Hammond organ solo that takes you back to a smoky bar in LA in the early 70s - without the probability of cancer. Lyrical yet hard-driving, Thompson lulls us first into his solo space by filling in behind the band as they chant 'Squib Cakes', then takes off on his own flight, delving out perfect 16th-note runs as though Bach suddenly had learned some jazz Hammond himself. In the middle of the solo, as if to a testament to the tightness of the groove, Thompson lingers on a treble note in his right hand, chunks out chords so symmetrically with the rest of the rhythm section with his left, that in the days of hearing this on vinyl, I wondered if my record was skipping through that section!
To finish the groove, at the end of Thompson's solo, the horns return to fill in a bridge with quick triplets. After he closes, we're back to the head to close out the tune.
Even with so much to savor, this syncopated gem will leave you hungering for more, even after the final stroke of the last chord. The musicianship and tightness of their groove more than make up for the bland lyrics on the album's other tunes. I have listened to this album for 30 years and revel in its freshness every time I spin it. I recommend it as a definite primer for anyone wishing to explore Tower of Power's "sound."
- Kathryn Shut
ONE WORD: AWESOME!!!.......2004-08-13
Every cut was a joy to listen to. Even the split-up version of OAKLAND STROKE was just a fun jam. My impressions of the group: Aside from Jimmy Smith, I hadn't heard a Hammond B3 sound so funky till I heard Chester Thompson. Aside from Jr. Walker, I hadn't experienced anyone who had such masterful control of their altissimo range till I heard Lenny Pickett. The supporting horns (Kupka, Castillo, Adams and Gillette) had their own vibe and despite a lack of solo time, managed to make a significant impact on every song. And for bass work, nobody was touching Rocco Prestia. In his true prime, Rocco's style was totally individual. David Garibaldi was what I considered a phenomenal drummer. All his rhythms were crisp and unique . . . playing off the sycopation of the bass, organ and guitar. He had a serious ear for rhythms. Bruce Conte was one of the most underrated of the crew, but his guitar work was ahead of its time. There were traces of jazz and some island influences that I hear very plainly.
Lenny Williams' vocals really set a definitive tone for this group. They were distinctive, fluid and heartfelt. His voice made the puzzle complete; put the icing on the cake; lit the cigarette after some mind-blowing sex.
My favorite selections: Without a doubt, JUST WHEN WE START MAKIN' IT ranks as one of my all-time favorite tunes. It exemplifies what the group is all about. It's jazzy, it's laid back, but it drives relentlessly, fills you with emotional fire and thrills your music sense to its fullest. Lenny's vocals are soaring and urging, Pickett's sax solos are powerful and sensual, the staccato background horns are poignant and dynamic, the organ break not only resets tempo, but turns into a thing of genius. CT creating a series of rippling, bubbling organ lines against the crescendo of the entire horn contingent and the incomparable Garibaldi drums - cymbals crashing, bass tom rolling, the incredible beat he lays down was too innovative. I was overwhelmed the first time I heard this. I must have worn out the vinyl from overplaying it. Actually, I have owned this album/CD around 12 times since 1973, from having to repurchase it after having it stolen or borrowed out indefinitely.
Other favorites: TIME WILL TELL, CAN'T YOU SEE, CITY LIGHTS. And no instrumental rocked my soul for a long time like SQUIB CAKES. Chester wrote a lot of songs in some other albums, but they all sounded like mutated versions of SQUIB CAKES . . . like distant cousins or wannabe next door neighbors.
In all, I really love this album. It's been part of my life for over 30 years. And it just sounds better everytime I put it on.
SQUIB CAKES!.......2004-07-24
...like a bowlegged monkey.......2003-10-17
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Will to Power
Will to Power Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026D7 Release Date: 1990-10-25 |
Tracks:
- Dreamin'
- Searchin'
- Baby, I Love Your Way/Freebird Medley (Free Baby)
- Somebody Told Me
- Fading Away
- Say It's Gonna Rain
- Zarathustra
- Show Me The Way
- Strangers
- Anti-Social
Customer Reviews:
Unforgivable.......2004-12-18
Best CD of the 80s.......2002-09-05
This album started the Freestyle Movement.......2002-07-19
Great Memories!.......2001-12-02
This song was originaly sang by Will To Power for the first time ever, and I say this for the customers who are looking for this song ("With the boy and the girl singing..")..
The whole album's good, and I will truly recommend it for every music fan, and even the ones that love the 80s just like me.
The whole album: Good
"Baby I love your way.." song: A MUST!
Sorry.... I cannot give it less than one star........2000-11-11
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Love Power
Will to Power Manufacturer: Sony Music Special Products ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002Z2U Release Date: 2003-02-04 |
Tracks:
- BABY I LOVE YOUR WAY/FREEBIRD MEDLEY (FREEBABY)
- BOOGIE NIGHTS
- IT'S MY LIFE
- SHOW ME THE WAY
- SEARCHIN'
- I'M NOT IN LOVE
- BEST FRIEND'S GIRL
- CLOCK ON THE WALL
- JOURNEY HOME
- ANTI-SOCIAL
Customer Reviews:
Excellent 80s love song.......2007-01-21
Hot music by a hot male (and female).......2001-09-27
What a Classic!.......1999-06-28
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Vanthology: A Tribute to Van Morrison
Various Artists Manufacturer: Evidence ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AB6ZR Release Date: 2003-08-05 |
Tracks:
- Tupelo Honey - Little Milton
- Jackie Wilson Said - Syl Johnson
- Have I Told You Lately - William Bell
- Brown Eyed Girl - Freddie Scott
- Into The Mystic - Frederick Knight
- Real Real Gone - Bettye LaVette
- Crazy Love - Eddie Floyd
- Gloria - Sir Mack Rice
- Warm Love - Otis Clay
- Queen Of The Slipstream - Son Seals
- Bright Side Of The Road - Dan Penn
- My Lonely Sad Eyes - Bobby Patterson
- I Like It Like That - Henry Butler
- Bulbs - Ellis Hooks
- Moondance - Chuck Jackson
Customer Reviews:
Breaking the mold for Tributes.......2006-11-23
This album has superb, intelligent artists who put together lovely new arrangements - many of the cuts would stand alone on the charts by themselves.
A great album.
Just buy this CD if you like good music........2006-02-23
Well Done!.......2004-09-03
At home I immediately put both CDs in the player and, as it happened, listened to "Vanthology" first. It was amazing. "Genius Loves Company" followed, but at decision time I went right back to "Vanthology" and played it a second time -- and I'll probably do a third time tonight as well.
I'm embarrassed to say that I was familiar with only two of the performers: Bettye Lavette and Son Seals. They provided wonderful renditions of Morrison's "Real Real Gone" and "Queen of the Slipstream" (respectively); but I was especially impressed with Little Milton's "Tupelo Honey" and Frederick Knight's "Into the Mystic."
This is an excellent compilation of songs and performers and I regret not having had it to listen to for the last several months. An especially enjoyable bonus are the liner notes that provide very interesting background to the performers and (fornutatley for me) point to other works of theirs that I will definitely look for.
Why didn't anyone do this before?.......2004-04-03
Magnificent!.......2004-04-02
I also love great blues singers and great soul singers ("soul" as in the 60's soul artists). The 15 singers on this CD sing with such feeling - they're magnificent. They each demonstrate how beautiful and significant each of these songs really is. They bring back to life, and with their own passionate slants, these classics. The fact that (at least for me) these are just a sample of Van tunes, together with the fact that if I had never heard these songs before I would consider this one of the greatest blues and soul compilations I've ever heard, serves to underscore my belief that Van is one of the greatest songwriters of the 20th century.
This album should appeal to all blues fans, and to all true Van Morrison fans. Just as I seem to do with every Van Morrison record I buy, I haven't been able to stop playing this CD since I got it a few days ago.
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Power of Soul: A Tribute to Jimi Hendrix
Various Artists Manufacturer: Image Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001XAQ9G Release Date: 2004-05-04 |
Tracks:
- Gratitude - James 'Al' Hendrix
- Are You Experienced - Musiq
- Spanish Castle Magic - Santana
- Purple House - Prince
- The Wind Cries Mary - Sting
- Voodoo Child (Slight Return) - Earth, Wind & Fire
- Power Of Soul - Bootsy Collins (Featuring George Clinton & The P-Funk All - Stars)
- Burning Of The Midnight Lamp - Eric Clapton
- Have You Ever Been (To Electric Ladyland) - Lenny Kravitz
- 30 Years - James 'Al' Hendrix
- Who Knows - Devoted Spirits (Featuring George Duke)
- Purple Haze - Robert Randolph & The Family Band
- Going Home - Velvert Turner
- Little Wing - Chaka Khan & Kenny Olson
- Castles Made Of Sand - Sounds Of Blackness
- May This Be Love - Eric Gales
- Foxey Lady - Cee-Lo
- Red House - John Lee Hooker
- Little Wing/3rd Stone From The Sun - Stevie Ray Vaughn & Double Trouble
Description
Formed in 1995 by the family of the legendary guitarist, Experience Hendrix has earned wide praise for its restoration of the Jimi Hendrix catalog and efforts to expand the legacy of one of popular music's greatest artists. Janie Hendrix, president and CEO of Experience Hendrix, remains steadfast in efforts to protect the guitarist's legacy. "We will continue to safeguard Jimi's incredible musical legacy as best as we can, making it available to fans with the best possible quality." As a result of this unique focus on expanding Hendrix's profile, interest in Jimi Hendrix remains at an all-time high. The most recent Experience Hendrix DVD release, Jimi Plays Berkeley, debuted on the Billboard video chart at #9. Other releases by the company have enjoyed similar praise and commercial success. Rolling Stone called The Jimi Hendrix Experience, a four-CD box set issued in September 2000, "the Rolls Royce of box sets," and the Band Of Gypsys: Live At The Fillmore East earned a GRAMMY® Award in 2000 for Best Long Form Music Video. The theatrical film Blue Wild Angel: Jimi Hendrix Live At The Isle Of Wight has enjoyed wide critical approval and was featured as part of the New York Film Festival at Lincoln Center. Songs include: Are You Experienced (Musiq), Spanish Castle Magic (Santana), Purple House (Prince), The Wind Cries Mary (Sting), Voodoo Chile [Slight Return] (Earth, Wind & Fire), Power Of Soul (Bootsy Collins featuring George Clinton and the P-Funk All-Stars), Burning of the Midnight Lamp (Eric Clapton), Have You Ever Been [To Electric Ladyland] (Lenny Kravitz), Who Knows (Devoted Spirits featuring George Duke), Purple Haze (Robert Randolph & The Family Band), Little Wing (Chaka Khan & Kenny Olson), Castles Made of Sand (Sounds of Blackness), May This Be Love (Eric Gales), Foxy Lady (Cee-Lo), Red House (John Lee Hooker), Little Wing/3rd Stone From The Sun (Stevie Ray Vaughn & Double Trouble).Customer Reviews:
Last word on the poser Prince.......2006-09-20
EJH
Both powerful and souful--my first and probably only Hendrix collaboration tribute.......2006-02-13
POWER OF SOUL - JIMI HENDRIX'S MUSIC.......2005-07-08
Pretty sweet for a 'tribute' album, the best of its kind.......2005-04-06
Organized by the Hendrix estate, this disc has plenty of highlights: "Purple House" by Prince and former Sly & the Family Stone bassist Larry Graham showcases Prince's amazing guitar skills - the best track, and from an artist who, like Hendrix, managed to be a great innovator and commercial success while crossing the barrier between rock and r&b. Carlos Santana and Living Colour's Corey Glover perform an excellent cover of "Spanish Castle Magic," with an inspired jazz rhythm section: bassist Stanley Clarke and the late, great Tony Williams, arguably the greatest drummer of all-time. Elsewhere, Sting sings and plays bass on a cover of "The Wind Cries Mary," which has some searing guitar work by John McLaughlin; George Clinton and Bootsy Collins (of Parliament/Funkadelic/etc.) shake it up with "Power of Soul," Chaka Khan and Kid Rock's guitarist Kenny Olson do a strong version of "Little Wing," the late, great blues legend John Lee Hooker covers "Red House" (actually a track from a previous John Lee CD; he passed away before he could record something new, so they selected this as a tribute to him as well), and an awesome live recording of the late Stevie Ray Vaughan and Double Trouble performing "Little Wing" and "3rd Stone..." from Oct, 20, 1983 in Philadelphia for the King Biscuit Flour Hour. Granted, none of these covers 'surpass' the originals, and there are some mild disappointments, like an Eric Clapton/Chic collaboration on "Burning Of The Midnight Lamp" (a real letdown) and Lenny Kravitz's contribution, but as tributes go, this is surprisingly good, the kind you'll actually listen to again.
