I Favolosi Anni 60 [Import]

1. Fatti Mandare Dall Mamma A Prendere Il Latte

2. La Partita Di Pallone

3. Il Barattolo

4. I Watussi

5. Sapore Di Sale

6. Se Stasera Sono Qui

7. L'esercito Del Surf

8. Sei Diventata Nera

9. Ogni Giorno

10. Io Che Amo Solo Te

11. Legata A Un Granello Di Sabbia

12. Io Ti Daro Di Piu

13. Ridera

14. Che Colpa Abbiamo Noi

15. Little Man

16. Non C'e Piu Niente Da Fare

17. Te Lo Leggo Negli Occhi

18. Casatshock

19. Sono Tremendo

20. Io Ho In Mente Te

See all 24 tracks on this disc

I Favolosi Anni 60,Various Artists,Sony Bmg,World Music

Average customer rating: It was faulty on the last title to be played The Carnival of Venice Awesome Collection! A Wonderful Collection Wonderful edition to your trumpet collection. Quite the CD

Greatest Hits: Trumpet Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by J.S. 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Baroque Music for Trumpet ASIN: B000002AVK Release Date: 1994-12-06

Tracks:

1. Brandenburg Concerto No.2, BWV 1047: III. Allegro assai
2. Birthday Ode For Queen Anne: Eternal Source Of Light Divine
3. Concerto For 2 Trumpets In C Major, RV 537: 1. Allegro
4. The Prince Of Denmark March
5. Canzon V
6. First Symphonic Suite: Rondeau
7. Trumpet Tune 'Martial Air': Martial Air
8. Trumpet Concerto In E-Flat Major: III. Finale. Allegro
9. Sonata a 9 zu der Kayserlichen Serenade
10. Voluntary In C Major
11. Trumpet Concerto In E-Flat Major: II. Andante
12. Trumpet Concerto In E-Flat Major: III. Rondo
13. Pictures At An Exhibition: Promenade
14. Petrushka: Dance Of The Ballerina & Waltz
15. Also sprach Zarathustra, Op. 30: Introduction
16. Lieutenant Kije: Symphonic Suite, Op. 60: Kije's Wedding
17. Hary Janos Suite: Entrance Of The Emperor & His Court
18. Swan Lake, Op. 20: Naepolitan Dance (Act III) - Tchaikovsky
19. Rondo For Lifey
20. Concerto No. 1 For Piano, Trumpet & String Orchestra, Op. 35: IV. Allegro con brio
21. Tsar Saltan: Flight Of The Bumblebee
22. The Three Aces - Clarke
23. A Bugler's Holiday
24. Variations On The Carnival Of Venice

Customer Reviews:

It was faulty on the last title to be played The Carnival of Venice.......2007-06-01

I returned this to New Castle. Box 15550. I have heard nothing. The date of the return was 15/05/07 from my Throop postoffice in Dorset. I sent it recorded delivery. Over to you. There was nothing on the return screen to explain the fault. ie faulty track. So after many attempts to get intouch I sent it to the address on the paper inside the parcel. Please help.
I am a Grandmother so I am over 13 ???

Awesome Collection!.......2006-07-04

As a young boy I would play my trumpet from my father's old Arban's method book. My private trumpet teacher (Mr. Bonfield) would love to play duets with me from the Merchant of Venice. One day I heard Wynoton Marsailas play a a flawless rendition of The Merchant of Venice on my local clasical radio station. It was flawless and brought back many fond memories of studiying the trumpet as a youngster with my beloved teacher. This collection contains that rendition and a wide selecton of clasical trumpet pieces. You may not recognize every song, but you will enjoy the high quality of the music and artists on this CD. Anyone looking for an introduction to quality, classical, trumpet music should buy this CD. The price also makes this an affordable must for any true trumpet fan.

A Wonderful Collection.......2004-01-26

This is a splendid anthology of music. Traditional Baroque and orchestral pieces up front, and a few surprises nearer the end. A splendid work. The price makes it a steal. Add it to your cart. You will not be sorry. There is technical excellence - peace in some of the songs and real energy in others.

Wonderful edition to your trumpet collection........2003-10-21

Trumpet fans should all own this album, that is if they don't already own all of the pieces on here on separate recordings (it would take a while to obtain them all). This recording features a bunch of great classical trumpeters and innovators such as Armando Ghitalla, Phil Smith, Wynton Marsalis, Mark Gould, H.L. Clarke, Ron Romm, Charles Schleuter, William Vacchiano, and more. Great performances of Bach's "Brandenburg Concerto No. 2", the Haydn and Hummel Concertos, Wynton's excellent performance of J.B. Arban's "The Carnival Of Venice", the New England Brass Ensemble performing "Trumpet Voluntary", a very good job done by a Baroque Orchestra of the Vivaldi Concerto for Two Trumpets, "The Three Aces" played by H.L. Clarke, and Leroy Anderson's classic "A Bugler's Holiday".

Overall this is a great listen to some of the best trumpet players of all-time in this idiom. All of the pieces are impeccably played by some of the best. I didn't discover this tape in my collection until recently, and boy I'm glad I did.

Quite the CD.......2001-04-17

If I were you, I would buy this CD. It is a diverse collection of amazing performances of quintessential pieces - an important addition to any classical music fan's collection. Heck, even if you're not big on classical music (or trumpet music or brass music or music at all) you should purchase this compact disc.

And comrades, let me say that you can't call yourself a member of the human race until you've heard Wynton Marsalis' performance of JB Arban's "Variations of Carnival of Venice." It's literally perfect. Buy this today.

Average customer rating: A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: Choppy and uneven The best Beethoven symphonic cycle available at the moment Amazing An Outstanding Symphonic Cycle Excellent

Beethoven: The 9 Symphonies / Gardiner Orchestre Revolutionnaire et Romantique , John Eliot Gardiner , Anthony Rolfe Johnson , Gilles Cachemaille , The Monteverdi Choir , Anne Sofie von Otter , and Luba Orgonasova Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Orchestre Rivolutionnaire et Romantique | ( O ) | Featured Performers, A-Z | Classical | Styles | Music Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music Similar Items: Beethoven - The Symphonies / Augér, Robbin, Rolfe Johnson, Reinhart, AAM, Hogwood Beethoven - Missa Solemnis / Margiono * Robbin * Kendall * Miles * EBS * Gardiner Complete Mozart Symphonies / Pinnock, English Concert Schumann: Complete Symphonies Mendelssohn: 5 Symphonies; 7 Overtures ASIN: B0000057EO Release Date: 1994-09-20

Tracks:

1. Symphony No. 1 In C Major, Op. 21: 1. Adagio molto - Allegro con brio
2. Symphony No. 1 In C Major, Op. 21: 2. Andante cantibile con moto
3. Symphony No. 1 In C Major, Op. 21: 3. Menuetto: Allegro molto e vivace
4. Symphony No. 1 In C Major, Op. 21: 4. Adagio - Allegro molto e vivace
5. Symphony No. 2 In D Major, Op. 36: 1. Adagio molto - Allegro con brio
6. Symphony No. 2 In D Major, Op. 36: 2. Larghetto
7. Symphony No. 2 In D Major, Op. 36: 3. Scherzo: Allegro
8. Symphony No. 2 In D Major, Op. 36: 4. Allegro molto

Tracks:

1. Symphony No. 3 In E-Flat Major, Op. 55 'Eroica': 1. Allegro con brio
2. Symphony No. 3 In E-Flat Major, Op. 55 'Eroica': 2. Marcia funebre: Adagio assai
3. Symphony No. 3 In E-Flat Major, Op. 55 'Eroica': 3. Scherzo: Allegro vivace
4. Symphony No. 3 In E-Flat Major, Op. 55 'Eroica': 4. Finale: Allegro molto
5. Symphony No. 4 In B-Flat Major, Op. 60: 1. Adagio - Allegro vivace
6. Symphony No. 4 In B-Flat Major, Op. 60: 2. Adagio
7. Symphony No. 4 In B-Flat Major, Op. 60: 3. Allegro vivace
8. Symphony No. 4 In B-Flat Major, Op. 60: 4. Allegro ma non troppo

Tracks:

1. Symphony No. 5 In C Minor, Op. 67: 1. Allegro con bri
2. Symphony No. 5 In C Minor, Op. 67: 2. Andante con moto
3. Symphony No. 5 In C Minor, Op. 67: 3. Allegro
4. Symphony No. 5 In C Minor, Op. 67: 4. Allegro
5. Symphony No. 6 In F Major, Op. 68 'Pastoral': Allegro ma non troppo: Awakening Of Cheeful Feeling Upon Arrival In The Country
6. Symphony No. 6 In F Major, Op. 68 'Pastoral': 2. Andante molto mosso: Scene By The Brook
7. Symphony No. 6 In F Major, Op. 68 'Pastoral': 3. Allegro: Merry Gathering Of Country Folk
8. Symphony No. 6 In F Major, Op. 68 'Pastoral': 4. Allegro - Thunderstorm
9. Symphony No. 6 In F Major, Op. 68 'Pastoral': 5. Allegretto: Shepherd's Song: Happy And Thankful Feelings After The Storm

Tracks:

1. Symphony No. 7 In A Minor, Op. 92: 1. Poco sostenuto - Vivace
2. Symphony No. 7 In A Minor, Op. 92: 2. Allegretto
3. Symphony No. 7 In A Minor, Op. 92: 3. Presto
4. Symphony No. 7 In A Minor, Op. 92: 4. Allegro con brio
5. Symphony No. 8 In F Major, Op. 93: 1. Allegro vivace e con brio
6. Symphony No. 8 In F Major, Op. 93: 2. Allegretto scherzando
7. Symphony No. 8 In F Major, Op. 93: 3. Tempo di Menuetto
8. Symphony No. 8 In F Major, Op. 93: 4. Allegro vivace

Tracks:

1. Symphony No. 9 In D Minor, Op. 125: 1. Allegro ma non troppo, un poco maestoso
2. Symphony No. 9 In D Minor, Op. 125: 2. Molto vivace
3. Symphony No. 9 In D Minor, Op. 125: 3. Adagio nolto e cantabile
4. Symphony No. 9 In D Minor, Op. 125: 4. Presto
5. Symphony No. 9 In D Minor, Op. 125: 4. Presto - 'O Freunde, nicht diese Tone!' - Allegro assai

Tracks:

1. English Interview - Beethoven
2. German Interview - Beethoven
3. French Interview - Beethoven

Customer Reviews:

Choppy and uneven.......2007-02-26

There must be 2 or 3 dozen good to very good Beethoven symphony cycles floating around. With all the sets floating around, my listening to Beethoven can turn into a critics delight dog and pony show of comparing this set to that. I instead prefer to listen for pleasure and try just to enjoy the music.

The complete Gardiner set is available at Rhapsody and I am glad I got to listen before leaping and buying it. Rhapsody must have several thousand classical lps, many in the budget range, but many just released cds or reissues like EMI's "Great Recordings of the Century." Rhapsody has the recent Beethoven LSO Live minus I think the third, Bruno Walter, and Bernstein with the NYP. They have Karajan's digital from the 80s and his set from the 50s. They have NAXOS, etc. etc. etc. The NAXOS set I suppose falls into the budget category. It is even enjoyable to listen to (after all, Beethoven fairly well played and professionally recoreded is still Beethoven, how do you screw up Beethoven?).

I do not have a for or against opinion on the original instrument movement, I just want the music to rock. In listening to the Gardiner take, the music sounded uneven and choppy. I actually found myself not enjoying Beethoven! Not even the two budget sets I have screw up Beethoven and cause me to not enjoy listening! I had read some of the glowing reviews of Gardiner and found myself scratching my head wondering what they were hearing vs. what I was hearing. On the other hand, the very recent LSO Live sounded wonderful. It remined me of the recent live performances by Abbado and the BPO.

I like Rhapsody because it gives me a chance to listen before making any buying decisions. I have been trying to expand my listening and yesterday tried to listen to Strauss's Salome on Rhapsody. For the most part, I pass on opera because the sopranos often sound like their cat is being strangled and this was my experience with Salome. Prokofiev's Romeo and Juliet, on the other hand was enjoyable to listen to. So, if you are not sure what to buy you might give Rhapsody or one of the other online services a try.

The best Beethoven symphonic cycle available at the moment.......2007-02-18

This is the best recording of the symphonies of Beethoven available at the moment. The tempi are right and the orchestra plays with greta skill and fire.

Gardiner did his homework on these works, finding, with the help of a musicologist, the scores of much of Beethoven's music. Who would have ever thought that the first subject of the fifth was plagiarised from a French folk song?

If you're after a good set of the Beethoven symphonies, look no further.

If you like the HIP approach, you may also consider the cycles by Brüggen, Hogwood, Norrington and Goodman. Brüggen's is very strong and Hogwood's was the first cycle on period instruments. Norrington's set follows the metronome markings very closely.

Amazing.......2007-01-02

By my estimation this is the best single cycle of Beethoven symphonies available. Since there are so many great recordings of Symphonies 1, 3, 5, 6, 7, and 9, I won't focus on those as much.

Symphony No. 1 is performed very well. It is taken a bit faster (a general theme of this set) than, say, Karajan, Bernstein or Bohm would take it. This is a good thing.

For Symphony No. 2, I would actually recommend a compliment to this CD. Robert Levin (on the fortepiano) and members of the ORR recorded the chamber version of this work (for piano trio), mostly arranged by Beethoven himself. It is really interesting to contrast the two. I'd recommend that CD as well (it also comes with a piano quartet arrangment [again by Beethoven] of the fourth piano concerto. It is by Achriv Blue).

Symphony No. 3: The DEFINITIVE version of this symphony. Great throughout.

Symphony No. 4: This performance is the reason you should get this set. Symphony No. 4 has been largely ignored in favor of the odd number Symphonies. Here we have the DEFINITIVE, must have performance of this work. The finale is amazing, as is the deep beginning. The work is also the epitome of Beethoven's second style period, from the deep, gloomy beginning to the triumphant, allegro finale (in this performance, their is no "ma non troppo"; it is played more like a slow "presto vivace" than "allegro ma non troppo," which works very well). Great performance.

Symphony No. 5 is also brilliantly played. Among the best recordings of that symphony.

Symphony No. 6: The weak link of the more popular works in this set, though it is still very, very good.

Symphony No. 7: The scherzo here is light and playful. The pavonne second movement is very deep and moving. The finale is very heroic. I really like the sound of the horns; I think they work very well.

Symphony No. 8: Since this one is sandwiched between the great Symphonies No. 7 and 9, I think it has been largely ignored, much like Symphony No. 4 is with 3 and 5. Therefore, see Symphony No. 4.

Symphony No. 9: Where to start? This is THE DEFINITIVE and BEST version of this symphony available. The tempi are much faster than the other great conductors of the 20th century (Karajan, Bohm, Bernstein, Furtwangler, et al). The scherzo is really nice. The biggest difference between the finale of this recordings and the finale of other recordings is the tempo. This is especially evident in the march section. In Karajan and Bohm, it's more of a dirge than a march. Here, the tenor sounds light and easy, whereas in the other versions he (typically) sounds slow and strained.

Overall, this set is well worth owning. You will not be disappointed.

An Outstanding Symphonic Cycle.......2006-12-16

In the December issue of Gramophone playing Beethoven's symphonies in the 21st century was discussed, and among the top five symphony cycles recorded. I grew up listening to the Beethoven symphonies played by modern symphony orchestras so when the period instrument movement came along it was a revelation. John Elliot Gardiner's recordings were made following research that provided greater insight into Beethoven's symphonies and corrected errors that had existed from copyist errors. Mozart took pains to create a final score that would be used by his publisher but Beethoven became lax in making his own final copies, leaving the chore to a copyist who had to deal with a jumble of sketches and completed (but messy) manuscripts. The scores that came to be used by conductors were products of the mid-19th century. So, there are many changes to these scores that can be picked out from other performances and are listed in the booklet.

I recall that when the Gardiner set came out that there were some people, my wife included, who thought they were too fast. Listening to the 9th symphony the first movement is so furiously driven that the tempos sound out of control. The symphony last just under 60 minutes which may sound like a record until one considers that Felix Weingartner (a Beethoven expert) turned in a performance just over 60 minutes. The performances are vibrant and well played, all of them the product of live performances, a few like the 9th were made following a performance. For me the Gardiner cycle has a freshness that while not excluding other recordings (period instrument and modern symphony orchestra) has made this the only complete cycle that I have of the Beethoven symphonies. Perhaps the most telling evidence that Gardiner's approach to Beethoven has been influential is the rethinking of the tempos of the symphonies by conductors like Bernard Haitink. I highly recommend this cycle of symphonies for someone new to Beethoven and those listeners who are familiar with this music.

Excellent.......2005-10-21

Interpretation is in many ways a matter of taste. For example, if Georgy Cziffra were not such a phenomenal pianist, I think several critics would say that his interpretations were not adequate. Because of his absolutely unbeatable technique Cziffra "says": I will play as I would like to play!

I liked Gardiner interpretation of the Beethoven Simphonies. Vigorous, somewhat fast and very well recorded. In 9th simphony I would prefer a slower tempo but this is my opinion.

You should like a song because you really like it and not because some classical music "pundit" says that this is the correct way to play because there is not such a thing. The only person that could have the final word is Ludwig.

Average customer rating: A Beautiful Miracle I hate it ! If you love Geddes, consider upgrading your purchase Weak, self-serving, waterd-down "art" Very emotional combination of image and that "voice"

Miracle (Special Edition with a 60 page version of the 180-page book) Celine Dion , and Celine Dion Manufacturer: Sony ProductGroup: Music Binding: Audio CD Canada | North America | International | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Rock | Styles | Music Lullabies | Children's Music | Styles | Music General | Broadway & Vocalists | Styles | Music General | Rock | Box Sets | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Celine Dion | Top 30 | Specialty Stores | Music Similar Items: Miracle Miracle: A Celebration of New Life Thoughts With Love For Mother Thoughts With Love For The New Baby The Collector's Series, Vol. 1 ASIN: B0002X5910 Release Date: 2004-10-12

Tracks:

1. Miracle
2. Brahms' Lullaby
3. If I Could
4. Sleep Tight
5. What A Wonderful World
6. My Precious One
7. A Mother's Prayer
8. The First Time Ever I Saw Your Face
9. Baby Close Your Eyes
10. Come To me
11. Le loup, la biche et le chevalier (une chanson douce)
12. Beautiful Boy
13. In Some Small Way

Amazon.com

Celine Dion's straight-from-the-heart, sincerity-stung singing, woven together with Anne Geddes' visual gifts, perform a neat symbiotic trick. If you never quite got Geddes' photographs (not everyone can find artistic merit in lineups of sleepyheaded newborns dressed as bumblebees), or if Celine's vocals seemed over-the-top emotional, this package irons out the separate but unsinkable appeal of both artists with drawstring-like efficiency. On the DVD, Celine's vocals are the musical equivalent of comfort food, zapping the weirdness out of the babies-as-blooms sequences with raw maternal warmth. And Geddes' playful images--the title track tucks a newborn into a lotus leaf, and "What a Wonderful World" blazes to life in bouquets of red rose bonnets--leavens Celine's swollen-hearted delivery with whimsy. Miracle's subtitle is A Celebration of New Life, and while Geddes and Dion go at it with opposite M.O.s, they meet in the middle with a box set to be prized for its exploration of the shades of a parent's love. There are a couple of reasons not to keep this package cribside, though: For one, the urge to stare dreamily at a sleeping newborn while Celine's stunning rendition of "The First Time Ever I Saw Your Face" plays notwithstanding, her note-pounding delivery is at times un-lullaby-like. For another, the images gathered in the 57-page booklet that accompanies the DVD and CD are too captivating to risk dampening with drool. --Tammy La Gorce

Album Description

"The CD box set includes a 60 page version of the 180-page book, "Miracle : A Celebration of New Life," the "Miracle" cd, and a "Making of the CD" dvd."

Customer Reviews:

A Beautiful Miracle.......2006-08-27

This is simply the best for a new mom, and the pics are beautiful with music by Celine that will amaze. My neice just had a new baby girl, and she loved this gift I gave her.Because ALL Babies are truly a miracle.

I hate it !.......2005-10-11

I am wondering WHEN this plague will be over....
and WHEN we'll be set free to listen to real music...
We all are so tired of her !

If you love Geddes, consider upgrading your purchase.......2004-11-30

If you love the photographs of Anne Geddes, I'd recommend buying the larger 180 page book. The small 60 page booklet is only a teaser. Either you love her photos (in which case you'll want the larger book) or you only like her photos (in which case, the booklet won't do much for you, and you might as well just buy the CD). I love her photos, and having seen the booklet, then went out and bought the larger 180 page book (which also comes with a CD), and now I have 2 CDs.

I had hoped the DVD might focus on how Geddes took the photos, but alas, it was a very high level overview. It focused mainly on how Geddes & Dion met, discussions around how the concept for the album/book evolved and some cute stories about all the babies that peed on Dion during the shoots.

Overall, this would make a nice gift, but if you can afford it, I'd recommend getting the larger book instead.

Weak, self-serving, waterd-down "art".......2004-11-20

I am appalled at the self-serving attitude of this "book". It is amazing how a group of so-called educated people can call this book "amazing" and "wonderful". This book does nothing but push Celine Dion's arrogant face into the public once again. Lest we forget her over-written pop songs or the cartoonishly vile Anne Geddes and her exploitation of babies. Slap a newborn in any costume and it becomes "cute". Anything with a baby is cute. But to package babies wadded into the hands of someone like Celine Dion is borderline obscene.

And "Oh Joy" we get some songs from Ms. Dion. Why don't you just drive the knife just a little bit deeper into my sense of good taste?

I hope Ms. Geddes and Ms. Dion are happy with their work. I am sure this "book" will be bought by the masses of people who fall for packaged art simply because it has names that have been forced upon us. Open your eyes and see this for what it really is. A vehicle to capitalize on two watered-down artists who would sell their names to anyone for the right price

Very emotional combination of image and that "voice".......2004-10-27

As many people I just bought the Miracle box set because I'm a Celine "hard core" fan. I must confess I never heard of Anne Geddes before but I'm glad I was able to enjoy her incredible talent as a photographer, looking at these beautiful pictures so full of tenderness. There is not much that I can say about Celine in this new album, her marvelous voice says it all (as always.) My 2 favorites, "Miracle" and "If I could" they made me stop for a minute and think about how much my Mother has loved me and how much I owe her. Thank you Mom.
If you are sensitive enough you'll feel the love in Celine's voice and it will make you feel good even if you are crying for the emotion. CD and book won't dissapoint you.
note:
For a fan, I think this is the best format out of the 3, because you get all the Celine pictures out of the book, the CD and the DVD.

Average customer rating: GRIEG APPASSIONATO A warm Spring in Norway

Anne Sofie von Otter - Grieg Songs Edvard Grieg , Anne Sofie von Otter , and Bengt Forsberg Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Anne Sofie von Otter - Johannes Brahms Lieder Anne Sofie von Otter - Love's Twilight (Late Romantic Songs by Berg, Korngold, Strauss) Anne Sofie von Otter - Schumann: Frauenliebe und -leben / Forsberg Anne Sofie von Otter - Wings in the Night (Swedish Songs) Anne Sofie von Otter - Schubert Lieder (Ave Maria, Im Abendrot, Ständchen, etc.) ASIN: B000001GI8 Release Date: 1993-06-22

Tracks:

1. Haugtussa Op. 67: 1. Det syng
2. Haugtussa Op. 67: 2. Veslem
3. Haugtussa Op. 67: 3. Blr-Li
4. Haugtussa Op. 67: 4. M
5. Haugtussa Op. 67: 5. Elsk
6. Haugtussa Op. 67: 6. Killingdans
7. Haugtussa Op. 67: 7. Vond Dag
8. Haugtussa Op. 67: 8. Ved Gje-Bekken
9. Seks Sange op. 48: 1. Gruss
10. Seks Sange op. 48: 2. Dereinst, Gedanke mein
11. Seks Sange op. 48: 3. Lauf der Welt
12. Seks Sange op. 48: 4. Die verschwiegene Nachtigall
13. Seks Sange op. 48: 5. Zur Rosenzeit
14. Seks Sange op. 48: 6. Ein Traum
15. Seks Digte af henrik Ibsen op. 25: 2. En svane
16. Seks Digte af henrik Ibsen op. 25: 4. Med en vandlilje
17. Fem Digte af John Paulsen op 26: 1. Et h
18. Tolv Melodier til Digte af Aasmund Olavsson Vinje op. 33: 2. Vn
19. Digte af Vilhelm Krag op. 60: 3. Mens jeg venter
20. Barnlige sange op. 61: 3. Lok
21. Tolv Melodier til Digte af Aasmund Olavsson Vinje op. 33: 5 Langs ei
22. Romancer op. 39: 1. Fra Monte Pincio
23. Hjertets Melodier af H. C.Andersen op. 5: 1. To brune ne
24. Hjertets Melodier af H. C.Andersen op. 5: 3. Jeg elsker Dig
25. Seks Digte af Holger Drachmann op. 49: 6. Forregn

Amazon.com

Grieg's song's were almost all composed for his wife Nina. She was a singing actress with a considerable stage presence, if not a particularly impressive voice. In fact, Nina and Edvard Grieg were very much the Kurt Weill and Lotte Lenya of the 19th century, though the style and substance of Grieg's songs' is as different from 1920s Berlin as can be imagined. Haugtussa is Grieg's most important song cycle. It's tells the story of a goat shephard abandoned by her lover. Each of the songs is in simple strophic (verse and refrain) form, but the music has a tremendous range and variety, particularly in the folk-tinged harmony. Anne Sofie von Otter's performance is the outstanding Grieg song recital of our time, period. --David Hurwitz

Customer Reviews:

GRIEG APPASSIONATO.......2005-07-18

A good deal of care and sensitivity has gone into just making the selection of these 25 songs, before we even reach the performances. Some of the songs are fairly light in sentiment and expression, and none is to full German-Lied weight or portentousness, but there is real passion in most of them. What is blessedly absent throughout is the sentimental trifling that Grieg can sometimes be guilty of.

Von Otter is not one to do things by halves either. As usual she gives the songs everything she's got, which is of course a great deal. Thought has obviously gone into the way she has been recorded too. The acoustic is just faintly suggestive of a cathedral, but a voice like this needs space around it, and I myself support this way of doing things. I simply can't comment on any national or Scandinavian aspects to these readings. In any case I suspect the personal tone of this high-powered singer is a lot more to the point. The song `Spring' on the 18th track of this disc is well known from its orchestral version, but never in the innumerable orchestral renditions, many by Scandinavian orchestras, that I've heard has the climactic phrase of the melody been put over with such power and intensity as it is here. Obviously, the music has to be able to stand up to such an approach, and I find that it comes through with flying colours. The songs are mainly love-lyrics with some associated folk-pastoral numbers in a familiar way. There are some sad moments, particularly when the poor shepherdess loses her love in the 7th song, and the text of the following and final poem in this cycle about the brook must surely recall Schubert's Baches Wiegenlied to everyone, but even it stops short of what happens in that. In general however the tone is one of longing with intermittent joy, and every song seemed to me perfectly well suited to its singer.

Von Otter's partnership with Forsberg is well and truly established by now and there is a sense of complete understanding between them as we would expect. Forsberg isn't afraid to let his concert grand rip on occasion either, nor would I have wanted him to be. What I would have liked all the same is a little more refinement in his touch. He provides that very nicely indeed in the very last item in the recital. If he had done this more consistently throughout my mind would have been veering off less into tangential thoughts about how Gould might have handled such piano-writing.

The liner-note is brief but helpful, and full texts of the lyrics (some German, mostly in alternative forms of Norwegian) are provided with English translation.

A warm Spring in Norway.......2004-06-20

This is one delicious album. Von Otter has made a wonderful selection of love songs from Grieg. You very seldom hear the Nordic iciness that can be found so often in Grieg's instrumental chamber works. There is beautiful lyrical warmth in these songs written for his wife, springing out of the nature of the lyrics. Flowers explode from the piano accompaniment. The theme of Springtime appears again and again throughout these songs. Von Otter's warm, full voice brings the songs to wonderful life. The recording acoustics have the sound of recital hall instead of a recording studio. But I'm grateful for this. Von Otter's powerful voice singing directly into your ear could be overwhelming. Although the acoustics make Forsberg's piano sound a bit flat. Von Otter and Forsberg sink their teeth into every emotion projected from the lyrics and music, so be prepared for an often unsubtle emotional assault on your sensibilities. The beauty of these neglected songs is brought to life in a vivid way. This album is a treat you can't afford to pass up.

Average customer rating: I found her THE BEST!!!! A Great Showcase For The Great Soprano Virtuoso Opera Star! The Sumi Jo Album To Own! Acrobatic singing

Sumi Jo - Virtuoso Arias ~ Verdi, Rossini, Donizetti, Meyerbeer Giuseppe Verdi , Gioachino Rossini , Gaetano Donizetti , Giacomo Meyerbeer , Léo Delibes , Vincenzo Bellini , Richard Strauss , Leonard Bernstein , Wolfgang Amadeus Mozart , Young-Ha Yoon , Paolo Olmi , Sumi Jo , Monte Carlo Philharmonic Orchestra , Anne Maugue , and Marius Constant Manufacturer: Erato ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Similar Items: Sumi Jo sings Mozart Sumi Jo - Bel Canto / Arevalo · ECO · Carella French Coloratura Arias Sumi Jo - La Promessa / Vincenzo Scalera Sumi Jo - Prayers / James Conlon ASIN: B000005EDE Release Date: 1995-02-07

Tracks:

1. Il Barbiere di Siviglia: 'Una voce poco fa' (Rosina)
2. La Sonnambula (Act 2): 'Ah non credea mirarti' (Amina)
3. Lakme (Act 2, Scene 10): The Bell Song (Lakme)
4. Rigoletto (Act 1, Scene 13): 'Gualtier Maide...caro nome' (Gilda)
5. Giacomo Meyerbeer: 'Ombres legeres' (Dinora)
6. Gaetano Donizetti: The Mad Scene (Lucie)
7. Adriadne Auf Naxos: Zerbinetta's Aria
8. Leonard Bernstein: 'Glitter And Be Gay' (Cunegonde)
9. Die Zauberflote: 'Der Holle Rache...' (Queen of the Night)
10. Boribat

Customer Reviews:

I found her.......2006-12-27

I was looking for a complete recording of Zerbinetta's aria (I still don't know whether I have one, this one is 7 minutes long, 5 minutes were cut from Lucia's mad scene, I thought Zerbinetta's aria was much longer than 7 minutes), I had Gruberova singing it many years ago, but I cannot take her style and got rid of it. Sills (my main reason for buying the DVD) only sings part of it on "Made in America" which was disappointing, as was the entire DVD (all hints and glimpses and snippets, nothing, or very little, complete, very unsatisfying). So damnit just went through Strauss (ick, don't like any of the Strausses) on Amazon looking for the cheapest most likely to be complete recording of this aria and settled on the Sumi Jo. And my god what a jolt! This is the most beautiful new thing I've heard in years! She's another Pons. Good, clear, perfect separation of notes, wonderful range, warm beautiful voice, agile, wonderful Sutherland leaps to the last note of arias. This is it. This is wonderful. Just ordered 2 more of her albums. Should be here in a few days. A reviewer of another of her albums said she can't sing as fast as someone name Kirkby (or something), so immediately looked up Kirkby. Thought I'd found another jewel. Well, no. Kirkby specializes in Renaissance, Baroque and Classical music, mainly religious. That's out. But sigh maybe not. I only went through 3 or 4 or 5 pages of her stuff, then lost interest and stopped. Maybe a Meyerbeer or Donizetti popped up later. I'm not current with the world of music or any other art. No interest. Generally don't like it. And I stick pretty close to Sutherland, Sills, Callas (up to a point), and what Pons I can find. But this album is absolutely wonderful, and I highly recommend it to anyone who likes coloratura singing.

THE BEST!!!!.......2005-09-24

No question about it.
Never have I heard such a pure, clean voice.
Perfect colorattura.

A Great Showcase For The Great Soprano.......2004-01-31

Born in Seoul, Korea, Sumi Jo was discovered by the famous and late conductor Herbert Von Karajan. His choices in singers has always been superb- he has been credited for launching the careers of such opera legends as Maria Callas and most recently Cecilia Bartoli. Sumi Jo is a singer of the lyric-coloratura department, but she is equally successfully in spinto, dramatic and bel canto repertoire. Her voice, immediately indicative of sweet youthfulness, passion and stratospheric high notes, can also belt out the long legato phrases of the bel canto operas of Rossini, Bellini and Donizetti. She is "opera fluent" in the languages of German, Italian and French. This album showcases her versatility. It would'nt be called Virtuoso Arias for nothing. These arias are indeed studies in virtuosity for voice. Let's take a look at some of them.

Rosina's Aria From Barber Of Seville: Rossini's Barber Of Seville was the most popular opera he ever wrote. The story tells of the courtship of Count Almaviva and Rosina, with the aid of the clever barber Figaro. Rosini's first aria, "Une voce poco fa" is a beautiful aria which not only shows off a singer's talents but also the character of Rosina herself. She is charming, docile but feisty and fiery. The role of Rosina was written for the mezzo soprano voice. In fact, most if not all of Rossini's heroines were mezzo soprano roles. This is because in Rossini's day, the tenor Manuel Garcia's daughters were employed in the opera and they were both mezzo sopranos. But the allure of Rosina's character has drawn even the most dramatic sopranos, among them Maria Callas. Other interpretors include Joan Sutherland and Beverly Sills and mezzo soprano Cecilia Bartoli, who most efficiently sings the role with more closeness to the original Rossini mezzo soprano Garcia girls. Sumi Jo is able to inflect a "mezzo" voice in the singing but she embellishes passages with dazzling coloratura. It's a tour de force from Sumi Jo.

The Sleepwalking Scene From Sonnambula: Bellini's La Sonnambula is a bel canto opera if there ever was one. It was reportedly Queen Victoria's favorite opera. The story is about a beautiful village girl who falls in love, is temporarily estranged from her love but reunited for a happy finale. The Sleepwalking Scene is a close cousin of the Mad Scene. She momentarily loses grip on reality and revels in a hallucination while she sleepswalks across a bridge in the village. The first portions call for a sweet, lyric voice with long flowing lines. Sumi Jo impresses us with this ability. The last portions demand vibrant coloratura. Sumi Jo has the right stuff for this, as has been mentioned. She leaps with her voice, runs through scales and arpeggios beautifully and ends with squillo high notes.

The Bell Song From Lakme: Delibes' Lakme is a beautiful French opera, made famous by the greatest interpretor Madie Mesple. The Bell Song is a showcase for coloratura and for lyricism. Lakme tells the story of the Pariah's daughter, beginning with tenderness and romance, which is complimented with the romantic and exotic sound of the music and finalizes the aria with bird-like coloratura. Sumi Jo's coloratura is decorative and tasteful. She is a coloratura soprano in the tradition of such names as Lily Pons, Roberta Peters and Beverly Sills.

Gilda's Aria From Rigoletto: Caro Nome is a song about love. Gilda, Rigolettos' daughter, has made the mistake of falling in love with the decadent Duke who is disguised as Gualtier Malde, a music student. Gilda's aria expresses innocent love and exuberance. Sumi Jo's voice is perfect for this kind of role. She is young and her voice comes off as young. In addition, Sumi Jo is a beautiful woman. If she trains her voice for it any further, she might become a successful Verdi heroine. Perhaps Desdemona from Othello is next ? Or perhaps the more famous Violetta Valery from La Traviata ? A great aria in Sumi's hands.

The Mad Scene From Lucia is on here and it's delivery is close to perfect. Sumi comes off as tormented, melancholy and grieving. This is preferable to radical hysteria as some sopranos have made the mistake of doing. Her elegant phrasing matches the music and she tops off the scene with coloratura and high notes.

Zerbinetta's Aria From Ariadne: This aria is considered the most difficult aria for a coloratura soprano. Why that is I don't quite understand. The music is beautiful and flowing, as is the voice that Strauss' music was written for. The aria demands breath control and soaring high notes. Sumi Jo is able to do this perfectly, ranking as one of the divas of this type of singing with such names as Kathleen Battle and Natalie Dessay.

So there you have it. This is a must have for fans of Sumi Jo and fans of virtuosic singing. It is a superb album, despite what comments say, most likely from people who haven't even heard the album and how truly great it is.

Virtuoso Opera Star! The Sumi Jo Album To Own!.......2003-10-22

Korean soprano Sumi Jo has established herself as a remarkable and gifted lyric coloratura soprano in recent years. She has a vast following wherever she goes- whether she is touring Europe, performing in American opera houses or singing in her native Korea. Sumi Jo's good looks, winning personality and acting abilities add to her allure. She's almost the equivalent of Beverly Sills in many ways. Her legato and coloratura technique is thrilling. Her vocal embellishments in any coloratura role is exceptional. Plus, as mentioned, she can really act. I first had the privelege to watch Sumi Jo in a live performance at the Los Angeles Opera. She was performing as Olympia, the doll in Offenbach's "The Tales Of Hoffman." In addition to her vibrant coloratura roulades and passages, she was hilarious and easily won the audience. Among her many roles, she has performed as Rosina (Barber Of Seville), Queen of the Night (Mozart's Magic Flute and long considered her signature role), Lucia Di Lammermoor, Gilda from Rigoletto, Zerbinetta, Lakme, and various other bel canto heroines of Donizetti and Verdi as well as her touching performance as Mimi in Puccini's La Boheme. Sumi Jo has made it as a successful recording artist as well.These days, an opera singer with huge star power cannot dismiss the temptation of recording albums, sometimes in coloraboration with other singers or contemporary rock or pop singers. This album features the best of Sumi Jo in appropriately virtuoso arias from bel canto operas. Especially dazzling is her Zerbinetta and Lakme. I urge any fan of Sumi Jo to get this album. Viva the diva.

Acrobatic singing.......2003-04-20

I love coloratura singers and I find that Sumi Jo is one of the best... in this CD we can listen to different kinds of repertoire: from mozart to bernstein to a folk korean song.
in each track she shows her amazing skill in high and clean notes. If you buy ths cd you won't regret: sometimes you will take her voice for a flute for she is incredibly clean and effortless. In Lakmé aria you will listen at the end the best E sovracuto ever heard: it's clean, it's regular in the "vibrato", it starts and ends in the exact moment it should... wonderful. Glitter and be gay it's astonishing: it seems like she never stops climbing on higher and higher!!! Maybe queen of night's aria is a little bit slower than in other records and may sound less incisive, but it's always a pleasure listening to the perfect acrobatic singing of Ms Jo. With Natalie Dessay (who is even higher than Sumi, but less clear) Sumi is the best coloratura soprano of our times, and this CD shows her ability!

Average customer rating: A tempting treasury, but only a few performances are great Berlioz with immaginative variety

The Berlioz Experience Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Allen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Cleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Grieg: Complete Music with Orchestra Brahms: Complete String Quartets, Quintets & Sextets Mendelssohn: 5 Symphonies; 7 Overtures Bruckner: The Nine Symphonies; Helgoland Sibelius: The Complete Symphonies & Tone Poems ASIN: B00008RWRJ Release Date: 2003-10-14

Customer Reviews:

A tempting treasury, but only a few performances are great.......2007-02-03

Ten discs of Berlioz is a sumptuous offering, and temptingly cheap at Amazon Marketplace. DG has used this occasion to repackage some outstanding performances. At the top of the list goes James Levine's electrifying Requiem from Berlin, with playing and singing to match the conductor's inspiration. Also exciting--perhaps surprisingly so--is Abbado's Te Deum, which has rawer edges and sharper focus than Colin Davis's on Philips, long the standard version.

Dropping down a notch in quality, we have an elegantly played Romeo et Juliette by the Boston Symphony, superbly recorded, that has few rivals for refined virtuosity. But after a while Seiji Ozawa's approach seems to lack depth and meaning; he's skating over the surface of the musical drama, however brilliantly. Sharp and brilliant also describes Myung-Whun Chung's contribution, a Symponie fantastique, two overtures, and the Royal Hunt and Storm from Les Troyens, all with his well-trained Bastille Opera orchestra. Chung is to the manner born in Berlioz, but so are greater conductors in these works, including Munch and Markevitch.

At about the same quality level I'd place the Mort de Cleopatre, a dullish early vocal scene sung with plushness by Jessye Norman, and Kiri Te Kanawa's Les Nuits d'Ete, which is ravishing in terms of sheer vocalism but otherwise vacant. Daniel Barenboim's slack conducting does the piece no favors, either, which holds true on a much larger scale for his Damnation of Faust. This is a typical Barenboim product, full of lush sounds, excellent singing, big-scale orchestral work, but leading to a meager artistic payoff. Barenboim's Faust isn't remotely competitive with Markevitch, Chung, Solti, Pretre, and others in this work. It's great to hear Domingo in the title role, but the conducting is so routine that I'm not sure the overall experience is worth it.

We get odds and ends of varying quality: the rarely recorded Tristia done superbly by Boulez, an uneven batch of songs that previously appeared in their own double-CD set (a chore to listen to in its entirety, despite the occasional gem), and a pedestrain Harold in Italy conducted by Lorin Maazel in Berlin, a performance that DG surely could have bettered by looking deeper into their vaults.

In all, I can't see investing in such an uneven collection except at super-budget price. If you do a little searching, all the best things here can be gotten separately, and the lesser recordings pale by comparison with classic Berlioz from Colin Davis, Charles Munch, and Igor Markevitch.

Berlioz with immaginative variety.......2003-10-30

This box makes a nice alternative to the Philips boxes under Colin Davis. Not to take anything away from Davis. His Berlioz cycle certainly ranks up there with the elite for recording achievements. But many will not want to invest in all 3 boxes, so Universal has brought us a great compilation of some of Berlioz' best works from a variety of performers with different styles.
The jewel has to be Ozawa's unsurpassed Romeo and Juliet. This 1976 studio recording had its birth at the Tanglewood Festival and features excellent soloists (Julia Hamari, Jose Van Dam, and Jean Dupouy), a very competent choir, and of course the reliable Boston SO. The recording is of outstanding quality. It seems cleaned up a little from what I remember of the CDs from the mid 80s; much more spacious, less muddy sounding. I especially like the chorus in the hushed night scene.
Barenboim's Damnaton is perdictably Furtwangler-like in tempo, and again features top notch singers in Fischer Dieskau, Jules Bastin, & Placido Domingo; Yvonne Minto is probably not in the same class with the others, but she's more than acceptable.
Levine directs a well recorded and balanced classical-sounding Requiem, and Abbado is more than competent in the Te Deum.
Chung's Fantastique is fun and enjoyable, if not first-class.
The rest of the works are very commendable, if not top-of-the-class.
In short, you can't go wrong for the price, and if you love Berlioz' Romeo, you've got to get this box just for the Ozawa gem.

Average customer rating: An Excellent Compilation

Cathedral Dreams: Music to Inspire Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dufay | Dufay, Guillaume | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Górecki, Henryk Mikolaj | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Part | Part, Arvo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tavener | Tavener, John Kenneth | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music General | Compilations | New Age | Styles | Music A Cappella | Folk | Styles | Music Similar Items: Classical Dreams: Music to Inspire Images of Christ ASIN: B00006I0D1 Release Date: 2002-09-17

Tracks:

1. Messe De Nostre Dame- Introitus - Machaut
2. Song For Athene - Tavener
3. Ave Maria - Rachmaninov
4. Agnus Dei - Barber
5. Summa - Part
6. Ubi Caritas - Durufle
7. Introitus - Dufay
8. Requiem- Agnus Dei - Catoire
9. Salve Regina - Poulenc
10. Alleluia - Organum
11. Antienne - Mass Of The Epiphany
12. O Salutaris Hostia - Villette
13. Being Risen From The Tomb - Rachmoninov
14. 7 Magnificat Antiphons- O Weisheit - Part
15. Diliges Dominum - Byrd
16. Communio - Dufay
17. Requiem- Requiem Aeternam - Catoire
18. Tota Pulchra Es - Durufle
19. This Day Is Salvation Come - Rachmaninov
20. O Sacrum Convivium - Messiaen

Tracks:

1. Totus Tuus - Gorecki
2. 7 Magnificat Antiphons- O Morgenstern - Part
3. Tantum Ergo - Darufle
4. Ave Maria - Palestrina
5. Blessed Is The Man - Rachmaninov
6. Adoramus Te, Christe - Stephen Cleobury
7. Requiem- Libera Me - Catoire
8. Solfeggio - Part
9. Beati Mundo Corde - Byrd
10. O Nata Lux De Lumine - Tallis
11. Our Father (Notre Pere) - Durufle
12. Agnus Dei (Missa Papae Marcelli) - David Willcocks
13. As One Who Has Slept - Tavener
14. O Magnum Mysterium - Villette
15. Lux Aeterna - Catoire
16. Alleluia - Dufay
17. 7 Magnificat Antiphons- O Immanuel - Part
18. The Six Psalms - Rachmaninov
19. Veni Sancta Spiritus - Dudley
20. Alma Redemptoris Mater - Stephen Cleobury

Customer Reviews:

An Excellent Compilation.......2004-06-16

This is probably one of the best compilations of early choral music I have heard, let alone own. A fantastic selection of works, including some modal pieces by composers such as Samuel Barber with his famous "Agnus Dei", creates a very nice variety of complexity. The overall tone of both CDs is very peaceful yet uplifting, and the performers are highly talented and spirited. This is a wonderful and unsurpassed addition to my collection. A must for any lover of early choral works.

Average customer rating: You get what you pay for

Bach: The Masterworks [Box Set] Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Canons | Forms & Genres | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Mozart: The Masterworks (Box Set) Beethoven: The Masterworks (Box Set) Vivaldi: The Masterworks (Box Set) Mendelssohn: The Masterworks [Box Set] Brahms: The Masterworks (Box Set) ASIN: B00062FLII Release Date: 2004-11-30

Customer Reviews:

You get what you pay for.......2004-12-04

In the Brandenburg Concerti, the tempo varies, trumpet volleys sound like French Horns, and the flute is off tune half the time. The harpsichordist was good but in one of the concerti, decided to enter at a different tempo than had been set by the rest of the orchestra. Since he had to play some very fast runs later, it is no surprise that he wanted to slow down the orchestra, but maybe they should have worked it out earlier. The orchestra sounds leaderless and out of sync at times. Can't find the groove. Violins are competent but playing with an orchestra that needs to practise what they are going to play a little more.

That covers the first 2 of 40 CDs. Don't know if I can bring myself to listen to the rest. Somebody who didn't know Bach would wonder what the attraction is after listening to this.

Average customer rating: Very nice interpretation of unfamiliar songs Try the Crespin recording first A lovely omnium gatherum of von Otter's Berlioz Incredibly beautiful! The Leading Contender

Anne Sofie von Otter ~ Berlioz - Les nuits d'été / Berlin Phil., Levine Hector Berlioz , James Levine , Anne-Sofie von Otter , Berlin Philharmonic Orchestra , Cord Garben , Royal Swedish Opera Orchestra & Chorus , and RIAS-Kammerchor Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Anne Sofie von Otter - La Bonne Chanson ASIN: B000001GOS Release Date: 1995-06-13

Tracks:

1. Les Nuits d'etVillanelle
2. Les Nuits d'etLe spectre de la rose
3. Les Nuits d'etSur les lagunes
4. Les Nuits d'etAbsence
5. Les Nuits d'etAu cimeti
6. Les Nuits d'etL' inconnue
7. Mdies: La Belle Voyageuse - Ballade
8. Mdies: La Captive - Orientale
9. Mdies: Le Matin - Romance
10. Mdies: La Mort d'Ophe - Ballade
11. Mdies: La Belle Isabeau - Conte pendant l'orage
12. ROM ET JULIETTE: Strophes - 'Premiers transports que nul n' oublie'

Customer Reviews:

Very nice interpretation of unfamiliar songs.......2006-04-20

'Anne Sofie Von Otter sings Berlioz' including 'Les Nuits D'Ete' and various other 'Melodies' is a CD I bought when I was a 'get everything by Von Otter phase, as she was the first of the modern Mezzos for whom I developed an interest, soon after I discovered that classical female vocals were a really good thing. As I am not a big Berlioz fan, I was surprised at how familiar so many of these songs sounded. This is probably since most were written post Shubert and so many of them sound so much like they were influenced by Shubert's style, especially his famous 'Ave Maria'.

But, this is not the reason you want this album. Unlike Von Otter's collections of Grieg songs, I find these really engaging. You WANT to listen to these songs over and over again, much like you want to hear your mother's lullaby over and over, when you can't fall asleep.

To the not-Otter fan, I also recommend the fact that unlike a collection of straight Chansoms, there is a very nice variety in the background instrumentals, which includes Maistro Levine and the Berlin Philharmoniker, a solo chello, a Stockholm opera chorus, and back to Levine. The notes are nice, but I miss a rationale for why the very talented Ms. Otter wanted to record these particluar works.

Try the Crespin recording first.......2006-03-10

This disc introduced me to the beautiful "Nuits d'ete". At first, I found the music fairly difficult but I listened to Otter's rendition repeatedly and the music grew on me. It's a great song cycle and a truly unique piece of music. I'm always interested in hearing different renditions of the same piece -- especially vocal music -- and I read that Regine Crespin's version was an old favorite so I ordered it from amazon. No comparison. Crespin is hands-down better than the Otter recording.

Why? Otter has a lovely voice but she is an erratic musician. Musically complex phrases -- of which there are many in "Nuits d'ete" -- seem to confuse her (this is even more true in Otter's recording of Sibelius songs) and the interpretation of course suffers as a result. In comparison, Crespin is highly musical and always succeeds in making the songs into highly fluent, meaningful strands of melody. Her voice is excellent as well. So buy the Crespin instead. (I also prefer Ansermet's conducting in the older recording.)

One reason to get this Otter disc is the version of "La captive", a song for voice, cello and piano, which is an unusual find and I think a very lovely work.

A lovely omnium gatherum of von Otter's Berlioz.......2006-01-31

Most listeners will buy this CD for the exceptinally fine Les Nuits d'Ete from 1988, which finds von Otter in glorious voice, acoompanied with passion by the ravishing Berlin Phil. under Levine--it easily rises to the level of the classic Baker/Barbirolli reading that has been my favorite for thrity years. But the five melodies, which are lifted from a 1991 collection that featured three other singers beside von Otter, are just as lovely in a minor way. The standout is La Captive, with its haunting melody and cello acocmpaniment. Von Otter's rendition of the mezzo aria from Romeo and Juliet (1988) keeps the standard of artistry just as high. In all, this 63 min. disc is probably the best Berlioz vocal recital every made.

Incredibly beautiful!.......2004-01-14

I must admite that I had not heard these songs before. However, just hearing the first notes and I was completely absorbed. The sensual, ethereal and beautiful voice of Von Otters voice goes perfectly well with the quality and mood of these beautiful songs. I was really surprised with the beauty and tranquility of these songs. This is another side of Berlioz I had not expected.

I really recommend this record to you. Just hear it once and you'll love it!

The Leading Contender.......2002-07-18

For many years I have believed that Regine Crespin's recording of Berlioz "Les Nuits D'ete" was the definitive interpretation. The fact that French is her native language added to that belief. Then along comes this sensual, beautifully rendered and re-thought performance by the impeccable Anne Sofie von Otter and the crown passes to a new head. The beauty of tone, the perfection of pitch, and the quality of mystery (especially in 'Le Spectre de la Rose') is wondrous. And as if this song cycle alone weren't enough for the price of the CD, she adds Berlioz melodies and the 'Strophes' from his "Romeo and Juliette". Sheer vocal luxury. The collaborations with Levine and Berin Philaharmonic as well as the piano of Cord Garben are first rate. Even if you have a favorite artist for these endlessly beautiful songs, listen to this wonder!

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