Pena De Amor

Track Listings

 
1. Las Cerezas
2. Tamarindo
3. Sin Tu Amor
4. Maniqui
5. El Novillo
6. El Muerto Vivo
7. Regalo Equivocado
8. Pena De Amor
9. Mi Despedida
10. El Mismo Amor

Pena De Amor,Region Nortena
Handel Operatic Duets ~ Amor e gelosia / Ciofi · Di Donato · Il Complesso Barocco · Curtis
Average customer rating: 4.5 out of 5 stars
  • Stellar Singing
  • From still waters to fireworks in baroque singing - Duets sung exquisitely
  • Supreme Handel Duets Lack Dramatic Context But Still Lovely
  • A feast
  • A sumptuous feast of Handel
Handel Operatic Duets ~ Amor e gelosia / Ciofi · Di Donato · Il Complesso Barocco · Curtis
George Frideric Handel , Patricia Ciofi , Joyce Di Donato , Alan Curtis , and Il Complesso Barocco
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001CTKD0
Release Date: 2004-06-01

Tracks:

  1. Caro Amico Amplesso!
  2. Scherzano Sul Tuo Volto
  3. Non Ti Basto, Consorte/Io T'abbraccio
  4. Mio Diletto, Che Pensi?/Sol Per Te, Bell'idol Mio
  5. Per Le Porte Del Tormento
  6. Del Destin Non MI Lagno/Caro, Tu M'accendi
  7. Amarilli?/Amarilli? Oh Dei! Che Vuoi?
  8. Vivo Senz'alma, O Bella
  9. Finche Prendi
  10. Perfidi! Ite Di Poro/Se Mai Piu Saro Geloso
  11. Macedoni Guerrieri/Se Mai Turbo Il Tuo Riposo
  12. Sinfonia To Act 3
  13. Gran Pena E Gelosia!
  14. Lode Agli Dei/Se Mai Turbo Il Tuo Riposo
  15. Alma Mia, Dolce Ristoro
  16. Ricordati, Mio Ben
  17. Addio, Mio Caro Bene

Amazon.com

In baroque opera, the spotlight was usually reserved for the bravura arias, designed to show off the singers' brilliant coloratura and skill in improvising ornamentation. The ensembles, on the other hand, were left to languish in the shadows. This record aims to right that wrong in a program of 17 duets drawn from 13 mostly unfamiliar Handel operas. In an attempt to create some cohesion, these primarily short selections are arranged under the heading "Love and Jealousy," with love predominating and usually prevailing. If the title sounds a bit gimmicky, never mind: the music's the thing and it is wonderful. Expressed with Handel's inimitable dramatic intensity and deeply felt inwardness, it encompasses every amorous emotion from tenderness, ardent protestation and rapturous joy to fear of loss, anguish and mournful farewell, using an infinite variety of form, texture and character. Some duets begin with a recitative; the voices separate and unite, conversing, interweaving, joining in imitation or harmony. The orchestra, a period-instrument group of soloists, provides introductions, interludes and postludes which set mood and atmosphere and contribute greatly to contrast and diversity. The performances are splendid. The two singers prove that the duet is as fertile a vehicle for virtuosic display as any aria, and they find plenty of opportunities for ornamentation in the da capos. Their voices can blend and merge as well as remain distinctly individual in timbre and color, and they succeed in creating, or at least suggesting, situations and personalities even in the shortest selections. The playing is impeccable: rhythmically crisp and pungent, texturally transparent, and very expressive. The only cavil is that the selections often follow each other without a pause, making it difficult to be sure where one ends and the next begins. --Edith Eisler

Customer Reviews:

5 out of 5 stars Stellar Singing.......2007-01-04

I must admit that, before becoming a dedicated Joyce DiDonato fan, I probably wouldn't have purchased a CD of Handel duets, or any Baroque duets for that matter. Like other reviewers have observed, the duets are performed out of dramatic context. I also prefer the full opera, particularly when it comes to Handel.

In the case of this CD, who cares? This is literally some of the loveliest Baroque ensemble singing I have ever heard. The pairing of Joyce DiDonato with Patrizia Ciofi was a stroke of brilliance. Their voices match perfectly. Their intonation is spot on, all the time. Their ornamentations, particularly the da capo ornamentations, are intelligently selected and brilliantly executed. The balance is just right between the singers and the chamber musicians.

I have a big thanks to give to Virgin Veritas and these two wonderful artists for this CD. It will get lots of play in my home.

Highly recommended.

5 out of 5 stars From still waters to fireworks in baroque singing - Duets sung exquisitely.......2005-11-28

Handel was a master of his medium - his music paints with elegance and soul-stirring emotion upon the canvas of the human heart. His duets often exhibit particular indebtedness to Steffani (truly a genius of duet writing), and they are gorgeous duets indeed!

I note that some other reviewers quibble with a) duets only on this recording; and b) a sense of disjointedness.

Addressing both of those issues, let's admit that any recital disc is going to give some disjointedness in the absolute and literal sense. To take a portion of an opera out of its setting and perform it separately is a sort of amputation, be it an album of arias OR an album of duets. Should singers then avoid putting out solo recordings of Handel arias? I find no reason to come to THAT conclusion - and for the same reason, I have no quarrel at all with the recording of an album of Handel duets.

Of course, to enjoy Handel to the fullest degree, do get full recordings as well... but even in Handel's time, singers would pull specific bits of their roles out of context, perform them separately... so it's a time-honoured practice! Let us simply enjoy the high standard of the music without worrying about context in any recording of arias, duets, trios, or operatic scenes.

Handel's duets vary so much in their shape, melodies, harmonies, rhythms - there's plenty of variety. It comes down to a question of the singers involved having suitable voices, singing appropriately for the style, the playing of the orchestra, and the particular variety of duets chosen.

On all points, this album scores highly! Both Ms Ciofi and Ms Di Donato have beautiful voices, clearly trained in baroque singing, and they have equally clearly put in a lot of work to achieve a lovely blend and similar approach within these duets. What a joy to hear gifted singers perform these duets with such intelligence, emotional involvement and lovely, lovely tone!

This recording is a favourite of mine - not just because I perform many of the duets on this CD with another soprano, but because I am genuinely delighted to hear appropriately performed Handel singing in a duet album. I've found fault with some other duet albums because I consider them under-rehearsed, insufficiently blended, and inappropriately embellished - but this album shows none of those faults, and I am very happy to recommend it highly and without reservation. Beautiful singing, beautiful works - you can scarcely wish for more!

4 out of 5 stars Supreme Handel Duets Lack Dramatic Context But Still Lovely.......2005-01-08

I was fortunate to see and hear Renée Fleming and the astounding David Daniels sing "Io t'abbraccio" together in the magnificent Stephen Wadsworth production of Handel's "Rodelinda" at the Metropolitan Opera last week. There is nothing here that can match the ethereal quality and overwhelming melancholy of that duet performance, but sometimes this recording comes pretty close under the masterful baton of Alan Curtis. Soprano Patrizia Ciofi and mezzo-soprano Joyce Di Donato blend quite well together with Ciofi's often fiery coloratura floating easily over the verses and Di Donato's contrasting darker, fuller tone.

It's a nice idea to make a disc of just Handel duets but also a bit risky since they usually represent the major dramatic highpoints of his operas, mostly coming at the end of an act or of the entire opera. Given that fact, one would think there would be plenty of exhausting dramatic fireworks by providing one duet after another. In fact, the higher profile duets, such as the aforementioned "Io t'abbraccio" and the equally famous "Scherzano sul tup volto" from "Rinaldo", feel a bit lackluster probably because their gorgeous music crowns the end of scenes full of tension and drama. The joy in hearing two characters sing together, especially after hearing each of them express their individual sentiments, acts as a catharsis. But here the duets become lovely moments partially robbed of their dramatic impact because the organic synthesis of character and music is lost. Certainly it's not easy to deliver a recital containing only music that Handel devised for key dramatic moments. Yet, it more often does work here perhaps because there are a treasure trove of little-known gems such as "Caro, tu m'accendi" from "Faramondo", "Se mai turbo il tuo riposo" from "Poro" and "Alma mia, dolce ristoro" from "Admeto". The performances really become more like chamber music pieces, almost understated and always tasteful. Toward that end, the singing is expressive and stylish as Ciofi and Di Donato play lovers who quarrel and console in these duets. Together they bring this recording to a consistently high level regardless of the dramatic shortcomings, and their emotional availability makes their unified voices all the more resonant as they get lost in each other.

5 out of 5 stars A feast .......2004-09-28

The programme maybe disjointed, but it doesn't matter, because the singing is some of the most glorious I have EVER heard. A shining feast of articulation, phrasings and harmonies, heavenly executed by Ms Ciofi and Ms Di Donato.

Just buy it for an unparalleled vocal chord experience; marvel at the singing. Any other considerations are entirely oblivious.

5 out of 5 stars A sumptuous feast of Handel.......2004-08-04

Alan Curtis has here chosen to bring to life some of the more memorable duets of Handel's many operas. Quite apart from chewing over some of the more well-known operas he has chosen some duets from Silla, Sosarme (Per le porte del tormento), Faramondo, Atalanta, Poro and Muzio Scevola, few of which have had decent recordings in the last number of years.

His band is small, one player per part, withe the resultant effect rather to make the duets seems like chamber music. There is a danger in that with duets such as Io t'abbraccio (end of Act 2 Rodelinda) taken out of context that the dramatic moment of the music would be lost. However, by arranging the duets in a sequence (as Curtis writes in the notes) from love's joy through self-doubt and jealousy, back to undying love, the duets out of context sound superb.

Both singers, Patrizia Ciofi (Soprano) and Joyce di Donato (Mezzo) sound thoroughly at home in the idiom of baroque opera, and in fact their cadenzas and ornamentation are delightfully understated, rather than the sort of shrieking 'I can go higher still' of some more lauded performers. I look forward to Curtis' forthcoming recordings of Lotario, Rodelinda and Radamisto, if these performers are to be retained.

In short this is a delightful enterprise showing the genious of Handel in dealing with the most basic of human emotions - love and jealousy. Well done Alan Curtis!

Cancionero Musical de Palacio
Average customer rating: 4.5 out of 5 stars
  • they're at it again!
  • Musica en el Palacio de los reyes catolicos
  • Very good
  • Some very lively and lovely music
Cancionero Musical de Palacio

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Music of the Spanish Renaissance
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  5. Salterio

ASIN: B00000149R
Release Date: 1996-11-05

Tracks:

  1. Rodrigo Martinez
  2. Con Amores, Mi Madre
  3. Pues Que Jamas Olvidaros
  4. Si Abra En Este Baldres
  5. Si D'Amor Pena Sentis
  6. Tir Alla, Que Non Quiero
  7. Todo Quanto Yo Servi
  8. Levanta Pascual
  9. Malos Adalides Fueron
  10. Todos Los Bienes Del Lmundo
  11. Durandarte
  12. Fata La Parte
  13. Pedro, I Bien Te Quiero
  14. Danza Alta
  15. Qu'es De Ti, Desconsolado
  16. La Tricotea
  17. Ay Triste, Que Vengo
  18. So Ell Enzina
  19. Como Esta Sola Mi Vida
  20. O Voy
  21. Tres Morillas M'Enamoran
  22. Hoy Comamos Y Bebamos

Customer Reviews:

5 out of 5 stars they're at it again!.......2001-08-07

The players here (also known as Unicorn and Oni Wytars) are among the very few truly brilliant early music performers. Not for them the dry, desiccated path of passionless scholarship! Unlike almost every other instrumental early music ensemble (and I've surveyed a LOT), they display fully engaged, scintillating musicianship at every turn. Their unconventional performance decisions tend to cut them out of critics' golden lists -- most of this music shouldn't really be considered authentically presented -- but such objections go lame and impotent before the vivacity and improvisational panache saturating this CD...along with their MANY others!

5 out of 5 stars Musica en el Palacio de los reyes catolicos.......1999-12-07

One of my favorite cancioneros ,and one that I recommend to all.It is performed on period instruments,and it contains romances,songs from about the times of the "reconquista",instrumental pieces, pieces for viols, and solos for vihuela. One of my favorite pieces of this is track 14 Danza Alta by Francisco de la Torre,it's an intrumental piece for viols and recorder.This music that was performed at the court of King Don Fernando de Aragon.It is hard of finding recordings of Cancioneros at budget price so take advantage of this one...It's really good

4 out of 5 stars Very good.......1999-07-11

Another 4 stars, though I don't share the reviewer from Australia's reservations about the lack of rasp in the singing. Who really knows how these notes were sung? It's a matter of personal preference. Alround a very good recording but not "the definitive" version of these songs (we may never have that). There is a companion disc by Wimmer : Early Music - Sephardic Romances which, like this one, has Spanish texts and English translations. (Naxos) 553617.

There is also another recording of similar material on Naxos : Royal Songbook, by Thorby and Musica Antiqua London - but that is marred by lack of texts or translations. (Naxos 553325)

And a final recommendation : Music of the Spanish Renaissance / Shirley Rumsey / Recorded 1991 / Spanish texts and English translations. 550614

4 out of 5 stars Some very lively and lovely music.......1999-02-28

After centuries of Arabic and Jewish influence, the new music of Spain born at the court of Ferdinand and Isabella had all the strength of European melody with all the richness of rhythm and chromatic freedom of Northern Africa and the East. The performances by Ensemble Accentus do full justice to this music - largely because it and its director, Thomas Wimmer, have delved into and brilliantly performed the Jewish Sephardic music of old Spain. My only complaints are that there is not enough music here by Juan del Encina; and the singers do not understand the texture of old music. Most singers strive for purity and smoothness of voice and register, but the Renaissance loved loud, deep, rich, overtoned and raspy voices: voices with the sting of crumhorns and hurdy-gurdies. Here we hear some of the instruments played well, but not the larynxes which should accompany them. Nonetheless, a valuable and enjoyable CD for any fan of this era. [SW]
Secular Music from Christian and Jewish Spain
Average customer rating: 4 out of 5 stars
  • Like a religious experience
  • Dissappointing soprano
  • A balm for any soul
  • Ten stars if possible...
  • Historical re-release
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Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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ASIN: B00000J2QD
Release Date: 1999-06-08

Tracks:

  1. Villancicos From Cancionero de la Colombina: Ni?a y vi?a
  2. Villancicos From Cancionero de la Colombina: Propide melyor
  3. Villancicos From Cancionero de la Colombina: Como no le andaro
  4. Villancicos From Cancionero de la Colombina: Recercada
  5. Villancicos From Cancionero de la Colombina: Fantasia
  6. Villancicos From Cancionero de la Colombina: Pavana
  7. Villancicos From Cancionero de Palacio: Al alva venid, buen amigo
  8. Villancicos From Cancionero de Palacio: Perda mi rrueca
  9. Villancicos From Cancionero de Palacio: A los badel amor
  10. Villancicos From Cancionero de Palacio: Fantasia
  11. Villancicos From Cancionero de Palacio: Romanesca
  12. Villancicos From Cancionero de Palacio: Pues bien para esta
  13. Villancicos From Cancionero de Palacio: Si av dicho, marido
  14. Romances From Cancionero de Palacio: Si d'amor pena sent
  15. Romances From Cancionero de Palacio: O voy
  16. Romances From Cancionero de Palacio: Qu'es de ti, desconsolado
  17. Recercadas sobre tenores: Recercada 4
  18. Recercadas sobre tenores: Recercada 5
  19. Recercadas sobre tenores: Recercada 6
  20. Villancicos From Cancionero de Uppsala: Yo me soy la morenica
  21. Villancicos From Cancionero de Uppsala: Si la nocha haze escura
  22. Villancicos From Cancionero de Uppsala: Soleta s ac
  23. Villancicos From Cancionero de Uppsala: Con qua lavar
  24. Villancicos From Cancionero de Uppsala: Soy serranica

Tracks:

  1. Sephardic Romaces: Pregoneros van y vienen
  2. Sephardic Romaces: El rey de Francia tres hijas tenia
  3. Sephardic Romaces: Una matica de Ruda
  4. Sephardic Romaces: Palestina hermoza
  5. Sephardic Romaces: Nani, nani
  6. Sephardic Romaces: El rey que tanto madruga
  7. Sephardic Romaces: Por que llorax blanca nina
  8. Sephardic Romaces: Moricos los mis moricos
  9. Sephardic Romaces: Lavava y suspirava
  10. Sephardic Romaces: Paxarico tu te llamas
  11. Sephardic Romaces: La Reina xerifa mora
  12. Sephardic Romaces: Por alli paso un cavallero

Amazon.com

Before their expulsion in 1492, the Jews of medieval Spain developed a rich and lively culture, including an exquisite repertory of songs called romanceros--and they kept that repertory alive as they settled in places as diverse as Morocco, Bosnia, Turkey, and Bulgaria. Lovely as the romanceros are, they would have languished as the objects of ethnomusicological studies and might have disappeared altogether, were it not for the efforts of gifted musicians like Hespèrion XX. Jordi Savall and his ensemble, fronted by the unique soprano Montserrat Figueras, just about single-handedly brought those songs to the attention of the modern public with this 1976 recording (now reissued at a bargain price). Disc 1 features a selection of secular music from "Christian" Spain--that is, the courts of Ferdinand and Isabella and the Catholic nobility. The music is elegant and occasionally austere, but Figueras, Savall, and colleagues give the livelier pieces a flavorful swing. Yet disc 2, which features the Sephardic songs, is the real drawing card here. It was in Moorish Spain that Jewish culture flourished, so Hespèrion XX performs the romanceros with Arabic instruments, such as the 'ud (the ancestor of the European lute) and hand drums. These musicians, rechristened Hespèrion XXI in honor of the new century, perform this repertory with more polish now than they did in 1976, but--just as A Feather on the Breath of God did for Hildegard von Bingen--this recording made its own little bit of musical history. --Matthew Westphal

Customer Reviews:

5 out of 5 stars Like a religious experience.......2007-03-28

This disc is pure magic that transends and defies definition. It is time period music that has been rereleased to capture the magic of the original recording. Each song is amazing. The music creates a mood that is best enjoyed alone ,in private so that your thoughts can be elevated to the point of inspiration. Although I like both discs I prefer the one that features Sephardic Romances over the disc that is Court Music and Songs. Montserrat Figueras angelic voice lends itself to beautiful interpretations of these beautiful songs from the Age before the expulsion of the Jews from Spain in 1492. This ancient music is preserved and freshly interpreted under the masterful leadership of Jordi Savall for an authentic recreation. If you have never heard Hesperion XX check this one out, it is fantastic. Recommended for classical music fans who want to hear something different. Once you hear Montserrat Figuerras voice you will feel the inspiration and be hooked on her angelic voice.

3 out of 5 stars Dissappointing soprano.......2006-02-22

I was excitet buying this CD, expecting the quality of songs equal or better than
Begona Olavide and Carlos Paniagua on MA recodings. The music was fine but singing by soprano Montserrat Figueras was borderline annoying.

5 out of 5 stars A balm for any soul.......2001-01-02

Attempting to review a Savall/Figueras CD is a frustrating task. The arsenal of superlatives is so quickly depleted. Terms like 'matchless' and 'unique' might be used, but lack strict definition. After all, a 'matchless' voice needn't be a good one. Terms like 'divine' or 'angelic' tend to remove Montserrat's singing from the real and human. She's nothing if not human. Having been blessed with watching as well as hearing her perform, vouching for her vitality on a stage is easy. But the superior quality of her voice and presentation is so far above the mundane or common as to become nearly indescribable. Anything less than adulation for her seems to indicate shortcomings in the disk or performer. Neither performance nor disk quality falls short here. That she performs religious songs here simply adds to the power of her impact on the listener. You necessarily hesitate, cease other activity, and, if moved enough, drop to your knees in respect and admiration. Tough to do in a crowded concert hall, but the motivation is there. And this from someone who shunned listening to vocal performances for many years. Dame Kiri was one exception and Argenta another, but the discovery of Figueras was the discovery of a voice without flaw.

Anyone visiting this page must certainly know of Jordi Savall and Hesperion XX. You may, however, have missed the glory of Montserrat Figueras' voice. Make up for that lack right away. The selections available here are pitifully limited, but this CD is as good an introduction as any. Don't hesitate to sit and enjoy this music. The sounds received will be a reward to whatever spiritual sense you possess.

5 out of 5 stars Ten stars if possible..........2000-01-27

I agree completely with Stephan: outstanding performance. Montserrat at her best. If "Si d'amor pena sentis" doesn't bring tears to your eyes, what does?

3 out of 5 stars Historical re-release.......1999-07-20

Hesperion XX were pioneers in reviving this music, and collectors will value these recordings which first came out in 1976. However most listeners may prefer more recent recordings by Wimmer on Naxos, and Alia Musica on Harmonia Mundi which have digital sound and include Spanish, and occasionally Hebrew, texts and translations.
Les tres riches heures du Moyen Age: A Medieval Journey
Average customer rating: 5 out of 5 stars
  • Excellent, but What Are the Words?
  • outstanding collection
  • Awesome
  • 7.5 hours of superb music at a most reasonable price.
Les tres riches heures du Moyen Age: A Medieval Journey

Manufacturer: Harmonia Mundi Fr.
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Binding: Audio CD

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  1. Perotin / The Hilliard Ensemble

ASIN: B00000074R
Release Date: 1995-11-21

Tracks:

  1. 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
  2. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
  3. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
  4. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
  5. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
  6. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
  7. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
  8. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
  9. 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
  10. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
  11. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
  12. 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

Tracks:

  1. 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
  2. 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
  3. 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
  4. 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
  5. 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
  6. 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
  7. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
  8. 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
  9. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
  10. 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
  11. 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
  12. 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
  13. 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
  14. 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
  15. 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
  16. 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
  17. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
  18. 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
  19. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
  20. 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
  21. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
  22. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
  23. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
  24. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

Tracks:

  1. The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
  2. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
  3. The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
  4. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
  5. The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
  6. Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
  7. Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
  8. Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
  9. Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
  10. Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
  11. Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
  12. Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
  13. Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
  14. Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
  15. Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
  16. Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
  17. Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
  18. Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
  19. Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

Tracks:

  1. 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
  2. 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
  3. 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
  4. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
  5. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
  6. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
  7. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
  8. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
  9. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
  10. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
  11. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
  12. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
  13. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
  14. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
  15. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
  16. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
  17. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
  18. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
  19. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
  20. 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
  21. 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
  22. 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
  23. 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

Tracks:

  1. 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
  2. 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
  3. 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
  4. 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
  5. 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
  6. 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
  7. 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
  8. 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
  9. 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
  10. 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
  11. 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
  12. 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
  13. 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
  14. 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
  15. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
  16. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
  17. 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
  18. 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
  19. 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
  20. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
  21. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
  22. 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
  23. Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
  24. Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
  25. Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
  26. Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
  27. Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

Tracks:

  1. Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
  2. 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
  3. 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
  4. 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
  5. 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
  6. 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
  7. 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
  8. 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
  9. 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
  10. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
  11. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
  12. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
  13. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
  14. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
  15. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
  16. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
  17. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
  18. Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
  19. Lute Music: 'Nous bergiers' - Paul O'Dette
  20. Lute Music: Ricercar No. 33 - Paul O'Dette
  21. Lute Music: 'Il est bel et bon' - Paul O'Dette

Customer Reviews:

4 out of 5 stars Excellent, but What Are the Words?.......2006-07-04

This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

5 out of 5 stars outstanding collection.......2002-09-27

I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

5 out of 5 stars Awesome.......2001-09-20

This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

5 out of 5 stars 7.5 hours of superb music at a most reasonable price........1999-12-24

There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
Masters of the Guitar
Average customer rating: Not rated
    Masters of the Guitar

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
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    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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    LuteLute | Instruments | Early Music | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    PianoPiano | Keyboard | Instruments | Classical | Styles | Music
    GuitarGuitar | Strings | Instruments | Classical | Styles | Music
    LuteLute | Strings | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
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    ASIN: B0007CEXO0
    Release Date: 2005-02-08

    Tracks:

    1. Allemande - Andreas Segovia
    2. Bouree - Andres Segovia
    3. Canarios - Alexandre Lagoya
    4. Sonata In E Major - Alexandre Lagoya & Ida Presti
    5. Variations On A Theme By Mozart - John Williams
    6. Romanza: Piu Tosto Largo. - Edardo Fernandeaz
    7. Sevilla - Angel Romero
    8. Asturias (Leyenda) - Narciso Yepes
    9. Spanish Dance No. 5, Op. 37 'Andaluza' - Pepe Romero
    10. Recuerdos De La Alhambra - Narciso Yepes
    11. Garrotin - Julian Bream
    12. Soleares - Julian Bream
    13. Preludio. Lento - Goran Sollscher
    14. Andante Solemne - Goran Sollscher
    15. Allegretto - Goran Sollscher
    16. Una Limosna Por El Amor De Dios - Alexander-Sergei Ramierez
    17. Valse Criollo - John Williams
    18. Homenaje 'Le Tombeau De Debussy' - Julian Bream
    19. Cacion De Cuna (Berceuse) - Goran Sollscher
    20. Etude No. 1 For Guitar In E Minor - John Williams
    21. Choro No. 1 - Eduardo Fernandez
    22. Ayer Y Hoy (Guajiras) - Paco Pena

    Tracks:

    1. (Allegro Giusto) - Goran Sollscher
    2. Largo - Goran Sollscher
    3. Allegro - Goran Sollscher
    4. Allegro Maestoso - Eduardo Fernandez
    5. Andante Siciliano - Eduardo Fernandez
    6. Alla Polacca - Eduardo Fernandez
    7. Villano Y Ricercare (Adagietto/Andante Moderato) - Andres Seovia
    8. Espanoleta Toques De La Caballeria De Napoles - Andres Seovia
    9. Danza De Las Hachas (Allegro Con Brio) - Andres Seovia
    10. Canario (Allegro Ma Non Troppo) - Andres Seovia
    11. Allegro Con Spirito - Pepe Romero Christine Pendrill
    12. Adagio - Pepe Romero Christine Pendrill
    13. Allegro Gentile - Pepe Romero Christine Pendrill
    The Golden Age of Singing: Vol. 3 1920-1930
    Average customer rating: 5 out of 5 stars
    • Great Voices of the 1920s in Opera and Operetta.
    The Golden Age of Singing: Vol. 3 1920-1930

    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

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    FrenchFrench | Languages | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
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    ASIN: B000058TFX
    Release Date: 2001-03-06

    Tracks:

    1. Romeo Et Juliette: Je Veux Vivre Dans Ce Reve (Waltz Song) - Lucrezia Bori
    2. Andrea Chenier: Un Di, All'azzuro Spazio - Beniamino Gigli
    3. Die Tote Stadt: Gluck, Das Mir Verblieb - Maria Jeritza
    4. Don Giovanni: Or Sai Chi L'onore - Frida Leider
    5. I Puritani: Son Vergin Vezzosa - Amelita Galli-Curci
    6. Carmen: La Fleur Que Tu M'avais Jetee - Richard Tauber
    7. Die Entfuhrung Aus Dem Serail: Martern Aller Arten - Maria Ivogun
    8. Cavalleria Rusticana: O Lola (Siciliana) - Aureliano Pertile
    9. Don Sebastiano: Deserto In Terra Solo - Alfred Piccaver
    10. Il Barbiere Di Siviglia: Una Voce Poco Fa - Toti Dal Monte
    11. Benvenuto Cellini: De L'art Splendeur Immortelle - Giuseppe De Luca
    12. La Boheme: Mimi E Una Civetta - Antonio Cortis
    13. Die Schone Galathea: Trinklied - Lotte Schone
    14. Rigoletto: Pari Siamo - Carlo Galeffi
    15. Resurrection: Dieu De Grace - Mary Garden
    16. Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann
    17. Don Quichotte: Death Scene - Feodor Chaliapin/Olive Kline
    18. Marina: Brindis: 'A Beber' - Miguel Fleta/Emilio Sagi-Barba
    19. Le Nozze Di Figaro: Porgi Amor - Lotte Lehmann

    Tracks:

    1. Pagliacci: No, Pagliaccio Non Son - Giovanni Martinelli/Grace Anthony
    2. I Vespri Siciliani: O Patria...O Tu Palermo - Ezio Pinza
    3. Aida: Nile Scene: O Patria Mia - Elisabeth Rethberg
    4. Der Fliegende Hollander: Wie Aus Der Ferne - Friedrich Schorr
    5. Les Pelerins De La Mecque: C'est Un Torrent Impetuex - Lucien Fugere
    6. Il Trovatore: Il Balen Del Suo Sorriso - Apollo Granforte/Guglielmo Masini
    7. Der Wildschutz: Wie Freundlich Strahlt - Gerhard Husch
    8. Prince Igor: Jaroslavana's Aria - Nina Koshetz
    9. Norma: Meco All'altar Di Venere - Giacomo Lauri-Volpi
    10. Turandot: In Questa Reggia - EVA TURNER
    11. Lohengrin: Einsan In Truben Tagen (Elsa's Dream) - Hina Spani
    12. Werther: Va Laisse Couler - Ninon Vallin
    13. Les Huguenots: Nobles Seigneurs - Sigrid Onegin
    14. Bernice: Si Tra I Ceppi - Alexander Kipnis
    15. Tannhauser: Inbrunst Im Herzen...Da Sah Ich Ihn - Lauritz Melchior
    16. Otello: Ora E Per Sempre Addio - Renato Zanelli
    17. Un Ballo In Maschera: Eri Tu - Lawrence Tibbett

    Customer Reviews:

    5 out of 5 stars Great Voices of the 1920s in Opera and Operetta........2001-12-30

    The Nimbus method of reprocessing historical recordings is particularly kind to singers who recorded by the acoustic process, before the advent of electric recording in 1925. In this third issue of their "Golden Age of Singing" series, Nimbus Records cover the years 1920-1930. About a dozen recordings from the pre-electric era are found here, including items by Galli-Curci and de Luca who featured in the second issue in this series. Other singers featuring again in this third series include Lotte Lehmann and Giovanni Martinelli, heard here in 1927 recordings.

    Whatever criteria you use to assess anthologies of great singers, you will probably be well satisfied with this splendid issue. If you collect the works of particular singers, you will find not only representative but also rare items. I count the Pinza item as both. It shows him at his best, and has hitherto not found its ways into my CD collection. Occasionally items are not sung in their original language. Frida Leider's "Don Giovanni" aria sung in German in 1922 is preferred to her 1927 remake sung in Italian. Hina Spani sings Elsa's Dream in Italian. Some singers are recorded at the very end of their careers. Scottish soprano Mary Garden, Debussy's first Melisande, is heard in 1927 at her last recording session. Representing a miracle of good singing and longevity is Lucien Fugère recording a Gluck aria in 1928 at the age of 80. Tauber is heard near the beginning of his career in 1923. Youngest of all is the German baritone Gerhard Hüsch, aged 27.

    I doubt that many who are considering purchase, every heard any of these singers. I happen to have heard two of them, when a very young man - Ninon Vallin and Elisabeth Schumann. To those who collect great voices on record, whether ever heard in performance or not, I restate that these Nimbus anthologies offer recreations of acoustic recordings that are well worth considering.
    A Mediaeval Banquet: Music from the Age of Chivalry
    Average customer rating: 4 out of 5 stars
    • but what are they saying?
    • A heapin' helpin' of early music
    • Exclent cd for mediaeval music.
    A Mediaeval Banquet: Music from the Age of Chivalry
    Mediaeval Consort
    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

    Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    Sacred & ReligiousSacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    CompilationsCompilations | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ChantsChants | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ClassicalClassical | Box Sets | Stores | Music
    Opera & VocalOpera & Vocal | Box Sets | Stores | Music
    Bargain Box SetsBargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
    Bargain Box SetsBargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music
    Similar Items:
    1. Music Of The Crusades
    2. Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
    3. Music for a Medieval Banquet
    4. Troubadours, Trouvères, Minstrels
    5. Richard Coeur de Lion (Richard the Lionheart): Troubadours & Trouvères in the Courts of Eleanor of Aquitaine, Richard the Lionheart, Marie de Champagne & Geoffroy, Duke of Brittany - Alla Francesca

    ASIN: B00000J7VP
    Release Date: 1999-05-18

    Tracks:

    1. Forgotten Provence: Ne L'oserary-Je/Voulez-Vouz Que Je Vous Dise?: Chansons-Avec-Refrains - The Martin Best Consort
    2. Forgotten Provence: Les Airs De Cerveau, Carole In Ballad Form: Dessus La Rive - The Martin Best Consort
    3. Forgotten Provence: A Chanter M-Er - The Martin Best Consort
    4. Forgotten Provence: Vecy Le Mai: Carole In Rondeau Form - The Martin Best Consort
    5. Forgotten Provence: Ma Charmante Cadet: Trad. Pastorela, Limousin - The Martin Best Consort
    6. Forgotten Provence: Alleluia Justus - The Martin Best Consort
    7. Forgotten Provence: A L'entrada Del Tens Clar: 12th Century Dance-Song In Carole Form - The Martin Best Consort
    8. Forgotten Provence: Li Gelos: Troubadour Dance-Song - The Martin Best Consort
    9. Forgotten Provence: Air De Cheval-Jupon: Languedoc Dance - The Martin Best Consort
    10. Forgotten Provence: Lancan Li Jorn: Canso - The Martin Best Consort
    11. Forgotten Provence: Ara Lauzatz: Troubadour Vers - The Martin Best Consort
    12. Forgotten Provence: Laude Jocunda - The Martin Best Consort
    13. Forgotten Provence: Pucelete-Je Languis-Domino L. - The Martin Best Consort
    14. Forgotten Provence: Aucun-Lonc Tans-Annuntiantes - The Martin Best Consort
    15. Forgotten Provence: Alle Psallite - The Martin Best Consort
    16. Forgotten Provence: Rossignolet Du Bois: Carole In Ballade Form - The Martin Best Consort
    17. Forgotten Provence: Rossignolet Du Bois: Bas-Languedoc - The Martin Best Consort
    18. Forgotten Provence: Lo Sodard: Bas-Limousin - The Martin Best Consort
    19. Forgotten Provence: Epiphaniam Domino - The Martin Best Consort
    20. Forgotten Provence: Reis Glorios: Alba - The Martin Best Consort

    Tracks:

    1. Songs Of Chivalry: Estampie - The Martin Best Mediaeval Ens
    2. Songs Of Chivalry: The Song Of Nothing: - The Martin Best Mediaeval Ens
    3. Songs Of Chivalry: Coda - The Martin Best Mediaeval Ens
    4. Songs Of Chivalry: En L'anque Chevalier: Huon D'oisy - The Martin Best Mediaeval Ens
    5. Songs Of Chivalry: Tant Ai Amors - The Martin Best Mediaeval Ens
    6. Songs Of Chivalry: Costume Est Bien - The Martin Best Mediaeval Ens
    7. Songs Of Chivalry: Pax In Nomine Domini - The Martin Best Mediaeval Ens
    8. Songs Of Chivalry: L'amour Dont Sui Espris - The Martin Best Mediaeval Ens
    9. Songs Of Chivalry: Danse Royale - The Martin Best Mediaeval Ens
    10. Songs Of Chivalry: Ce Fut En Moi - The Martin Best Mediaeval Ens
    11. Songs Of Chivalry: La Dousa Votz - The Martin Best Mediaeval Ens
    12. Songs Of Chivalry: Chansons De Toile - The Martin Best Mediaeval Ens
    13. Songs Of Chivalry: Chevaliers, Mullt Este Guariz - The Martin Best Mediaeval Ens
    14. Songs Of Chivalry: Non Sap Chantar - The Martin Best Mediaeval Ens
    15. Songs Of Chivalry: A Chantar M-er - The Martin Best Mediaeval Ens
    16. Songs Of Chivalry: Li Jolitz Temps D'estey - The Martin Best Mediaeval Ens
    17. Songs Of Chivalry: Pois Tals Sabers - The Martin Best Mediaeval Ens
    18. Songs Of Chivalry: Now I Can Delight In Love - The Martin Best Mediaeval Ens
    19. Songs Of Chivalry: E-I Mare E-I Pare - The Martin Best Mediaeval Ens

    Tracks:

    1. Cantigas Of Santa Maria: Santa Marie, Strella Do Dia: Holy Mary, Star Of The Day Cantiga No.100 - The Martin Best Mediaeval Ens
    2. Cantigas Of Santa Maria: Non Sofre Santa Maria: The Lost Steak Cantiga No.159Cantigas Of Santa Maria - The Martin Best Mediaeval Ens
    3. Cantigas Of Santa Maria: Non E Mui Gran Maravilla: The German Gambler Cantiga No.294 - The Martin Best Mediaeval Ens
    4. Santa Marie Amar: The Baby Rescue Cantiga No.7 - The Martin Best Mediaeval Ens
    5. Cantigas Of Santa Maria: A Santa Maria Dadas Sejan Loores: To Holy Mary Praise Be Given, Cantiga... - The Martin Best Mediaeval Ens
    6. Cantigas Of Santa Maria: Quen Boa Dona Querra Loar: He Who Wishes To Praise A Good Lady Cantiga No.1 - The Martin Best Mediaeval Ens
    7. Cantigas Of Santa Maria: Muit E Mais A Piadade: The Girl Who Ate Spiders Cantiga No.201 - The Martin Best Mediaeval Ens
    8. Cantigas Of Santa Maria: A Virgen, Que Deus Madre Est: A Man Swallows A Rabbit Bone Cantiga No.322 - The Martin Best Mediaeval Ens
    9. Cantigas Of Santa Maria: Virgen, Madre Gloriosa: Glorious Virgin Mother Cantiga No.340 - The Martin Best Mediaeval Ens
    10. Cantigas Of Santa Maria: Porque Ben Santa Maria: A Priest Steals An Alter Cloth Cantiga No.327 - The Martin Best Mediaeval Ens
    11. Cantigas Of Santa Maria: Entre Av' E Eva: Between Ave And Eve Cantiga No.60 - The Martin Best Mediaeval Ens
    12. Cantigas Of Santa Maria: Se Ome Fezer De Grado: A Knight's Forgiveness Cantiga No.207 - The Martin Best Mediaeval Ens
    13. Cantigas Of Santa Maria: Fremosos Miragres: A Knight's Hawk Cantiga No.352 - The Martin Best Mediaeval Ens
    14. Cantigas Of Santa Maria: Por Nos, Virgen Madre: Implore God For Us, Virgin Mother Cantiga No.250 - The Martin Best Mediaeval Ens
    15. Cantigas Of Santa Maria: Ben Pode Santa Maria: A Dragon-Slaying Cantiga No.189 - The Martin Best Mediaeval Ens
    16. Cantigas Of Santa Maria: O Que En Santa Maria: A Knight Bargains With The Devil Cantiga No.216 - The Martin Best Mediaeval Ens
    17. Cantigas Of Santa Maria: Ay Santa Maria: Musa Goes To Heaven Cantiga No.79 - The Martin Best Mediaeval Ens
    18. Cantigas Of Santa Maria: Santa Maria Loei: Holy Mary Have I Praised Cantiga No.200 - The Martin Best Mediaeval Ens
    19. Cantigas Of Santa Maria: Muito, Foi Noss' Amigo: Gabriel Was Our Friend Cantiga No.210 - The Martin Best Mediaeval Ens
    20. Cantigas Of Santa Maria: Rosa Das Rosas: Rose Of All Roses Cantiga No.330 - The Martin Best Mediaeval Ens
    21. Cantigas Of Santa Maria: Santa Maria, Strella Do Dia: Holy Mary, Star Of The Day Cantiga No.100 - The Martin Best Mediaeval Ens
    22. Cantigas Of Santa Maria: Entre Av'e Eva: Between Ave And Eve Cantiga No.60 - The Martin Best Mediaeval Ens

    Tracks:

    1. The Dante Troubadours: Lamento Di Tristan: Istampitta And Rotta: - The Martin Best Mediaeval Ens
    2. The Dante Troubadours: Cantigas Of Santa Maria: Le Chansoneta - The Martin Best Mediaeval Ens
    3. The Dante Troubadours: Cantigas Of Santa Maria: Ges De Disnar - The Martin Best Mediaeval Ens
    4. The Dante Troubadours: Si-Us Quer Conselh, Bel Ami Alamanda - The Martin Best Mediaeval Ens
    5. The Dante Troubadours: Chasutz Sui De Mal En Pena - The Martin Best Mediaeval Ens
    6. The Dante Troubadours: Lo Ferm Voler - The Martin Best Mediaeval Ens
    7. The Dante Troubadours: Chanson Do-Ih Mot Son Plan E Prim - The Martin Best Mediaeval Ens
    8. The Dante Troubadours: Can Vei La Lauzeta - The Martin Best Mediaeval Ens
    9. The Dante Troubadours: Trotto - The Martin Best Mediaeval Ens
    10. The Dante Troubadours: Pois Tornaz Sui En Proensa - The Martin Best Mediaeval Ens
    11. The Dante Troubadours: Kalenda Maya - The Martin Best Mediaeval Ens
    12. The Dante Troubadours: Saltrello - The Martin Best Mediaeval Ens
    13. The Dante Troubadours: Non Alegra Cant Ni Critz - The Martin Best Mediaeval Ens
    14. The Dante Troubadours: Nuls Om En Ren (Melody Only) - The Martin Best Mediaeval Ens
    15. The Dante Troubadours: Ai, Lemozi - The Martin Best Mediaeval Ens
    16. The Dante Troubadours: Lauda Novella (Melody Only) - The Martin Best Mediaeval Ens
    17. The Dante Troubadours: Ben An Mort - The Martin Best Mediaeval Ens
    18. The Dante Troubadours: Lamento Di Tristan: Istampitta And Rotta - The Martin Best Mediaeval Ens

    Tracks:

    1. Amor De Lonh: Si-Us Quer Conselh, Bel Ami Alamanda - The Martin Best Consort
    2. Amor De Lonh: Beata Viscera - The Martin Best Consort
    3. Amor De Lonh: Can Lo Rossinhols E-I Folhos - The Martin Best Consort
    4. Amor De Lonh: Salterello (Instrumental Dance) - The Martin Best Consort
    5. Amor De Lonh: O Maria Lesse Virga - The Martin Best Consort
    6. Amor De Lonh: Ab Joi Mou Lo Vers E-I Comens - The Martin Best Consort
    7. Amor De Lonh: Danse Royale (Instrumental Dance) - The Martin Best Consort
    8. Amor De Lonh: Venit Dilectus - The Martin Best Consort
    9. Amor De Lonh: Can Lo Rius De La Fontana - The Martin Best Consort
    10. Amor De Lonh: Ductia (Instrumental Dance) - The Martin Best Consort
    11. Amor De Lonh: Salterello (Instrumental Dance) - The Martin Best Consort
    12. Amor De Lonh: Alma Redemptoris Mater - The Martin Best Consort
    13. Amor De Lonh: Paradisi Porta - The Martin Best Consort
    14. Amor De Lonh: Tan Ai Mo Cor Ple De Joya - The Martin Best Consort
    15. Amor De Lonh: Lamento Di Tristan (Instrumental Dance) - The Martin Best Consort
    16. Amor De Lonh: Rotta (Instrumental Dance) - The Martin Best Consort
    17. Amor De Lonh: Anima Mea Liquefacta Est - The Martin Best Consort
    18. Amor De Lonh: Can Par La Flors Jostal Vert Folh - The Martin Best Consort
    19. Amor De Lonh: Canso Melody Of Guiraut De Bornelth - The Martin Best Consort

    Tracks:

    1. The Last Of The Troubadours: The Sack Of Beziers - The Martin Best Mediaeval Ens
    2. The Last Of The Troubadours: Rassa, Tan Creis - The Martin Best Mediaeval Ens
    3. The Last Of The Troubadours: No-M Say D'Amour - The Martin Best Mediaeval Ens
    4. The Last Of The Troubadours: La Segonda Retroencha - The Martin Best Mediaeval Ens
    5. The Last Of The Troubadours: Planh For The Lord Of Narbonne - The Martin Best Mediaeval Ens
    6. The Last Of The Troubadours: Au Temps D'Auost - The Martin Best Mediaeval Ens
    7. The Last Of The Troubadours: Cantiga - The Martin Best Mediaeval Ens
    8. The Last Of The Troubadours: Fid E Verays - The Martin Best Mediaeval Ens
    9. The Last Of The Troubadours: Maraveillosos Et Piadosos - The Martin Best Mediaeval Ens
    10. The Last Of The Troubadours: La Redonda - The Martin Best Mediaeval Ens
    11. The Last Of The Troubadours: Mais Non Faz - The Martin Best Mediaeval Ens
    12. The Last Of The Troubadours: La Premieyra Retroencha - The Martin Best Mediaeval Ens
    13. The Last Of The Troubadours: Jesu Crist - The Martin Best Mediaeval Ens
    14. The Last Of The Troubadours: Rossinyol - The Martin Best Mediaeval Ens
    15. The Last Of The Troubadours: Los Esclops - The Martin Best Mediaeval Ens
    16. The Last Of The Troubadours: Ja Mais Non Er - The Martin Best Mediaeval Ens
    17. The Last Of The Troubadours: Vers: Be-M Clegra (Melody & English Text) - The Martin Best Mediaeval Ens
    18. 'La Chanson De La: The Last Of The Troubadours - The Martin Best Mediaeval Ens
    19. The Last Of The Troubadours: Melody: Si Tot Me Sui A Tart Apperceubutz - The Martin Best Mediaeval Ens

    Amazon.com

    Here are five and a half hours of little-known music dating from the mid-12th century to the start of the 16th. Some of it comes from France (Provence, in particular), some from Spain (songs of praise to the Virgin Mary--many in amazing dance rhythms), some from Italy (songs of love and war of the troubadours). There are instrumentals with great vigor, complicated vocal works, chant, the expected music of praise, and a few unexpectedly ribald--almost lewd--songs. Taken a CD at a time, this is a magnificent journey, but be warned: being stuck in the Middle Ages for too long might make you yearn for those simple, high-minded times. --Robert Levine

    Customer Reviews:

    3 out of 5 stars but what are they saying?.......2006-06-06

    This is, musically, a wonderful set. But beware: there are no song text translations; a fatal oversight for six CDs of almost exclusively vocal music by composers to whom text was as important as melody, and in languages that don't exist anymore. In that regard, it was very disappointing.

    5 out of 5 stars A heapin' helpin' of early music.......2005-10-14

    Wonderful from start to finish, this set is quite a sampler, with enjoyable selections performed and recorded well. I suspect some accomodation is being made to the comtemporary listener here and some of the performances may not be 100% "historically accurate." But so what? I've been listening to this at home and while out and about on my iPod. There's quite a variety here which causes the set to avoid the "sameness" of many other sets of this type I've purchased. And the price is defnitely right, particularly for a used copy. What've you got to lose? Give it a shot!

    4 out of 5 stars Exclent cd for mediaeval music........1999-11-09

    If your just getting into music from this time period this is the cd for you. It gives samples of music that dates from the 1100s to the 1400s.
    Torbellino De Amor
    Average customer rating: Not rated
      Torbellino De Amor
      Miles Peña
      Manufacturer: Rmm Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | International | Styles | Music
      GeneralGeneral | Latin Music | Styles | Music
      SalsaSalsa | Latin Music | Styles | Music
      ASIN: B000001265
      Release Date: 1996-10-08

      Tracks:

      1. No Dejemos Que Muera El Amor
      2. Me Dices Que Te Vas
      3. Torbellino De Amor
      4. Me Sospecho
      5. Hoy No Es Un Buen Dia
      6. Mirame A La Cara
      7. Tengo Mucho Sueno
      8. Cuando El Se Vaya
      9. Mi Mejor Capitulo
      10. With A Little Help From My Friends
      El Canto de la Sibilla I & II; El Cancionero; Cantigas (Box Set)
      Average customer rating: Not rated
        El Canto de la Sibilla I & II; El Cancionero; Cantigas (Box Set)

        Manufacturer: Naive
        ProductGroup: Music
        Binding: Audio CD

        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        ASIN: B00007J4XK
        Release Date: 2003-11-18
        Piva
        Average customer rating: Not rated
          Piva
          Duo Live Oak
          Manufacturer: Gyre
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Opera & Vocal | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          ClassicalClassical | Indie Music | Stores | Music
          ASIN: B000068MGV
          Release Date: 2002-06-01

          Tracks:

          1. Llaman a Teresica anonymous 1:37
          2. Teresica hermana Flecha/Fuenllana 1:57
          3. Tan buen ganadico del Encina 1:28
          4. Como estola mi vida Ponce 1:46
          5. Si damor pena sentanonymous 4:25
          6. Fantasia 84 Francesco da Milano 1:09
          7. De la vida deste mundo anonymous 2:29
          8. Ricercar 11 Francesco 1:45
          9. Tous les regrets de la Rue 8:39
          10. Tastar de corde Dalza 1:31
          11. Per dolor Tromboncino 4:36
          12. Tastar de corde Dalza 1:17
          13. Se me grato Lupus 2:39
          14. Recercar dietro/Quasi sempre/Piva 4:44
          15. Ostinato vo seguire Tromboncino 2:30
          16. Tastar de corde Dalza 0:36
          17. Si liet e grata morte Verdelot 2:56
          18. Tastar de corde Dalza 0:49
          19. Vita della mia vita Verdelot 2:01
          20. Il bianco e dolce cigno Arcadeldt 2:00
          21. Fantasia 81/Gloriar mi possio 2:57Francesco/Verdelot
          22. Fantasia 17 Francesco 2:25
          23. Madonna qual certezza Verdelot 2:19
          24. Benchel misero cor Verdelot 1:36
          25. Recercar 8 Francesco 2:29Total time: 63:37

          Album Description

          A kaleidescope of voices and lute and vihuela - this recording presents passionate songs of the Italian and Spanish Renaissance. LiveOak has a longstanding reputation for its vibrant performances of this repertoire. The grace with which solo song flows into lute solo into soaring duo of voices with lute accompaniment, constantly shifting focus, color and mood, is captivating.

          International Music:

          1. Piazza Del Campo: Live in Siena [Import]
          2. Praise The Lord [Import]
          3. Raheeb [Import]
          4. Reflections
          5. REGGAE REVOLUTION
          6. Rhythms of the Natural Voice
          7. Rock the Nations
          8. Sinfonie Der Sterne, 3 [Import]
          9. Sinfonie Der Sterne, 4 [Import]
          10. Sinfonie Der Sterne [Box set] [Import]

          International Music

          International Music