| 1. Stay Tuned |
| 2. Back Up |
| 3. Super Gall |
| 4. Stay Tuned |
Stay Tune,Glay,Pony Canyon,World Music
Average customer rating: |
Stay in Tune with PentaTone [Hybrid SACD]
Manufacturer: Pentatone ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B6N6HW Release Date: 2005-10-18 |
Tracks:
- Moderato
- Allegretto-Presto
- Double Chorus
- Allegro
- Espaniola
- Allegro Con Brio
- Adagio Sostenuto
- Tempo Di Menuetto
- Adagio For Violin And Orchestra In E Major, KV 261
- In Paradisum
- Sicilienne
- 'Hilf, Herr Jesu, Lass Gelingen'
- Rondo
- Prelude To Act III
Average customer rating: |
Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00062FLI8 Release Date: 2004-11-30 |
Average customer rating: |
The Ultimate Lotte Lenya Collection
Manufacturer: Bear Family ProductGroup: Music Binding: Audio CD ASIN: B0000251AF Release Date: 1999-03-22 |
Tracks:
- 'Happy End': Surabaya-Johnny (1929)
- 'Happy End': Bilbao-Song (1929)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
- 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
- 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
- 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
- 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
- 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
- Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
- Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
- J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
- 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth
Tracks:
- 'Die Dreigoschenoper': Moritat (1955)
- 'Die Dreigoschenoper': Barbara-Song (1955)
- 'Die Dreigoschenoper': Seerauberjenny (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
- 'Happy End': Bilbao-Song (1955)
- 'Happy End': Surabaya-Johnny (1955)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
- 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
- 'Der Silbersee': Casar-Ballade (1955)
- 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Knickerbocker Holiday': September Song (1957)
- 'Knickerbocker Holiday': It Never Was You (1957)
- 'Lady In The Dark': Saga Of Jenny (1957)
- 'One Touch Of Venus': Foolish Heart (1957)
- 'One Touch Of Venus': Speak Low (1957)
- 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
- 'The Eternal Road': Song Of Ruth (July Version) (1957)
- 'Street Scene': Lonely House (1957)
- 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
- 'Love Life': Green-Up Time (1957)
- 'Lost In The Stars': Trouble Man (1957)
- 'Lost In The Stars': Stay Well (1957)
- 'Lost In The Stars': Lost In The Stars (1957)
- 'The Eternal Road': Song Of Ruth (August Version) (1957)
- 'The Threepenny Opera': Pirate Jenny (1954)
- 'The Threepenny Opera': Solomon-Song (1954)
- 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
- 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
- 'Johnny Johnson': Mon Ami, My Friend (1956)
- Young Blood (1969)
- Welcome Home (1969)
Tracks:
- 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
Tracks:
- 'Happy End': Introduktion (Hosiannah) (1960)
- 'Happy End': Bilbao-Song (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
- 'Happy End': Das Lied Vom Branntweinhandler (1960)
- 'Happy End': Der Song Von Mandelay (1960)
- 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
- 'Happy End': Surabaya-Johnny (1960)
- 'Happy End': Das Lied Von Der Harten Nuss (1960)
- 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
- 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Cabaret': So What? (1966)
- 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': What Would You Do (1966)
- 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey
Tracks:
- Unter Der Linde (1958)
- Menschlich Elende (1958)
- Das Rosenband (1958)
- Der Tod Und Das Madchen (1958)
- Abendlied (1958)
- Der Bauer (1958)
- Lebenspflichten (1958)
- Gesang Der Geister Uber Den Wassern (1958)
- Aus 'Romische Elegein' (1958)
- Gefunden (1958)
- Wo Bist Du Itzt (1958)
- Der Handschuh (1958)
- Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
- Mondnacht (1958)
- Das Schloss Boncourt (1958)
- Kommen Und Scheiden (1958)
- Auf Geheimem Waldespfade (1958)
