| 1. Pretty Boy |
| 2. Danser, Danser |
| 3. Compte Sur Moi |
| 4. J'ai Le Gout De Baiser |
| 5. Shame On You |
| 6. Lady Marmelade |
| 7. Ce Soir On M'invite |
| 8. Rappelle-Toi |
| 9. Donne, Donne |
| 10. Call Girl |
Rock & Romance,Nanette Workman,Unidisc,World Music
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Icky Thump
The White Stripes Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OYC3J8 Release Date: 2007-06-19 |
Tracks:
- Icky Thump
- You Don't Know What Love Is (You Just Do As You're Told)
- 300 M.P.H. Torrential Outpour Blues
- Conquest
- Bone Broke
- Prickly Thorn, But Sweetly Worn
- St. Andrew (This Battle Is In The Air)
- Little Cream Soda
- Rag And Bone
- I'm Slowly Turning Into You
- A Martyr For My Love For You
- Catch Hell Blues
- Effect and Cause
Amazon.com
Bagpipes, a song written as the soundtrack to a Michel Gondry music video, Patti Page's musical shadow, and Jack and Meg co-narrating a scavenger's rummages: It must be time for Icky Thump, the many-flavored riposte to 2006's Get Behind Me Satan. The duo starts big with the title track--Jack's fast-tumbling, falsetto-tinged lyrics jagging on hyper keyboard-sounding segues and Meg's pounding drums. They rarely shy from an idea, invoking acoustic Bob Dylan to frame "300 M.P.H. Torrential Outpour Blues," but interjecting a series of distortion-laden guitar paroxysms for good measure. The end of Icky, on "Effect and Cause," is where Jack's trademark vocal warble and spare, quick acoustic strums meet Meg's single-minded beats. Everywhere on Icky giant riffs leap and shout, with Flamenco horns and those eerie bagpipes and rhythmic shifts and Jack's impatient vocal kinetics, marking new territories even as the White Stripes again populate them with vintage ideas. --Andrew BartlettAlbum Description
The White Stripes are back with the most bombastic album they've ever produced! While revealing the band's roots in American folk music, Icky Thump is an explosive, revolutionary assault that brings together garage rock, every blues style of the past 100 years, nouveau, and flamenco. This is truly a modern rock and roll masterpiece!Customer Reviews:
Another solid effort.......2007-07-16
Good but not great.......2007-07-15
Some great guitar work.......2007-07-15
ah, the stripes.......2007-07-15
Great..even for us Baby Boomers.........2007-07-14
I can at least understand and hear the words!! Very smooth music. I guess
WS are still creating the music we ALL LOVE!!
Average customer rating:
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Back to Black
Amy Winehouse Manufacturer: Republic ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000N2G3RY Release Date: 2007-03-13 |
Tracks:
- Rehab
- You Know I'm No Good
- Me & Mr. Jones
- Just Friends
- Back To Black
- Love Is A Losing Game
- Tears Dry On Their Own
- Wake Up Alone
- Some Unholy War
- He Can Only Hold Her
- Bonus Track 1
From Amazon.co.uk
Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted KordAlbum Description
Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren.Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her."
Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."
Album Details
Ivor Novello Award Winner, Mercury Music Prize and Triple Brit Nominee Amy Winehouse, Follows the Release of her New Single "rehab" and Recent Sell-out Mini-uk Tour, with the Hugely Anticipated Release on October 30th of her New Album "back to Black". On "back to Black", the Follow-up to her Platinum Debut "frank" which Established her as One of the Most Exciting and Challenging Artists in Pop Music, Amy Confirms, Beyond Any Reasonable Or Unreasonable Doubt, What a Truly Remarkable Talent She Is.Customer Reviews:
GREAT Music. Very Creative. .......2007-07-16
Unique sound.......2007-07-16
Great Album.......2007-07-16
Go to rehab!.......2007-07-15
Amy Amy Amy.........2007-07-15
Average customer rating:
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Lost Highway
Bon Jovi Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P2A24W Release Date: 2007-06-19 |
Tracks:
- Lost Highway
- Summertime
- Make a Memory
- Whole Lot Of Leaving
- We Got It Going On
- Any Other Day
- Seat Next To You
- Everybody's Broken
- Stranger (feat. Leann Rimes)
- The Last Night
- One Step Closer
- I Love This Town
Amazon.com
Given the chart success of their Grammy-winning country single "Who Says You Can't Go Home," it's no surprise Bon Jovi upped the ante by recording an entire album paying homage to Nashville. In some ways, it's amazing they didn't do this sooner, given the way Keith Urban in particular is blurring country-pop lines, much as Garth Brooks and others did in the 1990s. To their credit, you won't find predictably shallow invocations of past country icons or any self-conscious, in-your-face down-home twang added strictly to remind the listener of the musical premise. In fact, Lost Highway isn't "Bon Jovi goes country" so much as a meaningful tribute to the Nashville ethos done on their own terms. They honor the spirit of the town through 12 simple, direct originals. The intimate, smoldering "(You Want To) Make a Memory," the ballad "Seat Next To You," "Lost Highway" and its roaring celebration of freedom, and "Stranger," an effective duet with LeAnn Rimes, all invoke country's spirit, and "I Love This Town," an eloquent nod to Nashville itself, ties it together admirably. --Rich KienzleAlbum Description
"Artistic freedom made this record possible," says Jon Bon Jovi. "Musical freedom to explore--and emotional freedom to express what was in our hearts."The result of that freedom is Lost Highway, an album Jon describes as "a Bon Jovi record influenced by Nashville."
Bon Jovi explains. "Nashville is all about songs and songwriters. If you're someone like me who loves songs and hanging out with songwriters, Nashville is the place. I thrive on that feeling and I'm inspired by that creative ambience."
The result, a haunting set of 12 new and original sounding songs, is a stunning, multi-layered look into the nature of love and life in all its glory. Love, like life, is lost, found, forgotten and reclaimed in this collection.
The moods are many, but the core feeling is pure Bon Jovi.
"Writing this record with Jon was deeply cathartic," says Richie Sambora, who collaborated on ten of the songs. "I was going through emotional changes that were new for me. An ailing father. A painful divorce. The start of a new chapter in my life. I poured everything I had into this project, every last bit of soul at my command."
"For over twenty years now," Jon explains, "Richie and I have been close collaborators. Even when our songs create fictional stories, they reveal our states of mind. To a large degree, Lost Highway focuses on the light that love brings. When you shine the light on love, you see the chinks in the armor. You see every crevice, every crack. And that's all right".
Lost Highway is Bon Jovi's tenth studio album since the band formed in the early eighties. One hundred and twenty million albums and 2500 concerts in over 50 countries later, Bon Jovi is enjoying the greatest popularity in their history.
Customer Reviews:
Great CD.......2007-07-16
Great.......2007-07-16
Fantastic!!.......2007-07-16
True Artists.......2007-07-16
That being said, Bon Jovi did try a different route with this album. So anyone that prefers to only hear a hard rocking Bon Jovi, then do not buy this album is all. I would not call this a country album. When Bon Jovi calls it "Nashville influenced" I think they mainly mean the songs tried to tell a story, like most country songs do. The songs are slower paced, but I really do not sense a country sound. Just a slowed down Bon Jovi, telling stories with songs. Pretty cool.
My favorite is "(You Want To) Make A Memory." The first single and just an amazing ballad. I could listen to it over and over. My second favorite is "Seat Next To You" which is also a great ballad. The duet with LeAnn Rhymes, "Till We Ain't Strangers Anymore," is very good. She has such a great voice and it goes well with Jon's voice. I would not call it a great ballad, but still very good. I actually did not really like the duet with Big & Rich, "We Got It Going On." It is a more up tempo, slightly rocking, fun song. So many may like it, but it just did not appeal to me. "Everybody's Broken" has great lyrics and is another great listening ballad. The other songs I would classify as nice listening. So if you want to get an album where you kick back, relax, and just enjoy some somewhat slower paced songs with meaningful lyrics, get this album.
Bon Jovi Grows Old With His Fans - And Delivers Us A Great Piece of Recording.......2007-07-15
We - the Bon Jovi earliest fans - also have grown up, and so our musical tastes. What they did with "Lost Highway" was to keep up with the times. This is a good piece of recording and deserves praise and respect.
It is beautifully written and arranged. A record that you just can't keep listeining after getting it. My personal favorites are: "Make a Memory", "Any Other Day" and "Everybody's Broken". The only track I often skip is "I Love This Town", to be honest.
Avoid comparison with previous albums, because it's just not comparable. Leave all preconceptions behind and enjoy the ride over the Lost Highway!
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My December
Kelly Clarkson Manufacturer: RCA Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QFAJ7S Release Date: 2007-06-26 |
Tracks:
- Never Again
- One Minute
- Hole
- Sober
- Don't Waste Your Time
- Judas
- Haunted
- Be Still
- Maybe
- How I Feel
- Yeah
- Can I Have A Kiss
- Irvine
Amazon.com
Judging by the themes of anger and betrayal that dominate Kelly Clarkson's third disc, My December, perhaps 'Jagged Little Idol' would have been a more telling title. According to interviews, the massively successful artist wanted more creative control with her music going forward; as a result, unlike her previous CDs, Clarkson contributes as a songwriter on every track. The final product is not nearly as catchy as Breakaway, but is far more introspective and honest. My December's overall sound brings a harder musical style than fans might expect, with acerbic lyrics to match; the disc's first single "Never Again"--a dark rock song slamming her ex-boyfriend--is certainly a tip-off. The compelling chorus of "Hole" finds Clarkson singing "There's a hole/inside of me/it's so damn cold/slowly killing me" over a melody that is far more Tool than top-40. "Haunted" and "Judas" are wrought-over tracks that veer into Evanescence territory, while the wonderfully sparse "Maybe" is a highlight within which Clarkson's pleading voice is perfectly showcased. My December's final listed track, "Irvine" (prior to the hidden bluesy acoustic ballad "Chivas") sounds far more Cat Power-meets-Corinne Bailey Rae than Clarkson, but it is certainly one of the most captivating songs on the disc, and serves as yet another reminder of just how versatile her voice is. Fans of her previous radio-friendly releases may well be divided on her new direction, but it appears to be the path Clarkson is likely to continue to travel. --Denise Sheppard
More from Kelly Clarkson
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Customer Reviews:
Avril & Alanis, Move Over, For Another Woman Scorned.......And Healed?.......2007-07-15
"Sober", comes to a realization of an ending relationship. She doesn't want to compare any relationship to other ones in her past, but learn from them. However the relationships ended, are never over because we take a part of each person with us to hold in our hearts. "Don't Waste Your Time" is letting your ex know it's truly over. Unfortunately, every relationship ends over an imperfection, whether, it be death, infidelity, or just plain ignorance. She is letting him know that everything has all led to arguments or hurt and in the end, she has to cut her losses. "Judas" is all about betrayal! Someone has been very selfish, but it is unclear whether it was a lover, a friend, or whom. Although being betrayed by anyone you love hurts, just the same. (Been there, done that). "Haunted" by that memory of an ex-love can be so emotional! In truth, there are still memories of exes in my life that haunt me everyday, luckily we can be creative (right Kelly?) I suppose we all need some mystery in our lives, so thats why we make up scenarios in our head to keep a part of this person.
"Be Still" is a slow ballad, taking time out to look at the relationship for what it is. Weighing the good, with the bad, letting emotions go, and revealing feelings, love is worth saving in this song. "Maybe" finds her letting her beau know, that if he just tries to hold and love her for who she is, both can look past things and take the good with the bad. It seems beneficial on both parts, just to show some understanding. "How I Feel", is an upbeat song recognizes feelings and accepting those feelings for what they are. I know we don't want to feel hurt, but sometimes, it's necessary for personal growth.
"Yeah" has sort of a country rock vibe. I think it's about being up front and honest. She lets him know that she will be honest , if he is and for him to only say what's up. Only, if more people were like this, up front and honest, we would all at least get along. "Can I Have A Kiss" finds her trying to reconcile and accept things that go wrong in their relationship. If not, at least working it out, to have something sweet and tender to remember the relationship by. "Irvine" is a calm, quiet ballad. To love someone and be held and remembered. I say "remembered" because, Irvine is dead and looking down on her from heaven, he is free from pain on earth, but showers her with love from heaven, in this instance, he has become her guardian angel. However, at the end, there is a hidden track that shows she has a little resentment from being hurt, so does she have a little resentment.....it's a quandry.
This CD is great for reflection because it has all the emotional prowess of a great love story, the tenderness, the betrayal, and the coping. I would say that this is the perfect comfort from a break-up or separation from someone you love.
How low can u go?.......2007-07-15
KELLY CLARKSON: Promise Of The American Dream - Clive Davis is The Destroyer Of The American Dream.......2007-07-15
More angry than Breakway.......2007-07-15
After the competition finished, I thought Kelly's strength was going to be Celine Dion type ballads, inter-spearsed with Mariah Carey style emotion. I was wrong. Kelly's first disc, Thankful (which I liked) had a distinct R&B flavor to it. Some of the songs had a bit of a rock edge, but nothing that would blow out the windows of the car. The next disc, "Breakway" (which I loved) was definitely that, a breakaway from anything before it, and dispelled any confusion as to where Kelly's heart was, and the type music that she preferred. I would classify the music on Breakaway as being in the soft-rock caliber, because I do not think Kelly would be on the same level with and perform along side The Rolling Stones. She is more in the genre of Avril Levine and Annie Lennox.
So, here we are to the latest disk, "My December." The primary issue I have with this cd is, I AM CONFUSED. The material, the genres of music on the disc, the production values, everything has left me scratching my head with wonder. One of the songs, Irvine, which starts out as a cry for help, was wonderful, then 3 minutes into the song, there was an unexplainable silence for 30-60 seconds, and then a completely different song started. I have absolutely no idea of what that was about. The song started out great, and the latter part of Irvine completely ruined it. Instead of Kelly being angry, I was actually angry and disappointed by that song. What a shame! But maybe if Kelly was angry while writing, producing and performing on this cd, then maybe she actually accomplished what she was trying to do, which was to make us the fans "feel her pain." The problem with that, however, is I have enough of my own pain my life. I do not want to and need to experience the pain of someone else.
Anyway, some of the other songs on My December (Sober, Be Still and Maybe) were very good. In fact, my favorite song on the disk is Be Still. After I heard those 3 songs, I thought Kelly was going to make a retrospective album, because the songs were internal-reflective and thought provoking. If Kelly would have made an entire album of material like that, I would have enjoyed the concept emmensely. Unfortunately, Kelly interspursed other ANGRY songs into the album that I am sure put the look of pure shock and disapointment onto my face.
I would like to make an additional point... I am not bashing Kelly's writing skills like so many other people have done. Actually, I think Kelly did a pretty good job in the composition aspect. My issue has to do with mixing the genres of music.
Look, I have purchased all of Kelly's albums, and I will continue to do so. I just wish she would have given more thought to how her fans were going to perceive this album. If Kelly wanted to write some songs to cleanse herself of some recent demons, then that is fine, but it should not have been presented in such a confusing manner to the fans. It is almost un-nerving to be listening to this ambum with a beautiful ballad like Be Still, and all of sudden you are blasted out with such anger like Never Again, Hole and Don't Waste Your Time.
I think Kelly is sooo talented, and some of the material that she records is so beneath her. In other words, her voice gets buried in the guitars and drums, and you cannot even enjoy the quality of her sound anymore. I wish she would return to ballads where her voice could shine, and she could take her place among the great voices of our time, Celine, Whitney, Mariah, Christine and Kelly. I also believe that Kelly could be the hard-to-find Triple Threat. Which means she could perform in movies, on Broadway, and continue to record cd's. Look, a previous rock star like Rod Stewart starting performing classics, because he came to realize how wonderful the classics are. I hope Kelly gets to a place where she accepts her beautiful voice, and stops trying to be something different than what she is. She does not need to screach and scream, because she is the real deal. Most rock stars do not have the pipes that Kelly has.
Maybe Kelly will soften with time. I sure hope so.
I like it........2007-07-15
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Traveling Wilburys (2 CD / 1 DVD)
The Traveling Wilburys Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P0J024 Release Date: 2007-06-12 |
Tracks:
- Handle With Care
- Dirty World
- Rattled
- Last Night
- Not Alone Any More
- Congratulations
- Heading For the Light
- Margarita
- Tweeter And the Monkey Man
- End Of the Line
- Maxine - (previously unreleased, Bonus Track)
- Like A Ship - (alternate take, Bonus Track)
Tracks:
- She's My Baby
- Inside Out
- If You Belonged To Me
- Devil's Been Busy, The
- 7 Deadly Sins
- Poor House
- Where Were You Last Night?
- Cool Dry Place
- New Blue Moon
- You Took My Breath Away
- Wilbury Twist
- Nobody's Child - (Bonus Track)
- Runaway - (Bonus Track)
Amazon.com
The Traveling Wilburys were one of the few supergroups that lived up to their promise, because they didn't try to. Things started inauspiciously when George Harrison, needing a B-side for a 1988 single, called in friends Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison for assistance. Two albums later--the second without Orbison, who had passed away shortly after the first was released--the loose-knit collective had recorded material that was as durable, and occasionally eclipsed, the participants' legendary solo work. The Wilburys succeeded due to a genial and contagious camaraderie that permeates both discs. What could have been a train wreck of ego clashes instead resulted in a frothy meeting of the minds. These guys are having a blast, trading lead vocals and harmonies on energetic folk-rock, quirky rockabilly, and Beatlesque pop that shimmers with the respect and esteem the members clearly hold for each other. Harrison and Lynne's rather slick production polishes off edges that might better have been left unvarnished, but there's no denying the loosey-goosey craftsmanship at work in tunes such as "Handle with Care," "End of the Line," and a striking Orbison performance on "Not Alone Anymore" that ranks with any of his finest. Both albums were million-sellers, but oddly went out of print for about a decade until Rhino resurrected them, adding two rare tracks per disc as well as a DVD of music videos and a band documentary. The resulting package is a comprehensive overview of a once--well, twice--in-a-lifetime project that, especially after Harrison's passing, will never be repeated. --Hal HorowitzAlbum Description
Featuring classics like "Handle With Care," "End Of The Line," and "Heading For The Light," super-group Traveling Wilbury's Collection highlights all of the band's music and previously unreleased bonus tracks through this re-mastered double album. The DVD features behind the scenes footage of the band writing and recording, along with their 5 video clips.Customer Reviews:
Traveling Wilburys CD/DVD.......2007-07-16
Relax and Enjoy - It IS about the Music!.......2007-07-16
Yea, everyone says album 1 is the best with Roy Orbison and that may be true but number three (two) is so close I think it is a wash. I grew with three of these guys. They grew up with me. Two came along later and belonged to the group regardless of age. It was and is the music that binds them together. It is the music that was the heart of a friendship. It was never about fame or their names or what could have been and were in other places and times, colossal ego clashes. When the Wilburys gathered, it was all about the music. Thank God.
Listen. Watch. Enjoy. It's not perfect but that's a tough label to get. The Traveling Wilburys set is close enough for me.
Great Sounds!!!!!.......2007-07-15
WISH THIS GROUP WAS STILL PLAYING.......2007-07-15
Excellnt........2007-07-15
Average customer rating:
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It Won't Be Soon Before Long
Maroon 5 Manufacturer: A&M / Octone Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P2A256 Release Date: 2007-05-22 |
Tracks:
- If I Never See Your Face Again
- Makes Me Wonder
- Little of Your Time
- Wake Up Call
- Won't Go Home Without You
- Nothing Lasts Forever
- Can't Stop
- Goodnight Goodnight
- Not Falling Apart
- Kiwi
- Better That We Break
- Back At Your Door
Amazon.com
Sometimes it's O.K.--even important--to put aside your reluctance to embrace artists who make teenage girls scream. It happened in 2006, when Justin Timberlake scraped the sludge off pop and left something shiny behind, and it's happening again in 2007 with Maroon 5. It Won't Be Soon Before Long, the L.A. band's sophomore studio disc, rode in on a crest of hype and crumpled expectations--fan reports had it that Adam Levine & Co. scrapped their signature pop-soul sound for something harder and darker. Not so. Shades of Prince, Hall & Oates, and Sting still color the Maroon sound (check out the spectacularly fizzy "Little of Your Time," as well as the first single, "Makes Me Wonder," a song catchier than fire), but they're made ever fainter here by the clamping down of five guys on what is essentially the most distinctive pop sound to emerge from a single band since the Bee Gees squealed into the mid-'70s. It Won't Be Soon squares hip-hop sensibilities ("Wake Up Call") with rock ones ("If I Never See Your Face Again") and stormy moods ("Can't Stop") with bittersweet ballads ("Better That We Break"). It's a disc destined to defy detractors and go on to greatness, elevating the credibility of teenage girls for years to come. --Tammy La GorceAmazon.com
Global neo-soul rock superstars Maroon 5 are back with their much-anticipated sophomore album, It Won't Be Soon Before Long. The follow-up to the 10x platinum, Grammy-winning Songs About Jane will be "sexier and stronger," according to frontman Adam Levine, who looked to '80s icons such as Prince, Michael Jackson, and Talking Heads for inspiration. Recorded at home in Los Angeles with producers Mike Elizondo (Fiona Apple, Eminem), Mark "Spike" Stent (Bjork, Keane, Gwen Stefani), Mark Endert (Madonna, Fiona Apple), and Eric Valentine (Queens of the Stone Age, Nickel Creek), the album promises to be a louder take on the pop sounds of their first effort. "It's definitely aggressive, upbeat and pounding," says Levine.
More Maroon 5
Songs About Jane |
Live Friday the 13th |
1.22.03.Acoustic |
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Customer Reviews:
It Won't Be Soon Before Long - Absolutely No Songs About Jane.......2007-07-15
Musically speaking, this record is way much better than "Songs About Jane" in my opinion. It is clear that songs are now arranged and played in a more careful and sophisticated way. My picks are: "Nothing Lasts Forever", "Can't Stop", "Not Falling Apart" and "Back at Your Door". My guess is that if you hear at least these four tracks, you will notice a better and more mature Maroon 5, going to the right way and making their evolution.
buy it.......2007-07-14
even the songs you've never heard before you will love
if you like songs about jane, you'll like this, too
i have it in my car cd player right now
The Wait is Over.......2007-07-13
Another good one!.......2007-07-09
Not as catchy as Songs About Jane.......2007-07-09
Average customer rating:
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Zeitgeist
Smashing Pumpkins Manufacturer: Martha's Music / Reprise ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OQF6N6 Release Date: 2007-07-10 |
Tracks:
- Doomsday Clock
- 7 Shades of Black
- Bleeding the Orchid
- That¹s the Way (my Love is)
- Tarantula
- Starz
- United States
- Neverlost
- Bring the Light
- (Come on) Let¹s Go!
- For God and Country
- Pomp and Circumstances
Amazon.com
Inside the buzzing hive of Smashing Pumpkins' guitars is clearly where bandleader Billy Corgan feels most comfortable. So, after a seven-year hiatus for the short-lived group Zwan and his surprisingly sunny 2005 solo album, Corgan has revived the Pumpkins in all the six-string-spattered shades of emotional gray that made them one of the greatest bands of the alt-rock era. Longtime drummer Jimmy Chamberlin, along with famed boardsmiths Roy Thomas Baker and Terry Date as well as Corgan himself coproduced. Chamberlin also supports mountainous layers of guitar with his fiercest playing. California musicians Ginger Reyes (bass) and Jeff Schroeder (guitar) complete a version of the band dedicated to early bare-knuckled form, with a few exceptions: Corgan's grown into a more powerful wordsmith and his lengthy guitar solo explorations of yore are replaced with a trim, barbed textural approach that's ultimately more vicious. That is, until the centerpiece "United States" stretches into an epic punk-metal-informed sibling of Jimi Hendrix's "Machine Gun," with Corgan's strings singing like explosions and twisting metal as he warbles about revolution. Much of this album conjures literal and sonic visions of apocalypse, but there's grace, too, in the blithe grind of the hopeful "That's the Way (My Love Is)" and the melodic "Neverlost." Overall, Corgan's captivating effort to mine both the spirit of these turbulent times and the soul of his defining band is a smashing success. --Ted DrozdowskiAlbum Description
The Smashing Pumpkins are back! After seven years, the acclaimed Pumpkins have returned with Zeitgeist. Featuring the single "Tarantula," this new sound is not to be missed.Customer Reviews:
Most people don't know that.......2007-07-16
This is a solid album. Reminds me of a more poppy Gish--
No sir, I dont like it........2007-07-15
want your face rocked off?.......2007-07-15
A triumphant return washed out in mediocrity........2007-07-15
That being said, "Zeitgeist" is a bland and tired effort. It is easily the worst CD with the SP name on it. Aside from the fact that the music is boring and uneventful, the liner notes for the CD are ludicrous. Imagine my surprise when I opened up the booklet and the first thing I saw was a picture of Paris Hilton. The remaining pages are filled with all manner of political statements, most of which are laughably stupid.
I am tempted to do a song for song review, but I don't feel like putting for the effort. The only songs that are even worth listening to are "That's The Way (My Love Is)," "(Come On) Let's Go," and "Bleeding The Orchid." I got the impression that "United States" is supposed to be some sort of centerpiece that features their new direction, but it's lyrically childish and musically underwhelming. The creativity in writing is there, but it feels unfocused. I also despise the sound of the guitars on this CD--they're too fuzzy for their own good. He also uses some god-awful vocal effects that take away from his voice.
It's too bad. I know every band will release a CD that isn't as good as the others, so I'm hoping this is SP's.
Despite Of Their Rage - They Still Have Made a Heavy Album.......2007-07-15
The fans they earned with "Mellon Collie and The Infinite Sadness" ballads and even with the odd "Adore" will certainly not recognize that SM they used to listen. This is by far the most agressive of their records and you know what? That sounds fantastic!
Listening to the first two tracks - "Doomsday Clock" and "7 Shades of Black" - will provide one a simple introduction to what the rest of the album tastes. The word "Love" on "That's the Way (My Love Is)" is deceiving: don't expect here a beautiful romance song, that one that you would play in the background with your loved one. By the way, Billy's ability to put soft lyrics into noisy songs is really impressive. He's done that before.
Prepare your ears. It's been a long time since I last heard an album that almost left me deaf like this one. Rocks!
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Easy Tiger
Ryan Adams Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P29B1W Release Date: 2007-06-26 |
Tracks:
- goodnight rose
- two
- everybody knows
- halloween head
- two hearts
- tears of gold
- the sun also sets
- off broadway
- rip off
- oh my god, whatever, etc.
- pearls on a string
- these girls
- i taught myself how to grow old
Amazon.com
Easy Tiger, Ryan Adams's ninth solo studio album, is a return to form in every way. He's already shown that he can bash out three albums in one year--not to mention the hilarious fake hip-hop records posted for free on his Web site--and that he can sound as much like the Grateful Dead as he wants to in his constant subsequent touring. Backed once again by the Cardinals, Adams synthesizes and refines his approach to smooth, gorgeous country-pop. "Tears of Gold" is one of the best songs he's written in ages, while "Two" is a slowly percolating, sweet little number that recalls Sean Hayes in its soulful folksiness (someone named Sheryl Crow accompanies Adams on vocals). One of the greatest treats of this languorous, twangy album is the subtle ways that genre gets played with. "I Taught Myself How to Grow Old" is the best Harvest outtake Neil Young never wrote, while the treated, synth-sounding guitar solo on the druggy, chooglin' "Halloweenhead" sounds like it comes straight out of Journey. And "The Sun Also Sets" sounds more than a little like Rufus Wainwright covering Fred McDowell's "Write Me a Few of Your Lines." It bursts with enough melodrama as to border on musical theater. But, as is clear on these songs of love and loss, Adams has always been at his best when giving into his most mellow, dramatic side. --Mike McGonigal Ryan Adams Photos
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More Ryan Adams
Heartbreaker |
Gold |
Love Is Hell |
Album Description
I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil Young...but I won't say he isn't, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it's got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful--the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.Now there's this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention.
In other words--easy, Tiger.
--Stephen King
Customer Reviews:
EASY TIGER by Ryan Adams.......2007-07-16
great cd!.......2007-07-15
Another incredible release from an incredible talent.......2007-07-13
Are the critics hearing the same album?.......2007-07-12
not very good.......2007-07-12
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Memory Almost Full
Paul McCartney Manufacturer: Hear Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P2A242 Release Date: 2007-06-05 |
Tracks:
- Dance Tonight
- Ever Present Past
- See Your Sunshine
- Only Mama Knows
- You Tell Me
- Mr. Bellamy
- Gratitude
- Vintage Clothes
- That Was Me
- Feet In The Clouds
- House of Wax
- The End Of The End
- Nod Your Head
Amazon.com
"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "Vintage Clothes," and from the sound of things, that may not be just wishful thinking. What's past is prologue; if we're lucky, what to come may be McCartney's late renaissance. --Benjamin LukoffAlbum Description
The 13 new songs on Memory Almost Full are performed entirely by Paul McCartney (excluding strings) and produced by Grammy Award-winner David Kahne (The Strokes, Sublime, Bruce Springsteen and more).
More Paul McCartney
Band on the Run |
Ram |
Wingspan: Hits and History |
Customer Reviews:
McCartney Pop Gem.......2007-07-16
Memory Almost Full.......2007-07-16
The hits just keep on coming!.......2007-07-15
Almost Full / Almost Great.......2007-07-15
Harsh and Grating.......2007-07-14
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Our Love to Admire
Interpol Manufacturer: Capitol Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PY32CO Release Date: 2007-07-10 |
Tracks:
- Pioneer To the Falls
- No I In Threesome
- The Scale
- The Heinrich Maneuver
- Mammoth
- Pace Is the Trick
- All Fired Up
- Rest My Chemistry
- Who Do You Think
- Wrecking Ball
- The Lighthouse
Amazon.com
Moving up to a major label has hardly lifted Interpol's spirits. This is a good thing. Even with the twisted Wild Kingdom album cover and bassist Carlos Dengler's unexpected Wild West makeover, on its third studio album the black-clad New York quartet still sounds inflexibly menacing, grasping tighter than ever to its doomy post-punk influences and delving further into frontman Paul Banks's emotional unrest. Everything sounds a little bigger and brighter, sure, but at their core songs like "Rest My Chemistry" and "Wrecking Ball" are heroically sinister, goaded on by prickly riffs and slow-bleeding rhythms. The group briefly jumps to life on the buzzing "Heinrich Manouver" and exhibits an unexpected dash of humor on "No I in Threesome," but it's the closing "Lighthouse" that best defines the set--a late-night lament that simply steals away into the dark. --Aidin VaziriAmazon.com
Our Love To Admire is at once unmistakably Interpol and undeniably new. The witty and perverse "No I In Threesome" is an upbeat ode to shaking up a staid relationship propelled by Carlos D's peerless bass melody while the tenderly observant "Pace Is the Trick" proves that the band are still the masters of the dramatic - check the painful pause right before the sinfully satisfying return of Sam's thundering drums and Daniel's ringing lead guitar. The band's impressively seductive evolution is obvious all over the record, but never more so than on tracks like "Mammoth," "Who Do You Think" and on the album's lyrical centerpiece, the ghostly "Rest My Chemistry." While Daniel is understandably proud of the song he cautions against reading too much autobiography into its lyrics. "We always leave the interpretation to the listener," he says. "I mean, you shouldn't watch a movie for the first time listening to the director's commentary!"Our Love to Admire closes with "The Lighthouse," a funereal dirge that is among the most unexpected and memorable songs ever recorded by the band. Almost entirely percussion-free, the song is constructed around Daniel's mournful guitar and Paul's sparten lyrics. Not only is it one of their finest moments to date, it provides the album's most goose-bump inducing moment, the very same reflex shivers that make Interpol live shows such an exhilarating experience. As the very last song the band recorded for the album it was, they say, the hardest to play. The hypnotic guitar part was played on a 50-year-old guitar that had toxins on the strings, providing Daniel with a blistering and painful sensation in his fingers. The band weren't even sure the track would make it out of the studio, but once they heard Paul's remarkable vocals they were floored. The song - and the album - doesn't so much end as it bleeds to a close with a long, echoey coda filled with feedback and strings. A fittingly dramatic end to a stunning and emotional journey. Interpol is back, every bit as good as before but charged with a new spirit, a new direction, a new label and, most of all, a new confidence.
Interpol Photos
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More from Interpol
Antics |
Turn on the Bright Lights |
The Black EP |
Customer Reviews:
I felt you so much today.......2007-07-16
But like Modest Mouse and the Decemberists, they aren't changing their sound to try to get MTV videos and commercial play. Instead, the New York band keeps chugging along with what they've always done -- lean, dramatic rock'n'roll with choppy edges, and some explorations into new territory.
It opens with a gently circling riff and what sounds like chimes. "Show me the dirt pile/And I will pray that the soul can take/Three stowaways/Vanish with no guile/And I will not pay/But the soul can wait," Paul Banks sings over a sensual, textured rock song that grows more intense with every second. "So much for me believing that sorrow/So much for dreams we see but never care to know/Your heart makes me feel..."
And that's just the warmup. Interpol stretches out into different kinds of choppy, Joy-Division style rock'n'roll -- the blazing rapid-fire "Heinrich Maneuver," ringing sinuous rock'n'roll, swirling guitars, grimy classic rockers, mournful guitar pop, and a timid ballad that blooms into a sprawling anthem of shifting voices.
It finishes on a great note -- the epic "Lighthouse," a fuzzy grey sprawl of rippling guitar and strings, with only Banks singing like a regretful ghost. It's completely different from all the other songs, and though it's a jump into the dark for Interpol, it pays off beautifully.
In fact, the finale is just the more extreme example of what Interpol play around with here -- in some of "Our Love to Admire's" songs, they weave in some smooth piano or epic moments. Most of the album sticks to what they have always done (albeit with more polish), but they do explore some new soundscapes -- which hopefully will lead to more of the same.
But the main force of the music is the solid rock'n'roll sound, as doomy as ever -- dark, sharp, ringing riffs and some thudding bass, along with solid drums to keep a beat going. Occasionally they diddle with other sounds as well, like fuzz bass or long quiet riffs, and the album is lightly sprinkled with brief piano, stretches of cold synth, and a few little chimes in the quiet moments.
The songs themselves aren't much more chipper. In his rich, sensual voice, Banks sings of broken loves, "molten skies," past anger, and some relationships that turn really creepy ("And I can bind you with no ties/and lease time and watch you fall"). But it's not all misery -- one song describes a man who "lives my life in cocaine," and a "daisy" girl who inspires him to stop.
"Our Love To Admire" edges into some new territory, but mostly stays safe in the solid, ringing rock'n'roll that they've done before. And even then, they've given their old sound some new twists -- very enjoyable.
????.......2007-07-16
Give it time.......2007-07-16
However, motivated by my loyalty to Interpol and the brilliance of the first track, I listened again. This time, I heard several songs that I knew would grow on me if I kept listening, including the comedic "No I In Threesome", the slower ballad "Pace Is The Trick", and the up-beat "Who Do You Think?" Intrigued by these new sounds, I kept the CD playing in my car radio on my way to work each day this week.
After almost a week and about fifteen full listens, I can safely change my opinion and say that this is a great album. There isn't a song on here that I feel the need to skip, and I've even come to love the strange ambient-like closing track, "The Lighthouse." While I'm still not sure if "Our Love To Admire" lives up to the genius of "Turn On The Bright Lights", it definitely surpasses the controversial sophomore album "Antics", which, although I happened to like most of the tracks on it, did not feel as complete. "Our Love To Admire" is a great work of modern, darker, Indie rock that loyal fans of Interpol as well as newcomers are sure to enjoy.
What's Next? Shiny Happy People?.......2007-07-16
Today My Heart Swings!.......2007-07-16
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