Hendrix is rolling in is grave.......2005-01-08
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We Came to Play
Tower of Power Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000025AU Release Date: 1993-05-11 |
Tracks:
- We Came To Play
- Lovin' You Is Gonna See Me Through
- Let Me Touch You
- Yin-Yang Thang
- Share My Life
- Bittersweet Soul Music
- Am I A Fool
- Love Bug
- Somewhere Down The Road
Customer Reviews:
T of P Horns: the best of the best.......2006-09-06
Disappointing For Tower.......2001-06-03
Disappointing For Tower.......2001-06-03
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Magdalena Kozená - Love Songs (Dvorak, Janacek, Martinu)
Antonin Dvorak , Bohuslav Martinu , Leos Janacek , Magdalena Kozená , and Graham Johnson Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SDO1 Release Date: 2000-08-08 |
Tracks:
- Love Songs: Oh, Our Love Does Not Bloom
- Love Songs: Death Dwells In So Many A Heart
- Love Songs: Now I Stumble Past The House
- Love Songs: I Know That In Sweet Hope
- Love Songs: Gentle Slumber Reigns Over The Countryside
- Love Songs: Here In The Forest By A Brook
- Love Songs: In The Sweet Power Of Your Eyes
- Love Songs: Oh, Dear Matchless Soul
- New Miniatures: The Rich Sweetheart
- New Miniatures: The Forsaken Lover
- New Miniatures: Lounging
- New Miniatures: The Inquisitive Girl
- New Miniatures: The Cheerful Girl
- New Miniatures: The Unhappy Lover
- New Miniatures: The Request
- New Miniatures: The Tall Tower
- Songs For A Friend Of My Country: Ponies On The Fallow Land
- Songs For A Friend Of My Country: The Lost Little Slipper
- Songs For A Friend Of My Country: A Religious Song
- Songs For A Friend Of My Country: An Invitation
- Four Songs: You Heartfelt Songs
- Four Songs: Oh, That Was A Beautiful, Golden Dream
- Four Songs: In Pain, My Heart Often Broods
- Four Songs: Silence On The Mountains
- Lullaby
- Songs For One Page: Dew
- Songs For One Page: Unlocking With A Single Word
- Songs For One Page: Journey To The Beloved
- Songs For One Page: The Footpath
- Songs For One Page: At Mother's
- Songs For One Page: The Virgin Mary's Dream
- Songs For One Page: Rosemary
- New Slovak Songs: So Tell Me
- New Slovak Songs: I Had A Blouse
- Moravian Folk Poetry In Songs: Who Is The Posy For?
- Moravian Folk Poetry In Songs: A Lover's Picture
- Moravian Folk Poetry In Songs: Little Posy
- Moravian Folk Poetry In Songs: Constancy
- Moravian Folk Poetry In Songs: Love
- Moravian Folk Poetry In Songs: Parting
- Moravian Folk Poetry In Songs: My Lover's Horses
- Good Night, My Darling
Amazon.com
The composers Antonín Dvorák, Leos Janácek, and Bohuslav Martinu might not be the names that first spring to mind when love songs are mentioned, yet this fascinating collection gives us a taste of what delights we have been missing. They range from seven Moravian folk songs, collected by Janácek at the turn of the century, to songs written by Martinu in the U.S. in 1942. There's also early Martinu--including songs he collected in Slovakia in 1920--plus the world-premiere recording of Songs for a Friend of My Country, a cycle he wrote in France in 1940 on his way to America. All of these songs are of interest in giving us another aspect of each composer's work; most have much more to offer. Many are achingly lovely, especially those by Dvorák--including his Op. 2, a reworking of four songs from a cycle he had written almost 20 years earlier, and Love Songs, a revision of eight songs from the same cycle. "Good night, my darling," from his 1886 cycle In Folk Tone, is worth the price of this CD alone. Czech mezzo Magdalena Kozená, who put together the program, sings with pure, attractive tone. Graham Johnson is her excellent accompanist. --Richard FawkesCustomer Reviews:
On the Subject of Intelligent and Sensitive Recitals.......2005-05-19
LOVE SONGS is a tastefully selected panorama of lesser-known songs by Kozená's fellow countrymen (Czech) Antonín Dvorák, Leos Janácek, and Bohuslav Martinu. And while many of the Dvorák and Janácek songs have been occasionally heard in recitals, the Martinu "Songs for a Friend of My Country", an exquisitely beautiful work written in 1940, here receives its World Premiere recording. Kozená's voice is in prime condition for these songs and she is ably accompanied by pianist Graham Johnson. The special flavor of these Slavic emotions and songs has rarely been so well captured.
But over and above the beauty of Kozená's performance of these neglected masterpieces shines the glow of her sensitive programming. Recordings such as these are rare and should be included in the libraries of those who appreciate the lieder genre. Highly recommended. Grady Harp, May 05
Lovely.......2004-03-25
A Beautiful Disc.......2002-01-06
A stunning burst onto the world stage.......2001-12-17
Kozena's voice is sheer delight. She does have resonances in her voice which are reminiscent of her compatriot, Lucia Popp, but is certainly a mezzo - although she has chosen her repertoire well so we hear no strain at the top. Her low resonances are delightful and consistent with her head voice. To compare Kozena's voice to that of the late diva (Popp), it is more pure, more consistent in tone from top to bottom, and doesn't have so much of the `squeezey' quality which Popp used to great effect in evincing the passion of her characters. Kozena can empty her voice of vibrato or let it out rich and full, and uses all her vocal resources to great effect in contrasting the individual songs. She has astoundingly mature lieder-singer's technique for such a young singer.
This recording rightly won a Gramophone award this year. Kozena deserves all the accolades she receives for this - doubtless all listeners will develop their own favourites from these delightful miniatures.
Wonderful songs, and a singer with great potential.......2000-10-08
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Organ Power!
Messiaen , Widor , Dupre , and Richard Conte Manufacturer: Direct-to-Tape ProductGroup: Music Binding: Audio CD ASIN: B000009KX6 Release Date: 1997-10-01 |
Tracks:
- Messiaen: Dieu parmi nous from La Nativit du Seigneur
- Bach: Prelude and Fugue in G Major BWV 541
- Bach: Prelude and Fugue in B Major Op. 7
- Widor: Andante sostenuto from Symphony No. 9 in C Minor("Gothique")
- Widor: Allegro from Symphony No. 6 in G Minor Op. 42 No.2
- Spong: Partita on Showalter
- Dupr: Magnificat 1 from 15 Versets sur les Vspres de laVierge Op. 18
Album Description
Allen Morrison in a wonderful performance on the Heefner Memorial Organ at Ursinus College, Collegeville, PA.
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(For God's Sake) Give More Power to the People
The Chi-Lites Manufacturer: Brunswick Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z426 Release Date: 2000-10-03 |
Tracks:
- Yes I'm Ready (If I Don't Get To Go)
- We Are Neighbors
- I Want To Pay You Back (For Loving Me)
- Have You Seen Her
- (For God's Sake) Give More Power To The People
- Love Uprising
- Trouble's A Comin'
- You Got Me Walkin'
- What Do I Wish For
Customer Reviews:
Solid, smooth soul.......2003-10-05
This isn't the most important soul album to come out from this period but you will definitely not be disappointed if you pick up this overlooked gem.
A lost classic back in print........2000-12-08
Original vinyl copies of this record have been commanding steep prices for over 20 years (it's been cut out since Brunswick began it's death spiral during the payola scandals of 1978). If you're a fan of American soul, this should earn a place on your shelf right next to the Temptations' "All Directions", Hot Chocolate's "Cicero Park" and Al Green's "Call Me".
International Music: