| 1. Las Cerezas |
| 2. Tamarindo |
| 3. Sin Tu Amor |
| 4. Maniqui |
| 5. El Novillo |
| 6. El Muerto Vivo |
| 7. Regalo Equivocado |
| 8. Pena De Amor |
| 9. Mi Despedida |
| 10. El Mismo Amor |
Pena De Amor,Region Nortena
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Handel Operatic Duets ~ Amor e gelosia / Ciofi · Di Donato · Il Complesso Barocco · Curtis
George Frideric Handel , Patricia Ciofi , Joyce Di Donato , Alan Curtis , and Il Complesso Barocco Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001CTKD0 Release Date: 2004-06-01 |
Tracks:
- Caro Amico Amplesso!
- Scherzano Sul Tuo Volto
- Non Ti Basto, Consorte/Io T'abbraccio
- Mio Diletto, Che Pensi?/Sol Per Te, Bell'idol Mio
- Per Le Porte Del Tormento
- Del Destin Non MI Lagno/Caro, Tu M'accendi
- Amarilli?/Amarilli? Oh Dei! Che Vuoi?
- Vivo Senz'alma, O Bella
- Finche Prendi
- Perfidi! Ite Di Poro/Se Mai Piu Saro Geloso
- Macedoni Guerrieri/Se Mai Turbo Il Tuo Riposo
- Sinfonia To Act 3
- Gran Pena E Gelosia!
- Lode Agli Dei/Se Mai Turbo Il Tuo Riposo
- Alma Mia, Dolce Ristoro
- Ricordati, Mio Ben
- Addio, Mio Caro Bene
Amazon.com
In baroque opera, the spotlight was usually reserved for the bravura arias, designed to show off the singers' brilliant coloratura and skill in improvising ornamentation. The ensembles, on the other hand, were left to languish in the shadows. This record aims to right that wrong in a program of 17 duets drawn from 13 mostly unfamiliar Handel operas. In an attempt to create some cohesion, these primarily short selections are arranged under the heading "Love and Jealousy," with love predominating and usually prevailing. If the title sounds a bit gimmicky, never mind: the music's the thing and it is wonderful. Expressed with Handel's inimitable dramatic intensity and deeply felt inwardness, it encompasses every amorous emotion from tenderness, ardent protestation and rapturous joy to fear of loss, anguish and mournful farewell, using an infinite variety of form, texture and character. Some duets begin with a recitative; the voices separate and unite, conversing, interweaving, joining in imitation or harmony. The orchestra, a period-instrument group of soloists, provides introductions, interludes and postludes which set mood and atmosphere and contribute greatly to contrast and diversity. The performances are splendid. The two singers prove that the duet is as fertile a vehicle for virtuosic display as any aria, and they find plenty of opportunities for ornamentation in the da capos. Their voices can blend and merge as well as remain distinctly individual in timbre and color, and they succeed in creating, or at least suggesting, situations and personalities even in the shortest selections. The playing is impeccable: rhythmically crisp and pungent, texturally transparent, and very expressive. The only cavil is that the selections often follow each other without a pause, making it difficult to be sure where one ends and the next begins. --Edith EislerCustomer Reviews:
Stellar Singing.......2007-01-04
In the case of this CD, who cares? This is literally some of the loveliest Baroque ensemble singing I have ever heard. The pairing of Joyce DiDonato with Patrizia Ciofi was a stroke of brilliance. Their voices match perfectly. Their intonation is spot on, all the time. Their ornamentations, particularly the da capo ornamentations, are intelligently selected and brilliantly executed. The balance is just right between the singers and the chamber musicians.
I have a big thanks to give to Virgin Veritas and these two wonderful artists for this CD. It will get lots of play in my home.
Highly recommended.
From still waters to fireworks in baroque singing - Duets sung exquisitely.......2005-11-28
I note that some other reviewers quibble with a) duets only on this recording; and b) a sense of disjointedness.
Addressing both of those issues, let's admit that any recital disc is going to give some disjointedness in the absolute and literal sense. To take a portion of an opera out of its setting and perform it separately is a sort of amputation, be it an album of arias OR an album of duets. Should singers then avoid putting out solo recordings of Handel arias? I find no reason to come to THAT conclusion - and for the same reason, I have no quarrel at all with the recording of an album of Handel duets.
Of course, to enjoy Handel to the fullest degree, do get full recordings as well... but even in Handel's time, singers would pull specific bits of their roles out of context, perform them separately... so it's a time-honoured practice! Let us simply enjoy the high standard of the music without worrying about context in any recording of arias, duets, trios, or operatic scenes.
Handel's duets vary so much in their shape, melodies, harmonies, rhythms - there's plenty of variety. It comes down to a question of the singers involved having suitable voices, singing appropriately for the style, the playing of the orchestra, and the particular variety of duets chosen.
On all points, this album scores highly! Both Ms Ciofi and Ms Di Donato have beautiful voices, clearly trained in baroque singing, and they have equally clearly put in a lot of work to achieve a lovely blend and similar approach within these duets. What a joy to hear gifted singers perform these duets with such intelligence, emotional involvement and lovely, lovely tone!
This recording is a favourite of mine - not just because I perform many of the duets on this CD with another soprano, but because I am genuinely delighted to hear appropriately performed Handel singing in a duet album. I've found fault with some other duet albums because I consider them under-rehearsed, insufficiently blended, and inappropriately embellished - but this album shows none of those faults, and I am very happy to recommend it highly and without reservation. Beautiful singing, beautiful works - you can scarcely wish for more!
Supreme Handel Duets Lack Dramatic Context But Still Lovely.......2005-01-08
It's a nice idea to make a disc of just Handel duets but also a bit risky since they usually represent the major dramatic highpoints of his operas, mostly coming at the end of an act or of the entire opera. Given that fact, one would think there would be plenty of exhausting dramatic fireworks by providing one duet after another. In fact, the higher profile duets, such as the aforementioned "Io t'abbraccio" and the equally famous "Scherzano sul tup volto" from "Rinaldo", feel a bit lackluster probably because their gorgeous music crowns the end of scenes full of tension and drama. The joy in hearing two characters sing together, especially after hearing each of them express their individual sentiments, acts as a catharsis. But here the duets become lovely moments partially robbed of their dramatic impact because the organic synthesis of character and music is lost. Certainly it's not easy to deliver a recital containing only music that Handel devised for key dramatic moments. Yet, it more often does work here perhaps because there are a treasure trove of little-known gems such as "Caro, tu m'accendi" from "Faramondo", "Se mai turbo il tuo riposo" from "Poro" and "Alma mia, dolce ristoro" from "Admeto". The performances really become more like chamber music pieces, almost understated and always tasteful. Toward that end, the singing is expressive and stylish as Ciofi and Di Donato play lovers who quarrel and console in these duets. Together they bring this recording to a consistently high level regardless of the dramatic shortcomings, and their emotional availability makes their unified voices all the more resonant as they get lost in each other.
A feast .......2004-09-28
Just buy it for an unparalleled vocal chord experience; marvel at the singing. Any other considerations are entirely oblivious.
A sumptuous feast of Handel.......2004-08-04
His band is small, one player per part, withe the resultant effect rather to make the duets seems like chamber music. There is a danger in that with duets such as Io t'abbraccio (end of Act 2 Rodelinda) taken out of context that the dramatic moment of the music would be lost. However, by arranging the duets in a sequence (as Curtis writes in the notes) from love's joy through self-doubt and jealousy, back to undying love, the duets out of context sound superb.
Both singers, Patrizia Ciofi (Soprano) and Joyce di Donato (Mezzo) sound thoroughly at home in the idiom of baroque opera, and in fact their cadenzas and ornamentation are delightfully understated, rather than the sort of shrieking 'I can go higher still' of some more lauded performers. I look forward to Curtis' forthcoming recordings of Lotario, Rodelinda and Radamisto, if these performers are to be retained.
In short this is a delightful enterprise showing the genious of Handel in dealing with the most basic of human emotions - love and jealousy. Well done Alan Curtis!
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Cancionero Musical de Palacio
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000149R Release Date: 1996-11-05 |
Tracks:
- Rodrigo Martinez
- Con Amores, Mi Madre
- Pues Que Jamas Olvidaros
- Si Abra En Este Baldres
- Si D'Amor Pena Sentis
- Tir Alla, Que Non Quiero
- Todo Quanto Yo Servi
- Levanta Pascual
- Malos Adalides Fueron
- Todos Los Bienes Del Lmundo
- Durandarte
- Fata La Parte
- Pedro, I Bien Te Quiero
- Danza Alta
- Qu'es De Ti, Desconsolado
- La Tricotea
- Ay Triste, Que Vengo
- So Ell Enzina
- Como Esta Sola Mi Vida
- O Voy
- Tres Morillas M'Enamoran
- Hoy Comamos Y Bebamos
Customer Reviews:
they're at it again!.......2001-08-07
Musica en el Palacio de los reyes catolicos.......1999-12-07
Very good.......1999-07-11
There is also another recording of similar material on Naxos : Royal Songbook, by Thorby and Musica Antiqua London - but that is marred by lack of texts or translations. (Naxos 553325)
And a final recommendation : Music of the Spanish Renaissance / Shirley Rumsey / Recorded 1991 / Spanish texts and English translations. 550614
Some very lively and lovely music.......1999-02-28
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Secular Music from Christian and Jewish Spain
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J2QD Release Date: 1999-06-08 |
Tracks:
- Villancicos From Cancionero de la Colombina: Ni?a y vi?a
- Villancicos From Cancionero de la Colombina: Propide melyor
- Villancicos From Cancionero de la Colombina: Como no le andaro
- Villancicos From Cancionero de la Colombina: Recercada
- Villancicos From Cancionero de la Colombina: Fantasia
- Villancicos From Cancionero de la Colombina: Pavana
- Villancicos From Cancionero de Palacio: Al alva venid, buen amigo
- Villancicos From Cancionero de Palacio: Perda mi rrueca
- Villancicos From Cancionero de Palacio: A los badel amor
- Villancicos From Cancionero de Palacio: Fantasia
- Villancicos From Cancionero de Palacio: Romanesca
- Villancicos From Cancionero de Palacio: Pues bien para esta
- Villancicos From Cancionero de Palacio: Si av dicho, marido
- Romances From Cancionero de Palacio: Si d'amor pena sent
- Romances From Cancionero de Palacio: O voy
- Romances From Cancionero de Palacio: Qu'es de ti, desconsolado
- Recercadas sobre tenores: Recercada 4
- Recercadas sobre tenores: Recercada 5
- Recercadas sobre tenores: Recercada 6
- Villancicos From Cancionero de Uppsala: Yo me soy la morenica
- Villancicos From Cancionero de Uppsala: Si la nocha haze escura
- Villancicos From Cancionero de Uppsala: Soleta s ac
- Villancicos From Cancionero de Uppsala: Con qua lavar
- Villancicos From Cancionero de Uppsala: Soy serranica
Tracks:
- Sephardic Romaces: Pregoneros van y vienen
- Sephardic Romaces: El rey de Francia tres hijas tenia
- Sephardic Romaces: Una matica de Ruda
- Sephardic Romaces: Palestina hermoza
- Sephardic Romaces: Nani, nani
- Sephardic Romaces: El rey que tanto madruga
- Sephardic Romaces: Por que llorax blanca nina
- Sephardic Romaces: Moricos los mis moricos
- Sephardic Romaces: Lavava y suspirava
- Sephardic Romaces: Paxarico tu te llamas
- Sephardic Romaces: La Reina xerifa mora
- Sephardic Romaces: Por alli paso un cavallero
Amazon.com
Before their expulsion in 1492, the Jews of medieval Spain developed a rich and lively culture, including an exquisite repertory of songs called romanceros--and they kept that repertory alive as they settled in places as diverse as Morocco, Bosnia, Turkey, and Bulgaria. Lovely as the romanceros are, they would have languished as the objects of ethnomusicological studies and might have disappeared altogether, were it not for the efforts of gifted musicians like Hespèrion XX. Jordi Savall and his ensemble, fronted by the unique soprano Montserrat Figueras, just about single-handedly brought those songs to the attention of the modern public with this 1976 recording (now reissued at a bargain price). Disc 1 features a selection of secular music from "Christian" Spain--that is, the courts of Ferdinand and Isabella and the Catholic nobility. The music is elegant and occasionally austere, but Figueras, Savall, and colleagues give the livelier pieces a flavorful swing. Yet disc 2, which features the Sephardic songs, is the real drawing card here. It was in Moorish Spain that Jewish culture flourished, so Hespèrion XX performs the romanceros with Arabic instruments, such as the 'ud (the ancestor of the European lute) and hand drums. These musicians, rechristened Hespèrion XXI in honor of the new century, perform this repertory with more polish now than they did in 1976, but--just as A Feather on the Breath of God did for Hildegard von Bingen--this recording made its own little bit of musical history. --Matthew WestphalCustomer Reviews:
Like a religious experience.......2007-03-28
Dissappointing soprano.......2006-02-22
Begona Olavide and Carlos Paniagua on MA recodings. The music was fine but singing by soprano Montserrat Figueras was borderline annoying.
A balm for any soul.......2001-01-02
Anyone visiting this page must certainly know of Jordi Savall and Hesperion XX. You may, however, have missed the glory of Montserrat Figueras' voice. Make up for that lack right away. The selections available here are pitifully limited, but this CD is as good an introduction as any. Don't hesitate to sit and enjoy this music. The sounds received will be a reward to whatever spiritual sense you possess.
Ten stars if possible..........2000-01-27
Historical re-release.......1999-07-20
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Les tres riches heures du Moyen Age: A Medieval Journey
Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000074R Release Date: 1995-11-21 |
Tracks:
- 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
- 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
- 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY
Tracks:
- 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
- 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
- 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
- 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
- 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
- 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum
Tracks:
- The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
- The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
- Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
- Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
- Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
- Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
- Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY
Tracks:
- 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
- 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
- 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
- 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
- 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
- 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4
Tracks:
- 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
- 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
- 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
- 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
- Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
- Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble
Tracks:
- Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
- 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
- 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
- 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
- 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
- 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
- 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
- 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
- Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
- Lute Music: 'Nous bergiers' - Paul O'Dette
- Lute Music: Ricercar No. 33 - Paul O'Dette
- Lute Music: 'Il est bel et bon' - Paul O'Dette
Customer Reviews:
Excellent, but What Are the Words?.......2006-07-04
outstanding collection.......2002-09-27
Awesome.......2001-09-20
7.5 hours of superb music at a most reasonable price........1999-12-24
You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.
When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.
At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.
Average customer rating: |
Masters of the Guitar
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007CEXO0 Release Date: 2005-02-08 |
Tracks:
- Allemande - Andreas Segovia
- Bouree - Andres Segovia
- Canarios - Alexandre Lagoya
- Sonata In E Major - Alexandre Lagoya & Ida Presti
- Variations On A Theme By Mozart - John Williams
- Romanza: Piu Tosto Largo. - Edardo Fernandeaz
- Sevilla - Angel Romero
- Asturias (Leyenda) - Narciso Yepes
- Spanish Dance No. 5, Op. 37 'Andaluza' - Pepe Romero
- Recuerdos De La Alhambra - Narciso Yepes
- Garrotin - Julian Bream
- Soleares - Julian Bream
- Preludio. Lento - Goran Sollscher
- Andante Solemne - Goran Sollscher
- Allegretto - Goran Sollscher
- Una Limosna Por El Amor De Dios - Alexander-Sergei Ramierez
- Valse Criollo - John Williams
- Homenaje 'Le Tombeau De Debussy' - Julian Bream
- Cacion De Cuna (Berceuse) - Goran Sollscher
- Etude No. 1 For Guitar In E Minor - John Williams
- Choro No. 1 - Eduardo Fernandez