- Der Weiher (1958)
- Das Verlassene Magdlein (1958)
- Der Wirtin Tochterlein (1958)
- Mit Dummen Madchen (1958)
- Im Wunderschonen Monat Mai (1958)
- Ich Wollte Meine Lieder (1958)
- Nachtlich Am Busento (1958)
- Kehr Ein Bei Mir! (1958)
- Altassyrisch (1958)
- Die Musik Kommt (1958)
- Wer Weiss Wo (1958)
- Der Romische Brunnen (1958)
- Vereinsamt (1958)
- Der Werwolf (1958)
- Der Arbeitsmann (1958)
- Die Bieden (1958)
- Du Schlank Und Rein Wie Eine Flamme (1958)
- Spanische Tanzerin (1958)
- Ich Liebe Frauen (1958)
- An Den Leser (1958)
- Die Entwicklung Der Menschheit (1958)
- Der Vater (1958)
- Erinnerung An Die Marie A (1958)
- Von Der Freundlichkeit Der Welt (1958)
- Kinderkreuzzug (1958)
Tracks:
- A Hunger Artist (1959)
- An Imperial Message (1959)
- A Fratricide (1959)
- The Care Of A Family Man (1959)
- Up In The Gallery (1959)
- A Dream (1959)
- The Bucket Rider (1959)
- Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
- Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
- Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill
Tracks:
- 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
- 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
- 'Happy End': Bilbao-Song (1960)
- Carnegie Hall Introduction (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
- 'One Touch Of Venus': Speak Low (1965)
- 'One Touch Of Venus': Foolish Heart (1965)
- 'One Touch Of Venus': Bilbao-Song (1965)
- 'One Touch Of Venus': Surabaya-Johnny (1965)
- 'Love Life': Love-Song (1965)
- 'Love Life': Susan's Dream (1965)
- 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
- 'Happy End': Der Song Von Mandelay (1965)
- 'Happy End': Das Lied Von Der Harten Nuss (1965)
- 'Happy End': Lilli Of Hell (1965)
- 'Knickerbocker Holiday': September Song (1965)
- 'Die Dreigroscheneroper': Barbara Song (1965)
Tracks:
- Moritat (1965)
- Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
- Das Lied Vom Weib Und Soldaten (1965)
- Lied Von Der Grossen Kapitulation (1965)
- Lied Der Courage II (1965)
- Lied Der Courage III (1965)
- Eia Popeia, Was Ras Im Stroh (1965)
- Lied Der Courage IV (1965)
- The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
- Start (1975) - Lotte Lenya/Dick Cavett
- American Films (1975) - Lotte Lenya/Dick Cavett
- The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
- 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
- Anita Berber (1975) - Lotte Lenya/Dick Cavett
- The Great Inflation (1975) - Lotte Lenya/Dick Cavett
- Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
- Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
- Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
- Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
- Introduction (1966)
- 'Knickerbocker Holiday': How Can You Tell An American (1966)
- 'Knickerbocker Holiday': September Song (1966)
Average customer rating:
|
James Bowman ~ Handel English Arias / The King's Consort · King
George Frideric Handel , Robert King , The King's Consort , James Bowman , and Susan Gritton Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD ASIN: B000002ZW7 Release Date: 1995-10-17 |
Tracks:
- The Choice Of Hercules: Yet Can I Hear That Dulcet Lay
- Esther: How Can I Stay, When Love Invites
- Saul: O Fairest Of Ten Thousand Fair
- Belshazzar: Great God! Who, Yet But Darkly Known
- Theodora: The Raptur'd Soul
- Judas Maccabaeus: Father Of Heav'n
- Overture To Ester: Andante, Larghetto, Allegro
- Saul: O Lord, Whose Mercies Numberless
- Solomon: What Though I Trace Each Herb
- Belshazzar: Martial Symphony And Destructive War
- Solomon: Welcome As tThe Dawn Of Day
- Theodora: Kind Heaven, If Virtue Be Thy Care
- Solomon: Almighty Pow'r
- Haman and Mordecai: Tune Your Harps
Customer Reviews:
a voice teacher and early music fan.......2007-02-04
Handel's oratorios, more dramatic than any previously written, were like operas,save that they were given without scenery and costumes. Moreover, the variety of moods, the quality of the melodies and the composer's unique use of the colours of the orchestra makes the whole work marvellously attractive.
This disc contains an excellent variety of tunes from the various oratorios. Most are vocal in nature, but there are 2 that are strictly instrumental: Overture to 'Esther' in 3 movements and 'Martial Symphony and Destructive Was' from 'Solomon'. I particularly enjoyed the 2 duets with Susan Gritton (soprano) and James Bowman (countertenor): 'O fairest of 10,000 Fair' from 'Saul' and 'Welcome as the dawn of day' from 'Solomon'.
James Bowman does his usual correct interpretation of all the selections. His diction is not always clear due to his somewhat 'loud' and 'muffled' tone quality. BUT having said this, I must say that he is considered by most to be one of the great singers from the UK. I just simply prefer a more refined and clear 'delivery' such as Michael Chance renders. But we all have our own preferences and that's good for the world of music appreciation. Susan Gritton's voice is clear and her diction is excellent; and Robert King with the King's Consort give their usual fine accompaniment.
Just aside for those of you who enjoy the oratorio; there are 4 excellent 'live' performances on CD from the Maulbronn Monastery conducted by Jurgen Budday with superb singing, both soloistically and chorally. They are recorded by K&K Verlagsanstalt and are available on amazon.com
a must for Handel devotees.......2000-01-13
If you like this CD, try Handel's HEROIC ARIAS, also by James Bowman.
Average customer rating:
|
George Frideric Handel: Esther
Manufacturer: CORO ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001B0A94 Release Date: 2004-06-01 |
Tracks:
- Overture Andante - Larghetito - Allegro
- Recitative Habdonah/Haman: " 'Tis greater far to spare"
- Aria Haman: " Pluck root and branch from out the land"
- Recitative Persian Officer: "Our souls with ardour glow"
- Chorus: "Shall we the God of Israel fear?"
- Recitative First Israelite: " Now persecution shall lay by her iron rod"
- Aria: " Tune your harps to cheerfull strains"
- Chorus: " Shall we of servitude complain"
- Aria Israelite Woman: " Praise the Lord with cheerful noise"
- Recitative Israelite Woman: " 0 God, who from the suckling's mouth"
- Aria Second Israelite: " Sing songs of praise, bow down the knee"
- Chorus: " Shall we of servitude complain"
- Recitative Priest of the Israelites: " How have our sins provoked the Lord!"
- Chorus: "Ye sons of Israel mourn"
- Aria Priest ofc The Israelites: "0 Jordan, Jordan, sacred tide"
- Chorus: "Ye sons of Israel mourn"
- Andante
- Allegro
- Adagio
- Allegro
Tracks:
- Recitative Esther/Mordecai: " Why sits that sorrow on thy brow?"
- Aria Mordecai: " Dread not, righteous Queen, the danger"
- Recitative Esther: "I go before the King to stand"
- Aria Esther: " Tears assist me, pity moving"
- Chorus: " Save us, O Lord"
- Recitative Ahasuerus/Esther: "Who dares intrude into our presence"
- Duet Esther/Ahasuerus: " Who calls my parting soul from death?"
- Aria Ahasuerus: "0 beauteous Queen, unclose those eyes!"
- Recitative Esther: " If I find favour in thy sight"
- Aria Ahasuerus: " How can I stay when love invites?"
- Recitative Third Israelite/Fourth Israelite: " With inward joy his visage glows"
- Chorus: " Virtue, truth and innocence"
- Arioso Priest of the Israelites: " Jehovah, Crown'd with glory bright"
- Chorus: " He comes, he comes to end our woes"
- Recitative Ahasuerus/Esther: " Now, a Queen, thy suit declare"
- Arioso Haman: " Turn not, a Queen, thy face away"
- Aria Esther: " Flatt' ring tongue, no more I hear thee!"
- Recitative Ahasuerus: "Guards, seize the traitor, bear him hence!"
- Aria Haman: " How art thou fall'n from thy height!"
- Chorus: "The Lord Our enemy has slain"
Album Description
Handel's oratorios vary greatly in their presentation. In many ways, Esther is a rarity;it is by far the most intimate, not surprisingly as it was composed for the Duke of Chandos. The Duke's Palladian palace near the village ofEdgware had not been completed in time for the first performance so this may have taken place (as did Acis and Galatea) in the intimate surroundings of a small church, St Lawrence, Whitchurch.We decided, therefore, that we should attempt to convey that intimacy of performance on disc; so we performed in the round with microphones in the middle, the orchestra in front of me, the choir behind and the soloists alongside. The result is everything that chamber music should be where players and singers can enjoy every aspect of Handel's masterpiece.
"The 'sound' of Esther, superbly communicated in the recorded performance here, is pure enchantment... The choral singing has an exceptional grandure, and the instrumental playing a shimmering beauty. Among the soloists, none of whom is less than accomplished, Nancy Argenta and Michael Chance dominate... Both singers affirm a new golden age of Handel interpretation".
Customer Reviews:
THE SHAPE OF THINGS TO COME.......2007-01-26
As often with Handel, there is no fully official version of the score, and this particular score may not even be fully complete from any point of view. The libretto seems to have been the work of someone in the frivolously named association of big literary figures called the Scriblerus Club, perhaps Dr John Arbuthnot, dedicatee of Pope's great poetic Epistle, but Pope himself may have had a hand in it too. As we have it here, the work breaks into two very asymmetrical parts. Scenes 1 and 2 start with a recitative lasting only seconds from Habdonah followed by a longer one in which Haman announces his onslaught on the Israelites, and from there on feature only anonymous participants. Esther herself and the other named characters make their appearance first in scene 4, but the change of tone occurs in scene 3. At this point the music gains gravity first in the chorus Ye sons of Israel with its extraordinary modulations and then in the striking aria O Jordan, Jordan. I myself feel that this weightier tone is maintained to the end, whether or not the writer of the liner note is correct in saying that the long final chorus with solos is out of proportion to its context.
Throughout - in the first part as well as in scenes 3-6 - the instrumental writing is vivid and varied, with an extraordinary pizzicato accompaniment to Tune your harps and then an even more extraordinary obbligato from the harp itself at Praise the Lord. The harpist is no less than Jan Walters, but sometime I would like to see the score and check out what seem some odd rhythmic interactions here between her and the soloist Nancy Argenta. There are no fewer than ten vocal soloists in a work lasting a little over an hour and a quarter, and a very distinguished bunch they are. I was particularly pleased to find Michael Chance in the countertenor role of the Priest of the Israelites as I admire the strength of his tone, but there is no real weakness among them, unless Lynda Russell as Esther has a couple of very slightly awkward high notes in Flatt'ring tongue, which must be a little nerve-wracking to sing as she has to find her note for herself unaccompanied at the start and later at the reprise. You will see some big names among the instrumentalists too, with Crispian Steele-Perkins on the trumpet making a predictably fine contribution towards the end, and of course with Jan Walters in that marvellous harp part early on. The chorus gets some wonderful work to do, and rises to it fully. I really am unable to worry about the proportionateness of the final chorus when I hear that incomparable Handelian build of tone, sung by 18 singers and sounding as if there were 100.
There is a good liner note by Graydon Beeks Jr, not perhaps the last word in lucidity (neither is the plot of the libretto come to that) but worth re-reading. Harry Christophers himself contributes a short foreword largely concerned with the recording process and highlighting the contributions of Mark Brown and Mike Hatch, his long-time technical collaborators. I was interested to see also the name of Geoff Miles in a role described as `editor'. What responsibilities this involved is not stated and perhaps I ought to know without being told, but I know the work of Geoff Miles as recording engineer from elsewhere and it gave me confidence just to see that he is involved in the proceedings, and the technical work is predictably excellent.
My collection of Handel oratorios is now almost complete, and what a wonderful musical experience they are. Each is unique in its own way, but Esther is unique in some very special ways, and I suggest that you do not wait until you are my age to get to know it.
a voice teacher and early music fan.......2006-04-04
This is a "small" contribution compared to many of Handel's other works. However, it is not "small" in a musical sense. There is much creativity on the part of Handel as to orchestral scoring; he exploits his small orchestra and chorus in surprising ways, introducing new vocal and instrumental colours throughout the score, adding and subtracting instruments and voices in many and varied ways. This is a listening surprise as it moves along. And what a great performance on the part of the Christophers as well as some outstanding vocal soloists. Mark Padmore's (Mordecai) aria "Tune Your Harps to Cheerful Strains" was superb as was the Duet between Lynda Russell (Esther) and Tom Randle (Ahasuerus).But the aria that really drew me into the entire drama was sung by Michael Chance (Priest) "O Jordan, Jordan, sacred Tide." It was perfection itself!!!!The Chorus was extremely good and dictionally perfect. It is a great listening experience.
Average customer rating: |
Summertime
Manufacturer: Avid Records UK ProductGroup: Music Binding: Audio CD ASIN: B00002MRH5 Release Date: 1998-12-15 |
Tracks:
- Goldwyn Follies/Love Walked In
- Goldwyn Follies/I Was Doing All Right
- Goldwyn Follies/Love Is Here to Stay
- Goldwyn Follies/Dawn of a New Day
- Shocking Miss Pilgrim/Changing My Tune
- Shocking Miss Pilgrim/Aren't You Kind of Glad We Did?
- Shocking Miss Pilgrim/For You, For Me, For Evermore
- Porgy and Bess/Summertime
- Porgy and Bess/Summertime & Crap Game/A Woman Is a Sometime Thing
- Porgy and Bess/My Man's Gone Now
- Porgy and Bess/It Takes a Long Pull to Get There
- Porgy and Bess/I Got Plenty O' Nuttin'
- Porgy and Bess/The Buzzard Song
- Porgy and Bess/Bess, You Is My Woman Now
- Porgy and Bess/It Ain't Necessarily So
- Porgy and Bess/Where Is My Bess?
- Tip-Toes/Looking for a Boy
- Tip-Toes/When Do We Dance?
- Tip-Toes/That Certain Feeling
- Tip-Toes/Sweet and Low Down
- Oh, Kay!/Maybe
- Oh, Kay!/Clap Yo' Hands
- Oh, Kay!/Do, Do, Do
- Oh, Kay!/Someone to Watch Over Me
- Funy Face/'s Wonderful/Funny Face
Average customer rating: |
Jerusalem the Golden
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000542GQ Release Date: 2001-02-13 |
Average customer rating: |
Saxophone Serenade
Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD ASIN: B0000030YL Release Date: 1994-03-22 |
Tracks:
- Ser
- Prld, Op.31 No.2
- Prld, Op.4 No.3
- Two Fant Pieces Op.2: Romanze/Humoresque
- The Carnival Of The Animals: The Swan
- A Life For The Tsar: Romance OF Antonida
- Gianni Schicchi: O Mio Babbino Caro
- Bethena
- Ste Bergamasque: Clair De Lune
- Scaramouche: Brazileira
- Irish Tune From County Derry
- Peer Gynt, Op.46 No.3: Anitra's Dance
- Peer Gynt, Op.55 No.4: Solveig's Song
- Symnopedie No.1
- Swipesy
- Semele: Where'er You Walk
- La Fille Aux Cheveux De Lin
- Werther: Va! Laisse Couler Mes Larmes
- Son in E flat, BWV 1031: Siciliano
- Gershwin Medley: Fascinating Rhythm/The Man I Love/Our Love Is Here To Stay/Someone To Watch....
Average customer rating: |
Stay in Tune
3rd Statement Manufacturer: Goldr ProductGroup: Music Binding: Audio CD ASIN: B00000B43J Release Date: 1997-02-24 |
Average customer rating: |
Fate/Stay Tune V.1
Japanimation Manufacturer: Pioneer ProductGroup: Music Binding: Audio CD ASIN: B000STC812 Release Date: 2007-09-03 |
International Music: