Tony has done a stupendous job by addressing some of the most complex and fundamental issues that we face..
Chuck Foster-The Beat Volume 20#2 2001
"the disc has a warm and bright sound and Tony's energy and enthusiasm shows in the songs and their delivery."
Music and Me
Music and Me,Tony Chin,Underdog Records,Legendary Jamaican riddim guitarist brings to the people his own version of lovers rock, conscious roots and an uplifting rasta message.
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Call Me Irresponsible
Michael Bublé Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXDW Release Date: 2007-05-01 |
Tracks:
- The Best Is Yet To Come
- It Had Better Be Tonight (Meglio Stasera)
- Me And Mrs. Jones
- I'm Your Man
- Comin' Home Baby (duet with Boyz II Men)
- Lost
- Call Me Irresponsible
- Wonderful Tonight (duet with Ivan Lins)
- Everything
- I've Got The World On A String
- Always On My Mind
- That's Life
- Dream
Amazon.com
It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on "The Best Is Yet to Come," a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. That Bublé means business is confirmed by the second cut, a fast-paced take on Henry Mancini's "It Had Better Be Tonight," and of course by the CD's very title, another song identified with Sinatra as his cockiest. There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life." Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. It's also the only song on the album produced by Bob Rock (best known for his work with Metallica), sending out a strong signal that Bublé should reach out to unlikely collaborators more often. --Elisabeth VincentelliMore Music from Michael Bublé
It's Time |
Michael Bublé |
Caught in the Act |
Album Description
Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from "I've Got The World On a String" to "Me and Mrs. Jones," in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.Customer Reviews:
Buble bubbles.......2007-07-16
Awesome CD.......2007-07-15
If you like this genre of music, you'll love this CD.
Michael Bublé does it again.......2007-07-09
Great Gems.......2007-07-04
A good album.........2007-07-03
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Come Away with Me
Norah Jones Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YW4H Release Date: 2002-02-26 |
Tracks:
- Don't Know Why
- Seven Years
- Cold Cold Heart
- Feelin' The Same Way
- Come Away With Me
- Shoot The Moon
- Turn Me On
- Lonestar
- I've Got To See You Again
- Painter Song
- One Flight Down
- Nightingale
- The Long Day Is Over
- The Nearness Of You
Amazon.com
It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael RossAmazon.com
Norah Jones Photos (by Danny Clinch)
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More from Norah Jones
Not Too Late |
Feels Like Home |
The Little Willies |
Customer Reviews:
Simply addictive!.......2007-07-12
Her voice is unbelievable, the delivery is amazing and the lyrics are stunning!
Haunting sounds.......2007-07-06
The phenom Ms Jones.......2007-06-27
Glad i bought it ( Part II )...!.......2007-06-20
I'd Love To...........2007-06-05
The daughter of famed Indian sitarist Ravi Shankar, Jones grew up in Dallas with her mother, and her work is firmly rooted in the dry Texas soil. The youngest in this survey (she was born in 1979), Jones burst on the scene in 2002 with this debut album of nine original songs plus a handful of country and pop standards. Renowned for her sweet and soulful set of pipes, Jones has often been compared to Billie Holiday. There's also a touch of Roberta Flack and Emmylou Harris in there.
Come Away with Me is an honest-to-goodness country-blues recording that you can sit back with on the front porch rocker on a brisk autumn afternoon. Sort of like an early James Taylor, Jones mixes a little bit of country, folk, and soul into a collection that's the perfect antidote to today's insincere fare. The public must have sensed the same thing, because it bought this CD in boxcar loads, and in 2003 Jones walked away with eight Grammies, including album of the year and best new artist.
The title track, written by Jones, is the first new song I've heard in a long time that's utterly believable. "Come away with me and I'll never stop loving you," she begs, and it's as though she's singing it to you, personally. To Hank Williams's "Cold Cold Heart" she brings an R & B feel, petitioning in anguish to her lover man to come back, body and soul. "I've Got to See You Again" is an exquisite modern torch song in the same vein, while "One Flight Down" is an upbeat tune with chord progressions right out of Paul McCartney's Wings songs, like "Carry That Load." She ends with Hoagy Carmichael's "The Nearness of You." Close your eyes, let Jones's words envelope you with their soulful caress, and you'll sense that she's a lot nearer than your living room speakers.
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Eat Me, Drink Me
Marilyn Manson Manufacturer: Nothing ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PDZJ0S Release Date: 2007-06-05 |
Tracks:
- If I Was Your Vampire
- Putting Holes In Happiness
- The Red Carpet Grave
- They Said That Hell's Not Hot
- Just A Car Crash Away
- Heart-Shaped Glasses (When The Heart Guides The Hand)
- Evidence
- Are You The Rabbit?
- Mutilation Is The Sincere Form Of Flattery
- You And Me And The Devil Makes 3
- Eat Me, Drink Me
Album Description
Four years since his last studio album, and following up on his highest charting radio single ever ("Personal Jesus", from Lest We Forget), Marilyn Manson returns with "Eat Me, Drink me". Art openings, soundtrack appearances, and personal circumstance have grabbed headlines for Manson in recent months, setting the stage for the release of Eat Me, Drink Me, which is unquestionably the artist's most personal statement yet. Always the provocateur, in what may be the ultimate subversion of the code of aggro-rock, the songs are immediately catchy - all jagged guitar hooks, anthemic choruses, with an overlying glam-rock sheen. Lyrically Manson has never been more riveting, seemingly having enough to draw from in his own life and from society at large to present a fresh, snarling vision.Customer Reviews:
The ones that make you come unglued........2007-07-14
Mr. Warner needs to find a new gig. After collecting all of his albums and listening to him for 11 years, it seems that he has run out of new morbid ideas. It's time for a change. Is Mr. Warner going to be 50 years old and still wearing the silly spooky fake contact lenses? Is he going to still be writing teenage angst-ridden songs? I find Rob Zombie, Trent Reznor and Ozzy Osbourne to be more mature and even more daring with their music than Marilyn Manson. While "Eat Me, Drink Me" isn't bad, it's nothing close to five stars. In fact, I was more than a little bored this time around, and isn't that the worst criticism you can receive from a fan?
I needed to think about it, but..........2007-07-13
What I love about Manson is that each of his albums is different from the last, and incorporates and explores new sounds, themes and attitudes. Antichrist Superstar is a completely different album from Mechanical Animals, which is completely different from Holywood, which is completely different from Golden Age... etc. Each of his albums has explored a different mood and selection of themes, but at the core is always the fantastic artist who is Manson himself.
Maybe those who like their rock angry will be disappointed that there isn't much to headbang to. Maybe I am not as disappointed as some because my favorite of his works has always been Mechanical Animals, precisely because it was so deep and thoughtful rather than focusing on anger and rebellion. Don't get me wrong, I love me some Antichrist Superstar, but I enjoy Manson's music so much precisely because he is that AND much more. An exploration of love, be it the dark and moody love fitting of his music, seems to be the next logical territory for Manson to cover. If I had to choose only one artist to listen to for the rest of my life, I would probably choose Manson, and not because I consider myself a "Mansonite" - my musical tastes are much too varied for that - but rather, it's because he's one of the few artists whose songs could pretty much cover any and all of my moods.
With that in mind, I don't think this was his best work, but in my opinion it was not a failure by far. I personally find it to be a stronger offering than Golden Age, even though I also enjoy that album. If you prefer the angry side of Manson, you will probably disagree. Technically speaking, I was prepared to object to what initially reminded me of emo-style guitars on some of the songs (Red Carpet Grave, Heart-Shaped Glasses). However, I realized that he has always incorporated new musical styles in his music (come on, you know Golden Age wasn't pure rock/metal, yet most Manson fans still like it...). I personally don't like emo, and so I didn't care for these songs, but I can't in good conscience fault the artist for something he's always done. Keep in mind that I'm not saying the songs were emo songs, only that they had some musical elements that were reminiscent of emo. I also found "If I Were Your Vampire" to be the least strong song on the album lyrically, although not musically, simply because the theme of the lyrics sounded a little cheesy to me and not as genuine as the rest of the album. So, four stars and not five.
And finally, can we all grow up beyond accusing every single artist of selling out as soon as they stop sounding exactly like whatever the first album of theirs you ever heard was? People have accused Manson of this since Mechanical Animals, and with every new album he "sells out" according to a new batch of fans. I personally accept and prefer that artists grow and change. If Manson starts churning out cookie-cutter albums that sound just like Antichrist Superstar when he's 60 years old, then I'll say he sold out.
This Album Blows.......2007-07-13
MUSICAL AIDS.......2007-07-13
fast shipping.......2007-07-12
no damage
not that great of a cd though
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Closer
Josh Groban Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CFW87 Release Date: 2003-11-11 |
Tracks:
- Oceano
- My Confession
- Il Postino (Mi Mancherai)
- Si Volvieras a Mi
- When You Say You Love Me
- Per Te
- All Improvviso Amore
- Broken Vow
- Caruso
- Remember When It Rained
- Hymne a l'Amour
- You Raise Me Up
- Never Let Go
Amazon.com
Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulleyCustomer Reviews:
Beautiful Soul.......2007-07-13
Happy listening.......2007-06-27
fantastic voice.......2007-06-01
CLOSER-JOSH GROBIN.......2007-05-14
HOT! HOT! HOT!.......2007-05-10
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Please Please Me
The Beatles Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002UA9 Release Date: 1990-10-25 |
Tracks:
- I Saw Her Standing There
- Misery
- Anna (Go To Him)
- Chains
- Boys
- Ask Me Why
- Please Please Me
- Love Me Do
- P.S. I Love You
- Baby It's You
- Do You Want To Know A Secret
- A Taste Of Honey
- There's A Place
- Twist And Shout
Amazon.com
Their first-ever album, raw and rough and still very rock & roll. Lennon and McCartney begin to flex their writing muscles and had already scored two UK hits when this appeared, but they still relied heavily on the cover material to see them through. Their insecurity about their own abilities seems curious in hindsight since they'd pulled the title song and "I Saw Her Standing There" (with thanks to Little Richard) out of their hats. But they were an unknown quantity, still to launch a million bands and take pop music to places it had never dreamed off. A small step for four men, a giant leap for music. --Chris NicksonCustomer Reviews:
Please Please Me.......2007-06-13
Oh Yeah, this is the good stuff.......2007-06-12
Damn, this is the Beatles!.......2007-05-09
This has my favorite early Beatles song, I Saw Her Standing There. But that's not it. It has Love Me Do, Anna, Twist and Shout, just 14 extremely catchy songs. I do wish that Amazon would put some _________ samples. Seriously. You listening, you piece of ______ site?
I will say that this, Please Please Me was, yes, a ________ stepping stone for rock. _____ the people who say the Beatles were nothing more than just a 60's Backstreet Boys. This is when the group members all worked together, made pure music, and didn't use _________ overdubbing and recording. The guy who wrote a review some reviews below explained well. Yeah, The Beatles later albums were nothing influential, despite what anyone says (Sgt. Pepper's did ____ for rock, just pop. It's nothing more than a noveltly record). I didn't give a _____, Hendrix and Zeppelin carried the tourch, im glad the Beatles went their own way, because Sgt. Pepper may have been the most overhyped album, ever, but it still is a masterpiece.
I can't reccomend this enough. Buy it!
AND ... THE DREAM STARTED.......2007-05-05
Let the magical mystery tour commence.......2007-04-08
Has any band launched its album career more auspiciously than The Beatles? Paul shouts "1 2 3 4", George enters the picture with his guitar, and then Paul begins to sing "Well she was just 17. You know what I mean..." Thirty seconds later the first loud "Whooooo!" Ladies and gentlemen, fasten your seat belts for the commencement of a six year musical ride of this or any other lifetime.
There are eight originals and six covers - a pattern continued with their next LP. I have always felt that the covers here are more interesting than on With The Beatles. There is a miss-step (Honey) just as there would be later (Till There Was You). However, John's searing rendition of Twist and Shout more than makes up for that lapse of judgment. They also do a terrific job with the two Shirelles' songs, Boys and Baby it's You, making the songs their own rather than just parroting the original material. The original material is mostly very strong. Has anyone noticed that on the cd the credits for their own compositions are McCartney-Lennon while on the vinyl (my vinyl anyway) there are five where Paul's name comes first and three where John receives the lead credit. It is amazing what one discovers forty-three years and two months after buying the album! On With the Beatles all eight are L-M on both the record and the cd.
The emergence of the Beatles in 1963 was a seminal moment in the history of popular music. From that point forward everything changed. Suddenly, and seemingly from nowhere, rock and roll groups (the word "band" didn't replace "group" for several decades) appeared. They certainly looked different. They played their own instruments and wrote much of their own material. They sang with abandon. They screamed and they whooped and they hollered. They had strange accents. As much as I loved, and still love, the professionally penned hits that seemed to dominate the early sixties ( Goff in-King, Lieber-Stoller, Neil Sedaka and many more) popular music had somehow lost its way after the mid-fifties when rock and roll burst upon the scene. It seemed as if we, the young, had discovered a form of music that we could call our own and then had it appropriated from us. The Beatles grabbed it and gave it back to us. Our parents were once again forced to start shaking their heads in bewilderment. As long as parents continue to do so music is on the right track!
As a record of immense historical importance Please Please Me deserves the highest rating available. It deserves its own category. Had the Beatles never released another recording this would deserve five stars. However, we all know where they went so quickly and what they were capable of. And there is the fact of six covers and A Taste of Honey! If I give this five then what do I give Rubber Soul? Five with and asterisk? Four and a half seems appropriate
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Nessun Dorma ~ 20 Great Tenor Arias / Pavarotti, Carreras, Domingo, Bergonzi, Aragall, Björling, Di Stefano, Kollo, Corelli, Del Monaco...
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OTX Release Date: 1998-06-09 |
Tracks:
- La Boheme: Che gelida manina
- Manon Lescaut: Donna non vidi mai
- Carmen Bizet: La fleur que tu m'avais jetee (Flower Song)
- Luisa Miller: O! fede negar potessi .. Quando le sere al placido
- La Traviata: Lunge da lei ... De' miei bollenti spiriti
- Martha: M'appari
- Giordano: Amor ti vieta
- L'Africaine: Mi batte il cuor .. O paradiso
- La Favorita: Favorita del re . . . Spirto gentil
- Werther: 'Pourquoi me reveiller'
- Die Meistersinger von Nurnberg: 'Morgenlich leuchtend in rosigem Schein'
- Les Contes d'Hoffmann: O Dieu! De quelle ivresse
- TOSCA: E lucevan le stelle
- Pagliacci: Recitar! ... Vesti la giubba
- Il Trovatore: Di quella pira
- Aida: Se quel guerrier .. Celeste Aida
- TOSCA: Recondita armonia
- L'Elisir d'Amore: Una furtiva lagrima
- La Gioconda: Cielo e mar!
- Turandot: Nessun dorma
Customer Reviews:
The End of the Big Voice?.......2007-04-16
Fla Gator Lady.......2007-01-12
20 Great Tenor Arias.......2007-01-09
Plesantly surprised..........2006-01-14
First it is a great buy. A booklet with pictures of each tenor, a small bio, the year recorded and TRANSLATIONS of each aria are provided. This is really nice. It seems more & more that translations are being left out. Being a former opera singer, I may know most of the words, but sometimes it's just nice to read along (sometimes it's just nice to listen too).
Being on the Decca label, there is admittedly quite a few Pavarotti selections. Out of 20 selections, he has 6 of them. But I love Pavarotti, so this is no problem for me. These are all early recordings & his voice is magnificent! Being a singer, I still marvel at his ability to sing "All'armi!" on a high D and still say the 2nd syllable "mi" on such a note! WOW. There is also of course his very sweet, impassioned and lyrical turn as Rodolfo in "La Boheme" as well as the lesser known (although I still have it on casette) "La Favorita" which has a particularly high tessitura.
Also featured are a young Plácido Domingo singing a VERY nice "Flower song/ La fleur que tu m'avais jetée" from Carmen. He usually sounds too pushed for me on the top notes (as one might expect from a Pavarotti fan, I like free top notes) but in this recording he is pretty darn fabulous. He also sings an aria from "Tales of Hoffman/Les Contes d'Hoffman" and I have always felt that he, like Neil Schicoff, were well suited to this role.
Lamentably there are only one selection each from Carreras, Correlli, Monaco, Aragall & Kollo. Especial kudos to the young recording they feature for Aragall. He had a very free and nice high tenor well suited to Verdi. Of course as his career went forward with the natural darkening of his voice and the "heavier" roles, he did start to develop a wobble. But this recording is before that. His top, his phrasing are all beautifully done in his featured aria from "La Traviata."
Mario del Monaco's "E lucevan le stelle" is hauntingly beautiful and has such a wonderful pianissimo in it that it makes you just want to gasp for beauty's sake. I now know every tenor I've heard sing this aria was trying to emulate what he did.
This is a great CD because it does bring together on one CD some of the greatest singers of the 20th/21st century. Bergonzi, di Stefano, Björling, in addition to the previously mentioned artists is quite an impressive collection. I'm sure there's only one of each for Carreras, Aragall (I believe they are formerly EMI/Angel artists) and perhaps some of the others because they are "imported" from another label. There's so much Pavarotti on this CD because he IS a Decca artist.
A highly recommended CD, affordable, not the usually obscure and unpolished artists that are sometimes found on compilations. Plus acutal linear notes and translations. Nicely done, Decca!!!
Absolutely Agree About Corelli.......2005-05-27
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Meet Me In Margaritaville: The Ultimate Collection
Jimmy Buffett Manufacturer: Utv Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008OLX6 Release Date: 2003-04-15 |
Tracks:
- Margaritaville
- Migration
- Growing Older But Not Up
- Holiday (Live/New Recording)
- Come Monday
- Fruitcakes
- We Are The People Our Parents Warned Us About
- Cheeseburger In Paradise
- Jolly Mon Sing
- The Pascagoula Run (Live/New Recording)
- Tin Cup Chalice
- Pencil Thin Moustache
- Grapefruit/Juicy Fruit
- Coconut Telegraph
- Changes In Latitudes, Changes In Attitudes
- Last Mango In Paris
- Fins
- Why Don't We Get Drunk
- Brown Eyed Girl
- One Particular Harbour
Tracks:
- School Boy Heart
- Everybody's Talkin' (New!)
- Volcano
- Son Of A Son Of A Sailor (New Recording)
- Take Another Road
- Knees Of My Heart (New Recording)
- In The Shelter (New Recording)
- Havana Daydreamin'
- Desperation Samba (Haloween In Tijuana)(Live/New Recording)
- Barefoot Children
- Saxophones (New Recording)
- Cowboy In The Jungle
- He Went To Paris (New Recording)
- Creola
- Bob Robert's Society Band
- A Pirate Looks At Forty (Live/New Recording)
- Sail On Sailor (New)
- The Captain And The Kid (New Recording)
Amazon.com
Jimmy Buffett may have made his millions, but that doesn't mean that he has eased up on his workload. After releasing 33 albums, mounting grueling annual tours, and fashioning an entire industry and lifestyle out of his signature song "Margaritaville," Buffett trots out this two-CD collection. Yet, Meet Me in Magaritaville, which spans 30 years, isn't merely a retread of his long, storied career. Buffett has written two new songs for the package and re-recorded six alternative versions of fan favorites (including a moving version of "The Captain and the Kid," which he included for his ailing father, who died shortly after the album's release). He's also added two new cover songs--a spicy bossa nova version of Fred Neil's "Everybody's Talking" and the Beach Boys' "Sail on Sailor"--as well four live tracks, which shows the singer at his best, conjuring up his own Yuppie Atlantis, an idyllic place where no one has to wear shoes, the sun is always shining, the bar never closes, and Junior Mints are always available at every cinema. A must-have collection for every Parrothead (or aspiring Parrothead), if only for Buffett's track-by-track descriptions. --Jaan UhelszkiCustomer Reviews:
Parrotheads Must Have CD Set.......2007-07-13
typical island music.......2007-06-27
mararitaville.......2007-05-10
Great music!.......2007-03-25
It's Jimmy Buffett, what else could you ask for?.......2007-03-19
I highly recommend this album to anyone who enjoys slipping away to Margaritaville for a little while. It's music that crosses the generation gap. I'm in my 40's, my parents are in their mid - 60's and my daughter is a teenager, and we all enjoy Jimmy Buffett. If you purchase this album, you won't be disappointed.
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Them VS. You VS. Me
Finger Eleven Manufacturer: Wind-Up Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MV8CZW Release Date: 2007-03-06 |
Tracks:
- Paralyzer
- Falling On
- I'll Keep Your Memory Vague
- Lost My Way
- So-So Suicide
- Window Song
- Sense Of A Spark
- Talking To The Walls
- Change The World
- Gather & Give
- Easy Life
From Amazon.ca
Finger Eleven's career shifted suddenly and significantly when their 2003 emo-hit "One Thing" turned the band's career on its axis. At that point, they went from being known as 'the boys from Burlington who used to call themselves the Rainbow Butt Monkeys' to a group whose anthemic slow rock song went Platinum in Canada and Gold in America. So how does a band respond after its widespread fame is the result of just one song? In the case of Them Vs. You Vs. Me, Finger Eleven have consciously stayed away from anything remotely resembling their past and put the focus on the straight-ahead alt-rock formula that they've consistently excelled at. There are certain old-school rock influences that bleed clearly through their music, from Rush-isms in the form of frenetic time changes ("Sense of a Spark") to "Talking to the Walls" and "Lost My Way" which evoke Peter Gabriel-era Genesis. Frontman Scott Anderson's voice is impressive throughout, but when he sings ballads, especially "Window Song" and "Easy Life," something enables him to appeal to a whole different audience than traditional alt-rock fans. There is no 'one thing' on this disc that will allow them to reach the heights of their self-titled CD, just a consistency that will provide longtime fans reason to appreciate the band even more. --Denise SheppardCustomer Reviews:
Better Than Expected!.......2007-07-13
Ironically, Amazon has paired this with Chevelle's latest, and those two CD's are currently my top two.
notice a pattern here?.......2007-07-09
What a great new concept album!.......2007-07-08
I listened again today driving from Philly to DC and really paid attention. Aside from the myriad classic rock influences that can be heard and the solid musicianship, this disc is quite the concept album. Best one I've heard in a long time and I'm very, very rarely impressed by new musical offerings. I understand that this may not be the same sound as their previous offerings but I really don't care. This is good music.
5 stars!
No more paralyzers?.......2007-07-08
It's Awesome.......2007-06-02
I find Soctt Andersons vocals consistent throughout the entire album. Yes it is more alternative rock but don't be put off by being classified as a label when it comes to what you listen to. This is a very enjoyable cd.
The tracks, Paraylzed, Falling On, and Taking To The Walls are outstanding in terms of more of the rocking type tracks.
However, this is only a treat before we get some real amazing vocals on some of the more acoustic type tracks.
Real bonus to the CD are the following:
* I'll Keep Your Memory Vague. 5/5
"This won't break your heart, But I just think it could, coz I haven't tried as hard as I should..to..to seperate you from everything I do...but I would never wanna come between us 2" - This entire line is the best vocal I've heard this year for an intro.
* Window Song 5/5
"All The Windows are playing their game...we won't see outisde again...til I ride all the fog away...I'm putting words in their place...but all of the fog is erased & I write all the words I never said"
* Talking To The Walls
-Excellent Intro & again great lyrics. i.e. "Look at the shape I'm in, talking to the walls again'
They have staying power, for the people that have mocked this album, it's been unfair, bands need to evolve.
I would definitely like to extend my gratitude of thanks to Finger Eleven, they put out an album I can really relate to.
Come tour in Auckland, NZ some time.
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Josh Groban
Josh Groban Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RGNI Release Date: 2001-11-20 |
Tracks:
- Alla Luce Dal Sole
- Gira Con Me
- You're Still You
- Cinema Paradiso (Se)
- To Where You Are
- Alejate
- Canto Alla Vita - featuring The Corrs
- Let Me Fall
- Vincent (Starry, Starry Night)
- Un Amore Per Sempre
- Home To Stay
- Jesu, Joy Of Man's Desiring (w/Lili Haydn)
- The Prayer - featuring Charlotte Church
Amazon.com
There are worse things in life than making your acting debut on the much ballyhooed season finale of Ally McBeal, though teen operatic baritone Josh Groban doesn't seem destined to encounter them anytime soon. As the awkward high school student-client who asks the typically romance-jinxed Ally to his senior prom, Groban performed this debut album's "You're Still You" (adapted from film-composing legend Ennio Morricone's Academy Award-nominated score for Malèna, with lyrics by Linda Thompson) as a heart-tugging, literal showstopper. The young phenom was just 17 when veteran producer-writer David Foster tapped him to fill in for Andrea Bocelli at rehearsals for the 1999 Grammys, where Groban found himself suddenly dueting with Celine Dion.Indeed, such were his fortunes that the young Foster protégé was forced to drop out of Carnegie Mellon when professional commitments--including this record--interfered. And if this collection tends to hew sometimes uncomfortably close to Foster's own MOR sonic instincts, the material offers enough challenges to display Groban's talent and the potential of his warm, mature voice: a lyrical take on another Morricone classic, "Cinema Paradiso"; melancholy readings of Don McLean's "Starry, Starry Night" and Albert Hammond's "Alejate"; masterfully dramatic takes of the Neapolitan "Alla Luca Del Sole" and "Canto Alla Vita," the latter featuring the Corrs. Many of Groban's performances here, including a neo prog-rock-opera take on Bach's "Jesu, Joy of Man's Desiring" (with Lili Haydn), seem both bigger and bolder than their precious musical frameworks, a telling hint that Grand Opera can't be far from his grasp. As said earlier, there are worse things in life. --Jerry McCulley
Customer Reviews:
Sweet.......2007-07-13
superb.......2007-07-05
Underestimated in Europe. His concert on 21 May 2007 in Amsterdam was superb!
Oh my Gosh, Josh!.......2007-07-03
This CD has two songs on it that are very unusual. I believe both are from Cirque de Soleil, and draw you into the music--warning-- While driving, do not close your eyes!
a true star.......2007-06-24
Floodgates of the Heart.......2007-06-05
Average customer rating:
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Get Behind Me Satan
The White Stripes Manufacturer: V2 ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00097A5H2 Release Date: 2005-06-07 |
Tracks:
- Blue Orchid
- The Nurse
- My Doorbell
- Forever For Her (Is Over For Me)
- Little Ghost
- The Denial Twist
- White Moon
- Instinct Blues
- Passive Manipulation
- Take, Take, Take
- As Ugly As I Seem
- Red Rain
- I'm Lonely (But I Ain't That Lonely Yet)
Amazon.com
Their fifth album, Get Behind Me Satan is the strangest and least focused effort by these unlikely garage rock superstars to date. It's also their finest, an Exile on Main Street-ish mish-mash where the sum is greater than the parts. In a market increasingly driven by singles and downloads, it's nice to be reminded how exciting an album can be, especially one where you really don't know what to expect next. There are a lot fewer pounding guitars on this album. They've largely been replaced by pounding pianos. Most songs sound like rough mixes at first; almost every song has something exceptionally loud in the mix--the guitar solo in "The Nurse," the drums in "Doorbell," everything in "Blue Orchid." After a few listens, however, it becomes clear that the group is not using the studio as an instrument so much as exposing the nuts and bolts in the process along the way.There are some duds; the wanky blooze-rawk number "Instinct Blues" goes on way too long and it would be nice if "The Nurse" had a real chorus. Whether "Passive Manipulation" is about the wife-or-sister schtick, if the cover artwork indeed has Jack and Meg calling each other devils, and which scripture is referred to by the album's title (Matthew, Mark or Luke?): none of that matters so much as the fact that this album is strangely sprawling and obliquely ass-kicking at the same time. "Orchid" is a rockdisko sonic smash that shows how to really get rock kids on the dancefloor. Meanwhile, "Doorbell" sounds enough like the Jackson Five to totally rule, and "Forever for Her" is the best ballad Jack's written in years. The fact that some marimbas provide the driving force to "Forever" makes it all the better. --Mike McGonigal
Customer Reviews:
An Unparalleled Modern Masterpiece.......2007-06-27
Not as good as their other albums.......2007-06-27
Progressive yet the least focused.......2007-06-21
The album starts out promisingly enough with "Blue Orchid" with Jack's octave-affected guitar doing a catchy riff and singing something about orchids and how old someone is. I don't know but it's a great opening track. Next is the totally weird the Nurse which is led by a dulcimer and it's just an odd track, not necessarily bad just...odd. We do have other songs like My Doorbell or the Denial Twist which are big piano-based numbers and while catchy, you kind of miss the guitars for some reason.
The rest are separated into 2 types of songs. First half is the acoustic/piano stuff like Forever For Her (Is Over For Me) and White Moon with the former being one of his better ballads while the latter has a nice piano part yet it suffers from not really having a sense of melody to latch onto outside of the piano. Take, Take, Take which is a more upbeat acoustic song is alright but the chorus is just irritating. Afterwards we get what's probably this album's We're Going to be Friends with a weirdly upbeat As Ugly as I Am which is actually quite fun to play as well as listen to.
The other type is the big blues rock numbers akin to Ball and Biscuit from Elephant. Problem is outside of the main riff, Instinct Blues just feels way too long and is kind of uninteresting to listen. Red Rain is way better which shifts from soft slide guitar to big loud slide chords a la Seven Nation Army. The album ends with the soft piano I Get Lonely (But I Ain't That Lonely Yet). It seems like an appropriate closer given the material on here and it's a nice song to listen to but you probably won't have it on repeat much.
You got to give them credit for at least trying to shake things up a bit. But like one reviewer mentioned once, it feels like they're trying to artificially change their sound rather than letting feel like a natural progression. If on first listen it doesn't appeal, try again. It's an album you can get, not get or get but still thinks it's an underwhelming album anyways.
Jack may have lost the plot..........2007-04-21
Myself and many of my friends are fans of the previous White Stripes records. We have been for a very long time. Not one of the people I know mentions this album without an apocryphal tone of voice, and most just out-and-out hate it. The regular conversation is something to the effect of "Yeah, I gave it a chance, I listened to it over and over, thinking 'maybe it'll grow on me', but I just started to really dislike it." If you haven't bought it, just hold out for the next one, 'cause there's no way it'll be worse than this.
(and for all the folks who are "personally offended" by my judgement of this record - Jack doesn't need your defense. He'll be just fine whether I liked it or not.)
Interesting.......2007-03-27
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