- Ayer Y Hoy (Guajiras) - Paco Pena
Tracks:
- (Allegro Giusto) - Goran Sollscher
- Largo - Goran Sollscher
- Allegro - Goran Sollscher
- Allegro Maestoso - Eduardo Fernandez
- Andante Siciliano - Eduardo Fernandez
- Alla Polacca - Eduardo Fernandez
- Villano Y Ricercare (Adagietto/Andante Moderato) - Andres Seovia
- Espanoleta Toques De La Caballeria De Napoles - Andres Seovia
- Danza De Las Hachas (Allegro Con Brio) - Andres Seovia
- Canario (Allegro Ma Non Troppo) - Andres Seovia
- Allegro Con Spirito - Pepe Romero Christine Pendrill
- Adagio - Pepe Romero Christine Pendrill
- Allegro Gentile - Pepe Romero Christine Pendrill
Average customer rating:
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The Golden Age of Singing: Vol. 3 1920-1930
Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000058TFX Release Date: 2001-03-06 |
Tracks:
- Romeo Et Juliette: Je Veux Vivre Dans Ce Reve (Waltz Song) - Lucrezia Bori
- Andrea Chenier: Un Di, All'azzuro Spazio - Beniamino Gigli
- Die Tote Stadt: Gluck, Das Mir Verblieb - Maria Jeritza
- Don Giovanni: Or Sai Chi L'onore - Frida Leider
- I Puritani: Son Vergin Vezzosa - Amelita Galli-Curci
- Carmen: La Fleur Que Tu M'avais Jetee - Richard Tauber
- Die Entfuhrung Aus Dem Serail: Martern Aller Arten - Maria Ivogun
- Cavalleria Rusticana: O Lola (Siciliana) - Aureliano Pertile
- Don Sebastiano: Deserto In Terra Solo - Alfred Piccaver
- Il Barbiere Di Siviglia: Una Voce Poco Fa - Toti Dal Monte
- Benvenuto Cellini: De L'art Splendeur Immortelle - Giuseppe De Luca
- La Boheme: Mimi E Una Civetta - Antonio Cortis
- Die Schone Galathea: Trinklied - Lotte Schone
- Rigoletto: Pari Siamo - Carlo Galeffi
- Resurrection: Dieu De Grace - Mary Garden
- Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann
- Don Quichotte: Death Scene - Feodor Chaliapin/Olive Kline
- Marina: Brindis: 'A Beber' - Miguel Fleta/Emilio Sagi-Barba
- Le Nozze Di Figaro: Porgi Amor - Lotte Lehmann
Tracks:
- Pagliacci: No, Pagliaccio Non Son - Giovanni Martinelli/Grace Anthony
- I Vespri Siciliani: O Patria...O Tu Palermo - Ezio Pinza
- Aida: Nile Scene: O Patria Mia - Elisabeth Rethberg
- Der Fliegende Hollander: Wie Aus Der Ferne - Friedrich Schorr
- Les Pelerins De La Mecque: C'est Un Torrent Impetuex - Lucien Fugere
- Il Trovatore: Il Balen Del Suo Sorriso - Apollo Granforte/Guglielmo Masini
- Der Wildschutz: Wie Freundlich Strahlt - Gerhard Husch
- Prince Igor: Jaroslavana's Aria - Nina Koshetz
- Norma: Meco All'altar Di Venere - Giacomo Lauri-Volpi
- Turandot: In Questa Reggia - EVA TURNER
- Lohengrin: Einsan In Truben Tagen (Elsa's Dream) - Hina Spani
- Werther: Va Laisse Couler - Ninon Vallin
- Les Huguenots: Nobles Seigneurs - Sigrid Onegin
- Bernice: Si Tra I Ceppi - Alexander Kipnis
- Tannhauser: Inbrunst Im Herzen...Da Sah Ich Ihn - Lauritz Melchior
- Otello: Ora E Per Sempre Addio - Renato Zanelli
- Un Ballo In Maschera: Eri Tu - Lawrence Tibbett
Customer Reviews:
Great Voices of the 1920s in Opera and Operetta........2001-12-30
Whatever criteria you use to assess anthologies of great singers, you will probably be well satisfied with this splendid issue. If you collect the works of particular singers, you will find not only representative but also rare items. I count the Pinza item as both. It shows him at his best, and has hitherto not found its ways into my CD collection. Occasionally items are not sung in their original language. Frida Leider's "Don Giovanni" aria sung in German in 1922 is preferred to her 1927 remake sung in Italian. Hina Spani sings Elsa's Dream in Italian. Some singers are recorded at the very end of their careers. Scottish soprano Mary Garden, Debussy's first Melisande, is heard in 1927 at her last recording session. Representing a miracle of good singing and longevity is Lucien Fugère recording a Gluck aria in 1928 at the age of 80. Tauber is heard near the beginning of his career in 1923. Youngest of all is the German baritone Gerhard Hüsch, aged 27.
I doubt that many who are considering purchase, every heard any of these singers. I happen to have heard two of them, when a very young man - Ninon Vallin and Elisabeth Schumann. To those who collect great voices on record, whether ever heard in performance or not, I restate that these Nimbus anthologies offer recreations of acoustic recordings that are well worth considering.
Average customer rating:
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A Mediaeval Banquet: Music from the Age of Chivalry
Mediaeval Consort Manufacturer: Nimbus Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000J7VP Release Date: 1999-05-18 |
Tracks:
- Forgotten Provence: Ne L'oserary-Je/Voulez-Vouz Que Je Vous Dise?: Chansons-Avec-Refrains - The Martin Best Consort
- Forgotten Provence: Les Airs De Cerveau, Carole In Ballad Form: Dessus La Rive - The Martin Best Consort
- Forgotten Provence: A Chanter M-Er - The Martin Best Consort
- Forgotten Provence: Vecy Le Mai: Carole In Rondeau Form - The Martin Best Consort
- Forgotten Provence: Ma Charmante Cadet: Trad. Pastorela, Limousin - The Martin Best Consort
- Forgotten Provence: Alleluia Justus - The Martin Best Consort
- Forgotten Provence: A L'entrada Del Tens Clar: 12th Century Dance-Song In Carole Form - The Martin Best Consort
- Forgotten Provence: Li Gelos: Troubadour Dance-Song - The Martin Best Consort
- Forgotten Provence: Air De Cheval-Jupon: Languedoc Dance - The Martin Best Consort
- Forgotten Provence: Lancan Li Jorn: Canso - The Martin Best Consort
- Forgotten Provence: Ara Lauzatz: Troubadour Vers - The Martin Best Consort
- Forgotten Provence: Laude Jocunda - The Martin Best Consort
- Forgotten Provence: Pucelete-Je Languis-Domino L. - The Martin Best Consort
- Forgotten Provence: Aucun-Lonc Tans-Annuntiantes - The Martin Best Consort
- Forgotten Provence: Alle Psallite - The Martin Best Consort
- Forgotten Provence: Rossignolet Du Bois: Carole In Ballade Form - The Martin Best Consort
- Forgotten Provence: Rossignolet Du Bois: Bas-Languedoc - The Martin Best Consort
- Forgotten Provence: Lo Sodard: Bas-Limousin - The Martin Best Consort
- Forgotten Provence: Epiphaniam Domino - The Martin Best Consort
- Forgotten Provence: Reis Glorios: Alba - The Martin Best Consort
Tracks:
- Songs Of Chivalry: Estampie - The Martin Best Mediaeval Ens
- Songs Of Chivalry: The Song Of Nothing: - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Coda - The Martin Best Mediaeval Ens
- Songs Of Chivalry: En L'anque Chevalier: Huon D'oisy - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Tant Ai Amors - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Costume Est Bien - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Pax In Nomine Domini - The Martin Best Mediaeval Ens
- Songs Of Chivalry: L'amour Dont Sui Espris - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Danse Royale - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Ce Fut En Moi - The Martin Best Mediaeval Ens
- Songs Of Chivalry: La Dousa Votz - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Chansons De Toile - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Chevaliers, Mullt Este Guariz - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Non Sap Chantar - The Martin Best Mediaeval Ens
- Songs Of Chivalry: A Chantar M-er - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Li Jolitz Temps D'estey - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Pois Tals Sabers - The Martin Best Mediaeval Ens
- Songs Of Chivalry: Now I Can Delight In Love - The Martin Best Mediaeval Ens
- Songs Of Chivalry: E-I Mare E-I Pare - The Martin Best Mediaeval Ens
Tracks:
- Cantigas Of Santa Maria: Santa Marie, Strella Do Dia: Holy Mary, Star Of The Day Cantiga No.100 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Non Sofre Santa Maria: The Lost Steak Cantiga No.159Cantigas Of Santa Maria - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Non E Mui Gran Maravilla: The German Gambler Cantiga No.294 - The Martin Best Mediaeval Ens
- Santa Marie Amar: The Baby Rescue Cantiga No.7 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: A Santa Maria Dadas Sejan Loores: To Holy Mary Praise Be Given, Cantiga... - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Quen Boa Dona Querra Loar: He Who Wishes To Praise A Good Lady Cantiga No.1 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Muit E Mais A Piadade: The Girl Who Ate Spiders Cantiga No.201 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: A Virgen, Que Deus Madre Est: A Man Swallows A Rabbit Bone Cantiga No.322 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Virgen, Madre Gloriosa: Glorious Virgin Mother Cantiga No.340 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Porque Ben Santa Maria: A Priest Steals An Alter Cloth Cantiga No.327 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Entre Av' E Eva: Between Ave And Eve Cantiga No.60 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Se Ome Fezer De Grado: A Knight's Forgiveness Cantiga No.207 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Fremosos Miragres: A Knight's Hawk Cantiga No.352 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Por Nos, Virgen Madre: Implore God For Us, Virgin Mother Cantiga No.250 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Ben Pode Santa Maria: A Dragon-Slaying Cantiga No.189 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: O Que En Santa Maria: A Knight Bargains With The Devil Cantiga No.216 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Ay Santa Maria: Musa Goes To Heaven Cantiga No.79 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Santa Maria Loei: Holy Mary Have I Praised Cantiga No.200 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Muito, Foi Noss' Amigo: Gabriel Was Our Friend Cantiga No.210 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Rosa Das Rosas: Rose Of All Roses Cantiga No.330 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Santa Maria, Strella Do Dia: Holy Mary, Star Of The Day Cantiga No.100 - The Martin Best Mediaeval Ens
- Cantigas Of Santa Maria: Entre Av'e Eva: Between Ave And Eve Cantiga No.60 - The Martin Best Mediaeval Ens
Tracks:
- The Dante Troubadours: Lamento Di Tristan: Istampitta And Rotta: - The Martin Best Mediaeval Ens
- The Dante Troubadours: Cantigas Of Santa Maria: Le Chansoneta - The Martin Best Mediaeval Ens
- The Dante Troubadours: Cantigas Of Santa Maria: Ges De Disnar - The Martin Best Mediaeval Ens
- The Dante Troubadours: Si-Us Quer Conselh, Bel Ami Alamanda - The Martin Best Mediaeval Ens
- The Dante Troubadours: Chasutz Sui De Mal En Pena - The Martin Best Mediaeval Ens
- The Dante Troubadours: Lo Ferm Voler - The Martin Best Mediaeval Ens
- The Dante Troubadours: Chanson Do-Ih Mot Son Plan E Prim - The Martin Best Mediaeval Ens
- The Dante Troubadours: Can Vei La Lauzeta - The Martin Best Mediaeval Ens
- The Dante Troubadours: Trotto - The Martin Best Mediaeval Ens
- The Dante Troubadours: Pois Tornaz Sui En Proensa - The Martin Best Mediaeval Ens
- The Dante Troubadours: Kalenda Maya - The Martin Best Mediaeval Ens
- The Dante Troubadours: Saltrello - The Martin Best Mediaeval Ens
- The Dante Troubadours: Non Alegra Cant Ni Critz - The Martin Best Mediaeval Ens
- The Dante Troubadours: Nuls Om En Ren (Melody Only) - The Martin Best Mediaeval Ens
- The Dante Troubadours: Ai, Lemozi - The Martin Best Mediaeval Ens
- The Dante Troubadours: Lauda Novella (Melody Only) - The Martin Best Mediaeval Ens
- The Dante Troubadours: Ben An Mort - The Martin Best Mediaeval Ens
- The Dante Troubadours: Lamento Di Tristan: Istampitta And Rotta - The Martin Best Mediaeval Ens
Tracks:
- Amor De Lonh: Si-Us Quer Conselh, Bel Ami Alamanda - The Martin Best Consort
- Amor De Lonh: Beata Viscera - The Martin Best Consort
- Amor De Lonh: Can Lo Rossinhols E-I Folhos - The Martin Best Consort
- Amor De Lonh: Salterello (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: O Maria Lesse Virga - The Martin Best Consort
- Amor De Lonh: Ab Joi Mou Lo Vers E-I Comens - The Martin Best Consort
- Amor De Lonh: Danse Royale (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: Venit Dilectus - The Martin Best Consort
- Amor De Lonh: Can Lo Rius De La Fontana - The Martin Best Consort
- Amor De Lonh: Ductia (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: Salterello (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: Alma Redemptoris Mater - The Martin Best Consort
- Amor De Lonh: Paradisi Porta - The Martin Best Consort
- Amor De Lonh: Tan Ai Mo Cor Ple De Joya - The Martin Best Consort
- Amor De Lonh: Lamento Di Tristan (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: Rotta (Instrumental Dance) - The Martin Best Consort
- Amor De Lonh: Anima Mea Liquefacta Est - The Martin Best Consort
- Amor De Lonh: Can Par La Flors Jostal Vert Folh - The Martin Best Consort
- Amor De Lonh: Canso Melody Of Guiraut De Bornelth - The Martin Best Consort
Tracks:
- The Last Of The Troubadours: The Sack Of Beziers - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Rassa, Tan Creis - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: No-M Say D'Amour - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: La Segonda Retroencha - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Planh For The Lord Of Narbonne - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Au Temps D'Auost - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Cantiga - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Fid E Verays - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Maraveillosos Et Piadosos - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: La Redonda - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Mais Non Faz - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: La Premieyra Retroencha - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Jesu Crist - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Rossinyol - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Los Esclops - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Ja Mais Non Er - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Vers: Be-M Clegra (Melody & English Text) - The Martin Best Mediaeval Ens
- 'La Chanson De La: The Last Of The Troubadours - The Martin Best Mediaeval Ens
- The Last Of The Troubadours: Melody: Si Tot Me Sui A Tart Apperceubutz - The Martin Best Mediaeval Ens
Amazon.com
Here are five and a half hours of little-known music dating from the mid-12th century to the start of the 16th. Some of it comes from France (Provence, in particular), some from Spain (songs of praise to the Virgin Mary--many in amazing dance rhythms), some from Italy (songs of love and war of the troubadours). There are instrumentals with great vigor, complicated vocal works, chant, the expected music of praise, and a few unexpectedly ribald--almost lewd--songs. Taken a CD at a time, this is a magnificent journey, but be warned: being stuck in the Middle Ages for too long might make you yearn for those simple, high-minded times. --Robert LevineCustomer Reviews:
but what are they saying?.......2006-06-06
A heapin' helpin' of early music.......2005-10-14
Exclent cd for mediaeval music........1999-11-09
Average customer rating: |
Torbellino De Amor
Miles Peña Manufacturer: Rmm Records ProductGroup: Music Binding: Audio CD ASIN: B000001265 Release Date: 1996-10-08 |
Tracks:
- No Dejemos Que Muera El Amor
- Me Dices Que Te Vas
- Torbellino De Amor
- Me Sospecho
- Hoy No Es Un Buen Dia
- Mirame A La Cara
- Tengo Mucho Sueno
- Cuando El Se Vaya
- Mi Mejor Capitulo
- With A Little Help From My Friends
Average customer rating: |
El Canto de la Sibilla I & II; El Cancionero; Cantigas (Box Set)
Manufacturer: Naive ProductGroup: Music Binding: Audio CD ASIN: B00007J4XK Release Date: 2003-11-18 |
Average customer rating: |
Piva
Duo Live Oak Manufacturer: Gyre ProductGroup: Music Binding: Audio CD ASIN: B000068MGV Release Date: 2002-06-01 |
Tracks:
- Llaman a Teresica anonymous 1:37
- Teresica hermana Flecha/Fuenllana 1:57
- Tan buen ganadico del Encina 1:28
- Como estola mi vida Ponce 1:46
- Si damor pena sentanonymous 4:25
- Fantasia 84 Francesco da Milano 1:09
- De la vida deste mundo anonymous 2:29
- Ricercar 11 Francesco 1:45
- Tous les regrets de la Rue 8:39
- Tastar de corde Dalza 1:31
- Per dolor Tromboncino 4:36
- Tastar de corde Dalza 1:17
- Se me grato Lupus 2:39
- Recercar dietro/Quasi sempre/Piva 4:44
- Ostinato vo seguire Tromboncino 2:30
- Tastar de corde Dalza 0:36
- Si liet e grata morte Verdelot 2:56
- Tastar de corde Dalza 0:49
- Vita della mia vita Verdelot 2:01
- Il bianco e dolce cigno Arcadeldt 2:00
- Fantasia 81/Gloriar mi possio 2:57Francesco/Verdelot
- Fantasia 17 Francesco 2:25
- Madonna qual certezza Verdelot 2:19
- Benchel misero cor Verdelot 1:36
- Recercar 8 Francesco 2:29Total time: 63:37
Album Description
A kaleidescope of voices and lute and vihuela - this recording presents passionate songs of the Italian and Spanish Renaissance. LiveOak has a longstanding reputation for its vibrant performances of this repertoire. The grace with which solo song flows into lute solo into soaring duo of voices with lute accompaniment, constantly shifting focus, color and mood, is captivating.International Music: